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heraldofcrow · 1 day

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Top five OMG WTF moments in FF7 franchise

OOOoooo!!

1. Actually the first time I saw the Gen vs Seph vs Angeal fight and Genesis got SO fiery fighting against Seph that he set off Seph’s theme song sjehsjs. I wasn’t all that familiar with the physics of FF7 yet and seeing all that metal and an entire super-canon get sliced up like butter was….wow. It was all so intense. My jaw dropped. BOTH OF THEM NEED TO CALM THE HELL DOWN. (Not).

2. The entire Cloud vs Sephiroth fight in Advent Children. LIKE BRUH. I didn’t expect them to be cutting through buildings and all that. (I guess the physics stuff got to me when I first delved into FF7 xD).

3. Cloud beating up Aerith in the OG shocked me. All the big twists like Cloud’s memories and Aerith’s death had been spoiled for me way early on, but I had no idea about Cloud losing his mind that badly. It was so brutal.

4. HALF THE SHIT I LEARNED ABOUT WHAT HOJO WAS DOING LOL. I knew he was fucked up but not on the level of “Hey I’m gonna try to breed a girl with what is basically a dog.” Blech. That bit in OG and his creepy scenes in Remake really made me queasy.

5. The reactor scene with Gen and Seph actually!! It’s an unusual choice maybe, but I honestly felt like the intensity of Crisis Core really peaked there. I was shocked by everything Genesis revealed and how he revealed it. It got pretty dark, and I felt lowkey depressed watching Genesis, for whose recovery and possible redemption I had been hopeful for, sink that low. BUT HE WAS ALSO DYING AND I FELT BAD SJDHD. I felt so bad for both of them???

The raw rift formed between these two characters and their friendship in that moment was more impactful to me than half the wacky magic multiverse stuff in Rebirth. It’s still one of my favorite FF7 scenes of all time.

(Both of them need fucking therapy).

Thanks for asking!!! 🖤

#again my answers are a bit weird because i’m usually more shocked by crazy physics and extreme relational drama lol #and also mad scientist stuff #but also too many of the big twists i just…knew about #nibelheim and aerith and cloud’s identity….even zack’s death #oh well #asks #ask game #mutuals #ff7 #sephiroth #genesis rhapsodos

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blackgirlcinephiles · 2 days

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Incoming: Long post! Black media discourse! Zendaya think piece!

Two years ago I wrote this post about Zendaya, Keke Palmer, and how colorism shapes the career trajectories of Black actresses.

This past weekend Challengers released in theaters, sparking a round of online discussion about Zendaya, her star power, her talent as an actor, and how a raunchy film like Challengers fits into a cultural landscape that’s less enthusiastic about on-screen depictions of sex.

Early reviews of the film lauded Zendaya’s performance, and even after it’s release, the general consensus remains overwhelmingly positive, with quiet buzzing of a potential Oscar nomination for Zendaya. Kudos to her!

I’m not here, however, to discuss or analyze Zendaya’s acting chops. (To some ppl, she’s outstanding, to others she’s overhyped. Personally, I think Zendaya is talented. Her work in Euphoria was no small feat and she’s proved herself capable.)

The reason I’m writing this now is that an excerpt from this article about Zendaya and Challengers got me thinking again about what it takes for Black actors to become “stars” in this day and age. I’ll insert screenshots here.

Now I’m sure the reviewer’s tone in these excerpts will be off-putting to some, esp those who identify as a part of the Zendaya standom. It’s clear that Ms. Angelica Jade Bastien has yet to buy into the fanfare about Zendaya’s acting abilities.

But she touches on something very interesting to me. Zendaya is THE most prominent Black actress of the younger generation and I’d argue her degree of star power is unmatched by even her non-Black peers, some of them having comparatively longer (& more impressive) resumes. Zendaya is incredibly well liked. People want to see her and she’s been so visible these past 6 years that it’s hard to believe Challengers is her first leading role in a big release.

So…why her? Why has Zendaya been able to garner this level of star power and leverage behind the scenes while other equally talented Black actors fight for adequate roles and visibility? After reading several opinions, I’ve come to some conclusions.

I think colorism, racial identity, and desirability politics all play a role (as was discussed in the colorism post). But I also think Zendaya has been very smart about managing her online presence and overall brand. She’s maintained Beyonce level privacy about her personal life (virtually scandal free since her teens) and has managed to exude poise while still being seen as delightfully down-to-earth. That in itself is praiseworthy b/c it’s a delicate balancing act and many have faltered.

I also think that as AJB states, there’s an indictment on Hollywood to be made here. I think since Zendaya’s exit from Disney, the projects she’s taken on have used her likeness to stoke public interest in the films. (Similar to the way ppl watched Selena’s film choices post- Wizards of Waverly: “What’s this beloved disney kid up to next?”)

And this is noteworthy b/c the significance of Zendaya’s roles in the early films of the Spiderman and Dune franchises have been disproportionate to her visibility in promotional materials. Zendaya’s screentime in the first Dune couldn’t have amounted to more than 10 minutes, but she was prominently featured on the press tour and red carpets. The same goes for the first Spiderman. She’s clearly been used to sell tickets to these movies, even when she doesn’t have a lot to do in them.

And Zendaya, to her credit, has made the most of these opportunities (earlier this year she received high praise for her performance as Chani in Dune 2). She once stated in a vogue interview that she started going out for roles initially written as white to see if she’d be able to change the casting team’s mind. And it seems that she’s succeeded, as evidenced by her presence in several huge releases over the past 6 years. But these were often small, supporting roles where her identity as a biracial Black woman didn’t impact her character’s arc within the overall story. (This is not necessarily a bad thing in itself, but stay with me)

This then begs the question, “What does it mean for a star like Zendaya to take up roles originally reserved for white actresses?”

The conclusion I’ve come to is that it means providing a film with enough racial diversity to give the impression that Hollywood cares about being inclusive, while not being so different that certain audiences are unable to “connect” to the character. I think that “Hollywood’s acceptable Black girl” has to be Black enough to fulfill a diversity quota, but not so Black that audiences are reminded the character has a different lived experience from them and feel uncomfortable.

Like AJB said, I don’t believe mainstream audiences are actually interested in Black female rage. It makes them uncomfortable and lately certain factions of the population have been extremely vocal about being “tired of woke.”

I find it strange that Justin Kuritzkes (the Challengers screenwriter) stated it only made sense to write Tashi as a Black woman bc of the visibility and dominance of Black women in tennis, but didn’t think it’d be important to explore any of the challenges that come with that in the film. And for this to be followed by the decision to cast a light skinned, biracial actress in the role? It doesn’t make any sense.

We’re shown that Tashi Duncan is a fierce, unapologetically competitive athlete. And yet, these are not qualities that Black female athletes are usually applauded for having. Just look at the narratives that have swirled around athletes like Serena Williams and Sha’Carri Richardson since their debuts. There’s always a barely concealed desire to humble high achieving Black women who are confident in their abilities. The press coverage around Serena & Naomi’s infamous match (which Justin Kuritzkes said inspired Challengers) is a perfect example of that. It’s strange to model a character after these figures and give no mention of these struggles and how they’d influence character motivations.

IMO, this reads as another case of not wanting to be critized for lack of diversity in your film, while also not wanting to do the work that goes into making your diverse cast authentic. (like getting input from or writing alongside other BIPOC screenwriters. That “little white boys” line is truly meaningless without any context or backstory. And it doesn’t sound like they’ve given Tashi much.) The result is an Black female lead character who is under-written and whose importance has been overstated in the promos in contrast to the actual story. (Which seems to fit right on trend for films Zendaya’s been a part of.)

Zendaya seems to have become the go-to Black actress for when big budget films want to “go ethnic.” She’s mixed race, conventionally beautiful, near universally well-liked w/ a loyal fanbase, and has been recognized as talented enough (Two Emmys! Count ‘em. Two!) to get the job done. She’s a safe bet that allows them to kill two birds with one stone. By adding Zendaya to the mix, the studio gets to check a diversity box for their cast and gets leading star guaranteed to get them sales.

I really don’t want anyone to misconstrue this as downplaying Zendaya’s achievements or her talent, b/c it’s not. But no part of the society we live in is a true meritocracy. As I discussed in the original post re: colorism, there are always structural and social forces at work shaping our ability to advance. Like Beyonce, Zendaya is an incredibly privileged Black woman who is talented, has worked hard, and has made the most of the advantages she’s been afforded. And I don’t think Zendaya has any control over the way she’s been used to advertise the films she’s done over the past 6 years.

I just think this conversation is another opportunity to adjust our perspectives and examine the limitations of representation in Hollywood. I’m reluctant to acknowledge Zendaya’s current success as a marker of progress or even see it as a win for Black female representation.

“Zendaya is officially Gen Z’s Hollywood star. Gen Z’s first true Hollywood star is a Black woman!”

What does it say about the stage of progress we’re in if our generation’s chosen Black leading lady has to have such close proximity to whiteness that people can choose to overlook her Blackness, if they so desire? Is the mere presence of a Black face in a high place progress? Or is it what that person’s power allows them to do for others who are also marginalized? As AJB asked, how meaningful is Zendaya’s position as a Black female producer if everything about the projects she’s involved in is white except for her? (Just throwing out food for thought: How different would Challengers have been if a MoC was casted as one of the male leads instead of the two “white twinks” everyone can’t stop talking about? No shade to Mike Faist or Josh O’Connor, but would it still have gotten buzz? Would the marketing team have known how to advertise the film if there were two main actors of color instead of one?)

I think it’s amazing to see Zendaya’s growth and success as a biracial Black female entertainer, but I won’t attach any meaning to her success that isn’t there.

This is actually a really shitty time for Black art and Black actors in Hollywood. Last year, so many wonderful Black shows were cancelled. DEI rollbacks are hitting all parts of society, but especially entertainment and the trend doesn’t seem to be reversing any time soon.

It’s not comforting to see Zendaya reach the heights she’s soared to, while other equally talented yet less privileged Black actors fall into obscurity waiting years before they get another role that showcases their abilities. Black actors continue to suffer from lack access to opportunities/roles. Their projects are not marketed and given time to grow. And even when the support is there, the shows will still be cancelled. What does it say that the one Black actress who has had consistent enough access to these opportunites to achieve “star” status is the one with the closest proximity to whiteness?

Things are actually very bleak.

#blackgirlcinephiles #black girls on tumblr #discourse #black actresses #black actresses in hollywood #zendaya #challengers #what does it mean to be a star in this day and age #what is the true importance of having a Black hollywood star?#should it mean anything?#black representation #black representation in media

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theosb0rnway · 7 hours

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Just finished the Bad Batch finale and HOLY SHIT IT WAS SO FUCKING GOOD

SPOILERS BELOW THE CUT

THEY ALL LIVED!!! HOLY SHIT THEY ALL LIVED I CAN'T BELIEVE IT--

So um.... yeah Tech's still not dead to me, CX-2 is alive, everything is fine, we'll see him soon, it's fine-

Crosshair GOT HIS HAND CUT OFFFF- Not the biggest Crosshair fan but I still feel so bad.... BYT AT LEAST HE MADE THE SHOT AND SAVED OMEGA AND HE GETS A HAPPY ENDING NOW

Speaking of happy endings, THEY ALL GET TO GROW OLD!!!! I'M SO FUCKING HAPPY FOR THAT, I'M SO GRATEFUL THEY GET TO LIVE THAT PEACEFUL LIFE THEY WANTED, EVEN IF WE DIDN’T GET TO SEE IT

GONKY'S ALIVE AND WELL, THANK THE FORCE

Emerie helped the kids escape I'm so glad they all made it too AND THE KIDS LOOKED SO CUTE ON PABU WITH MOX, DEKE, AND STAK

ECHO'S STILL ALIVE AND HELPING THE CLONES FIGHT, HELL YEAH

They rescued the clones!!!! I'm SO FUCKING HAPPY they did

HEMLOCK AND RAMPART ARE FUCKING DEAD, LET'S FUCKING GOOOOOOOOO

Rampart was a double-crossing son of a bitch and he got what he deserved. Rest in peace, Nala Se. You may not have always been on the right side, but you died doing the right thing.

Did I mention that I don't think Tech is dead?

The CXs were SO COOL I wish we got to see more of them!!!

DID I MENTION THAT I DON'T THINK TECH IS DEAD?!? (I'm not losing hope guys, I'm not-)

The Zillo beast absolutely RIPPING UP TANTISS was fucking FANTASTIC and I love it and it was VERY VERY MUCH DESERVED

Baryn is me, I need loud destructive noises to fall asleep LOL (this is why I can only fall asleep to FNAF songs in my ears-)

Seeing grown up Omega made me cry, and I love that older Hunter looks like pretty much every older Hunter fanart ever drawn-

Wish we could have seen older Wrecker and Crosshair, and GIVE ME SCENES OF BOTH OF THEM HEALING, PLEASE- (Crosshair did not eat on screen the ENTIRE SEASON I don't like that at ALL.)

Overall, I thought the finale was a solid 9 1/2 out of 10, the only thing that could have made it better was a CX-2 is Tech reveal, but... I mean I got everything else, so I'm not entirely disappointed.

I'm still staying VERY MUCH a part of this fandom, sorry not sorry to my followers who came for the Ninja Turtles and got Star Wars copy-paste men instead-

As I mentioned, I do have a Bad Batch project coming out soon, and I guess I could call it a fix-it now... but yeah, I'm not done with Star Wars and at this point in my life, I really don't think I'm leaving this fandom any time soon. Yes, it has some issues, as all fandoms do, but it's where I fit best at the moment. I'll still be posting other stuff, but Star Wars and the Scream franchise are my main fandoms for now.

Thank you to the cast and crew of this WONDERFUL show, you did it again, Star Wars. (*puts TBB in my top 3 TV shows of all time*)

And thanks to all my friends here on Tumblr who helped me get into this show and traded theories and so much more! (Also special thanks to @atyourdinosaurs for all of your love, theories, and ideas [and for inspiring my new project], and to @casp1an-sea and @thecoffeelorian for being two amazing friends I made from this fandom!)

We had a great run, guys. It's a honor to love this show and to be here for its final moments. Here's to more Star Wars and to more Bad Batch content in the future.

-Oz

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fuckyeahisawthat · 1 day

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Hey ho, have you seen The Creator (2023) yet? Unsubtly about US imperialism, but also really moving, aesthetically stunning (Greig Fraser as DP, oh yeah) and John David Washington killing it in the main role. I was surprised by how much there was to love. xoxo

I fucking LOVED The Creator and kept trying to write something about it here but never managed to collect my thoughts. But yeah what a fucking movie, oh my god. I feel like it kind of got buried by lack of publicity but tbh I am not that surprised because it's one of those movies with politics that make you think how the fuck did they get away with making this.

Gareth Edwards, like Villeneuve, is a director I've been paying attention to for a while now, ever since his 2010 movie Monsters, which was a really impressive low-budget sci-fi with effects that just looked seamless and interesting things to say about borders and the human cost of militarized responses to disastrous events.

And then he did Rogue One and pulled off something very impressive, which is to take one of the most famous sci-fi weapons of our era--the Death Star, a metaphor for nuclear weapons so iconic it has become a symbol in itself--and made it actually fucking scary for the first time in the history of the franchise. And he did it by turning the camera around.

Because the thing is that before this point, we had only ever seen the Death Star from the point of view of the people firing it. The idea of a planet-destroying weapon is intellectually horrifying but we didn't really ever feel it. Because for that we need to see the weapon from the point of view of its victims. It's such a simple but radical shift in perspective, and I feel like Gareth Edwards took that idea from Rogue One and then made it into a whole movie with The Creator.

The Creator, for those unfamiliar with the premise, is about a near-future counterinsurgency war in which the US military is hunting down various forms of AI/android/robot beings. It also features a space-based super-weapon that is eerily beautiful but goddamn fucking terrifying. It was mostly shot in southeast Asia and heavily evokes Vietnam War imagery (as the ending of Rogue One did as well); it is probably about as close to "Vietnam War movie but you're rooting for the Vietnamese" as it is possible to make in the American studio system. The protagonist is still an American soldier (who defects and "goes native" fairly early in the movie) but making him a Black disabled veteran was certainly a Choice. And yes it's John David Washington and he's great in it.

It feels facetious to say The Creator is Reverse Terminator, because it's much richer than that, but it's also kind of fucking true. For the entire movie, the characters are just running for their lives from the implacable and overwhelming destructive force of the US military which is just crushing everything in its path.

The movie does a lot of things that you simply do not see in most American war movies, but the one that stands out to me the most is that in every scene of war violence there are civilians, including children, fucking everywhere. It really threw into relief for me how often American war-action movies create these empty video game environments for soldiers to run around in, where any actual people who might live in the place where the war is happening are at best props and at worst completely absent. (Alex Garland's Civil War, in addition to being terrible in every other conceivable way, is a particularly bad offender at this.) The Creator does what really should be the bare minimum of taking time to showing that these are people whose homes and lives are being destroyed and it is shocking how novel it seems. (There's a line that plays in my head all the time where one of the AI characters says something to the effect of, "Do you know what will happen to the humans when we win this war? Nothing. We simply want to live.") I will also say that this made it a very intense watch in late October 2023 in particular, but it is fiction so we get a very satisfying and cathartic ending. And yes it is an absolutely gorgeous movie, the VFX are mind-blowing, and I found it quite moving.

#asks answered #the creator 2023 #gareth edwards

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