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#thoughts about movies
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Just had a random thought. While thinking about the “Indiana Jones” original trilogy, I’ve developed a sort of newfound appreciation for the casting of Harrison Ford. My thoughts haven’t necessarily changed on this character, I still think Indy is fun but not that complex of a character, it’s just that now I imagine casting the character wasn’t the easiest thing in the world.
What Indy lacks in complexity, he makes up for sheer leading man charisma. This is a role where you absolutely need someone who can be able to act without saying anything. Because Indy has to be both:
1) convincing as an Everyman protagonist, in that he’s vulnerable and relatable enough that you can convince the audience that he’s not superhuman and is just a regular guy.
2) the coolest man who has ever lived. Someone who can walk into frame and exude “Yeah, I’m that guy” energy.
Harrison Ford really did have that level of charisma where he can be relatable and vulnerable enough to convince you he’s the underdog, but also make you think he’s the coolest person ever. I’ve tried imagining some other leading actors in the role and, honestly, it makes you realize that Indiana as a character needs more than just a handsome leading man.
Arnold Schwarzenegger wouldn’t have been able to convince you he’s an Everyman protagonist. Sylvester Stallone is better at playing more vulnerable, complicated characters like Rambo and Rocky. Michael Biehn is good at the underdog role, but not necessarily at being the cool guy. Keanu Reeves, while I love the guy to death, is too wooden to be the charming, cool guy (he’s better off at comedy and darker roles anyways). Kurt Russell and Clint Eastwood were close, but I think they’re better off at being action hero badasses. Bruce Willis, I think he’s similar to Keanu in that he’s better off at comedy and darker roles (even his most famous action movie role as John McClane just shows he excels in being comedic, not necessarily being the cool guy).
The actors who I felt could’ve done Indiana Jones justice, aside from Harrison Ford, were Tom Cruise, Brad Pitt, Denzel Washington, and Charlie Cox (Daredevil convinced me he could be the Everyman protagonist, She-Hulk convinced me he could pull off the cool guy role). And, if South Korea made the Indiana Jones movies, Won Bin came to mind.
EDIT: I just realized. Pedro Pascal! Just imagine a combination of Din Djarin, Joel Miller and Oberyn Martell.
I think “roguish charm” is what I’m getting at here. It’s actually quite hard to pull off the more I thought about it. For example, while I like David Harbour and his character of Jim Hopper, I don’t think Harbour can pull off roguish charm. I think that’s why Hopper came off so hostile and combative in Stranger Things season 3; Duffer Bros wrote him as Indiana Jones-like, but the end result was more off-putting than charming. As another bad example; Sean Penn in the movie “Shanghai Surprise”. That’s probably the worst example at an attempt at roguish charm.
Anyways, I’m curious. Which actor do you think could’ve pulled this role off convincingly?
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twilight-zoned-out · 9 months
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Some things about Allan:
He’s the only one who reacts to the narrator
He’s the only doll (besides the Weird House) who isn’t swayed in some way by Ken’s takeover
He also declares himself as “Ken's buddy" (making canon his official box description) which makes his inability to be swayed more interesting
He has bendable legs (probably the only reason he tries to jump the fence instead of going around like everyone else)
He easily decked a half-dozen construction Kens and could probably singlehandedly win the Ken fight
He seems to know more about the real world than most Barbies
He knows what NSYNC is 
He knows about other Allan copies living in the real world (I’m trying to figure out if he made this up to convince the humans he can live in the real world, but even if he did, how does he know what NSYNC is???)
There are no other Allan models
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peridot-tears · 9 months
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Truths that Co-Exist
Barbie (2023) is a giant product placement that profits off nostalgia.
The writing is profound and life-changing and understands why we seek nostalgia in a way most nostalgia-driven entertainment doesn’t.
The film is self-aware about how even now, Barbie dolls set incredibly unrealistic beauty standards. Their “body diversity” does not even scratch the surface of what that phrase really means. I don’t expect this to change.
The film still made a beautiful statement with the scene on the bench about how societal beauty standards are narrow and restrictive! And that beauty comes from experiencing life and the marks it leaves on you!
Its feminist statements are validating. Many of us see our reality onscreen, and the great thing is that it includes how cishet men fall down a pipeline of toxic hypermasculinity. It also shows the solution, and allows men to express themselves despite what society expects them to be.
The film is a capitalist venture.
The cast (aside from the leads) and crew were probably overworked and severely underpaid during filmmaking.
We can still appreciate that something fun was made, and we all made another wonderful memory where we and our loved ones went to the movies color-matching in pink.
We should not feel guilty about seeing ourselves in this film.
Meanwhile, support the WGA and SAG-Aftra strike.
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#selfie bee#good evening friends!! how are you doing! C:#I'm very very sleepy I got a new ikea office chair and I build it all myself#I think it went okay! I don't think I pulled the back screw tight enough and now the back is a bit loose#I can probably fix it but I can also ignore it for the next 18 years#thats how long the old chair held up!! in germany it could now drink vodka and drive a car!!#not at the same time that is illegal! not at the same time!! (❁´▽`❁)*✲゚*#but the day is not over yet my uncle asked me for a big art quest and I do not want to disappoint#he wants a muppet tattoo and asked me to draw it#my uncle has started to get tattoos a few months ago#as far as I know he has now gotten 3 note clefs 3 stars a flower and multiple birds#he also started getting piercings but so far I managed not to know exactly where#I think tattoos are super cool (´。・v・。`) I wish I had a good idea for a tattoo but the last time I was very sure about getting a tattoo#it was heath ledgers face as the joker#at that point I was 12 and would not see the actual movie for two more years#a muppet tattoo is a way better idea!! he asked for the count van count! that is also one of my top 3 muppets ₍՞◌′ᵕ‵ू◌₎♡#I always thought I knew a lot about muppet lore but since I started looking up muppet pictures I think there are still a lot of secrets#can the muppets from the Sesame Street actually leave the Sesame Street?#I think Kermit is both on the Muppet Show and on Sesame Street but he is also like the boss muppet#he might have special abilities#I hope you're having a good day friends!! C:#I think I'll post a Sherlock comic later this week#miss you!! ♥♥♥
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linddzz · 9 months
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Thinking about Weird Barbie and how she's the very obviously queer outsider of the Barbie world, she straddles the lines between Barbie and the Real World. She's the most aware of the performative nature of it all. She supports Barbie while also gently mocking her panic at losing the hyperfeminine perfection. Her weird house is also home to the discontinued reject weird Barbies, the outcasts (including very gay earring Ken) who never fell into either the original matriarchy or the Kentriarchy brainwashing.
The other more classically heteronormative and beautiful Barbies both pity and fear her, and at first the narrative pities her as well. She's the vessel of girls going weird and crazy and feral on their dolls and that's amazing. Weird Barbie is aware of who she is and how the world sees her and she loves it. She's Weird Barbie and She Owns It.
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fictionadventurer · 1 year
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Pop culture reduces It's a Wonderful Life to that last half hour, and thinks the whole thing is about this guy traveling to an alternate universe where he doesn't exist and a little girl saying, "Every time a bell rings, an angel gets its wings." A hokey, sugary fantasy. A light and fluffy story fit for Hallmark movies.
But this reading completely glosses over the fact that George Bailey is actively suicidal. He's not just standing there moping about, "My friends don't like me," like some characters do in shows that try to adapt this conceit to other settings. George's life has been destroyed. He's bankrupt and facing prison. The lifetime of struggle we've been watching for the last two hours has accomplished nothing but this crushing defeat, and he honestly believes that the best thing he can do is kill himself because he's worth more dead than alive. He would have thrown himself from a bridge had an actual angel from heaven not intervened at the last possible moment.
That's dark. The banker villain that pop culture reduces to a cartoon purposely drove a man to the brink of suicide, which only a miracle pulled him back from. And then George Bailey goes even deeper into despair. He not only believes that his future's not worth living, but that his past wasn't worth living. He thinks that every suffering he endured, every piece of good that he tried to do was not only pointless, but actively harmful, and he and the world would be better off if he had never existed at all.
This is the context that leads to the famed alternate universe of a million pastiches, and it's absolutely vital to understanding the world that George finds. It's there to specifically show him that his despondent views about his effect on the universe are wrong. His bum ear kept him from serving his country in the war--but the act that gave him that injury was what allowed his brother to grow up to become a war hero. His fight against Potter's domination of the town felt like useless tiny battles in a war that could never be won--but it turns out that even the act of fighting was enough to save the town from falling into hopeless slavery. He thought that if it weren't for him, his wife would have married Sam Wainwright and had a life of ease and luxury as a millionaire's wife, instead of suffering a painful life of penny-pinching with him. Finding out that she'd have been a spinster isn't, "Ha ha, she'd have been pathetic without you." It's showing him that she never loved Wainwright enough to marry him, and that George's existence didn't stop her from having a happier life, but saved her from having a sadder one. Everywhere he turns, he finds out that his existence wasn't a mistake, that his struggles and sufferings did accomplish something, that his painful existence wasn't a tragedy but a gift to the people around him.
Only when he realizes this does he get to come back home in wild joy over the gift of his existence. The scenes of hope and joy and love only exist because of the two hours of struggle and despair that came before. Even Zuzu's saccharine line about bells and angel wings exists, not as a sugary proverb, but as a climax to Clarence's story--showing that even George's despair had good effect, and that his newfound thankfulness for life causes not only earthly, but heavenly joy.
If this movie has light and hope, it's not because it exists in some fantasy world where everything is sunshine and rainbows, but because it fights tooth and nail to scrape every bit of hope it can from our all too dark and painful world. The light here exists, not because it ignores the dark, but because the dark makes light more precious and meaningful. The light exists in defiance of the dark, the hope in defiance of despair, and there is nothing saccharine about that. It's just about as realistic as it gets.
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yooo-lets-go · 5 months
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Blade Runner 2049 ghostsoap anyone?
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shoutmon1v1 · 2 years
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The first part of the Mario Bros movie trailer with no context
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beaulesbian · 10 months
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- [Nimona]:You should be questioning everything right now. The will of Gloreth, the Institute, the wall. What's it all really for? - [Ballister]: For protecting the realm. - [Nimona]: Oh, you mean from villains like you? Or monsters like me?
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forever obsessed with dynamics between vampires, specifically that of a maker and fledgling, as a way to explore abuse. the creation of a vampire itself can so easily be a literalization of the lasting impacts of trauma and also much more simply the ways a perpetrator might shape their victim’s very identity. the extremes of isolation in the way that the new vampire, in most narratives, must cut all ties to their mortal life, or else go through an elaborate charade to maintain the facade of humanity, while forever still being removed from it. and the sheer dependence and vulnerability of being in an entirely new state of being, wholly uncertain of what it entails, and relying on another person to define… everything.
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felsicveins · 4 months
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I'm so lonesome all the time
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Some sweet day
Gonna take away
This hurting inside
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novaneondream · 9 months
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Buginette ❤️
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pherre · 10 months
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reunion
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21cha · 3 months
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Head empty, only Kraang!Raph
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frm9pm · 5 months
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My wife and I were walking around the city and when we saw a dumbledore poster we immediately turned to each other and made this hand gesture LOL
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marisatomay · 2 years
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so cool that fanfiction won anne rice’s war on fanfiction
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