My Brother’s Keeper [9-1-1; Buck/Eddie, gen]
~1600 words; family angst, pre-relationship, emotional hurt/comfort
On AO3
He ends up at Eddie’s house with no real memory of how he got there. Sometime after leaving Maddie’s apartment, autopilot took over and turned the Jeep down the familiar darkened residential streets to the familiar little duplex with the sidewalk that Christopher always decorates with fantastical chalk art. Dinosaurs in rocket ships, this time. The warm glow from the front windows spreads across the lawn, and something in Buck settles at the sight of it. He still feels unsteady, but the tightness in his chest has loosened some.
Eddie has the door open by the time he gets the Jeep parked next to the curb. He leans against the doorframe, watching as Buck climbs out and circles to cross the lawn, and that, too, is steadying: Eddie in his sleep shorts and a loose shirt that Buck is nearly certain was stolen from his own closet at some point, tracking Buck’s approach with soft, thoughtful eyes.
“You okay?” he asks quietly once Buck is close enough.
A lump rises in Buck’s throat; he nods. When Eddie arches a skeptical brow at him, he manages to make the words come. “Yeah. I’m okay.”
Eddie’s other eyebrow comes up at that, and Buck can’t blame him; his voice sounds raw even to his own ears. But he’s not lying, or at least he doesn’t think he is. He pats the pocket of his jeans, where the envelope Maddie gave him is tucked away, then lets his hand drop.
“Okay,” Eddie says finally, gently, and moves aside to let him pass.
In the warm-lit kitchen, he pulls open the fridge and silently hands Buck a beer, then steers him toward the table and pushes him gently into a chair. Buck allows himself to be steered. It feels greedy in the way it always does, like he’s cheating the system by letting Eddie handle him softly, like he’s flipping the established order of things on its head, but he’s trying to be better about that lately. Letting himself want things. Letting people love him. Eddie, like this. And Maddie, earlier, when she set the CVS photo envelope on the breakfast bar at her apartment and told him that he didn’t have to look at it if he didn’t want to.
Eddie settles on the other side of the table with his own beer. He cocks his head at Buck, calmly expectant, and Buck heaves a deep sigh and pulls out the envelope, setting it on the table between them.
“Maddie, uh. My parents mailed her some stuff from her old room at home, and. There were some old disposable cameras in there, from when we were—from when she was a kid.”
Carefully, Eddie says, “I didn’t think your parents kept any of that stuff.”
“They didn’t.” Buck taps the envelope. “I don’t think—she said they were in a box of odds and ends that was under her bed. I guess they’re downsizing. Looking to sell the house and move into something smaller, I don’t know. They didn’t—” He shrugs. It’s not that Eddie will be shocked to learn that they didn’t hold onto any of the stuff he left behind when he moved out west, but he still doesn’t feel like saying it out loud. “Anyway, they mailed her the whole box, and she sent the film in to get it developed, and, um.”
He flips the envelope open and slides the stack of glossy photographs out. The top one is a grainy selfie of an eight-year-old Maddie Buckley grinning in front of a swing set, one skinny arm holding the camera away, her hand a pale blur at the edge of the frame. He looks up from it in time to see Eddie’s smile catch, wistful in exactly the way that Buck felt the first time he looked at it.
“These are from before we moved to Hershey,” he says, and flips to the next one. A close-up of a dollhouse, a little girl’s room decorated in paisley and pink. There are a few more blurred shots of the kind of things that could only catch an eight-year-old’s attention: a cloud that looks vaguely like a mermaid, a cluster of flowers in an overgrown median, a cranky-looking ginger cat. The next one is of his mother, standing at the sink in a kitchen he’s never seen; her hair is long and curly and she looks inconceivably young. Eddie makes a sound at that, but Buck flips it over without looking at him, and there’s the first of the pictures he was looking for.
A bright room, sunlight streaming in, the bank of monitors nearly hidden in the edge of the frame. A thin blond boy in Superman pajamas, sitting cross-legged on a generic hospital couch and beaming at the camera. The cannula tubing that trails over his cheeks and tucks away behind his ears doesn’t do much to obscure the resemblance that Buck knows is there.
“Oh,” Eddie says softly. Out of the corner of his eye, Buck sees him reach out; sees him pull back a moment later when the realization dawns. In a very careful tone of voice, he says, “That’s not you.”
Buck shakes his head. “No. Um. But this one is.”
He flips to the next picture. There’s the same blond boy, his head tilted down, an expression of soft, delighted wonder on his face. In the cradle of his folded legs is a swaddled infant, staring up at him as though fascinated.
The silence stretches out for a moment as Eddie looks at it. Buck reaches for his beer, rolls it between his palms, then finally drinks.
“I, um.” His voice is very rough. He takes another drink, but it doesn’t really help. “I think that’s the first baby picture of me that I’ve ever seen.”
Eddie’s breath comes out softly. He spins the photo toward him with careful fingers. “And that’s…?”
“Daniel, yeah. Maddie said, um.” He clears his throat. “Maddie said that they never told him I was a savior baby—didn’t want to get his hopes up, I don’t know.” The bitter thing that he doesn’t say: his parents have always been too comfortable with lying to their children. Maybe they were different back then; he doesn’t know. All he knows is that he’s not surprised. “She said he was so excited to be a big brother.”
There’s quiet in the wake of that: the careful quiet that Eddie has when he’s working out the right words for a situation. Buck doesn’t look at him. He looks at the picture instead, but even that hurts. That sharp-edged, lingering hurt, because ever since he knew Daniel existed he knew it as—context. As the reason their family was like that; the reason his parents could barely stand to look at him some days. The fundamental, profound failure that was Evan Buckley long before Buck existed.
Somehow, he never really grasped the idea that he once had a big brother who loved him.
“He looks like you,” Eddie says finally.
“Yeah.” Buck laughs raggedly. “Or, I guess more accurately, I look like him.”
He knew that, sort of. We live with the reminder staring us in the face every day. Maybe it would have been different if he’d been a girl, or at least if he hadn’t turned out to look exactly like the brother he was supposed to save. Maybe.
“Buck,” Eddie says, on a long sigh. Then, “Evan.”
He reaches his hand across the table, and Buck reaches across to grab it: warm, solid, holding steady. He folds inward, and Eddie cups the back of his head, leans in to pull him into an incredibly awkward hug, the table and the stack of photographs still wedged between them. Eddie’s warm hand lands on his nape, his thumb making circles in the short hair there.
Into the muffled dark of his own elbow, Buck says, “I don’t even know why I’m so—it’s been—I mean, I don’t even remember him.”
Daniel Phillip Buckley, April 3, 1985—May 23, 1993. Just barely eight years old; not quite a year as a big brother.
“Yeah,” Eddie says very gently. His thumb rubs up through the shorn hair at the back of Buck’s neck, then down again. It’s soothing. Buck would kind of like to stay here forever, even though the edge of the table is digging uncomfortably into his ribs. “But still.”
“But still,” Buck agrees, and lifts his head. Eddie’s face swims into view. The soft angles of his cheek and jaw, the deep brown of his eyes. He looks familiar, and safe, and beautiful in a way that Buck has been holding at arm’s length for—a long time now, honestly. With some reluctance, he lets go of Eddie’s hand and straightens the rest of the way up. “Sorry. I know it’s late, I don’t know why—”
“Yeah, we can skip this part,” Eddie says, with a wryness that still feels very gentle. “I’m glad you came here. You should stay tonight.”
Buck laughs, startled. “I don’t have to.”
“Obviously. But you should.”
“I don’t want to make you fold out the couch, you don’t have to—”
“Buck,” Eddie says. His fingers linger on the edge of the photograph: two little boys in a long-ago hospital room on the other side of the country. Then he sets it carefully on top of the stack and slides them back into the envelope. “Just stay.”
“Okay,” Buck says. He swallows twice, then looks at the hand Eddie still has resting on the table, and reaches out to slide their fingers together, feeling something settle in him when Eddie immediately grips him back. “Okay. I’ll stay.”
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