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#timeline    »     it all means too much.  but it is all the same.
orbital-inclination · 19 hours
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Moltendreams - Error Sans Alias - ??? Pronouns: he/him, they/them Personality: Petty, holds a mean grudge, Big Tsundere, Complete Shut-in, Quick Tempered and Moody, fanatic with his interests, externally aggressive when in actuality he is quite shy. An absolute troll. His favorite passtime is messing with others. Paradoxically touch starved and suffers from haphephobia. Reckless with his own well being.
This variant of Error is capable of both love and compassion, he just hides it under a grumpy exterior and several layers of denial and self-destructive dogma. Other Notes:
He is reluctant to harm Papyrus directly, and will generally avoid encounters with him in any given AU.
Had a good relationship with his dad/W.D Gaster, actually.
Relates to "pest" pets; rats, mice, snakes, spiders, beetles, he loves them all.
Would have a pet rat of his own if he wasn't afraid of it shocking itself by chewing on his wires.
His favorite kind of chocolate is mixed with a hazelnut filling.
Considers Frisk to be a younger sibling.
-More Info undercut! -
Abilities: Error uses wire instead of string. Wire and summoned attacks can and do hold an electric charge. His presence alone messes with electronic devices. Residents of a particular AU may get a few minutes or seconds of warning as sweaters get staticy, computer screens glitch out, and anything with a battery spontaneously dies or gets super charged. By creating a circle of alternating RED and CYAN bones, Error can create a sort of reverse faraday cage. While Error can produce electricity, he can't directly control the voltage. He can only hope to direct it. If you do touch him, you will find his clothes zappy with static. Do NOT attempt to fight him in humid or watery environments for, hopefully, obvious reasons.
About: Fed up with the anomaly's time looping shenanigans and watching his family torn apart, Sans injected himself with modified DETERMINATION magic and began messing with things he really had no business messing with: his late father's research, all in the hope of separating the anomaly from Frisk. He wanted to save the kid too. But something went catastrophically wrong and as a result he was ripped from reality, and caught in the space in-between. Eventually, he escaped but not unscathed. Error doesn't remember much, he doesn't remember the events described above, at all, but has vague memories of Papyrus, Frisk and his father. They were good memories. He misses them. He can't find his original AU and secretly fears it may have been the first world he destroyed.
He is still looking for it.
Outcode Politics: Error views all outcodes the same way he views every iteration of the original timeline that even slightly deviates: as glitches to be terminated. Bugs in the code he needs to hammer out before it all goes to hell. Error believes that by destroying deviating timelines and AUs, he is preserving the original. He is “saving’’ it by trimming the branches back. Despite his position as the self proclaimed Destroyer, Error is not above biases and making exceptions. 
Error believes he is one of the glitches in the code that must be destroyed, but he won’t let just anyone dust him for good. Ultimately, he wants someone in his family to do it. That is, if he can find them first. Error has a different view on the Spirits of Creation that Fable/Ink does. (Spirits of Creation are in-universe term and stand-in for the creator of an AU). He calls them eldritch parasites. Abominations that should be avoided at all costs. And absolutely should not be encouraged or interacted with. Though he won't admit it out loud, Error is terrified of them. OG Error @.LoverofPiggies/CrayonQueen) Moltendreams @.me
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milk-ly · 1 day
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Kotoko and her connection to Dante’s Inferno’s Satan
Disclaimer: This is just about symbolism and I know how it sounds but I promise I’m not trying to imply anything or demonize her! I love Kotoko! Ive just been repeatedly noticing details about the parallel for several months now and I just really want to bring it up! This is just an analysis of the details MILGRAM has provided for it. I’m incredibly sorry if I make a mistake!
Kotoko has a lot of parallels to Dante’s Inferno Satan, especially in relation to Es.
To make sure we’re all on the same page, Dante’s Inferno is a Christian poem that outlines the 9 circles of hell. MILGRAM directly references Dante’s Inferno by quoting it in all the t2 door arts.
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“Abandon all hope, ye who enter.” A quote derived from a sign at the gate of hell in the poem.
Each ring of Hell contains sinners with different levels of sins, and each ring’s sin was meant to be worse the further inside you go. Ive seen a couple theories that each prisoner correlates with a specific ring of hell. (Ex: Haruka is ring 1, Limbo; Yuno is ring 2, lust; etc)
But Dante’s Inferno only outlines 9 rings, what about our 10th prisoner, Kotoko?
While it could be that she’s again the “outsider” to the other prisoners, the last section of the 9th ring of Hell is significant because it is the center of Hell, containing Satan. So it could be reasonably argued that Kotoko correlates with it.
MILGRAM already has a TON of religious references. One that I’ve seen pointed out is how it seems the cover art of each novel is a reference to a famous Christian art piece.
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The Es in each novel seems to be where Jesus relatively is. Remember that Jesus is both the son of God AND God. God gives sinners their judgements which sounds very similar to Es and how they're giving the prisoners (the human sinners) their verdicts.
Plus, the quote Milgram quotes is on the doors the prisoners are entering, and in Dante’s inferno, it’s on the gate of hell so you can compare or theorize that MILGRAM is a parallel to (or straight up is) purgatory. And Es, being the one who decides the verdict, parallels God.
Also, her t2 VD is named “YONAH,” which is the masculine version of the name Jonah. Not only does this relate to her themes of masculinity again, Jonah is a name that originates from Hebrew origins which means “dove.”
It is also a reference to the book of Jonah. A main theme of this book is “Jonah wants God to operate on his timeline [...] He wanted God to dole out punishment on his clock instead of according to God's plan. Yet God showed Jonah that in his infinite wisdom, he can't and will not be rushed.” Which is pretty much exactly what happens in YONAH, and also once again compares Es to God.
Dante’s Inferno’s Satan was an angel, a splendid being, apparently the most perfect of God's creatures… an “Angel of light.” We/Es deemed Kotoko innocent in t1. She had the highest innocent percentage in t1 too because a lot of people thought her murder was justified. You know, the most perfect of God’s creatures. The most perfect out of the prisoners.
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“We really can work together.”
But then Satan tried to usurp God.
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“If you don’t have the strength on your own, let me take care of it. Es! I can do it in MILGRAM!”
Kotoko wants to be the prison guard because Es isn’t capable in her eyes.
Satan was ultimately sent to Hell and punished as "the ultimate sinner" for his betrayal of trying to usurp God.
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We are now punishing Kotoko for her attempts to judge the prisoners herself and “usurp” Es. It works even better now that she has the highest guilty percentage in all of MILGRAM so far as the “ultimate sinner.”
As a lot know, Fuuta also has tons of religious references too. (Ex. His VD is titled Baptism by Fire) By him also passing judgements onto people, you could say that he was trying to play God.
What is that saying about us, the audience, then? And our parallel/foil to Fuuta/Kotoko?
Dante’s Inferno as a whole is very much based around the idea of “evil will be punished,” which not only encapsulates Kotoko’s ideals but MILGRAM’s as well. It makes sense that MILGRAM says that Kotoko is a perfect parallel to the facility.
(I also wanna mention that there's something that could be said about the holy trinity in relation to Es + the audience + jackalope. For example, how Jesus is God in the flesh and Es is the audience "in the flesh," by acting as a personified version of us to interact with the "human sinnners" but I feel like I might be going into tinfoil hat territory.)
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nihilnovisubsole · 17 hours
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Because of your latest post: not sure if you’ve answered this before, but how does someone even entertain the idea of writing for the game dev industry? Did you start out on indie games or just write before and show them your work? Since it’s such a subjective field etc
if i have, it bears repeating! here's a rough timeline of what i did. never discount the value of luck and the kindness of friends
2016: i was doing a random freelance transcription job when i saw @theivorytowercrumbles post about writing for voltage. they reblogged the studio's open casting call for new writers. since it was so lenient - no experience, fanfic samples allowed - i applied. they hired me for their new project, but let me go after a trial period, citing that the tone of my writing was a bad fit for that game. i foundered for a while after that. i don't take rejection well. i started dangerous crowns to try to make money from writing some other way.
2017: one of voltage's producers reached out to me and said they'd started another project that i was a good fit for. she felt letting me go was a mistake and wanted to snap me back up. i said yes, i mean, are you kidding? so i started on reiner's route.
2018-2019: i kept at it. i took on diego's route. it occurred to me that i wasn't making very much money, but i liked my coworkers, and i was building my portfolio, so who cared? i also finished dangerous crowns, and a handful of people bought it, but certainly not enough to support myself or anything.
early 2020: between the pay and creative differences with voltage's team, it started to sink in that i needed to find other work. i applied to the few open game writer jobs i could find, but with only mobile romance in my portfolio, i got nowhere. i threw in dangerous crowns samples. i tried to network on twitter. i still never made it to the interview phase. i foundered for a while again.
late 2020: the voltage writers went on strike. i gave a statement to a journalist that one of obsidian's narrative designers noticed. we became acquaintances over it. another old friend of mine threw me a life raft in the form of a different contract, better paying, on a non-romance indie game. i took it gladly. i added a twine game to my portfolio, too. i kept applying. i got a few interviews, but something still didn't click.
2021: i finally accepted that i needed formal help. i did a portfolio workshop. i got resume coaching. the coach passed my name to a writer on the company of heroes team. they liked me! they also paid me more money than i'd ever seen in my life. at the same time, obsidian advertised a narrative job opening. i applied on a lark and let my ND pal know i was doing so. why not, right? college-new-vegas-fan me would want me to. they rejected me, but not before i passed their writing test and two interviews. i had nothing to lose at that point, so i told my ND pal that i was bummed. she gave me a golden piece of advice: "you came really close. try again."
2022: obsidian had another narrative opening. i threw myself at it. i was now going to annoy them into hiring me. since i was a known quantity from applying six months before, they had no qualms about interviewing me again. this time, it worked out, and i've been there ever since.
what's the common denominator here? i met people who thought i was all right and gave me a hand up when i needed it. the standard advice is to work with a community of your peers instead of trying to get your heroes to senpai-notice you. it's not that they don't care - they just have their own thing going on, and your peers could be the heroes of tomorrow if the right project comes along. i also found the portfolio was the end-all-be-all when it came to job hunting. i went through a grieving process with that! i'm not afraid to admit it. i wish studios had held my degree or dangerous crowns in higher regard, but i just had to make games in a wider variety of genres, and that was that.
one caveat: narrative is a really saturated field right now. a lot of people want to write, and there aren't many openings. it's not uncommon for big studios to get hundreds of applicants. larian probably got over a thousand for the job they posted recently. i feel awful saying that, because i don't want to discourage you, but i'd feel worse if i didn't let you know what you were getting into. if it's something you want, you should try! keep an open mind about the random projects you may find. you never know where they'll take you.
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nexa00x · 2 days
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Hellooo, this is a Tokyo Rev ask and I was really interested in the Mikey post u made abt him as a bf realistically since canonically he’s one of the top worst. So i was wondering, what do you think of Keisuke Baji taking number 1 place as best lover? 👀
Hello! Baji is an angel despite his wild personality. I see him as a watchdog, like in that panel in the last timeline when Takemichi meets Mikey and acts like a puppy. He's not interested in a relationship right now, but that doesn't mean he's immune to falling in love or anything.
After doing this, he probably be that guy who stands silently next to his crush in class while blushing, but his scary face makes your subconscious ignore that he's turning red as a tomato. He will probably try 10 times harder to be a good student to impress his crush.
He gets upset with himself when you find out he's in a gang, he thinks it will push you away (it would push me away, but it depends on the person).
He is faithful, either you betray him or one of you stops loving the other, because only then will the love relationship with him end. I feel like he wouldn't want you to get hurt in any way, so he's always tried to hide that he's in a gang to avoid getting in trouble.
Someone like Baji, who despite being aggressive is at the same time affectionate in his own way, and who is willing to do things that many people wouldn't do like suicide is proof that he is not only a good boyfriend, but also a good friend ...actually he's good at everything.
You probably met him thanks to stray animals, or you always fed them or you always went to their pet store. He would probably arrive talking to you about cats and the conversation would flow. Every day you went there to feed the cats and he does that too, not because of you, but because of the cats. But over time it becomes attached to you and ends up appearing there for both you and the cats.
He's the type to behave like an older brother. He doesn't get jealous, he just gets suspicious when someone approaches you. As already stated in the character's book, Baji prefers to resort to violence and before a conversation, this wouldn't change much when you were dating; If he feels like hitting someone who takes up a lot of his time, just prepare your emergency kit to take care of the person he hits later.
I see him declaring himself on an important day like Valentine's Day, Christmas or New Year's, his declaration would have been 100% his and 50% Chifuyu and Ryusei's advice. Baji, like Chifuyu, reads manga, I don't remember if it was here which category he reads, but I'm sure he was inspired by it...
Obviously everything would go wrong. Some delinquent behind him trying to fight, or him simply having brain problems because he forgot what he was going to say. In the end he was only able to declare himself even in serious moments, like moments of near death where he said something like:
"don't give up on me yet, damn it! I haven't even had time to tell you how I feel!"
That alone would be enough for days later for you to talk and resolve the matter and he would simply have to say everything. But that would take years...Baji is a man of steps when it comes to love.
First step would be trust, second would be time, third would be moments together, fourth would be denial of feelings towards you, fifth would be denial and disgust at himself for having these feelings for you, sixth would finally be acceptance of his feelings for you, seventh would be his mental adaptation to all of this, eighth would be gathering courage, and ninth would finally be his declaration. But make no mistake, each stage takes time, in the end only the fourth stage would take a few years.
Baji isn't the physical type either, in fact most Asians aren't very into physical affection. But a hug from him wouldn't bother him, just raise a question in his head.
Him trying hard not to see his mother cry, killing himself for Kazutora is proof that this man would do whatever he could to keep you happy.
He would probably, like Draken, neglect you. the only way to have a perfect relationship with him is to be like him, wild and involved with Toman. Not only would it bring you closer together, but it wouldn't leave you as attention-hungry as our poor Emma.🥺
And these are my thoughts on Baji, if there is anyone with other opinions please let me know, I like talking about it. each person has a different point of view. I was never very close to him, so I only remember a few things...
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teecupangel · 17 hours
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I had an idea for an Altaïr that accepted Al Mualim’s teachings and became his true successor after he dies, basically keeping Masyaf the same after his death with the apple. What would happen if a reincarnated Desmond just appeared in Masyaf one day? I was thinking of Altdes but like super Yandere Altaïr
You wanna make it all the more morally questionable?
Altaïr finished what Al Mualim failed to do.
He managed to use the Apple to control everyone in Masyaf.
When Desmond is transported into the past, Altaïr had already gotten to Saladin and is slowly getting the men King Richard trusts the most under his command.
Desmond was reborn as a nobody in this land… is what he would like to say.
Unfortunately…
Or maybe fortunately?
He was reborn as Jalāl al-Dīn Ḥasan III, the only son of imam of Alamut.
Meaning he’s 22 years old younger than Altaïr…
He was kept in the harem as a child and it was hard to run away from an entire castle filled with Assassins who knew their little prince liked to run away.
He had only met Altaïr once when he was growing up, being able to take peek even after his father ordered him to stay in his room while the mentor of Masyaf was visiting.
He had been sixteen years old.
And Altaïr looked just as handsome as he remembered.
Their eyes met and there was something in his eyes that made Desmond feel… something.
Something both enticing and… dangerous.
One of the Assassins saw him and escorted him back to his room before his father found out.
The following day, his father asked for him and he had been worried that he learned of Desmond sneaking in last night.
Instead, he ordered Desmond to show Altaïr around Alamut which he agreed easily to.
Altaïr’s stay in Alamut was short and Desmond savored every moment of it. He was a bit different from Desmond’s image of him.
More open in his curiosity of Alamut and…
Of Desmond himself.
He knew that Altaïr already had two sons by now.
But Altaïr laughed when Desmond asked about his wife.
He didn’t have a wife.
Desmond thought he was joking.
So Altaïr explained…
His sons’ mother was not married to him. She did him a ‘favor’. In exchange, he ‘assisted’ her in taking over the Templar Order. It’’s because of their ‘trade’ that Altaïr was able to secure an alliance with the newly reformed Templar Order.
Something was wrong.
Desmond has no idea why the timeline was this skewered. He sure as hell knew it wasn’t him.
It couldn’t be him.
He had been too young when Altaïr became a mentor to do anything even when he wanted to.
So he had to find out what happened to change the ‘past’ this much.
And the fact that he knew that there was something between them, something simmering under the surface with each graze of the back of their hands, of each brief touch on the arm, the shoulder, and back…
There was something between them that Desmond knew he was powerless to stop.
He didn’t want to stop.
So he asked his father if he could stay in Masyaf for a while, be some kind liaison or something.
He had been surprised when his father said yes.
He should have questioned it.
Instead…
He was just glad that he could stay with Altaïr longer.
.
[Why are you bringing that child?]
“Jealous?”
[You do not need that child.]
“He’s not a child, is he? He doesn’t feel like one.”
[He knows nothing.]
“No one does. Only we know how this past must become to pave way to a better future. Is he not part of your Calculations?”
[He is inconsequential.]
“Then it doesn’t matter if I have him then if that’s true.”
[…]
“He sounds a lot like you. But he’s more… not innocent. No. That’s not the right word… ‘mortal’.”
[Altaïr, do not forget your pact with me.]
“I prefer to call it our vows but what do I know? I am but the first of your many, aren’t I? But he… he’s mine and mine alone.”
[Do not let him distract you.]
“When have I ever failed you? I know what he is. I can see it in his glow. He’s like you… he is you, isn’t he?”
[…]
“Is he my reward for being your loyal puppet king, my dear Reader? Or is he an anomaly I can do as I please?”
[… do as you wish but do not forget who you belong to, Altaïr Ibn-La'Ahad.]
“I belong to you but you do not belong to me. But he… Desmond. He will be mine.”
Altaïr stared at the Apple on his table.
The Apple glowed dimly.
[Fine. Do as you wish.]
“I will.” Altaïr tapped the Apple, letting it roll an inch away from him, “Relax, my dear Reader. Aren’t you curious?”
“Who decided to place your human self here in our fixed past?”
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justsigma-bsd · 1 day
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A Blank Page, Torn From A Book Without Name
Well, I ended up trying to put the word salad in my head into actual, coherent words after all.
First of all, everything here is just my take on things. The theories and thoughts I've had on certain things. I don't think any of it is official, but if anything of it is, in fact, confirmed to be true or false, feel free to tell me!
Some of the panels were taken from a YouTube video, which I'll link at the bottom!
TW for: Human trafficking, dehumanization
Ok, so first things first, some of this stuff I've already written down a while back for writing reasons. I found some of my old notes, and noticed that, after rereading the panels, they make more sense than I previously thought.
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Let's start here: what stands out the most to me isn't that he's in the desert, not even the ticket. No, it's the simple »[...] or even who I was«
Because who, indeed, is Sigma? Sigma does not have an identity. He has no history, no nothing. Just the clothes on his back, a ticket that seems to be useless and earrings, for some reason.
Without a name, you don't have an identity and without identity you don't have a name.
Then there is this, too:
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»I gave myself a name. Sigma. A man of the casino«
I don't believe he had a name upon being created. I don't think he had one for a long time, because in the same panel that he mentions giving himself a name, he also mentions the casino- which came much, much later. Sigma existed for three years by the time the series started. However, the timeline is wonky as heck.
Because how long did he stay with the traffickers? How long was he on his own after escaping? How long ago did Fyodor find him? Questions upon questions, but since I've already mentioned the lack of a name and the traffickers, let's get to my thoughts on that, specifically:
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»They captured and enslaved me« along with »And once they knew that I had a skill [...]« makes me wonder: how long did it take for them to find out?
I haven't researched anything about human trafficking, but it's basically slavery, from what I've gathered through the previous things I've heard and read. And he does say so himself, too.
Sigma, three days alive, spent his early life a slave. It's confirmed that he was shackled, seeing that he is wearing them in the panels.
(As a side note, I do believe that he has scars from the shackles around his wrist. He wears a tight, wrist-long turtleneck beneath his coat, and I think it's to hide the scars. Both from others and himself.)
His first human interaction was plain horrible. Did he know and understand that? Did he understand that this wasn't normal? I don't think he knew how wrong this was at first. I don't believe that he understood it immediately. If he didn't know who he was, why would he know that being treated like this is wrong?
I believe that he realized it at some point, but not as soon as it started. I think he lived like that for a while, thinking it was normal, before getting some sort of wake-up call. Perhaps through his ability, or a fellow prisoner. Maybe both, or neither.
He must've gotten whiplash, once people genuinely looked up to him when he was the manager at Sky Casino.
I also think that he, probably, does tend to forget that being treated like that is, in fact, not normal or okay. Our upbringing leaves some sort of mark on all of us, experiences define us, give us habits and a feeling of what's normal and what isn't.
Which means that his "normal" is skewed and he expects being used rather than kindness, probably even after learning that some people are genuinely kind. I'm guessing that his mindset is, due to that, a simple "If I'm alive I'm alright".
I don't think he'd complain about being treated wrong and or left behind, or admit when he's injured. Or at the very least attempt to keep it a secret as long as possible- especially from those he sees as authority figures.
However, I also think that he was isolated, as per this panel:
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Not only the text, but also the background paint a picture that causes me to believe that.
I almost skimmed past this panel while making my analysis, before pausing and taking a closer look. I thought this was in Sky Casino at first, until I looked closer and realized three things:
1, the background does not match Sky Casino in the slightest
2, he isn't wearing shoes or his current outfit, but the old clothes he had when wandering the desert
3, the shadows aren't from the light of a window, they're bars from a cell
While I did believe before that the traffickers kept him isolated from others (due to wanting to keep him unaware of the wrongness of his situation as well as to make sure he doesn't learn things he should/other prisoners finding out things that Sigma got to know by accident), this sort of put the final nail in the coffin for me.
But, at some point, he did realize that it was wrong. Perhaps he'd had a bad feeling from the start. Maybe he hated being treated like this. Who knows? Point is, he escaped. This brings us back to this page:
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»No matter how kind someone seemed, they used me and then tried to kill me for knowing too much«
Sigma, after escaping the traffickers, after escaping the life of a slave, probably still didn't know much about living.
And I firmly believe that Sigma is smarter than even he himself thinks. There's just one issue: Sigma is naive (at least in my eyes), and it's not even his own fault. He simply tried his best to survive, and what was the reason the traffickers kept him around? His ability, most likely.
Problem is that his ability truly is something people would love to exploit, and it seems as if they did. Which makes me believe that he has a talent for running into murderers thinking they're nice people, only to get a not-so-nice surprise.
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»The last one to use me [...]«, this specific line is the reason why I believe Sigma to have been used a lot. We don't know how often, exactly, his ability was taken advantage of. But we know the latest person who did.
Fyodor was the last one to use him, which means that, at that point, he was probably used to it. Used to being treated like a pawn, and used to people trying to kill for knowing too much. And I believe that he was, quite plainly, exhausted.
Imagine, your entire life consists of being forced to aid others with crimes, with being shackled. You don't know the difference between working for someone and being used by someone.
If you were offered what you wanted most, wouldn't you accept, too? Even if you know that you're once again being used? I mean... this time around, you gain something for it. Doesn't that make it worth the risk?
It's a gamble Sigma took... and lost.
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This page involves two quotes that give me pause:
»Don't you wish for a home?«
We don't know why or how he knows what a home and a family is, but he does. And he wants it. He says it was never within his reach. But it is perfectly clear to us, while reading the Sky Casino Arc, that he wants it. He wants a home and a family.
He'd rather sacrifice his own life than see Sky Casino fall. »Home« and »Family« are, to him, more important than staying alive. Because it's something he never had, and something he clings to. Simply because he doesn't have anything else.
»I, who was originally 'nothing'[...]«
Is the second line that makes me pause. Because like previously mentioned, Sigma was a slave with no name or identity of his own. We don't know when he found out about being created by the book (and I firmly believe that he found out one way or another), but I believe he didn't see himself as a human before, and this "confirmed" it for him.
Think about it, would traffickers care about their victims? Would they treat them as human beings? Call them by their name? What about a person who has no name to begin with?
He wasn't treated like a human being in the beginning, and thus considered himself nothing. Considered his home and "family" to be worth more than hid own life.
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He was literally created from nothing. His story doesn't have a beginning. He has no memories prior to being created, he had no name nor identity. How his story will end is unknown. We don't know what's written on his page.
I believe this, combined with being with the traffickers, makes him doubt his humanity. Not only because he was created through the book, but also because for the first (months? Year?) of his life, he wasn't treated like a human.
His sense of self-worth is probably down in the dumps.
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»In the end I never did understand what I was born for...«
I don't think he knows the details of his existence. The content of his page, the words that brought him into existence. He doesn't know why he was born/created. He doesn't know what things were predetermined.
He doesn't know what's real and what's just writing on a page.
Sigma, in three years of being alive, went through hell. He was enslaved, his ability was taken advantage of over and over, he was used by multiple people who all ended up trying to kill him and when he thought that he finally found a home? A family? It was taken away from him.
Genuinely, he needs a plate of cookies, a hug and a ton of therapy.
Anyway, I hope you enjoyed my little analysis and theories? I never did something like this before, so criticism is welcome!
Here's also the link to the video from which I got the screenshots: https://youtu.be/KwsSvFYAKjA?si=R_IvH-S8GYut_hrG
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fruitbasketball · 3 days
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Do you think starting lineup come November would be Kaitlyn-Azzi-Paige-Ice-Jana?
I’m assuming here that we likely don’t pick up a big from the portal but am still hopeful.
Also, I actually think Azzi will prolly be back by the start of the season, though maybe on restricted minutes for the first month. I just feel like the way they’ve spoken about her rehab and how she’s way ahead of schedule and the fact that this tear wasn’t as severe as the one in high school, which she got cleared from that one after just 9 months. I think she gets medically cleared Sept or early Oct at the latest, plays restricted minutes in November to ease her back in and build her endurance up again before being fully back in December. Of course I want her to take as much time as she needs and make sure she’s 200% first but yeah just the way her rehab seems to be tracking, I wouldn’t be surprised at all if she’s already named in the starting lineup come the first game.
i think you’re probably right about that recovery timeline tbh, but even a minutes restriction means a limited backcourt. i’m j so worried about something else happening if she doesn’t take the most time possible - paige’s knee was feeling good and she was way ahead of schedule, but she still decided to elongate her recovery process just to make sure. that’s prolly bc she had the time considering the timing of everything, but it’s clear how much stronger taking all that time made her.
that’s a good starting lineup, i’d put paige at the 3 too, and i need aubrey with extended minutes once she’s healthy. i wanna put aubrey in there because she is just so damn consistent and reliable but starting her when she gets back is not an option. fucking with the starting lineup has just been so hard for everyone in the past - the texas game this past season is proof of that.
i do like this lineup tho, i think ice has proved that she deserves a spot in that first string and honestly i feel safer with her in the post. my only issue is that with kaitlyn and paige on the floor at the same time, kk is the only option to come in for kaitlyn.
obviously she’s a great option, and if kk’s on the floor she’s going to be surrounded by vet presence. i’m just hesitant to start kaitlyn, if i’m deadass. she’s obviously very very good, but i’m j hella concerned where that leaves the rest of the lineup in terms of subs.
because if that’s the lineup, then you have:
kk in for kaitlyn
ash in for azzi (carol if she’s healthy?)
q in for paige (work on that d bbg)
ice aubrey jana yanna (inshallah) cycle through the 4 and 5
idk if geno has small ball plans this year too but i’m a little scared if we don’t grab a post because like… that’s a lot of pressure on a freshman and a sophomore in the frontcourt otherwise
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thirddoctor · 5 months
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btw everyone (including RTD) who's like "the bi-generation thing means that all the past Doctors could still be out there somewhere! this will make multi Doctor stories so much easier!" should stop talking. the world needs fewer multi Doctor stories not more
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worstloki · 1 month
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Loki surveilling the skyline of New York from the top of Stark Tower and clocking that his favorite paired set of buildings are gone. sad
#everyone wants thor and loki to have visited earth a bunch of times and obviously they wouldn't be too invested in earth politics#but i think the concept of much time passing between visits should be taken advantage of#like what if one of them missed seeing the statue of liberty on their past 3 visits and now that's 'suddenly' a famous historic landmark#Loki like wow I sure hope that restaurant in the Soviet Union is still around!#and Natasha's head whips around so fast like you mean Russia or one of the surrounding countries that used to be part of the USSR#Loki: uhm. well. what's the difference#Natasha: here is a map of the countries does this help#Loki: it does not help but thank you for trying#Thor: what do you mean Rome is gone???? Rome was HUGE?????#Tony: well it's been a few centuries since then Europe is very different now#Thor: (visibly distressed) so the the sweet effeminate men enjoy the streets no more??#Tony: ...I don't keep track of foreign border laws about that#Thor shows up after 3 years and there's a new president and he's very confused through the entire meeting#brodinsons being so detached from the political scene but being so used to realm politics they come to correct conclusions about things#even though the timeline and how long things stay the same on midgard still messes with them#Loki: at least Egypt is still around#Thor: China also#Brodinsons visiting New Zealand(Aotearoa)/Australia/various British mandate islands before the British formally showed up#returning 2 centuries later and 'the gene pool has altered drastically' 'must've been a war'#well it's either that or since Asgard seems spared of colorism they treat all humans as the same and don't notice. which might be worse#on the colonisation and liberation side of things
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amee-racle-ofmyown · 3 months
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'Maybe I'm just an anomaly'
'I was never meant to win'
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e-adlirez · 22 days
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Treasure Seekers 2 go brrrrr
So this sequel... exists :D
Welcome to the second entry in the Treasure Seekers trilogy that I'm gonna ramble about for the next six hours (in me time, in you time it's probably gonna be like thirty minutes or less), if you wanna read it yourself before reading this ramble, here's an Archive copy. Otherwise, enjoy the ride :D
So our story begins with the Thea Sisters locked in a basement in the dark, with Russia's penchant for matches (and the basement's lack of a smoke alarm) coming in clutch. Seems like another vacation's gone awry for them :3 How could it have possibly turned out this way?
Flashback: so the girls are vibing in Moscow, visiting all the cool sights and all that, Pam is wanting to try some Russian cuisine, when they spot this girl that's wearing what appears to be a barrette that used to belong to Aurora's sister Hannah Lane. They follow her a bit, find a THUG JUMPSCARE, follow the girl, Cassidy and co into the building they're heading into, and oh dear door with passcode is in the way. They find this dood Sergei, explain to him the situation, deal with him being like "who is u, and wth are you on about mate" until they hear a scream and oh dear turns out that girl with the barrette is Sergei's sister Irina and she's in trouble.
Sergei opens the door, they go in, walk in on Cassidy, Stan and Max (who I will from now call SM for simplicity) doing their whole thug jumpscare thing and kidnapping Irina in 4K. SM somehow rolls a high enough strength roll (or the girls roll a low enough initiative) that two roughly intimidating guys successfully trap six people into a basement without breaking a sweat get yourself some self-defense classes girls oml, and that's the end of that.
Luke's up to his shenanigans again, and it seems that he's targeted Irina Lenenko for the same reason the girls double-taked at the sight of her barrette: Irina (and Sergei in conjunction) is a descendant of Hannah Lane, and Hannah Lane may or may not have known a thing or two about one of the seven treasures. It's such a shame tho that Irina doesn't wanna spill any of the tea. What's this about a "queen's jewel"?
Oh also Luke has Aurora's third diary. I would like you to pay attention to this detail in particular. Oh and he's keeping Irina ratgrabbed until she tells them what he wants to know from her. Oh naur
Meanwhile the girls infodump all of the TS 1 LANE LOORRREEEE to Sergei in one whole sitting and finally manage to get around to "what the hell does this have to do with my sister". Sergei thinks it's not really possible for Irina to know anything about great-grandma Hannah's involvement with Aurora, but Irina's still in trouble soooo time to solve this nerdy-ass science trivia keypad puzzle to get outa the basement. Irina's nowhere to be found in the lab itself, so they regroup at Sergei's place to use his phone tracker app on his computer.
Bad news, SM dumped Irina's phone somewhere in the lab so the tracker app is useless; good news, while looking for some Lane Lore™ to get some context about the situation, the girls find some Lane Lore™ :D
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Turns out Aurora was looking for one of the seven treasures again, y'know just updating her sister on that, who'd moved to Saint Petersburg with her husband Ivan.
Seems like Aurora's quest at the time involved "the queen's jewel", which Aurora said she was 1000% down to ramble about to Hannah, maybe when she's done finding all seven treasures and hiding them from Jan.
I would like to take this moment to remind you that Aurora is a British Amelia Earhart, and if you dunno what that means, look up what Earhart was famous for and then look at this with that given context :']
-
With that lead, the girls plus Sergei take a ride on presumably the Krasnaya Strela night train to Saint Petersburg, read some Lane Lore on the way, Peter-Griffin upon realizing that they spent the whole night reading AO3 fanfics Aurora's diaries and it's like 2AM now, land in Saint Petersburg, stop by Nevsky Prospekt Street to have some breakfast (I think they went to Venezia?), and discussion.
(For the rest of this review, please assume when I say "the girls", I'm including Sergei because Sergei tags along with them and helps them out in their entire journey. It's okay, Sergei may be biologically male but he is an honorary female in our hearts /j)
Aurora mentioned the queen's jewel in her diary, and when you're in Russia, the first queen that comes to mind is Catherine II, so maybe something relating to her? Some Lane Lore of Aurora taking interest in Catherine II's Amber Room in her palace specifically confirms their theories, sooooooooo it's time to go to the Amber Room to see if Aurora left any clu--
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The girls are about to walk out of the Catherine Palace to Peter Griffin in private when SM JUMPSCARE--
So SM is stalkin' around the Catherine Palace looking for something, so the girls stalk them back and follow them out of the palace, into a car (the girls called a separate taxi to follow them), and to a little gray building in the outskirts of the city. They don't follow SM into the building because it might be dangerous, but Irina's scarf lying around near the premises confirms that Irina was in fact there and possibly being held hostage in the building.
The girls do a little tactic I like to call "the Ding Dong Ditch": Pam and Nicky knock on the door, SM answers it, do a little Metal Gear exclamation point "HOW DID YOU GET HERE", Nicky and Pam book it so SM chases them, and that's literally how the other girls plus Sergei sneak into the building to get Irina out. (You dunno how badly I wanted to make a videogame reference for this but I couldn't find anything so here we are--)
With that, the girls plus the Lenenko siblings book it outa there without SM being none the wiser (seriously it doesn't even cross their mind that there are more than two Thea Sisters, that's how dum they are). Irina books a hotel room at a friend's place and gives them some extra Lane Lore that she never told Klawitz despite the interrogations:
Hannah Lane was once visited by Aurora unexpectedly, a little after Hannah and her husband moved to a house near the Ob River, in Siberia. Possible lead :3c? The girls think maybe, so they decide to head on over to the exact address in Novosibirsk, Siberia.
In Siberia, the girls cross the frozen Ob River in Novosibirsk to this abandoned little house, where they find this little note with a riddle that talks about Cleopatra and an emerald she had at one point, and CASSIDY JUMPSCARE--
Cassidy busts in, snatches the note and books it away on her snowmobile before the girls can even react. You may be wondering, how the hell did Cassidy get there and know where they were? The answer is the same as the reason behind the SM jumpscares in Russia and in book 1, and that is Luke.
Luke Von Klawitz is doing a little segment that I like to call: Luke Touch Grass, where it becomes increasingly clear that Luke's spent way too much time on 4Chan (/j but you'll see what I mean). Luke hears about SM's failure and facepalms. Then he calls his friend Petrovski, who has access to the database of all of Russia's airports, for help tracking down "six mice leaving Saint Petersburg". Petrovski gives him results in minutes: the girls and Sergei are leaving Saint Petersburg and heading for Novosibirsk, Siberia (most likely Tolmachevo Airport). With that intel, Klawitz looks into his own database of Aurora Beatrix Lane, finds a picture of Hannah and Aurora together, and uses his own version of Google Lens to figure out the exact coordinates where the picture was taken, which happens to be in Novosibirsk, Siberia.
No this man does not in fact canonically touch grass on the regular, who's asking
Anyway so he sent Cassidy the coords, instructions and Aurora's diary to go, and that's how Cassidy walked in on the girls in that little abandoned hut next to Ob River. Only thing is uh, she dropped her purse on the way out. A purse that just so happened to contain Aurora's diary that Luke gave her.
So the girls scoop that puppy up and assume that the treasure is Cleopatra's emerald, thus they think it's in Egypt.
So the girls go to Egypt :D (29 and a half hour flight there good god no wonder they conked out in the plane--)
The girls read some Lane Lore, something about Aurora finding the treasure and hiding it somewhere in a desert, in an "expanse pure and white" that a star compass will lead to. First thing the girls think of at the desert bit is the White Desert (Sahara el Beyda), specifically a spot near Cleopatra's pool, so they leave the airport (not realizing Cassidy is following them now) and head over to a market to buy some supplies because might I remind you, they initially went to Moscow, Russia for vacation.
While in the market, Pam meets a guy named Omar. Pam tells him a little bit about them going to Cleopatra's pool in Sahara el Beyda, and she finds out that Omar just so happens to be an Archaeology major in Oxford University who's here on his summer vacation and works as a guide for Sahara el Beyda, and is more than down to give the girls a tour. Talk about lucky :D
The next day the girls take the scenic route and after a while make it to Siwa, where Omar books a room in a hotel for them, and the girls find this interesting myth there about Cleopatra that I will summarize here:
Cleopatra was once given a jewel that maxes out the owner's rizz and the effect is supposedly indefinite. Cleopatra liked the jewel so much that she wore it on her crown at all times... until she grew a bit self-conscious about the gem's maxxed rizz effect and how everyone kept eyeing the emerald a second too long for comfort, so she decided to hide away said rizz in a spot where none of her rivals could get to it. Oh and uh Cleopatra wrote up a dedication to Ra that's hella cryptic too.
One long rest later, the girls go to Cleopatra's pool on a donkey cart. Yes, a donkey cart. It was Omar's idea. Speaking of Omar, prepare yourself buddy because the girls have dubiously decided to give you some Lane Lore to chew on. O-oh you like it a lot. A lot a lot. Well okay cool, maybe you can help out, cool.
The girls manage to figure out the riddle in Cleopatra's dedication, find a little stone coffer that has the queen's treasure and-- SM JUMPSCARE
With a donkey as the girls' only escape method and Omar having suddenly disappeared, a scuffle ensues where the girls play hot potato with the box until SM gets their hands on it and opens it, and here we get a very accurate depiction of what SM and the girls found in the box once it was actually opened.
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Description: a hand made of salt shaped in an upside-down "ok" symbol, circa 1920s-30s.
The sheer whiplash of this leaves both sides of the conflict losing enough HP that they're all on red-- SM is blaming the girls for this (how dare >:[) and dip. Omar is gone, and all the girls get as compensation is the empty box and a letter from Aurora telling them that they'll know to read the hidden clues. The girls head back feeling very hollow and dead inside, and this is the one time one of the girls questions how the hell did SM know they were at Siwa. I mean they never get any answer to this (kinda), but it is a milestone! They're aware of it now!
Once they get back to Cairo, they ask around and find that Omar's completely up and vanished, and they decide they'll just head back to Moscow since their investigation has come to a dead end. On the way, Pam comments about the falafel she bought being hella salty, which leads Violet to an epiphany that hey, the Sahara isn't the only desert that exists, let alone the only desert known for how white it is (like how Boracay Beach is known for how white and fine its sand is, but it's not the only white sand beach that exists). A quick Google search (and a long flight (35 HOURS CAIRO TO SUCRE???)) leads them to the Salar de Uyuni in Bolivia.
Nicky reserves a room for them at Hotel Luna Salada (a real place you can book a stay at actually :D), and they make a friend by the name of Adriana, a local waitress in the hotel restaurant. Adriana helps them pick out a dessert, fills them in on some stuff about the Salar since the girls came here 100% out of impulse, and talks about possible itinerary locations to go to, like the Isla de Pescado, Tiwanaku (the "Gate of the Sun"), Lake Titiaca, and Laguna Colorada. Y'know, typical tourist stuff, and Adriana was so kind to show them pictures she took when she visited said places herself! :D
Anyway so while the girls long rest, Luke is mulling about in his base waiting for updates. Someone calls him about the whole Egypt thing, and Luke calls the girls incompetent? Rude, oh and something about the caller being Luke's "secret weapon". Cassidy calls him on a theory she has about the gemstone being in Cleopatra's palace, and since the girls are currently long-resting (which means they aren't doing anything), Luke figures that a little diving trip in Alexandria to search for the gem with Cassidy won't hurt. Besides, he still has his secret weapon.
Oh yeah and he knows the girls are long resting because he has a drone in Bolivia spying on them and showing him their every move. Touch grass, Luke. No, going on a diving trip in Alexandria doesn't count, there's barely any grass there /j
Morning comes in Bolivia, and the girls head out early to search the Salar as much as they can. They look around the flat white desert, eat some late breakfast, toy around with forced perspective camera shenanigans for a bit, and read up on some LANE LOOORREEEEE
So Aurora's been to Pumapunku and Tiwanaku which is cool, she paid a visit to the archaeological site probably and that's really cool. She says something about hiding the queen's treasure in a fish's stomach covered in very fine thorns. Sergei ends up having an epiphany, and that leads the girls to Isla de Pescado, which just so happens to be "Fish Island" in Spanish, and has cacti on it, it's all coming together :D
Oh and the fish drawing Aurora made is coords to the treasure seemingly so that's cool-- OMAR JUMPSCARE
The girls are very surprised to find Omar joining them, and Omar explains that he booked it when SM came over and lost his cellphone as a result. However, he managed to figure out that Aurora's riddle was about salt and not sand, and decided to head on over to Bolivia since he assumed that's where the girls are going. How did he find them? It was just out of pure coincidence, and also the fact that the girls are extremely recognizable. Hm.
Anyway, Paulina plugs the coordinates into her GPS and leads the girls plus Omar to a little cave at the bottom of a little embankment. The girls find that, lo and behold, there's an old tin box containing a bright green emerald!
Meanwhile Luke is not finding anything in Alexandria haha L, LVK L get dunked on Luke, Cassidy girlie that's not a man to simp for find someone else gurl-- oh dear Luke is alerted that the treasure has been found and now he's planning on heading over to Bolivia? Now how could he possibly know that?
In the meantime, I dunno what's up in the air or if it's the Archaeology major speaking in him but Omar's really invested in this treasure, even more so than the girls to the degree that the girls are a little freaked out by it-- RHEA JUMPSCARE-- Paulina calms the big bord down and gets it to not trample Omar please, he's still a friend of theirs. Colette picks up this blue notebook Omar seems to have dropped.
The girls plus Omar head back to the SUVs, and Omar is really trying to persuade the girls that he should bring it back to Cairo. The girls are not jazzed at the idea because Omar bringing it back alone will be too unsafe, y'know with Luke and Cassidy and SM and all. They gotta think about this rationally-- WHOA OKAY OMAR calm your man tits buddy why are you demanding they trust you like you automatically deserve your trust-- ohh that's how Klawitz has known about the girls' whereabouts, Omar was working as a double agent.
So yeah Omar snatches the box from Colette and drives off in his SUV, leaving the girls in the dust. The girls freak out and are feeling that EMOTIONAL DAMAGE, but Colette for some reason is very calm about Omar booking it with the emerald. And that's because SHE HAS IT :D she did a lil' switcheroo so now the emerald's with her while the box is with Omar.
For context about how Colette knew about this, remember the blue notebook Omar dropped? Yeah that notebook was a company LVK notebook, straight from Luke himself. Then after Colette saw it, everything about Omar became incredibly sus, so she performed this precautionary measure.
So now the girls talk to the local authorities about how the whole thing with the emerald is gonna go down, and soon the girls are waiting for a plane back to Moscow.
As for Omar, well, he goes over to Luke's super-fancy hotel in La Paz, Bolivia, and he hands the box to Luke, explicitly stating that he decided he'd let Luke open it before he himself can appreciate it.
Luke opens the box, and here we see an accurate depiction of what Luke sees.
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Description: an upside-down "ok" symbol drawn in strawberry pink lip balm, signed Colette [insert last name], circa 2018.
Luke punts the box (prolly with the lip balm still inside it) into the swimming pool, tells Omar to get out, and that's the end of that. Haha Omar L Luke L
The girls head back to Moscow to drop Sergei off when SURPRISE PARTY BY IRINA'S SQUAD :DDD
Then the girls are about to return to Whale Island to presumably Peter Griffin in their dorms, when Colette suggests they make a journal a la Aurora Beatrix Lane, and they do. In a pink notebook because it was Colette's idea so we might as well give her that
And they take a black-and-white group picture of them wearing adventurer clothes like Aurora would've done. The brainrot is real, these girls are mentally ill /j
And that's the book :D
... Honestly it's the most meh out of the trilogy besides the big-brain bits in the middle and the end imo
The writing was so much more stilted in this one, even for Scholastic standards, and everything feels pretty..... kid's book. Even more so than the usual in the book's English translations. I do readings for the books in some of my Discords, and this book did not read well at aaallll. And I haven't even mentioned the typos in the book (they're not a lot, but they exist, and they're kinda egregious :D) and some grammar errors if I'm remembering things correctly. It might just be a translation thing-- I worry a bit for the translator who had to put this together.
Luke's character here is also kinda wonk? For one we see him directly contradict his anti-friendship spiel in TS 1 since he literally greets Petrovski like a friend (maybe it's a "friendship doesn't exist except in 4Chan" thing, I dunno). Then in the middle of the book, he gets... very Disney villain-y. The most egregious example here is the chapter "Lurking in the Shadows", where as you can see
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I am confusion?? Luke has been described as a to-the-point brat who hardly cares for the means to his end (unless it will impact his ability to achieve the end) and is so fixated on his goal that he doesn't touch grass. Is this not-touching-grass behavior? Yeah, definitely, but this??? This is too Disney villain???? Why does the man break into an evil cackle in front of Cassidy???? I understood it in book 1 because man thinks he's doing a "You may think you have outsmarted me but I have OUTSMARTED YOUR OUTSMARTING", but this one?? Maybe it's my personal taste, but it's too cartoonish and too... deviated from what we know of him up to this point.
ALSO TWIRLING HIS MUSTACHE? WHAT MUSTACHE IS HE TWIRLING THAT THING IS NOT TWIRL-ABLE
Also time to address the one big plot hole in this book: Aurora's diary.
So in this book there's only one diary, which is infinitely simpler than the two we got in the first book. This diary supposedly contains Aurora's records of her mission in hiding Cleopatra's Rizzmerald, and the details are supposedly vague enough that Luke felt the need to kidnap and interrogate Irina, a Hannah Lane descendant, to fill in the blanks. However, when you look at the contents of the diary itself (which lord knows how many times Luke himself has looked through it), there's hardly any blanks that need to be filled, at least if you're Luke.
The diary itself is mostly in the background-- like I said, not as much Lane Lore here as the previous book, the girls mostly rely on Aurora's letters to Hannah here-- but there's one specific entry the girls read in the latter half of the book that explicitly mentions Pumapunku and Tiwanaku, and how Aurora is there for her mission to hide the emerald. Complete with coordinates hidden in a little drawing! My one question I have for Luke is, why didn't he go straight to Bolivia and started searching there? Why did he go through all the effort of kidnapping Irina, tailing the girls around Sahara el Beyda, letting SM fall for the salt replica gambit, left his base to touch grass and go on a dive with Cassidy in Egypt; all if he could've just gone straight to Bolivia to look for the treasure there? Sure, Aurora did a good job hiding the coordinates in the fish doodle, but someone as observant and as obsessed about the outcome instead of the journey like Luke would rather have sidestepped all the Aurora shenanigans and beelined straight to the goal if he was able to.
Luke hardly has an excuse here because he owned the diary at the start of the book, and most definitely read through it many times (and we know he's the type to do this, see TS 1). The plot hole is plot hole-ing, it seems :/
Maybe it was just an excuse for the girls to get a giant glowing arrow pointing in the direction of the treasure? It certainly feels like it.
Anyway, the things that carry this book and made it memorable when I first read it (and allowed me to ignore the iffy bits) are the gottems and Omar as a character. Aurora setting up a salt replica of the Rizzmerald as a gottem in a time capsule, only to be opened almost a hundred years later to still be as potent as intended when it was made so long ago? That is amazing, like c'mon, pure comedy material.
Even funnier is Colette doing the exact same thing, only with her lip balm. Luke is quaking in his bougie-ass leather boots.
Now for Omar. This may be a hot take of mine here, but Omar's sus-ness is actually at a decent level compared to the girls and what they usually deal with. On one hand, Omar is incredibly suspicious with how incredibly lucky the girls are to find an Archaeology Oxford major working as a Sahara el Beyda tour guide; but on the other hand, the girls had almost the exact same situation with Diego in Mexico (I didn't mention him in the first review, but he came in clutch in TS 1).
The girls met Diego in Merida, Mexico, and he helped them with their research into "the invisible place", which happened to be Uxmal, along the Puuc Route. Diego also just so happened to be a tour-guide-in-training for the Puuc Route, which was the place the girls just so happened to need to go to find Aurora's second journal.
In comparison, the girls meet Omar in Khan El-Khalili while they were looking for supplies for their trip to the Siwa Oasis. It comes up in conversation that the girls are headed to Siwa, and Omar just so happened to be a tour guide for Sahara el Beyda, which was where the Siwa Oasis is, and it just so happened to be where the girls needed to go. When you stack them up together, it made perfect sense that the girls thought they could trust him-- Diego didn't know much about their trip and helped them the best he could (which was a lot), so why wouldn't Omar do the same? He's an Oxford Archaeology major, too, for crying out loud, the girls struck gold in the end!
Gold that was too shiny and too good to be true. Gold that was, in the end, nothing more than pyrite, fool's gold.
Omar is a good case for why you should be careful with who you trust, and when you should start thinking a little bit when you're getting a little too lucky with the people you meet. When the girls got to know him a little more and decided to trust him and tell him the deal with their trip, he got way invested in the gem-- too invested to not be a little bit suspicious. Maybe the girls mistook it for his passion for his archaeology major, maybe they mistook it for something else-- but whatever the case, Omar pulled the cheesecloth over the girls' eyes and really only fell apart near the end, when his alibis and behavior started becoming more and more suspicious; and by then, Omar didn't need to be as inconspicuous, and the girls had gotten to know him too much to readily say to him "okay buddy can you kindly f%ck off, your vibes are not vibing here".
The girls probably should've been suspicious when Omar reappeared in Bolivia out of nowhere, but I guess his alibi was just good enough (and the girls at this point were probably running on adrenaline, caffeine and a brain on 70% capacity at most) to pass the Deception check.
Fr tho there were some bits where the girls should've found him sus but they didn't (him accidentally saying "I did it" when they uncovered the emerald, and also him handling the emerald the way he did), so shrugs. It could be a translation thing, but it could also be something else.
Anyway, kinda meh for a sequel, but it does have its standouts that allow it to somewhat stand on the same level as the first and third books. Kinda.
Hey, at least it's not as bad as Crystal Fairies-- that's the bar of bad-ness I'm setting. It's not as bad as Crystal Fairies and that's what matters--
Also special thanks to @ishmeowwow (it won't let me ping you for some reason bestie <:[) for making the lil' artworks haha
#geronimo stilton#thea sisters#thea stilton#book review#book rambles#book rant#thank you ishmeow for making the gottems for me :D#you came in clutch while my ipad is still dieded thank you bestie <3#in the book it's just the lip balm but ishmeow decided to go all-out with the gottem gag and i can't be more grateful lmao#same goes with the gemstone in aurora's gottem (it's just the fake tiara plus fake gem) but hey the more salt the merrier :D#book 2 luke is so jarringly different from his other depictions but at the same time#he does not in fact touch grass and he does crack an evil cackle at least once a book so#i dunno how i feel about it . .#on one hand it adds to him not touching grass#but on the other hand it doesn't connect with his “this villain is supposed to make you shnit your pants at how intimidating he is”#he's intimidating because of his connections his ability to basically spy on the entire world and control everything from his base#and y'know he can tell his goons to do whatever and they'll literally wreak havoc to fulfill said requests#he was so intimidating in concept that they had to nerf him with incompetent goons lmao#after doing last minute research i am deeply concerned for the girls' wallets and their mental and physical health :D#like good god i thought a ten hour flight was unbearable and made your body stiff but holy damn#i'm not complaining too much about the timeline tho because this is hilarious and makes the girls look so neurodivergent#“what do you mean we flew a total of 64 hours by plane feels like it's only been a day to m--”#*dies*
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eggmeralda · 5 months
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can never describe enough how excited I am for the inevitable 2010s revival of the future
(also this turned into a massive ramble accidentally?)
#like i know there are already kids being like ''i wish i was a teenager in 2014 😭'' but i mean like#you know how like the past 5 years have been so 80s inspired#and also 90s#and how the 90s were really into the 60s#and i cannot wait for all the awful aesthetics that were everywhere when i was 12 to come back#bc i'm curious how it'll look. bc obviously it won't be like. the 2010s are back#it'll be this romanticised idea of the 2010s and i wonder which parts will be rejected and which parts you'll see Everywhere#god i feel like there needs to be a new Thing that causes the need for nostalgia#e.g. in the 70s when punk and indie started as a response to the way music was getting so. idk. complicated or whatever#or like kind of inaccessible to do yourself. like dgmw prog rock slaps disco slaps etc. but not everyone could just. do that#and then punk happened and it was so simplified like no long guitar solos or whatever it was so stripped down. and same with indie#not to ramble about what was in my dissertation but early indie was SO 60s influenced it was unreal. and. it was the nostalgia.....#and then i guess with punk there was new wave and post punk and then new romantics and synthpop and things got synthier and then idk#the 80s were so electronic which. again it slaps. but then it got to a point that it was Too Much again that there needed to be a Return#to the past and stuff. so then grunge and britpop and other stuff happened#and idek it always seems to be there's a new music genre or new subculture that evolves over a few years into different things#before getting too much and the next generation wants to go back so they make a new genre. which then evolves and the cycle goes on#but (at least from what I've seen. which probably isn't a lot bc i live under a rock) there doesn't seem to be anything New lately?#everything's all revivals of older genres now. like i haven't seen any new equivalent to emo or britpop or punk or beat or rock n roll etc#like a thing that Changes the timeline. and i was reading this essay about the new beatles song saying how we don't need a new beatles song#even though the new song's still cool it was kind of saying like everything nowadays is recycled and nothing is shocking anymore#like nostalgia is so big now. with all the film remakes and stuff like that. there is nooTHING NEWLY NEW. IDEK. I am rambling so much#just thinking about many things. this was sparked bc i listened to twilight by cover drive and it literally transported me back to year 7#and that led to early 10s nostalgia and by the time that comes back into fashion will the nostalgia problem be worse or will something have#happened within that time. like a new punk or something. tbf i guess a lot of what I'm talking about is to do with rock and i mean#there's rap and stuff which i don't listen to a lot of so idk maybe there's stuff going on there which i don't know about. but then#i want there to be something i Do know about. like something you can't escape. kids are all dressing like this and listening to this and#we WILL hear about it. new proper subculture that isn't just a week long tiktok trend. ykw i blame tiktok for all of this lol#but yeah. holy shit tag limit#ramble
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deadbeatdadjokes · 2 years
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“your choices don’t matter”
yeah ok sure maybe this is true as far as the end result is concerned, like whether Lancer sided with his friends and let them seal the fountain which sustained the only world he really knew or sided with his father to allow the world to then be slowly engulfed in darkness-both options result in the ‘end’ of that world (meaning the dark world in the classroom). He made the choice himself and yet the ‘end’ came anyways.
But I’m like 90% confident if you asked him I’d know which timeline he’d rather be in.
#been thinking about this lately#i think this is an interpretation of the beginning of ch2 for me like#no matter what ending you get in ch1 you end up in the same spot in ch2 (same exact intro too until the patch was released)#but you have a timeline where the circumstances leading up to that same event are wildly different#and though it hasn’t manifested in super relevant ways (outside of Snowgrave) it’s still worth noting the potential differences#i mean I play favorites here so#would a lancer who never actually successfully rallied a mob against his father have the confidence to withstand his manipulation?#would he ever lie awake in a room that isn’t quite his and wonder if maybe spade was right?#of course you’d never know since you’re never given the chance to ask#do the card castle people still harbor a resentment towards you for fighting or killing them even though it’s brushed off in ch2?#like obviously yeah in within the context of their world but for us for the game I wonder how much of this will actually#(if ever)#come into play despite it all leading to the same place (just wildly WILDLY different roads taken to get there)#deltarune#lancer deltarune#just some thoughts yknow do with them as you please#your actions matter bc they affect the ppl around you directly but some choices don’t bc the inevitable unknown always occurs#little can be done to circumvent what is predestined it’s like knowing the ending to a show you’ve never watched any other part of#like yeah I know how it ends but how do we get there ends up being way more significant thematically
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redrew some of these nerds, these are there most current/updated designs rn? so improvement i GUESS?
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cinnabeat · 1 year
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re:mind costs 30 fucking dollars............
#im gonna replay kh3 and im gonna Pay Attention#i WAS planning on playing re mind too and i will but god damn thirty fucking dollars#also while i do understand how the disney worlds and the attraction flow make sense in the context of the story#like the sleeping realm theory like i see why they would do that#and by didney worlds i mean basically replaying the whole movies with sora as a background character#rather than an actual driving force that has an affect on the preconceived plot#like i see why its like that from a narrative point of view#but as a real person playing the game its just really annoying having so much disney shoved into my face#yes its dumb to be saying that about a game thats literally disney but Anime but at least in previous games its like#like i said sora has an ACTIVE affect on the stories like things play out differently maybe a bit similar but at least not beat for beat the#same or even its not set in the movie timeline at all just before or after the stories or somewhere in the middle#the point its not a retelling its like those fix it fics where someones like what would happen if this person was here instead#and i like dthat! made it very unique and enjoyable and not make me feel like i was watching a movie in the middle of a game#and like i said i can see why narratively having sora in the background and unable to truly influemce the stories bc ultimately it was about#the people and THEIR relationships and not some outside force (heartless) causing problems#like i get that but good god was it tedious and annoying and just ugh#i swear hearing fucking let it go in the middle of the game was so annoying i cant even remember what the point was of it like character wis#wise for sora i mean like idk what he gained from that bc i just checked out#like thats truly my one complaint about the game is just all the disney. it was only confusing for me bc i did NOT pay attention to the plot#at all which is not a fault of the game. also the attraction flow was useless to me like just plain annoying man like literaly disney advert#advertisements i hated it#michi tag
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almost at 10k for the next chapter, um, I need to be stopped 
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