five nights at freddy's is a film that creates a tense, suspenseful atmosphere of horror by having its protagonists go up against supernatural threats such as trying to navigate the job market, being forced to deal with shitty cops, and a man who willingly makes himself think of nebraska over and over again every night
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The defintion of hell is knowing a show is incredibly well-received in its first season, but if people don’t become machines churning out tweets, content, and rewatching 24/7, there’s no likelihood it’ll get a chance to tell its whole story. This shit is madness. Shows in different genres shouldn’t have to pit-battle for dominance. First seasons are MEANT to be baselines establishing worlds and characters, not complete storylines. The idea that this golden age of television has turned into “get it done in one or get out” is revolting.
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The fact that Judaism is trending because of both the wave of bomb threats on synagogues and Bradley Cooper's Antisemitism Adventure (his huge fake prosthetic nose, and him basically stealing the story from a Jewish man) is so infuriating and so exhaustingly typical.
The fact that I see Judaism trending on Tumblr and immediately think "oh no. Something Bad is happening to us." We're never trending cause it's fucking good. I never get to be excited, it's just cold dread.
The fact that Antisemitism is getting worse everyday and the only ones who ever talk about it are other Jews. The fact that no one else fucking cares. The only ones who support us are other Jews. Even when gentiles talk about Nazis or white supremacists they don't want to help us. We're just their prop, the canary in the coal mine and the perfect victim.
The fact that everyone's uncomfortable with Jews still being here. Reminding them of things they'd rather forget.
The fact that it'd be easier for them if we were all dead. Then they could tell stories about our people, dressed in offensive caricatures, without us making a fuss.
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God, of COURSE the reaction to “Anyone can wear the mask” is “but not everyone will accept that.” And Miles internalizing the heartbreak of that kind of rejection from what he considered (hoped) to be HIS people leads to him understanding the next step is to reject the system that says he doesn’t belong.
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Jesus holding lamb but its Vanessa holding her ponysona
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From the studio that brought you "Mario frolicks in Wahoo Land while Luigi is running for his life from zombies"
And "Mario drives a cool kart with apes while Luigi gets locked in a cage with penguins"
Now presenting "Mario gazes softly at his love interest in a flower field while Luigi gets VERY up and close with a turtle dragon villain in a volcano"
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Actresses being tortured on the set by male directors is a massive historical and present day scourge of the film and TV industries and it's really SO common when you look into it. like from Kubrick terrorizing Shelley Duvall (and only her) on the set of the shining to Tarantino strangling Diane Kruger until she passed out to Hitchcock replacing fake birds with real birds after Tippi Hedren rejected his advances (in order to scare and physically injure her as a punishment for not fucking him) to James Cameron almost literally drowning Kate Winslet to an actress on GOT being waterboarded ten hrs straight to get like a minute of footage to Brando improvising an unscripted rape scene on the last tango in Paris set with the directors permission that ended up traumatizing Maria Schneider (in fact quite a lot of the gratuitous, graphic rape scenes in film were included for the sadistic pleasure of the male directors at the expense of the actresses).
The list goes on and on and I could seriously talk for ages about how revolting it is that these men still have active careers bc the industry just tolerates it. No piece of art is worth inflicting this disgusting and unnecessary abuse on actresses (and it's ALWAYS the actresses isn't it, never the actors. Hmmm wonder why). We call these men auteurs and geniuses but they're really just pathetic abusive sacks of shit. I want to impale every male director who behaves like this and I want their rotting corpses displayed as a part of the universal studios tour.
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— We kidnapped a fucking (ballerina) vampire.
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like it love it need it bad!!
(now available at my shop!)
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angel boy
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Cinematic parallels - "F*ck them kids!"
Twilight Breaking Dawn Part II (2012)
Insecure (2016-2021)
Killing Eve (2018-2022)
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so i watched nimona a week ago...
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Something I’ve been thinking about lately is that small moment in “Air Turtle” where immediately after the Daves lose yet another game, Leo says how sorry he is and how he’s doing his best as the mascot. This moment is so short but it’s honestly jam-packed with a whole heap of characterization.
His need to apologize for things clearly not his fault - especially when it feels like he messes up the job he was given despite doing the best he can (the phrase “it’s not about you” takes a new meaning when this is one of the lessons to be learned from that - that he is not always solely responsible for things going wrong), his need to save face and make a connection with an older adult man in his life (something he consistently does throughout the series - he’s got a few daddy issues, always collecting potential father figures, it’s no wonder he jumps at the bit to keep rapport), and the way he sounds and looks and the words he chooses really pushes how he is just a kid (“Mr. the Dunk, I’m so sorry”).
Like I know it’s a one off moment that doesn’t truly mean much, but when put against the rest of the series it works really well with the rest of Leo’s established character and helps in solidifying later concepts as well.
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