There is a crystal on the third eye! They keep putting emphasis on that part of our body and I just love it :)
Pineal gland is the actual name for it btw.
You’re listening to Mozart’s last written notes 🎶✝️
This beautiful passage, Lacrimosa, belongs to the Requiem written by the composer in his last months of life. In fact, all he managed to write before his death was the Introitus, Kyrie and Lacrimosa, just three out of many passages corresponding to a full traditional mass for the dead in Latin language.
This composition is one of the most thrilling pieces of music ever written, connecting the concepts of life and death through music in a way never seen before at the time, and a crucial rise for this type of music structure that gives birth to other famous Requiem masses such as Verdi’s and Faure’s.
Mozart died in 1791 at 35 years old having written more than 600 works through a life that wasn’t easy in any sense. Alfred Einstein’s biography of Mozart is one of the best out there, if you are interested in discovering more about this prestigious composer.
His life and work gave music and society more than we could have ever asked for.
thinking about which bloodborne affiliation i would assign daan and him sacrificing an eye and being a doctor fits so much with the theme of the choir but im like. would he do all that tho….. mensis scholar wouldn’t make too much sense for him because he has a background with divine rituals (one that isnt too positive) im in a bit of a pickle. in terms of skills he definitely has what it takes to be a choir member but in terms of morality he isnt very aligned with the healing church at all. this is so difficult what would he be.
see often the prompt "what's a false assumption ppl always make abt you" & ofc it's stereotype bait, but 7/10 ppl assume that i was homeschooled w/ one! million! siblings! in the sticks, or came from some religiously cloistered upbringing, & am stating for the record that i went to normal secular public school in washington DC, i'm just autistic
Very exhausting shabbat service tonight. U know its bad when it makes you want to lock urself in your room and recuperate instead of actually continue to be around people 😭
AN IRISH BLESSING
(J.E.Moore) | Mixed Choir Juventus
May the road rise up to meet you.
May the wind be always at your back.
May the sun shine warm upon your face;
the rains fall soft upon your fields and until we meet again,
may God hold you in the palm of His hand.
already thinking "and by 'religious' really i mean 'christian'" re: how the term "religion" is not really useful when it's largely like, from a christian perspective, what is considered "equivalent" of christianity, see: perhaps a "rival"/obstacle to some person or group being considered christian....and even if not thinking about converting anyone, resulting in some at best misinterpretation / misrepresentation based on framing it through/as [element of christianity] and limiting of any more accurate language
like how tumblr recommends me a post about someone thinking about "religion" in general and concluding that it's Weird and perhaps Wrong for anyone who is a "true believer" in their religion(tm) to Not be proselytizing / trying to Convert everyone. like yeah why isn't everyone being an evangelical christian, they ought to be, benevolently informing all those around them that they're going to hell, otherwise. don't see any problem with this conclusion, or that someone's getting antisemitic in the notes already in agreement, or that That's Not How This Works and you don't just know how All "Religion" works based on considering it to be an alternate version of christianity (which in itself doesn't All work like that either)
Group Theory: Black Music is a stunning new statement from South African drummer and composer Tumi Mogorosi. Standing in the lineage of South African greats such as Louis Moholo-Moholo, Makaya Ntshoko and Ayanda Sikade, Mogorosi is one of the foremost drummers working anywhere in the world, with a flexible, powerful style that brings a distinctive South African inflection to the polyrhythmic tradition of Elvin Jones, Max Roach and Art Blakey. Since his international debut on Jazzman Records in 2014 with Project ELO, Mogorosi has been in the vanguard of the South African creative music scene’s burgeoning outernational dimension, taking the drummer’s chair in both Shabaka Hutchings’ Shabaka and The Ancestors formation and with avant-garde noiseniks The Wretched.
As Mogorosi’s first project as leader since 2014, Group Theory: Black Music marks a return to the drummer’s musical roots. The sound is anchored in the transnational tradition of Great Black Music, with the core of the group comprising a quintet of newcomers Tumi Pheko (trumpet) and Dalisu Ndlazi (bass) alongside the experienced guitarist Reza Khota, with Mogorosi himself and altoist Mthunzi Mvubu, another Ancestors member, representing the current generation of South Africa’s creative music torchbearers. Motivated by Mogorosi’s driving dynamism, the group create deep-hued modal grooves that burn with a contemporary urgency, while established pianist Andile Yenana brings an elder voice to three of the tracks. Featured vocalists Gabi Motuba (Project ELO, The Wretched) and Siyabonga Mthembu (The Brother Moves On) take differing approaches to the spiritual standard ‘Sometimes I Feel Like a Motherless Child’, while poet Lesego Rampolokeng pours out lyrical fire on ‘Where Are The Keys?’, creating a bridge back to the Black Consciousness movement and figures such as Lefifi Tladi and Wally Mongane Serote.
But where Group Theory: Black Music moves an established format dramatically forward is in the addition of a ten-person choir. Conducted by Themba Maseko, their massed voices soar powerfully above every track as a collective instrument of human breath and body, and enter the album into the small but significant number of radical recordings to have used the voice in this way, such as Max Roach’s "It’s Time", Andrew Hill’s "Lift Every Voice", Billy Harper’s "Capra Black", and Donald Byrd’s "I’m Trying To Get Home". At the same time, the presence of this wall of voices brings an inextricable connection to the venerable tradition of South African choral music, and to the importance that the Black choir has had for South Africa’s religious, political and social cultures, including the culture of South African creative music itself. From the Manhattan Brothers and the choral compositions of Todd Matshikiza to figures such as Johnny Dyani and Victor Ndlazilwane, the collective power of voice has been one of the cornerstones of improvised creative music in the country.
Andile Yenana – piano [tracks 4,5,9 & 11]
Dalisu Ndlazi – upright bass
Gabi Motuba - vocals [track 10]
Lesego Rampolokeng – vocals [track 11]
Mthunzi Mvubu – alto saxophone
Reza Khota – electric guitar
Siya Mthembu - vocals [track 5]
Tumi Mogorosi - drums
Tumi Pheko – trumpet
Voices
Brenda Thulo
Cecilia Phetoe
Charles Shikwambana
Fortunate Jwara
Noluthando Biyana
Sibongile Mollo
Steve Mthombeni
Tebogo Magwe
Themba Maseko - conductor
Thulisile Ntetha
delicate balance. rejecting repressive religious hegemony and establishing new systems and philosophies of spiritual involvement can be liberating and revolutionary or can manifest as appropriative, xenophobic or otherwise misrepresentative and crass attempts at filling a vacuum in life caused by the absence of true cultural ties