something happening on a mission, something personal that has soap spiralling; panic and rage making him reckless, thoughtless, and ghost has to draw the line
“you’re compromised johnny; you know what that means?”
“you’re not pulling me out,” soap immediately snarls. he turns on him and ghost barely recognises him; venomous fear turning his eyes to unyielding ice. "you're not sidelining me; i need to be in this-!"
but ghost has never been afraid of venom; spat or dripped straight from bared fangs.
he snakes out a hand grip the back of his neck, jerking him in a rough shake. "if you can't think, you can't be a soldier," he growls and he flinches like he's been struck.
his lips quiver as they twist in a sneer and he wrenches, trying to free himself of his hold.
ghost doesn't let him.
"it means you give your body to me because your head ain't fucking attached to it anymore."
soap stills, body trembling beneath his hand as he sucks in shaking breaths.
he tightens his grip, pulling him closer and digs his forehead hard into his. “it means you give yourself to me so i can have the weapon that you are and use you the way you're meant to be used."
the ice in soap's eyes fractures.
ghost’s voice drops to a whisper, spoken only to johnny, not this facade of vengeance and pain, and wills it to reach him through the glaciers.
“so i can keep you safe ‘til it’s done and i can bring you back.”
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on this, the 11th birthday of fall out boy's esteemed fifth studio album save rock and roll, i just want to remind everyone of the one thing that never fails to Get Me about it.
there was a lot of scorn and derision about the title when it first got promoted, and fob was well aware this would happen. critics and caustic news outlets collectively scoffed about it, save rock and roll. like this four-piece from chicago, this dorky pop band, is gonna save rock and roll?
of course they missed the point, which is in the very god damn title. it's not a declarative statement. it's not a pronouncement of how we, fall out boy, saved rock and roll. it is a call to action. it is an earnest request for you, the listener, to participate in this act alongside them. it is an expression of desire to inspire creation in turn.
that's the ethos they've carried at the forefront of every creative endeavor they've undertaken since returning from hiatus. certainly that element was present before then, but save rock and roll marked the moment where they very deliberately centered that squarely in their narrative.
because fall out boy doesn't just want to save rock and roll. they want you to save rock and roll with them.
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Steve shows up to work one day with a baby bjorn complete with sleeping baby on his chest and Robin is like Steve....what the fuck?
And Steve says "I would've called you last night but she'd only stop crying when I held her and my parents were fighting, obviously, and I had to figure out how to make her bottle then I fell asleep with her on top of me and I think my dad legitimately forgot about us even though this is his fault, and there's no one to take care of her so I had to bring her. Sorry."
That is a lot and answers very few of Robin's questions.
"who...is she?"
Steve brightens and smiles down at the baby who's tiny baby fist is scrunched up in his work vest. "Oh! My half sister. Her mom works for one of my dad's business partners and brought her to my parents while they were away last week so they came home, mostly to dump her off on a nanny they forgot to hire--hence my baby holder here--and fight. Turns out dad cheating is easier to ignore when there isn't actual proof of it."
"oh. Woah."
"yeah. Anyways, ready to rewind some tapes?"
So they start work Steve logging returns into the computer and cupping the baby whose name I don't know yet's head. Then the little baby wakes up, making little baby noises, and Robin is not one for babies really, but Steve coos and picks her hand off his chest and waves it at Robin.
"see, that's your auntie Robin! Say hiii auntie Robin!"
The baby chews her tongue at Robin and blows a spit bubble.
And how is Robin supposed to not be charmed by that?
"awww," she says, letting the baby grab her finger, "yeah, I'm your auntie Robin. Your big brother's gonna take care of you so good huh? You'll know your way around retail in no time."
Steve giggles.
It is then that The Gremlins decide to show up and Cause Noise. Baby sister starts to cry and Steve takes her to the back to get her to calm down and change her, comes out (ignores the party's questions. Giving them Ultimate Mom Pose with Bonus Effect of Baby) hands her to Robin who is a little nervous but she will not let her new niece (?) Down, and goes back to find and heat up a bottle.
Eddie, who drove the gremlins and was looking for something in his van comes in, sees Robin holding the baby and is like huh? What's this?
And then Steve comes out with a bottle and a baby blanket over his shoulder, reaches for the baby from Robin and tries to get her to latch on the bottle with quiet words and gentle hands and Eddie is not okay he's not fine he's having a melt down because Steve with the kids is one thing but Steve with a Baby is something very different and he should not be expected to keep it together seeing this
Part 2.
Part 3
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my dad went to the library to get some books (his goal is to read more this new year) and he brought me back a lil announcement abt a 'bring your own craft' kinda event that happens every Friday from 10 to 12
on the one hand: possibly a cool way to make crafting friends, get out of the house, go to the library more often
on the other hand: the odds of me being conscious before 12pm most of the time is Extremely Low
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