#the swan wing burial

[peggy-sue-reads-a-book]

While you’re thinking about the Roman Empire, I’m stuck on the Danish Swan Wing burial and probably will be forever.

art credit: Adam Brockbank

#archeology #the swan wing burial #ancient Denmark #burial custom #mother and child

[noaura]

A 7000-6000 year old burial of a young woman (aged around 20 at the time of her death) and her newborn baby from Vedbaek, Denmark. By her head, 200 red deer teeth and a bone hairpin, as well as red deer hooves which came from a skin that was wrapped around her. The child is cradled in the wing of a swan with 2 flint knives at its hip, suggesting the baby was a boy. It’s thought the pair died together in childbirth.

[insufferableprotagonistpoll]

Please note that a character currently needs at least 3 submissions to make it into the poll

That said:

Has 3 Submissions or more:

Aang - Avatar: The Last Airbender

Anakin Skywalker - Star Wars

Batman - DC

Bella Swan - Twilight

Bloom Peters - Fate: The Winx Saga

Bojack Horseman - Bojack Horseman

Brambleclaw - Warrior Cats

Clary Fray/Fairchild - Shadowhunters

Coriolanus Snow - The Ballad of Songbirds and Snakes

Elsa - Frozen

Evan Hansen - Dear Evan Hansen

Frank Reagan - Blue Bloods

Gregory - FNaF Security Breach

Harry Dresden - The Dresden Files

Harry DuBois - Disco Elysium

Heywood Floyd - Space Odyssey

Holden Caulfield - The Catcher in the Rye

Kazuya Kinoshita - Rent-a-Girlfriend

Kiris - On the Emperor's Lap

Mal - Descendants

Peter Pan - Peter Pan

Rand al'Thor - Wheel of Time

Rintaro Okabe - Steins;Gate

Scott McCall - Teen Wolf

Stolas - Helluva Boss

Ted Mosby - How I Met Your Mother

Tim Jackson Drake - DC

Tony Stark - MCU

Walter White - Breaking Bad

Wanda Maximoff - MCU

Xander Harris - Buffy the Vampire Slayer

Zoey Redbird - The House of Night

Has 2 Submissions:

Ash Ketchum - Pokemon

Bloom Peters - Winx Club

Claire - Ship It

Dawson Leery - Dawson’s Creek

Duck Dodgers - Duck Dodgers in the 24 1/2 century

Dr Gregory House - House MD

Elizabeth - Bioshock Burial at Sea

Ezra Bridger - Star Wars Rebels

Ferris Bueller - Ferris Bueller's Day off

Feyre Archeron - A Court of Thorns and Roses

Harry Potter - Harry Potter

James Bond - James Bond

Jaune Arc - RWBY

Kyouya Sata - Ookami shoujo to kuro ouji

Netsa Archeron - A Court of Thorns and Roses

Odysseus - The Odyssey

Owen Grady - Jurassic World

Piper - Orange is the new Black

Pucca - Pucca

Quentin Coldwater - The Magicians (books)

Rey - Star Wars

Richard Rahl - Seeker of Truth/Legend of the Seeker

Riley Matthews - Girl Meets World

Robin - Teen Titans Go

Shen Qingqiu (Shen Yuan) - Scum Villain’s Self Saving System

Tom Paris - Star Trek: vVyager

Velma - Velma

Wade Watts - Ready Player One

Has 1 Submission

Achilles - The Iliad

Akiyama Shun - Ryu Ga Gotoku/Yakuza

Alexander Hamilton - Hamilton

Animal Crossing New Horizons' Player Character - Animal Crossing New Horizons

Aquamarin Hoshino - Oshi No Ko

Aragorn - Lord of the Rings

Arek - So This Is Ever After

Artemis Fowl - Artemis Fowl

Arthur Pendragon - BBC Merlin

Ataru Moroboshi - Urusei Yatsura

August Landry - One Last Stop

Ayin - Lobotomy Corporation

Bakugou Katsuki - My Hero Academia

Betty Cooper - Riverdale

Billy Buddy/Dr. Horrible - Dr. Horrible's Sing Along

Blake - Pokemon Adventures Black 2 and White 2

Blitzo - Helluva Boss

Bubsy - Bubsy 3D

Charley Pollard - Doctor Who

Charlie Morningstar - Hazbin Hotel

Choromatsu Matsuno - Osomatsu-san

Colin Bridgerton - Bridgerton

Corrin - Fire Emblem Fates

Cory Matthews - Boy Meets World

Dal - Star Trek Prodigy

Damian Wayne - DC

Daphne Bridgerton - Bridgerton

Data - Star Trek The Next Generation

Dr. Hanna Heath - People of the Book

Ebony Darkness Dementia Raven Way - My Immortal

Ellison Oswalt - Sinister

Elric of Melniborne - The Elric Saga

Emma Nelson - Degrassi: The Next Generation

Equality 7-2521 - Anthem

Eren Jaegar - Shingeki no Kyojin

Faust - Goethes Faust

Frasier Crane - Frasier

Galadriel Higgins - The Scholomance Trilogy

Geralt of Rivia - The Last Wish, The Witcher books

Go Siwon - A Guy Like You

Gray Wing - Warrior Cats

Haruyuki Arita - Accel World

Homer Simpson - The Simpson

Howard Roark - The Fountainhead

Jaypaw - Warrior Cats

Jean-Luc Picard - Star Trek The Next Generation

Jeff Winger - Community

Jim Hopper - Stranger Things

JJ - Cocomelon

Joaquin Monegro - Abel Sánchez

John Proctor - The Crucible

Jughead Jones - Riverdale

Kai - The Witch King

Kang Jinha - A Guy Like You

Katara - Avatar the Last Airbender

Katnis - Hunger Games

Khai - Theory of Love - Thai BL Show

King Arthur - King Arthur: Legend of the Sword (2017)

Korra - Avatar: Legend of Korra

Koyomi Araragi - The Monogatari series

Kun-chan - Mirai

Kvothe - The Kingkiller Chronicles

Lelouch Lamperouge - Code Geass

Leroy Jethro Gibbs - NCIS

Lionblaze - Warriors (Power of Three and Omen of the Stars)

Luna - Retro

Luffy - One Piece

Lyn - Fire Emblem

Makoto Naegi - Danganronpa: Trigger Happy Havoc

Mal - Firefly

Manaow - Love Senior

Mark Watney - The Martian

Mary Poppins - Walt Disney's Mary Poppins

Meliodas - Seven Deadly Sins

Merlin - BBC Merlin

Mia - La La Land

Mike Wheeler - Stranger Things

Miyo Sasaki - A Whisker Away

Mordecai - Regular Show

Nick Carraway - The Great Gatsby

Nightheart - Warrior Cats

North Italy - Hetalia

Okajima ""Rock"" Rokuro - Black Lagoon (Anime)

Oscar - Shark Tale

Otis Milburn - Sex Education

Patrick Bateman - American Psycho

Peppa Pig - Peppa Pig

Piper McLean - Heroes of Olympus

Pippa Fitz-Amobi - A Good Girl’s Guide to Murder

Rebecca Bunch - Crazy Ex-Girlfriend (TV show)

Robert Langdon - The Da Vinci Code

Rodion Raskolnikov - Crime and Punishment

Rorschach - Watchmen

Ruby - Max & Ruby

Ryo Saeba - City Hunter

Sabrina Spellman - Chilling Adventures of Sabrina

Satou Kazuma - Konosuba

Shiori - Six Crimson Cranes

Shiro Emiya - Fate/Stay Night

Shrek - Shrek

Skullduggery Pleasant - Skullduggery Pleasant

Snow Villiers - Final Fantasy 13

Star Butterfly - Star vs The Forces of Evil

Stiles Stilinski - Teen Wolf

Sydney Atherton - The Beetle

Tai Kamiya - Digimon Adventure

Takao - Garden of Words

Tara Webster - Dance Academy

Tarl Cabot - The Gor Chronicles

Violetta - Disney's Violetta

William Afton - FNaF Ultimate Custom Night

Yu/Ai - Final Fantasy Unlimited

Yuri Zhivago - Doctor Zhivago

Yuusaku Godai - Maison Ikkoku

Zack Morris - Saved by the Bell

Available for Resubmission (needs at least 1 resubmission to participate)

Atsuko Kagiri/Akko - Little Witch Academia

Beca Mitchell - Pitch Perfect

Elena Gilbert - Vampire Diaries

Izuku (Deku) Midoriya - Boku no Hero Academia

Katarina Claes - My Next Life as a Villainess

Scott Pilgrim - Scott Pilgrim

Sophie Foster - Keeper of the Lost Cities

The Tenth Doctor - Doctor Who

Wei (Ying) Wuxian - Mo Dao Zu Shi

Currently unavailable for a new Round:

Aelin Ashryver Galathynius/Celaena Sardothien - Throne of Glass

Alex Eagleston - YIIK

Caillou - Caillou

Dean Winchester - Supernatural

Eragon - Eragon/Inheritance Cycle

Erika Shinohara - Ookami shoujo to kuro ouji

Kirito - Sword Art Online

Light Yagami - Death Note

Marinette Dupain-Cheng - Miraculous Ladybug

Naofumi Iwatani - The Rising of the Shield Hero

Peter Griffin - Family guy

Rachel Berry - Glee

Ross Geller - Friends

Tori Vega - Victorious

Victor Frankenstein - Frankenstein, or the Modern Prometheus

Y/N - Fanfiction

#insufferable protagonist tournament #insufferable protagonist poll

[paganimagevault]

The Princess of Ukok (aka Siberian Ice Maiden & The White Lady) 500 BCE. Tumblr image limit only allows 30 photos, I will include a link to my blog, at bottom, with more photos and more organized descriptions.

"In 1993, Russian archaeologist Natalya Polosmak and her team discovered an ancient tomb at the Ukok Plateau, in the Altai Mountains region of Russia near the border with China.

The ‘Maiden’ belonged to the Pazyryk culture. The Pazyryk people, a congregation of Scythian nomadic tribes, lived in the Altai mountains in the 6th to 3rd centuries B.C.

The woman’s body, carefully embalmed using peat and bark, was laid on its side as if she were asleep. She was young and her hair was shaved, but she wore a wig and a tall hat. She was 167cm tall. Some tribal animal-style tattoos remained on her pale skin: creatures with horns that evolved into floral shapes. Her coffin was made large enough to accommodate the 90cm felt headdress she wore. She was also wearing a long wool skirt with red and white stripes and white felt stockings.

'A mop of hair on top was tightly wrapped around with a woollen cord, which helped this mop to stand upright,' she says. 'On top of this mop was worn a red 'nakosnik' (a braided decoration made from threads), and atop of this structure was a bronze pin with a deer, standing on a sphere. The deer was made from wood, and was covered in golden foil.' Yet it was more intricate, still. 'The wig had another very important detail,' she says. Its crowning glory looked like a giant feather, 68.5 cm long, made from felt and covered with black woollen fabric, with a stick inside it to help it stand straight.' she says. 'This feather had the figures of 15 birds attached to it, which like in modern Russian Matryoshkha dolls with one inside another, were each of smaller size compared to the previous one. The birds had leather wings, tails and legs, and long necks, which most likely meant they were swans. 'This feather can be interpreted as a symbol of the Tree of Life - a healing tree which existed in so many cultures all around the planet. By the roots of the tree there is a wooden figure of a deer with a Capricorn's antlers. 'There was also ... a cap for the wig.... some 84 cm tall. It was found in Princess Ukok's burial chamber.'

The Altai princess became the second mummy found with a tattoo (tattoo had not yet been found on other, earlier mummies in the Hermitage). Kurgan 1, burial ground Ak-Alakha-3 (Ukok Plateau, Altai). Tattoos were inked on both arms from shoulders to hands. The drawings were blue and stood out against the white skin. They were preserved only on the left hand, on the right they were almost completely destroyed. Drawings were also applied to some phalanges of both hands. Archaeologists saw the tattoos during the opening of the wooden sarcophagus, then the mummy's skin began to darken, and the tattoos disappeared, subsequently they were restored in the laboratory. When other Pazyryk mummies were found, the tattoos were not visually noticeable.

The tattoos on the left shoulder of the 'princess' show a fantastical mythological animal: a deer with a griffon's beak and a Capricorn's antlers. The antlers are decorated with the heads of griffons. And the same griffon's head is shown on the back of the animal. The mouth of a spotted panther with a long tail is seen at the legs of a sheep. She also has a deer's head on her wrist, with big antlers. There is a drawing on the animal's body on a thumb on her left hand.

Somehow, many Pazyryk burials in this region were flooded, possibly with underground waters, and then froze – so the organic remains were preserved almost untouched by decay.

The embalmed body was buried at least three months after death. All this time, the mysterious woman continued to play a special role in the life of her tribe — for example, she was put in some chairs, which can be seen from the traces on the body. At the same time, a complex, time-consuming ceremony of embalming is a sign of the extraordinary status of the deceased. However, the scientists deny her status as a ‘Princess.’

“It’s not accurate to call her a ‘princess’. She was not a princess, she was a representative of the middle layer of the Pazyryk society,” archaeologist Vyacheslav Molodin, academician at the Russian Academy of Sciences, and Natalya Polosmak’s husband, told “Expert-Siberia” magazine in 2012.

Studies of the mummified remains extraordinary advances in our understanding of her rich and ingenious Pazyryk culture. The tattoos on her skin are works of great skill and artistry, while her fashion and beauty secrets - from items found in her burial chamber which even included a 'cosmetics bag' - allow her impressive looks to be recreated more than two millennia after her death.

The princess' cosmetic kit included a black horsehair brush with a thin wooden shaft inside, tied with a (disappeared) leather cord, completely studded with cylindrical marble beads, and handfuls of scattered powder of bright blue-green color. There were also the remains of a broken thin rod of flat metal rings filled with the same blue-green substance (that is, in fact, it is a pencil for drawing lines or drawings like our eyeliner).

Analysis showed that it was vivianite (blue iron ore). Such a powder, closer to modern times, was used to obtain green paint. In the Altai Mountains, it is known as a satellite of gold-bearing sands. Perhaps this powder had a sacred meaning. The vivianite pencil may have been used for face painting, possibly for people with special functions or gifts. Among the Pazyryks, face and body painting has not been recorded, partly because not a single mummified face has been found. But among the peoples close to the Pazyryks, such a tradition was recorded, in particular, the painting of the face with two spiral drawings. There is a weak association with the blue-green turquoise Hathor from the Sinaiand numerous Sumerian green cosmetic "shadows" in boxes discovered during excavations in Ur and other cities of Sumer.

It is believed that she was not in fact a royal but that her use of drugs to cope with the symptoms of her illnesses may have given her 'an altered state of mind', leading her kinsmen to the belief that she could communicate with the spirits. Her lavish grave suggests she was someone of singular importance.

The MRI, conducted in Novosibirsk by eminent academics Andrey Letyagin and Andrey Savelov, showed that the 'princess' suffered from osteomyelitis, an infection of the bone or bone marrow, from childhood or adolescence. Close to the end of her life, she was afflicted, too, by injuries consistent with a fall from a horse.

The mystery was solved only in the 2010s with the help of a computed tomography scan. It showed that the maiden suffered from breast cancer that killed her in about three years. She was 25 at the time of her death.

'During the imaging of mammary glands, we paid attention to their asymmetric structure and the varying asymmetry of the MR signal,' stated Dr Letyagin in his analysis. 'We are dealing with a primary tumour in the right breast and right axial lymph nodes with metastases.'

'The three first thoracic vertebrae showed a statistically significant decrease in MR signal and distortion of the contours, which may indicate the metastatic cancer process.' He concluded: 'I am quite sure of the diagnosis - she had cancer.

'She was extremely emaciated. Given her rather high rank in society and the information scientists obtained studying mummies of elite Pazyryks, I do not have any other explanation of her state. Only cancer could have such an impact.'

'When she arrived in winter camp on Ukok in October, she had the fourth stage of breast cancer,' she wrote. 'She had severe pain and the strongest intoxication, which caused the loss of physical strength. 'In such a condition, she could fall from her horse and suffer serious injuries. She obviously fell on her right side, hit the right temple, right shoulder and right hip. Her right hand was not hurt, because it was pressed to the body, probably by this time the hand was already inactive. Though she was alive after her fall, because edemas are seen, which developed due to injuries.

The DNA research performed on the remains showed that the ‘Maiden’ is genetically closely related to contemporary Selkup and Ket peoples – indigenous Siberian tribes still living in Russia.

'There was a moment of gross misunderstanding when a legend came about this mummy being a foremother of people of Altai,' said Molodin.

'The people of Pazyryk belonged to different ethnic group, in no way related to Altaians. Genetic studies showed that the Pazyryks were a part of Samoyedic family, with elements of Iranian-Caucasian substratum.'

So perhaps more Samoyedic than Scythian.

'We tried to overcome the misunderstanding, but sadly it didn't work.'

The Altai authorities have now declared the remote mountain area from where the princess and her kinsmen were buried as a 'zone of peace' where no more excavations will take place, despite the near-certain treasures lying in the permafrost.

Such work amounts to plundering, they believe.

To Molodin, who found the male mummy several years after the princess, this deprives the world of a valuable scientific inheritance. He argues, too, that the issue is critical since global warming means the ancient bodies will decay.

Scientists reckon there are thousands of burial mounds here, hundreds of which date to the Pazyryk period, many of which may contain answers to questions about where we come from.

The ancient mummy of a mysterious young woman, known as the Ukok Princess, is finally returning home to the Altai Republic this month (The Siberian Times, August 2012).

On 19 May 2014, during a speech at the museum, (Alexander) Berdnikov reminded the crowd and media that the renovation and repatriation of the Altai Princess was one of his most important accomplishments, of course aided by Gazprom:

We should be proud that we have such a museum. A great accomplishment; we thank the management of Gazprom. When I was appointed as the Head [of the Altai Republic] one of my main goals and dreams was to have a bright opening of a renovated museum and that we could welcome the “Siberian Ice Maiden” home again. Today our museum is the best one east of the Urals and is the only one that has been restored in Russia in the past twenty years. (Government of the Altai Republic 2014)

The museum, the repatriated Altai Princess, and a vibrant cultural life, all indirectly bankrolled by Gazprom."

-taken from The Siberian Times, Russia Beyond, Taylor & Francis Online, world-jewellery livejournal, and peaceandjustice

#pazyryk #samoyeds #uralic #scythian #saka #archaeology #anthropology #history #ancient history #pagan #tattoos #breast cancer #antiquities #artifacts #antiquity #mummies #6th century bce

[grimnirs-child]

The way into the underland is through the riven trunk of an old ash tree. Follow a path through fields, past a hill to the east that is marked by a line of nine round burial barrows, nubbing the land like the bones of a spine. Three horses in a glinting cloud of flies, stock-still but for the swish of a tail, the twitch of a head. Over a stile in a limestone wall and along a stream to a thicketed dip from which grows the ancient ash. Its crown flourishes skywards into weather. Its long boughs lean low around. Its roots reach far underground. Swallows curve and dart, feathers flashing. Martins criss-cross the middle air. A swan flies high and south on creaking wings. This upper world is very beautiful. Near the ash's base its trunk splits into a rough rift, just wide enough that a person might slip into the tree's hollow heart -- and there drop into the dark space that opens below. The rift's edges are smoothed to a shine by those who have gone this way before, passing through the old ash to enter the underland. Beneath the ash tree, a labyrinth unfurls.

-- Robert MacFarlane, Underland: A deep time journey

#this book is not about animism and spirit work but it IS about those things iykwim #spirit work #animism

[mamabearwonders]

A young woman from Vedbaek, Denmark, buried with her baby son who had been placed on a swan's wing, circa 4000 BC. 🦢

Vedbaek 'swan wing burial' Grave 8 is the most famous of the burials, contains a young woman, who may have died in childbirth, and a premature baby.

The symbolism of the baby on the swan wing has been much debated with suggestions including purity and the ability of a water bird to transcend water, land and air.

Certainly both bodies were cared for in death (the disorderly state of the mother’s ribs suggest that she may have been resting on an organic ‘pillow’), which suggests a belief that the spirit remained with the body.

Art Credit 🎨: Adam Brockbank

I love history. But I don't like the removal of mothers, children & family members who passed away propped up in museums. They're not props. Let them rest with their loved ones and villages. Many had spiritual beliefs too tied to their living places.

[historyandmysteries1]

A young woman from Vedbaek, Denmark, buried with her newborn child who had been placed on the wing of a swan, 4000 BC. Vedbaek 'The swan's wing burial' Tomb 8 is the most famous of the burials, containing a young woman, who may have died in childbirth, and a premature baby. The symbolism of the baby on the swan wing has been much debated with suggestions including purity and a waterfowl's ability to transcend water, land, and air. Indeed, both bodies were cared for in death (the disordered state of the mother's ribs suggests that she may have been resting on an organic "pillow"), suggesting the belief that the spirit remained with the body. Illustration: Adam Brockbank #Ancient_Pompeii https://www.instagram.com/p/ClQR5USNzWi/?igshid=NGJjMDIxMWI=

#ancient_pompeii

[chrisryanspeaks]

Album Review: Sega Bodega's 'Dennis' - A Deep Dive into Experimental Sound and Personal Liberation

RATING: 8/10 - GREAT Album The sought-after Paris-based artist and producer Sega Bodega has released his eagerly awaited third album, Dennis, available digitally today. A special vinyl edition of the album will also be released on May 6th. Sega Bodega has unveiled plans for an extensive tour across North America, the UK, and the EU this autumn, following a busy summer of festival performances. The tour will make stops in cities including Los Angeles, Chicago, Montreal, and New York. Full tour details and ticket information are provided below. "Dennis" captures the essence of a day that blurs into a dream-like state, with each track seamlessly flowing into the next, drawing the listener deeper into a state akin to REM sleep. This album embodies the sensation of an elusive awakening. Despite his abstract and enigmatic lyrics and storytelling, Sega Bodega's personal reflections subtly surface throughout the album. "Set Me Free I'm An Animal" offers a haunting twist on folk music, with monastic vocals that evoke a sense of horror. Initially inspired by the viewpoint of a dog yearning for escape, the narrative evolves into a broader expression of the complex desire to leave a relationship. "Dennis" serves both introspective moments and dance floor energy. For instance, "Adulter8" starts with the sound of an 8-bit alarm clock and transitions into a mesmerizing, drop-heavy dance track. Another highlight, "Elk Skin," features vocalist Cecile Believe and blends euphoric highs with Mediterranean guitar rhythms and deep, rhythmic chanting. Each track on the album is inspired by a distinctive image or story. "Deer Teeth" draws from the discovery of a Mesolithic burial in Vedbæk, Denmark, where a woman and her newborn, who died during childbirth, were found with 200 deer teeth and the baby cradled in a swan's wing. This track, featuring Mayah Alkhateri of Kiss Facility, weaves sweet melodies into a chilling, metallic sound that feels both futuristic and ancient. Navarrete also celebrates his Chilean-Irish heritage in his music. His production for Caroline Polachek's "Sunset" featured warm Mediterranean guitars and vibrant handclaps. On "Dennis," he incorporates these elements into his own work, particularly on the track "Tears and Sighs," which reimagines these rhythms through a nocturnal perspective, culminating in a trance-like crescendo complemented by dark acoustic guitars. Check out “Adulter8” below: Read the full article

[audiofuzz]

Album Review: Sega Bodega's 'Dennis' - A Deep Dive into Experimental Sound and Personal Liberation

RATING: 8/10 - GREAT Album The sought-after Paris-based artist and producer Sega Bodega has released his eagerly awaited third album, Dennis, available digitally today. A special vinyl edition of the album will also be released on May 6th. Sega Bodega has unveiled plans for an extensive tour across North America, the UK, and the EU this autumn, following a busy summer of festival performances. The tour will make stops in cities including Los Angeles, Chicago, Montreal, and New York. Full tour details and ticket information are provided below. "Dennis" captures the essence of a day that blurs into a dream-like state, with each track seamlessly flowing into the next, drawing the listener deeper into a state akin to REM sleep. This album embodies the sensation of an elusive awakening. Despite his abstract and enigmatic lyrics and storytelling, Sega Bodega's personal reflections subtly surface throughout the album. "Set Me Free I'm An Animal" offers a haunting twist on folk music, with monastic vocals that evoke a sense of horror. Initially inspired by the viewpoint of a dog yearning for escape, the narrative evolves into a broader expression of the complex desire to leave a relationship. "Dennis" serves both introspective moments and dance floor energy. For instance, "Adulter8" starts with the sound of an 8-bit alarm clock and transitions into a mesmerizing, drop-heavy dance track. Another highlight, "Elk Skin," features vocalist Cecile Believe and blends euphoric highs with Mediterranean guitar rhythms and deep, rhythmic chanting. Each track on the album is inspired by a distinctive image or story. "Deer Teeth" draws from the discovery of a Mesolithic burial in Vedbæk, Denmark, where a woman and her newborn, who died during childbirth, were found with 200 deer teeth and the baby cradled in a swan's wing. This track, featuring Mayah Alkhateri of Kiss Facility, weaves sweet melodies into a chilling, metallic sound that feels both futuristic and ancient. Navarrete also celebrates his Chilean-Irish heritage in his music. His production for Caroline Polachek's "Sunset" featured warm Mediterranean guitars and vibrant handclaps. On "Dennis," he incorporates these elements into his own work, particularly on the track "Tears and Sighs," which reimagines these rhythms through a nocturnal perspective, culminating in a trance-like crescendo complemented by dark acoustic guitars. Check out “Adulter8” below: Read the full article

[raisab332012]

https://wondersofthepast.quora.com/A-7000-6000-year-old-burial-of-a-young-woman-aged-around-20-when-she-died-and-her-newborn-baby-from-Vedbaek-Denmark

https://wondersofthepast.quora.com/A-7000-6000-year-old-burial-of-a-young-woman-aged-around-20-when-she-died-and-her-newborn-baby-from-Vedbaek-Denmark https://wondersofthepast.quora.com/A-7000-6000-year-old-burial-of-a-young-woman-aged-around-20-when-she-died-and-her-newborn-baby-from-Vedbaek-Denmark?ch=15&oid=102602302&share=14778042&srid=7KVRc&target_type=post

[the-blood-huntress]

Rubí Paola Belladonna: [29] Ultimate Hunter in the Bloodborne universe. She is the killer of beasts and men. She accidentally cursed herself after ingesting several Great Ones' blood, and became a massive swan like monster, with the legs and tail of a wyvern, pure white feathers and wings, and a long neck that bears her large human head, for three days. She is Italian and has curly blood-cherry red hair, pale Ivory skin, emerald eyes, a mole on the top right corner of her mouth, and a beautiful face and body. She uses a hunter's axe that can become a halberd, and a hunter's gun. She uses the clinic in the beginning of the game as a base to experiment on mad villagers to find the cure for the disease within the game. Her secret power is the ability to bloodbend, using her curse as a funnel to channel her energy to bend her enemies' blood. She uses the Yharnam Hunter's outfit that is dyed a dark red and is made out of expensive leather. [Straight] (Bloodborne)

"La Melagrana" Dente di Leone: [25] Rubí Belladonna's cousin. She is training to become an a hunter, but accidentally became cursed in the process, becoming a owl-like monster in the process (much like Rubí's swan-like form). Half-french, half-italian. Titanium-blonde and long, layered hair, fair skin and crimson red to gold eyes (used to be emerald green before the curse). Turns into a large owl-human abomination with white, black, brown and tan colored feathers. Uses a hunter's silver sword that can be elongated to become a greatsword, and uses a hunter's golden engraved hunting rifle. She uses the Yharnam Hunter's outfit that is made out of silver cloth with gold trim. Unlike her cousin, her curse gave her the ability to metalbend. She carries around Vitals of mercury. [Bisexual/prefers men] (Bloodborne/The Last Faith)

Meditrina, the Beastly Hunter: [28] Surrogate daughter of Mergo's Wet Nurse, Meditrina is a hunter who uses her talent of communicating with the Great Ones to help others understand them. She has wild black hair that goes past her shoulders, pale skin, and deep blue eyes. She uses the Burial blade, and has a pet man-eater boar. Due to her eldritch blood, Meditrina can change into a raven-bat-vulture abomination with power that can rival her mother's. She wears the Old Hunter set, never putting down the mask to hide a deep scar that goes over the left side of her cheek and lips. [Bisexual] (Bloodborne/The Old Hunters DLC)

Margo, Pthumerian prince: [30] Secondborn of Queen Yharnam, the Pthumerian Queen. He is a tall, athletic man with curly black hair, white skin and blood red eyes unlike his mother's. He uses a chikage made out of moonstone and silver, and is in love with vicar Amelia. Due to his eldritch blood from his father, Oedon, he can change into a holy lion-dove-goat-white snake chimera (head and frontal limbs of a lion, wings of a dove, rear legs of a goat with the head on the back, and a white serpent for a tail) that inflicts burning damage to all infected, literally burning the disease away. Margo wears a white with gold trim variation of the Knight set, using a silver monocle on his left eye. [Straight] (Bloodborne/The Old Hunters DLC)

#oc #ocs #Bloodborne #the hunter #rich family #the last faith

[pagan-stitches]

The Morana/Marzanna (a Slavic goddess of winter and death) piece is now trimmed and 100% complete.

Here is an explanation of the motifs:

I’ve chosen to work the majority of the piece in black rather than the traditional red to indicate cold, dark, and death rather than the life that red symbolizes.  However, I’ve left one bit red to symbolize the seed of life that is found even in the depth of winter and eventually leads to spring.

I chose this goddess figure for its ambiguity.  It has both lowered and raised arms, something I had never seen before.  Maiden goddesses have raised arms and mother goddesses are lowered.  Is Morana a maiden or a mother?  She is death, but there is life within.

This goddess figure is based off a historical embroidery from an apron hem from Vologda in Russia.  I found a picture of the embroidery in the book, “Russian Embroidery: Traditional Motifs.”

Morana is between two large gravemarker motifs:

Here is a little excerpt from Mary B. Kelly’s “Goddess Embroideries of Eastern Europe:

Another spring rite known throughout Russia is the “day of Memory”. Celebrated around Easter time in early spring, it is the day for remembering the dead and the ancestors.  Women cut branches to cover the graves, particularly the graves of their mothers.  Spring embroideries depicting women holding branches in their hands were then tied to the grave markers.  These markers have a very ancient peaked-roof motif which appears in the embroideries as well.  Research shows these graves to be at least a 1000 years old; they have survived in just this form into the present day. The grave markers provide another example of a motif whose survival, like the goddess motif, comes down to our day from pagan times.  Originally in the pagan religion the dead were cremated and the ashes of the dead were placed in a small ceramic jar on a shelf, protected by the overhanging roof.

When the Christians changed cremation to burial, the shelf was turned into the bar of a cross and the marker became cross-shaped but still retained the overhanging roof. The borders underneath Morana are composed of the sun shallop motif between two rows of gravemarker motifs.  The sun shallop motif represents the sun being carried through the underworld at night.

“The idea of a swan-dragged vehicle of The Sun also appears in Etruscan and Greek mythologies, and, later, in pre-Slavs' one. While excavating a pre-Slav's settlement on a territory of Poland, bronze bracelets with an image of The Sun Boat with swans were founded. The Duplany's клад (Serbia) includes metal figurines depicting The Sun Maiden driving a chariot dragged by waterfowls. Also, samples of crafts of Finno-Ugric peoples (North-Western Eurasia) depicting The Sun Boat are known.

Slavic myths describe a daytime way of The Sun as an endless circle. During a day, The Sun shines over our land of humans. After sunset, it comes down into an underworld where evil spirits and dead people live. And, The Sun uses two different vehicles for two parts of its journey. It drives a chariot to move around the sky, but, it switches to a boat to float across an underground river. Animals that pull a sun's transport are horses (sometime, winged ones) and swans respectively.”

#Morana #Marzanna #goddess embroideris #winter 2021 2022 #slavic #slavic mythology

[namitk]

I’m obsessed with this mesolithic cemetery that I read about in vedbæk this young mother was buried next to her baby with a flint knife and more than a 100 teeth from different animals, the baby was laid on top of a swans wing. super cool right, so I decided to draw it!

I’ve also come to the conclusion that if I’m not buried with a swans wing and 100 teeth then I don’t want a funeral when I die, just toss my body into an unmarked grave or something

#art #digital art #drawing #this shit took me three days im so tired #buried #mesolithic burials #vedbaek #cemetary #mother #child #swans wing #artist

[hellenhighwater]

Fic that I will not be writing (...but maybe someone else will?)  SPOILERS for the untamed below. 

Wings are attached to golden cores; it's a cultivation thing. Mundane people don't have them at all; juniors are basically fledglings. Most of the time they're metaphysically stored in the golden core, and it takes effort to manifest them physically. You can usually tell how strong a cultivator is by how long they can keep their wings out (post-timeskip Lan Wangji and Lan Zichen could keep theirs out basically 24/7, for example) but it's not uncommon to keep them stashed most of the time--they can be unwieldy. What they look like depends mostly on personality. The twin jades, for example, both have swan wings.  

Jiang Cheng had cormorant wings. They're fishing birds, the deepest divers, and their wings are a matte black. Not very flashy, not very pretty. He doesn't keep them out much. Jiang Yanli has killdeer wings, tan and black and white. (They're almost like her mother's loon wings, but more drab.)

Wei Wuxian has raven wings, of course. 

Jiang Cheng loses his core and he doesn't even realize his wings are lost until later. All three of the siblings were keeping their wings hidden anyway to stay under Wen radar, but... it's as bad a blow as losing his core, knowing he'll never fly again.  

He comes down from Baoshan Sanren's mountain with his wings, black and graceless as ever, ruffled every which way like someone had grabbed them all over, like they'd been thrashing against the grip. It takes him a while to get used to them again, even though they weren't gone long. It feels like they're shorter? Wider, maybe? they need grooming, they're too oily, but they're his wings back again, so it doesn't matter.

( Wei Wuxian plummets into the Burial Mounds with nothing to break his fall. It wouldn't have mattered--the resentful energy drags down airbourne cultivators like spiderwebs, but it's the first time in his life he's felt fear in the sky. It's not the last.)

During the sunshot campaign most cultivators keep their wings away unless they're in battle--it's spent energy no one can afford to waste in the middle of a war. Jin Zixuan, kept mostly out of combat, flaunts his stupid copper and cobalt peacock wings at Yanli, and Wei Wuxian threatens to tear them right off him during the Soup Incident. And when Jin Zixuan gets angry back Wei Wuxian doesn't even do him the dignity of flaring his wings back, which is as much of an insult as not carrying a sword. But Wei Wuxian is different after the burial mounds, and it's just one in a long list of things his siblings (and Lan Zhan) are worried about.

The Wen remnants, of course, don't have any wings. Wen Quing does--she's an African Grey--and Wen Ning's got the biggest wings anyone's ever seen, the vast stretch of a California Condor, which drag uselessly behind his corpse. But the rest of them can't fly, so their escape to the burial mounds is on foot.

At the Nightless City, after everything falls apart, Jiang Cheng is standing on a cliff beside Lan Wangji, looking down at his brother over Lan Wangji’s bloodied white wing, feeling off balance the way his wings have ever since he got them back. He's looking down at this fool who just got his sister killed, dangling from the edge of a cliff and still refusing to bring out his raven wings.  But there's this look on Wei Wuxian’s face like he wants this, like he's waiting for it, and--- 

Jiang Cheng doesn't let himself think about what it means, that Wei Wuxian kept his wings folded away until the end.

_____

Mo Xuanyu's got grackle wings. Common, and a little under-feathered, but as colorful as an oilslick in the right light. He flaunts them just the way Wei Wuxian used to, tiny under the wide white shadow of Hanguang-Jun.

#helldraws #wingfic please #??? #the untamed

[red-hood-vigilante]

more hbo spn rambles, thoughts, drabbles etc. long long post.

part 1 here

there’s some things i’ve omitted here bc others have already posted about those things, certain headcanons and characterizations and stuff. those posts are in my likes somewhere (and i’ll reblog them someday), and there’s some posts i’ve read but not liked, which i now can only vaguely remember, which is why some ideas/thoughts are similar

ALSO most of these follow the model i talked about in part one: how s1-5 will stay more or less how they are but s6-10 is changed (some things are cut out entirely, some things are tweaked and some characters + arcs are more fleshed out. more focus on sam’s trauma and post-cage adaptation to the real world as well as dean letting his rage and control issues consume him and how he’d recover and redeem himself)

as i typed these paragraphs, i realized i really have 10 seasons mapped out and ready to go. hbo hire me!!

alright go:

sam and dean get wearier as the show progresses (second half), and eventually they stop putting so much care and thought in the people they save. like...hm how do i say this, like as long as a victim/victims are saved, they don’t care about how that happens or how those people suffer potential consequences, like if the victims lose a limb or have their homes burned down because of the monster, then sam and dean don’t really care. they saved your life, now they’ll leave you with your life in potential shambles and not care because all that matters is that they saved your life, not how it is afterwards. they still care about saving that one person, but eventually it pales a little in comparison to a war between heaven and hell, being the vessels etc. ---> saving people becomes less about making sure they’re actually alright and healing from horrific events and more about just making sure they have a pulse before they move on

when angels lose their wings they are either burned off in the actual fall or ripped off of them in their vessels, which leaves pretty nasty scars on the vessel

ed and harry are so young and bright eyed about the whole hunting thing; sam and dean as kids, idolizing it, finding it exciting and intriguing when they shouldn’t. sam and dean try to get them out of the business before they too are too traumatized and desensitized to do anything but hunt. neither sam or dean will say it but they are jealous of ed and harry and their freedom to leave, and hate them for choosing this voluntarily instead of being dragged into it by tragedy

hbo spn is a slow burn. there’s a lot more shots of sam and dean in silence just sitting together after a hunt, exhausted and too tired to move yet. they’re covered in blood and guts on the side of the road after killing or covered with dirt in a graveyard after burning bones, sitting next to the fire, just watching it. the times they park the car and watch the stars? we get to see it. 

dean wears rings and the amulet all the time in the beginning, for the first five seasons. the rings vary; first they’re some of john’s old ones and stuff he finds in thrift stores. then later on he begins wearing rings from people they’ve saved/haven’t saved as a keepsakes etc. when he begins his descent to the holy murderer in s6-10 he wears less and less rings. they don’t matter anymore -> symbolically shedding who he was and what mattered to him

the only accessories sam has is a rosary/cross around his neck. he has jess’ engagement ring in his pocket/wallet. after the cage he vaguely remembers why the ring was there and who jessica was (more on this further down)

the four horsemen are manifestations of different aspects of human nature at its most grotesque and strongest, can’t be killed as long as humans live. war is conflict, famine is desire, pestilence is physical and mental illnesses.

(the seven sins are like the horsemen, tulpas of human nature instead of demons)

death isn’t a concentration of an existing aspect of humans as much as it is the end of life, the antithesis of life. death the oldest of the horsemen and has existed since the beginning of any life, organism, cell and atom. the opposite of life and light, the other half of god (as i’m typing this i’m confused as to why  amara was the opposite of god instead of death). death isn’t evil or good, remains 100% objective. doesn’t care for sam or dean at all, but has a begrudging respect for their stubbornness and entertainment they provide due to their flat out refusal to do as they’re told by celestial bodies when anyone else would crumble

by including death i feel like it very naturally begs questions of who decides when someone dies, when someone lives, why would death follow these guides instead of reaping whomever whenever, what happens if a life isn’t reaped at the right time etc. the reader in me adore the idea of death having a library with books and records of everyone who has ever lived and died and how they died - but then, who writes these books and why? do they decide, and if in that case, how? these questions are above my paygrade but you know what i mean? like there has to be some sort of system right, god created everything, death executes to maintain order, some third party deity writes the laws and the books. the three branches of government. ok but it’s hbo so again, i think we shouldn’t dive this deep into things, like as much as these topics intrigue me i don’t want to stray too much from the dirt road trip aesthetic

shapeshifters are extremely rare because they don’t require any kind of human blood or organs/sacrifice to live

i want more exploration of how magic is like science, like it just needs the right ingredients and right conditions. sam thinks of magic as an obscure branch of science; it just requires research and knowledge and clear intentions because science can be controlled and do a lot of good when used responsibly. dean doesn’t like it. he doesn’t trust the unpredictable elements and he’s seen enough to know it never goes well. magic is a force that can’t be controlled by anyone.

sam and dean have full on fist fights regularly. to practice and keeping each other sharp, but also because they’re siblings. they’re feral, insane and unhinged with each other and they get on each other’s nerves A LOT. it’s petty and childish and sometimes it can get a lil ugly but it becomes their way of family therapy. after a fight the next scene cuts to sam and dean with ruffled clothes, nosebleeds and swollen lips at a diner eating silently after beating each other up. either they sit in silence because they’re tired or both are harping on the other’s openings and weaknesses

sometimes they’ll fight a little dirty but they do so in different ways; dean will pull the old ‘look!’ and point to something and then tackle sam when he turns to look while sam will just cry out in fake pain which makes dean stop dead in his tracks before sam headbutts him or kicks him in the groin

we, the audience get used to these fights, they’re sometimes funny and for comic relief, sometimes for narrative purposes (like tricking a monster they’re fighting each other when they’re really not) BUT. then comes the times when sam and dean are actually fighting without holding back and we see how much they are capable of hurting each other or how heartbreaking and difficult it can be to watch when of them are incapable of fighting back/doesn’t defend himself -> swan song when dean doesn’t fight back against possessed sam, or when dean beats soulless sam unconscious

sam and dean also just verbally bully each other constantly but they do have their odd ways of expressing affection and care. they get the other person their fave snack whenever they go grocery shopping without being asked to and are the only other one they truly trust to have their back in hunts. have a cup of coffee ready before the other asks for one. brothers and each other’s best friend. nightmare duo but in a sweet way. the cooperation of ‘the usual suspects’ when they’re in different interrogation rooms but still has the cover story down to a t. code words and code names and cover stories, they know it all

when sam and dean fight together against a common enemy they’re a damn nightmare - because they know each others weaknesses and habits, they cover each other perfectly and in complete silence. they’ve been at it together since they were kids and read each other’s nonverbal cues like a picture book

to build off of what i said in part 1; the winchesters are pretty hated in the hunter’s community. even the people sam and dean frequently work with (bobby, ellen, jo, ash, rufus, bela, kevin, charlie, castiel etc) roasts them all the time and don’t hesitate with calling them out on their self-pitying crap when it get’s too much (spn was just objectively better when characters weren’t afraid of dragging sam and dean through the mud for being selfish and stupid) and this WILL persist in hbo spn. the only reason people continue working with sam and dean is because they know deep down a lot of the things that happens aren’t sam and dean’s fault - but they still blame them for it. doesn’t make it easier how sam or dean sometimes start crap on purpose to save the other

the winchesters are terrifying and people for sure tell stories about them, but not like ‘they’re heroes’, more like ‘they’re insane and dangerous. stay the fuck away from them’. some stories are true, like how they’ve worked with demons, but some are just game of telephone. (dean has apparently a ghost he is frequently possessed by while sam is actually a mutant vampire). hunters hate and are scared of the winchesters. sam and dean are never invited to hunter stuff (burials, memorials etc) but crash them nonetheless even though the hunters do NOT want them there.

you know what drives me insane when i think about it? how some characters in spn already are their hbo spn counterparts; john. mary. adam. maybe kevin?

other things that already are their hbo spn counterparts: dean throwing away the amulet right in front of sam. eyes burning when angels are seen. how ghosts are just tragedies, stuck in a loop they can’t leave. how a lot of the monsters they meet are just victims or their circumstances or the first victim of a curse. the impala being sam and dean’s home. dean not knowing how to comfort sam when he’s upset other than trying to do things for sam that usually brings dean comfort (driving the impala, listening to rock music etc). the roadhouse. heaven being an eternal version of the memories that made you the happiest even though it’s not real. sam wanting independence and freedom but never fully having it. dean fearing being alone more than anything else and that’s where he always ends up. sam has an eating disorder after the demon blood and dean has an alcohol problem he refuses to see as a problem. dean saying “i’d do it again” without an ounce of regret and pouring himself a drink when sam tells him it was fucked up to lie to him about gadreel

the demon/angel hybrid: THIS could be sooo interesting to explore. an angel and demon hybrid are you kidding me?? not to toot my own horn too much but i’m so clever. i should write this story myself. SO. does this creature have parents who fucked in their vessels or was this an experiment by god (yes i love the ‘mad scientist’ idea, that really should’ve been played up way more) or did a pre-existing creature (human or otherwise) drink demon blood and angel grace at the same time so that it created itself? so much potential for some really intriguing storytelling and character exploration - not only the creature itself and what they would be like, but also for the people around; sam, dean, castiel, jack etc. how would they react to this thing that is the very definition of defying heaven and hell and all the natural laws? does it exist before the show starts or will we see its birth?

the powers of the demon/angel hybrid would be tricky; a mix of holy and defiant, grotesque and beautiful. unconsciously forces people to tell the truth when talking to them. poisons whatever they touch. eyes of a demon, wings of an angel. can smite but skin will burn when touching iron. can do deals but will require a sacrifice in return, not a soul, usually a body part taken then and there (the hybrid eats it. it favours eyeballs and the liver - angels like raw meat). lights always flicker. makes things explode when angry (esp people and cars). can manipulate feelings, thoughts and memories. can travel to both heaven and hell, not welcome in either places. + standard stuff like telekinesis, teleportation, mind reading, super strength etc. 

sam and dean’s wardrobe are pretty much the same; whatever’s cheap and not covered in blood. however, they do have stylistic differences. sam thinks graphic tees are funny, dean uses whatever’s black combined with john’s leather jacket. their wardrobe melds as they stop thinking of themselves as individuals and more of “me and my brother,”. their clothes are tattered and torn to shreds all the time. hand me downs, hand me ups. when they stray off their “path” and do things that are the crux of a storyline/character arc, this would reflect in their clothes. when sam is with ruby and becomes more and more “evil” he wears more and more red, a colour he has stated in the past he doesn’t really like. when dean is dead, sam starts to wear his rings and john’s and dean’s leather jacket. when dean decides he’s going to say yes to michael he dresses in white, when sam is dead dean takes off every piece of jewelry except the amulet. he holds it clenched in his fists when he’s whispering what comes close to a prayer

logically the amulet should have a backstory but you know what? i love that it’s hinted to be just a piece of cheap jewelry sam found in a thrift store he decided to give to dean. but narratively it should be explained so... idk. what could be logical solution as to why it would react to GOD himself? maybe god wore it once cuz he thought it was neat but he sold it for three dollars because he wanted coffee and then sam found it a week later

i would prefer it if god didn’t show up at all (absent father number one) but if he DID he’s not all powerful just a true neutral (like death, 100% objective) who created a thing that just took a life of its own, much like a parent and a child - the parent helps the child but can’t control it. the times he did intervene or tried to do something it didn’t really have any real long lasting effect so he gave up on trying a while ago. 

@spneveryseason talked about this, how the storyline of sam being possessed by gadreel would be horrifying if we saw everything from sam’s perspective instead of dean’s (her fic is wonderful). in the ‘dean slowly descends into a righteous murderer to become holy’ idea i have this tracks so damn well because again, if dean believes something is right, it is right, no questions about it. everyone around him is like “that’s really fucked up and you should make amends” but dean doesn’t see any reasons for why - sam is alive isn’t he? and seeing it from sam’s pov would really underline how horrifying, dehumanizing and belittling that experience was

john and mary are adam and eve. sam and dean are cain and abel are michael and lucifer. time is a flat circle. history never stops repeating itself. 

sam is the villain of s4. he is manipulated and key information is withheld from him but in the end... would it made a difference? it crossed his mind, that he could be tricked because ruby is a demon after all, but maybe he likes the power, the feeling of freedom, that he wasn’t just the baby, the one who always needs permission to do things. if he has to drain possessed people to get that power... so be it. and it’s for a good purpose, until it isn’t. he’s hungry for more, to be feared and respected. he’s enticed by lucifer’s sweet words, the potential of all that power and the idea of ruling two out of three realms. dean manages to pull him back from the brink because sam decides he doesn’t want to be what john thought he was and fail dean and himself like that.

dean is the villain in s9. he is controlling, the mark of cain without the mark. what he says goes - it’s not a democracy, it’s a dictatorship. he doesn’t see how much pain, doubt and fear he causes the people around him. if some victims or civilians die on his watch that doesn’t matter - just some collateral damage. sam can’t make dean listen to him because dean is the older one, the one who’s always called the shots. dean is the angelic one, heaven’s chosen warrior, he is untouchable and unkillable. he’s is an excellent killer, filling the void with blood and rage which is better than the crippling fear of loneliness carved into his bones. 'i butcher for love, to protect,’ he tells himself. ‘why shouldn’t i exterminate, regardless of the cost? i’ve followed the rules, i’ve always sacrificed. now i call the shots. it’s my right.’

sam’s hell trauma is never magically removed. he’s stuck with the memories and the nightmares and the occasional hallucinations. castiel can’t do anything but offers to wipe his memory completely, but sam says no, he is still doing penance. 

after dean comes back from hell he starts calling himself old man and jokes a lot about he’s 40 years older now (after he’s more comfortable about speaking about hell) 

when sam comes back he feels ancient (he’s over 900 years old at least but he lost count), weary, tired and so so so out of place in this world. he’s forgotten how to put gas in a car, how to drive, how to use a credit card, all the song lyrics he and dean used to yell together, the faces of people he knew before he fell, the softness of a bed, the schools he went to, most of the hunts he and dean, how john died, who mary is, the initials carved into the impala, the taste of food that isn’t raw meat. it’s so much he’s forgotten that he has to relearn. he prefers figuring things out with castiel instead of dean because castiel doesn’t silently resent him for everything he’s forgotten

sam doesn’t laugh anymore. despite dean’s many and castiel’s few awkward attempts, it’s more like quick smile and a quiet “hmm”. on some days he recoils when he sees blood and guts, on other days he’s so apathetic it’s unnerving

sam sympathizes with the brought back mary and castiel more than ever. dean tries to get sam to remember things he’s forgotten from his childhood but sam can’t connect with it anymore. he stopped being that sam a long time ago. dean doesn’t know what else to do than try to force this connection to be revitalized and he fails. sam isn’t that person anymore and this wedge in their relationship becomes a central factor in dean’s s6-10 desperation and isolation. sam is here and safe but it’s not really sam, not the sam dean grew up with

while sam has forgotten how to make coffee, he now knows everything about angels, effective torture tricks, a bunch of lore + biblical history, how to navigate hell, the most powerful and influential demons, rare and powerful spells as well as perfect enochian (he will speak enochian without realizing and it feels more natural than english). lucifer and michael were surprisingly talkative (raging about the unfairness) when taking their anger and hatred out on sam and adam and each other. sam had access to all of lucifer’s memories and knowledge for the time he was the one in control. walking library and encyclopedia of biblical lore.

he still has some muscle memory from hunting and sparring, but sam is ghostly thin and very rusty. even though he’s an expert on lore, he’s not fit to go on hunts anymore and he knows it. 

sam remembers adam and swears he’ll try to get him out, but he can’t. just thinking about the cage makes him vomit. he can’t talk about it, much less go near it. after a while sam thinks it might be better to let adam stay down there than let him come back up and feel this crushing emptiness and loss of direction

sam’s trials take place in s9 instead of 8; coinciding with dean’s villain arc. for sam the trials are a chance to redeem himself again, this time for good by closing hellgates forever. they’re scrubbing him clean of the demon blood and his sins and they give him a sense of purpose again now that he can’t join hunts anymore. it doesn’t matter if he dies because of it. it would be nice with a permanent and peaceful death that did something good. dean is taken aback by sam’s devotion to repent for something that happened years ago and for something sam has already paid for a thousand times over. dean realizes how messed up he himself has become and how he’s helped put sam here, on the cusp of self sacrifice again because of sickening guilt and self hatred. dean begs sam to not complete the trials at the cost of his own life and swears he’ll better himself, be a friend and a brother, not a jailer, dictator or a murderer. ‘if you won’t give yourself or life another chance, please give me one.’ ---> s10 pacifist dean learning to let go of the control, the violent tendencies and the rage

oh wait what if gadreel still possessed sam after the trials to heal him but sam is the one who invites the angel in? he’ll keep his promise to dean about staying alive, as well as heal from the inside and have breaks from the world when he doesn’t want to be present, like he and gadreel will alternate being the one in control. he keeps it a secret from dean and helps gadreel imitate him so dean won’t notice. it’s not so bad, being possessed by this angel - sam can say no anytime and gadreel is a nice guy. since they alternate on who’s present they can access each other’s memories, which is terrifying and embarrassing at first, but since gadreel and sam have been tricked and used by lucifer and been punished for it for far too long, they understand each other. now another creature knows their trauma and terrors without the need for verbal explanation. also having an angel residing in his body makes sam feel like he can hunt properly again because gadreel can heal him and take over in situations sam’s overpowered. this could show how messed up sam has come to view himself and his body. 

dean is conflicted when he finds out; sam lied but gadreel does help sam heal, sam’s traumatized and his self-worth is fucked up and dean has contributed to that. dean convinces sam to push gadreel out, that sam is still valuable, loved and a good person who shouldn’t be in a place where he views his body and mind like a property to be occupied. sam’s faith begins to come back bit by bit, not in god, but in himself, his brother, in the good things in life. they build their little family; sam, dean, castiel, the hybrids, whomever of their allies that are alive at this point.

castiel can heal sam and dean’s wounds but they are never completely gone; they leave scars and phantom pains. the brothers have SO many scars over the years. dean flaunts them to impress people because he likes the questions and the fearful admiration, the attention and the nods of approval. sam hides them.

when dean is in a bad mood or needs to get his mind off of things, sam just drops something like ‘i don’t get the deal with led zeppelin. one of the most overrated bands of all time’ and dean will go OFF every single time about the entire led zeppelin history, their discography and how they’ve shaped rock music. this will go on for hours and sam will zone out after 1 minute. but dean rants nonsensically the entire drive and it does get him to think about something else for a little bit. they stop at a motel and dean is STILL ranting while brushing his teeth. stops when going to sleep but without fail picks up where he left off the morning after and is so into it he doesn’t notice sam not paying attention at all. we could see this once in s1 when they’re searching for john, another in s3 when dean is anxious about his deal coming to an end and then again in a later season, when sam doesn’t remember to ask/doesn’t have the patience or mental capability, so they’ll sit there in tense silence, showing how much they’ve changed.

---> i can see this SO clearly in my head, how they’ll get in the car and we, the audience, will recognize the camera angle, the same lines and dean’s grumpy mood, and we’ll anticipate what comes next. but sam isn’t that kid anymore and he’s not peeking at dean to gauge what his mood is and how much of a shit eating grin he should wear when being an annoying little brother to cheer dean up. now he’s looking out the window, leaned back, they’re not looking at each other. this shot is a minute or two long, uninterrupted. dean turns on music but neither are singing along or doing anything to lighten the mood. 

s1-5: sam gets hooked on demon blood, dean has an alcohol problem. when sam goes through withdrawals, dean decides to quit drinking and joins him because he wants to be supportive, and he realizes that when he drinks two beers for breakfast there’s a problem

s6-10: sam takes painkillers, anti depressants and anti psyhosis meds to numb himself from the phantom pains and reduce post-cage effects. dean started drinking again after sam jumped and still does, but started smoking in addition because he still drives a lot and doesn’t want to die in something as pathetic as a car crash. 

there a scene in an episode in the first half of s8, when sam has decided to stay with dean instead of amelia, and dean has rejected benny in favor of sam, and then the brothers sit in a couch watching tv while drinking beer and neither of them look particularly happy about it - that’s how their relationship is a lot of the time. they know they’re fucked up and neither of them will ever be truly happy when the other’s around, but they owe each other so much and they don’t have to explain themselves to each other the way they do to others. they know each other so well, each other’s traumas and the things they’ve done, it feels fake and exhausting to try to be something other than the veteran hunters they are. misery loves company; they are miserable together but would be far more miserable apart and living a normal life. they do love each other, but neither of them are particularly happy as the show progresses. family is hell and so is the lack of it. 

OK OK i mentioned it in part one, how i had my own very specific idea about how jack should come to be and here it is. long winded but (might just write a damn fic): 

after lucifer was cast back into the cage, he is stronger than he has been in a long time (being in his true vessel helped him stretched muscles he forgot he had. and fresh air.) sam is pulled out of the cage and it leaves a rift in the magic and chains - the binding is weaker and lucifer must act fast to get out before it heals. the cage is still strong enough to hold two archangels, so lucifer has to become weaker somehow to slip out through the cracks. he can’t get out of the cage, but souls can come in. demons bring themselves and human souls as tools for lucifer to use. there’s not much he can do here - consuming them, eating them, touching them, dissecting them doesn’t give him what he wants

eventually lucifer realizes he must do like azazel and create something new of two halves, like when he created demons. he begins melding his archangel grace with a human soul. he tries with demons, but his archangel grace automatically purifies them and leaves them too weak. he must try with a human soul who is good. he finds the soul of kelly kline, who sold her soul to save a loved one. with her, the merging, works. 

he has another self, a twin, a son, who’s half human and half archangel. half lucifer. the old lucifer will die but that’s ok, his desires, presence and self will live on in his new creation. the new lucifer barely makes it out of the cage, only able to due to its human side. on earth it creates a body for itself and takes shape, no longer a form of pure power and energy akin to the sun itself but now a person, reminiscent of kelly kline on earth and lucifer in heaven. they name themselves jack. jack searches for familiarity and finds it in sam, their old self’s perfect tool and another hybrid. jack finds a mentor in castiel, a younger brother and fellow angel with human elements. they do not find anything in dean, the key to his former self’s doom.

jack’s powers: their powers are like and unlike the angels because he is half archangel. jack has wings but sometimes they don’t work, or they’ll end up somewhere else entirely. their body is their own, not a vessel, so jack can’t possess people. doesn’t talk but people “know” what they’re saying or want because jack emits their emotions and thoughts to people they’re talking to like a radio tower. jack can also have this empathic connection and communication with animals. his mood affects the weather. immortal. reads minds. can remove a soul from a body and send it to heaven/hell by touching it, with practice they don’t need to touch a body. 

other stuff about jack: the human/archangel nature means jack only need sleep and food once a week or so. eats only nougat and raw meat. because jack is a kid they nap a lot. levitates when sleeping. never blinks, stares intensely at everything. their eye colour changes based on their mood. eyes glow in the dark. normal humans who look at jack for too long experience memory loss, fainting spells or migraines and eye contact for more than 10 seconds give vivid hallucinations of their worst nightmares. always barefoot, often floats like 10 cm off the ground because they find it more enjoyable than walking. wears the wildest clothes they can find, nothing matches and nothing is weather appropriate

i have a very specific image of jack in my mind; they look like delirium from the sandman comics with the hair that looks like it’s underwater and the fishes floating around their head, here and here are examples. in live action this would look not good or maybe even ridiculous for sure but in animation... endless potential for angels and monsters to have super interesting designs sigh

castiel’s arc should end with him going from blind soldier, to the unwilling ruler of heaven, finding a place on earth with sam and dean, becoming closer with humanity and eventually a father of three (the hybrids). 

#hbo spn #sam winchester #dean winchester #supernatural #iben spoke #ok i'm tired of looking at this now #i just needed to get these thoughts out of my head to get some peace and quiet #more character centric than part 1 #and it turned into such a long post.... jesus #i should make a separate post for post cage sam headcanons #ana if you see this i'm so sorry to drag you into this mess but i wanted to give credit where credit is due

[ms-circely]

✨Dream Symbols✨🌌

A's:⭐⭐⭐

Abundance - desire for independence

Accident - something unplanned

Actor//Actress - desire for recognition

Adultery - guilt

Airplane (Transportation)

Altar - self sacrifice

Anchor - stability. Sometimes a desire for a permanent home

Anniffil - the feminine aspect of the individual. Guide to the inner world. Receptive, prospective, and nurturing.

Animal - defends on your feelings for the particular animal. A helpful animal normally represents the instinctive self.

Animus - the masculine aspect of the individual. Uncompromising conviction. Force.

Apple - desire

Arrow - pleasure, festivity

Auction - promise of abundance

Automobile (Transportation)

B's: ⭐⭐⭐

Baby: Crying - frustrated plans, Laughing - plans fulfilled, Sleeping - waiting period, patience

Balloon - frustration

Basement - a place of refuge or retreat

Battle - inner conflict

Bells - fulfillment of plans, joy

Bicycle (Transportation) - hard work will bring plans to fruition

Birds - usually transcendence from one being to another

Birth - transition to new phase or new aspect of self

Bridge - overcoming difficulties, a change

Broom - the ability to sweep or clean up

Bull - animal nature, stubborness

Burial - end of a phase, time to take a new direction

C's:⭐⭐⭐

Candle - constancy

Cane//Crutch - the need for support

Capital (City//Town) - the center

Castle - ambition

Cave - a place of retreat or refuge, a need for time to think and meditate

Circle - totality, perfection, infinity

Cities - gatherings of consciousness

Climbing - the self mastery process, rising consciousness

Clock - the passage of time, the need to take action

Clothes - attitude, personality

Coffin (Burial)

Cradle - potential for advancement

Crossing a River - a fundamental change of attitude

Crying - emotion, usually a sad event

Crystal - union of matter and spirit

Curtains - concealment, adornment

Colors🌈🌈🌈

Red - strength, health, vigor, sexual love, danger, charity

Orange - encouragement, adaptation, stimulation, attraction, plenty kindness

Yellow - persuasion, charm, confidence, jealousy, joy, comfort

Green - finance, fertility, luck, energy, charity, growth

Blue - tranquility, understanding, patience, health, truth, devotion, sincerity

Indigo - changeability, impulsiveness, depression, ambition, dignity

Violet - tension, power, sadness, piety, sentimentality

D's:⭐⭐⭐

Darkness - the spirit world, the subconscious, turning inward

Death - the end of something, opportunity for new beginnings

Dog - loyalty, laziness, anger

E's:⭐⭐⭐

Eating - need for new interests, stimulation

Evening - descending into the subconscious world

Eye - perception, self-examination

F's:⭐⭐⭐

Falling - failing to live to expectations

Fish - transcendence from one state of being to another

Fire - anger, purification, abundance of energy

Flowers - contentment, pleasure

Flying (Transportation)

G's:⭐⭐⭐

Girl - immature feminine aspect

Glass - perception, being able to see (sometimes in the future)

Graduation - initiation, completing a phase

H's:⭐⭐⭐

Hair - thought, grey or silver hair indicates wise thought

Hammer - power to drive forward

Helpful Animal - the instinctive self

Highway - the path, the way ahead

Horse: White Horse - symbol of life, prosperity; Black Horse - change of fortunes; Wild Horse - uncontrolled instinctive urges; Winged Horse - transcendence from one state of being to another

House: The symbol of personality and conscious interest from the spiritual view. The particular room represents particular interest >> Bathroom - cleansing, elimination of the undesired; Basement - place of refuge, retreat, concealment; Bedroom - place of rest and recovery; Dining Room - place of sustenance, refortification; Kitchen - a place to prepare the sustenancen; Living Room - place of socializing

I's: ⭐⭐⭐

Ice - coldness of character, frigidity, rigidity

Illness - boredom, delay

Individual Self - the "real" you, the inner you, the all-wise, all-powerful spiritual self

J's:⭐⭐⭐

Jail - confinement, frustration, inability to act

Journey (Transportation)

Judge //Jury - your conscience

K's:⭐⭐⭐

Key - the answer to a problem

Kiss - satisfaction, completion

L's:⭐⭐⭐

Ladder - ability to climb (note the length of the ladder)

Left (as in side of direction) - the subconscious side, sometimes the wrong side of direction, the logical side, the scientific side

Light - hope

Lines: Broken lines - represents the feminine aspect; Solid lines - the masculine aspect

Lizard - transcendence

Lock - frustration, security

M's:⭐⭐⭐

Man//Male - animus, the masculine aspect, the age indicates the maturity or lack of it in the individual

Mask - falsehood, deception, concealment

Mirror - need to reconsider

Mother - heaven, comfort

N's:⭐⭐⭐

Nakedness - real, true, without false attitudes, exposed, natural

Night - greatest strength of the super-consciousness

Noon - the greatest clarity of consciousness

Numbers 💯💯💯

Even Number - signify balance and harmony

Odd Number - signify imbalance and discord

The beginning, the source, the ego

Duality, the male and female, positive and negative

Father, mother, and child; past, present, and future

The material universe, consciousness, reality, and law, physical power, initiative, religion and spiritual evolution

It represents materialism, expansion, change, understanding, and change

The number of cooperation and balance. It represents interaction between the material and the spiritual, mental and physical. It signifies psychism, peace

Completion, old age, endurance, evolution and wisdom. The seven stages of spiritual transformation

The number of dissolution and separation. The law of cyclic evolution and invention

Rebirth and reformation. Intuition, travel, karma

0. The circle, infinity, the universe

O's:⭐⭐⭐

Ocean - opportunity, spirituality

Owl - wisdom, need for further evaluation

P's:⭐⭐⭐

Pearl - joy; Broken string of pearls - misunderstanding

Pirate - suspicion

Pyramid - thirst for knowledge, seeking

R's:⭐⭐⭐

Railroad - a set path to follow

Rainbow - great happiness, opportunity

Reading - learning, gaining in knowledge, perceiving

Riding (Transportation)

Right - the consciousness, correctness, the artistic side

Ring - completion, loyalty

River - spirituality, a boundary

Rocket (Transportation)

Rocks - the unchanging self

Rodents - transcendence or a less-than-nice person, distrust, betrayal

Roller Skates (Transportation)

Roses (Flowers)

Ruins - failure of plans

S's:⭐⭐⭐

Sacrifice - overcoming pride

School - a need to learn

Scissors - distrust

Sea (Ocean)

Self-image - the inner or spiritual self

Shadow - the subconscious, insubstantiality

Ship (Transportation)

Skeleton - the basics, the root of a problem

Snake - spiritual wisdom, transcendence into a state of wisdom

Snake-bites - infusion of wisdom

Soldiers - force, power, regeneration

Spade - cutting, tough work lies ahead

Sunrise - clearing of consciousness, awakening

Sunset - need to protect assets

Swan - beauty, comfort, satisfaction

Sword - conflict

T's:⭐⭐⭐

Table - support, a platform for presentation

Telescope - need to get closer to a subject

Thief - loss or fear of loss, insecurity

Thunder - anger

Touching - healing. On rare occasions it may mean a curse. Can be comfort, security. The manner of touch and your feeling about it is important

Trains (Transportation)

Transcendence - achieving full realization of the individual self

Transformation (Transcendence)

Transportation - spiritual advancement. The more efficient the mode, the more effective and rapid is the advancement

Tree - the life principle, psychic growth and development, progress

Tunnel - hiding, being afraid

Turning - changing or developing. Turning in a circle represents lack of progress

Twins - ego and alter ego

U's & V's:⭐⭐⭐

Umbrella - shelter

Veil - insecurity

Volcano - emotions

W's:⭐⭐⭐

Wall - frustration, inability

Water - spirituality, emotion

Wedding - culmination of plans, happiness, success

Witch - supernatural ability, wisdom

Wreath - self pity

#witchblr #witchcraft #witches #baby witch #witch #dreams #dream meanings #dream symbols #symbols #meanings #dream work #dream