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#this isn't something i'd thought about
inkskinned · 8 months
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they want to talk about mental illness and acceptance and how everyone is a little ocd it's cute and quirky and their "intrusive thoughts" are about cutting their hair off and you say yours are about taking a razorblade to your eye and they say ew can you not and everyone is a little adhd sometimes! except if you're late it's a personality flaw and it's because you are careless and cruel (and someone else with adhd mentions they can be on time, so why can't you?) and it's not an eating disorder if it's girl dinner! it's not mania if it's girl math! what do you mean you blew all of your savings on nonrefundable plane tickets for a plane you didn't even end up taking. what do you mean that you are afraid of eating. get over it. they roll their little lips up into a sneer. can you not, like, trauma dump?
they love it on them they like to wear pieces of your suffering like jewels so that it hangs off their tongue in rapiers. they are allowed to arm-chair diagnose and cherrypick their poisons but you can't ever miss too many showers because that's, like, "fuckken gross?" so anyone mean is a narcissist. so anyone with visual tics is clearly faking it and is so cringe. but they get to scream and hit customer service employees because well, i got overwhelmed.
you keep seeing these posts about how people pleasers are "inherently manipulative" and how it's totally unfair behavior. but you are a people pleaser, you have an ingrained fawn response. in the comments, you have typed and deleted the words just because it is technically true does not make it an empathetic or kind reading of the reaction about one million times. it is technically accurate, after all. you think of catholic guilt, how sometimes you feel bad when doing a good deed because the sense of pride you get from acting kind - that pride is a sin. the word "manipulation" is not without bias or stigma attached to it. many people with the fawn response are direct victims of someone who was malignantly manipulative. calling the victims manipulative too is an unfair and unkind reading of the situation. it would be better and more empathetic to say it is safety-seeking or connection-seeking behavior. yes, it can be toxic. no, in general it is not intended to be toxic. there is no reason to make mentally ill people feel worse for what we undergo.
you type why is everyone so quick to turn on someone showing clear signs of trauma but you already know the fucking answer, so what's the point of bothering. you kind of hate those this is what anxiety looks like! infographics because at this point you're so good at white-knuckling through a severe panic attack that people just think you're stoic. even people who know the situation sometimes comment you just don't seem depressed. and you're not a 9 year old white kid so there's no way you're on the spectrum, you're not obsessed with trains and you were never a good mathematician. okay then.
mental illness is trending. in 2012 tumblr said don't romanticize our symptoms but to be fair tiktok didn't exist yet. there's these series of videos where someone pretends to be "the most boring person on earth" and is just being a normal fucking person, which makes your skin crawl, because that probably means you are boring. your friend reads aloud a profile from tinder - no depressed bitches i fucking hate that mental illness crap. your father says that medication never actually works.
you still haven't told your grandmother that you're in therapy. despite everything (and the fact it's helping): you just don't want her to see you differently.
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voistly · 2 years
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do you think the obsession with ‘style consistency’ in online art communities is mostly caused by this idea that your art style needs to be easily marketable & recognizable as a brand (especially when you’re working as a freelancer). i see the /least/ amount of progress in my art whenever i try to aim for style consistency. i don’t know exactly where i’m going with this but i think there’s some sort of connection between trying to monetize/market your art & limiting your growth as an artist. and i think it’s very sad.
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magicshop · 11 months
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You, who gave me their hand when I fell, now I'll hold it for you.
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skibasyndrome · 6 months
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I'm completely obsessed with and emo over the way Wilhelm carries himself now that he knows Simon loves him, too.
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(just a sidenote, but the duality of love and devotion towards Simon on one side and revolt and confident deviance towards everyone watching him, including us on the other.... these frames make me unwell...)
Like, that's absolutely the stance and face (and smile) of someone who's done with putting his own and his boyfriend's (!!!) needs behind those of the people who never cared about what he actually wanted.
Knowing him and Simon are on the same page now, finally, really is all he needs to face off against the consequences of living authentically and openly. He knows that together, they'll be fine.
I'd like to think his resistance is starting here already, facing off Jan-Olof with this stare and not pulling away as fast as Simon - who after all just offered to be Wilhelm's secret - is.
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It's so beautiful to see how much this has done for him in the S3 snippet. I feel like it's the first time he's moving like he's not a stranger on his own home anymore, like he's now commanding the place, like he's finally calling the shots. Sure, there are and there will be adversities (“I just wish it wasn't because of this”), but Wilhelm won't let them get in the way of him and Simon loving and supporting each other.
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“They won't start without us” He knows it's true and really isn't giving a fuck anymore who might get mad at them, he knows that they won't be able to play this down, make him deny everything again, they can't take back his confession in front of every single phone in all of Hillerska, and he won't let them try to, either. He's ready to fight, that revolution they started back in season 1 is now really picking up, and they're in it together.
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And god, it looks like it's healing him so much, he's so confident now, Simon by his side really gave him the strength he needed.
Like, the journey from the way he's desperately holding on to him at the confession, seemingly drinking it all in, those words he probably hasn't even dared dreaming of hearing from Simon and do taken aback by his emotions to the way he exudes confidence, strength, and conviction even in the face of adversity... the development is so beautiful.
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The combination of love and confidence is one hell of a drug, and Wilhelm gets both from and through Simon... I'm convinced they are going to be one hell of a power couple this next season.
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justafriend-ql · 8 months
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I love you, Ray. I'll never abandon you. ONLY FRIENDS Episode 4
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The backlash against Frozen, which, from my observation, has cooled down (that isn't a joke, I swear-) quite a bit over the past few years, was less based on the quality of the movie itself and more on the fact that its massive success and reach really overshadowed a lot of other movies that came out prior to it and after it and was getting credited for stuff that had already been done before plenty of times, and in many cases, in those exact movies. This is why, to this day, many fans STILL refuse to give Tangled its props without trying to put Frozen down in some way. In their eyes, Tangled should have gotten the glory and accolades Frozen received, but did not, and that made them quite jealous. Overall, Frozen is far from a bad movie. It's a great movie with a great message, characters, music and does actually deserve the success and recognition it got, and some fans need to stop being so salty about it and uplift their fav movies without putting Frozen down so they get the proper appreciation they deserve as well. Although, yes, the credit this movie got for allegedly introducing themes, archetypes and tropes that had already been seen before in Disney, including movies set in a fairytale world with heroines as the protags, was undoubtedly the most annoying part about its success and is part of the reason why many tried to drag this movie and its main leads.
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bloo-the-dragon · 7 months
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*holds nebula like hamborger* what am i to do with you.
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willowser · 10 months
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gaining all those new followers from plagiarizing poc and running them off tumblr you're a terrible person and i hope you rot
so this is another really heavy accusation that i take very seriously.
who is it that i've run off, exactly ?? if you are said person or know them personally, i would love to have the ability to speak to you/them one-on-one, like grown adults, so that we can clear the air or discuss whatever issue there seems to be.
i doubt that you'll respond legitimately but this has always been my stance on your issue with me, that has kept you coming back to, not only my main account but also my nsfw account, daily. sometimes multiple times a day. you've also never once given me any kind of definition on what it is exactly that i've "plagiarized" — which, again, leads me me to believe you're just choosing to be hateful for no reason ?? the ONLY reference that's been made in the last few weeks that this has been going on, is the love island bakugou concept, and if that's what you're still sticking by, then — again — i urge you to understand what plagiarism actually is.
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worldlydesiretemple · 3 months
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a little upset with the chiyo change tbh. i didn't realize or know chiyo was going to undergo a COMPLETE remodel/rework but seeing erissa is just ... man. i understand where people were coming from with their criticisms on chiyo's design but it feels even more backhanded that they just straight up made her (afaik) white.
erissa doesn't have much ... personality? to her design? it's an alright design by her lonesome, but it doesn't signify chaos to any degree. this is just a tiktok influencer to me. and she doesn't seem like an actual child anymore. chiyo was fun in the regards that she's clearly meant to be a rambunctious tweenager and could be seen as such, but now this is just. Ambiguous Older Teen/Young Adult to me.
i don't agree with their solution to chiyo criticism being "oh let's just not make her japanese!" because her being japanese wasn't . the problem? so.
i showed my friends the new design and we all came to the collective agreement she doesn't look like a dark rider or chaotic at all this is a quirky tiktok fashion influencer
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summertimemusician · 1 year
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No one:
Literally No One:
Me, running on three hours of sleep and only spite and coffee keeping my mortal vessel functioning, also trying to get all of the figurines in Minish Cap to scratch the completionist itch: We, as both the Zelda Fandom and Lu Fandom, don't really talk enough about First, The Hero of Men and The Original Attempted Calamity Hero huh?
And by that, I mean these gentlemen:
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have been thinking about this a lot lately and i do just want to say that i think a lot of people Online™ really don't realise how genuinely dangerous being gay offline is. and even when it isn't physically dangerous, how profoundly uncomfortable being gay makes straight people. i need you to understand that though the online world is part of real life, it is not the whole scope of things and i do believe that to forget that can be very very unwise both for yourself and for other people.
i'm not saying the world isn't getting better or that being gay is something you need to be aware of at all times, i'm just saying it is absolutely a disservice to yourself and everyone else by refusing to acknowledge that at this point in time, society even in more progressive spaces has not moved past cold hard homophobia. and even if you haven't experienced it yourself, you need to know that your experiences aren't universal. if you assume that they are, it will harm people in one way or another. i'm not saying be scared, i'm saying know that there are still many, many significant steps to take even in more progressive places wrt to lgbt rights, let alone places where that's not so much a thing. i just think it's essential to understanding the world you're living in as a gay person, to understand this.
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birdmenmanga · 1 month
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@raventhekittycat
hi okay so I've been mulling this one over for the past day or two and I think I have the answer. not to be using hamburger to explain anything to an american but you're my detco mutual so I'm going to try and explain it in detco terms
There's a post going around recently about how if you've read detco and only detco, the first time hakuba shows up you're going to be totally flummoxed, because damn this guy is clearly important, he gets to be even cooler than Shinichi, he's got a half-page shot of him (in such a panel-dense series such as Detective Conan, no less!!) and he's got a fucking hawk. he's CLEARLY important. everything about the narrative is indicating that you need to PAY ATTENTION to hakuba and that he's the coolest guy and he's important!!!! and then he dies in the case lol (not for real. but still.)!! and you're like huh??? what was that. why did aoyama do that.
But with the context of magic kaito this totally makes sense. He's a beloved character that people have been waiting decades to see again. Of course Aoyama is going to hype him up!! It's his big moment after years of being locked in the backrooms!!!
Anyways reading birdmen for me was kind of like that. The author's previous series, Kekkaishi, was pretty one-dimensional at the beginning, and even after the main plot started picking up at around volume 6, it still felt quite understandable. I knew what she was trying to get at, and the spectacular job she did with the anthropocene and climate change metaphor towards the end of that series really made me interested in the rest of her works. That and the way she writes familial relationships is absolutely DEVASTATING. (I mean this with the highest of praise)
But when I read BIRDMEN for the first time, I was probably in... middle school, maybe? And I read it, sure, but I didn't get it. I could see what was literally happening on the page but the narrative choices were absolutely baffling at times. Why skip over the entire part of the plot where they figure out who the birdman that saved them was? She blatantly doesn't care about that. What does she care about then?? I knew I didn't get it, I knew there were parts of it that were important and I couldn't figure out why and THAT'S how it dug its pretty little claws into me. Even after I finished catching up it nagged at me a little bit, not often at all, but enough that every once in a while I go, huh, right, that was a thing, let me go read it again.
For the record this type of story haunting has happened to me twice. First time was the Heart of Thomas, second time was BIRDMEN. I think the thing is that these are both stories which are not what other people say they are and I think I came into both of these stories with a misconception, trying to look too hard for things that weren't important and therefore missing the things that were.
Because sure, BIRDMEN is about mental illness. Yeah, it's about an evil scientific organization growing mutants in a lab. Yeah, it's about what it means to leave your humanity behind. That's all technically correct, on a surface level, and the fandom at large likely agrees with these takes for the most part, but in my opinion none of that really delves into what the thematic messaging of the story is about.
There are cryptic conversations about authority and human extinction and peculiar outfit and ability choices. You can tell these choices weren't made to serve the purpose of "writing exciting shonen manga" because that was what she did for the most part in Kekkaishi and you can tell she wasn't putting her whole pussy into doing that here. So what was she doing? What's like. All of this. Waves my hands at this.
The short answer is that it's really about the interplay between capitalism (represented by humanity) and communism (represented by birdmen), and explores the role institutional white supremacy (EDEN) plays in enforcing capitalism. It is ALSO about queer liberation and the importance of community, but hey, that double-stacks conveniently with the communism metaphor.
But also take this opinion of mine with a grain of salt. As far as I know I'm the only one who really truly deeply believes that it is not only AN interpretation of the work, but one that was fully intended by the author.
So basically, I like it, because I think it says something true and beautiful that I also believe in, even if I didn't have the words for it the first time I read it. But I don't really think that's what people really look for in a media recommendation.
Do I like it? Yes, I love it. Will I recommend it to others? Yeah, sure. But do I think it's deeply flawed? Yeah, absolutely. It's flawed in the same ways as The Witch from Mercury— a rushed ending, too many threads that were opened and never tied together. The pacing and characterization is perfect in the beginning, and too rushed at the end. There are prerequisites you basically HAVE to read in order to understand the story (tempest for G-Witch and the communist manifesto for birdmen). I think a truly good story wouldn't have any of these things so if people don't like it I never blame them.
It's my personal experiences that make birdmen so profound to me. If you are not queer I just don't think Eishi coming out as a birdman to his mom will hit the same, just as an example. Sorry that I wasn't the kid you wanted me to be. I know you love me and you just want the best for me and that's why you're so controlling, because you think I can be saved by conforming to societal expectations. But I can't live like that. I can't be like that. And that's why I must go. etc.
Aesthetically I do love birdmen a lot. If I had to describe it in a few words it would probably be "chilling", "beautiful", and "powerful", which nicely coincides with the type of things I personally like to draw. It's also silly to a small degree but it's so serious and I know Tanabe can be way way way funnier (read kekkaishi for this. kekkaishi and hanazakari no kimitachi he were foundational to my sense of sequential art humor) so that's not really the standout trait of this series.
I can't let it go because I'm chewing this series like a bone. And it's taking me years but I am getting that sweet sweet marrow. By god. We are on year 3 of this shit and I am GOING to understand this series. and I'm going to make 3 video essays about it
#just thinking thoughts...#stray bird thoughts#so it's like... I don't like it because birdmen is good#I think I like it because I am a certain type of person and the author was trying to say something specifically to the type of person I am#OH#I'M THE TARGETED AUDIENCE THATS WHY I LIKE IT.#YEAH THATS REALLY IT!!!#A long time ago I said that birdmen wasn't written for the people who read it at the time it serialized.#it was written for the people they would become.#and I stand by that 100%#if it really stays with you there is going to be a reason even if you can't articulate it yet#and it may APPEAR sloppy to someone who doesn't see the queer or communist metaphor#like 'what is she doing what is she saying here she's not saying anything meaningful and emphasizing the wrong things'#but that sort of presumes she is gunning to make 'the best shonen manga ever'#which she clearly isn't.#I remember when I was reading fma with a bunch of my classmates and I'd lend them a volume or two every day#and a piece of feedback I received that has stuck with me was 'volume 15 was so boring'#(that was the volume recounting the ishval civil war. it was boring because we were middle schoolers and didn't REALLY get it.)#and like. I think to people who are looking for something like kks. the whole thing is going to feel like fma volume 15#like WHAT is she going on about? ? ?#like witch hat and dunmesh I think are similar types of stories but I think these two are just executed way better than bm#but because of that it is just not as compelling to me you know.#like yeah yeah it's well constructed. we all see it's well constructed.#the metaphor is so well constructed that I don't feel the need to point it out. everyone is saying it already you know#but bm is cryptic enough and just slightly missed that execution enough that I feel like I'm pulling the analysis out of a smoking wreckage#recently I've been watching mentourpilot videos about airplane accidents and like. that's exactly it.#there's nothing to say about a perfectly executed flight.#it's the ones that failed. and in particular the ones that just barely failed by a little bit. that compels people the most.#cue my de communism is failure post. bc that bm sure did fail.
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snail-studios · 3 months
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Honestly, it was naive of us to think that TotK would focus on the champions. They're dead characters who got a whole game and dlc to flesh them out, and while I would have loved to see them more I have a feeling TotK would have butchered them anyway :/ so let's be grateful they weren't really mentioned in TotK and build on them more ourselves by making more fanworks xD
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nostalgia-tblr · 4 months
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in other news i enjoy a bit of sifki because they are clearly exes and you know something emotionally messy happened there but you have almost no canon "facts" to work with so you can just make shit up and nobody can tell you that you're wrong. in some ways that sort of pairing is perfect for fanfiction. you get a vibe from it, but there's no explanation for that vibe so whatever you invent to make sense of it is probably going convince at least a few people.
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kazumasdiary · 7 months
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hypothesis: asobaro is about falling in love (and it being a bad idea for all parties involved); asoryuu is about being in love (and it being a bad idea for all parties involved).
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orchideae · 3 months
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1) Opens up drafts with my head empty, ready to be flooded, not knowing where I'll go. 2) 30 seconds later: Okay but I will go feral any day of my life over Perilous Trail, and the fierce dichotomy of Xiao and Yelan. While they're far from being 'the same', they both view themselves as soldiers in one way or another (it's a very difficult word to use for Yelan, so I'm using it very liberally and very loosely), they have both suffered losses on the 'battlefield' and carry the burden thereof in their own ways. And yet they stand so firmly in opposition throughout the entirety of that questline up until the very end of the 'the end of the line' conclusion of the quest. Yes, I know that she offers him her gratitude in its aftermath and it is genuine, but she still never agrees with him and the decision that he made moments earlier. It simply 'worked out' because of Zhongli's interference, he's the only reason it worked out. And it's because of that, that she doesn't give him a hell of a hard time (obviously she can't go down there, but imagine the inner frustration of severe extents; when you condemn someone who you can't even see anymore). In the same way that she would do to anyone who would sacrifice themselves for others, but in this case, I think it's 'beautiful' that it's to Xiao; the one who seems most adamant to do so (which honestly, fits into the contract that the Yakshas chose to sign with Morax; 'the ultimate sacrifice' to protect for Liyue; 'for Liyue', and Liyue has always centered itself around its people), the one who everyone reveres (and so does she, as she notes in her voiceline, 'if I ever have the honor to fight alongside') and respects for good reason, she stands against him, because in that moment, regardless of his status, he makes a call that she considers wrong. And he doesn't even... fight her on it very fiercely, and that's what actually hurts me the most, it's as if the following line hit the nail directly on the head?
"Besides, if you were really so determined to end it all, you wouldn't have given us the opportunity to share our opinions."
#[ mini study. ] that which hides inside her… that constant calling; it is the blood of heroes which has been howling for 500 years.#[ and then shortly after 'the point is: it's not time for drastic measures yet.' ]#[ /shakes ven into another dimension. ]#[ i thought the ost at the end of perilous ruined me enough. but tale of the yakshas may actually ruin me more. ]#[ also i love how i typed up the bit of the contract and 'for liyue' and zhongli in my head isn't rattling at bars but-- ]#[ he's sipping his tea (the equivalent). one day ven. i /promise/ you. one day you'll get him from me. ]#[ he'll likely be the 2nd genshin blog to run alongside yelan if/when i get to being able to run two again. ]#[ but until then. can we talk about the dynamic of xiao and yelan until we're blue in the face? i'd like to do that too. ]#[ i type this as if i'm perfectly chill but i'm not. i'm really not. the concept of self sacrifice and sacrifice as a whole. ]#[ BETWEEN THESE TWO. drives me /insane/. and part of me sits here and goes-- ]#[ god. what happened with yelan and her team down there? we know that despite every plan she ever made and prepared-- ]#[ their enemies (WHAT WERE YOU FIGHTING??) were too powerful and more specifically-- too smart. too calculating. ]#[ ... and too strong (okay literally what on earth were you fighting? are we talking the khaenri'ah soldiers? like what? or abyss mages?) ]#[ (but abyss mages don't exactly entirely fit the description in her story. ugh. UGH). ]#[ any way-- it was her and her team. /they/ all died and she didn't. yanfei describes it as... ]#[ 'knowing that your life was saved when others weren't'. surely the millilith didn't intervene or happen to arrive. yelan must've... ]#[ gotten away? or something? but that doesn't feel quite right. but i'm just sitting here left with the idea of... when you lead a team. ]#[ you bear the responsibility of even their lives. and yet despite bearing that responsibility; she's exactly the one who lived. ]#[ the only one who did. that has to be a /stupid/ burden. it's like the captain who has to go down with the ship but is the only one... ]#[ who gets to live. only one who gets to survive. i just. ]#[ i didn't think i'd love a character as much as this one. where did she come from; jesus christ. ]
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