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deltaengineering · 10 months

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Spring Anime 2023: It builds character

Yuri is my Job!

I really wanted to like this one. As a noted Marimite enjoyer, as much as I like the stilted, abstract and operatic vibe of Class S, I also always felt that it's also a prime avenue for metafiction that takes a closer look at how bizarre that setting really is when looked at from outside. So this show about a bunch of girls that have to act out Class S gayfabe in a themed cafe seemed to have limitless potential.

There's only two problems with Watayuri: The first one is that it's not that show. It does not really engage with its setting much and is mostly interested in just being straightforward heightened yuri drama. This seems to be a case of the Re:Zeros or Mob Psychos: The writer is intimately familiar with the tropes, but isn't really interested in actually engaging with them beyond surface level, so they just wrote essentially Another One Of Those with a few jokes.

So that's a disappointment, but since this genre is so rare in anime I'd still have gladly taken it if it was good. But... it's not. Not only is it not Metamite, it's not even a bad Marimite; It's more like a bad Citrus. Drama like this requires really good characters, and all the characters in Watayuri are gimmicky and shallow: Hime's base characteristic is that she puts up a fake personality, which is treated with all the nuance an isekai writer exhibits when they make their main character OP via giving them a cheat skill, and she has just forgotten than Yano used to be her best friend. All other drama derives from this bad idea, so none of it really works. I could go through the entire cast but this review is already too long, so suffice it to say, if they seem interesting that only lasts as long as it takes for their drama to arrive.

It's really a shame, because even with these simplistic, unlikeable characters you could have made an entertaining, (early) Kaguya-ish comedy — which is why the few instances where they do exactly that save the show from being worthless. But still, having to admit the best episode in the entire thing is the one where the new uniforms make Yano's breasts look too big really points out the problem here. 5/10

Skip and Loafer

Skip and Loafer does raise a profound question: Can a show be so much of a 6/10 that it becomes a 5/10? I'm honestly surprised how little I enjoyed this show, because there's nothing really obviously wrong with it: it's lighthearted, cute, amusing, relatable, etc., and I've enjoyed many a banal Kiraralike in the past. But in the end, I think the reason is that there really isn't anything substantive to Skip and Loafer. It's bland and inoffensive to a fault and devoid of anything even remotely edgy. It's not funny enough to work as a comedy, it's not a romance because it really doesn't commit to that, and we'll get to the "drama".

The only really driving factor (and the show's biggest asset, as it were) is Mitsumi's tryhard but good-natured personality, and that can only get the show so far, especially since all the character development she gets is to become more normal and boring. As an aside that doesn't really fit anywhere else: I also really dislike hearing the clipped, stilted way Kurosawa delivers her lines in this show, which is weird because she's usually a very good actress. Shima is just boring from the start and has no chemistry with Mitsumi, and when he imports some contrived crazy ex drama into the show at the end it's eyerollingly stupid, but hey, that's as close to "something happening" as the show ever gets. Not that it matters with how inconsequential it is. The supporting cast is generally mildly amusing, but they're just sort of there and don't offer anything meaningful besides their presence.

Sure, none of those issues are close to dealbreakers, but what's lacking is a deal in the first place. I can understand why someone would like the show and I would not recommend against it, but it's just way too shallow. Even for me. 5/10

Jigokuraku

If you want to know what's bad about Jigokuraku, here it is: Glacial pacing, an intense amount of jargonbabble, flashbacks in the middle of fights everywhere, running commentary by bystanders on everything that happens, random powerups galore, and no ending.

However, I would assume that nobody saw the first episode and went away thinking "oh boy, sure hope this isn't an extra edgy shounen fighting manga". It most definitely is what it is, but with expectations duly adjusted, Jigokuraku is... fine, actually. It's got cool visuals, good production values, a fantastic OP (if nothing else, the show's a good excuse to listen to that song once a week), and most importantly really good characters for a show like this. None of them are particularly deep, but when they're just there to:

Be mammals,

Fight ALL the time,

Have the purpose to flip out and kill people,

I'm already content if they're more interesting than the ISO standard Shounen Jump (i.e., Dragonball Z) cast. It's just fun seeing Sagiri fret over whether she's really good enough at beheading people, or Gabimaru doing everything for a wife that may or may not exist, or Yuzuriha getting out her... well, let's stop this here. This show is cool; and by cool, I mean totally sweet. 6/10

Otaku Edomae Elf

I was pretty skeptical of this one at the beginning, because self-serving otaku jokes tend to get very old and also because the author uses RPG Elves as a shortcut to "immortal ancient being", which isn't a sign of high ambitions, especially nowadays. And while the elf part doesn't really matter one way or the other, the majority of the show is indeed Elda being a nerd and doing nerd things. It's not a large majority though, and the rest of the show provides an interesting thematic framework to hang the jokes on. The real core of the show is the odd couple relationship between Koito and Elda, with the former desperately wanting to be an adult while the latter has been around for practically forever while still being completely immature. It's very cute and sweet, and it's even better in the occasional moments where it becomes bittersweet because both of them are well aware of the only way this can end up. Skip and Loafer take note: you don't have to have much, but you have to have something.

It of course helps that Edomae Elf (the name that I prefer, for obvious reasons) is well made; It's very expressive and has good comedic timing, which are the key factors for a sitcom like this. I'll also note the OP; it goes unreasonably hard and is possibly even better than Jigokuraku's. And even if otaku jokes are a low-hanging fruit, the show usually does a good job with them. The exactly one (1) legally obligated history lesson per half-episode feels a bit too forced though. And that's pretty much it with this anime, it's not the most ambitious but it's very charming and moderately thoughtful, even if its structure is holding it back somewhat. 7/10

Heavenly Delusion

Very rarely do we get a TV anime where the main artistic impulse just seems to be "we don't give a fuck what you think, lol", but here it is: Heavenly Delusion is mostly just wild. Sure, postapocalyptic roadmovies aren't exactly a new idea, but I usually like them, so that's a good start, and this one in particular comes with an interesting setting and a bunch of great characters. But what really elevates Heavenly Delusion is its command of tone, or in particular, its ability to run circles around tone issues. This show can snap from comedy to drama to mystery to action to horror unpredictably and quickly, and it's a marvel that any of this works at all, but on top of that it has a fondness for exceedingly touchy subjects and each episode could probably come with its own unique set of trigger warnings. It really reminds me of a Fire Force without the shounen bullshit, and that's high praise.

Clearly the writer has a lot of skill, but the anime direction and production takes it to the next level. Heavenly Delusion has great direction and movie-level production values throughout, and then does flexes like getting a bunch of KyoAni guys in to make a mawkish KyoAni episode that's better than anything KoyAni has made in years, and later getting a bunch of TRIGGER guys in to make a wacky TRIGGER episode that's better than anything TRIGGER has done in years. Ya love to see it.

But given all the hairy stuff this show attempts, it can't have a 100% success rate, right? And no, it does not always succeed. It's not even a surprise that it happens, it's rather a surprise it only happens so late, at the ending – where it hurts the most. For starters, it doesn't really have an ending. That's to be expected from an ongoing and long manga, but it's still a bummer. But more critically, said abrupt stoppage happens right after one of the grimmest arcs in the show. This is sadly the one point where the tone falls apart; they didn't want to end on a down note, but it just doesn't work to go from ultra rape o'clock to "our fun adventure continues, bye :D" in one and a half scenes. The show has dealt with heavy material before and it has proven it can pull off the swerve off, but in that instance it just runs out of air time before it can actually do it. So while it's unreasonable to expect the show to be several times as long as it is, it would at least have sorely needed one more episode to uncompress its ending. I guess that if you consistently play with fire, you get burnt eventually, but at least there were pretty lights. A second season would be much appreciated. 8/10

The Witch from Mercury

Back when G-Witch started its break, I said that "all they have to do was not mess with a good thing". Obviously, they messed with a good thing and Sulemio cuteness was replaced with them both suffering alone for the majority of the second half. So now what? The plot in this second half is best described as "messy". Notably, it's lacking in throughline: First it's all about opaque machinations and corporate backstabbing, then lol jk that doesn't matter and everyone pulls a Death Star out of their ass, and then that gets resolved with the Power of Love™ and vague Newtype mysticism. Gundams gonna Gundam, I suppose. Towards the end it also obviously runs out of time, and everything needs to happen very quickly, yet it still keeps on piling on subplots for various reasons — be it corporate franchise mandates like "we made a Schwarzette toy, now deal with it somehow", some thing that was set up ages ago that now has to pay off somehow no matter what (like Notrette's whole deal) or just the pure mechanics of shuffling pieces into place for something that never needed to be this complicated in the first place.

However, despite this large-scale jank G-Witch still ends up a very good show purely based on its writing detail. It doesn't really matter all that much that scenes barely fit together and are jammed against each other without connective tissue when the scenes themselves almost always deliver on their own terms. In particular, G-Witch consistently has great character moments no matter how weird the route to get to them is. That dumb Lauda subplot that's only there to sell HG Schwarzettes? Its true payoff is the best Felsi moment in the show when she just walks in and aborts the misbegotten plot tumor. Was it really worth it making a whole "Guel stumbles into Iron-Blooded Orphans" episode when the show desperately needed more time to wrap up its main plot? Maybe not, but Guel getting told by random ass mercenaries that he needs to man the fuck up before him doing exactly that is just an extremely satisfying moment no matter what.

And while the epilogue is a bit flat on the plot side, it has to be said that while cheesy as hell it takes the time to send every character off properly and gives everyone a happy ending (Sulemio paying off in the end isn't much of a surprise since I don't think that Ookouichi wants to spend the rest of his life in the witness protection program). That is pretty much the show in a nutshell, ultimately it's less well constructed than it sh/c-ould have been and it's held back by being a Gundam show after all, but it's always entertaining, and that is what matters the most. 8/10

Insomniacs After School

While I don't know why I dislike Skip and Loafer, I am also not quite sure why I love this show so much. The concept takes some suspension of dislike right away, because I am extremely skeptical of "sadboi stumbles into magical girlfriend that's prefect but only compatible with him in this one specific random way". But boy, once it gets rolling it nails the whole "first love, also big seishun energy" in a rare form that we haven't seen since Tsuki ga Kirei. It's all in the characters once again, and Ganta in particular is exceptionally well constructed. He seems whiny and self-centered at first, but as it turns out, yeah, he's supposed to be like that (his first big character development milestone is him realizing that other people have problems too and that his woe-is-me attitude isn't helpful), plus he has a very understandable reason. He still has that attitude, but now we know he can't help it. It's the rare case of "relatable" and "backstory drama" done right - the drama is there, but it's in the past, can be established in a tiny amount of time and doesn't suck the enjoyment out of the present. And then you can drag it up and swiftly deal with it when the story calls for it — The point is not to have maximum drama onscreen, but to motivate the characters. Magari has this going too (even if I think she still ends up being a bit too "perfect" for my taste, to be honest), and even Yui, someone we know almost nothing about, ends up feeling unique and well rounded, so I think it's fair to say that Skip and Loafer's lacking characters are just a skill issue. Add to that a more one-note but enjoyable supporting cast, and you have a banger of feelgood, wholesome and yes, monumentally cheesy puppy love about a bunch of cute dorks that you can't help but grin about. The production values don't always quite hold up, but who cares when it knows what it wants to be and goes all in when it needs to, and yes, it does have as satisfying and ending as you can expect from one of these. Grand fromage avec compétence is probably not the palate cleanser for everyone, but it's my blog so skill with it. 9/10

#anime #review #spring2023 #yuri is my job!#skip and loafer #jigokuraku #otaku elf #heavenly delusion #insomniacs after school #gundam the witch from mercury

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