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#which is also cool but very hard to actually see the details on
mysteriousdragon2 · 3 days
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Howdy everyone, I think it’s time I talk about OVA Hol Horse with my very exhausted brain lmao.
But like…just look his face. He looks so comforting! I’d bet it’s so calming, that it’ll soothe anybody’s worries away. And in these trying times, he’d likely comfort the person that’s in need of it.
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Gonna feature OVA Polnareff in this post too, because why not? Anyhow, man….just the transition of this scene…it was so, goofy yet menacing at the same time? It’s just like. Yes, you start with the whole “Oh what’s that? I can beat your bum? Oh, you’re into that stuff!” by OVA Polnareff, then OVA Hol laughs with him like silly adult men. Then the whole action of OVA Avdol risking and sacrificing himself to OVA Pol. And just…OVA Hol having such an ominous looking shot with the most hilarious laugh known to mankind lol. Like. And the OVA Pol shot…so many shadows, it’s just so impactful. Also look at OVA Pol’s face, he looks so upset I swear this man is so unbelievably expressive, it’s amazing.
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OVA Hol has a golden Emperor, but I’ve already said that before. But I still believe it’s a neat little difference between that and what we see in the anime Part 3 for Hol. Plus…
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…seeing Emperor being summoned the way it is, that’s so..wow. I mean, Part 3 Hol usually has Emperor either faintly spawn into his hand, or spin, which is cool, but OVA Hol Horse has it where it comes out of his hand like his flesh is getting ripped, or summons into his hand like wind. And this scene is interesting too because OVA Hol actually attempts to shoot DIO! It’s so cool…I love analyzing minor characters that aren’t often spoken about, and Hol Horse is special in my heart for that. OVA Hol even clenched his teeth so hard, that his cigarette broke off…it’s a small but neat detail.
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Love this scene, I mean, he’s just laughing and then the transition goes to: “YOU! I’ll fuckin’ kill you!”, then spits his cigarette into the air as it rotates until he makes his shot at OVA Pol. His shots are so cool everytime OVA Hol is on screen…
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Having a motorcycle instead of horses or elephants is also quite the change. Honestly, there’s many things the OVA changed and with Hol Horse, it’s been a lotta changes, but I am satisfied with them. From having a more southern accent, to making him more sassy and serious, and such more but my brain is so worn out right now LOL.
As OVA Hol Horse says: “The gun is mightier than the sword, my friend.”
Thank you for listening/reading.
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sesamenom · 3 months
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Gothmog, Thuringwethil, and bonus Tevildo
i was digging around in my files and rediscovered some really old silm art of mine, including my original angband trio designs (mostly traced off heroforge models lol):
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and they're actually pretty cool! thuringwethil's tail is maybe a little questionable of a design choice (how are you supposed to fly with a giant tail flopping around...) but it looks really good on gothmog.
i don't really remember what i was doing with sauron (he looks a little like early curufin for unknown reasons) and idk what the wrist things are supposed to be, but Original Flavor Thuringwethil was actually a corrupted maia of manwe (eonwe's sister?), hence the feathers instead of traditional bat wings. for Original Gothmog i am less sure about his origins but he is possibly a corrupted maia of ulmo (originally a sea serpent, hence the tail and ulmo style ear-fins) who basically dried up into a more stone-based serpent
anyways i think I might keep thuringwethil's face/wing design and gothmogs full design for future use
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quirinah · 3 months
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intuition
#忍たま乱太郎#HAPPY RAIZOU DAY (i have ten minutes to post)#nintama#nintama rantarou#rkrn#fuwa raizou#quirinahdraws#digital#SORRY im obsessed with this arc its so so good (s21e37-39? i think)#ZATTO FEATURE??? SOUNIN?? GOJYOU DAN??? RAIZOU COOL ARC?? MAIN TRIO? SHENANIGANS? WOWZAAA#i think amako made a comment once about how raizou has a lot of potential. or how the intuition skill he was trying to develop this episode#is super key. but i love thinking about raizou....i believe in his shounen protag training arc. i want to see him become an awesome six yea#fun fact this drawing is supposed to be matchy matchy with my saburou drawing from last august but the different in style ERM#asmr i smack colors around on the canvas for three straight hours#my evil twisted wish for a raizou episode is i get to see him and koheita interact bc i think theyre great maybe unintentional? parallels#koheitas very intuitive and i think hes actually really good at reading important things subconsciously. seeing thru the disguised senzou i#the 5th v 6th years arc splitting a rock in two maybe the sports comp where he figures out the clue for the scavenger hunt but hes also#kind of smart in general. but hes also really good at disregarding detail that isnt immediately relevant so hes hard to keep up with#but raizous super attentive which kind of paralyzes him decision wise but he figures out how to put that to advantage? im not great at this#i made him a page of mind for a reason. he has potential!! also i love sounin....
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sysig · 8 months
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Okay actually, the OG Just Desserts style was onto something (Patreon)
#Doodles#Villainsona#Just Desserts#And also ft. the last little bit of the WOY style attempts#They were what convinced me to look at the original style doodles! Looking for poses#I started just by going back to the early TVAU doodles to give one more proper fair shake to those rejected outfits#Wouldn't you know it they're still rejected lol but! The wings are still very good#And the poses are silly lol#She is always real cute tho <3#It does feel funny going back to her early doodles and trying to style-match - my style was much looser at the time#Which is part of why her hair looks so good - those swirls are wild! It's very cool! But it's hard to replicate now :0#You can kinda see it in how hard and dark the lines are in her hair - before it'd basically be a scribble nest haha#Both have their aesthetic placement I just hrmm#I miss it a bit#There's something almost uncanny about trying to go back now - sizing maybe? Proportions? I'm not sure#She was always meant to have that chibi proportion big head and simplified body so maybe it's her neck being so visible that's throwing me??#I do like the small collar tho! It's gotten a little out of control lately haha ♪ Save that for alt outfits!#The weird shape of her hairline was a bit contributor to her overall hair shape as well - lots of little details! It's neat#That crying one has gotten two redraws now haha ironically not to actually ''improve'' just to dissect what's Up lol#I am happier with this one compared to the first redraw tho :D Her feet and ankles especially they actually make shape-sense!#And I have to admit the big flowery-bubble looking tops of her shoes it's very cute and the larger bonbons - proportions! Who knew lol#Her spinning the Staff was always one of my favourites hehe ♪ Confident and cheeky little Charm#Good for her
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infizero · 7 months
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you guys dont understand how much splatoon means to me. you will never understand
#will ALWAYS preach it has some of the best worldbuilding in anything i've ever fucking seen#especially in a video game. and ESPECIALLY a video game which isnt purely story-focused#splatoon's world feels so PAINFULLY fucking real its hard to even describe. the level of detail when it comes to LITERALLY everything#is insane. and thats only amplified when you're someone who's been playing it for a long time and has seen this world change in real time#i will always adore how time passes the same in splatoon's world as it does in real life. however long it's been since the last game came#out - thats how long its been in splatoon's world! characters are constantly changing and doing new things and taking on new roles#AND of course. the final splatfests making it so player input has a direct and pivotal effect on the setting and plot of the next game.#SO fucking cool and insane. like what other piece of media is like that#because of things like that and the worldbuilding and everything i also think that splatoon has one of the most seamless transitions#between singleplayer and multiplayer modes. a lot of times in games esp with stories those modes feel very disconnected#but in splatoon things that you do in singleplayer modes have an actual EFFECT on the world of multiplayer#i will never forget. how cool it felt when octo expansion came out and suddenly octolings started popping up in multiplayer#because in the irl sense. of course they were! people were beating that singleplayer mode and unlocking the ability to play as octolings#in multiplayer. but in-universe THIS IS ACTUALLY WHATS HAPPENING!!!! after your agent 8 escapes more octolings follow in their footsteps#and it is an actual noticeable cultural shift in the world of splatoon with it being talked about on the news and stuff#and this story of octolings coming to the surface and integrating into inkling society works perfectly because its not just something#you're hearing about. you are actually seeing IN REAL TIME octolings start to populate the city and matches because REAL PLAYERS are#playing as them. fitting perfectly into that narrative being created. its soooooo fucking good#anyways sorry i just love splatoon so much and i love talking about why its incredible#serena.txt
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Honestly? So much of Sonic Prime happens the way it does because Sonic is unabashedly, wholeheartedly neurodivergent, and I wanna talk about that in detail for several reasons
I think most people assume he has ADHD, and while I agree, I think they tend to leave it at "he's hyperactive and impulsive" when there's actually a lot more going on there.
For example, he lacks a filter. He says exactly what he's thinking, all the time, regardless of who's listening. I wouldn't be surprised if he does it as a type of vocal stim, considering that he talks to himself as much as he does to other people. Maybe he dislikes the way silence feels on his ears, too?
Something I noticed was that when Thorn gets on his case for this, asking if he ever stops talking, the way he says "eh, not really" sounds... almost resigned?
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He could have easily said it in a more jokey way, but his tone (and the wide camera shot) gives me the impression that this isn't a trait of his that he feels especially positive about.
It's not cool or funny to him, at least not in this instance; it's just something he does, which further proves to me that it's more of an unconscious stim than anything else.
On the topic of the jungle world though, it also shows us a couple instances of him not being able to read others' intentions very well. Prim lies to him about knowing what the Prism shard is, and Thorn uses him to get to said shard - and despite how hostile they are, he takes both of them at their word.
He only realizes Thorn's intentions after she hits him across the clearing - not for the first time that day, mind you - and Sonic berates himself a little for not seeing this coming.
But it's not like this is the only time he has difficulty understanding intent; just look at his interactions with Shadow.
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This is not the behavior of someone who understands why Shadow's picking a fight with him. He doesn't understand the implications of "you literally shook the world" because he doesn't know about the Weirder aspects of the explosion. In his mind, he just messed up a mountain.
Though I think his attitude implies another thing about his dynamic with Shadow that might explain why he was so quick to dismiss what he was talking about, which is. I don't think Sonic usually understands why they fight??
Shadow is a person of few words and Sonic has a hard time picking up on subtleties, that's a recipe for miscommunication already. And if Sonic's already predisposed to thinking that Shadow fights him Just Because, then of course he didn't take this particular instance seriously.
Though going back to "he only registered the physical effect of the explosion," Sonic is actually pretty consistent with understanding things that are tangible a lot better than anything else. Case in point: that One Palm Tree
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His first reaction to seeing it presented as a gift is that it must be a trick. because he doesn't see the tangible point of the tree, and isn't enough of a symbolism guy to see the sentimental point of it, either.
Don't get me wrong, he is being insensitive here, but I don't think it's on purpose in any way. Look at his body language and expressions:
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Even as he's getting on their case for being too sentimental, he's not unhappy or uncomfortable with them. He's just completely failing to recognize that this was supposed to be a big deal for them, so he's treating it way more casually than is appropriate.
Which is like. a classic social flub for neurodivergent folks
(Quick side note - this specific "huh" that he makes as Tails is flying away before Sonic realizes he's upset is a whole mood. I don't know how to explain it but this is Exactly what it feels like when you can sorta tell something's not clicking but you don't know what yet)
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(Look at him. brain static)
I could go on with the detailed explanations but some of that would just be me repeating past posts I've made, so I'll leave it at "he is clearly not handling change well either" and link back to an example.
So anyway, this is what I meant when I said that so much of the show is impacted by Sonic being neurodivergent. It affects how we hear his thoughts as viewers, it affects his ability to understand and connect with his friends, it's why he dismisses Shadow, it's why he impulsively smashes the Paradox Prism, the list goes on.
And he's not stupid because of any of these traits, either. None of what I've described has to do with intelligence, but I've seen "Sonic is too dumb" as a reason to criticize the show, and that's just not what's happening here.
If anything, I'm actually really impressed with how well the writers have managed to portray a more nuanced take on what a character with ADHD would look like. Because he's not just being hyperactive and chatty, you can tell it affects how he perceives things too.
Which is a much bigger part of the overall experience, and it's really cool to see in a cartoon like this - and in the lovable main character, to boot! Who cherishes his friends despite his struggles to understand them! Why is it so good!
In conclusion Sonic is the ADHD king we both needed and deserved, thanks for coming to my TED talk
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chaoticladyfire · 11 months
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Things I screamed about in ATSV (spoilers)
-Got to rewatch the film so I’m just going to add the colours changing to warmer tones when Gwen hugs her father. Not even ten minutes in and I was already crying.
-Realised that we missed the Gwen-Vulture fight BUT got to see Jessica Drew enter the scene like a bad ass in her bad ass bike and hearing the audience collectively say ‘me too’ when Gwen asked if Jessica could adopt her. 
-Screaming OSCAR ISAAC when Miguel spoke
-Lyla. Just Lyla.
- ‘Do you say anything other than no?’ ‘No-YES!’ more of miguel and jessica pls
-The Spot’s introduction. I didn’t see any promotional stuff, teasers or even trailers before watching this film so I had no idea who or what the The Spot was which was great because he really went from villain of the week to villain of the movie. And they clearly had a great time choreographing the fight scenes with him
-Miles’ heating up the beef patty while the spot and the convenience store man argue
-Miles patting the spot’s with a ‘good cow’ text
-Gwen and Miles both having to deepen their voices to avoid being recognised by their respective cop dads
-Miles saying that he can get two cakes when the counsellor says you can’t have your cake and eat it too and then bringing two cakes for his father’s party and neither of them saying what he wanted to convey. 
-Rio and Jeff scolding an annoyed miles but instantly smiling when a relative hugs them what an universal experience 
-Gwen teasing Miles for drawing her in his notebook almost obsessively but also breaking the biggest rule to spend time with him knowing the consequences. 
-As they went to talk, my friend leaned over and said ‘yeah I bet they will talk’ and when they only talked he groaned very loudly at which point I had to remind him Miles was only 15 
-Watching Jeff talk to Spiderman about his son not knowing his son is spiderman
-The DJ increasing the volume when Miles’ parents started scolding him in the middle of the party (the real mvp of the movie actually) 
-JK Simmons cameo that no one seems to be talking about??? Embarrassingly enough I had to literally scream into my friend’s ear for most of the people to realise it was indeed JK Simmons
-Just the entire Mumbattan scene. It was so exciting to see my city be represented like that, still a bit cliched in my opinion but not like Slumdog so obviously they have updated their views. Everything from the traffic gag to Pav’s rant about chai tea had the theatre howling. Also the detail of the thought boxes (?) and sounds being written in Hindi 
-Screaming DANIEL KALUUYA
-My friend and I are huge fans of the UK punk scene (her for the ideologies and myself for the music and fashion) so Hobie was a dream come true. He was already super cool with his guitar and mohawk costume but when he revealed his face it was just so amazing
-Gayatri is every indian’s dream girl with her modern shirt-flannel and jeans combo mixed with bangles and piercings I really wish we get to see more of her in the next movie. Anyway there was a lot of wolf-whistling and hooting for her and Pav
-Also Pavitr literally means pure I don’t know if they did that on purpose or not but I love it
-His pet name being Pav cured my soul
-’This is the most emotional I have seen him’ and Captain Singh has no emotions at all
-I want to see how they came up with so many spider designs because each was so unique and immediately endearing. My friend who is also a big dinosaur fan screamed DINOSAUR 
-Kind of obsessed with how detailed Ben Reilly’s arms are they did not need to go that hard with it
-Tom Holland’s Spider-Man being referred to as ‘the little nerd’ by Miguel
-When everyone was making puns about the Spot my friend leaned over and said ‘i wonder which hole the spot prefers’ it is a miracle we are still friends actually
-The Donald Grover cameo!!!
-Peter B Parker having a cute little baby with the love of his life is what he deserves
-Miguel O Hara is one step away from becoming a Batman-Spiderman 
-Hobie’s admiration for Mayday being the avatar of chaos Spider-baby
-Screaming ANDY SAMBERG
-I think they saw the appreciation for the art style in the previous film and then trebled it for this film and I cannot thank them enough for it
-Peter complaining about how Miguel breaks the Spiderman tradition of being funny and witty and Miguel being the first anomaly 
-Every scene with the Spot is very unnerving because as I said, you watch him transform from this joker to a literal void of vengeance and it is every bit of terrifying
-Miguel is a man suffering from the destruction of an entire universe because of his selfish actions and forcing that anomaly narrative on a fifteen year old boy who became a spiderman on accident and doesn’t want his father to die because of that. Unlike the Spot, who isn’t even human anymore, Miguel is drowning in grief and guilt and trying to ignore it by holding the weight of the spider-verse on his shoulder. I hated him so much for making a boy go through that but then I just couldn’t in the end. 
-Andrew Garfield and Tobey Maguire cameo!!! Hopefully we’ll get a fun Tom Holland one too in the next movie.
-’Let me guess, he died?’ being a therapist for Spider Men must be a fairly boring job after a few patients.
-I just loved the absolute of wrongness of the scene where Miles returns ‘home’. The rain and darkness. I didn’t really think about Rio asking Miles what happened to his hair because I thought she was referring to the rain (although of course she wouldn’t ask him why his hair was wet when it was obviously raining outside) but realised something was wrong when he didn’t know about comic con but she did because in the first film there’s a joke about Peter B Parker explaining the concept to Miles. 
- This movie is not good for my father related issues
-The glaring neon welcome sign when the gang end up in Earth 42
-How did Uncle Aaron get even scarier? 
-Miles being the Prowler is honestly a great twist I saw it coming but still felt the shock of the reveal
-Prowler Miles having an accented voice meaning his father probably died when he was young and he only had his mom growing up
-Can’t wait for the original spider team to return for the third film seeing as they brought back Spider-Man Noir and Spider Ham and Peni Parker
-Screaming WHAT when the ‘to be continued’ appeared because that cliffhanger is absolutely destructive. All that adrenaline and excitement just popped. I’m still oscillating between being impressed and being disappointed. 
I probably skipped over a lot of other scenes because these were the most memorable and I only watched the film once (unfortunate) but I can’t wait for the movie to hit streaming services and watch it again and again for all the other details I missed. Ill probably keep adding things as I remember
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eyrieofsynapses · 4 months
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why Aurora's art is genius
It's break for me, and I've been meaning to sit down and read the Aurora webcomic (https://comicaurora.com/, @comicaurora on Tumblr) for quite a bit. So I did that over the last few days.
And… y'know. I can't actually say "I should've read this earlier," because otherwise I would've been up at 2:30-3am when I had responsibilities in the morning and I couldn't have properly enjoyed it, but. Holy shit guys THIS COMIC.
I intended to just do a generalized "hello this is all the things I love about this story," and I wrote a paragraph or two about art style. …and then another. And another. And I realized I needed to actually reference things so I would stop being too vague. I was reading the comic on my tablet or phone, because I wanted to stay curled up in my chair, but I type at a big monitor and so I saw more details… aaaaaand it turned into its own giant-ass post.
SO. Enjoy a few thousand words of me nerding out about this insanely cool art style and how fucking gorgeous this comic is? (There are screenshots, I promise it isn't just a wall of text.) In my defense, I just spent two semesters in graphic design classes focusing on the Adobe Suite, so… I get to be a nerd about pretty things…???
All positive feedback btw! No downers here. <3
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I cannot emphasize enough how much I love the beautiful, simple stylistic method of drawing characters and figures. It is absolutely stunning and effortless and utterly graceful—it is so hard to capture the sheer beauty and fluidity of the human form in such a fashion. Even a simple outline of a character feels dynamic! It's gorgeous!
Though I do have a love-hate relationship with this, because my artistic side looks at that lovely simplicity, goes "I CAN DO THAT!" and then I sit down and go to the paper and realize that no, in fact, I cannot do that yet, because that simplicity is born of a hell of a lot of practice and understanding of bodies and actually is really hard to do. It's a very developed style that only looks simple because the artist knows what they're doing. The human body is hard to pull off, and this comic does so beautifully and makes it look effortless.
Also: line weight line weight line weight. It's especially important in simplified shapes and figures like this, and hoo boy is it used excellently. It's especially apparent the newer the pages get—I love watching that improvement over time—but with simpler figures and lines, you get nice light lines to emphasize both smaller details, like in the draping of clothing and the curls of hair—which, hello, yes—and thicker lines to emphasize bigger and more important details and silhouettes. It's the sort of thing that's essential to most illustrations, but I wanted to make a note of it because it's so vital to this art style.
THE USE OF LAYER BLENDING MODES OH MY GODS. (...uhhh, apologies to the people who don't know what that means, it's a digital art program thing? This article explains it for beginners.)
Bear with me, I just finished my second Photoshop course, I spent months and months working on projects with this shit so I see the genius use of Screen and/or its siblings (of which there are many—if I say "Screen" here, assume I mean the entire umbrella of Screen blending modes and possibly Overlay) and go nuts, but seriously it's so clever and also fucking gorgeous:
Firstly: the use of screened-on sound effect words over an action? A "CRACK" written over a branch and then put on Screen in glowy green so that it's subtle enough that it doesn't disrupt the visual flow, but still sticks out enough to make itself heard? Little "scritches" that are transparent where they're laid on without outlines to emphasize the sound without disrupting the underlying image? FUCK YES. I haven't seen this done literally anywhere else—granted, I haven't read a massive amount of comics, but I've read enough—and it is so clever and I adore it. Examples:
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Secondly: The beautiful lighting effects. The curling leaves, all the magic, the various glowing eyes, the fog, the way it's all so vividly colored but doesn't burn your eyeballs out—a balance that's way harder to achieve than you'd think—and the soft glows around them, eeeee it's so pretty so pretty SO PRETTY. Not sure if some of these are Outer/Inner Glow/Shadow layer effects or if it's entirely hand-drawn, but major kudos either way; I can see the beautiful use of blending modes and I SALUTE YOUR GENIUS.
I keep looking at some of this stuff and go "is that a layer effect or is it done by hand?" Because you can make some similar things with the Satin layer effect in Photoshop (I don't know if other programs have this? I'm gonna have to find out since I won't have access to PS for much longer ;-;) that resembles some of the swirly inner bits on some of the lit effects, but I'm not sure if it is that or not. Or you could mask over textures? There's... many ways to do it.
If done by hand: oh my gods the patience, how. If done with layer effects: really clever work that knows how to stop said effects from looking wonky, because ugh those things get temperamental. If done with a layer of texture that's been masked over: very, very good masking work. No matter the method, pretty shimmers and swirly bits inside the bigger pretty swirls!
Next: The way color contrast is used! I will never be over the glowy green-on-black Primordial Life vibes when Alinua gets dropped into that… unconscious space?? with Life, for example, and the sharp contrast of vines and crack and branches and leaves against pitch black is just visually stunning. The way the roots sink into the ground and the three-dimensional sensation of it is particularly badass here:
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Friggin. How does this imply depth like that. HOW. IT'S SO FREAKING COOL.
A huge point here is also color language and use! Everybody has their own particular shade, generally matching their eyes, magic, and personality, and I adore how this is used to make it clear who's talking or who's doing an action. That was especially apparent to me with Dainix and Falst in the caves—their colors are both fairly warm, but quite distinct, and I love how this clarifies who's doing what in panels with a lot of action from both of them. There is a particular bit that stuck out to me, so I dug up the panels (see this page and the following one https://comicaurora.com/aurora/1-20-30/):
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(Gods it looks even prettier now that I put it against a plain background. Also, appreciation to Falst for managing a bridal-carry midair, damn.)
The way that their colors MERGE here! And the immense attention to detail in doing so—Dainix is higher up than Falst is in the first panel, so Dainix's orange fades into Falst's orange at the base. The next panel has gold up top and orange on bottom; we can't really tell in that panel where each of them are, but that's carried over to the next panel—
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—where we now see that Falst's position is raised above Dainix's due to the way he's carrying him. (Points for continuity!) And, of course, we see the little "huffs" flowing from orange to yellow over their heads (where Dainix's head is higher than Falst's) to merge the sound of their breathing, which is absurdly clever because it emphasizes to the viewer how we hear two sets of huffing overlaying each other, not one. Absolutely brilliant.
(A few other notes of appreciation to that panel: beautiful glows around them, the sparks, the jagged silhouette of the spider legs, the lovely colors that have no right to make the area around a spider corpse that pretty, the excellent texturing on the cave walls plus perspective, the way Falst's movements imply Dainix's hefty weight, the natural posing of the characters, their on-point expressions that convey exactly how fuckin terrifying everything is right now, the slight glows to their eyes, and also they're just handsome boys <3)
Next up: Rain!!!! So well done! It's subtle enough that it never ever disrupts the impact of the focal point, but evident enough you can tell! And more importantly: THE MIST OFF THE CHARACTERS. Rain does this irl, it has that little vapor that comes off you and makes that little misty effect that plays with lighting, it's so cool-looking and here it's used to such pretty effect!
One of the panel captions says something about it blurring out all the injuries on the characters but like THAT AIN'T TOO BIG OF A PROBLEM when it gets across the environmental vibes, and also that'd be how it would look in real life too so like… outside viewer's angle is the same as the characters', mostly? my point is: that's the environment!!! that's the vibes, that's the feel! It gets it across and it does so in the most pretty way possible!
And another thing re: rain, the use of it to establish perspective, particularly in panels like this—
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—where we can tell we're looking down at Tynan due to the perspective on the rain and where it's pointing. Excellent. (Also, kudos for looking down and emphasizing how Tynan's losing his advantage—lovely use of visual storytelling.)
Additionally, the misting here:
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We see it most heavily in the leftmost panel, where it's quite foggy as you would expect in a rainstorm, especially in an environment with a lot of heat, but it's also lightly powdered on in the following two panels and tends to follow light sources, which makes complete sense given how light bounces off particles in the air.
A major point of strength in these too is a thorough understanding of lighting, like rim lighting, the various hues and shades, and an intricate understanding of how light bounces off surfaces even when they're in shadow (we'll see a faint glow in spots where characters are half in shadow, but that's how it would work in real life, because of how light bounces around).
Bringing some of these points together: the fluidity of the lines in magic, and the way simple glowing lines are used to emphasize motion and the magic itself, is deeply clever. I'm basically pulling at random from panels and there's definitely even better examples, but here's one (see this page https://comicaurora.com/aurora/1-16-33/):
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First panel, listed in numbers because these build on each other:
The tension of the lines in Tess's magic here. This works on a couple levels: first, the way she's holding her fists, as if she's pulling a rope taut.
The way there's one primary line, emphasizing the rope feeling, accompanied by smaller ones.
The additional lines starbursting around her hands, to indicate the energy crackling in her hands and how she's doing a good bit more than just holding it. (That combined with the fists suggests some tension to the magic, too.) Also the variations in brightness, a feature you'll find in actual lightning. :D Additional kudos for how the lightning sparks and breaks off the metal of the sword.
A handful of miscellaneous notes on the second panel:
The reflection of the flames in Erin's typically dark blue eyes (which bears a remarkable resemblance to Dainix, incidentally—almost a thematic sort of parallel given Erin's using the same magic Dainix specializes in?)
The flowing of fabric in the wind and associated variation in the lineart
The way Erin's tattoos interact with the fire he's pulling to his hand
The way the rain overlays some of the fainter areas of fire (attention! to! detail! hell yeah!)
I could go on. I won't because this is a lot of writing already.
Third panel gets paragraphs, not bullets:
Erin's giant-ass "FWOOM" of fire there, and the way the outline of the word is puffy-edged and gradated to feel almost three-dimensional, plus once again using Screen or a variation on it so that the stars show up in the background. All this against that stunning plume of fire, which ripples and sparks so gorgeously, and the ending "om" of the onomatopoeia is emphasized incredibly brightly against that, adding to the punch of it and making the plume feel even brighter.
Also, once again, rain helping establish perspective, especially in how it's very angular in the left side of the panel and then slowly becomes more like a point to the right to indicate it's falling directly down on the viewer. Add in the bright, beautiful glow effects, fainter but no less important black lines beneath them to emphasize the sky and smoke and the like, and the stunningly beautiful lighting and gradated glows surrounding Erin plus the lightning jagging up at him from below, and you get one hell of an impactful panel right there. (And there is definitely more in there I could break down, this is just a lot already.)
And in general: The colors in this? Incredible. The blues and purples and oranges and golds compliment so well, and it's all so rich.
Like, seriously, just throughout the whole comic, the use of gradients, blending modes, color balance and hues, all the things, all the things, it makes for the most beautiful effects and glows and such a rich environment. There's a very distinct style to this comic in its simplified backgrounds (which I recognize are done partly because it's way easier and also backgrounds are so time-consuming dear gods but lemme say this) and vivid, smoothly drawn characters; the simplicity lets them come to the front and gives room for those beautiful, richly saturated focal points, letting the stylized designs of the magic and characters shine. The use of distinct silhouettes is insanely good. Honestly, complex backgrounds might run the risk of making everything too visually busy in this case. It's just, augh, so GORGEOUS.
Another bit, take a look at this page (https://comicaurora.com/aurora/1-15-28/):
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It's not quite as evident here as it is in the next page, but this one does some other fun things so I'm grabbing it. Points:
Once again, using different colors to represent different character actions. The "WHAM" of Kendal hitting the ground is caused by Dainix's force, so it's orange (and kudos for doubling the word over to add a shake effect). But we see blue layered underneath, which could be an environmental choice, but might also be because it's Kendal, whose color is blue.
And speaking off, take a look at the right-most panel on top, where Kendal grabs the spear: his motion is, again, illustrated in bright blue, versus the atmospheric screened-on orange lines that point toward him around the whole panel (I'm sure these have a name, I think they might be more of a manga thing though and the only experience I have in manga is reading a bit of Fullmetal Alchemist). Those lines emphasize the weight of the spear being shoved at him, and their color tells us Dainix is responsible for it.
One of my all-time favorite effects in this comic is the way cracks manifest across Dainix's body to represent when he starts to lose control; it is utterly gorgeous and wonderfully thematic. These are more evident in the page before and after this one, but you get a decent idea here. I love the way they glow softly, the way the fire juuuust flickers through at the start and then becomes more evident over time, and the cracks feel so realistic, like his skin is made of pottery. Additional points for how fire begins to creep into his hair.
A small detail that's generally consistent across the comic, but which I want to make note of here because you can see it pretty well: Kendal's eyes glow about the same as the jewel in his sword, mirroring his connection to said sword and calling back to how the jewel became Vash's eye temporarily and thus was once Kendal's eye. You can always see this connection (though there might be some spots where this also changes in a symbolic manner; I went through it quickly on the first time around, so I'll pay more attention when I inevitably reread this), where Kendal's always got that little shine of blue in his eyes the same as the jewel. It's a beautiful visual parallel that encourages the reader to subconsciously link them together, especially since the lines used to illustrate character movements typically mirror their eye color. It's an extension of Kendal.
Did I mention how ABSOLUTELY BEAUTIFUL the colors in this are?
Also, the mythological/legend-type scenes are illustrated in familiar style often used for that type of story, a simple and heavily symbolic two-dimensional cave-painting-like look. They are absolutely beautiful on many levels, employing simple, lovely gradients, slightly rougher and thicker lineart that is nonetheless smoothly beautiful, and working with clear silhouettes (a major strength of this art style, but also a strength in the comic overall). But in particular, I wanted to call attention to a particular thing (see this page https://comicaurora.com/aurora/1-12-4/):
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The flowing symbolic lineart surrounding each character. This is actually quite consistent across characters—see also Life's typical lines and how they curl:
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What's particularly interesting here is how these symbols are often similar, but not the same. Vash's lines are always smooth, clean curls, often playing off each other and echoing one another like ripples in a pond. You'd think they'd look too similar to Life's—but they don't. Life's curl like vines, and they remain connected; where one curve might echo another but exist entirely detached from each other in Vash's, Life's lines still remain wound together, because vines are continuous and don't float around. :P
Tahraim's are less continuous, often breaking up with significantly smaller bits and pieces floating around like—of course—sparks, and come to sharper points. These are also constants: we see the vines repeated over and over in Alinua's dreams of Life, and the echoing ripples of Vash are consistent wherever we encounter him. Kendal's dream of the ghost citizens of the city of Vash in the last few chapters is filled with these rippling, echoing patterns, to beautiful effect (https://comicaurora.com/aurora/1-20-14/):
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They ripple and spiral, often in long, sinuous curves, with smooth elegance. It reminds me a great deal of images of space and sine waves and the like. This establishes a definite feel to these different characters and their magic. And the thing is, that's not something that had to be done—the colors are good at emphasizing who's who. But it was done, and it adds a whole other dimension to the story. Whenever you're in a deity's domain, you know whose it is no matter the color.
Regarding that shape language, I wanted to make another note, too—Vash is sometimes described as chaotic and doing what he likes, which is interesting to me, because smooth, elegant curves and the color blue aren't generally associated with chaos. So while Vash might behave like that on the surface, I'm guessing he's got a lot more going on underneath; he's probably much more intentional in his actions than you'd think at a glance, and he is certainly quite caring with his city. The other thing is that this suits Kendal perfectly. He's a paragon character; he is kind, virtuous, and self-sacrificing, and often we see him aiming to calm others and keep them safe. Blue is such a good color for him. There is… probably more to this, but I'm not deep enough in yet to say.
And here's the thing: I'm only scratching the surface. There is so much more here I'm not covering (color palettes! outfits! character design! environment! the deities! so much more!) and a lot more I can't cover, because I don't have the experience; this is me as a hobbyist artist who happened to take a couple design classes because I wanted to. The art style to this comic is so clever and creative and beautiful, though, I just had to go off about it. <3
...brownie points for getting all the way down here? Have a cookie.
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gremlingottoosilly · 4 months
Text
Lego still not sponsoring me (dark!Konig x fem!Reader)
Konig is a nerd who needs to get sprayed with water for being a fucking creep. You're an adorable cashier at the Lego Store in Berlin who doesn't know any better and is too nice to lose. He will have you. Mostly because he wants someone to do his Lego sets with.
Details count: 2922 AO3 TW and Tags: Dub-con/Non-con, age gap, size difference, kidnapping, awkward colonel Konig, nerd Konig, hurt/comfort, Konig's POV(mostly), awkward German, yandere Konig.
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You didn’t want to build Millenium Falcon with him. 
You didn’t want to shower or eat, you didn’t want to do anything besides crying, and even though your tears, as he expected, were beautiful and adorable, it was kinda hard for König to take care of your mental and physical needs while he was rock hard from watching you cry so sweetly. 
König is patient, kind, and a model citizen through and through. Why are you upset? He is doing everything he can, just to make you smile! Seriously, Schatzi, the desire to make him as miserable as you possibly can doesn’t make you pretty or cute or even the least bit adorable. Good thing that he is used to feeling sad and kinda of bullied – you’re lucky he doesn’t even try to feel good anymore. Not in his destiny book to live a good life. — I brought food. 
You groan lightly, whimpering somewhere in the corner of his basement. To your justification, his basement is a bit dirty. He forgot to visit the house for months after deployment, which was never enough to fill out the blanks of loneliness in the empty rooms. His dogshits methods of choosing decorations also made the mere existence in the house a hard mission even in itself. He looked at the anime posters in the guest rooms, which made him want to sell the property to anyone willing to pay 50 Euros for the processing fees. The posters(Sword Art Online because why the hell not, he likes cool swords and a power fantasy about a loser getting the chick) and artwork of his queen and savior, The Busty Blond Lady From Fate because, unlike those waifu-obsessed freaks, he did have a life and not enough time to actually remember her name. Something about light sabers. Or cats. — Are you going to kill me? 
He sighs because you sound like a broken record. All the time – the questions about his intentions, like you can’t see the tent in his pants every time you open your eyes, about letting you go, about at least allowing you to text your family that you decided to change your country of residence and would need to revoke your German visa. You’re way more soft than he thought you’d initially be – no fighting, no arguing, just pure terror and desire to die every time his hands brush over you. König is a sweet guy, as sweet as someone like him can be – but he only has a few weeks until his next mission, and even a few days of your moping around is bound to make him not just blue-balled, but also very, extremely, offensively hot-headed. 
He spent two days with you chained up in his basement and, he thinks, that should be enough for foreplay. He is extremely generous and kind – usually, at this point, he’d already start breaking the fingers of whoever poor fuck is his torture victim for the mission. 
— I don’t want to kill you. 
You whimper – somehow, his answer didn’t calm you down. Fucking women and their inability to talk to their kidnappers – he considers spiking your food just this once, so he could have a nice session with your little drunk self and some roofies but, of course, he is a nice guy who brought you takeout in a reheatable container, with a cute plastic fork and some sparkling water in a glass, just so you won’t feel like he is making you eat some garbage. It’s good food, too – he’d love to cook like this, but the heights of his skills are runny eggs and burnt coffee. He hopes you like the Italian because it’s the most inoffensive stuff he could have brought you without resorting to pizza and cup noodles. He will never let you eat cup noodles on his watch. 
— Are you going to rape me? 
He can’t exactly say no because, as a matter of fact, pulling your cute body under his is one of his intentions. He wanted to do it since he was you in this fucking store, but, of course. saying this to a pretty girl is lame. And completely counter-productive. And would make him a villain in your eyes, even though he tries so fucking hard to be a hero. He can make you feel good if you were to just open your pretty legs for him and moan under his tongue – god knows, he wants to make you feel good. He wonders what would it take for him to please you. If he could have a full-time job at this. 
— Nein. Thought I told you already. 
— I don’t…I shouldn’t believe you. 
He shook his head, pushing the plate(he had to go out of his way to actually put the pasta from the tray to a proper plate, enjoy this, woman) towards you. You’re adorable like this – naked, trembling, a bit too weak to actually fight him over not eating anything for the past two days – you’re repeating the same conversation over and over again and König wouldn’t mind living in a groundhog day if the loop would end with his fucking you on that thin mattress each time. 
Speaking of mattresses – he needs to get you a thicker one. 
Speaking of thicker mattresses – he needs to relocate you into his bedroom as soon as possible. 
Speaking of his bedroom – he is fucking bricked. 
— If you don’t trust me, why do you ask? 
You bite your lips. He can see you’re hungry and thirsty – he doesn’t want to forcefully feed you, so, yeah, you better be very hungry very soon. He pushes the plate towards you, hoping you won’t launch it on his head. He survived worse, a 6’4 British dude in a ski mask falling on him with the speed of Brexit, but getting hit by a plate when your angry girlfriend is being an angry girlfriend is…the best thing that could ever happen to him, actually. Gott, he is miserable. 
— I…I don’t know. Don’t want to get killed. 
— I won’t kill you. 
— But you will hurt me. 
— I don’t have to do that, Liebling. 
No, he doesn’t. 
But he sees the way your plushy thighs are squeezing into that tiny corner where your mat is, your squishy body getting all shaky and trembly, your lips in a tight line with tiny blood droplets from biting on them too much – and, by his fucking god, you’re beautiful. He wants to make you wet, to make you squirm, to make you beg and cry for mercy as he pounds into the sweetness of your cunt. He wants to try you on the inside and out, lick you all over from the inside, and then make you lick your love juices from his lips. 
König knows he is hard and can’t really hide it – it’s useless now, really, he is being very nice and considerate to you. Changing your life is hard, especially with how quickly you moved to his place – like a good boyfriend, he should help you adjust. And aid you in recognizing that he is, in fact, your boyfriend and future husband. The perfect partner to ever exist. — What is it? 
— Pasta. It’s…it’s good. Should be good. He is nervous, anxious. Seeing a pretty girl in her natural habitat – a Lego store – is one thing. He was barely able to talk to you properly, especially right after his deployment, where the only female attention he ever got was Roze asking to cover her or additional female soldiers groaning in pain as he stomped them. But you…he shouldn’t be colonel around you – absolutely not. You’re soft and civilian, you’re as polite as a girl in a basement could be, and you deserve to have something nice for once in your life. Licking his lips, König gently picks up a fork and presses a small amount of pasta – rich, creamy, with some nice cheese that smells divine - -against your lips. 
You refuse.
A smart move, he could have poisoned it – so he thinks for a few seconds, staring at you like a smart girlie you are, and then – lifts his hood. If only barely, revealing his scarred chin and bruised lips. The initial swelling after getting his head bumped by a guy who was speaking like an edgy teenager in the Counter-Strike lobby was already gone by the time he managed to get you into his basement – but no amount of rest could hide all other marks from his job. 
Despite being a seasoned mercenary with hundreds of killed targets and completed objectives, he feels…insecure. You’re a nice girl, a good girl, the type that used to look at him with hatred while he was bullied at school. Hatred or pity – but you only look at him with fear, and it cements his understanding that you’re not going to give in to loving him so easily.
König sighs deeply, his lips, curved into that awkward, boyish smile that creeps on his face every time he as much as thinks about you, now transforming into a scowl as you proceed to whimper and try to get lost in the wall behind you. Like he wouldn’t be able to track your scent if you would disappear. He slowly presses his fork towards his mouth, chewing on the food – showing you that it’s not poisoned. 
He smiles again when he sees you slowly parting your lips, expecting him to feed you with less of a fuss. He’d propose something else – maybe even untying your hands and allowing you to actually for yourself, but something in your helpless state made his cock throb in his pants. God, König knows he isn’t his strongest soldier, but could he please make you less adorable? He doesn’t want to push you on your knees and make you suck on him until he whimpers, but the way you lick all of the cheese from your lips and try your best to look presentable in front of him… The process of feeding someone shouldn’t really be sexual, but König gently pushes the hair away from your face and lifts up the fork over and over, sometimes only changing to bring a glass of water to your lips. He can do this all day. Every day. Pleasing you already becomes second nature – and he spends most of his life thinking that the only thing he can take care of is his rifle and a few tortured enemies that need their teeth extracted. You require gentle handling – and he wants nothing more but to give you that. Just…a bit later. Preferably after the already came in your pussy at least two or three times and made you choke on his dick as a little thank-you gift. 
You finish eating after a short while, thanking him for bringing you a napkin to clean your lips. König gently caresses your head, enjoying the sensation of your hair under his palm – it’s like petting a cat. A soft little pet just for him and no one else – if only he could actually bring you to like him. He has a few bond activities in mind, though. — You liked it, ja? 
You lick your lips again, and his breath hitches. This is going to be hard, this is going to be impossible, it’s worse than having to work with high Krueger on a ship that made everyone feel like they were the ones doing crack in the backroom of their makeshift base. 
— I…I did. 
He pets your head again like you’re his pet – and you gently move your head to lean into his touch. Perhaps you’re dumber than he thinks. Or way smarter – a clever strategy to make him relax and nice to you without making him too suspicious. You slowly get back into your corner, but König wouldn’t have any of it – he drags you back by your arm, making you whimper and sob in his hold. It’s bad, he doesn’t want you to squirm from under him as much as you do, but…if you don’t want to be a good girl, he might as well force you to. 
You cry as he pushes you deep into the corner, his hands roaming over your body. Thank god he ripped your clothes before you woke up – now there isn’t anything protecting you from his hands, not even that adorable bra he ripped in pieces because, as much as he loved wearing a uniform with straps and buttons everywhere, he could not figure out how to take this thing off you without breaking it. The last time he was sleeping with a woman, she wore a sports bra that could be taken off easily. It’s your fault that you decided to be more girly, really. Not his. 
His hands cup your breasts roughly. Tugs and twists your nipples, a few shaky moans telling him exactly how sensitive you are – he might not have a girl in a hot minute, too busy with being the best freaking mercenary in the world, but even he knows how to take care of a pretty thing like you. Your tits fit in his hands perfectly, even more, reasons to believe you were just made for him. Not for some lame job at a Lego store counter – you should be waiting on your knees in his bedroom, with your mouth open wide and neat to fit his cock right in. With some sweet things lingering on your tongue as he bullies himself right in, getting what he deserves for protecting peace – and installing violence – while doing his job. He might not be the best freaking guy around, but he deserves something nice. 
He pinches your nipples until they’re firm and swollen, every little cry escaping from your lips is only encouraging him to proceed. Licks on the open skin of your neck until his eneve stubble makes you whimper from how sensitive you are – it should be painful, he thinks, with how bloody the little bite marks from his teeth have become. 
König marks you as thoroughly as possible, smiling each time you cry and beg for him to stop. You’re changing between bad German and good English, between loud cries and small whimpers, which he can’t determine from pleasure to pain. Not like he cares, too determined to make you cry his name – even though you probably don’t know it. All of his desires to claim you taking full power now, not listening to the way you plead with him. Whimper for him. Your skin is a clear canvas, allowing him to paint you with hickeys and marks, enjoying the little blood droplets covering your collarbones. 
— Quiet, please. Don’t…don’t move, Schatzi. I don’t want to hurt you. 
— Please, please, just…anything but… — Won’t take long. Promise. 
— I don’t want to- — Quiet. I know you don’t, Liebling. Just…Scheisse, you…fuck. 
— Stop! — Can’t. I apologize, Schatzen. Relax for me, ja?
He whispers, he whimpers, he is almost out of his mind when he can finally put his tongue on your swollen nipples. For some weird, depraved reason, he almost expects the milk to start flowing from your chest, allowing him to drink up as much as he wants. If he could get you pregnant, he might enjoy it for a few months – although having a kid on his hip isn’t as fun as it could have. He tried to babysit Hutch kids once when he brought them to base – and it was the worst fucking day of his life. Besides, little children can’t be around Legos – it's already a deal breaker for someone like him. 
Speaking of legos…
You wiggle in his grasp, as good as you can with your hands still in the handcuffs – he should give you that one, at least you aren’t just laying lifelessly in front of him. At least you’re putting up a fight. At least he doesn’t feel too bad about restraining you without proper reasoning. You lick your lips again, that cute tongue of yours going over all the bite marks. You take a deep breath, shaking in his hold. God, he can just look in your face the whole day – barely knows how to handle himself around you. — I…I thought you wanted to…build this set with me? Smart girl. Way smarter than he gave you credit for – you know how to make him stop in his tracks and finally look at you differently. Maybe, you’re too good for him. Maybe, he doesn’t really care about that. Millennium Falcon, still sitting in the box – König hoped you’d start slowly putting it together but, seemingly, you need a bit of encouragement. The only thing that could tug him away from your breasts is the expensive set sitting just next to him. 
Might start bonding with you as well. He tugs away from your nipples with a loud pop, an obnoxiously wet sound emerging as a thin line of saliva connects your breasts and his tongue. You whimper when he smiles, that scarred face of his twisting in a huge grin. Knows he’s not the most charming person around, but it’s not like you have any choice now – not with the limited options he gave you. Like a good girl, you’d probably pick doing Lego Sets with him than taking his cock in that tight pussy of yours. He’d be satisfied with any outcome. — J…ja. I’d like that.  He has to give this one to you – you really know how to get a man going.
Bu building this insane set with him, that is.
969 notes · View notes
1for5 · 3 days
Text
perks of having a basketball player mom.
paige bueckers x reader
⠂⠄⠄⠂⠁⠁⠂⠄⠄⠂⠁⠁⠂⠄⠄⠂ ⠂⠄⠄⠂🏀
your mom is a “cool mom”. she’s a very successful person. from being a basketball star in her high school to being scouted to uconn for her skills, and to being drafted the wnba.
she played with indiana fever, and stopped playing at 26, as she met your dad and had dreamt of a family. many people didn’t like her decision of stopping basketball, but as she will get better salary at a different field she’s also good in (marketing), and since she wanted a family, she didn’t care about all the negative comments.
she had a good career in basketball, but a woman can change her dreams. people should always be supportive of the goals women have, even if a woman wants to create a family. let women be happy!
2 years later, she had you. you grew up to be very different from your mom. you hated basketball, it’s not a sport where you excel. you excelled in ballet as all parents do, they placed you in a ballet class at the age of 3. you loved doing ballet ever since, and your parents supported you in every step you took.
as a shining ballerina, you’ve been studying in college at the julliard school. you started 2 years ago, and now in your junior year of college. you’ve been training hard to become a professional ballet dancer.
college has been really stressful for you, but luckily it was the last week of march, which is the start of spring break for you.
you book a flight to cleveland that week, as you’re parents are there to see your family friend. as a uconn star, your mom has been friends with uconn’s basketball coach—coach geno. coach geno has been your mom’s coach during her senior year in college, and has been family ever since. coach geno was your mom’s figuratively “cool uncle.”
you arrived at cleveland, and texted your parents that you’re on the way to your hotel. when you arrived, your parents were estatic to see you, asking you many details about your recent week.
after having a conversation, your parents invited you to eat dinner with your family friend. you said yes, and everyone started to get ready.
you and your parents headed to the restaurant, and saw coach geno at the entrance waiting for your family.
“its coach!” your mom said. “hey kiddo! glad you guys are here, glad to have you guys support our team.” coach geno shaked hands with you and your father. your mind began to think.. support? how..?
“how are you coach geno?” you asked, as your family and coach geno settle down on a table. “doing good! your parents haven’t told you this yet, but I’m actually here for a uconn final four game against iowa, and I’ve got tickets for you and your parents. you want to come?” coach geno explained.
so that’s the support he was talking about. iowa also rang a bell in your mind, many of your classmates in school are obsessed with an iowa player. caitlin clark? you think.
you haven’t really watched a basketball game for so long, but the basketball spirit is always fun. you answered a “yes” to coach geno. your parents, especially your mom, were very excited to come to the game. you all then had a good time eating lunch.
fast forward to the following day, which was game day. your mom wanted everyone to wear a uconn clothing. she gave you a “vintage” dark blue baby tee that has uconn at the front. you paired it with a white ruffled skirt and rubber shoes.
it was 9am, and geno was advicing your family to come at the basketball stadium by 10am as he wants the team to introduce your family to the team, especially your mom, since she was a uconn player.
you were doing your hair, a simple half ponytail, and your mom asked you and your dad if you were both ready to leave.
your dad hasn’t really gotten ready yet, and your family just decided to leave at 9:30am. this gave you more time to get your makeup done and prepare your belongings.
after getting ready, you and your parents travelled to the stadium. geno met your family at the front of the stadium, which was already packed with fans. people were also talking about your mom being there, many of the people trying to get a glimpse of a wnba star.
geno then guided you guys inside of the stadium, which had both iowa and uconn media teams getting ready for their interviews and commentaries. walking past them, you and your family made it to uconn’s designated locker room and waiting area.
you see uconn’s women’s basketball team, who were all very excited to meet your mom.
“you know who this is ladies, and with her are her family. that’s her husband and daughter” coach geno introduced you and your dad to the team as well.
everyone were saying their “hello”s, and after your mom having a small chit chat with the team, she and your dad were hungry.
“coach, there are many food stalls around the stadium right? im famished, ill eat first, ill come back after” your mom stated, fixing her belongings.
“yeah there’s a lot! no problem.” coach geno smiled. “hey y/n, you wanna come with us or stay here?” your mom asked. you were actually already talking to a member, nika, and was enjoying the conversation.
“can i stay here mom? i still feel full since i ate leftovers from last night.” you asked, your parents nod and told you to keep safe.
after your parents leave, the team got more chaotic as time passed by. you just continued chatting with nika.
“so, any hobbies?” nika asked, while offering you a small pack of doritos she got from a table. “well.. i would want to do ballet for a living.” you responded, accepting her snack offer.
“no way!!! do you do it as an extracurricular after school?” she said with an excited-and-suprised-at-once tone. “well, i study at julliard so, i do ballet for my studies basically.” you explained.
“you do ballet? that’s so cool! i cant even do a split!” kk butted in the conversation, with the others following.
everyone’s attention is now on you, all asking about how julliard works and your accomplishments. they were all just weirdly looking at your doritos, but you shrugged it off. they were probably all just craving it.
you then got to learn more about the team, how they were scouted, and their current training process and such. you loved everyone in the team.
kk is funny and kind, ice is sweet, aubrey is fun, nika is down to earth, and paige is friendly and sickeningly attractive.
those were just some of the team, and you were very enthusiastic to learn more about the others too.
“so, has your mom ever taught you basketball?” paige asked, her attractive voice and pretty face catching you off guard.
“oh uh, not really. her and dad play all the time though.. and i usually watch. not into basketball but i maybe know a thing or two.” you answered, your cheeks flushing.
“well that’s too bad, i wanted to see you hoop.” paige replied while spinning a basketball. kk then got it. “well i want to see paige do 10 pirouettes, you should teach her y/n.”
paige and y/n chuckled. “i would matic fail. y/n would not want to be friends with me anymore!” paige answered.
after about an hour of more chit chatting, it was now time for warm ups on the court. you were bidding your goodbyes and giving everyone a goodluck.
“i better see you shout chants y/n! ill wave at you when i see you!” paige said, tying her shoes. “bet you i will.” you smiled.
you then approached nika one again. “i will definitely shout whenever you score. goodluck nika!” you gave her a small hug.
“thank you y/n! had fun with you today! ill search you on instagram later. enjoy your doritos!” nika reciprocated your hug.
lastly, you approached coach geno, thanking him for letting you stay and told him goodluck. he thanked you back and gave you directions to the entrance of the stadium.
you then left the room, making your way to the entrance where your parents texted you to meet at. you then looked at the doritos once again, and saw a note.
you’re cute. can i take you out on a date?
if you would like to, don’t hesitate to text me
+01-NNN-NNN-NNN. <3 paige
you smiled hard, you can’t believe that the person you were secretly eyeing on was eyeing you too. well if it isn’t the perks of having a basketball player mom.
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ladyluscinia · 6 months
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What Exactly Did David Jenkins Say?
Look, I'm still staunchly of the opinion that Word of God statements and creator interviews are overvalued in fandom, especially when they get pulled out mostly as gotchas without then continuing to analyze whether or not the show canon is successful at getting across that same message. Death of the Author is good, actually, and we should remember that. But they are worth looking at in the context of evaluating intent vs execution, and for future speculation - just, like, please with less of the whole mile high pedestal idolizing and backlash cycles.
But if overvalued "Word of God" is annoying, then overvalued "supposed creator statements that have gone through three rounds of telephone and any given blogger has only heard about a quarter of them, which they'll use confidently anyway" is worse. So, since I'd already looked up interviews for various reasons...
Here is a fairly comprehensive list of interviews David Jenkins has given and statements he's made during them, presented without commentary (save curating which statements get highlighted). All provided with links. I definitely missed some, so if you have any that you want to add, please do - though if you could trim off any commentary and save it for tags / your own post with a link that would be cool.
Also, again, just because he said it doesn't make it incontrovertible canon that only a blind person wouldn't understand. Some of these even arguably contradict each other. The creator's intent doesn't always translate to what the show is doing, nor do you even have to think it was a good idea.
(Listed in chronological order from oldest to newest - post contains spoilers below the cut)
Pre-S1
Gizmodo - Feb 22, 2022 - with Cheryl Eddy (io9) - Link
Why this story - Really, it was the enigma of Stede that drew him in. "I think actual pirate stuff is fine, but it's not necessarily my cup of tea. And I think Taika [Waititi] felt similarly. But hearing about this guy and reading about him and seeing that, you know, he left his family, then he met Blackbeard, they hit it off, and we don't know any of the details in between. So filling those blanks in, and having a very human story, and then being able to do it with the pirate genre, that was like, 'Oh, this would be cool.'"
Post 1x01 - 1x03
Polygon - March 5, 2022 - with Tasha Robinson - Link
David Jenkins, Taika Waititi, and Rhys Darby interview
About Stede running off to sea - "Stede thought he could outrun his baggage, and you can't outrun your baggage."
About S1 - "I don't think there was enough improv on set! We had an insane schedule, with a huge amount of plot. We were budgeted and designed as a one-hour show, but with a half-hour production schedule, which means we really had to chase these episodes to get them shot. And then there are certain emotional beats that we really needed. So trying to find places to find the fun was hard."
Mashable - Mar 5, 2022 - with Belen Edwards - Link
About the show concept - "It was Jenkins' wife who first told him about Stede's adventures; she thought it would make a good TV show."
On casting Rhys Darby - "Stede did a terrible thing to his family. If you cast it wrong, he's a very hard character to get behind," Jenkins said. "Very quickly, the only person I thought of for this was Rhys [Darby]. He has this childlike quality that's endearing."
About the story - "Seeing them discover a need for each other that neither anticipated and charting how that relationship goes is the meat of the story." + "If you're on this ship, you're running from something, and you're running to something that you can't be on land"
Mentions of matelotage - "In fact, one of Jenkins's favorite pirate facts that he learned while working on Our Flag Means Death was the term matelotage, which was a civil union between same-sex pirates. "The more you look at it," he explained, "the more you write to the fact that this is a queer-positive world.""
Discussing piracy careers - "Something else that astounded Jenkins about pirates was "just how fast it all moved — their lives were quite short," he said. "Your career [in piracy] wasn't very long.""
Post 1x09 - 1x10
Decider - Mar 24, 2022 - with Kayla Cobb - Link
David Jenkins, Taika Waititi, and Rhys Darby interview
Pitch for the show - "That was in the pitch," series creator David Jenkins told Decider. "That was the reason, to make them fall in love with each other."
About the romance - "The main thing to me was to side-step coming out," Jenkins continued. "I just want a romance. I want a Titanic romance between these two people. We don't have to do the coming out story and then the non-binary story for Jim [Vico Ortiz]."
About S2 and the show - "The show is the relationship," Jenkins said. "So, we end in a place where there is this breakup. What happens after a breakup between these two people who, one’s realized he's in love and the other one is hurt in a way that he's never been hurt before? What does that do to each of them in an action, pirate world with them trying to find each other again? So again, I really love those rom-com beats."
Collider - Mar 24, 2022 - with Carly Lane - Link
On making it a romcom - "It's the only reason to make the show. If you didn't do that, it would just be weird. I mean, you're using the rom-com beats. You're using these like they're together. And it's funny because so we're so habituated to be like bromance, bromance, bromance, and it's such a simple move to put them together."
Discusses focusing on romance - "I guess I really... I get kind of bored. How much pirate can you do? They're going to rob stuff. They're going to steal ships. There's only so many pirate stories you can do. So if you're going to do a workplace story, I mean, you're essentially having this... You'd have this same amount of relationships in Grey's Anatomy in the ER. So it's standard. It's the most standard. We're making a soap opera on a pirate ship, and to use those soap opera beats... I like it, and I like the flavor in a comedy when you have something that's played genuinely up against very ridiculous things."
Discusses history and kissing scene
Discusses importance of going home to Mary - "Yeah, that was the problem for me in the story. I knew that I wanted to have the end where he goes home, because you need to give Mary her day in court. I just wanted to know from Mary's perspective what happened and then to see that, yeah, they're friends."
Is Lucius dead? - "You got to wait."
EW.com - Mar 25, 2022 - with Devan Coggan - Link
David Jenkins, Taika Waititi, and Rhys Darby interview
Pitch for the show - "To me, [Stede and Blackbeard's relationship] is the reason to make the show," Jenkins explains. "When Taika and I were first talking about it, he was like, 'Oh yeah, that's the show.' I first started reading about Stede and how he befriended Blackbeard and we don't know why. Very quickly, it was like, 'Oh, it's a romance.'"
Polygon - Mar 25, 2022 - with Tasha Robinson - Link
Discusses 3-season intent - "I think three seasons is good. I think we could do it in three."
Discusses acts within S1 - "To me, when you see him get stabbed, and the blood runs through his fingers, it’s like 'Oh, no, the clown got stabbed! And not comedy-stabbed, he got stabbed stabbed!' That to me is cool. And then having Blackbeard find him as the end of what would be the first act of our story felt good to me."
Discusses kiss scene filming and the national moment around gay rights
What to focus on a rewatch - "I think Con O'Neill does such a great job. He's such a complex character, and it's such a tortured relationship. And that's a love story too, between him and Blackbeard. It's a very dysfunctional story, but it's fun to watch. Watch that maybe, on a rewatch, looking where their relationship ultimately goes."
TV Insider - Mar 25, 2022 - with Meaghan Darwish - Link
Discusses show pitch - "When I was pitching [the show] to people, I'd be like, 'Okay, so it's about Stede and Blackbeard, and then they hit it off and then they fall in love.' And then people are like, 'Okay, cool,' Jenkins shares. "And then they really fall in love, and become intimately involved."
Discusses historical inspiration
Discusses S2 direction - "But when [Stede] goes to find [Blackbeard], he's gone and his crew's been abandoned. And so watching them try to negotiate that, that's a good rom-com beat," he adds.
The Verge - Apr 15, 2022 - with Charles Pulliam-Moore - Link
Discusses being surprised by queerbaiting legacy - "...part of me knew that, yes, Stede and Ed's romance was going to be real. But one part of me felt like, 'We're going to do this story, and they're going to kiss, and maybe that's not even going to be that big a deal. Maybe it'll just be a blip.'"
Discusses writing romance - "I'd never written a romance before this one, but I think with Ed and Stede, the question's always 'what's the need for each other?'"
Discusses falling in love and Stede's accidental seduction - "It made sense to have that love be almost like a teenage version of falling in love — one with all these intense and conflicting feelings. They're middle-aged, but Stede's young. Ed's young. Emotionally, they're like 16, and they've both got a lot to learn."
Discusses Con O'Neill as Izzy - "He plays an exhausted quality that's really lovely because this character could just be generically evil, and the way Con plays, it is like, he's credible. I believe that he can do some damage if he wanted to. My favorite thing I've seen about the show is somebody saying that Con's playing the only human with a bunch of Muppets. It does feel like that a bit where he's like Charles Grodin in The Great Muppet Caper."
On Izzy being in love with Blackbeard - "I think Izzy's deeply in love with Blackbeard, and it's a very dysfunctional kind of love, and he's like the jilted spouse who's losing his man to fucking Stede Bonnet, and he can't believe this is happening."
Discusses masculinity and piracy as an escape from that
Discusses diversity and trauma based stories - "And the consensus in that very diverse room was that we wanted to show that isn't just wallowing in trauma. We don't have to do a coming out scene or focusing on the trauma of it — not to say that those stories aren’t valid."
Gizmodo - Jun 20, 2022 - with Linda Codega (io9) - Link
Musing on fandom response to the show - "I'm wondering if the fact that because the queerness of this show isn't gaslighting the audience, and isn't a function of wanting to do something, but not being able to produce the results because of network standards. I think we just happened to be in this lucky spot where the show is actually queer… and I do think that people are responding to that."
Comparing fanfiction to writing - "And Con O'Neill's audition was one of those things I would go back to. I would watch that and be like… Oh, right, that's the show. And in a way, you're writing fanfiction for a certain actor and character because you want them to do something, and you're like–" at this point, it must be said, Jenkins let out a maniacal little giggle. He’s just as thrilled to show off Con O'Neill's ability to seem both deeply exhausted and menacing as the rest of the fandom. "And you [as the writer] you're like… And then Izzy does this now."
EW.com - Dec 13, 2022 - with Devan Coggan - Link
Discusses The Chain sequence - "I had initially wanted that end sequence to be like the FBI raid in a mob movie, where the feds come in, and they've got boxes of stuff, and everyone's running, and someone makes a dash for it," Jenkins explains. "So, it's like a mob movie or FBI raid story, and then it's also a story of Stede's lover coming back."
Pre-S2
Collider - Oct 2, 2023 - with Carly Lane - Link
Discusses fan reaction to S1 - "I thought that they'd kiss, and people would be like, 'Oh, cool, cool!' I kind of thought people would know a little bit more [about] where we were going, but then in hindsight, no, people have been hurt and burned on so many other shows and then made to feel silly."
Discusses starting S2 dark - "One of these characters is very, very damaged and has never made himself vulnerable in this way before, and I don't think [he] would react very well to having his heart broken in this way. I don't think it would be cute, and I don't think it would be funny. I think it would be scary as hell to watch a very damaged guy that we've established in Ed, who killed his dad and thinks he's not capable of being loved, deal with rejection and see that Stede really hurt him."
Discusses adding more female characters
Discusses S2 needle drops including "This Woman's Work"
Discusses 3-season arc
Post 2x01 - 2x03
Mashable - Oct 5, 2023 - with Belen Edwards - Link
Discusses fandom response to S1
About the canon gay relationship - "To watch the explosion of enthusiasm around [the kiss] was disorienting, almost," Jenkins said. "I thought people would react to it, but I didn't think the reaction would be that big. And then it was moving, because I didn't realize that this audience felt so unserved in general, as far as storylines go."
Insider - Oct 5, 2023 - with Ayomikun Adekaiyero - Link
Tease on leaning into the Stede / Ed / Izzy love triangle - "I think Izzy, in a certain way, got the worst deal in the first season," the showrunner tells Insider. "He gets jilted and then he still is in spurned spouse territory at the beginning of the second season."
Discusses Izzy's arc - "What is that relationship about? And I think by the end of the season it kind of becomes a little unexpected of who they are to each other and what they mean to each other," he teases
Discusses addition of Zheng - "He likens Zheng's way of pirating to a successful tech startup, compared with the garage sale vibe Stede had going on the Revenge."
Discusses introducing Hornigold - "I thought Hornigold was the most obvious because he was the person who made Blackbeard what he is. And Blackbeard has a father complex, so it's natural that he's going to bring his former captain back," the show creator said. "It's a struggle with him because he and dad figures don't historically do well."
Discusses importance of the mermaid scene
Inverse - Oct 5, 2023 - with Hoai-Tran Bui - Link
Reveals he didn't commit to the romance until shooting 1x06 - "Jenkins always intended his pirate comedy to end with a romance, but he'd envisioned it as an unrequited love. "It was going to be about Stede learning what love is, and Ed making himself vulnerable and getting burned," Jenkins says of his original pitch. But Darby and Waititi's choices in the scene, which they played without diffusing the tenderness with a joke, made him wonder if they could take the show in a new direction."
Discusses mermaid Stede idea from S1 - "We talked about Stede as a mermaid very early on in the writers' room," Jenkins says. "At some point, yeah, I want to see Rhys Darby as a merman." + "They wanted us to come up with a Season 2 pitch during Season 1. And that was one of the ideas we hit on, and I can't quite remember how we got there, but it was us asking, what is a pirate world? Are there mermaids? Is there magic in this show? With pirate stuff, I don’t know that I want there to be magic, but there was a way where it was something really beautiful about a mer-person, and I like the idea that their coming together would have a mythic size to it."
Discusses historical divergence
Discusses matelotage and pirates as weird outsiders
TV Guide - Oct 5, 2023 - with Allison Piccuro - Link
About the shipping culture - "It's the meat of the show, so it's great to have people bought into the central romance. If it were a bromance that we were trying to make look like a romance, that would suck."
Discusses playlists he makes
Discusses opening dream sequence - "I just like that it started with something badass. Stede, Blackbeard, and Izzy are on an arc together. Whether they're in stories together or not, their ultimate arc is together. I think, by the end of this season, the last episode, that first scene will be gratifying. I won't say why, but their fates are tied together."
Discusses Kraken arc - "But I think the thing that's good about this show is that it can go to really sweet comedy land, but I want there to be, like, if someone loses a body part, for instance, they lose a body part. To do justice to the fact that this guy is a killer and a monster, and dealing with heartache that he doesn't know how to deal with, I think you really need to go there."
Discusses Izzy in S2 - "I mean, he's jilted. He had a partnership with Blackbeard, and he knows he can't live up to this person that Blackbeard fell in love with... Who is that guy? What are his hobbies? What does it look like when he's not totally subsumed with his boss's love affair with somebody, and heartbroken?"
On S2 reunion - "The second season is them being a little bit more mature... It's the thing where you're in your 20s or 30s and you're like, "Well, should we move in together?" They have to make up some time because neither of them have been in a functional relationship before."
About genre of pirate stories - "...is a show about multiple relationships. That's what I want to see when I see this show. I don't want to see a bunch of pirate things that I've seen in other things, I'll just go watch another thing if I want to see that. That's not really my thing. I like the genre, but it's a very hard genre to budge. I want to see relationships in a pirate world."
Discusses the A Star is Born aspect of seeking fame / retiring
Mashable - Oct 7, 2023 - with Belen Edwards - Link
About the mermaid scene - "You need something expressive for when they come back together," Jenkins said. "Their reunion moment has to feel big and mythical. This is not a world where mermaids actually exist, but their love for each other has that size that you can get [a mermaid] in there somewhere."
About Kate Bush - "I love Kate Bush, and I love that song, and I know Taika loves that song," Jenkins explained of the choice. "So I wanted to find a place for that song somewhere in the second season."
Polygon - Oct 9, 2023 - with Tasha Robinson & more - Link
Compares S2 and "Golden Age of Piracy" stuff to Westerns, lists 5 he was thinking of - "Every Western that’s good is that story," Jenkins says. "'This way of life we made is coming to an end. It can't last. It's a blip in time. We created this thing because we need it to exist. We're outlaws, and we need a culture that suits us, but it's running out of time.'"
Gizmodo - Oct 9, 2023 - with Linda Codega (io9) - Link
Short tease on leaning into the love triangle
About Stede, Edward, and Izzy - "I think the three of them are on an arc together that's pretty inseparable," Jenkins said in an interview with io9. "And to watch Izzy try to process what's happened [in season one]… to watch him kind of grow and figure out what's his own story, if he can separate himself from this kind of toxic relationship, is interesting to me and I think gives him a lot of room for growth."
Post 2x04 - 2x05
IndieWire - Oct 12, 2023 - with Sarah Shachat - Link
Discusses directing and show creation
"The limitations of the show also naturally push it back towards moments with the ensemble and plot problems that it would frankly be irresponsible to tackle if you had a giant budget and a fully working ship-of-the-line to sail and then blow to bits. "That's the fun of the show to us, I think. If you open this up and you're like, unlimited budget, that would be terrible because I think you can get seduced," Jenkins said. "[It could be like,] 'Oh man, it's all leading up to a climatic battle on the sea.' And those things are great. But that’s not this show.""
"The nice thing about that, though, is you get to be the lo-fi show that’s like, 'Hey, we’re making The Muppets.'"
PopSugar - Oct 12, 2023 - with Victoria Edel - Link
About S2 Stede - "I like the idea that he learns and grows and he doesn't just stay a bumbling captain. He might be ridiculous, but he is getting better at it."
Discusses genre challenges - "How do you have a show that's a romance show but it's also a workplace show and they're criminals?"
Discusses Edward's redemption - "But Blackbeard still has to come back and apologize and be part of the community again, and give his little press conference. It was fun for us to look at that in the context of piracy, where they all do terrible things to each other. But even by their standards, what Blackbeard did was a bit much."
Discusses Izzy in S2 - "When Izzy shoots Blackbeard and they all mutiny on him, that's Izzy breaking up with Blackbeard. And they're both having their own journey in the wake of it, and Izzy's having his own redemption arc. He's trying to figure out, "Who am I if I'm not Blackbeard's first mate? Who am I outside of this relationship?"" + "If Stede's Spongebob, he's Squidward. I don't know what that makes Blackbeard. But there's a real pathos to Squidward."
Discusses trauma-based narratives - "As a diverse room in terms of sexuality, socio-economic background, and race, we thought, "Wouldn't it be nice to have a non-trauma-based story for these characters who don't get that historically?""
Variety - Oct 13, 2023 - with Hunter Ingram - Link
Discusses three act structure and making Stede work for a relationship - "The way I like to look at a season is in threes. The end of the first act is when they find each other, and this is the beginning of the second act. They've found each other, but they are pissed. Stede thought it was going to be [Kate Bush's] “This Woman's Work,” but, in reality, it is this headbutt –– literally."
Discusses the central romance - "It was always part of the pitch... that is the reason to make the show. The pirate genre is fun, but I wasn’t dying to make a pirate show. Taika wasn’t dying to make a pirate show. But the thing that was interesting to me was that Stede finds love, and he finds it with Blackbeard."
Discusses 2x04 plot - "This episode is based on a very, very thumbnail sketch of "Who's Afraid of Virginia Woolf?." Anne and Mary are Martha and George, and they are Elizabeth Taylor and Richard Burton."
Discusses adding historical pirates
Discusses Buttons exit - "I just love the idea of him turning into a bird: I love the idea of Buttons somehow being the one character that is able to figure that out."
Discusses Izzy and the crew's trauma plot - "We liked the idea that there is something about trauma and getting past that trauma, even on a pirate ship. They have been through two very different ways of living and they have to get used to each other again. But it's also a family that was separated, and becoming one family again is painful."
Discusses bringing characters back - "We could bring Calico Jack back, who, if you remember, was hit by a cannonball last season. Anyone who is that fun to play with and wants to keep playing, you always find a way to bring them back."
Polygon - Oct 14, 2023 - with Tasha Robinson - Link
Discusses 3-season arc and how keeping them apart with some plot device was never in the cards - "at the end of the first season, they're 14-year-olds, emotionally. In this season, it's more like they’re in their late 20s."
Discussing New Zealand production and ensemble cast writing - "It's pretty organic, because as we're going through and tracking everybody's journey for the season, we're watching the thing that holds us together — what stage of Stede and Blackbeard's relationship are we in? Because the overarching arc is, are these guys going to learn how to settle into a relationship?"
"The second season is more overtly about romance, and more a relationship story."
Energizing aspect of fan reaction
S3 is about "love is work"
Gizmodo - Oct 16, 2023 - with Linda Codega (io9) - Link
About the story - "I want to see them become a functional couple or fail to become a functional couple," Jenkins said. "Those are the most interesting parts of the show."
Discusses fandom engagement - "...ultimately the writers are also "the fans in the room." He goes on to say that, "We're fans of the world. We're writing fanfic about our own characters, our own worlds… It's paid fanfic, but it's fanfic." He gives another example: "If you're writing a season of Succession, you're writing fanfic Succession. You're just getting paid to do it. We, as writers–" it's clear that he's not just talking about the writers in the writers room, "become fans of the world and we all have things we want to see these characters do. What we do is not that different."
Discusses the A Star is Born aspect of seeking fame / retiring
Discusses Zheng Yi Sao
Villains of the series - There are a lot of new villains this season, but, Jenkins says, ultimately, "the antagonist on this show is normalcy… These pirates have a way of life that they're not finding in normal life. They've found a way to live and support each other and be there for each other. And that's always threatened by these larger, tyrannical forces that want to shut them down."
Post 2x06 - 2x07
Mashable - Oct 19, 2023 - with Belen Edwards - Link
Discussing drag performance in 2x06
"It is nice to see with Izzy's arc, where he finally breaks through whatever he's been doing to himself. He lets himself have that moment, which I just love. It resonates for Izzy, and I think it resonates for Con. Just personally, it made me feel good to see how it turned out."
Consequence - Oct 19, 2023 - with Liz Shannon Miller - Link
Discusses intent for romance - "...telling a love story in a serialized medium like television has its perils, largely because it's tough to know how much you can draw out any unresolved tension. "I think we take it episode by episode and we try to not piss people off in taking too long and doing double beats and triple beats," Jenkins says. "You can only do Will They or Won’t They for so long. Then you have to deepen it.""
Discusses pirate setting - "The emphasis on relationships also fits into the show's high-seas setting, which Jenkins finds similar to post-apocalyptic narratives. "It is a little bit like you're doing Mad Max, except there's relationships," he says. "Stuff's shitty, so you gotta try to find some joy. Of course, people are going to have a need for each other in these extreme circumstances, and I like the idea of these characters finding some level of a healthy relationship in these extreme circumstances.""
Discusses Jim x Archie
Discusses 3-season arc
Polygon - Oct 21, 2023 - with Tasha Robinson - Link
Discussing gender and power dynamics in Jackie x Swede / Zheng x Oluwande / Blackbeard x Stede + A Star is Born aspect
Jim not being jealous of Oluwande - "I think that relationship was always seen in the room as a friend relationship that got romantic."
About adding a villain - "I think a lot of the internal forces in Our Flag are the villains." + "I think this is a story about the age of piracy coming to an end. This way of life is coming to an end. And every Western that's good is that story: This way of life we made is coming to an end, and it can't last. […] I think every story about outlaws is about trying to preserve a way of life against normative forces that are kind of fascistic."
Historical accuracy - "The balance of the show is 90% ignoring history, and then 10%, bring it in, whenever we're like, Ah, gotta move the story forward! Remember, the English are out there, and they're really bad!"
Post 2x08
AV Club - Oct 26, 2023 - with Saloni Gajjar - Link
Killing Izzy was always the plan - "We wanted to show the depth of that character. Izzy is one of my favorites. He's like middle management who is in a sort of love triangle [in season one]."
Discusses how they really wanted the happy ending for S2 - "I think with season one's end, it was a gamble to leave it the way it was. Everybody stomached through it. Now if it turned out they didn't want us to make more, I just didn't want to have another story where the same-sex love story ends in tragedy, unrequited love, or if one or both of them are being punished."
Discusses S2 progressing the 3-season romance - "They’re a couple who is like in their late twenties right now as opposed to being teens at the end of season one." + "It was an interesting tension of, which one gives up their dream? A lot of times in relationships questions can come up, like who is going to give up on their dream to take care of the kids? Obviously, no one wants to, but someone ends up giving up more than they want to at some point. What's wonderful about a mature romance, and what I'd want to see more of in season three, is Ed and Stede making these tough decisions." + progressing past the getting together point
Discusses parallels, Republic of Pirates, and Zheng Yi Sao
Short bit about fan response
Collider - Oct 26, 2023 - with Carly Lane - Link
Discusses Ed leaving fishing - "I like that he had a little prima donna moment where he thought he could go and be a simple man, and then it's revealed that he really isn't a simple man; he's a complicated, fussy, moody guy. No, he's not gonna be able to catch fish for a living. For him to be told that, "At your heart, you're a pirate. You have to go back and do it," he doesn't want that to be true, but it was true."
Discusses Izzy's speech to Ricky - "I wanted to give Izzy a proper eulogy for himself. He gives a eulogy for himself, but it felt true writing it."
Discusses Izzy's death scene - "In a way, it's very much for Ed, that speech. The "we were Blackbeard" is claiming that he is also Blackbeard, that Blackbeard is not just Ed’s creation, and I like that for him, too, because he's worked so hard for that — and then just to say, "You can give it up." There can never be a Blackbeard again as far as Izzy's concerned because he's dying, and they did that together."
Discusses Republic of Pirates / music parallels from premier to finale
Discusses finale wedding - "We knew we wanted a matelotage in the season, which is the real term they had for marrying crew members. And yeah, they've always been in relief to Stede and Ed, and they're a little bit ahead of Stede and Ed in how much they can talk about things. So to have a bunch of family things in the season, like a funeral and a wedding, and have the parents kind of watch the kids sail away, felt right, and all of those things seem to work well together and build on each other."
Discusses retirement ending - "That will-they-or-won't-they is interesting to a point, but the real meat of it is always like, "Can they make the relationship, and can they do better than Anne and Mary?""
"Frenchie's in charge of the Revenge" + teases Stede struggling to give it up
EW.com - Oct 26, 2023 - with Devan Coggan - Link
Discusses Izzy's death and telling Con - "It feels like the logical end of Izzy's arc. It's heartbreaking to me because he's my favorite." + "I told him in the middle of shooting because I didn't want him to find out at the table read, obviously. I also didn't want it to leak. He was lovely about it."
Discusses Izzy's final arc - "You know, I didn't expect him to become kind of a father figure to Ed. I think we hit on that while we were breaking the [final] episode. He's in such a weird position: He's like a jilted lover, and then he's a middle manager who has to work for a terrible boss. He gets thrown away, and then he comes back. He really develops, and he becomes a part of this family. I think the biggest surprise was the extent that he was a mentor to Ed. They were both Blackbeard. They both made Blackbeard happen."
Discusses the happy ending intent - "With this season starting so dark, I kind of wanted to reward them for the work that they've done and the character growth that they've had. I wanted to leave them in a place where they're really going to try and make this work. I don't think it's going to be easy for them, necessarily. They're both still immature."
Discusses the wedding - "We knew we wanted a matelotage in the second season, and pretty quickly we landed on Lucius and Black Pete. It seems like they were ready for that. We made up a ceremony and everything, where they call each other mateys, and it was just fun to make our own version of a pirate wedding ceremony."
Discusses potential S3 and Frenchie's Revenge - "But it felt like a good place to end the second season. It felt like a contrast to the first season. If it turns out we don't make any more, I'm comfortable with that being a resting place."
Variety - Oct 26, 2023 - with Hunter Ingram - Link
S3 endpoint - "I love things in threes," he says. "That first act, second act, third act structure is so satisfying when it is done well, and you don't overstay your welcome. I think this world of the show is a big world, and if the third season is successful, we could go on in a different way. But I think for the story of Stede and Ed, that is a three-season story."
Discusses the draw of a "Golden Age" and it's ending
Talks about father figure Izzy and wanting a real sense of loss - "There is a nice parallel to have Ed treat him so badly at the beginning of the season and then come all the way around to where Izzy is this sort of father figure he doesn’t want to lose — because Ed usually kills his father figures."
Gizmodo - Oct 26, 2023 - with Linda Codega (io9) - Link
Teasing future Izzy - "Jenkins looked slightly sad himself, saying that "Ghosts exist in this world." I told him not to make promises he couldn't keep."
"Jenkins said that he doesn't see Izzy as a pure antagonist in season one because on some level… Izzy was right in his hesitations about Stede."
Discussing Con O'Neill & Rhys Darby acting
Jenkins confirms the season was always 8 episodes due to budget cuts
About S2 finale vs S3 - "The first season ends on such a downer, so it made sense to end the second season in a kinder spot." + "I think there's plenty of story left for season three, but I think that it was important to end this as if it was the end of the show, and on upbeat note and avoid the kind of "kill your gays" trope. I don't want to see Stede and Ed punished for giving it a go. I want to see them really say, 'yeah, we’re going to we're going to try to have a relationship'."
Teases S3 revenge against Ricky and going to the Americas
Vanity Fair - Oct 26, 2023 - with Sarah Catherall - Link
About the ending - "It's bittersweet. There's death and there's the rebirth of Stede and Blackbeard's relationship; there's a funeral, there's a wedding, and the idea that this family is going to keep fighting even as they lose members. And then it's about belonging to something." + "A lot of times, with this narrative of characters, same-sex relationships end on a dour, downbeat note, where one of them dies and it's unrequited or it's unrealized; something horrible happens and they're punished in a way. So it was important to leave it open and a lot more show to go, but also leave it in a place where it's happy."
Discusses Izzy as a mentor / father figure - "We felt like Izzy's story had reached its conclusion, where we put him through enough. And then there was the realization that he is kind of a mentor to Blackbeard and that he is kind of a father figure to Blackbeard." + "And it's also a pirate show, so he's got to die."
Discusses filming challenges - "It's a big show; it's basically a one-hour show that we're doing on a half-hour budget."
Discusses adding Zheng Yi Sao
Is the show a queer romance? - "For this show, it's important to me just to write a really bold-bodied romantic show that happens to be between two characters of the same sex. I think that the story beats don't matter, because if you've been in love and you've been hurt and you met someone you love—hopefully we all know what those feelings are."
Blackbeard's arc in S2 - "...the second season is about Blackbeard's midlife crisis. And then when they both have their midlife crises, they can open a B&B together." + "I don't think Stede and Blackbeard are ready to be married. They're emotionally saying: 'Let's give this a go.'"
Discusses historical piracy as "counterculture" that's been straightwashed and whitewashed
Did he feel responsibility to the fan community? - "As opposed to responsibility, it feels more like relief—that people feel seen and they feel good about it and they liked what we did. And so it feels like, Okay, somebody's out there and wants the show. The makeup of the writers room looks a lot like the makeup of the fan base. So as long as we're true to our stories in the writers room, I think we just feel excited that there's somebody waiting on the other end to enjoy it."
Paste Magazine - Oct 26, 2023 - with Tara Bennett - Link
Discusses whether fandom expectations felt weighty - "I think particularly for this season, that "bury your gays" thing… I didn't want to end on a downbeat for Ed and Stede. We did that in the first season. I like that there's a lot of different flavors. It's even a little melancholy because the Republic of Pirates got blown up. But there's still more good things."
Discusses production and plotting - "I wanted to start at the Republic of Pirates this season and end at the Republic of Pirates. And I knew I wanted the Republic of Pirates to be destroyed, ultimately. Within that, we are making a one-hour show on a half hour budget, on a half hour schedule."
Discusses planning the ending - "In terms of ending this season, it all felt right just in talking through it when we were in the room. It felt pretty intuitive. When you get to the third act of the story, things kind of settle in. There's gonna be a funeral. We always knew we wanted a wedding at the end of the second season. And I knew that I wanted Stede and Ed to start an inn together. So once you have those beats, it's kind of locked in."
Discusses Izzy's arc - "It's kind of a strange arc in that I knew we were going to put him through all these things, and I knew he would ultimately die. But I think him becoming a father figure to Ed in the last episode didn't really dawn on us until we were breaking the last episode. Asking what would this man say to Ed at the end because they've been together through everything? He went from a troubled and downtrodden employee to a jilted lover to a discarded employee, to someone that is just trying to find his footing again—no pun intended—to actually becoming this guy's parental figure on some level. And he's one person who kind of raised Ed right, because Blackbeard usually kills his parental figures. So, it felt right and it felt like that's how the mentor dies. The mentor in a story usually dies in the second act and then our hero has to go on and try to do it without them. It felt like the right journey for Izzy and a gratifying one for Con."
On leaving open for S3 - "I don't think it was a very hard thing to do. I think it was more that I felt a responsibility to leave Ed and Stede in a good place, at least for now. It's not gonna go well. They're not going to run a business well. Ed's too much of a talker. Stede can't focus. It's gonna be challenging."
Vulture - Oct 28, 2023 - with Sophie Brookover - Link
Discussing Izzy as a "father figure" and his S2 send-off being a priority
Meaning of piracy - "...what our pirates stand for is a life of belonging to something larger than they are in the face of a crushing, slightly fascist normalcy."
Re: Con O'Neill & Izzy's death - "I had to tell him about halfway through the season"
Third season about the work of a relationship between still damaged main characters
Discusses middles as about change and transitions, and wanting characters to change instead of reset, have them experience permanent consequences
About the final scene - "...Ed and Stede as the parents kind of watching the kids take the ship. Frenchie's the captain now..."
Objective of the crew - "...have had terrible things happen to them at the hands of colonial forces, so they want some payback. Party, plunder, and payback — the three P's."
Metro Weekly - Nov 1, 2023 - with Randy Shulman - Link
Discusses historical premise of S1 and easing into the romance
Discusses S2 genre - "In the second season, it was great because we know it's a romance and we can lead with that. It's a workplace show essentially. I wanted it to be more in the vein of early episodes of Grey's Anatomy or something where there are all these relationships on those shows. That's what you’re following — relationships and friendships that are taking place in a hospital, procedural. That's Grey's Anatomy. This is less procedural for the pirate stuff — and you need the pirate stuff."
Discusses not being into pirates - "But I'm like you. I'm not a big pirate person. In general, it's a big creaky genre that's hard to budge" + "Pirates of the Caribbean, those movies are great. That's not necessarily what I hunger to see, but in that genre, it's great. You're not going to beat that, especially on something that's lower budget. We've seen a lot of this stuff, so it's fun to take it then and don't do any of that stuff."
Discusses adapting historical piracy - "You don't want to see them punch down. You don't want to see them do terrible things to people who don't deserve it, which is not what they really did. So, in the show's world, I think piracy is like a stand-in for something. I think it's a stand-in for being an iconoclast and an outsider and queer in some ways and just different." + "Yeah, I mean, the British are there to be Stormtroopers, or Nazis in an Indiana Jones movie. I mean, they're in there to die essentially."
Discusses diversity staffing
Discusses performative masculinity
Discusses Izzy's death, happy endings, and openness to S3
275 notes · View notes
finntheehumaneater · 16 days
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these dirt roads are empty, the ones we paved ourselves (part 2)
part one (important note under the cut)
The Hell-thingy club was held in the theater room, Steve learned. There was a paper sign over the door that wasn’t there this morning. It was very detailed, with no white space, kind of making it hard to look at. 
Hard to look at, but pretty.
He was going to knock—maybe ask around and see if anyone knew a girl named Eddie, but the door burst open and a girl stumbled out, sobbing into her hands. She had long black hair that was up in a bun and painted nails, and she nearly bumped into Steve, but he flattened himself against the wall so that she could pass.
“Katie,” a voice called, and a boy with long curly hair rushed out, his hand grabbing at her waist to turn her around. The girl (Katie?) shook her head, pressing it into the boy’s neck as she cried. She was a bit taller than him, but Steve guessed it was only because of her boots.
Steve felt a bit awkward standing there, just watching as the boy ran a hand over her back, the other holding her waist. “It’s okay, Kate, we’ll—I’ll watch Sarah. Okay? I’ll watch Sarah for you.”
“I should have to watch her, she’s—“ 
“Stop it,” the boy whispered, tugging her into a proper hug. “Stop it, babe, I’ll watch her.”
“Don’t need you to, I’ll just miss it,” The girl sobbed into the boy’s shoulder as he swayed her back and forth. It felt too personal for Steve to be witnessing, and he wanted to try and quietly slip into the theater room, but he was afraid that if he moved he would ruin their moment.
“You won’t miss it, I’ll watch her,” The boy murmured, pulling away and nodding slightly. “She likes me, it’ll be fun.”
“But she’s little,” the girl tried to protest, her voice weak and shaky.
“I know she’s little, hun, I was there when you had her,” the boy pointed out softly, smiling as he took her hands in his. His skin was white where her fingers were gripping it. “I’m like basically her dad, I’ll watch her for you.”
The girl hesitated, before shrugging and looking down. She glanced over at Steve, her cheeks flushed as she shrank into herself slightly, looking down.
“You go back in and tell Jeff I’ll be there in a minute,” the boy said to her, kissing her forehead and gently pushing her in the direction of the theater room door. “I’m gonna say hi to our friend, here.”
“Hey, sweetheart,” the boy grinned as he turned to Steve, his eyes flicking over to the door as it closed before he looked Steve over. “Enjoy the show?”
“I didn’t—“ Steve started, even though he didn’t really know what to say, but the guy cut him off.
“Is there…anything I can help you with?” He asked with faux politeness, and Steve went to grab for his backpack, maybe to grab the notebook and give it to the man—he could ask him to give it back to the girl who had dropped it—when he paused. He didn’t really trust the guy to give it back.
“Just um, wanted to look into the club,” he lied quickly, dropping his hands back at his sides, hating how they felt so useless and awkward just being there, not doing anything. “Hey, is there a, uh, a girl named Eddie in there?”
“Nope,” the guy said, crossing his arms. “I’m the only Eddie in this club. And—hold on, you wanted to look into Hellfire?”
“Hellfire, what...” Steve paused, squinting and looking back up at the paper sign above the door. His head hurt. “Oh, uh. Yeah. Yeah, sure. Right.”
“Okay,” The guy said, slowly. No, Eddie said slowly. This guy was also an Eddie. Cool. “Are you sure you’re not here to be an asshole? Because, look man, respect your jock urge to fuck up us nerds, but like—this is kinda all I have right now, so just—if you’re not actually interested then please leave. I can’t lose this right now, too.”
“I, okay, maybe I’m not interested, but my girlfriend’s little brother likes whatever you do in there….”
“Dungeons and Dragons?” Eddie cut in, tilting his head, which really added to his whole pathetic-cat-vibe.
“Uh, yeah, sure. That,” Steve muttered, shaking his head. “They like it, so maybe you could just—show me how it works. Might help me get him to like me or something.”
Eddie rolled his eyes, tapping his hand against his thigh, and Steve caught sight of a ring on his middle finger, a thin silver one with blue in the middle. “Fine. Sure. Come on in.” He raised an eyebrow though as he stepped back, holding a hand out to Steve when he went to take a step forward though. “If you’re a dick to Gareth I’ll fucking kill you, though.”
“Okay,” Steve said, narrowing his eyes slightly. This kid didn’t look like he could kill him. Probably just throw dice at him and annoy him. Bite his ankles, maybe, he was kind of short.
Eddie opened the door to the theater room, giving Steve a mock bow, his hair falling into his face as his lips pulled into a dry smile. “After you, princess.”
Steve flushed at the name, opening his mouth to protest, saying something like, I’m not a girl, but he just rolled his eyes and went inside. It was really hard to be nice to this guy, but he was going to try. Besides, he had to go along with the lie that he was here to learn about Dungeons and Dragons. For Mike. Even though Mike didn’t like him. And, to be honest, Steve didn’t really like Mike either, but his friends were okay.
The room was dark, a couple of lamps lit but the overhead light off. There was a long table, a throne sitting at one end and a stool at the other with normal chairs on the sides. Eddie motioned for Steve to sit on the stool. The people on the chairs all turned to look at him, and he shrunk down slightly, his backpack held tightly in his lap.
“Hey,” a curly haired boy said hesitantly, and Steve saw Eddie’s eyes linger on him for a second too long, his expression nice and soft like it was with the girl from outside who was staring down at her lap, her eyes still red.  
“Hey,” Steve whispered back, offering a small smile. Everyone in here looked scared of him, and that made him feel even more nervous. “I’m uh, I’m Steve.”
“We know,” Gareth said, his cheeks a bit pink. “I—I know, we’ve bumped into each other before.”
Steve smiled slightly, tilting his head. “We did?”
Gareth frowned, shrugging. “It wasn’t a good bumping into.”
“Oh,” Steve whispered softly as Eddie started to talk. “I’m sorry, I didn’t—“
“Hey, Harrington,” Eddie snapped, glaring again. “If you came here to learn about D&D you’ve gotta listen, man.”
Steve nodded, glancing at Gareth one last time before sitting up in his seat a bit more and trying to look as focused as possible. If he just paid attention he could leave and then find the girl he was looking for tomorrow.
But Eddie wasn’t very good at teaching things. He went over things too quickly, muttering something about how Steve’s head must be filled with so much ‘stupid sports shit’ so he couldn’t concentrate. Steve felt like Eddie was using long words on purpose, ones that he knew Steve wouldn’t understand.
Steve dug his fingers into his thighs, sucking in a deep breath as Eddie went on and on about hit points, a few people butting in to say something but he waved them off. “I don’t—don’t understand—“
“Maybe just fucking listen, then?” Eddie said tightly, giving Steve a strained smile. “Okay, sweetheart?”
“I am listening,” Steve protested, starting to feel a bit pissed off. He wanted to go home with Nancy, he was tired of fucking sitting there. “It’s just—I don’t understand what all of this means, and you’re going way too fast for me to—“
“Go, then,” Eddie said, and Steve fell quiet, looking back up from where he had been focusing on a little figurine.
“What?”
“Go,” Eddie said, his gaze hard and challenging. “If I’m so bad at explaining this, then fucking go.”
Steve say the girl from the hallway shoot Eddie a look out of the corner of his eyes, but Eddie didn’t seem to notice.
“Fine,” Steve whispered, embarrassment creeping up his cheeks as he grabbed his backpack and stood up, the chair falling backwards and hitting against the floor. He flinched. The lights in the room flickered and he took a step back, trying to calm down. It’s just a stupid fucking noise, it shouldn’t scare him. He’s not supposed to be scared of flashing lights.
“Bye,” he whispered to Gareth, pinching at the bridge of his nose for a second as he tried not to cry. This was all so stupid. “It was nice to officially meet you.”
“Yeah,” Gareth muttered, shifting in his seat uncomfortably.
“Bye, sweetheart,” He heard Eddie call as he slammed the door shut, condescending and mean.
Fuck him, he was going to go and find Nancy.
hey guys. Sorry this update took so long to do, and that’s it’s short. I haven’t been doing to great, and now with that stupid fucking post that puppy-steve made about me I don’t know when my mental state is going to get better—or when I will be updating next.
All of my friends and mutuals in here are unfollowing me and blocking me because of that post, and I haven’t stopped crying all morning. I feel like shit. If I am a minor that is my own business and no one else’s, but I think going as far is to make up lies about me ignoring DMs to stop interacting with people is too fucking far.
I’ll try to update this sooner but I feel like everyone hates me at the moment so I don’t know how soon it will be. Sorry.
taglist (I hope I got everyone 🩷):
@himbosandhardware
@randombibitch
@eddie4bat-president 
@steddiewithachance
@jadeylovesmarvelxo
@precioussteveharrington
@magpiemuseum
@here4thetrama
@estrellami-1
@goodolefashionedloverboi
@anne-bennet-cosplayer
@cherrychapsticksteve
@somegirlsomewhere
@letgomaggie
@myguiltyartpleasure
@theemptinessthatweconfess
@kennahjune
@onemoore
@shessofineliterallyhitmewithacar
@marismorar
@gobbledy-gluk-gluk
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freebooter4ever · 1 month
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ok i've been taking a break for the past half hour and doing research on the pens locker room, trying to figure out how i wanted to design my own version of geno's 'stall' (is that what it's called?). i love the circular shape it feels very king arthur
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first, there isn't a lot of internet documented history on the various eras of the locker room design??? which seems sad
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don't get me wrong the latest iteration is pretty epic but as far is i can tell, it hasn't changed much since at least 2013? i do not envy whoever is cleaning this place. thats a lot of sweat over the years.
second, im enjoying seeing little details that i had no idea existed, being a new fan and all. like the puck wins count???? crazy. these guys have a visual representation of how they're doing in the season right up there on the wall glaring judgmentally at them? im so glad im not in sports. i would not survive.
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especially when the HISTORY of these pucks is on the walls.....like damn. talk about pressure. anyway 2011-2012 thats one of geno's best seasons right? :)
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this is what I wanted. mesh, hooks, I need to figure out how i want to make this look cool.
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i find it really funny and endearing that the thing these guys do to relax in down time is a playful version of their own job....
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also im not sure about this like:
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are they assigned a razor??? you get traded to the penguins and suddenly you're not allowed to use your fancy expensive specialized razor? is this a normal thing in hockey????? do they have group shaves for special events like the playoffs? hockey players are fascinating.
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i dont know why but i never considered that the pens have actual lockers in addition to the little seats in the main locker room. this makes total sense. i dont know where i thought their clothes and stuff went. just disappeared into the ether i guess.
anyway definitely a necessity, the hot tub. it looks a little sad and lonely in this photo. it needs a hockey player in it.
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racks and racks of gear???? again this makes total sense but never occurred to me. also maybe helps explain why geno likes to switch up gloves, look at all them, damn. i do wonder about helmets still - geno's looks so unique and he's been using the same design since at least 2009.
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ok im guessing this is an away locker room and i have only one question: do they bring a little 'logo' carpet to roll out every time they go on the road? thats amazing.
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if you read all that, nice! here's a shot of geno with his jock out:
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very important locker room research. bonus the earliest pens locker room photo of geno i could find:
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shy beautiful boy ^_^ (also he looks so young and vulnerable its hard to believe that even back in 2008/2009 he already had so much responsibility with so many grown adults making demands on his entire career)(like he went through all that AND is still playing in the league with three cups under his belt? thats fucking awesome)
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yukipri · 7 months
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Heroes & Villains Clone Backpack Review!
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The Heroes and Villains Clone Troopers collection is here!!
I'm absolutely ECSTATIC about this collection, bc I've wanted a general clones/GAR collection (not TBB/332nd, as cool as they are) for AGES. I begged a rep for this collection in person at last year's NYCC, so now that it's here, of course I ordered ASAP. Got a few other items that I'll review too, but starting off with the backpack!
This is the "Grand Army Tech Backpack"! There are tons of little nods to the clones/the GAR throughout.
Detailed review of the design under cut!
First, the top flap is a really neat fusion design of both the clones' helmets & ARC pauldrons. Only visible from a top-down view, the black bit in the middle actually looks like the clones' visors, which is a design thing I love that they also did with their Ahsoka Trooper backpacks. It's got the helmet vents over the blue, and the sides can come out to look more like shoulder pauldrons too!
On this flap, there's a lil black velcro patch that reads "Elite Clones" in Aurebesh. In the middle, you can swap out the designations of 4 included clones: Rex, Fives, Echo, and Cody! (love them ALL, but sorry I've a Cody bias) I LOVE that they have this customization option, since all us clone lovers have our biases😅 (will include more details on this in a follow-up reblog1)
Next, we've got the stretchy cross bands across the front middle, which are practical because they can stretch to hold stuff, but visually, are clearly a nod to the straps over ARC kamas. A bit hard to see in photos, but they cross over a Republic Cog on the white pleather!
Below that is the 3-button ARC chest pouch-inspired pocket. There's a GAR patch next to it, and both of these are on top of another flat pouch. There are 2 pouches on both sides of this, giving the appearance of ARC holsters.
On one side, there's a detachable "gadget case," which is really fun! However, one comment: I don't love how the zipper opens on the bottom, which means that if you want to put anything inside it without securing it tightly into a compartment, it'll fall straight out🥲Could be solved if it opened at the top instead!
Both sides have very stretchy bottle holders that hold my chonky thermos from Batuu with ease. Also, loops so you can easily hook carabiners (and then add more keychains/charms for more personalization eyyy)
Overall, I absolutely adore this bag. It's got an awesome design that's clearly got a ton of thought put into it, and is an amazing homage to GAR clones and specifically ARC troopers!
Because Tumblr posts only allow one video per post, please keep an eye on the reblogs because I'll add videos showing how the velcro designations swap out + a demonstration of how much this thing fits.
This post is NOT sponsored, just a fan sharing honest reviews.
However, here's my non-influencer “refer a friend” code, if you want $25 off $75!
And here's a direct link to the bag itself on the Heroes & Villains site!
Hope this review was helpful!
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factual-fantasy · 8 months
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I has 21 asks! :DDD🌟🌟
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@minophlia
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@ocinstituterep
I'm not sure if they would line their coats with the Captains fur,, <XD I'm not sure my Barnacles would even shed! My Barnacles has his fur cut really short to accommodate for the warm climate. Which is why he has to wear a coat like the rest of the crew when he goes to the Arctic!
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@elegysonnet
Awe, thank you! And I'd sayyy.. its probably cookies and cream. If that counts?? XD If thats not what you meant than milk chocolate-
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@cudlycorncornsworthcoberson
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XDD I love all the theories! Your enthusiasm means the world! And don't worry, you wont be in the dark for long.. 👀👀
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@artist-of-obsessions
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aaa thank you so much!! That means the world!! :DD
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That's a really interesting detail actually, I'll have to take note!
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@toaster-os
I have not actually, it looks really cute though! :DD
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@boxofcreampuffs
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THANK YOU SO MUCH!! 😭😭
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Thank you so much!! :DD
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Yes, please do take it down. That would be greatly appreciated 🙏
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@thatwolfnamednyla
XD I forgot about that game, too funny!
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@tmelvinborg31
I'm excited but also preparing to be greatly disappointed...
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I kind'a saw it comin. I think everyone did-
I'm not disappointed, I think its a cool and mysterious plot line to have :00 Also I didn't notice the Monty carpet! Very interesting,,
Also this doesn't change my Monty at all obviously. <XD I made him a good guy out of pure spite and I'm KEEPING him that way!
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Unfortunately Vanessa is not part of the Fazfam <XD
As for her importance, I cant specify too much.. but I will say that she does indeed play a big part in the over all story of my au. 👀👀
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@spookylightblizzard
Yeah I did, it made me kind'a sad :( But honestly good for him. The man deserves a good retirement for voicing a lot of our childhoods ✨🌟✨
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@excalibent
Thank you <:) I'm doing my best!
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@graycoin
I was thinking it'd be less visual differences and more internal. Although I haven't fully decided what the differences will be-
Some ideas I had was maybe Peach and the others are Herbivores? What if they can only eat fruits and veggies and Mario sees a slab of cooked meat and he's just like "OO STEAK" and chomps into it and everyone just looks at him like
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ALSO! Maybe Peach has to sleep a lot more than Mario does. OR maybe a lot less? Imagine if peach only needed 4 hours of sleep and then she was wide awake. Or maybe the opposite? Imagine if 12 hours is a standard amount of sleep they need. Mario is running around at 7 AM on 8 hours of sleep and Peach is like "whyyyy are you uppp so earlyyy go back to sleeeppp"
Or SHES up at 4 AM like "Mario are you up? Hey Mario are you awake? Do you want breakfast? I made you breakfast. Its cake I hope that's okay-"
I also imagined temperatures! I mostly imagined that Peach cannot handle the heat what so ever. Mario's out there in 35°C (95°F) heat and Peach is tucked away in her dungeon like a vampire. Or the OPPOSITE?? Its 40°C (104°F) and she's out there gardening and Mario is cooped up inside just miserable <XD
ANyways, I think you get the point. Differences like is what I had in mind. 😅😅
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Cassie's not in it because I just kind'a dont like her entire existence XDD But maybe she could be a friend of Gregory's down the road when he grows up yeah.
Also I love/hate the DLC. I think its really pretty, I LOVE how it leaned more towards a horror theme this time..
Buuuuuut all the complicated lore stuff put me off. Cassie, the Mimic, the big purple glitchy bunny thing. Uhhhgg.. I love this franchise but I wanna punch it really hard sometimes. <XD
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@skywillow28022
All of the bots got a system reboot after Gregory's first night there, as a safety precaution. Moony included. As to how the reboot effected him specifically and if he's still infected? Well I guess we'll just have to wait and see.. 👀
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hotluncheddie · 1 year
Text
stop being a goblin and let me kiss you
part 3
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‘ok. ok! you just, you just gotta be cool munson. be casual. chill. just like, vibe, yeah? yeah. no more funny business.’ eddie holds his fists up to himself in the dinky bathroom mirror. a couple of jabs, a quick one two, that’ll clear his head.
clear his head enough to go out and deal with steve fucking harrington again and his stupid stupid face and neck and tongue and like pretty fucking ankle bones. fucker.
see eddies not blind, and he’s not that dumb, he knows he flirts with steve and he knows steve flirts back. he just. cant deal with it just yet. it’s like every time he’s around the guy he blacks out and resurfaces red faced and half hard. but the point at which his vision fades and all hell breaking loose seems to vary so completely that he can’t stop it happening.
their conversations will start normal, a jolly lark, a guffaw here, a story there but then bam! someone said or did something that shifted his functioning brain capacity from 60% on a good day to like -5% and that’s being generous.
he just can’t get his ratty little self to either 1) stop liking steve harrington in a gay, gay, homosexual way. or 2) accept that someone like steve harrington could possibly like aforementioned rat himself eddie munson and actually process his feeling into a reaction that’s more than; red, red, half a boner, sweaty palms, red.
so he took a second to hide in the bathroom. that’s fine, that’s kind even. self care, as robin likes to say when she paints her nails on top of steve’s head when he sits on the computer at work. he likes to make the chair super low because apparently it helps his posture and he need to keep an eye on his posture or else he’ll end up like his great uncle melvin, or something.
self care time is over however because robins knocking on the little bathroom door, hollering about needing to get home to practice for her english presentation tomorrow. so it’s time for eddie to put his big boy pants back on and get in steve’s car.
eddie full body shudders.
‘finish writing you sad boy poems on the stall walls in there? roses are red, violets are blue, i like big dumb jock boys but can’t seem to accept they like me too, even if my very cool very in the know friend robin tells me too. hm?’ robin slings an arm over his shoulder and steers him back to the table.
eddie sniffs, crossing his arms ‘that last bit doesn’t rhyme so, i will be ignoring all of it. F for u buckbey.’
‘not everything has to rhyme perfectly u know. it can still fit together just fine as it is.’ she tugs on one of his curls before slipping back into steve side, finishing off the last of his milkshake and hauling him out of the booth because she ‘has shit to do dingus.’
too smart for her own good that chick. eddie loves her. he’s also going to move away and never talk to her ever again, maybe steal her collection of berets too, become a hat guy, once he reinvents himself. yeah.
steve is putting a few bills on the table, slinging his jacket over his shoulder. ‘just fries tonight ed’s? that makes you kind of a cheap date don’t you think?’ tapping eddie under the chin before following robin to the door, smacking his palm on the frame above on the way out. because of course he does, the neanderthal. all broad shoulders and biceps and ass.
there a second where eddie thinks steve could smack him like that but then he feels his vision spotting. can a guy not catch a break around here? jesus!
the car ride is a blissful reprieve due to cyndi lauper coming on, which had steve and robin performing a duet. which then needed to be tweaked and discussed in detail ready for the next time that specific song came on the radio.
it was honestly nice to watch. eddie had walked to family video that day because his van keeps playing up after it’s stint hidden in the woods. poor girl just needs a day off once in a while so eddie walks and then listens to car duets from two very much none singers. but it nice. makes his heart all yucky and warm.
until robin is leaving. leaving him alone to be a big nerd with a future. leaving him alone to make a fool of himself again. his ego is big and he likes to keep it that way.
‘you coming up here then’ steve shifts slightly, looking as far as he can over his shoulder at eddie huddled behind the drivers seat. ‘no’ he squeaks because last time steve got all up in his face getting his tape box out of the glove compartment. rifling through it while it was on eddies lap. so close eddie could smell the apple from his shampoo and the cigarette they’d shared earlier.
self care.
‘ooh you want the full harington taxi service do you? i see, well then govna, where too is it?’ steve tips his invisible cap and has the most awful cockney accent eddies ever heard, and he did middle school theatre.
‘geeze, just take me home dude.’ eddie shoves through the gap between the seats, landing heavy in the passenger. crossing his arms and trying to hide his smile behind his hair.
‘there he is. out of the shadows.’ steve tucks some of his curls behind his ear. eddie sees the soft smile out of his peripheral. tries to swallow the cotton in his mouth. steve turn back to the road ‘let’s rock ‘n roll’ he revvs the engine, wiggling his eyebrows, before checking his blind spot and pulling away into a cushy 30mph.
eddie looks out the window and hides his grin in his palm.
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part 1 (eddie) part 2 (steve) part 4 (steve) part 5 (eddie) part 6 (steve) part 7 (eddie)
tags! ( ty for asking to be tagged wow so lovely can’t believe it hehe :3c ) (sry if i missed anyone or u didn’t want to be tagged just let me know!)
@bidisastersworld @sadcanadianwinter @mightbeasleep @butterflysandpeppermint @gregre369 @fandomz-brainrot @satan-is-obsessed @resident-gay-bitch @grtwdsmwhr @forsexyscience
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