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#the disaster tourist
ceaselesslyborne · 2 years
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1. The Disaster Tourist: ⭐️⭐️⭐️
An interesting and thought provoking plot that introduced and explored a range of perspectives on what, I hope, is the no-longer-shadowy world of disaster tourism. I was impressed with the simplicity and ease with which the protagonist and reader were quickly immersed in vividly precarious world. It was both strange and disturbingly real. It was somewhat predictable, but there were a number of well developed characters considering the length of the story, and though I’m not normally a fan of ambiguity, it made a pleasant change to confront a protagonist whose fate/motivations/character are never explicitly revealed or judged. The reader is left to draw their own conclusions, to evaluate their own opinions.
2. Redhead by the Side of the Road: ⭐️⭐️⭐️
A slow one, but poignant and, for me, definitely one that resonated personally. A powerful, bittersweet, but ultimately hopeful ending, which honestly... I needed. The characters made the novel, and though I don’t think this book is for everyone, I found warmth and humour and understanding in Tyler’s words that make me want to read more of her work.
3. Things we Say in the Dark: ⭐️⭐️⭐️
A really fun seasonal read with a unique and compelling and clever structure. I genuinely can’t choose a favourite story/section; I found the collection to be very cohesive and consistently strong. Logan is a skilled writer easily able to inspire fear, dread, anxiety, disgust, and a host of other heart-pounding sensations. I chose to rate it as I did purely because I felt the tropes and tone were too familiar, though I suspect this has more to do with me becoming slightly desensitised and needing to increase the diversity of my reading choices - or at least switch more frequently between genres. That being said, I really want to read more of Logan’s books!
4. The Death of Vivek Oji: ⭐️⭐️
Struggling to articulate exactly why, but this just... didn’t sit well with me. There was some wonderful explorations of themes such as loyalty, honesty, identity, and family, but it was heavy. Bleak. I understand that stories like this are important, necessary, and that we cannot always have happy or even hopeful endings, but I’ve read too many similar tragedies. There was no payoff for the emotional investment, and it’s difficult to invest in the first place when you know the fate of the protagonist from the beginning, and the protagonist seems... content with that fate? Maybe I just read this at the wrong time. (Pro tip: don’t read sad books when you’re sad!)
5. Ghosted: ⭐️⭐️⭐️
Some wonderful character development throughout, and definitely made a significant emotional impact. I do feel that the story drew on slightly longer than necessary, but the reader was kept guessing and I was happy enough to follow the clues and reflect on the myriad relationships and characters offered.
6. White Ivy: ⭐️⭐️
I was disappointed by this book, which had such a promising premise, and started so strongly! Yang is, no doubt, a skilled writer, but it was challenging to persist with a story in which none of the characters seemed to have any notable, let alone likeable, traits. The pacing felt off, and I found myself wanting to skim through most of the book whilst other significant moments seemed to be passed over without making the impact they could have. Though it wasn’t a bad read, it didn’t feel like anything new or remarkable.
7. Earthlings: ⭐️⭐️⭐️⭐️⭐️
Ok, so this book is definitely not for everyone, and anyone picking it up expecting another Convenience Store Woman is... in for a shock™️! Please research content/trigger warnings before reading! Heartbreaking and heartwarming and disturbing and, yes, gross, this will satisfy your need for something strange. It was a good palette cleanser (or warper) after some underwhelming and sluggish recent reads, and left me with a not-unpleasant out of body sensation wondering wtf I’d just read. Simply put, this was my jam.
8. Our Wives Under the Sea: ⭐️⭐️⭐️⭐️⭐️
First, a very unrelated note: I read and finished this in the course on one stormy, muggy night which definitely set The Mood™️. I’m not quite sure how to discuss this book. Armfield has captured the sea itself: something vast and unfathomable, changeable, consuming, incomprehensible, and primordial. Dreamy and viscerally, elementally haunting, Our Wives is surreal, horror adjacent, but hits in a very tangible way. I personally loved the style, and the dual perspective and relatively short chapters made what could have been a slow read a very easy one. Through a fantastical lens, Armfield invites us to explore ideas about relationships, communication, trauma, and grief, loss, and reality. A lot is up for interpretation, and I think you could find something new in this book with every re-read.
9. Becoming My Sister: ⭐️⭐️⭐️⭐️
Okay, so on the scale of ‘normal’ to ‘introduced to V. C. Andrews at a wildly inappropriate age by a mother who clearly had no memory of the book she’d just given her daughter, and no way to anticipate the oncoming obsession’, it’s pretty clear where I fall. Personally I’ve never been disappointed by an Andrews book, and this one was no exception. The writing is witty and thrilling and subtly eerie, and Andrews is absolutely fantastic at drawing the reader into the grip of twisted, claustrophobic family dynamics. Her characters are lifelike, haunted and haunting. She has a singular understanding of the pain and beauty of girlhood, womanhood, and coming of age. I would almost describe this as a ‘guilty pleasure’ read but honestly I’m not sorry. No shame.
10. Ghosts: ⭐️⭐️
Such a promising premise, and so many elements I can usually connect with, but... I think this is just a story I’m tired of reading. It was vague/disconnected and judgemental in a way that reduced the impact of the book overall, at least for me. There was little to humanise or identify in the protagonist (or indeed most of the characters), and I felt the most interesting aspects of the book were not given the focus they deserved, both of which meant key emotional moments fell flat for me. I think for the right person, at the right time, this is a beautiful and moving story; that person just wasn’t me.
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miss-mesmerized · 2 years
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Yun Ko-eun - The Disaster Tourist
Yun Ko-eun – The Disaster Tourist
Yun Ko-eun – The Disaster Tourist Yona Ko arbeitet bereits seit vielen Jahren als Agentin in einer Reiseagentur, die Touren zu Katastrophenorten anbietet. Dort, wo die Natur Chaos angerichtet hat, Vulkane ausgebrochen sind, Tsunamis ganze Länder zerstört haben oder Erdbeben alles dem Erdboden niedermachten, wollen moderne Koreaner ihre Sensationslust stillen. Als sie sich über die sexuelle…
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badolmen · 11 months
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hey you guys know that even if the people inside that submersible are rich billionaires, dying in that metal tube at the bottom of the ocean is a horrific way to die right. like. yeah stupid choices were made by the people in there signing off on a waiver that says the sub is not approved by anyone and they could die. but it’s the fault of OceanGate for knowingly putting people into a Home Depot DIY sub rigged up with an Xbox controller all to make a profit on people’s curiosity.
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memenewsdotcom · 9 months
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Hawaii wildfires
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gwydionmisha · 11 months
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I hope they find them.
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abookishshade · 3 months
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So January, 2024 was a productive reading month for me.
I read 7 books in all, of which, I read:
🔹️2 audiobooks
1️⃣▫️The Disaster Tourist by Yun Ko-eyn, tr. Lizzie Buehler- ⭐️⭐️⭐️ (lit fic, thriller, contemporary)
I had not known about this aspect of the tourism industry before reading this book. So it was quite fascinating to me.
2️⃣▫️All Systems Red by Martha Wells- ⭐️⭐️⭐️ (Sci-fi)
This is, I think, the first pure sci-fi that I have read, and I enjoyed being inside the head of a robot.
🔹️1 series continuation
3️⃣▫️Sweep of the Heart by Ilona Andrews- ⭐️⭐️⭐️ (fantasy, romance)
Finally I'm done with the Innkeeper Chronicles. While this was still a comfort read, it was also a slow read. There was a lot of political intrigue involving characters I didn't much care for so this one wasn't as fun as the previous books in the series.
🔹️2 rereads
4️⃣▫️The Lightning Thief by Rick Riordan- ⭐️⭐️⭐️⭐️ (middle grade, greek mythology, urban fanasy)
It was also my first read of the month. The recently released show got me interested in this again. I have made another post on it.
5️⃣▫️The Sea of Monsters by Rick Riordan- ⭐️⭐️⭐️⭐️ (middle grade, greek mythology, urban fanasy)
It was also as much fun as the first Percy Jackson book, especially because I have forgotten everything from my first read. Came across the character Circe in this one, and couldn't help myself from wanting to know her pov next before starting the 3rd book in the series.
🔹️2 fresh reads
6️⃣▫️Circe by Madeline Miller- ⭐️⭐️⭐️⭐️ (greek mythology, feminist retelling)
The Sea of Monsters made me want to read Circe. And this was my favorite read of the month. I loved the character development of Circe. I loved the witchy vibes. I loved the depiction of her solitary independent life on the island. I loved the critiques of patriarchy. What I didn't like was the ending.
SPOILER AHEAD
I understood Circe's loneliness but I didn't like that the powerful witch Circe ended up needing to spend her mortal life with Telemachus and bear his children to get her happy ending.
SPOILER OVER
7️⃣▫️The Widows of Malabar Hill by Sujata Massey- ⭐️⭐️⭐️⭐️ (historical fiction, mystery)
I buddyread this one, and enjoyed reading it even though it was a slow read. Buddyread definitely helped in going through with it. There were two timelines. Sometimes the transition from one timeline to another felt like an interruption but at the end both the timelines added to the substance of the story, especially the past timeline was important for the characterization of our protagonist. I loved the various little details including those pertaining to the setting, the law and the architecture and also those pertaining to the various characters and their dynamics with each other. I also enjoying making speculations about the killer. I also liked how it touched upon some of the societal issues of the time period through the lens of a woman.
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darkfinch · 2 years
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the show is bad but the bedhead is so extremely powerful
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pavlovleowrites · 8 months
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« You know, I don’t actually think it’s one of the best baguettes in the city. » Regulus gives James a pointed look, and, oh, yes it’s not the cold, it’s a blush right there on his handsome face.
James quickly finds back his footing however, and it’s with a deep voice and a small smile tugging at his full lips, that he asks « really, and why is that ? »
Oh, poor James, Regulus knows nothing can come of this, but he’ll be damn if he can’t get a little fun out of having him a man that could bend him over without a second thought, all fluster over him.
« Well, I happen to be, a bit of a, how do you say ? Connaisseur de baguette? »
Jesus, he can’t believe he just said that.
He’ll need to take a shower of acid to get rid of the stench of cringe. Thankfully, that seems to do the trick, as James’ tongue darts out and he licks his bottom lips without thinking about it, pupils dilating making his eyes shine a bit darker.
The thing is, Regulus is British, but he is not above pretending he doesn’t know some words to use a bit of french on the poor sexy bastard.
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witchlenore · 8 months
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I dont want to move away.
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homoqueerjewhobbit · 2 years
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Here I go again, in need of some stupid gay anime to watch.
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ceaselesslyborne · 2 years
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02/09/22
First September library selection! Looking forward to introducing more seasonal gothic/spooky reads and, of course, some real horror as autumn gets fully underway.
- CJ
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sophiamcdougall · 8 months
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I am never going to complain about Greek Duolingo again
I mean, I am. But still.
So, as some of you know, my family has been coming to this tiny Greek seaside village for several years. Just over a week ago I came out here with my mum, under the impression that early September, after the height of the summer heat, would be a good time to have a holiday. ANYWAY Storm Daniel had other ideas about that. Locally things are improving (I'm actually really pissed off about the disaster-porn tone of most English-language media coverage, but that's another post). The power is back on, there's running water most of the time, and though the latter is not drinkable, a truck from the government came and handled out free bottled water yesterday. But we are currently kind of stuck. Can't do tourist things. Can't go home. There aren't any local flights out until Saturday and the road to Thessaloniki is still closed.
So this evening, feeling kind of aimless and depressed, I go down to the nearest beach with a couple of binbags and start cleaning up in an effort to at least do something positive. I always try to do this at least once out here and obviously, after the storm, there's a lot more plastic and rubbish than usual.
At some point I find this large, round bit of metal - some kind of machinery part, I think -- that's too big for the bag, so I take it to the bins on its own, leaving the rubbish bag on the beach. And when I come back for it, something among the stones beside it moves.
Specifically, it pulls its head sharply inside its shell
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So, meanwhile I've been trying to learn some Greek with the help of Duolingo.
I currently have a 33-day streak and... I have questions. Shouldn't I be able to use the past or future tenses by now? Shouldn't I be able to say "x is like y"? I can't do those things. But one thing I absolutely can say all day long is έχω μια χελώνα : I have a turtle.
This is far from the limit of Duolingo Greek's turtle-related content. "An obsession with turtles" is my mother's characterisation. I can inform you that the turtle is not a bird, and, improbably, that the turtle is drinking milk. I can introduce you to a turtle in company with a horse and an elephant. As far as Duolingo is concerned, it really is turtles all the way down.
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Now this, you may be able to see, is not a turtle. It has claws rather than flippers. It is a tortoise. I know there are wild tortoises in Greece: my aunt once rescued a pair of them shagging in the middle of the road -- but that was up in the mountains. I've even seen one myself, but it was also on a road and very dead.
I am 95% certain they don't belong on beaches. There's nothing for it to eat, except, unfortunately, a lot of plastic. Even if it gets off the beach it will immediately find itself on a road where it could get hit by a car. I'm pretty sure it must have been washed down by the floodwater and has been just sitting there, dazed, ever since.
Now obviously the first thing I want to do on encountering this unusual animal is to go and tell my mummy, so I do. The tortoise immediately brightens her day. She agrees that the tortoise is not happy on the beach and needs to be taken somewhere safe. it gets surprisingly wriggly when picked up so we put it in a carrier bag with some grapes and cucumber and go looking for somewhere to rehome it.
We find a path leading up between the houses towards a likely-looking field, but before we get very far a dog in a yard goes berserk and a man's head pops over a fence and demands to know what we're doing. He does this in English, as evidently we're just that obviously tourists.
"I found a tortoise on the beach!" I explain. "We want to find somewhere to put it."
"A what," he asks.
"It's like a, you know," I begin and then to my astonishment I find myself saying... "μια χελώνα"
"Oh! A turtle!" he says.
"But from the land. δεν είναι χελώνα", [it is not a turtle,] I say, as I am worried he will tell me to put it back near the sea where I found it. As it turns out it actually IS a χελώνα, Greek does not distinguish between turtles and tortoises, but I don't know that; I can't even name the days of the week or identify any colours other than pink yet, give me a break.
The man's entire demeanour changes and thaws. He does not worry about my turtle-that-is-not-a-turtle conundrum. He knows where οι χελώνες come from and where η χελώνα μας belongs. He leads us through a gate into a courtyard area.
"[somethingsomething] μια χελώνα," he explains to the assembled onlookers, of whom there are, suddenly, a surprising number.
"ΜΙΑ ΧΕΛΩΝΑ!!!" crows the throng of delighted small children, who are, suddenly, everywhere.
"μια χελώνα!" I agree, accepting that at least for current purposes, that is what it is.
"Μπορούμε να δούμε τη χελώνα σας; [can we see your turtle?]" asks an adorable little girl, shyly, and I understand??
The children fucking love looking at the χελώνα and showing it to them is kind of magical?
I finally put the tortoise down on the grass of this wild area off to the side of the courtyard, and marvel aloud that it is weird that I barely know any Greek except how to say μια χελώνα.
"I think she will soon run off," a kind lady called Aspasia assures me, seeing I remain slightly anxious about its fate. "I don't know why I'm saying 'she'. I suppose because χελώνα is feminine in Greek."
"Yes! I know that!" I exclaim, thrilled.
"Well done!" she says. And also she asks if we are OK for drinking water after the storm and if we need any help with anything and is just generally incredibly lovely and now we know more of the neighbours!
So "μια χελώνα" has just become, by a long way, my most-used and most understood and all-around most conversationally successful phrase in Greek. So I guess I have to admit I was wrong to doubt Duolingo's wisdom: it is correct to be obsessed with turtles. And I concede that prior to learning how to count to ten or to distinguish right from left, the simple ability to yell the word TURTLE over and over again is, it turns out, a crucial element of the responsible traveller's social skills.
(I am pretty fluent in Italian and turtles haven't come up in conversation even once?)
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takeshitakyuuto · 11 months
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I know that Yona of the Dawn is set in fake Korea but it still threw me for a loop starting a book translated from Korean and immediately coming across a character named Yona
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memenewsdotcom · 9 months
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Maui wildfire deaths rise
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morebedsidebooks · 1 year
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Ten EcoLit Titles from Around the World
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Fiction with a mind on ecology and environmental themes are one of my favourites. Further topics from animal rights, energy sources, to disasters and dystopian society have only become more and more relevant. So, from across the six continents here are 10 EcoLit titles. (FYI, I try to provide content notes for all titles I review in the links.)
  Children of the Sea by Igarashi Daisuke, translated by JN Productions, lettering Jose Macasocol
Adapted to an animated film in 2019, the award-winning five-volume-comic by Japanese artist Igarashi Daisuke, Children of the Sea is a bit of a mystery, with a somewhat nonlinear timeline. Further a gorgeous and mesmerizing tribute to the ocean and aquatic life as the ocean’s fish begin disappearing worldwide.
 The Disaster Tourist by Yun Ko-eun, translated by Lizzie Buehler
This the first translated book by Korean author Yun Ko-eun is the sort of trim ecolit novel that begs the question of just how dark, dark tourism can get. Yona Ko works for Jungle which specializes in travel packages to disaster areas. If that sounds rather problematic it also has a corporate culture that’s unsurprisingly very much the kind with a missing stair. So, the ten-year company veteran ends up on a review trip to one of the least lucrative destinations in Southeast Asia. A tropical island that decades ago was the site of a genocide and giant sink hole, now a lake. Initially coming off more as a paradise, the island however is hiding an all too deadly side.
Drive Your Plow Over the Bones of the Dead by Olga Tokarczuk, translated by Antonia Lloyd-Jones
From the Noble winning Polish author Olga Tokarczuk, this novel is ostensibly a murder mystery. However, page by page Drive Your Plow Over the Bones of the Dead examines climate change, predation, exploitation, diet, and belief. The reality that man is an animal whose attempts to forget or detach one’s relationship and own position in nature is lethal.
  Eclipse Our Sins by Tlotlo Tsamaase
From Motswana author Tlotlo Tsamaase Eclipse Our Sins is an achingly lyrical novelette that appeared in SFF Clarkeswold Magazine, Issue 159 December 2019 (+ audio version). It presents an apocalyptic earth ravaged by climate change with a largely immoral mankind split in increasing class disparity. And abused Mama Earth is angry…
 Fauna by Christiane Vadnais, translated by translated by Pablo Strauss
Speculative fiction holds real life hallmarks of dystopia and apocalypse in this debut work of fiction by Quebecois author Christiane Vadnais. Delivering thought-provoking expressions of 10 interconnected cli-fi vignettes with a real strain of horror, it sometimes comes off as more for shock value. Yet, Fauna is nevertheless a title which can stay with the reader.
Gwen in Green by Hugh Zachary
Gwen in Green is a story beget from the brutal transformation of 1,200 acres due to construction of the Brunswick Nuclear Plant in North Carolina during the early 1970s. This sexy eco-horror pulp by Hugh Zachary, revived in Paperbacks from Hell, personifies not just nature but a decade.
  The Seeds written by Ann Nocenti and art by David Aja
Years in the making, this speculative eco-tech thriller comic by US journalist and writer Ann Nocenti with artist David Aja is an uncanny dystopian and, in many ways, strangely prescient book. There are aliens, misinformation, conspiracy theories and a toxic environment… Words don’t really do credit to the absolute eerie monochromatic colour scheme art either. One comic best to just dive into yourself. (BONUS: Ann Nocenti is also responsible for one of my favourite DC Comics illustrated by John Van Fleet, Poison Ivy: Cast Shadows.)
Solarpunk: Ecological and Fantastical Stories in a Sustainable World edited by Gerson Lodi-Ribeiro, translated by Fábio Fernandes
Solarpunk is a genre that has grown, especially over the last decade. From a country that does in the real world have a high majority percentage of its energy from renewable sources, it is valuable that this 2012 Brazilian anthology is available in translation to not be forgotten in the canon.
(BONUS: Looking for something more hopeful and soothing? I highly recommend the Hugo award winning, philosophical, solarpunk Monk & Robot novella duology by US author Becky Chambers)
 The Story Collector by Evie Gaughan
A historical romance from an Irish author weaving local folklore, additionally this is a novel importantly about the human link to nature. How it helps people in some of the darkest times.The verdant wintry setting and time, as the light of the sun starts increasing, acts almost as a living character influencing its characters separated by 100 years, along with the consequences of man’s hubris and disrespect.
The Swan Book by Alexis Wright
Published almost ten years ago this post-apocalyptic novel from a notable Australian Indigenous author remains a vivid and powerful literary saga today. In a world devastated by climate change and subsequent governmental collapse, its Aboriginal main character Oblivia undergoing much suffering tries to achieve self-determination. Heavy, with an eye on history, full of dense metaphors, symbols including swans, and links with folklore, the text is well worth the effort and praise.
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secretmellowblog · 11 months
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On the subject of the Titanic ‘submersible’ that was lost in the deep with all its wealthy tourists— it’s so insane/eerie in hindsight to read this article from the Smithsonian that interviews the CEO Stockton Rush long before the disaster.
Despite the Smithsonian supposedly being an organization that cares about science and truth, and the fact that there were SO MANY obvious red flags from the beginning and so many people criticizing the company…..the article is a puff piece uncritically glorifying the CEO’s obviously terrible submersible project. It compares him in glowing terms to Elon Musk. It is an article about how private ventures like those of Stockton Rush and Elon Musk can and should be the future of the world.
We’ve obviously learned now that there were whistleblowers at the company who were warning for a long time that Stockton Rush’s submersible was unsafe— only to be fired and then sued. It makes sense the submersible was so unsafe, because the CEO in this interview is open about how he has no background in underwater engineering and is annoyed by quote “regulations that needlessly prioritize passenger safety.”
Soon after, the private [submersible] market died too, Rush found, for two reasons that were “understandable but illogical.” First, subs gained a reputation for danger. Working on offshore rigs in harsh locations like the North Sea, saturation divers, who breathe gas mixtures to avoid diving sicknesses, would be taken in subs to work at great depths. It was the world’s most perilous job, with frequent fatalities. (“It wasn’t the sub’s fault,” says Rush.) To save lives, the industries moved toward using underwater robots to perform the same work.
Second, tourist subs, which could once be skippered by anyone with a U.S. Coast Guard captain’s license, were regulated by the Passenger Vessel Safety Act of 1993, which imposed rigorous new manufacturing and inspection requirements and prohibited dives below 150 feet. The law was well-meaning, Rush says, but he believes it needlessly prioritized passenger safety over commercial innovation (a position a less adventurous submariner might find open to debate). “There hasn’t been an injury in the commercial sub industry in over 35 years. It’s obscenely safe, because they have all these regulations. But it also hasn’t innovated or grown—because they have all these regulations.”
The fact that Stockton Rush (who was piloting the submarine when the disaster happened) is on record complaining about the evils of regulations that prioritize people’s safety, and the Smithsonian uncritically regurgitated that rhetoric in their glowing puff piece about how rich tycoons like Elon Musk and Stockton Rush are going to save the world is just…..in hindsight of how everything ended it’s just so much horrible black comedy? It’s like a satire about the dangers of uncritically worshipping the rich.
It is mentioned in the article that Rush chose to make his submersible in a different shape, and with a different (cheaper) material than is usually used for submersibles. The article frames this as a result of daring innovation, and not of negligence/ignorance. This passage in particular, which in context is supposed to portray Rush’s critics as joyless naysayers who were proven wrong by the noble tycoon, is pretty foreboding in hindsight:
Rush planned to pilot the sub himself, which critics said was an unnecessary risk: Under pressure, the experimental carbon fiber hull might, in the jargon of the sub world, “collapse catastrophically.”
And then!!
The exact problem that happened to Titan this weekend, happened on Titan’s very first test voyage to the Titanic! The experimental carbon fiber hull had an issue and it caused communications to break down!
The dive was going according to plan until about 10,000 feet, when the descent unexpectedly halted, possibly, Rush says, because the density of the salt water added extra buoyancy to the carbon fiber hull. He now used thrusters to drive Titan deeper, which interfered with the communications system, and he lost contact with the support crew. He recalls the next hour in hallucinogenic terms. “It was like being on the Starship Enterprise,” he says. “There were these particles going by, like stars. Every so often a jellyfish would go whipping by. It was the childhood dream.”
Both Rush and the article writer treat this as a fun quirky story, instead of a serious safety failure and red flag with his experimental macgyvered regulation-flaunting submersible.
Other highlights from the article include:
Stockton rush saying that if 3/4 of the planet is water, why haven’t we monetized it?
Stockton saying we will “colonize the ocean long before we colonize space”
Lots of weird pro colonialism stuff in general??? This article loves colonialism and thinks it’s cool
Rush saying he plans for this to eventually help find more underwater resources for the US to exploit and profit from
Elon musk comparisons. The article writer does not mention that Elon Musk’s rockets explode and therefore it would be a bad idea to get in one of them, because that would imply it’s a bad idea to get into the submersible
Stockton rush seeing himself as Captain Kirk
The article writer comparing the tourists who plan to join Rush to Englishmen who went on colonialist journeys to Africa as if that’s like, a good thing. So much pro colonialism stuff in this article
So many sentences about Stockton Rush being handsome when he literally just looks like some guy
The article beginning with an editor’s note from years later disclaiming that the extraordinary submersible they’re advertising in this article is uh. It’s now uhhhh
But yeah it really does just bring home how so many organizations that supposedly care about scientific truth or journalistic integrity are willing to uncritically platform propaganda for wealthy CEOS. It’s frustrating how easily people fall for the fake myths that careless wealthy people invent for themselves, and even more frustrating that supposedly respectable institutions will platform irresponsible lies that end up getting people killed.
Rush is such an obvious and simple example of this, and his negligence is “only” killing five people including himself. But to me it feels like a cautionary tale to bear in mind when it comes to uncritical puff piece media coverage of similar “daring tycoon innovations” by people like Bezos or Musk.
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