For a while—after being exposed to the antiship movement, because goodness knows I didn't care about this when I was younger—I wondered *why* fiction and reality were so different in my head. Why I could happily see things depicted in fiction that would make me sick to my stomach or upset me to tears just from thinking of it happening in real life. I couldn't come up with a reason for this for a while, which caused me distressed and made me worried that I might secretly be a terrible person after all.
But I've done some thinking and I've figured it out. Or, rather, I've returned to the mindset that came so easy to me in the past and probably did to a lot of people before the well was poisoned.
When I see a fictional character, I don't see a person. I don't see a person like *me*, anyway. I see a person within that piece of fiction's universe; a plane of existence that is wholly different from my own. Lines and colour, words on a page, virtual drawings being played sequentially at a speed that simulates movement. Sure, the written passage, 'He had eyes, ears and a mouth' is a representation of what *I* am, and what other people around me are, but it is fundamentally a plane of existence that is *alien* to me.
An alien is something that is decidedly not human. I feel empathy for other humans because I can relate to them. I have no desire to hurt them because I either know what it is like to be hurt in that way, or I can imagine what it would be like. I know the harm it would do to them, which illicits a reaction of disgust and apprehension in me. 'That's terrible,' I think, which simply kills any desire to cause any harm to a real person or do any disgusting actions.
This is why predators are such terrible people. They are fully aware of the harm their actions will cause and then go ahead with them anyway.
But with a fictional character, it's different in these ways:
1. First of all, we have to remember that they AREN'T human and so whatever I feel towards them cannot accurately mirror whatever I feel towards real flesh and blood individuals. They're projections of humanity from OTHER people in whatever medium they choose, but fictional characters are—and I cannot stress this enough—NOT HUMAN. If I pull off the head of a Barbie doll, does that mean I have the desire to behead someone in real life? Does it mean that I MUST have the urge to behead someone in real life, because a barbie doll is a 'representation' of a person? Your answer, I'm hoping, is no. Because Barbie is not human.
2. And because fictional characters are not human, I don't have empathy for them. Not REAL empathy, anyway, the type that stops the desire to cause harm. When I 'violate' a fictional character, it illicits at most only superficial disgust because I know that character will not live with the lasting consequences of my actions. They're a projection, a facsimile.
So that might bring you to another question, 'Even if they're not real, why would you WANT to do that to them, anyway?'
That I can't answer. The human brain is weird. Sometimes, people have dark urges. If a kid tosses their Barbie onto the ground and seems to take pleasure in it falling, can that accurately say they want to push a real person onto the ground? If someone seems to enjoy a violent video game like GTA where they can run people over and shoot them to their heart's content, is that a surefire way to know that they want to do those things to real people? I wouldn't say it is. Would you?
The final thing to remember is that it's not completely black and white. A serial killer might have been 'inspired' by a violent horror story, whereas the actual author of that story is a nice, well-adjusted individual. People with the desire to hurt actual humans might make do with projections, but it does not change the fact that they actually want to HARM people. The fiction didn't make them want to do that. They already did, and probably would have even if they didn't discover said fiction. And horrible people CAN make their own 'projections'.
Generally though I believe it is obvious when someone is just playing with dolls, and when someone is exhibiting an actual desire to hurt somebody.
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Just finished binging the Fallout tv show and 🤯 I've got so many thoughts running through this little brain of mine. So here's a very long rant no one asked for. Maybe I'll make a more digestible version later. Obviously SPOILERS AHEAD!!! Be warned!
First off - the lore. So many interesting things were added into the lore by this show that I find so fascinating, as well as theories I've had that were touched upon. All of which makes this very exciting but also leaves me DESPERATE for season two. The main thing that has really stuck with me is the confirmation that Vault-Tec were the ones to drop the bombs like hello??? I've always had an inkling ever since I started delving into fallout lore a good year or two ago that they were behind everything, but finally having it confirmed is so fun. Of course, some people out there are going to be irritated (L take) but this imo will make replays so much more interesting. Same with the addition of ghouls needing medication to keep from becoming feral. Although this begs some questions; what is the medicine? Is it just radaway, or something else entirely? Maybe it's connected to whatever Hancock used to ghoulify himself? Or maybe it's connected to Doctor Barrows' research into ghouls fom Fallout 3? Idk! But I hope it's answered in season 2.
Cooper being the inspiration behind the iconic vault boy mascot absolutely gagged me. It was kinda hinted at even in the beginning at the kids birthday party but I was still surprised. Pleasantly, of course. Other smaller things, like the BOS branding and helmets opening up, among other things, were also fun touches that develop the lore in ways that the games probably never would have. It's small things like this that despite livening up the wasteland, would be unnecessary uses of resources from a game-development standpoint. So I think if season 2 ends up being a banger like season 1, we could see a lot more tiny additions to the lore like this!
Secondly - the characters. I don't even know where to start. They were written so well which is such a critical part of a good series. Lucy, despite everything she goes through, stays true to her morals and by doing so, probably unknowingly, is changing those around her. Despite being stubborn, she's willing to listen and understand other viewpoints and adapt herself. It's so refreshing to see a main female lead who isn't written as either weak and naive or strong and boneheaded; she'd a perfect mix of both. I also appreciate them not making her a total push over, even in the beginning before she is given any reason to change. She grows, but never fails to stay true to herself. Plus the whole sex positive thing is an amazing touch to add as well, especially for a woman.
And while on this topic, Maximus is such a cutie pie. Writing characters that are selflessly aligned can definitely be a hit or miss, and without properly being fleshed out, can be one-dimensional, but I never felt that way with him. Despite trying to help others and be a good person, he still has flaws and does feels selfish things. They took the trope of the knight in shining armor, literally, and gave him actual human characteristics that made him feel real. Underneath his heroic demeanor, he's just a little guy who likes slippers and vault popcorn. Who just wants to be somewhere safe away from war and danger, to be where he can just relax and not have to worry. And his romance arc with Lucy is just way too cute. From the moment they met in Filly I knew something was going to happen and I was so excited when they finally kissed lmao. The sweet, innocent love at first sight thing they have going on is the perfect dichotomy to all the bloodshed and heavy themes going on in the rest of the show.
And finally, Cooper is reviving the inner ghoul lover in me and I cannot complain at all. As a certified Hancock lover, I feel seen ✋ also Walton Goggins is just incredibly fine. But that's besides the point. His character is arguably the best written because despite being an undeniably evil person, he is still likeable. 200 years have turned him into a man who had to lose his humanity to survive, and the pre-war flashbacks being shown through his eyes give him, and the story, so much depth. Despite his ways, you can't help but still feel for him, to still root for him and hope that he still has a little bit of that humanity left within him. Which imo was shown multiple times; for example him not killing Maximus in episode two even though he easily could have done so. And the fact that he's still searching for his family all these years later? When he was asked what has been keeping him going so long, I think they are his reason. Whether he is searching to reunite or to exact revenge on Barb for dropping the bombs while him and Janey were outside idk. But it makes his story all the more heartbreaking. I also love the writing for Norm, Moldaver, Dane, and so many others, but this is already too long ass it is.
Overall, this series was so good and I'll be impatiently awaiting season 2! Some things I'm hoping to see next seasons are super mutants for sure, as well as synths and more of the enclave. I think they went easy this season to test the waters and see just how interested people are. And now that they know people are very interested, I think they'll be more willing to invest a larger budget, and add more. Rant over!
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i don’t get it. iirc you don’t believe holivia was real, do you? so why are you happy about this tattoo? and if you still don’t think it was a real relationship, then what’s the point of it anyways?
What's not to get? Some of us love chaos and mess and find this entire thing hilarious precisely because it is! I'm happy about this tattoo because a lot of loudmouths who hate women now get to watch someone that they've woven so much hate for one lady in particular around go about his biz with a tattoo he's had for a while now on his inner thigh with her name on it. Sexi! Eat it! Dust off the cunty tags and cry about it!
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Thinking a LOT about Lucifer in the latest Hazbin episode. Idk what I was expecting but not this??
As I was watching my immediate thought was just "huh... Lucifer is kinda of weird..." but as the episode went on I realized the issue
the dude is off the chain depressed, like he says it as a joke but holy cow it is SO BAD
He's manically just creating rubber ducks cuz his daughter really like it that one time but it's empty, it's never good enough but he keeps doing it, maybe cuz he doesn't know how to pass the time otherwise.
like I get the feeling he HAS better things he SHOULD be doing than making rubber duck after rubber duck. At first I was like, "Bruh why isn't the king of hell doing anything?" aaaaand then it became clear...
The dude is disassociating so bad he can barely hold a conversation let alone remember information. He clearly WANTS to, he wants to be involved with his daughter so bad, he wants to care about the things she's doing so bad, but his depression keeps interfering. It's like he can only hear every other word and he grasps onto the ones he does hear semi-out of context. Like you can see every time he catches something that he hadn't before and he just "well shit I didn't catch that part"
and that's why he reacts so weird when people talk to him. He is struggling so bad to engage with the conversation he's only getting 50% of it
does that look like the face of a man who knows what the hell the conversation is even about??? he is STRUGGLING
like Charlie spent so long telling him about the hotel, and he STILL didn't understand what she wanted. Yeah it comes off as ditzy but literally I've been in that position where your brain just "nope, not doing this right now" and nerfs your conversation comprehension. So as someone who's BEEN in that position, to me it feels exactly like what he's dealing with. He's sorta engaged with the conversation, but only as much as his brain will allow
For example, when I'm dealing with this, this is what someone talking to me feels like this where the crossed out parts are what I missed and bold is what I catch, "Hey! You know I was thinking for dinner we could either make some chicken with rice? But if you don't feel like cooking, pasta is super easy and you love that right? What do you want to do?" you can kinda get that someone is trying to talk to you about dinner, and towards the end you get the impression that they asked something that needs your input so you can decently put 2 and 2 together and try and pass off, but crucial bits were left out, I would have no idea that either chicken or pasta is in the conversation only having heard "rice". When someone is just talking at me, I can decently pass off as being engaged but the second I'm required to participate in the conversation I'm screwed. Seem familiar? At which point I have 2 options, try to give a bullshit answer, or admit that I missed what they were saying and ask them to repeat
Lucifer, unfortunately, is trying so damn hard to hide that he's dealing with like 24/7 dissociation, so he can't admit that he's missing entire chunks of the conversation, hence his really weird replies. He does eventually get the full picture and then he and Charlie start having the real conversation
Also, the Alastor/Lucifer rivalry was hilarious but also really indicative of more of what Lucifer is dealing with
Alastor is, unfortunately, really good at picking up people's insecurities, and thanks to Charlie's description earlier and watching Lucifer clearly trying to overcompensate, he immediately picks up on the fact that Lucifer KNOWS he struggles to be a good dad (we know cuz it's cuz of the depression, hard to be engaged when your brain keeps turning off) and decides to rub salt in the wound by pretending he's been acting as a surrogate father to Charlie. Now why Alastor decided to pick a fight with the king of hell is beyond me, I do not understand Alastor (and I LIKE IT) (maybe it's cuz Alastor thinks he's hot shit and was expecting Lucifer to at least have heard of him but Lucifer just treats him like a nobody? who knows)(why would Lucifer listen to radio anyways when he can't even pay attention to a conversation it'd just be white noise)
But yeah I just was expecting someone who oozed either charisma or presence and instead I got a depressed dad who's dissociating so bad he can barely function and be present in his life. The only thing it seems he CAN do is make rubber ducks cuz his daughter really liked it that one time
Idk Lucifer is tragic to me. Whatever the full details of what heavan did to him absolutely broke him and he can't deal with it. He's aware of it, and he doesn't know how to fix it, so he tries to over compensate and sorta makes an ass out of himself but no one says or does anything cuz this guy is supposed to be THE king of hell
Suddenly it's making a lot more sense why he just rolls over and lets heaven do what it wants and even told Charlie to go in his place the start of the show. He's not in any headspace to hold a basic conversation let alone negotiate! He didn't even know who Alastor was, he's been so out of touch
idk I like him, he seems sweet, I hope Charlie brings some light back into his life. He really needs to get out of that rubber duck room
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