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#this really made me feel something
beebfreeb · 3 days
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loumands · 1 year
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I feel like many people have a fundamental misconception of what unreliable narrator means. It's simply a narrative vehicle not a character flaw or a sign that the character is a bad person. There are also many different types of unreliable narrators in fiction. Being an unreliable narrator doesn't necessarily mean that the character is 'wrong', it definitely doesn't mean that they're wrong about everything even if some aspects in their story are inaccurate, and only some unreliable narrators actively and consciously lie. Stories that have unreliable narrators also tend to deal with perception and memory and they often don't even have one objective truth, just different versions. It reflects real life where we know human memory is highly unreliable and vague and people can interpret same events very differently
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uncanny-tranny · 9 months
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Little things adults and older people can do to help younger people and children feel included, safe, and respected as an equal individual:
Ask before touching the young person - even for hugs. Ask before you take pictures of them, and let them see photographs of them before they are printed or sent to others (even family).
Apologize when you are wrong
Ask for a young persons thoughts on a subject, then engage with them after they have spoken
Demonstrate behaviour you want to see from them (see: apologizing). Say "excuse me," say "thank you," say "please" to them
Validate their feelings, even if they don't know how to express them just yet
Remember that this is the first time they've been alive, and that you've had way longer to "figure it out"
These are some things I wish other adults remembered when engaging with young folks. We so often forget what childhood felt like and how unfair it all was because we were often awarded freedoms as adults that we never had as children. These kids are equal to adults, and they deserve the same courtesy, respect, kindness, and understanding we give to other adults.
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crescentfool · 2 months
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reunion 🌸
#persona 3#persona 3 spoilers#minato arisato#makoto yuki#ryoji mochizuki#aigis#ryomina#lizzy does art#HELLO EVERYONE!!! march 5th is upon us again so i bring... my contribution for this year. my third year drawing for it!#i made the thumbnail for this a few weeks after last year's graduation day#i thought it would be fun to lean into the ryominaigis angle of graduation day (you could read this as minato/aigis if you like-#but i feel like most people would read it as ryoji/minato)#IN ANY CASE working on this made me very emotional over this game :') (specifically minato)#i really enjoy how p3 ends it's such a nice way of wrapping up the narrative's messages and themes#working on this. minato's kindness was at the forefront of my mind throughout the piece#and i really wanted to capture how. ultimately it was his decision to sacrifice himself- to do the great seal#while to an outsider's perspective it is. sad that minato passes. i think becoming the seal is something that minato-#actively welcomes. in the same way that death (ryoji) is a comfort to him because death was housed in him for Ten YearsTM#AND I ALSO GOT REALLY SAD OVER AIGIS TOO. i still get fucked up over how in fes's animated cutscene for 3/5 they portray-#her as human and not drawing the robot parts so i wanted to do something smilar here...#but also i am very sad on aigis's behalf because she discovers her humanity through minato and realizes what she-#wants to do and then. well. minato is like. he's ready to pass on (even if he's scared) and im like. OH MY GOD THIS TRIO GETS ME MESSED UP#this was more coherent in my head LOL BUT ough i like drawing p3 and working through my feelings about it...#anyway! happy (in quotations) march 5th. i love this game to bits. it's so fun to draw for this day every year and see how i've improved#if you've read all this thank you :) lizzy appreciates you all very much. mwah! <3
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poorly-drawn-mdzs · 5 months
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Let the revenge games begin.
[First] Prev <–-> Next
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flowercrowngods · 1 year
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based on this post, because at this point i think it's safe to say @unclewaynemunson is actually my muse or something (hi anna i hope this is okay even though it’s, like, way angsty and way too long huh)
🤍 also on ao3
Two days after Starcourt, concussed and beaten, Steve has a seizure.
His ears are still ringing when the doctor gives him a stern glance over the rim of his glasses and pronounces him unfit to drive. No, in fact, he claims Steve poses a real danger to himself and others if he sat behind a wheel again.
Immediately, Dustin and Robin jump to promising that they won't let him do that, and in another life Steve is sure he would be grateful, or at least reasonable about it, but in this one he has a horrible second where the floor falls out from under him and he wishes, for just one second, that his head had been shaken a bit more, just enough to–
It makes him nauseous even thinking that. Everything does, lately. He closes his eyes against the offensive brightness of the hospital room and lets the sound of Dustin's and Robin's voices wash over him as he takes a moment to really take in what the doctor's orders entail.
He can't drive anymore. No more late night drives to watch the street lights pass and lull him into a safer state of mind than his bedroom walls could. No more driving the kids to their DnD sessions, no more taking Robin anywhere at the drop of a hat, no more bickering, no more reign over the music, no more stern glances through the rearview mirror, no more "Shut up, Wheeler, or you're leaving the car."
No more "Thanks, Steve!", no more "I'll bring some of mom's cookies if you drive us to the arcade", no more "You're the best" or "You're a lifesaver" or "I owe you one".
No more place for him in the group, no more use for him, no more...
No more. Nothing. Now he's just Steve, would-be lifesaver, 'has-been babysitter', 'could-have-been somebody until he lost his license to drive because he wasn't quick enough, wasn't good enough, wasn't strong enough'. Just Steve.
He doesn't know how to be that. Who is Steve Harrington without his car, without the one thing he was good for anymore?
The pit in his chest is deep enough, dark enough to pull him in, and for a moment the very thing he is good for is misery.
He waits until a nurse makes everyone leave for the night, and then he cries. It makes his head hurt, pressure building behind his eyes, but he's used to being in more pain than any teenager should be in, so he curls in on himself and hides underneath the blanket.
Here's to hoping the others won't notice just how useless he is now. Not too soon, anyway. He wants another month. A painless month filled with laughter and hugs, and then they're free to leave, to pull back slowly. Calls unanswered, radio channels changed so he won't reach them, sheepish apologies and rain checks, because now Nancy will drive them. Or Jonathan. Hell, maybe Max will take the risk just to avoid him.
---
He gets a week of daily visits in the hospital, the doctors and nurses insisting on keeping him here, a watchful eye on his vitals, scanning his head three times during his stay, insisting he has head trauma of a severely worrying degree.
Nancy picks him up from the hospital and it's awkward, tense, too much left unsaid between them but there's no one else to do it. Steve's hands are shaking, gripping the seatbelt the whole way home – and then his heart falls when he sees his Beemer in the driveway. The glorious, trusty, wonderful, best fucking car anyone could wish for. His baby. His.
He throw up into the brushes when he realises that he won't get to take it on one last ride. Maybe he shouldn't be so attached to a car. Maybe he's being pathetic about it. At least he can explain away the fat tears in his eyes now, and Nancy doesn't press.
The first thing he does when Nancy is gone is calling Robin, and she's excited when she says, "I'll come right over!" and Steve wants to ask, how, but he keeps his mouth shut, biting his lip. It's stupid, but the thought of someone else driving Robin over makes his skin crawl.
"Alright," he says instead, his voice raspy, and he hangs up before she can detect something in his voice.
After that, he goes outside again and runs his hand along his Beemer. It's shining in the sun; he had it cleaned the other week, the full program, every step in the book to celebrate four years since he got her.
"Four years, huh," Steve says, his nail catching on a minor scratch that isn't even visible but might be more familiar to him than even his home. "Damn good four years."
He's talking to his car. God, it's so stupid, it's so stupid, it's so stupid–
Steve's knees give out and he gives in to the desire that's burning under his skin sometimes, the desire to just sit down and ignore the world. Because everything is less real when you're sitting down somewhere you're not meant to be, and the ground is warm, and Steve just wants the world to go. His head is leaning back against the warm metal of the driver's door, and he closes his eyes for a while, his head still spinning, his ears still ringing, everything still awful.
After a while, there’s a shadow followed by a weight settling down between him, a head landing on his shoulder, a hand taking his.
"I'm so sorry, Stevie," Robin says. The lack of dingus makes it more real, somehow. More tragic. More pathetic.
"I'll live." And it feels a bit like a lie.
---
He gets his month. A month filled with barbecues in his backyard, the kids coming by after school to check on him, and Robin has practically moved in. Joyce picks him up on Friday nights for dinner at their house for a change of scenery.
It’s a good month, though Steve feels trapped. Caged. A bird without his wings, a boy without his car. Steve without his one purpose, the one thing he was good for. He has to be picked up because they don’t trust him walking, or they have to come to his place. And soon the worried glances that are thrown his way are too much, caging him further, reminding him of what this is. A pity party — quite literally. No one trusts him anymore, there’s always someone jumping to help him, not caring or listening to his protests.
And he can’t leave, because “What if you have a seizure in your room?”
It makes him want to scream.
Maybe it shows, or maybe everyone’s just fed up with him now that he can’t provide his taxi services anymore, but after summer the Byers dinners stop and the kids pull away.
“Told you that’s all I’m good for,” Steve says with a mean, pained huff as he hangs up the phone. Claudia said Dustin isn’t home, but he could hear the kids in the background. It hurts more than it should.
“What is?” Robin asks from her place on the floor with her back against the wall.
“Nothing.”
She frowns. “Come on, dingus, you can’t start and then—“
“No, I mean it. Nothing. That’s what I’m good for now that I can’t drive them anymore.”
“Bullshit!” she says, and it comes out so harsh that it makes Steve flinch. He swallows. Right. Robin isn’t hear to listen to him whine about how he feels like he has no place in this town, in this group, in this life anymore now that his head is so fucked up he can’t even be trusted to live alone.
That’s why Robin is here, right?
The babysitter becomes the babysitted… or something.
She doesn’t care, not really. She doesn’t listen. She doesn’t ask.
“Steve, they’re kids.”
“Yeah, well. So am I.”
He turns away from her and ignores the tears threatening to fall. The door to his room falls shut and he would love to lock it just to make a point to the world at large, a point that it can’t shut him out if he shuts himself in, but he knows it’s too risky. If he has a seizure, Robin needs to get in.
He can’t even stay in his room alone without supervision anymore. What kind of a fuck-up is he becoming, where does it end? He’s already managed to chase away the kids, even Dustin only checks on him sporadically anymore, and it hurts. He wants to know why, wants to know what he did, how to take it back, how to get them back.
But then he remembers how it all started. Dustin needed a ride and someone to take a beating. Both of which he can’t do anymore without risking life and death of himself and others. He’s a safety hazard. He’s useless. He’s Steve fucking Harrington, which doesn’t mean anything anymore.
---
And then it’s spring, and Chrissy Cunningham is found dead in Eddie Munson’s trailer. The group is back together again, the Party assembled once more. And Steve, for a just one second, hopes that he can get it right this time, that he can do this again. One last time. Because Vecna slash Henry slash One surely is it.
But then they turn on him — even Eddie looks confused, which is a rather adorable look on him — the moment Steve tries to get a word in.
“You’re not coming with us, Steve.” That’s Dustin, and Steve just rolls his eyes, but then Robin joins in.
“Yeah, no, I’m with the gremlin on this, dingus.”
“Hey!”
“Oh shut it, Henderson.” She turns to him, her eyes softer but no less burning another hole inside Steve. “We can’t risk it, Steve.”
“Risk what?” It’s a challenge. His shoulders squared, his jaw clenched, he’s challenging her, and it’s cruel.
She holds his eyes, her expression icy, like he’s stupid. “We can’t risk you dying. We can’t risk you getting a seizure mid-fight or just by being in the Upside Down.”
“Hey, woah,” Eddie tries to get a word in, but Steve won’t hear him as the desperation, the loneliness, the feeling of being caged like a bird and still the only human left on a desolate planet, all that breaks free.
“We all know that dying in a fight is the only thing I’m good for anyway.”
The silence among their war council, as Max dubbed it, is deafening.
“What?” Lucas sounds small when he asks that, and Steve closes his eyes. He hadn’t meant for him to hear that. Any of them, actually. They weren’t supposed to know.
“Steve, that’s not true.” Dustin’s words are filled with disbelief and worry, and Steve hates the worry, it makes his skin crawl, it makes his heart race, it makes his fists clenched and it makes him want to scream again.
“What else then, huh?” he asks weakly. “What else is there? None of you even talk to me anymore since Starcourt. Since summer.”
“Because you were pulling away,” Nancy explains, though her words are weak and her mouth clicks shut when Steve looks at her.
“Because we’re scared.” Max this time, and Steve doesn’t want to look at her, doesn’t want to tell a child that she’s not allowed to be scared for him— not more than he is, anyway. It doesn’t make sense for him to be hurt. They don’t want him to die. That’s a good thing, right? They didn’t want to see him hurt, so they looked away. It makes sense.
But it also hurts.
Steve shakes his head and pinches the bridge of his nose before all but running from the trailer. He doesn’t make it far (“Stay close so we won’t have to worry”), just needs some fresh air and to sit down somewhere the world will become a bit less real again.
The stairs it is. He tries to breathe through the lump in his throat, clenching and unclenching his hands to get rid of the anger and the hurt and all that excess energy.
He doesn’t want to die, is the thing. The very thought makes him nauseous and panicky. He wants his life back. His car. The freedom to just jump in there and get away. He doesn’t want the cage or the worry or the hovering or the loneliness when he isolates himself from all that.
Face buried in his hands, Steve almost misses it when someone comes to sit beside him. The thick smell of leather and cigarettes tells him who it is without looking up.
Eddie doesn’t speak for a while, just sits with him as Steve calms down.
And then, after a while, he lights a cigarette and asks, “You get seizures, Harrington?”
Steve nods. “Sometimes.”
Eddie hums. “That sucks.”
He nods again, and then that’s that. But even though it was a rhetorical question and Eddie didn’t even need an answer, it feels pathetically good to be asked about something. About himself. It only makes the pit inside his chest deeper, cutting into his soul with a sharp edge, this tiny little moment of normalcy. He wants to cling to it. He wants to talk to Eddie. God, he hasn’t really talked to anyone in so long.
“Before Starcourt — remember, the mall? The fire? Yeah that was, uhm. More monster shit. And Russians who thought I was a spy and then… yeah. Anyway. Uh. We used to be friends, I think. The kids and I. They used to care — or I like to think that they did. And then I got one too many head injuries, and the seizures started, and then they… It became too much. For them, for me. And the caring stopped. And, like, it’s fine or whatever, but I still care, and I can’t let them do all that alone. I know that all I was good for was taking them somewhere with my car, but I can’t drive anymore, so now I’m just… I’m just Steve. No titles attached, no use or function or point.”
Eddie just stares at him, puzzled and intrigued and even a little sad, and Steve wants to laugh it off when the silence stretches.
“Sorry, that’s kind of a sob story, you—“
“Wait here,” Eddie says, stubbing out his cigarette before disappearing back into the trailer. Steve watches him with a confused frown but stays put. A minute later, the door flies open and a scandalised looking Max appears, followed by the rest of the crew.
“You what?!”
“Uh,” Steve blinks. “I what?”
“Eddie told us you think you’re useless and that we don’t like you and that all you were ever good for is driving us from A to B with, like, no personal value whatsoever,” Dustin fills in, sounding no less bewildered. “Is that true, Steve?”
And God, the kid is so good at making all his questions sound like dares that Steve instinctively wants to swallow and negate it, tell them that Eddie misheard, that he’s fine, that everything fine.
But then Robin’s whispered little, “Steve” stops him from doing that. In fact, the sadness and confusion on their faces makes the dams break once more, confronted with months of spiralling and no one to drag him out, no one to listen.
Tears spring to his eyes and he gets up from the stairs to properly face them. He shrugs. It’s as much of a confirmation as anything.
And then Dustin sprints forward and tackle-hugs him, burying his face in Steve’s chest with no intention to let go anytime soon.
“I’m sorry,” he mumbles into Steve’s shirt and Steve runs a hand through his hair immediately.
“It’s okay, Dustin.”
“No! It’s fucking not okay, Steve, stop saying that. You’re my big brother, you’re my best friend, you’re my hero! You’re the coolest guy I know and nothing’s gonna change that, okay?”
“Then why’d you leave?” His voice is so small, but Dustin only hugs him tighter.
“Because you were hurting and I was… I feel like all of that is my fault.”
“Why would it be your fault, Dustin?”
He shrugs, and it breaks Steve’s heart. Dustin thinks everything is his fault just like Steve thinks it’s his.
“It’s me who got you into the thing with the Russians. I insisted. And you were tortured for it, Steve! You… You told us to go, and we did, and then we came back and you were— you-“
“Hey,” Steve whispers, curling himself around and over Dustin. “Hey, no, it’s okay. It’s not your fault. None of that.”
“Okay.”
“Okay.”
“I’m sorry I pulled away, Steve,” Dustin sniffles and looks up at him. “I swear it’s not because I think you’re useless. It’s just… I’m so scared.”
And it makes sense, somehow. The anger leaves Steve when he whispers, “Me too. And I don’t like it when you’re all scared and worried. I hate it.”
“I know. Sorry.”
“No, you’re not.”
“Shut up.”
And then they’re both laughing with tears in their eyes. Lucas and Max join them with their own promises that Steve isn’t worthless to them.
“Did you read my letter? You know, the one if…”
“No,” Steve says. “You told me not to.”
“Right. Anyway, read it. Whatever happens, I want you to read it. Because you’re my brother and you mean too much for me to, like, never let you know. But, uh. Billy died. And I hated him, but it fucked me up. And then you almost died, and then you almost died again; and then you just… collapsed. And I thought, I cant do this again, not with someone I actually like. Not with you. And I didn’t wanna watch. I watched Billy. I… I can’t watch you die, Steve.”
She’s crying by the end of it, and Steve pulls her against his chest. Shit, he hadn’t meant to make anyone cry like that.
“It’s okay, Max, I get it.”
“Not okay,” she shakes her head again. “I know it’s not. But—“
“I know.” He’s stroking through her hair. “I know.”
“Uh, guys? I hate to break up the heartfelt confession time,” Eddie chimes in. “But I think our window is closing.”
Right. The end of the world.
With one last squeeze to Max’s shoulders, he lets her go and they gather their things. Discussions about Steve’s joining their mission have been put on hold while their window is still open. They can continue this later.
Nancy drives while Max holds Steve’s hand in the back. They don’t talk and she has her headphones on, letting Kate Bush work her magic, but it’s fine. It feels a bit like healing.
He catches Eddie’s eyes on the other side and holds them for a while. Eddie smiles before looking away, and Steve does the same.
---
In the end, Steve doesn't climb the rope with them. He stays behind in Eddie's trailer even though every fibre of his being screams at him to join. But Nancy has a point when she explains to him that she and Robin got this. It's the first time he stays behind, and he hopes it will be the last.
They hug him before leaving, all of them. Promises are made to talk about this later, after, and he nods.
"Go save the world for me," he tells Robin, holding her tight, unwilling to let go.
"Only for you," she promises, and kisses his cheek before pulling away. "You better be right here when we come back."
He shrugs and gives her an encouraging smile. "I've got nowhere else to be, Buckley. Now go." The last words are whispered and it feels like goodbye. Steve should join them, he should be there! But his head is pulsing and he knows that one wrong move could leave him half blind with a migraine, and they don't need one more handicap.
The one thing he can do, though, is helping them climb the rope, and it makes him feel ridiculously proud, seeing them land safely on the other side, smiling up (or down?) at him. Robin and Nancy wave one last time before heading off.
That leaves him alone with Eddie and Dustin. The latter is already climbing the rope, itching to finally do something, preparing the trailer for their plan.
Only Eddie is left, and Steve looks over at him.
"Will you be okay, Steve?"
"Sure."
Eddie sighs and looks up at the gate, disbelief and resignation and even a hint of fascination in his eyes.
"It should be you," he says, and Steve frowns, confused. "You're the hero here."
"No," Steve huffs, smiling at the metalhead. "No, I'm no hero. The real heroes are already up there, and in California. The real hero died after Starcourt. I'm just the driver who lost his license, the boy with the bat. The protector who needs to be protected."
Eddie looks at him again, that kind of intense stare, the one that shows Steve that Eddie sees something in him. He wonders what it is, but isn't sure he wants to know.
"I think you're wrong, Steve." He says it with such gentle conviction that it takes Steve's breath away for a second, and something passes between them as they hold each other's eyes.
Eddie opens his mouth to say something, but then–
"Eddie!" Dustin is calling for him from the other side, and the boys snap out of their daze.
Steve steps into Eddie's personal space and pulls him to his chest. "Make him pay," he says. "But stay safe. Come back, okay? First sign of danger, you abort mission. Come back, Eddie. I'll be right here."
"Yeah," Eddie rasps, and he squeezes Steve once more. "Catch me when I fall through that gate in two hours?"
Steve laughs, a sad little thing, and he pushes Eddie away from him, hands steady on his shoulders. "Sure, big boy."
"Hey, that's my part."
"Say it when you come back, then."
This thing passes between them again, and then Eddie goes to climb the rope. Steve's hands find their way to his hips, steadying him, but Eddie is strong enough to pull himself up without problem. Huh.
"In the meantime, wrap your head around the fact that you're the one I'm coming back for, pretty boy."
And then Eddie is gone. Steve watches as he falls through the gate, landing on the mattress with more elegance this time, and then he, too, grins down (or up?) at Steve.
He gives a little wave, and then he is alone.
Plenty of room to think when your friends have gone on a suicide mission and you're the one who has to stay behind. The one who will have to do the explaining when things go south. The one who will have to watch and listen, helpless.
It makes him regret the past few months, the self isolation, all the times he pulled back, all the times he didn't push for an explanation or a conversation, all the times he hadn't asked the kids if they're alright because he was too caught up in all the ways that he wasn't.
God, he wants them to be okay. He wants to talk about this, wants them to tell him he's more than the driver without a license, more than the protector who needs protecting. He wants Eddie to come back and explain what he meant, say what he wanted to say. He wants...
He wants his old life back. But more than that, he wants them in his new life just as much. He wants to be brave enough for this new life and find a new purpose. Create one if he can't find it.
But he can't do it alone. He refuses to do it alone even one day more.
"Come back to me," he whispers, looking up at the gate from where he's sitting on the floor, back against the wall. "Come on guys, you've got this. Please work. Please, make the plan work."
And then, miraculously, it does. Eddie falls into his arms with an undignified squeal and the rest of the Party soon follow. They're unscathed, miraculously, and Steve cries as he holds them, all of them, in a group hug that makes the trailer smell like relief and grief and a new life ahead of them. Slowly, with an unnatural sound, the gate above them closes, and then silence reigns.
They cling to him now. Refuse to let go. Good thing he has nowhere to go as Lucas gasps and sobs into his chest, explaining what happened, that Jason almost destroyed the walkman, that Max could have died. And Steve runs shaky hands through his hair, pulling in Max, too, so the three of them can just hold each other for a second.
Dustin and Eddie are hugging beside them, and Nancy and Robin hold hands, a different kind of horror in their eyes, but they smile wetly at Steve as their eyes meet.
It's over. It's done.
They did it. They really did it.
Steve closes his eyes and holds Lucas and Max tighter. They don't complain.
---
Three days later, Steve's house is brimming with life again like it hasn't in months. Turns out, Hopper survived, and he hugged Steve for a whole five minutes, telling him he did good, he did great, he's a hero. Again with that shit that Steve doesn't believe, but he doesn't have the heart to tell Hop, so he just buries deeper into their embrace.
"It's good you're alive," he tells him, and the Chief sobs out a laugh.
"You too, kid. This town would be lost without you."
"Yeah, right," Steve laughs back, and then that is that.
Except, it isn't, because when he returns to the living room with Hop, Joyce and El in tow, everyone's standing, looking at him with timid expressions. Robin and Eddie are holding hands this time, and so are all the kids. They all look like they have something to say, and the only thing missing is a large banner that says INTERVENTION.
"Uh, what's going on?"
Dustin is the first to clear his throat, but only after Erica kicks him. "We wanted to apologise. For leaving you when you needed us the most."
Oh. Steve's shaking his head, placating words already on the tip of his tongue, ready to explain to them how that's not their fault, how that was all him, he could have said something, he could have asked, he could have–
"Steve," Nancy says, effectively cutting off any protest he could have voiced. "Just listen, okay? Don't say anything."
He looks at Joyce, who nods, and Hopper who looks about as lost as he feels.
Dustin continues then. "You deserved better, Steve, you really, really did. We all did, I think, but you... You put yourself in harm's way from the get-go."
"Yeah, you came to protect me when you didn't even like me." Jonathan this time. "No thoughts, just protection. I owe my life to you. Every single one in this room does, y'know."
"And what you got for it is severe head trauma and... us abandoning you." Nancy.
"You're not just the driver, Steve. You never were just a driver to us." Hell, even Mike is in on this? "You're annoying, you suck, and you don't even try not to act like you're everyone's big brother."
"You're family, Steve." Oh, baby Byers. That's what gets his eyes stinging and his lip trembling, so he bites down on it so they won't have to see. It's futile with the way they're smiling.
"Yeah. You're so much more than our babysitter," Lucas explains. "You're the best basketball coach."
"You actually listen to my music and read comics with me," Max continues with a smile. "You suck just a little less than everyone else in this town."
"Hey!"
"No, she has a point."
Steve's not keeping up with the who's who anymore, he's trying too hard to keep it together.
"You teach me new words," El says, smiling. "You give me your clothes, you take me shopping, you teach me how to deal with meanies."
And the list goes on. Everyone has something to say to him, something beyond the ways he can be useful. Something that he is to them, something meaningful, something that sounds a lot like purpose and family.
"And we were so scared, because you were hurt. Because of us. You were protecting us, and look where it got you. You're a hero, Steve. As real as they get, you are one."
"More than Wonder Woman," Max agrees. "More than Superman. You're Steve! And that's... He’s our hero."
"He’s our brother," Dustin says.
"He’s my son," Joyce adds, taking his hand.
"He’s our friend," Erica, Mike and El say in unison.
“He’s the one we stay for.” Robin’s eyes shine as she smiles.
“And the one we come back for.” Eddie’s smile is gentle, confident, and captivating. Steve can’t look away, even through his own tears.
---
In the following months, Robin gets her license and Eddie develops a sixth sense for whenever Steve needs to just sit in a car and ride around town, watching the street lamps pass and letting them lull him to sleep. There’s an upside to being a passenger, he finds, because he falls asleep like this a few times, always waking when Eddie kills the engine. He drives for hours sometimes, admitting with a blush high on his cheeks that he didn’t want to wake Steve.
Somewhere on the highway to Indianapolis, between three and four in the morning, Steve looks at Eddie in the soft glow of the night, and finds that he’s fallen in love.
And in the weeks and months and years that follow, he realises that that’s something new he’s good at.
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somnimagus · 7 months
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My page for @kairizine. It was such a huge honor to be part of this wonderful book with everyone, I had so much fun!
[id in alt!]
#kingdom hearts#kh#kh kairi#kh xion#kh namine#i don't really feel proud of my own stuff usually but#i really think this is the drawing i'm most proud of from this past year!! it made me think 'oh maybe i can draw' haha#i'm still kinda bad with colors but something clicked with this one. and i feel like i got the sentimental feeling i wanted!#ooh but this project's about flower symbolism so ramble incoming:#protea symbolizes resilience transformation and diversity; hollyhock means 'please remember me.'#so my general theme was finding a sense of self.#these 3 have struggled with finding their own identity; they tend to get left behind both in-universe and in general plotwise#and naminé and xion both resemble kairi and were overshadowed by her memory. but i feel like all 3 have transformed into their own people#xion and naminé have their faces covered partially by hollyhock to show their wish to be remembered for who they are-#instead of the parts that they share with someone else#and the protea bouquets show how they each held on and resiliently grew into their own person despite it all#i put a little swervy path on the hill behind kairi to give that hopeful sense of growth and moving forward. it's a little hard to see#hopefully that makes sense! i really love symbolism but i think in visuals so i'm really bad with words#but gosh working with everyone on this project was so fun. it was like impossible not to get swept up by the team's hype for this zine#i need to hunt down everybody's work and rb it#ohh and everybody's flowers are so crisply drawn it's insane!! i think if i lined all these flowers and leaves i'd die haha#fan art#my art#project stuff
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ink-the-artist · 4 months
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holy shit I did NOT realize how popular my "I will remove my teeth, for I want to remain kind despite my anger" quote is. I just googled it for fun to see what would come up, a bunch of people are quoting it not knowing who its from, an artist called Kuma made an album titled that, so bizzare
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fear-no-mort · 6 months
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favourite thing: his new habit of saying uhuh/mhm and also this
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#the first time he did it in unmortricken i was like Fuck Yes and little did i know he would just keep doing it the whole time#DESPERATELY hoping they keep both of these things. i Love when characters have tiny little habits sprinkled in their actions#to me these things kinda sorta symbolise him no longer being afraid to really be himself#like he no longer has to hide certain things about himself that inside of the cfc wouldve made him appear ‘suspicious’#since he IS like so much different than any other morty ever#also barely related but like. em is fundamentally such a good character bc everytime we see him he’s feeling something different#in his first appearance he was cold and distant because at the time he was new to being free and was strictly focused on his goal and wasn’#even sure if it would work#in his second appearance he seemed hopeful and honest both of these things just being a trap to get the people of the citadel to trust him#and his old colder self unfurling near the end after he successfully becomes president#in his third appearance he seems giddy almost. he’s constantly giggling before and after sentences and he’s super eager to just Get The Hel#Out. and also to reveal the truth to morty prime. make it so that he doesn’t have to be the one to shoulder everything anymore.#and this fourth appearance. apart from a few little details he really just seems happy and comfortable. the entire episode he was just doin#whatever he wanted and nobody got in his way at all. and i could not be happier#normal about this character!#rick and morty#evil morty#rick and morty spoilers#odiespeak
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uncanny-tranny · 4 months
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If somebody in your life offers to knit or crochet or, really, create anything for you, please be an active participant in the creation of the piece they are making. I adore making and gifting things, but nothing bums me out quicker than a person who passively just goes "okay," to my ideas about what I'm making them - it can send the message that they won't like it, or that they don't care, even if they're happy about my offering. The back-and-forth feedback is a great way to make sure that you are being gifted something that was truly worth the time, effort, expertise, and money that will inevitably go into the gift!
I know it's really hard to be an active participant, believe me, I'm an anxious ball of horror, but it will only do good for both parties to interact in this situation. It is a big deal to be offered a hand-crafted gift, but it's also something we want you to love and use, and that can only happen if you tell us what would make you fall in love with what we create.
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chirpsythismorning · 1 year
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Thinking about the what if El was never interested in Mike romantically, she just assumed she was discourse on the tag today and how it's very possible what could make El fully realize this, is when in s5 she see's Will's love for Mike in real time, for the first time, and she's just like damn! That is not me!
#byler#no but arguably that already happened..#remember that! you're the heart#el listening: you're the what now?? im sorry but that's corny as hell. could not be me!#i feel like this could be how el confronts will in s5 about lying to mike#i think it's interesting they had that talk with will and el about her lying to him with will calling her out#if to not circle back to it in some way for her to be like hypocrite much?#tho i doubt that's how it would happen#i have a feeling el is going to understand in will's case in contrast to her and mike's argument#like will and el are siblings so yeah they fight#but i just get the feeling she's going to sense something is up with them (already does)#and something big will happen and i feel like she's going to see the truth before they're able to#and i think will is probably going to realize last because he really does not think it could ever happen now#and also because of el i think will would feel like its wrong unless he was confident she would be okay with it#so i could totally see will not allowing himself to be happy in that sense even if he realized mike could return his feelings#but by then mike's already made his peace with el and they're good#UGHHGHHG s5 arrive now!#no but isn't it kind of side eye that they've never shown us el be confronted with mike and wills friendship at all?#like in s1 and s3 at the end Mike mentions will in his plans with el#and that's about where it ends#we have not seen her exposed to their dynamic and like reacting to it before#UNTIL THE END OF S4!!!
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poorly-drawn-mdzs · 8 months
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Cultivator and Lawyer, Elle Woods (& Her spiritual dog Bruiser)!
Part 2 (soon)
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seagull-scribbles · 9 months
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“Ain’t turtles supposed to be endangered?”
“Only the ones who can’t do this!”
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haunted-xander · 2 months
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Shadowbringers is about learning how to live.
Your enemy is stasis- everything and everyone is stagnant, they wait and wait for something to happen, but don't do anything to make it so (because the ones who tried before failed, because they don't know what to do/how to do it). People don't change, they don't try, not really. The crystarium is doing well, it's independent and sustainable, but it doesn't have the reach or power to do much outside of Lakeland. The Exarch is more-or-less confined to the city (because of the tower, because he's waiting for you), so even if he had power elsewhere, he'd be limited with how much he, personally, can do.
Eulemore is filled with mindless indulgence, there's no hardships or labour or anything but luxury for the free citizens, and the bonded only have to worry about fulfilling the task(s) they were brought for. The outside world doesn't matter, hard work doesn't matter, personal fulfillment beyond indulgence doesn't matter, everything exist solely in the moment. The people out in Kholusia have pretty much given up, they stay close to the city in the hopes that this time they will be picked, this time they will be saved. They wait and wait and do nothing but wait. The ones who try to live on are dying out or eventually give up and join the rest in waiting.
Ahm Areang, Rak'tika, even Il Mheg are all just waiting for something, anything to happen. They go day to day, surviving simply because it's all they can. Nothing changes.
Until, of course, you should up. You, who causes a ripple of change simply by existing, who can move the immovable by sheer will. You showed them that things can change, that things can, and will happen, if they just try. You show them that they can make things better, that there is an option besides waiting for a slow death, if they'd just grab fate by the neck and tell it "No. We are doing this my way".
And they do. They rally up together and do what they thought impossible. Not all their efforts succeed(not immediately), but they tried. They tried, they failed, and they got up and tried again and again until it did work. They take the chances, not knowing how it'll turn out (because it's not about whether it fails or succeeds, it's about having tried).
They learn how to try, little by little, and every step they learn what it means to really live.
Endwalker is about learning how to love life.
Your enemy is nihilism- the idea that nothing matters, that there is no real joy to be found that isn't snuffed out by misery. A concept that denounces greys in favor of a black-and-white view where black is all encompassing. Everywhere you go, people are doing what they can to survive, but refuses (or maybe are afraid to, or maybe never knew they could) try to actually save themselves. The Forum plans for escape, to leave their homeworld behind and take whatever they can afford. They will live on, but they won't be saved, no one is saved(and even with escape they aren't safe, Despair is everywhere and She will not stop until all has become Nothing).
The Loporrits love Etheirys, but in the way Winter loves Spring. They know about it, they are so close to it, but they are distant. They're strangers, they've never met. It's love, and it's pure and true, but it's also just love. It's surface-level(because the surface is all they had). Their love is pure but it's instinctual. Programmed. They love because they don't know how to not love. They want to save it's people, save us, but they don't know what it really means to save, so they create refuge instead(because that's what She told them to, because this is how love works for them).
The people of Garlemald are terrified, they are victims of extreme indoctrination, the (deserved) push-back their army got proved them "right"(that we are savage beasts to fear, that they are but prey in the maws of rabid dogs). They want to be build-up again, but what's left for them now? The world hates them(and it's all their fault, the ones who see past the propaganda know this, but who will listen to them?) and they are dying. It's so cold and the fuel is running out. They won't accept help, because they've been filled with the idea that there is no such thing as pure kindness from "savages"(and they are too prideful to question it, to break apart from the illusion that they are surperior, because they're terrified to face the truth).
The sky screams, the earth wheeps and the foundation of existence is overtaken by Despair, misery is around every corner and who knows what will happen now? Where do we go? What do we do? We live and live but for what?
What's the point of it all?
That's the question, and the answer is everything. We live because there is joy to be found. Because there is beauty in the world. Because there are stars in the sky. Because flowers bloom in spring. Because cats purr. Because waves crash against the shore. Because of every single little thing we can see, hear or feel. Because we love and are loved. Because there are things to do and discover. Because why not?
And you tell them this, by letting them see that there is more to life than the little they have seen. The Forum has closed it's eyes to anything but it's own kith and kin, everything outside of Old Sharlayan is irrelevant(non-intervention, always non-intervention) and it takes the entire world coming and telling them "We are here. We are alive, and we will make tomorrow happen." for them to realize they have slowly been killing themselves and what they stand for(you pride yourself on knowledge, but where is your wisdom? What do you truly know of things outside your own bubble? You do not know that which is lived because you refuse to aknowledge anything but the written word).
The Loporrits see Etheirys itself, they experience it's corners and valleys and learn what love can really be. They want to save it, truly save it, because they love and this time it's informed, it's personal(I love you, I love you, and I want you to know I love your loves too).
In Garlemald everything is slow, unsteady and complicated, but it's changing. They're changing. With every person who accepts help the illusion of supremacy and "purity" melts away just a bit, and the wall standing between them and us breaks a little(it will never vanish completely, years upon years of oppression and subjugation and conquest don't disappear like that, but it's a start).
Shadobringers is about learning how to live, but Endwalker is about learning how to love life.
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staliaqueen · 19 days
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Mal's Avatar: The Last Airbender rewatch: The Siege of the North, Part Two 1.20
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seance · 7 months
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I'M GONNA SEE MY MAN, 'TIL I GET SATISFIED / for @izzy-hands
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