#that ending is so wack with so many plot holes i hate it | Explore Tumblr Posts and Blogs

aylinaliens · 2 years

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BESTIE same thoughts please I loved this show so much I’m telling u rn no one was more excited about this show and loved it as much as I did shsjs I was recommending it to everyone I know, was checking the tags on socmed every hours but now I feel … heartbroken in a way because EAW had so much potential! It had crazy potential!! And of course a few bad episodes will not take away my love for YW as a character but I’m just so disappointed. I wanted this show to be like hospital playlist (if you’ve watched it) which shows the realities of life while being simple and very wholesome there’s no over the top BS in that show I was hoping EAW was going in the same direction :( we know nothing about jun Ho, the mother plot like is so poorly done, don’t even get me started on MW And SY and MYS being terminally Ill like who even does all this in the last few episodes ? Why did this get the green light I just don’t understand:( why not focus on YW and her relationships and friendships? Why not show us more of jh and yw communicating? Why not show us more of YW with her dad? What about flashbacks of YW and SY in law school together?gggrrr I just feel so sad and robbed :(

!!! YESSSS!! everything you said is a hard agree like ??? the fact that it had that much potential only to randomly veer off course is frustrating. like you said: this might not take away or erase the love we have for YW or some of the other characters but it certainly leaves a heavy feeling in our heart. because we saw what this drama could do! we did! i stand by my statement that the first half was not perfect but it felt consistent. the halfway doesn’t which is the problem!! they set up youngwoo/junho’s conflict & insecurity but the way in which it was written felt weird. almost as if they forgot to include a few scenes or something. everything that’s happening with MYS is so melodrama slash makjang like. okay. he’s sick. terminally ill. should they not have set this up earlier or showed more signs of it being more than just exhaustion? they really are teasing the whole trope where a mentor to the main character dies or nearly dies. they literally exist to inspire or further the plot along which does NOT fit in with the theme of eaw. the funny thing is they handled health problems (ex. ep 1/2 with that older man who dies) only to suddenly be like. OOPS. hehe guess what :) MYS is on his deathbed. and even if he survives at the end there’s a chance he only has 5 years in total :)

W H A T?? get out of here with that ‘realism’ that is such a bull crap life lesson. the ‘mentor/beloved character is suddenly dying’ is such a wack drama trope it feels so emotionally manipulative. i only watched half of the first season of hospital playlist so thank you for reminding me to pick it back up bUT YES!! they could have shown these realistic struggles and plot lines in a more sedated manner. you can have realism and struggles and painful plot lines with it being super..idk. overdramatic? weird. yeah it’s just weird. all these plot lines weren’t handled as well as the first half which sucks.

bestie bestie besstttieeeeee. the fact that they have so many unresolved or glaring plot holes open is frustrating. i understand that this is from youngwoo’s POV so obviously it’s gonna focus on her but…clearly they are making SY/MW and MYS plot lines important in the last half. should we not at least follow through with the 3882838 plots that already exist?? what i wouldn’t give to give all those plot lines you mentioned explored. it doesn’t help either that they always cut away during an important conversation either. they rarely tell us what was said or happened unless it’s in a throwaway like. it reeks of lazy writing…not clever writing

the characters (not including minwoo go choke 🥰) are not the issues really it’s the bad and nonsensical writing. and it hurts because YOU LOVE THESE CHARACTERS but you also kind of hate the canon they come from jcjwjxjsjd bestie the way this drama had us all in a chokehold only to clown on us so bad in the last few episodes is truly the worst kind of pain

#extraordinary attorney woo #kdrama #my ask box is permanently open venting to all of you about this is the only thing getting me through #kay answers #kay watches eaw #spoilers #eaw spoilers

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wack-ashimself · 17 days

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The worst background actors ever...

(Or the worst director).

Disclaimer: I have a theater degree and worked (past tense: thank god) in hollywood, so I AM a prissy bitch about this. Sorry.

Discalimerer: The main actors are pretty fucking bad too. I mean with the OVER THE TOP melodramatic background music guiding the scene, it's like a CW show almost. Just so fucking much. And for so fucking little.

"Childhood's End" 2015, Syfy show. A lot of syfy shows seems to slip thru the cracks, and I think it's cuz fewer people stream them.

So I am not even done with the first of 3 parts, and I swear to god, at least once in any scene with the general public, one of the fucking background actors says the most 'thank captain obvious, you did nothing but comment on the scene before us all' shit, CONSTANTLY. So either they were told to do that, didn't care, or it was actually WRITTEN which....it's so fucking annoying. No matter what, tho, it still ends on the director to notice that shit.

"What is that?"

"What is she doing?"

'What's going on?'

'Oh, look, it's so and so.'

And they're not faint, barely heard asinine comments. NOPE! They come up on subtitles, so yeah...probably scripted also. Was this a writer was the director thing? Filler till the next scene*?

I just...it's easy to ignore this in bigger budget movies, cuz of other sounds, and other better actors acting, but NOT syfy. God, they are the single hit or miss channel ever. When it's a hit, HUGE hit. But when it's bad, you're like.....did you even try?

*Here's some of my lines I would've said.

'Hey, it's THAT guy!'

"I heard he's in love with a mirror." (In show reference...the alien talks from behind a mirror. Now that I explained it, it's ruined!)

'Can't get enough of those NY penthouse hotel suites that small town regular folk can afford on a whim, let alone for THREE FUCKING NIGHTS WITH FULL ROOM SERVICE INCLUDED! IN NO REALITY DOES THAT EXIST' (I have already tons of plot holes. SO SO many.)

"When the aliens came down, instead of a dead person, I saw someone that's still alive. ...Are they now going to die?"

'Man, I remember when the head of the secret service was in charge of entire the government. Best of times.' (SO SO MANY PLOT HOLES.)

'Gasp. WOW. Geez whiz. That is just neato.'

"I heard about them Missouri boys. All about women and spaceships that take them to even bigger spaceships. It's a shame..."

And this one I would be running into the house of the lead and his fiance:

"Why the FUCK did you lie to her about seeing your dead ex? Who gives a shit? And you're staying in the 3 night hotel room slutsgiving bender on repeat with the alien!? You don't deserve her you smug son of a bitch. BACKGROUND OUT!"

#happy #syfy #childhood's end #background actors #background acting #background actor #background out!

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bastard-loki · 4 years

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Yo I just realized that the other timeline endgame Steve went to has another Steve Rogers in it... tf did he do about that? Kill him?

#that ending is so wack with so many plot holes i hate it #endgame writers had no braincells while writing the script #steve rogers #endgame #avengers #avengers endgame #endgame steve #marvel #mcu #peggy carter #mcu steve rogers

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prettylittlebrownskingyal · 4 years

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Your commentary on titans 👌👌 give us the full review

My main problem with Titans is that there is (a.) no logical and solid justification for these characters and their actions and (b.) this may just be the film nerd in me— but there’s no emotional payoff.

What irks me more is that the cast is incredible. They’re likeable and capable of handling emotion and they can clearly deal with more than they’re given.

Don’t get me wrong, I’m sure from writers to showrunners to directors and crew— a lot of work and time and energy has been put into the production of this show. But these characters are so iconic and in my nitwit opinion, it’s almost painful to see their potential go to waste.

And I say potential because there are moments— mystical and magical, full of hope and wonder and rich comic goodness that make you want more. But they fall flat.

“Families can be fucked up.”

Titans is supposed to be about family. They literally end the last episode with the song “We are Family.” So why would these people— who supposedly view each other as found family— abandon each other at every given opportunity?

They gang up on Jason in the tower when only moments before they were all fired up about saving the kid from Dr. Light. Gar gets left behind by himself with an unconscious, cleary dangerous super clone. Donna and Dawn fully agree to let Dick rot in prison.

These actions do not reflect people who care for each other. Who want to protect and keep each other safe. Why would this be the core emotional catalyst for any development whatsoever when no actual families are portrayed?

Also, here are two established families featured this season and there were no attempts to have them act as foils for each other even though that would have made clear sense. The Wilsons and the Waynes. Two kids that share stoic father figures that are linked to their trauma. Rose and Jericho have no relationship. No communication. No reason to trust each other. Also, why does Rose immediately give up her life for her father?

Dick and Jason’s relationship had some moments that could have been great to both of their character developments. Dick is his best when he’s being a big brother to Gar and Rachel. Why not let him be the same for Jason?

Here are some things I’d do differently.

1.) No Conner storyline

Conner, Krypto and Eve’s episode (episode 6) was quite possibly the best of the season. It’s because a family dynamic is clearly established. (It’s a little weird, I’ll admit) But these characters rely on each other. They look out for each other. They care. (“You didn’t abandon me”// “Can I call you mom?”// “Hot dogs? Get it?”– i ate that shit up)

That being said, it also feels like Conner was just created so they’d have someone to save Jason from his fall.

The introduction of CADMUS as another antagonist when Slade is a major, overpowering one feels like too many things to juggle at once. If they’d held out, Conner and CADMUS would have been great as the main focal point for a whole season.

2.) More Jericho

Jericho was essentially the highlight of the season. I can’t tell if it was the way he was written or the way Chella portrayed him but that’s what Titans really needs.

humanity. kindness. friendship and family ties.

why couldn’t he have had more time with the Titans? why couldn’t he have a relationship with Rose?

I’d have let him explore his abilities more. His relationship with his mom, with Slade, with each of the Titans.

They needed to have actual bonding with him. Not just a shoddy backstory.

3.) Better treatment of Rose

Rose Wilson could have been so much more than just a plot point. More than an informant. All she did this season was eat cereal, say “i’m out” and then solve a major fight plot point in fifteen minutes. We needed more of her training, her relationships, her justifications to just pick and fall into a life of an assassin.

She and Jason had some decent moments of believable cheesy teen behaviour between them but not enough to cover the gaping hole in Jason’s storyline.

4.) Jason needs more emotional moments!!

Not going to lie, I wasn’t sure Curran Walters could do big emotional scenes or make me care as much as he did. But he did. He’s got the bratty, troubled Jason down but he needs to be more fleshed out.

Like Rose, he feels like a caricature of a troubled teen. Where’s his interaction with Bruce? His backstory? His impulsivity and need to prove himself to Dick should be established but it’s not.

That scene where he learns that Rose has been using them all along? That was better than most of what we’ve seen him do.

5.) Donna as a big sister// Donna’s relationship with loss

You’re telling me “older smarter prettier”// “you can crash at my place” Donna Troy who took care of Dick would not look at these kids and want to help? After all Diana’s taught her? WACK

Also Donna and Garth’s relationship? It felt forced. He literally said “I love you” and then died. C’mon man, really? At least give them a pre-established relationship.

6.) Kory?? what happened y’all?

She felt so underutilized this season. Anna Diop is a star. She delivers her performance so well. The moment she heals Conner, her rushing to save Rachel— she has this essence of kindness that fits so well with her strength and the potency of her powers.

She’s a gifted, royal powerhouse.

So why give her a runaround, stretched out storyline? Why make her kill someone she cared about?

7.) Hank and Jason?//Dawn, Donna and Kory?// Dick & Gar

The dynamic between these characters whether seen or hinted at could have literally carried full episodes. Why consistently break them apart? Or make them fight or ignore each other? Why not let them play into each other, learn from each other? INTERACT??

8.) Bruce// Dick’s version of Bruce

I like Iain Glen as an older version of Bruce Wayne. I like that he’s a bit quirky, snarky, an asshole and he says things like “no shit.” But he doesn’t serve much of a purpose and he feels like an instant solution in certain situations. Plus he has no interaction with Jason.

That being said, the use of him as Dick’s voice of reason/subconscious does hone in on the question that Dick keeps trying to run away from— “What would Batman do?” That works for his character. It works for his growth. Their dynamic is wonderful but ultimately, not necessary.

9.) Donna dying?

That WHOLE scene was so out of place. Why would that have happened after the climax of the story? As an extra source of angst?

Again, the Titans are separated by death. Again, a sense of a family is built up and torn down. No one should have to die for a real sense of familial bond to be established.

10.) Deathstroke’s character//takedown

He’s supposed to be the main antagonist and they all have beef with him. Rightfully, everyone should have gotten a chance in that battle. It happened way too quickly and was very anticlimactic for the old Titans.

Also, Slade killing one of their friends with one, single bullet to the chest literally does nothing for me. Especially since Aqualad is supposed to be a Titan. There’s no real conflict, no tangible establishment of hate. Where’s the torture? the real hurt?

11.) Gar, Dick and Hank and their repeated storylines

they all went through the same arcs again. Dick with his Batman struggle. Hank and his own darkness. Gar and his struggle with control and being controlled and experimented on.

This season should have been about Dick coming into his own as Nightwing. About Gar finally having some normalcy and a place that he feels safe in. He should have gotten some redemption as a hero. Hank (and i hate to say, i hope i don’t sound ridiculous but) should have gotten some resolution with Dawn. Either they’re in or out because the back and forth they do with each other is incredibly toxic and they’ve been established as smart enough to see that.

It wasn’t all bad though and I’ll probably end up doing a re-watch sometime. Since I’ve pretty much spouted asshole nonsense, here are some of the best moments:

The end of the first episode where they’re all standing around their cars and laughing? GOLD. More of that cheesy, established friendship.

Jericho hugging Dick, Dick being unsure how to deal with warmth and forgiveness. Everybody say thank you to Chella for improvising that.

Kory and Donna being detectives and arguing over jelly doughnuts? Yes, please! I love them together. How they clearly knew each other, how they worked well together to take out Shimmer.

Kory speaking Kryptonian. Anything that furthers her development brings me joy.

Conner saving Jason. That was pretty comic book like— I liked it.

All the scenes Krypto’s in.

Hank telling Dawn that he knows what Jason’s probably feeling. That was emotional and heartfelt. Also, Hank going “Atta boy” when they were on the phone with Slade. I’m really upset they couldn’t have a brotherly relationship because their characters are quite similar.

Gar, Jason and Rachel interacting like friends/teammates/siblings. Their dynamic works. I’d love to have seen the three of them take on a challenge together.

#ar.txt #asks #prettylilanons #ar watches Titans #i have more thoughts but i can't form them right now.#Anonymous #titans #dc’s titans

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i-d0nt-even-kn0w · 6 years

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SPN Season 14 (and a little bit of 12 and 13) Critiques

Listen, I dislike when people hate new seasons of a show just because “the old ones were better” with no actual excuse, so I hope this post does not get perceived that way, but Supernatural’s writing and directing has decayed over the last few years, and season 14 episode 1 really just did it for me. I tried to ignore season 12′s mess of a storyline because the new characters were well done (in my opinion, of course--and Mary is excluded from this because although the actress is wonderful, I cannot get into her being back in the story for over a season. I’ll go more into that later), and season 13 had Gabriel and Rowena to pull me through the alternate universe plot and Jack who--as I’ll go into later--was another big punch in SPN’s writing integrity, but this one episode from 14 literally had me in shock.

So, with no more introduction, the list of critiques I have based of season 14′s ONE episode. I may pull in a bit of 12 and 13 too because they are where a lot of the issues started. There will be some things I liked about the episode too! But very little lol.

Spoilers ahead! Also opinions ahead--feel free to disagree with me, and I actually would really like to see what other people think!

1. Filmography

That fight scene in the bar says it all. There have been some god awful editing of the footage since 13 (that Michael blue eyes zoom in at the end of 13? Unless they were trying to make a thriller joke, it was wack), but this one episode, like I said before, sent me into shock. The zoom ins, the shaky camera filming like we’re in the Office, the out of place music that does not really fit the Supernatural theme--I could go on. That fight scene had flashing lights, zoom ins, and more jump-cuts than a youtube video to the point we’re I had no idea what was going on. My brother watching with me literally was speechless for the entire fight, which felt like an eternity.

It felt dramatized in a Riverdale way. No shade to Riverdale, obviously, because that works for that show. But in Supernatural? It’s the Teen Titans Go effect--popular shows on a network influence older shows and, in my opinion, make those shows worse as a result. This leaks into my number 2...

2. Theme

It’s the 100. The theme is the 100. The show is the 100. (This is a joke I have never watched the 100, but when did Supernatural adopt a dystopia mood for their show?)

3. Wait a minute....... Who ARE you?

The centric theme of Supernatural is family and freewill. Sam and Dean are supposed to constantly be the centers of the show, but exceptions are made, and often have been really well done. I thought Bitten was a great episode, and episodes where Sam and Dean are separated are also a great way to look at the brothers from a different viewpoint. Even if you didn’t like Bitten or those type of episodes, however, that was okay. Why? Because they were one off episodes, if not maybe two or three. Dean being gone is fresh, and could be done well, but when the centric theme of family, aka people Sam and Dean trust and love like Cas, Bobby, Jo, Ellen, etc, is suddenly ruptured by extras (that are usually super fun in a one-off hunting episode, maybe a reoccurrence now and then) becoming apart of the brother’s daily life and the viewer’s weekly watching, it’s uncomfortable. Not because I or others hate change, but because it goes against a major theme of supernatural. Dean, Sam, and Cas are suddenly extremely close to people they don’t necessarily consider family, and that is very odd for the show.

In case you cannot tell, I care a lot about Supernatural’s themes. I don’t care if they shake things up, but the show’s values are important. They need to stick to them for it to be, well, Supernatural.

4. Not-Bobby and Mary

If they become canon, I’ll actually sink into the pit. You can pair together whoever you want--this one is very much so just an opinion. But in terms of writing, this just comes off as so wrong for many reasons. Maybe it’s because neither of them should be on earth in the first place.

Mary was such a wonderful and powerful character. Then they brought her back to life, which drained meaning out of her. She could have had a realization she does not belong on earth and go back to heaven at the end of 12, which would give Sam and Dean closure and actually be kinda nice. But nope. She’s still here. And what’s the point if the only available female character isn’t dating someone????? (she said, sarcastically)

Not-Bobby is just a way to keep Jim Beaver around, which yeah I get it i love him too, but why not just have some episodes like where Bobby helped the boys from heaven. That was fun. That was also real Bobby. If we were going to have Not-Bobby, I would at least like him to establish what Not-Charlie established (I liked her so much more)--they are not who the Winchesters knew in their universe. Not-Bobby gives off too much of an actual Bobby feel, and God knows I don’t want actual Bobby and Mary together... eeeee...

5. The alternate universe plot-line sucks in the context of Supernatural as a show

Speaks for itself.

6. Jack

Fellas. I’ll get hate for this (if anyone reads this, lol), but he’s a bad character.

He’s fan-service. Fan-service isn’t always bad, mind you, but it is when that is the bases for the character. A cute, younger boy (back to the Riverdale/the 100 teen drama throw in a more adult-centered show) who is reminiscent of all the things fans loved about quirky Castiel back in seasons 4 and 5. Jack was super over powered too, which made me struggle all throughout season 13 to not hate his character for what was just a writing death sentence. Now that he doesn’t have powers they’re finally trying to give him... depth? Pro tip: If it takes a whole season to give a character depth, it’s bad writing.

I’ll admit, though--I do love the dad Sam scenes. Not too much the dad Cas scenes because they’re often poorly written and unlike Cas imo. But eh.

Jack is like an OC. Sounds fun until put into practice.

Why couldn’t they have just... not killed Kevin and had him be the son-character he already was to the boys? Or not kill Charlie and let her be the little-sibling character she was to the boys? Why couldn’t either of those two very important characters become titular main characters instantly after being introduced, like Jack was? Maybe because they’re not white or a dude, respectively? Or because the show didn’t need to fill in the hole Mark Sheppard left for a main character until now? Hmm...

In all realness, Jack is just too poorly written in my eyes to like, but I know people totally love him so please know that’s valid and I get it. I do love the actor, so there’s that.

7. Maggie

WHY DID SHE COME ALONG ON THE TRIP?? SHE COULDN’T USE A BLADE, BUT THEY PICKED HER TO COME ALONG?

I get the quirky humor, but SURELY there were other capable people they could have asked. Maggie is cute, but a throwaway for humor. I was trying to like her because, again, the actress was great and I love some comedy, but not at the expense of reason.

Also, again, no offense but I cannot deal with the parallel universe people and the storyline in general.

Now for some positives mixed with negatives!

8. Nick

Ohhhh boy. Nick could be the one good thing about this season IF they do not make it a “it was me, Lucifer all along!” cheap shot (which I know they will do, hence the negative). I think it would be a bigger plot twist if Nick WASN’T Lucifer. Sam could bond with a guy who went exactly through what he went through, we could have an established character back instead of these random new ones (like the vampire Michael brought in at the end with no context... like, I put Supernatural higher above other drama shows because it actually establishes a character and who they are before making them apart of the plot, like Gabriel being the janitor before he was the trickster, and the trickster before he was Gabriel. Cheap introductions with dramatic music in the background? Pass).

I wanted Missouri back, she died. I wanted Gabriel back, he died. Nick will either be Lucifer or die, but I will cling onto every good old character there is until there are none left. There are good new characters too, sometimes, but they keep dying too (Eileen) so miss me with that argument.

Also there’s no way Nick could have survived. Jimmy died, why wouldn’t he? It’s Lucifer, but if it wasn’t? It’d be better. And also this totally is another cheap shot to keep Mark in the show, like with Jim. I love Mark, but we all know it.

9. Kip

I was SO pissed for most of the episode, because I thought that the show was actually trying to replace Crowley (you know the writing is bad when you expect SPN to pull something like that). I actually LOVED it when that show was self-aware and Kip was actually putting on a show--TRYING to be Crowley but miserably failing and being a pathetic knock-off. It was good, it was interesting, I was ready for the plot-line of Crowley’s irreplaceableness and how demons would deal with it.

But Kip died. Why wasn’t Asmodeus’ death that quick? He was an actual poorly written villain with nothing interesting to him.

In conclusion, this is why I nearly died watching the first episode of season 14. Will I stop watching? Not yet. SPN is a show I have loved since I was little--I watched it with my big sister, and now my little brother watches it with me. Does that mean the show is still good? In my opinion... no.

I think the writers should stop pandering to the audience so much. I watched “Live Free Or Twi-Hard” after 14x01 to wash my eyes out with old SPN, and I remembered how much the show used to laugh at over-done trends. SPN was different and fun because it didn’t care, it did what the creators wanted, and it worked. It doesn’t feel like that any more. The show made fun of Twilight in that episode, yet “Wayward Sisters” had total Vampire Diaries narration (no offense to the pilot, but I have to admit... I didn’t like it. It could definitely be a good stand-alone show, and I did want it to be picked up, but it was completely out of place in Supernatural as a show. Again, because of the themes and shameless pandering to the teen audience).

Supernatural fans fell in love with Supernatural, not a teen CW drama. That does not mean fans can’t love those too--love all the TV teen dramas you want, I like those shows too--but the tropes for those type of shows fits in those type of shows. I can admit Supernatural is not a masterpiece, and it is a drama, but it’s not what they show has become now. And 14x01 makes that perfectly clear.

But that’s just my opinion, a Supernatural opinion! Thanks for reading!

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