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zarla-s · 1 year
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How do you decide when to use Spamtons little speech quirk and what to have him say? Your writing for him feels so natural!
Spamton’s speech pattern is surprisingly tricky! It has a lot of weird little things to it, haha. I’m glad you think I’m doing a good job though. :D Generally I try to keep in mind a few things for him...
Spamton misspells things a lot, but not always in the same way (with exceptions). He also likes substituting numbers for letters, usually in words that get caught in a spam filter to try to get around it but not always. ( [[Amazed at thi5 amazing transformation?]],  NOW THAT'S WHAT I'M TALKING AB04T! ,  SOMEONE LEFT [There] SOULS, [Lyeing Around......] ,  YOU FILLED YOUR [Inventorium] WITH [Half-Pr1ce Sallamy],  AND THE [Number on theB4ck]!,  [Unforgettable D3als] ,  [Pr3mIUm luxjerry w4tch] )
When Spamton takes over the narration or influences it, he still misspells things. (CONGRULATIONS YOU ARE THE 100th VISITOR!!! )
Spamton is bad at tenses and mixes them up a lot. This is one of the most endearing things to me for some reason, haha.  ( I'M SO [Proud] OF YOU, I COULD [Killed] YOU! ,  I HAVE [Becomed] NEO. ,  MY ESTEEM CUSTOMER, THAT GUY [Steal my look]!! OKAY, MAYBE HE [Steal]ed BACK WHAT I TOOK FROM HIM, WE WILL ALSO [Divorced] )
He messes up pluralization or grammar related to it at times. ( HOTSINGLE, 100 CUSTOMER, AN [Valuable Item])
He actually swears a fair amount but it’s usually censored. ( YOU'RE [$!$!] RIGHT! , DEALS SO GOOD I'LL [$!$$] MYSELF!,  [$!?!] THE PRESSES! )
His capitalization in his bracket words/phrases is inconsistent and he spells things wrong in them at times as well. He usually capitalizes the first word though. ( [[A LimiTed Time Only!]] , [[Designed BY The Classics]],  [[ Sucbscrube ]] ,  THEN [[WHY]] GO TO A DUMPSTER!!! , YOU'VE GOT THE [[LIGHT.]] , [ succumb to the worm ],  SO HAVE I GOT A DEAL THAT'S [sweet Sunday creme] TO ANY SELF RESPECTING [Ball Nut]! , [fluffey] ,  [Pracitce]).
His capitalization in general is kind of all over the place. ( LIGHT nER! HEY-HE Y HEY!!!,  THat'll be 1997 KROMER.,  ENL4RGE Yourself,  I USED TO be A BIG SHOT. ,  I WOn'T FORCE YOU. ,  It's still DARK... SO DARK! )
He gets the verb in sentences wrong at times or has too many/too few words in a phrase.  ( HEAR THOSE [Balloons]???,  [Cool down with a]!!!,  [Wake up and the smell the] MY DEAD CARCASS!!! ) His grammar also gets wonky, especially with the tricky homophones like your/you’re or their/there/they’re. ( YOUR A BIGSHOT!! ,  WELL LET THIS BE A [Email] ,  SHOW OFF YOU'RE [Big Shot] )
He sometimes doesn’t finish a sentence at all, or leaves a blank space. ( BUY [KeyGen] FROM ME AT [The Low Low Price Of] ,  MEANWHILE I CAN [sneak out the back] AND, [Hurry now]!!! [Blink] AND YOU'LL MISS      !!!!!!!!!!!!!!!!!! ,  THAT'S WHY THEY'RE COMING TO [kill] ME RIGHT NOW. THEY'RE COMING TO ). Sometimes he just says one or two words or sentence fragments. (MONEY NO, KEYGEN) He likes repeating unfinished sentences as well, usually when he’s worked up about something. ( THE MEN INSIDE WOULD THE MEN INSIDE WOULD , I'LL GET SO. I'LL GET SO. )
He uses periods to emphasize certain parts of a sentence and sometimes he just leaves brackets or carets or other punctuation in his speech. ( YOU'RE  LIGHT neR< AREN'T YOU? , GO BACK. AND PUT. THE DISK. BACK. WHERE YOU GOT IT. ).
Sometimes he has spaces in the middle of words or in the wrong places ( DID YOU HAVE AN YMORE?,  I'M A SALESMAN   ,  ). Sometimes it’s just a mess in general ( DOESN;T IT?KID? ), and sometimes he likes to combine words ( [HonestMan] ,  [handsomeGuy] ).
My general approach to this is just to keep any typos I make while doing his dialogue lol.
He drops out of caps usually when he’s scared or thoughtful (not accounting for after his battle), and usually when he’s thinking about Mike.
A fair amount of his substitutions are vaguely threatening or allude to some kind of violence or suffering. He mentions death, dying, and screaming a lot, usually in unexpected contexts ( PRICES SO LOW, EVERYONE I KNOW IS [[Dead]]!!!,  VACATIONING IN [Burning acid] , NOW I'M THE [[It Burns! Ow! Stop! Help Me! It Burns!]] GUY! ).
Sometimes these threats are relevant warnings if you know what he’s up to ( TAKE THIS DEAL AND YOU WILL [[Die]]!! IT'S THAT GOOD!!!,  [Die Now] AND I'LL THROW IN [50] [Bullets] FOR FREE!,  THIS IS [One Purchase] YOU WILL [Regret] FOR THE REST OF YOUR LIFE! ). There’s always a sort of “off” vibe to him that makes him feel a little dangerous.
As an aside, Spamton talks about people beating him up a lot.
He likes turning phrases about refunds into non-refunds, haha ( [No Money Back Guaranttee] ). He’ll sometimes just admit outright he’s trying to scam you ( HOW'S AN INNOCENT GUY LIKE ME SUPPOSED TO [Rip People Off] , [What's yours is mine] AND [What's yours is mine]. ).
He’s extremely excited and shouting almost all the time, so he very rarely has only one exclamation point about anything. Usually it’s three but it can go higher. Just go ham on the exclamation points lol.
[[Hyperlink blocked.]]  is a tricky one. He does use it a lot, but the context for it is hard to pin down. Usually it relates to things like souls, what it is that’s controlling him or what it wants, or how exactly he wants to escape it. Other times it’s sort of privileged or secret information that would be caught by a filter and blocked, or it’s some scammy thing or another that’d be blocked for user safety. Usually it’s something that someone wouldn’t want the player to know.
He does use sales pitch, adspeak, or internet slang substitutions a lot, ( [Friend Request Accepted] , [[Anything You See On TV!]],  [[Workout-Ready Body]],  [Luxurious Basement Apartment] , [[Pass My Savings Onto You!]] )  but not all the time! A lot of his substitutions are single words, usually on an odd tangent to the original word or just unusual in general ( [Deep Abyss] , YOUR [[Ant-sized]] [[Rapidly-shrinking]] LIFE!! , [Wacky Stacks] , [Little Nipper], LIKE MANY [buzzing] AND [burning] CREATORS,  GET OUT YOUR CYBER [skin wallets] ).
Sometimes they’re just a normal word in the sentence ( YOU GOT [Guts] KID!! , [Part] OF MY BEAUTIFUL [Heart], LOOK IN MY [Eyes] LOOK IN MY [Nose] LOOK IN MY [Mouth] ).
I tend to think about his substitutions a bit like the Orz, where a substituted word has alternate or deeper meaning than you’d think BECAUSE it was substituted. By [LIGHT], did Spamton literally mean light, or does light have another connotation to it he’s adding that’s not clear? I like thinking of the substitutions adding a potential multiple meaning layers to a word, haha. Maybe he can’t help it, or maybe that particular word is hinting at something more...
He can say full sentences without any substitutions in them, but they’re rare ( WHAT ARE THESE STRINGS!? ,  YOU'RE LEAVING!? WHAT ABOUT MY DISK!?!? , TOO MANY EXCESS VACATION DAYS?? TAKE A GOD DAMN VACATION STRAIGHT TO HELL, I GAVE YOU EVERYTHING I HAD! MY LIFE ADVICE! , BUT KRIS, IF YOU REFUSE. THAT'S YOUR CHOICE. I CAN'T FORCE YOU.). Interestingly, they often involve him saying he can’t force Kris to do something, something he says over and over and over. He seems very preoccupied with it.
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kiddokori · 1 year
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blorbed… ohs…….
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sweetpyxels · 2 years
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Can we please stop? And play sims and share the things we do? After all that is why we are here for, isn’t it?
Please?
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kaboutercrazy · 1 year
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I had the strangest realisation this summer!
... But before that; Yes, hi! - I apparently sometimes post here still despite my 2018 hyperfixation of Studio 100 being rather cooled off nowadays. It still comes back from time to time. I swear, when you’ve been hyperfixating on something hard enough it never truly leaves you, it just sleeps until you feed it again!
Anyways!
I remember when I watched their Sneeuwwitje musical for the first time back in 2018 and the incredible idea that got stuck with me that Thyssen’s role as Aime acted very similarly to the original Aimé. Remember?
Still with me? Good!
I was re-watching the musical this summer (or, actually, I was listening to the songs and just saw all the scenes with Aimé in them because the rest of the musical is shockingly boring - There, I said it!) and it just hit me, suddenly; The queen calls him struisvogel (ostrich) at one point to mock him:
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... And as I was doing a fanart as a quick warmup one day- ;
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- I realised that he is indeed covered in feathers! (Don’t ask me how I’ve missed that before, I must’ve been blinded by his expressive beautiful eyes or something-) This opened up a new revolutionary idea in my head (wow that sounded way more serious than it actually is); What if the character of Aimé is just modeled after a butler bird, similar to Zazu from the Lion King?
But!! If that is the case!
... Does that mean that Aimé - the actor - is acting in a birdlike manner in many of his roles?
Is Aimé a bird?
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teaboot · 21 days
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Sometimes I wish I was Out at my main job but you know part of me really, really enjoys just being seen as "the young straight cis employee who's knowledgeable about queer topics" because I find myself often approached by older folks who admit things like "I know transsexuals are more popular these days but injecting things into children doesn't seem right" and I can tell them "Actually your niece/nephew/nibling isn't getting surgery and junk right now, they're twelve, what they're getting are 'blockers' which delay puberty- and since puberty itself is an involuntary change to the body caused by hormones, isn't it nice that they're getting a bit of time to decide that they're sure about what they want before they start? And also we've been using and observing HRT for longer than Advil, ibuprofen, digital cameras, and laser eye surgery, so IDK, it's good that you're asking questions though, I'm glad you're looking out for them but it's not really all that scary" and I like knowing that I can help steer them in the right direction (seeking out scientifically proven facts and stats, asking questions) instead of encouraging the path they're already on (leaning into instinctive feelings about the unfamiliar and strange)
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sualne · 1 month
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mithrun sketch to celebrate
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thebibliosphere · 1 year
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Speaking of therapy, I say, as though we're old friends, and you're not a stranger trapped in this metaphorical elevator with me and you can hear the suspension wires starting to fray.
I've been doing a lot of work recently that's focused on imposter syndrome and the feeling that no matter how well or how much I do, I'm not good enough. That I'm somehow tricking everyone into thinking my work is actually good.
Some days it's a minor niggle in my head that I can gentle and soothe with logic and affirmations. Or smother, depending on the mood. Other times it's loud and all-consuming and the mental anguish it causes me is so real I can feel it twitching in my muscles. This desperate fight-or-flight instinct with nowhere to go and nothing to fight but myself.
Anyway, because I'm several types of Mentally Unwell™, I was switching between workshop sheets ahead of next week. Filling in different forms. (Trying to get a good grade in therapy) And I got my "recognize your harmful ADHD coping mechanisms" worksheet mixed in with the "you're not actually lying to people, you just feel like you are because your brain is full of weasels" worksheet, and seeing them side by side made something go topsy turvy in my head, and I just had to sit and breathe for a couple of minutes until the urge to scream passed. Because it clicked, it all suddenly clicked.
The reason the imposter syndrome workshops and therapy sessions aren't sticking was because I do routinely trick people into thinking I'm someone I'm not.
Because I'm masking my ADHD for their convenience.
I've always known there was something wrong with me. My neurotypical peers made it abundantly clear I didn't fit in or was failing in some way I couldn't see nor remedy, no matter how hard I tried.
So I compressed myself into a workaholic box of hyper-competence in the hopes they'd stop noticing the flaws and exploit like me instead. And then subsequently lived with the daily fear that if they looked too close, they'd realize I'm a monumental fuck up with enough personal baggage to block the Suez Canal.
If you ever need someone to burn themselves to ashes for your comfort and convenience, I'm your gal.
Or I used to. Until I had a bit of a breakdown, and the rubber band holding my brain together snapped and pinged off into the stratosphere, never to be seen again.
Unfortunately, the trauma of living like that didn't also fuck off and instead left a gaping maw where my personality ought to be, so now I get to deal with that aftermath.
And it's that aftermath that's affecting the imposter syndrome shit. Because yes, I am hyper-competent and good at what I do-- but it doesn't feel real because that is how I mask.
And the truly frustrating thing is I am good at what I do. I am not pretending. I worked hard to be good at this. It just feels like I'm dicking around because 90% of my personality turns out to be trauma masquerading as humor in a trenchcoat, and having people genuinely like something weird I'm doing is so foreign my brain has decided it's just another form of masking.
I'm pretending to be a good author so people will think I'm a good author, and my brain thinks we are in Danger of being found out. We are in Danger, and writing is Dangerous because then people will know I'm Weird and not whatever palatable version I've presented myself as for their NT sensibilities.
Like the neurotic vampire with a raging praise kink wasn't an obvious giveaway.
Anyway. I got nothing else. Thanks for listening.
I'm going to go be very normal in another room and not stare into the abyss of my own soul for a bit.
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buggachat · 3 months
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im gonna be honest i think the "adrien being a sentimonster was randomly thrown in season 4 with no planning on the writers' part" theory is really funny. like the writers of this show are just so bad at their job and so stupid that they tripped and fell in season 1 episode mr pigeon and accidentally spilled "a strange relationship to feathers" all over adrien by accident. they stubbed their toe on the coffee table and accidentally set up a mystery surrounding emilie's relationship to a feathery miraculous in season 1 volpina before we even knew what its powers were. then they spilled coffee all over their favorite shirts and at the same time spilled more white feathers around adrien in season 2 episode gorizilla. while writing the same episode someone had a really nasty sneeze and got boogers all over the script that said "use the imagery of two twin rings intertwined as the opener for the film of adrien's dead mother". they forgot to look both ways before crossing the street while writing the season 2 finale and were struck by a truck labeled "the peacock miraculous gives life" and then by a second truck with the license plate "it does so using white feathers identical to the white feathers that surround adrien in his ads" at the same time. they plummeted down an open manhole and hit the ground with a loud whack that sounded like "sentimonsters like bugette are just as real as any human..... and isn't bugette so...... perfect?" in season 3. on their way to the hospital they slipped on ice that had frozen in such a way to perfectly resemble the sentence "the word 'perfect' is consistently used throughout the series and by the creator ominously to denote how characters like adrien and kagami are 'different from everyone else', ever since season 1 episode simon says". during season 3 someone on the team got food poisoning and when they threw up felix came out instead and started another whacky series of comedic errors. the answer to the mystery of "how and why did emilie die? what life did adrien's loving mother create that she was willing to die for?" was originally gonna be "idk maybe she just exploded or somehting" probably, but then there was a really painful rock in one of the writers' shoes while walking to work that put them in a mood so bad that they forgot their original plan and instead made some bullshit up that somehow ended up being something that made sense with what we knew and put all the puzzle pieces together and actually made the show even more interesting and impactful on a rewatch because it put a lot of shots that at the time seemed random into a new and logical perspective as clear foreshadowing. it's actually impressive how stupid these silly clown writers are that they put strangely specific things so consistently throughout the entire series that resembled foreshadowing while never actually having intended it a single time! like........... really.......... really impressive............... i think..............
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v0id-of-thought · 6 months
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If I Loved You gets 10x funnier when you consider they haven’t left Beanies and Paul was standing there the whole time like
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localapparently · 9 months
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/ Orv novel main story + epilogue spoilers
!! Please do NOT reupload my comics / works anywhere !!
"Did you know, Dokja-ssi?" - A Jung Heewon comic about platonic love
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!! Please do NOT reupload my comics / works anywhere !!
(cont below)
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Thank you @princess-of-purple-prose for the ID (available in ALT text). ID was rephrased here and there according to what the panels are meant to show
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we-love-morioh-cho · 3 months
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No matter what any misogynistic loser says, Jolyne was the truest successor of Jonathan’s spirit and was more than deserving of being the final JoJo of the original continuity. Her death to Pucci was a noble sacrifice and a beautiful moment and, ultimately, she triumphed over him in the end. She was not weak or entitled or annoying or boring - whatever misogynistic bullshit people spew about her. She is so much more complex and phenomenal than bigots in this fandom can even comprehend and, ultimately, it is their loss for disregarding her because they are so deeply hateful of women. Also they should die.
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ookaookaooka · 1 year
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I’m hardly the first person to compare them but Terry Pratchett and J K Rowling really are polar opposites in terms of the way their writing treats weird characters. In Rowling’s writing, any weirdness is there to be laughed at (for example: Professor Trelawney, the fake seer who doesn’t know she’s an actual seer). In Pratchett’s writing, though, the characters’ weirdness is taken 100% seriously and the humor arises organically from the situation itself and is never at the characters’ expense (for example: in Making Money, the man who was born a clown and was never told so until he was 13 years old). In Rowling’s writing, the main characters poke constant fun at Professor Trelawney, making joke predictions and fudging homework and talking about how divination isn’t a legitimate field of study. Even after she gets fired and more or less drops the act, the joke changes to “look at this sad drunk lady” and the main characters express little sympathy. The narrative is saying she’s there to make one real prediction and otherwise she’s only there for comic relief. This sort of thing happens over and over in Rowling’s writing, where any quirkiness is there to be laughed at and the misfortunes of characters we’re not supposed to like are supposed to be funny, and it sends a message of conformity under threat of ridicule. In Pratchett’s writing, the clown man’s story is treated as a great tragedy: imagine growing up not knowing why you are the way you are, and then finding out the truth as a teenager! And knowing that your own mother kept the truth from you! This man was so deeply traumatized by this he denied himself any humor or fun for decades, and when he has a crisis and runs off to become a clown again, he is given support and medical treatment and is welcomed back to his job at the bank and accepted for who he is. The fact that this whole situation is hilarious is secondary. And again, this sort of thing happens over and over again in Pratchett’s writing, where characters’ quirkiness is embraced and often seen as irreplaceable by the end of the book, and it sends a message that our quirks are valuable and weirdness should be acceptable. It just strikes me as a much… kinder approach to people, you know?
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ballisterboldheart · 10 months
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come back. please, come back.
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nouverx · 2 months
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A very specific idea/scenario I have about Alastor's sleeping habits
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He barely even sleeps in the first place. He sleeps like only a few hours a week, in one go. He locks himself up in his room once a week, sleeps for 4 hours straight and that's it. And since he doesn't sleep much, each time he does he falls into a deep slumber and it's absolutely impossible to wake him up he's straight up passed out until he gets fully recharged.
He does this because the idea of being in a vulnerable position where anyone could do anything to him while he's completely defenseless is too unsettling for him, so he sleeps as little as he can and always makes sure he's locked up first, away from everyone else's eyes.
HOWEVER, one time he's playing cards with the rest of the hotel, and because he got unconsciously so comfortable around them, he accidently falls asleep on the couch during the game. Everyone is shocked because they didn't even know he actually needed to sleep (they always hear him walk around the hotel humming at night like an absolute creep so they just all collectively assumed he didn't need to sleep).
Charlie panicks a little because nothing seems to wake him up, but he's still breathing and seems fine, eventually they all just let him sleep there and keep on going with their card games since the noise doesn't seem to bother him. Charlie even put a blanket on him, and Angel initially wants to draw something on his face as a prank but in the end everyone agrees not to try anything like this, because who knows how the radio demon would react,,, could be dangerous.
A few hours later Alastor finally wakes up, immediately understands what happened and plays it cool like "Oh dear, looks like I passed out, too bad I couldn't finish the game :) oopsie" but internally he's SCREAMING
EDIT: greykolla was faster than me and made a comic about it it's so so good 😭 crying
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magpie-trinkets · 13 days
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continuing that "maya tries to contact claire" post, i present you the post-Spirit of Justice follow-up
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terraco-07 · 8 days
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My current Homestuck hot take is more people need to like Kanaya and actually think about her and until then you need to stop writing her. Girl who has so much going on but gets reduced to Rose's wife, passive observer, or hot violent alien girl. I need a special Bechdel test. Can you write Kanaya doing something totally on her own away from Rose while talking to someone without mentioning Rose. You can substitute romantic interest in for Rose if you write her with someone else.
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