Tumgik
#we still don't have sure
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Her name is Cecilia, single UR
The cage is a item (the cage have a recolor so item)
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aeide-thea · 1 year
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on principle opposed to describing art i dislike as 'masturbatory' because even though it's an alluringly contemptuous word to sneer it's impossible to reconcile with my pro-masturbation stance
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knifearo · 2 months
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ultimately when it comes to shipping and fandom space treatment of aspec characters i just don't accept "aro/ace people can still date/have sex" as an answer from nonaspecs. like yeah. mhm. okay. now i think we both know that you're not saying that out of real interest in the diversity of aspec experiences. so you can turn in your seventeen-page essay on why and how you plan to examine this character's aspec identity within the context of a romantic or sexual relationship complete with evidence from canon and peer reviews from multiple aspec people within the next week or i'm putting you in the pit from the edgar allen poe story
#you know. the one with the pendulum#'hey. why are you as an allo person shipping this aspec character like this'#'oh aspec people can still date/have sex!'#'yeah. now can you answer the question that i actually asked you'#like goddamn just say you don't care they're aspec and you want to fulfill a sexual/romantic fantasy with them. that's Fine#it like. sucks. for sure. lotta aspec people will be unhappy with you. but everyone is entitled to their own wants and experiences.#but i'd prefer you just be honest with it rather than using our community's conversation points as retroactive justification#and ONCE AGAIN. you guys are real fucking cavalier with this shit and it shows a real fundamental lack of respect for aspecs#when most of you would NEVER ship a canonically gay character with the 'other' gender. cause again. it would suck.#you can do it. nobody's Stopping you. but it would suck.#and we understand that putting a queer character in situations that erase that queerness is shitty! until it comes to aspec characters!#and whoa... there it is again... people don't consider aspec identities to be queer... crazy how it always comes back to that#anyway. you all know what i'm talking about. have seen many posts about this lately#it is [ long sigh ] unfortunately a very hot button issue with the advent lately of alastor hazbinhotel#which. again. god i wish there were other canon aspec characters to be having this conversation about.#but we'll have to do our best with what we have#aromantic#aromanticism#arospec#aroace#talking#aspec#asexual#asexuality
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areyoudoingthis · 4 months
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more than one person asked so i'm making a post about it. i use this program to download torrents (it's safe, no viruses or ads, i've been torrenting for years). and this is the website where i found the ridiculously hd version of ofmd. just type "our flag means death s01" in the searchbar at the top. for s2 you might have to search episode by episode, so "our flag means death s02e01" and so on (i don't know if the season has been uploaded in a single torrent yet, it hadn't been when i downloaded it). then just click the little red magnet symbol that looks like a big U, and it'll ask you if you want to open the link with qbitorrent. click yes, pick a folder to save the episodes in your computer, and have fun (the higher the green number next to the episodes is on the website, the faster the link will download, so if a link doesn't work just pick another one). you can always ask if you get stuck somewhere, i don't mind!
oh btw 2160p is the highest definition available right now so aim for those links, I'll leave them seeding forever
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zecoritheweirdone · 23 days
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hehehehehhooo,, decided to draw some hermits as the mystery skulls animated gang!! why? uhhh mostly just 'cause.
special thanks to the ibaaf server for helping me pick the roles! gem is vivi,, false is arthur,, pearl is lewis,, and etho is mystery!!
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better pic of pearl under the cut, where you can how lazy i am,,ms ksmsksjs
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sunderwight · 7 months
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Thinking about the weird camaraderie that exists between demons but not angels in GO.
Have we ever seen two angels who are actually friends? Or even friendly to one another? We have met angels with a capacity to be friendly in general, but I think the closest we've come to two angels actually getting along would be Gabriel making a point to laugh at Sandalphon's terrible "can't have a war without War" line in S1.
Most scenes between the angels actually seem to have an undercurrent of absolute hostility. Teeth-clenched teamwork. No wonder it took them so long to notice that Aziraphale wasn't on the same page as the rest of them! The rest of them are barely on the same page as one another, either! When Gabriel goes against the majority vote, no one bats an eye at demoting him and wiping his memory. Michael and Uriel immediately begin vying for his job. The only times we've seen angels team up is when they're working together to bully someone else, like when they're trying to intimidate Aziraphale in S1 or going to the aftermath of the bookshop raid in S2.
Saraqael's overall neutrality towards Muriel is the closest we get to two angels in Heaven getting along, and it's more a lack of hostility than any kind of friendliness. At least until Gabriel loses his memories and Muriel shows up to spy on Aziraphale, and Aziraphale decides to be kind to both of them.
Demons, on the other hand, actually seem to form alliances and even friendships among one another. Hastur and Ligur are awful, but Hastur seems genuinely distraught over Ligur's death, not just fearful of suffering the same fate. Shax and Furfur conspire together and even though the 1940's investigation into Crowley's fraternizing doesn't work out for Furfur, it's not due to any double-crossing on Shax's part. Unlike the angels, who stick almost exclusively to making threats until the Metatron decides to try dangling a carrot at the end of the season, demons actually offer rewards to other demons when trying to work together. Beelzebub offers Crowley a promotion if he can bring them Gabriel, Furfur offers to back Shax up politically if she goes for the Duke position opening, and Crowley successfully stalls Hastur in S1 by pretending everything was a test and he's going to be put in charge of a legion as a reward for passing. They're still not great at socializing, but they're significantly ahead of the angels.
Of course, it's a fact that demons are awful to one another (Eric's treatment is really bad, they throw that random demon into holy water just to test it, "it'd be a funny world if demons went around trusting one another", etc) but they still seem more capable of forming friendships than the angels do.
I think that's because Hell cramps and crowds everyone together to try and increase their suffering and hostility, whereas Heaven isolates angels to decrease the odds of questioning or rebellion. Hell's methods are unpleasant, but it still ends up putting demons together, and some of those demons inevitably forge alliances and make friendships. Because as Crowley and Beelzebub demonstrate, demons are still social creatures with the capacity for love and affection, even if it's strongly discouraged and buried under nine million layers of trauma and a cultural mandate against kindness.
Angels are the same, but isolation makes is harder to form connections than overcrowding. Muriel and Jimbriel are both so eager to make friends, but Muriel's spent the past millennia shut in an empty office, and Gabriel has been distanced from his peers both through his position and also through Heaven's culture of fear and surveillance. He only breaks away from it when he finds something that's stronger than "choosing sides" (stronger than the fear of being rejected by Heaven and Falling, in fact strong enough that Falling seems worth it if he gets to be with someone he loves). Both Muriel and Gabriel are only able to start forming connections when they're away from Heaven.
I just think it's interesting that demons, despite being supposedly devoid of love, have an advantage in forming relationships compared to angels. Angels are supposed to love, but have far fewer opportunities to actually do so. Demons aren't supposed to love, but they make connections anyway.
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beanghostprincess · 18 days
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Sanji and Usopp during The Sabaody Incident™ won't leave my mind.
Usopp standing in front of Sanji protectively because he is wounded and he can't fight, so Usopp will do it for him ("I'll do what you can't do").
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There is just something about Sanji's expression when he realizes he might actually lose Usopp. This is my interpretation, at least. He is literally frightened.
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Usopp helping Sanji stand up to run away. This is crucial for something I want to point out later: Sanji needs help to stand up. (Also, Brook disappears trying to protect them both and saying he will do anything to save them even if it costs him his life. I am feeling sick).
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Sanji being self-sacrificing and blaming himself for not being able to protect them/act sooner is not new. But he does manage to gain the strength to fight when Usopp is the only one left with him and the possibility of losing him is even more real now.
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The thing that I love the most about this is not Sanji sacrificing himself for Usopp, because he does that. He is like that. But Usopp not running away or moving in the slightest because he refuses to leave Sanji on his own.
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Something I'd like to point out too is that Sanji actually touches Kuma before Usopp disappears. He tries to fight and protect him and Kuma could've easily sent Sanji to Momoiro Island right away, and yet Sanji was just sent flying far from the scene and forced to see Usopp disappear in front of him.
And I am not saying that "not being able to protect both Brook and Usopp (especially Usopp) is needed for Sanji to realize he has to become stronger and find more reasons to go back with the crew" but not being able to protect both Brook and Usopp (especially Usopp) is needed for Sanji to realize he has to become stronger and find more reasons to go back with the crew.
Not to mention that we can't deny (right after Water 7/Enies Lobby) that Usopp is one of Sanji's strongest bonds within the crew. This specific scene focusing on them both is more than enough to prove it.
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Sanji seeing Usopp disappear in front of his eyes without being able to do anything to save him.
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Remember what I said about Sanji needing help to stand up seconds ago? Well. This is him the moment Usopp disappears. What adrenaline and the power of love do to a mf.
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They are so "I can lose everything, but not you. Oh God, not you" shaped.
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snowangeldotmp3 · 9 months
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stranger things: the game
nancy and barb gameplay
(or, the one where i have too much fun yet again with this concept)
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klanced · 4 months
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when adam met 11yo keith he immediately knew that keith was gay and was like i have GOT to support this kid!! (runs into traffic) meanwhile shiro spent years operating under the assumption that keith had like a gender thing going on
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sysig · 4 months
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So much experimenting to be done, where to even start (Patreon)
#Doodles#Handplates#UT#Fellplates#Gaster#Papyrus#Sans#Mostly silliness :) Mostly :)#It's still fun to draw these two Gasters next to each other hehe ♪ Even interacting!#They're more similar than I think either of them would admit haha - ''No clearly we have very different ideals'' sure but you're both Gaster#I like the idea of classic being So Annoyed at any iteration of himself thinking positively towards humans haha#I mean it would probably hurt - that's a big piece of his trauma! - but on the surface it's just Ugh I can't believe this -.ó#I feel like they'd have a lot more common ground when it comes to their experiments tho - not a perfect Venn Diagram but enough!#Maybe even just different enough to offer a new perspective - enough to give them new ideas! Uh oh that's never a good thing lol#I do love Fell!Gaster just so pleased to be having a conversation haha so smiley - classic still not smiling but interested!#Cute face <3#It was after making the Toriel comic that the thought Really occurred to me - like obviously I saw so I knew they were still in the gowns#But it took a bit for that to strike me as odd since I mean that's just what they wear! That's normal! For Handplates anyway#He talks a lot about isolating whatever it is in Monsters that Make Them Like That - what does that entail#Gaster no seriously what are you doing to them don't just smile actually reply#And as much as I like the boys being a bit more Fell-ish I've always been of the opinion that no matter what they're brothers!#They love each other <3 And in Fellplates they'd have to rely on each other even more than regular Underfell#If anything would cause some codependency it's the Handplates setup - no matter what version you throw at it!#They're still both delicate little things - they need each other to survive ♥ If Gaster is sometimes kind to them well...#Similar to Mercyplates but Not Quite hmmmm#At least sometimes doing cute and harmless things tho! Studies how they react to flowers and teaches them to make chains hehe ♪#There's also that Underfell thing of Sans calling UF!Papyrus ''Boss'' rather than ''Bro'' yeah? Doodling ideas around that haha#An opportunity to teach! Sans only came away with the basics tho it probably annoys Gaster lol#The idea of them doing cute harmless little things and /that/ being what gets under his skin hehehehe#And ending with a Babybones! :D Surely he'd have no problem being attached since they're meant to be good...? Surely
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muffinlance · 1 year
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Prompt: Azula joins Zuko on his Avatar hunt instead of Iroh. I don't know why, I don't know how, but I'm certain to be entertained by whatever follows.
Ozai and Ursa were already dead by the time Iroh arrived home. He stepped from his ship into the palanquin, and rode past the places of their execution, holding the urn of his son’s ashes. 
He had no time to entrust them to the Fire Sages before his father summoned him. He brought them along, because this was an easier thing than setting them down. And perhaps Lu Ten’s grandfather would like to see him once more, outside of the family shrine. Iroh would have given anything—
He placed the urn on the floor next to him. It did not kneel when he did. Fire Lord Azulon surveyed him from behind the flames.
“Rise, my son. It is good to have you home.”
They did not speak of Lu Ten. His father had always been a man to look to the flames of the future, rather than the ashes of the past.
* * *
They hanged Ursa, as befitted her attempted crime, and her past station.
They burned Ozai, as befitted his. A child of Agni should always return to the flames.
The children of the traitors had been stricken from the family line. Had been placed in the capital prison; bait for the trap. Azulon was keeping close eye on those who expressed concern for the offspring of regicides. Ozai had expected support for his position; it would be Iroh’s second task to sift through the court, and discard the chaff. 
His first task was a more practical resowing. Azulon had already selected a handful of candidates: women of suitable birth and known loyalties. The wedding date had been set, pending selection of the bride.
“Thank you, father,” Iroh said. 
Lu Ten held his silence.
* * * 
Azula had never liked the servants who’d fussed at her hair and clothes, who’d pulled and tugged until she was perfect, like perfect was a thing outside of her for others to bestow. She only had to look at Zuko to know how far tailored robes and well-oiled hair could take one.
She couldn’t see Zuzu from her cell. Her robes were too cold against the stone and every tug to wrap them tighter just made them worse, she could see it in the guards’ faces, the way they’d stared when she’d first arrived and looked a few days after and now they barely even saw. No one would talk to her, no matter her demands. They didn’t even stop their own conversations anymore; just slid in her food and kept walking and batted away her fires and it was cold here.
There were things crawling in her hair that her nails couldn’t dig out. Sometimes she thought she heard Zuzu yelling, but she couldn’t be sure. And it would have been undignified to yell back. She was a princess. She was fifth in line for the dragon throne. 
Fourth, now that Lu Ten was dead.
Third, because father was, too. 
He’d yelled and then he’d screamed and it hadn’t done anything but make the crowd jeer. Fire Lord Azulon had been silent. Poised. In control. She was his namesake and she would be too. 
She was nine.
* * *
Zuko yelled until his throat burned. The guards didn’t care, they didn’t listen to him, which was nothing new. He shouted and shouted and his own ears hurt. Maybe that’s why he never heard Azula calling back.
Grandfather had made them watch when he’d killed father and, and—
If grandfather had Azula killed, he would have made Zuko watch that, too. Azula was probably just better at being a prisoner than he was. Maybe the guards even talked to her.
He was eleven.
* * *
Iroh’s new wife was a third his age. A flower just coming to bloom. She looked like his first wife; Azulon knew his preferences. She was young enough to be Lu Ten’s sister. She smiled and laughed each day with the other court wives, and came to his room with lists of possible dissenters to discuss in their marital bed. It was not the pillow talk he was used to, but it was charming, in its way. She liked to lay on her stomach and kick her feet above her as they traced the web of treachery with his dead brother at its center. She was here to have his children—a task at which she worked with admirable diligence—and to be the acting Fire Lady. She had not had to struggle and flaunt herself for his affections; she had been picked from a line-up, her expectations realistic, her motives aligned with his. It was the least romantic relationship Iroh had ever been part of. It was… refreshing.
On the day the palace doctor confirmed their newly budded line of succession, the Fire Lord called them both in for congratulations. And for pruning.
* * *
Zuko had turned twelve, but had not realized it. Azula had turned ten. She’d counted the days.
Iroh had not been able to visit them in prison; only to inquire as to their treatment. Individual cells, regular meals of reasonable quality, no abuses. He’d moved his own people into position to ensure the last. 
Azulon had moved them back, after a delay for his soft-hearted son’s conscience. They could not waste loyal men on cuckoo-vipers. And Iroh could not waste his father’s good will. Not when it would be needed in the future, for the most important request.
* * * 
“And your wife agrees to this?” asked the Fire Lord, behind his flames. 
Iroh’s wife had not been directly addressed, and so did not reply. She sat in polite and perfect seiza, her head raised, as befitted the woman currently running her half of the court. Azulon had never seen fit to replace his own wife, after all.
“She does,” Iroh spoke for her. “We have spoken on the issue at length, and believe it best. Our family is small, and cannot afford to be smaller. The children are young; too young to have been in their parents’ confidences. With proper guidance—”
“And how would they place in the line of succession?” Azulon asked. “How would they chafe, how would they plot, with a decade’s experience over your eldest?”
Lu Ten’s own connections at court had been built while his cousins were still in diapers. But he was no longer Iroh’s eldest.
“We believe—”
“No,” his father interrupted again. “I will not allow their adoption. Not by you, where they could smother your own babe in the cradle, and certainly not by someone I trust less.”
Which was everyone, since the night his daughter-in-law had served him tea sent by his son.
“Father,” Iroh began, and his wife shifted her elbow just so, the only indication that she wished to dig it into his ribcage. “They are young, and innocent. They are my beloved nephew and niece. Your grandchildren. We cannot in good conscience—”
‘Good conscience’ had never factored into his father’s policies. Iroh had… begun to realize that, of late. His wife let out a small sigh, deliberately audible only to the man next to her. She had cautioned very strongly against a—how had she put it?—a feelings-based approach to this situation. Feelings rarely factored into her own decisions. She had been hand-selected by his father, after all. 
His wife went into a half-bow, her head lowered. “May I speak, my lord?” 
The flames crackled. The shadow of his father inclined its head, just slightly. 
“To kill the children is wise, and I admit, would set my mind at ease for my own child’s sake. But my husband feels strongly on this matter, and so I support him, for his happiness is my own. May I suggest a compromise? To place them outside the court, where they cannot build influence, nor harm your son’s heirs. A position from which you can judge their characters and value to the nation as they grow.”
“You suggest banishment,” the Fire Lord said.
“Not unstructured, of course. To leave them roaming freely would invite those that would take them in. Perhaps a military commission? As they are commoners, they should begin from a rank befitting their station, of course. Let them prove their worth on their own merit.”
Iroh could not see through the flames, but he knew his wife’s small smile was reflected on his father’s face. 
“A naval position,” the Fire Lord said. “On a ship that does not frequently make port. The frontlines would be the best place for them to prove themselves, wouldn’t you agree?”
Iroh closed his eyes.
“Father,” he said. “Please,” and he could feel his wife willing him to stop talking. The Fire Lord had already agreed to spare their lives. A banishment could be undone, so long as he and the children both outlived the man before them. “I… thank you for your wisdom in this ruling. But perhaps, if they complete some feat worthy of our line, they could be allowed to return?”
The flames were hot against his face. His new wife was still and silent against his side. His father… his father laughed, a low exhalation, the wheeze of a humorless old man.
“Let them bring me the Avatar,” Fire Lord Azulon said, “and I will welcome them home with honor.”
* * *
Zuko didn’t know why they’d pulled him from his cell or scrubbed him down or taken his old clothes. They’d been dirty but they could have been cleaned. His new clothes were scratchy, and too big, and they looked like a common soldier’s, and… and—
And they’d shaved his hair. 
* * * 
It had gotten rid of the bugs, Azula admitted, in the privacy of her own mind. Still. She memorized the faces of the woman who’d held her down and the man who’d shorn her. For future reference.
They hadn’t bothered sizing her new outfit for a child. Azula noted the quartermaster’s face, as well.
* * *
They were put on a ship. It was the first time they’d seen each other in nearly a year.
Zuzu looked at her head, and wisely said nothing.
She raised an eyebrow at his, and graciously granted him the same.
It was hard to tell them apart. They had their mother’s face. And their father’s.
* * *
Their captain’s name was Zhao. He invited them to dinner in his private quarters, once the Fire Nation was behind them. Zuko fidgeted. Azula didn’t.
The captain spoke on how much potential he saw in them, under a commander who saw their true value. 
Together, they could go far. Very far, indeed.
Azula smiled and said all the things she thought father would have said. Zuko scowled. 
Zhao brushed over their arms with his own while reaching for things. He served them more when they said they were already full. He squeezed their shoulders when he brought them back to their rooms, which were next to his, even though the rest of the lower crewmen slept together in the same big cabin. Zuko scowled harder. 
Azula was invited back. Zuko wasn’t.
* * *
Zhao was… Zhao wasn’t a good person.
“I know that, dum-dum. But do you want to stay banished forever?” 
“Uncle said—”
“Uncle’s going to change his mind, when he has his own heir and a spare. We’re threats, Zuzu. And Zhao knows father’s old friends. He’s one of the smart ones.”
The dumb ones had already been executed. 
“I… I think he wants to—to tie himself to the royal line.”
“Eww,” she said. “I’m ten. If he wants to get engaged, I’ll just break it when we’ve got the throne. It will be too late for him to retract his support, then.”
They’d barely left port before Zhao had made his first move. He didn’t seem like a man who waited. 
Azula was ten, but Zuko was twelve. Being twelve was almost thirteen, which was almost a teenager, which was almost an adult, and adults understood things that ten year olds didn’t.
They had to get off this ship. They had to go home.
Zuko had to find the Avatar.
* * *
(This ficlet is now posted on AO3.)
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just-somedude · 3 months
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.
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tapakah0 · 5 months
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You know
We had the canon story with where they could at least save another timeline
You did a story where they managed to have their happy ending
And now, I suspect
It's time for the complete failure?
Nope, I've mentioned before that it will be good for one person, don't worry
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hussyknee · 5 months
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Tfw your favourite faux-leftist liberal shill turns against you. 🥲
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I’m really frustrated that we only have one or two more seasons left before there’s just. Nothing. I’ve been playing since 2 and got the game on release. This is one of Nintendo’s most popular IP’s, and we only get about one and a half year of support before it’s gone. Yeah they did the same thing with splatoon 2, and I’m still frustrated with that as well. It feels like splatoon has just been neutered from its potential, and side order was proof they could do so much more but didn’t.
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lightningidle · 1 month
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Fig's line "I don't think I'm an artist, I think I'm just a good friend" has not left my head at all. Just...
You're Fig Faeth and your horns came in over the summer and you pick up the bard class as a form of adolescent rock 'n' roll rebellion, and it works! It's exactly the outlet you need! You give a guy you just met drumsticks and you start a band and it's good enough that within a year and a half you're touring. You are, in every sense, good at being a bard.
And then, finally, your junior year, you start to take it seriously. Your art goes from an outlet and a form of rebellion to a practice. A discipline. (Can rebellion exist within a discipline?) Your classmates know what they want to do with their work. They all have a thesis statement. And yeah, there's cohesion in the music you make, but you've never had to think about why you make it. You've never sat down and dissected what it is about bass that speaks to you. You've never poured over your lyrics to pick at any deeper meaning. Why should you? You don't play music for a grand design, you do it to... huh, why do you do it?
(Your art is the one form of self-expression that feels as safe as Disguise Self does, because even if you're pouring your heart onto the page and then screaming it in front of thousands of people, it's not like you're really making yourself known. You can sing I'm lonely, I'm scared, I'm furious, and your fans will sing it right back, and there will still be the distance between performer and audience to keep your heart safe.)
Now you're being asked to look inward to explain the artistic choices you're making, and you can't help but recoil at that, because you'd rather do anything than look inward. Meanwhile, your classmates have no problem with it, so you start to wonder if you're a real artist at all. Can your art be authentic if it only exists to bolster a thesis statement? Has your art been unauthentic this whole time because you've never really thought about a thesis statement before? Is that what makes it art, and not just the next track on somebody's teen angst playlist?
You can't think about yourself— acknowledging your own existence makes you want to puke. So if your music is an extension of yourself, (and it is, even if it's just because the spotlight reveals only what you want it to,) you can't think about your music. You can't. You have to. Your grade depends on it.
You're Fig Faeth, and you keep multiclassing because you'd rather be a good friend than a great artist. If introspection is what great art demands, then fuck it. You must not be a bard at all.
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