#why do I put so much work into my worldbuilding if the people who are paid for it are this bad

[envy-of-the-apple]

Sweet Home

idk how the multiverse works so im just fucking up the worldbuilding but basically my hc is that whenever a dimension suffers trauma (too many ppl leaving dimensions, rift in time etcetc), it will create a shield around itself, preventing anyone from entering or leaving as it works to self-correct. 

(Yandere, dark, kidnapping, captive, delusional behavior, gn reader, implied deaths, talks of bombs)

Yandere!Miguel O'hara x reader

Honestly, you weren’t much of a threat. 

It was a rather misfortunate case of wrong place wrong time. One second, you were in your home, mulling about. The next, you were across dimensions. 

At least, that’s how it was explained to you. You had no idea there could be more than one spiderman, and now you were surrounding by millions. Maybe even billions. Here they all were. Heroes, all working together to save the multiverse, returning innocent people, like you, back to where they came from. 

But, according to Miguel, you were a special case. 

“It’s not too hot, this time?” He asks, his face in the same scowl as always. Before, you assumed he hated you. Now, you realize the man had a hard time showcasing emotion. 

It’s still there, though. You can see the concern in his eyes as they soften ever so slightly, as if he was remembering the scalding hot tea that burned your tongue. 

You tasted it, smiling at its perfection. When you mentioned you preferred something sweet, you had almost choked on the lump of sugar at the end of the cup Miguel prepared. After that, he was much more lenient with sugar. 

Ever since, you were put into his custody, he made it very clear your comfort would be his top priority. You never considered a superhero agency to be comforting, but the room he lent you was spacious and had a warm fluffy bed, food was always delicious, the guilt-filled gifts were always nice. It was clear the man spared no expense. 

“It’s perfect,” you say, “thank you.” 

He gives a smile. Though, it’s strained, like he’s not sure if he’s doing it correctly. He finally gives up, staring down at your techband. It wasn’t as sophisticated as his, you understood why you couldn’t have one, you were just grateful it stopped you from glitching. 

“So...is there anything new?” You ask, careful to broach the subject. 

You couldn’t go back home, not yet. It had taken a while for you to calm down when you were first brought here. You had been terrified, fearing for your life surrounded by these strangers who all strangely resembled spiderman. It was Miguel that had talked you down. He wasn’t patronizing, didn’t coddle you, but he wasn’t unkind. 

He explained things carefully. When you had been ripped from your dimension, something had gone wrong. The dimension had closed in, as if it were a living creature defending itself, an armadillo creating a thick shell. No one could go in or out. 

So, here you stayed at the spiderman’s headquarters, temporarily dimensionless. 

You peered into Miguel’s face. He was tired. He always looked tired. You wondered if he was getting enough sleep. Guiltily, you knew you were partially a reason for that. 

“Nothing.” He sighed. “We still can’t communicate to your spiderman, nor can we break into the gates. So far, no progress.” 

You had a feeling that’d be the case. You gave a strained smile, feeling more and more hopeless. 

“Hey.” His hand was warm on your shoulder. “I’ll find a way to get you back home, I promise. Don’t give up on me just yet.” 

He was close, leaning in just so your faces were inches apart. Miguel was just being kind, you knew that. But his height and stature had always intimidated you. A part of you was sure he knew that. It was why he would always hover over your, like it was some way to subconsciously keep you in check. 

It was an absurd thought. As always, you shook it off. 

“And besides, if we can’t, you’re always free to stay here.” He gave a lazy wave to the spacious room filled with gadgets you couldn’t even begin to describe. 

 It was a joke. You knew that. Miguel was adamant about ‘anomalies’ being returned to where they belonged. You were certain he would’ve thrown you back into your dimension if the situation were different. Yet, just the thought of staying here forever, never seeing your friends or family ever again tugged on your heart. 

You appreciated everything Miguel had done for you, he had gone above and beyond, but you were lonely. Due to protocol, only Miguel was able to see you. You understood it, but it didn’t mean you were not allowed to have human emotions. 

You longed for home. 

He must have seen it in your eyes because he pulled back some. The lines on his face hardened ever so slightly. He was angry. Not at you. Never at you. 

“You done with that?” He changed the subject, gesturing to your cup. 

Nodding, you return it to him gratefully. He stands up, grabbing the remnants of lunch and dirty dishes. 

“I’ll be back.” He tells you, and he’s assured you plenty of times that you weren’t, but it was hard not to feel like a prisoner as you watched him leave through a metal door. 

You waited for ten seconds, and then you rose from your own seat. 

There were only two rooms you had access to. Your own, and then Miguel’s office. 

Well, it wasn’t really an office. It was a large computer room, but Miguel always worked here, and you always kept him company, much preferring the companionship of at least one human rather than the solitude of your bedroom. 

Over time, he seemed to trust you a bit more. Or maybe he started underestimating you. Over time, he had accidentally given you most of the passwords to this place, not really paying attention as you not-so-secretly spied on his work.

You felt a little guilty for snooping, but a part of you was frustrated. You’d been stuck here for weeks, with no concrete answer. Miguel always seemed to evade your questions. You wanted an explanation. Assurance. 

Strangely enough, you felt a little old as you clumsily operated a machine that was decades into the future. It was a humbling experience. You typed in your dimension number, a sequence you knew by heart. 

Huh. 

You weren’t sure what a closed dimension looked like, but it certainly wouldn’t look like this. It looked fine. Despite your minimal experience with looking at dimension maps, you could tell the gates were opened. You could even see tiny dots flitting in and out. People.

Everything looked fine. 

Then...why did Miguel say you couldn’t go home? 

“What are you doing?” 

You hadn’t even noticed he’d come back. He had been so silent. Like a spider. 

You whirl around to face him. For the first time, you realize you’d never actually seen him without his signature blue and red costume. His face was stony. His demeanor had changed, as if earlier he was actively trying to pretend around you. Before, he used to slouch slightly, his hands would drape awkwardly at his sides. Now, his back was straight, arms ready. 

You’d never thought Miguel as threatening before.

Still, you try your best to loosen the sudden tension in the room. You give a sheepish smile, hoping it doesn’t wobble like your heartbeat. 

“I think my dimension just opened up,” You mutter, halfheartedly pointing to the screen, “Does this mean I can go back home?” 

He steps forward. You inch backward as he makes his way over to the computers. All the screens shut off. You can barely see him in the dim light. 

He works he jaw, like he wants to tell you something but can’t. 

Despite your heart going a mile a minute, you don’t want to be scared of Miguel. The only friend you had here. You bite your lip, gaining all the courage you could. 

“Did you lie to me?” It was a stupid question. Of course Miguel would say no. He wouldn’t do this to you. He couldn’t. 

His eyes slice into you. Crimson. 

“Yes,” he says simply, “I did.” 

You weren’t expecting that. You couldn’t have. Your mind was whirling, desperately trying to piece together an explanation. 

The tears burned in your eyes. You forced yourself to keep them at bay. 

“Why?” It was barely a whisper, you weren’t sure if he had heard you. 

He rakes his hand through his hair. It was something he did when he was stressed. You’d once jokingly told him that if he kept doing that he’d go bald. 

You had joked with this man. 

“I was going to put you back,” He said, almost like he was pleading to you. As if you were his judge, his executioner, and not his helpless prisoner. 

“That was the plan. I was going to put you back but...” He sucks in a breath. He gives a laugh with no real mirth. 

“But then I realized how much safer you’d be here.” 

You didn’t understand. You take another step back. He follows. 

“Your dimension opened back up two weeks ago.” You’d been stuck here for three. “Communication has resumed like normal. I lied about that.” 

It felt like a sick prank. Like he would suddenly start laughing, telling you how gullible you were. 

But it feels even worse when he doesn’t do that. He just stares, almost like he feels sorry for you. 

You don’t want his pity. 

“You haven’t met your dimension’s spiderman, have you?” He suddenly asks. “He’s a good kid. But that’s all he is. Just a kid. Thinks everything comes easy. His fate is worse than most.” 

“His recklessness causes a bomb to detonate. 126 people die.” His gaze is stiff on your figure. 

“Including you.” 

You freeze, staring at him, unable to move. The word of your death still lingered in the air. 

“I told myself I’d send you back,” he continues staring into the dark screens, “But you were so sweet and you made me feel so-” He cuts himself off with a huff. 

“I always have to make the right decision. Every time.” He finally says, looking back at you. 

“Just for once, I wanted to be selfish.” 

“Miguel-” 

“I won’t.” He interrupts. “I’ll keep you here. I’ll keep you safe. I always keep things that belong to me safe.” 

You don’t like how he phrased that. You don’t like anything about this. This didn’t sound like your Miguel. 

Or did you even know him? Was the weeks of kindness all an act? A ploy to keep you satisfied?

Look how wonderfully that worked? You walked right into his trap like a stupid butterfly, struggling in the sticky webs. 

“You said it yourself,” you whisper, “I’m an anomaly. I can’t-I can’t stay in a dimension that isn’t mine. I could cause rifts-or-or even worse disasters.”

You try to throw his words back at him, hoping it’d knock some sense into him. He just gives a hum at your attempts. 

“Not if you stay here,” he replies, “Not if I keep you contained. Keep you here.” 

You shake your head, stepping back. This felt like a nightmare. The tears were falling in full force, down your quivering chin as you stare at him. 

“You-you can’t do that,” You mutter, backing up against the wall as he makes his way towards you, “You can’t do that.”

He crowds you against him, hushing you as he bundles you up to his chest, stroking your hair. He’s so warm. His scent of woodland mountains is so strong. He suffocates you. You hadn’t realized it until just now. 

“I know you don’t understand.” Miguel replies, sounding so genuine. It makes you sick. “But you will. One day. One day you’ll thank me for saving you.” 

Saving you. This wasn’t saving you. This was keeping you. This was killing you. 

“I want to go home.” Your voice breaks, cracks under the weight of his confession. “Miguel please. I-I need to go home.” 

For the first time, he smiles. A sincere smile. 

A condescending smile. Like you’ve said something adorably naïve. 

“Mi amor.” He purrs, affectionately kissing your cheek. 

“You are home.” 

#yandere #delusion #dark content #atsv x reader #gn reader #miguel ohara #x reader #yandere x reader #reader insert #spiderverse #non con touching #kidnapping #yandere miguel o'hara #oh no miguel im so sorry your wife and kid died #bummer #anyway theres this cute thai place down the road

[a-town-called-hometown]

yippee! apologies if my takes are horrendously bad

my personal take on the matter is that i definitely think the dark worlds can work as a metaphor for escapism without undermining the darkners' personhood. it can be more than one thing, yknow? the darkners are important, their lives matter. and the lightners do go to the dark world as an escape from the problems they face in their own life. but that's not the darkners' whole PURPOSE, yknow? i mean. according to the laws of the universe of deltarune yes darkners' "purpose" is to serve the lightners but like it's not their whole purpose in the STORY.

it's sort of like how, in UNDERTALE, LOVE represents how distant you've become, how easy it is for you to hurt people. but it also literally gives you the power to destroy the world.

i think the biggest reason i believe escapism is at least a part of deltarune's narrative is queen.

queen's whole speech in both of her fights is about how she intends to provide escapism for the lightners (so that they will worship her but also so that they will he happy). she wants to turn the whole world into a dark world, so that everyone can live in bliss and not have to worry about the woes of the light world. she mentions "Staring, Tapping, To Receive Joy. Staring, Tapping, To Avoid Pain." which is like pretty much the definition of escapism

she wants to help Noelle with the problems she faces in the light world ("Noelle. Who Will Be There To Help Her? Her Strange And Sad Searches" and "My One Idea To Help Noelle, Failed") by just... shoving it away for a blissful fantasy world ("Wake? No, She Has Already Awakened Too Much. Let Her Close Her Eyes And Sleep Away, Into A Darker, Darker Dream.")

...i forgot the rest of what i wanted to say!

well first off, thank you for your ask! I'm going to get extremely in depth in my answer, so bear with me here. sorry it took several weeks to write this. the escapism reading of deltarune is pretty deeply entrenched in fandom, and to refute it, I felt it required a full-length essay to completely explain my viewpoint.

yes, "the lightners desire escapism" does not automatically translate to that being the darkners' actual narrative purpose. escapism can be a theme without dehumanizing those who are used in order to escape - in fact, I've read a number of stories that use someone's desire to escape to HIGHLIGHT how they're hurting others in pursuit of that. I believe that toby fox is definitely capable of telling a story about kids having a valid desire to escape, and about them grappling with having inadvertently created a world of real, living people as a result.

(I'll reiterate again that this is not the story arc that generally shows up in fanon. the common consensus is that the game will end in an omori-esque "growing out of" the dark worlds. it's why I have a huge dislike of the fanon escapism reading, given that the darkners are shown as people whose lack of agency parallels kris' own. it would feel cheap if the resolution to that plot was that the darkners were actually never meant to be agents in their own fates. but this is a digression.)

the reason why i DON'T believe that this is a story that toby fox is telling is because of the way the world, themes, and characters are written. put simply, it just doesn't come across as congruent with the story being told.

deltarune's main themes are agency, fate, identity, and control. this is a conflict that shows up in nearly every major character, is baked into the worldbuilding, and is the central struggle involving us, the player. the protagonist of deltarune is literally possessed by us against their will. the darkners are objects that have no choice but to serve and be discarded. over and over again, there is emphasis on roles that characters play - and crucially, roles that are imposed on them.

what would escapism mean, in this thematic context? in real life, escapism can represent any number of things, but in a story, a major narrative theme generally has to dovetail with other major narrative themes in the work. I would argue that escapism in deltarune would likely mean going to a place where characters are able to choose for themselves what roles they embody, or even to discard the notion of roles altogether. a fantasy of control is the only way to escape a reality where you have no agency. and honestly, it's hard to imagine that something could count as an escapist fantasy if you don't even get to choose whether or not you participate in it.

let's talk about kris.

I see a lot of discussions around kris that say that kris goes into the dark worlds to escape. the dark worlds are posited as kris' fantasy of heroism. it's a world where they can seem heroic and cool, a world where they can have friends. this theory makes a decent amount of sense on the surface level, but only until you consider that kris is being controlled in order to go into the dark worlds. and it is not a control that they appear to welcome.

if those worlds represent kris' fantasy, then why don't they get to choose what happens in those fantasies? why are they being controlled by an external force, one that they actively push back against? if it's really an escape, then why does everything about this world reflect their lack of agency? if they really think this world is just a pure fantasy, then why do they care if spamton falls when his strings are cut?

because they're being deliberately obscured to the player, it is hard to say how kris actually feels about many subjects... but I do seriously doubt that they view the dark worlds as an escape. they don't act in a way that is consistent with that. they resist their lack of agency, and what little we do see of their reactions to darkner characters doesn't suggest that they view those characters as part of a disposable fantasy, either. they seem to have complicated feelings on ralsei. and of course, one of their biggest emotional reactions in the game is to the spamton fight. I would argue that that suggests they have empathy for spamton, which is a hard emotional reaction to have if you believe he's just part of a fantasy. not impossible, mind you, but it seems unlikely that kris believes that all this is simply fantasy.

also, considering that snowgrave both actively discredits the idea that the dark worlds are mere fantasy and is actively traumatic for kris... I seriously doubt they'd open another dark world in chapter 3 on a snowgrave run if their motive was purely to escape. on that route, they've seen the damage we can cause in a dark world. they know that berdly has sustained lasting damage due to our actions, assuming he's not outright dead. why would they want to try and "escape" to a place like that again now that they know what can happen?

the only answer is that they have a motive that isn't escapist.

now, as for ralsei... what part does he have to play in all this?

ralsei does play a lot to the fun, fantastical elements of the dark worlds. he delivers the prophecy that kickstarts the adventure. he flatters both kris and susie endlessly when they act appropriately heroic. he welcomes them into the castle and even makes nice rooms for them. he initially seems tailor-made to enable a fantastical experience where no real issues can ever complicate anything, and where the pain of reality can successfully be hidden from. but there's a lot of complications to the idea that he might represent an escapist fantasy.

the first, and what honestly seems the most important to me, is that he doesn't encourage kris and susie to remain in the dark worlds. he is welcoming and kind, but once the adventure is over, he prompts them to return to the light world. he wants them to deal with their more "real" problems like homework. that doesn't feel like he is trying to facilitate escapism in them. a real fantasy would encourage you to stay in it, wouldn't it?

and while ralsei is definitely invested in making sure the lightners are happy, there are always cracks that show. he isn't able to make kris ignore what happened in the spamton fight. he isn't able to convince susie to be peaceful and kind. and in his very essence, he represents a number of uncomfortable ideas. very importantly, he represents a number of uncomfortable ideas to kris.

this probably ain't your first fandom rodeo, so I'm not going to explain all the different ways that ralsei interacts with kris' personal issues. there's plenty of posts on it out there. what i will point out is, once again, it feels odd that a character who seems tailor made to bring up kris' most uncomfortable associations with their lack of agency and their outsider status in their own family would be part of a fantasy of escapism to them. you'd think that they'd prefer something that didn't have an inbuilt hierarchy, a prophecy that denied them autonomy, or especially a person that reminded them how little they fit into hometown.

that doesn't mean kris doesn't care about him at all - it seems very likely that they do. what I mean to say here is that he just seems ill-suited to an escapism reading, both behaviorally and on a conceptual level. it doesn't seem like that's at all part of his servitude towards the lightners.

of course, there is another non-lightner entity that ralsei seems diegetically engineered to serve. but I'll discuss that later.

now as for susie...

yes, susie definitely views the dark worlds as more fun than the light world. and why wouldn't she? the light world sucks for her, and she doesn't seem very aware of the fact that the dark world can also suck. you could definitely make the argument that she views the dark worlds as a fantastical escape from reality... were it not for the fact that she treats her darkner friends with just as much importance as she does kris and noelle.

can someone treat components of an escapist fantasy as real and important? of course. but given deltarune's themes of agency and control, as well as the fact that darkners exist in servitude to the lightners, I feel like you'd have to make escapism tie into forcing others into a lack of agency if you wanted the theme to feel coherent with the rest of the work. this would require susie to be limiting the agency of the darkners around her. and obviously, she doesn't do that. her presence around them might be inherently limiting, just by simple virtue of being a lightner, but she isn't aware of it, and clearly is uncomfortable with the idea of limiting anyone's agency. she encourages ralsei to make choices. and she supports lancer in basically anything he wants to do. her treatment of lancer is integral to chapter 1's narrative, and it seems like that treatment of ralsei is integral to the ongoing narrative as well!

her preference for the dark world feels very rooted in her engagement with it as its own reality. rather than trying to avoid her real-life problems by engaging in a pretense, she seems to simply want to spend time with her friends in a place that isn't cruel to her. she isn't ignoring any of the dark world's problems in service of that, either. she notices when things don't line up. if she thought of it as a fantasy, wouldn't she be inclined to ignore issues that impede the fantasy?

and critically - like kris, she does not intentionally choose her imposed role in the prophecy at first. she steps into the role of bad guy to resist it, but that role is limiting too, and she eventually acquiesces to being a hero. it's never something she's completely on board with, though. she actively pushes back the limitations that the role places on her. I find this important to reiterate when we are discussing the notion of the characters viewing the dark worlds as fantasy.

noelle has a complicated relationship to the dark worlds. susie tells her that it's a dream to make her accept the strange reality she finds herself in, which works well on her. she continues to think of it as a strange dream throughout the chapter. (though, like the others, it is not a 'dream' she entered of her own volition!)

it is also a markedly unpleasant 'dream' at times. she has her agency restricted, is kidnapped, has to evade a controlling monarch, and is even tied up in a weird evangelion cross thing on the hand of a giant robot. it's not purely fun. noelle does like scary things, and while it might be healthy for her to have an experience where she stands up to a controlling adult figure... again, the circumstances make it difficult for me to assume that this is a fantasy she would choose for herself. not impossible, mind you, but it's not the first reading of the situation that comes to mind.

and while she does say she wishes she could dream like this every day in the normal route, that does happen specifically because she was talking to the girl she likes. it makes sense she'd find that pleasant. I don't think that necessarily equates to her finding the dark worlds escapist.

and importantly, this isn't the sentiment that she expresses in every route.

again, there's a lot of analysis on snowgrave, so I won't bother regurgitating it much here. but it's nightmarish for both kris and noelle, and very likely fatal for berdly. noelle needs to believe that the event is a dream, for her own psychological safety, but one of the most important parts of snowgrave...

...is that its events, and the world it took place in, are very, very real.

noelle wants to have the strength to face her problems, both in the regular route and in the snowgrave route. rather than escaping from them, she views the "dream" as a chance to practice dealing with her day-to-day issues. it's just that in the regular route she finds that strength authentically, and in the snowgrave route, that desire is manipulated and pushed until she is forced to kill berdly. she doesn't interpret snowgrave as an escape gone wrong. she views it as a dream that became a nightmare. and those are two extremely different things.

but i haven't even gotten to the biggest thing that undermines the concept that the dark worlds are a metaphor for escapism! which is: this fucking guy is dead wrong about everything.

so full disclaimer - I really love berdly. I think he's slept on a lot in the fandom because he's annoying and weird. which is fair, I suppose, but I think ignoring him hinders a lot of people's understanding of deltarune's overall narrative. because berdly often illustrates a lot of concepts in the game, but his narrative framing as a joke (usually...) prevents the player from taking it completely seriously. he has things to say and ideas to show off, it's just that he's often very loud and kind of dumb in his expression of them. which is kind of the point!

ralsei brings up the idea that the darkners are meant to serve the lightners very seriously in chapter one. by extension, and by way of the literal mechanics involved in a dark world's creation, we can infer that this logic is probably something that also applies to the dark worlds themselves. they are allegedly worlds and characters that only are supposed to fulfill a dream of the lightners. but due to narrative framing and deltarune's themes, we know that that's not the full truth. however dark worlds and darkners are created, they deserve to have their own agency. they can't just exist to fulfill a higher being's wishes.

you know who else undermines that view of the dark worlds? berdly! berdly does!!!!

because berdly is the only lightner in the game so far who does take the dark worlds to be an escapist adventure! he wants to turn cyber world into smartopia. he views this as a chance to be a cool hero. he believes he's going to get the girl, he's going to shape this world to his own liking, and maybe also he's going to get queen to acknowledge him or something so he stops being a forgettable little bluebird. and not only does none of this happen, his steadfast belief that it will happen is continually a joke within the narrative!!

berdly's wishes for uncomplicated escapist fantasy are flat-out denied by the dark worlds themselves. as a lightner, those worlds should be serving him. he should have the power to do whatever he wants within the bounds of an escapist fantasy. these npcs should be singing his praises!

but he doesn't have the power. and this world doesn't sing his praise. because it just isn't an escapist fantasy. he isn't right to view it that way. his wishes for heroism are always going to be thwarted.

so now that I've gotten all that out of the way, let's swing back over to the subject of your original ask. queen.

because, like berdly, queen's entire character arc is about how she's completely wrong about what the lightners actually want.

queen would in fact like nothing more to place the lightners into an escapist fantasy. she believes that that's the best way to serve them and make them happy forever. as a darkner, queen has very much internalized the idea that a lack of control is what actually makes people happy. since darkners have no choice in their destinies and are supposed to be happy in it, and since she personally finds her role as a darkner fulfilling, she believes that that's true of all people everywhere. if you want to make people happy, you just have to remove that pesky personal agency!

so she spends the story trying to force the lightners and particularly noelle into situations where she controls them in order to make them ostensibly happier. she does genuinely believe that this is the right thing to do, but as she finds out eventually, she's just wrong. noelle doesn't want that. queen believes that escapism is why the lightners use the internet... but that's totally wrong too.

while there are other searches mixed in, noelle is trying to use the internet to find her sister. instead of trying to hide from whatever happened, noelle wants to figure it out. queen's thesis about noelle and the lightners is proven wrong even before she personally encounters noelle in the dark world. it's just that queen doesn't realize it due to her limited perspective.

the concept of escapism being brought up with both queen and berdly is not there to say that the dark world is escapist. rather, it's there to say that it isn't. despite the dark worlds being a fantastical place, they are extremely real. to view them as a means of escape is foolhardy at best. you cannot act as though you are above consequences within them.

themes and ideas exist within the story for a sake of an audience. so let's get into the final character I need to discuss here. hopefully this will tie my thesis of deltarune together neatly.

that character is of course us. the player.

when creating a piece of fiction, an astute author will often identify and anticipate an audience's reactions to certain things in their work, and write things in such a way that they elicit the desired reactions. in essence, a writer is directing the "character" of the audience. how we feel and how we are anticipated to react to things is an integral part of nearly every fiction.

that effect is far more overt when dealing with metanarrative fiction that diegetically involves the audience. since the fiction is saying a lot of things about the general 'you,' the audience in aggregate, your reactions to certain things in the story have to be finely cued and anticipated by the author, so that the author can thus commentate on the reactions that you have to the story. the "character" you are assumed to inhabit is posited by the author to have certain traits.

to explain what I mean in plainer terms, I'll use the player of undertale's no mercy route as an example. because undertale is commenting on the way rpgs generally work. the player's behaviors in no mercy are attributed by characters in the story to be the result of us acting like a typical gamer. we kill the characters in the game because we want exp. and more than that, it's because we want to see everything the game has to offer. the role we inhabit in this role-playing game is that of a completionist. you could say that that's assumed to be our "character" in no mercy.

deltarune also posits that certain things are true of its audience. by being written to evoke certain cultural ideas, rpg tropes, and references to undertale, it guarantees that its audience will probably have certain traits, and spends a large amount of its conceptual focus commenting on those traits. one of those traits is nostalgia, which is probably an idea that I'll expound upon in a further essay because it's quite integral to my reading of deltarune. but the main one I mean to discuss here, and why I went off on this tangent about how audiences are dealt with in metafiction, is that we are posited as someone who believes in the logic of certain narratives.

deltarune's writing evokes a lot of portal fantasy narratives. alice in wonderland, narnia, pretty much every story where it's revealed at the end to be all a dream... the story of deltarune superficially resembles a lot of those. this, I think, is responsible for the popularity of the escapism theory. because those stories are often at their end about a child learning to put away fantasy and grow up, people tend to believe that deltarune must be about the same thing. but I truly don't think that deltarune is trying to do anything with that aspect of portal fantasy narratives, at least not directly. its main characters aren't involved in that exact type of coming-of-age arc.

instead, deltarune is very concerned with what happens to characters in fantasy, and specifically fantasy rpgs. if your world is deemed to not matter because it's a dream, what does that mean for you, who has no choice but to live in it? if you are an npc whose role has been predetermined for you via script, then can you ever decide for yourself what you want? what if you want to matter? what if you want to be your own person?

as the major controlling force of deltarune, we are initially cued to believe that deltarune is like a dream. it superficially fulfills so much of what we want from undertale fanon. hometown seems like it's a perfect idyllic town, at least until you start noticing the obvious cracks. and remember what I said about ralsei earlier? he is so reminiscent of asriel, and extremely eager to help us. it's not a stretch to say that making us specifically view deltarune as dreamlike and idyllic is probably part of his purpose in the game.

I would not say that we are posited as escapist. but the idea of escapism as brought up with queen and berdly is meant to strike at the heart of a much deeper idea that deltarune is trying to deconstruct. because if we view deltarune as a dream, escapist or otherwise, then we are inclined to write the internal realities of the characters inside off. the dark world can disappear without it mattering. we can control kris without it mattering. if it's all a dream, what does it matter? why should we care to let its characters go free? aren't we supposed to be in control?

if deltarune is an rpg... what is the significance of us interacting with it?

#deltarune #deltarune analysis #BIG big thanks to tvlandofficiall for being my sounding board and providing the flavor images for this essay #this one gets into some big overarching analysis of deltarunes construction and what it deconstructs. hope u enjoy

[circuitcircus]

in defense of kabumisu……..

addressing things I see people say about why kabru being shipped w mithrun is ‘bad’ or why their canon relationship ‘doesn’t mean anything’ while also clearing up misconceptions of the characters some fans have

listen it keeps popping up and I just gotta do this or my brain will melt (if you don’t see it around then god I wish that were me) feel free not to read lol there’s an age gap!- erm there’s also an age gap in farcille (ily), the most popular ship in the series...also chilchuck looks like a kid but a lot of fans recognize him as a dilf because of his relative age, so there should be no age gap discourse among adult characters because it feels so conditional tbh

kabru taking care of mithrun is racist!- marcille likes to take care of others as well. is that sexist, or just an aspect of her character?

kabru isn’t treated like a servant, waiting on mithrun hand and foot…I mean he gives mithrun a foot massage but no one told him to do all that lmfao

he's also not the only one to care for mithrun. pattadol is shown to worry for him and milsril was the one to start taking care mithrun in the first place after he…...y’know. speaking of which-

they probably met when kabru was a kid!- neither of them showed signs of recognizing each other the entire time mithrun was introduced nor when they were together. and im pretty sure KABRU of all people would show some kind of recognition if they'd met before. it's kabru!!! the people person!!! mr. "i-noted-down-50+-characters-in-this-dude's-backstory-for-fun-and-actually-enjoy-social-gatherings"

you would think some kind of memory would come back to him especially after hearing mithrun’s backstory if milsril had even told kabru about him as a kid. but nope. it’s just fan speculation unless there's a side comic suggesting otherwise that i haven't seen

mithrun doesn't care about kabru, his shapeshift double looked like shit!- it's obviously because of mithrun's (then) lack of desires that it looked like that, but they really grow on each other

i think it's safe to assume it'd look more like kabru after they spent so much time together (also laios can barely even remember kabru's name, give this guy a hug)

mithrun is racist!- he’s actually the least likely character to be racist since he lost his desires and that includes a desire for superiority over others. he even calls his past self out on that part of himself. the other elves in that side comic were being just as racist to shorter lived races but just didn’t use ‘outdated slurs’

(unfortunately literally every main character in dunmeshi is at least a lil prejudiced, but I believe it’s worldbuilding and a sign of the times rather than a reason ryoko kui is giving to hate each character)

taking care of others is a pain in the ass!- saying this as a reason kabru and mithrun shouldn't be together is basically saying disabled people shouldn't be allowed to have romantic relationships because they're a "burden"...if someone is actually willing to put in the work, then let them be.

that's not even all of their relationship, mithrun is the fighter of their duo and kabru would've been killed by the shapeshifter or something if he'd fallen down the hole on his own since he sucks at fighting monsters. mithrun helps collect ingredients for cooking every time, too (barometz fruits and griffin egg). he pulls his weight and then some!! i feel like people forget that part of mithrun a lot somehow.

+senshi literally cooks for everyone all time. it's kind of an important aspect of the narrative.

+also, while it is a popular fan thing I see around that kabru handfeeds mithrun, he literally never does lol this is mithrun using his own hands to eat:

also here we have him washing his own body

just saying because people like to treat mithrun like a baby even though the narrative respects him as a capable adult who also has special needs because of an accident. he’s captain for a reason

kabru hates taking care of mithrun!- not exactly, he was initially surprised and put off but got used to it quickly. i’m sure he’s grateful for all the times mithrun saved him from a monster and teleported them out of danger as well

he even starts doing “unnecessary” things for mithrun’s comfort and safety like when mithrun pushes himself too hard fighting, even after his mission to take care of him was complete when the canaries came back

here is even kabru resting while mithrun keeps watch (mithrun let him sleep for 5 hours before waking him up from the nightmare earlier, too):

there's nothing more to their relationship!- they actually have had a very tight and consistent dynamic since they met and they incite the most change within each other by the end. kabru is the one who inspires mithrun to create new desires so he doesn't waste away, and mithrun is the first person we see kabru being genuine with and it leads him to be more honest with others by the end instead of tiptoeing around everyone all the time (that mask was also the reason some ppl initially disliked kabru…)

kabru’s relationship with mithrun is honestly so important for his character and vice versa, but it’s often disregarded because of one over exaggerated aspect of it (an aspect that isn’t even the first way they interact with each other) or because people want to just straight up ignore it for some reason 🥲🥲

kui dedicates many panels to them that don't particularly serve the narrative as a whole in order to demonstrate this and i think that's pretty significant

you're taking this too seriously!- as if i'm the first person in the world to be crazy about a ship or the characters 😭 i love analyzing text and it's upsetting to see them mischaracterized when kui lays out the characters so clearly and deliberately

also they end up touching each other like all the time and have the kind of canon validation most ppl can only dream of lol i feel so insane look at this:

and this is just when they're first getting to know each other cuz there's a fuckload more

kinda hard to explain how i don't actually need them to get married or whatever but i'd die on this hill for them and i enjoy their dynamic immensely

haha you thought you were reading ship discourse but it was actually a character analysis 🤪🤪🤪

also don’t somehow take this to mean I think anyone has to ship them, I just need everyone to understand these accusations kind of don’t make sense especially when they can also apply to other pairs or characters

I find it fun that mithrun waited for kabru to wake up before moving on after they first fell through the hole. why indeed…idk but it’s cute either way

bonus kabru looking at mithrun:

#dungeon meshi #kabumisu #kabru of utaya #mithrun #dungeon meshi spoilers #i'd rather be able to enjoy their dynamic without feeling like i have to explain it but i keep seeing the same takes i cant do this anym- #i feel like i advocate for kabumisu so much because i see so many people mischaracterizing kabru to make l4bru work like how they want #by saying he’s obsessed w laios because he thinks he’s hot..but he was curious about his autistic behavior and eventually thought his lack #of malice would make laios the best candidate for becoming dungeon lord to prevent another utaya tragedy. tho eventually he doubts that #not that i care that he's shipped with laius. i just want ppl to see kabru for who he IS bc some still think hes nothing but a shady bicth #i think that's best shown through his dynamic with mithrun (other than his own words of course) so i want ppl to acknowledge it properly #like idk if I can trust popular fan interpretations of the characters or relationships anymore after the shit with toshiro bro 💀💀 #not trying to attach kabru’s entire being to mithrun or anything either just..saying #hm i feel like the way i worded all of this will make some ppl mad. not my intention but whoops #anyways has anyone drawn ship art of senshi and mithrun yet? anyone?

[whispereons]

Oracle!Reader Part 9

Masterlist - Part 1, Part 8, Part 10

Warning! This chapter has some gore and death! Remember my sagau has darker worldbuilding and it's an imposter au! Yanderes is a warning in itself.

Muffled thumping and talking bothered your slumber. Feeling groggy you opened your eyes slowly. A groan slips past your lips as your head pounds when you move to sit up. What happened last night?

Memories of the night before coming back to you in a trickle before it rushes your mind all at once. Your mask!

Urgently you feel your face and relax a little at it still being there. But what if Kazuha took it off and put it back on? You would be put in a cell, right? The bedding underneath you were still soft and warm in fact something even warmer was on your legs too...

Looking down you see a head of white and red hair resting on your leg. The sleeping face of Kazuha with bed hair was sitting on a chair letting his upper body rest on the bed.

As cute as he was, sleeping very content on your legs you needed answers to whether he removed your mask or not. Why he was sleeping here was secondary.

"Kazuha? Kazuha, wake up!" You shake his shoulders gently as you call his name. He wakes up almost immediately no doubt due to his sensitive hearing.

"Y/N? Why are you-? Oh. Oh, I'm so sorry." It doesn't take Kazuha long to realize the situation as he jumps away from the bed in a hurry. The slight red to his ears as he turns his head away from you is an easy indicator to his embarrassment.

"It's fine really. You carried me back to my room, right? Thank you for that." His reaction was technically positive while referring you by name meaning he didn't take it off. You should be fine... for now.

"It was no trouble Y/N, especially as you had done the same for me the first night. It's just a little worrying how tired I got once I laid you on the bed. I must have been exhausted from the battle since I didn't drink anything."

Kazuha's complexion starts to cool down as he speaks about the sudden sleepiness. It's quite convenient, a little too convenient. Teyvat probably had a hand in this. You were grateful for it either way.

Politely you dismiss Kazuha who is more than eager to escape the situation. Packing up the last of your stuff and freshening up, you leave the room and climb the stairs.

The cawing of birds become clear, and you look to see the bustling pier of Liyue Harbor. You recognize it as the farthest pier from the city entrance. Unlike the game where you only saw a few people and sellers, it was much busier now.

People of all colors and clothing walked around buying, selling, playing, and working. Liyue was said to be home to many people meeting, so it was nice to see an actual busy port.

Tightening your grip on the strap of the bag, you hope that the crowd will help you escape from meeting any acolytes. Zhongli, Ningguang, and Yelan were the top people to avoid. A smart, well connected Ningguang is far more dangerous than the isolated adeptus Ganyu or Xiao.

"Y/N! Y/N!" Turning around at the sound of your name, a hug from a very excited chef and panda nearly topples you. Smiling a little you hug her back.

"Woke up fine after passing out like that Xiangling?" She pulls away with a pout at your words. Guoba is still clinging to you, and you pet his head while smiling at Xiangling.

"I'll be able to handle more next time! I swear it." You nod along to her determination before asking her a question.

"Where's Xinyan? I know she had a performance today; did she leave already?"

"That's correct. Xinyan had to leave around the same time Beidou left for business. Furong relayed her message to me about it."

Kazuha strolls to where you're standing with Xiangling. He's carrying a small bag with him hinting that he might be staying in Liyue for a while.

"That's a shame, maybe I'll get to see her when I'm in Liyue Harbor. I'm guessing you both have your own ideas on what to do in Liyue."

Speaking casually, you begin walking off the boat onto the port, Kazuha and Xiangling follow behind you.

Xiangling speaks about fishing before going to Wanmin Restaurant where she can go back to helping her dad. Kazuha's calm voice mentions a trip to the Lisha area where he had yet to explore.

Keeping your tone light, you vaguely speak of traveling around and the possibility of visiting another nation. It's best to have a flexible track record to avoid being stuck in any minor lies.

The crowd around you seems to grow thicker. It pushes the three of you together into a clump in the crowd. The smell of fish, sweat, and salt is grossing you out.

Kazuha's featherlight grip on your wrist and Xiangling's warm hand on your shoulder are what helped you all stay together and escape the masses. You sigh in relief at the cool breeze sweeping away the hot sticky feeling.

Quickly you begin saying your goodbyes to them only to be surprised by their slight clinginess.

"Why are you leaving so fast? I can treat you to a meal at Wanmin Restaurant first." She keeps her hand on your shoulder as she inches closer. Trills come from below and you look to see Guoba clinging to your leg. When did he come over?

"I agree, we don't have to split so fast. If anything, you can explore the Lisha area with me." Kazuha changes his grip from your wrist to your hand with ease.

You would be more than happy to, but you really didn't want to attract more vision holders. They would inevitably ask about you since you awakened most of them. That would lead to more questions, more lies, and less freedom.

"I'm sorry but I do have things to take care of in the city first. I don't want to hold either of you back. Xiangling, the fish you want are only around this time of day and Kazuha, I won't have you waiting hours or even days for me." You speak with firm tone and escape their holds.

Xiangling and Guoba wear matching sad puppy looks while Kazuha seems calm. The slight tremble of his hands as he waves goodbye to you doesn't go unnoticed.

He really can't understand just why he's so attached to you. It's not like him to get this troubled by saying goodbye to people he's met during his travels. His hand shook resisting the urge to hold you again.

Perhaps some time away from you would be good. For you and him.

You turn the corner around Hanfeng's Ironmongers and release the breath you've been holding. Relaxing your shoulders, you resist the urge to groan as you walk along the stone floor.

This was certainly a new pattern that you've begun to notice in your acolytes but not unwelcome. Being clingy and attached to you will help blind them from any slip ups you might make. It was nice to feel loved by your comfort characters too...

The headache you've been sporting since you woke up pulses as if reminding you of its existence. Drinking on a boat was not your best decision but you wouldn't count it as your worst yet. That spot belonged to your moment of weakness with Gorou that gained Yae's attention.

Sighing you keep walking trying to remember the first stop you had planned.

"-thank you for supporting the Adventurers' Guild." Your ears perked at the end of the sentence and a person in the signature green outfit.

That's right, you wanted to finally join the Guild since you never got the chance to in Inazuma. With renewed vigor you walk further and climb up the stone steps.

As you begin climbing the wooden staircase (was it always this high?) you see a black hat and two long twin tails as you climb up. The body gestures and promotional voice are a clear indicator to who is gracing Lan, the Liyue Branch Master, with her presence.

"This new proposal is designed to make anyone, especially you agree to it. The Wangsheng Funeral Parlor is always up to date, so we increased the number of coffins you get with your first order to 150 wooden coffins due to departure of Rex Lapis."

You get to the top of the stairs letting you have front row seats to the amusing sale performance.

"I hope you remember the on-site cadaver collection service covering almost every region in Liyue. Because I'm proud to say that we now cover them all. The fee is still very affordable of course!"

Hu Tao smiles perfectly as Lan only gets more annoyed.

"Even when you had the traveler, I still rejected you."

"So, you do remember! That's perfect as now I won't have to drag her here to be a reference again. The Wangsheng Funeral Parlor fully understands why you may be hesitant to agree due to the social ideals. Despite the fact that everyone and everything ends. But it truly is in your best interest to agree to my proposal."

Hu Tao seems to get a little more desperate as Lan presses her hands to her temple.

"I mean, she isn't wrong." Your honest thoughts are spoken aloud drawing the women's attention to you.

Unlike Hu Tao's cheery and overly persuasive voice, you take on a more relaxed tone.

"You want to keep your adventurers safe and making them agree to this would look bad is what you're thinking right? But don't you see how Hu Tao's proposal is making them safer? An adventurer agrees to this job knowing that their life is in danger, if they get scared at the thought of signing that waiver then they aren't cut out for adventuring. How would they survive when attacked? They won't, so this may help prevent needless deaths."

Hu Tao's eyes sparkle at your words as Lan seems dumbstruck. You don't blame her, a random person coming up and taking Hu Tao's side on her business practices is a rarity.

"Now if you agree, you could prevent a lot of heart ache for those who are connected to the adventurers too. Someone has to pick up the bodies, Hu Tao's on-site cadaver collection is the best option. If not them then you'll need to have a different adventurer pick them up, have the family pick them up or pay a bigger fee for the Parlor to do it. You wouldn't want someone who was friends, coworker or family to deal with that corpse if you don't have to, right?"

This was all stuff you've wanted to tell Lan when you saw this scene in Hu Tao's story quest. It felt good finally getting it off your chest. Hu Tao's idea was really more like insurance similar to those who worked dangerous jobs like construction.

"Someone that recognizes my genius! I thought I had a way with words until I heard you speak of possibilities I couldn't even fathom. Tell me what's your name?"

Hu Tao shakes your hand excitedly and before you can even open your mouth to respond she looks back to Lan.

"But before that, I would like to seal the deal with Miss Lan on the offer. Wangsheng Funeral Parlor has a long and detailed history of honoring the client's requests on their death bed. So, agree to this now and reap all the benefits!"

"I said no, I'm not telling you again Hu Tao. Say what you will but I'm not changing my mind. And you, do you have any actual business with the Adventurers' Guild? If you do, speak to Katheryne if not then leave."

You chuckle at the way Lan stubbornly rejects Hu Tao with a scowl before piping up coyly.

"Well lucky for you Lan, I'm Y/N and I'm looking to be an adventurer." The smile you have seems to annoy Lan even further. She mutters something sounding very similar to "of course they are" and points at Kathryne.

"Miss Lan may be unwilling to partner up with me but the same can't be said the same for you Y/N. Those eyebags, slumped shoulders, and frizzy hair. All of that to point to you being chased by something intangible. Why don't you come over sometime and I can get you a 30% discount on a nice coffin as thanks for your help?"

Were you really that haggard looking or was Hu Tao exaggerating it to sell to you? The speed Hu Tao can switch targets from Lan to you is bit startling. Her elemental ghost creeps around her back to wrap around your waist pulling you closer to her.

"Much like you said earlier, an adventurer's life isn't easy! If you agree now, I can promise a special on-site cadaver collection that can extend as far as Monstadt and Sumeru. Buy now and save later, it's the families that regret not buying a coffin or spot for burial."

Well, you did vouch for Hu Tao's proposition earlier so it would be hypocritical to refuse now. But what if you're dragged back to Inazuma and die there? Or worse your identity is exposed leading to you not being allowed a funeral?

The furrow of your brows and finger on your chin as you mentally compare the pros and cons makes Hu Tao smile wider. Until an employee from the Funeral Parlor runs up the stairs calling her name.

"Director Hu Tao, we need your help with the same customer from last week. She keeps trying to change the plan last minute!"

Sighing in annoyance, Hu Tao releases you and steps backward letting you have your personal space back.

"It seems this must be all the time we have together Y/N." She keeps her hand over her heart as she speaks dramatically before wistfully continuing. "A meeting with someone like you is once in a lifetime, so here!"

A business card with the Wangsheng Funeral Parlor name, symbol and address is thrusted in front of you. The address changes to something readable as your fingers brush over the words and her cold rings as you take the card from her.

Do you even want to keep this paper? It's like a guaranteed ticket to meeting Zhongli who you've felt very conflicted about since you arrived here. He and Venti have had thousands of years to grow as worshippers while watching the cult grow. If anyone could pick up your lie, it would be them. Maybe burning the paper would be the best option.

You wave in slight befuddlement as the employee drags Hu Tao away in a hurry. Once she's out of sight, you turn back to the Adventurers' Guild front desk.

"So how do I start?"

After filling out the stacks of paperwork Katheryne handed you, you give it back and crack your wrist. It had asked all manners of questions from 'do you have any control over the elements?' to 'which of the three mushroom types is edible?'. Something tells you Lan made it purposefully harder.

Katheryne disappears into the building with Lan and after a few minutes she comes back out with a smile.

"Congratulations, you've been accepted into the Adventurers' Guild. I am unable to draw up an adventure rank for you but here is your adventurer handbook."

You take the familiar handbook from her and wince at the way her voice glitches when speaking about your adventure rank. Katheryne has always been a meta character so perhaps with your isekai'd statues the system is struggling. Or Teyvat is doing this to protect you as it's heavily implied Kathryne was created by Sandrone, the Fatui Harbinger.

"Due to your lack of adventure rank we will skip that area. Instead, we can give you the choice of wearing your regular clothes or the adventurers' uniform. It's made of material designed to stand against attacks, the weather, and long durations of time."

You smile and shake your head. That uniform would be a dead giveaway to your new job. Plus, it was kind of ugly, there was no way you would run around looking like Tingle from Zelda.

Wait why did they never offer the traveler the option to wear the uniform?

"Then let's get to the main aspect of adventuring, which is commissions. Between the choice of a single daily commission or four weekly commissions, you chose the latter. You are free to pick up your commissions tomorrow morning. Any questions or concerns?"

There was no option for four daily commissions on the paperwork. They must have given it due to the traveler proving their strength using the Dvalin stunt that happened right before the 'Welcome to the Adventurers' Guild' quest. Or because it's a game.

"Just one, will I have to fight abyss mages and hilichurls? Since I wrote that I could control some elements and fighting skills."

"Yes, you will have to face such monsters since you said yes to both questions. Of course, you won't be facing strong ones as all new adventurers start with easy monsters until their adventure rank rises. Unfortunately, since we can't assign you a rank, you will never be assigned commission focusing on stronger enemies."

What a relief! You already felt horrible at the thought of fighting against the cursed khaenri'ahs. Making the fight more difficult would just make it worse.

"Then ad astra abyssosque, Adventurer! With effort, you shall reach the stars and conquer the abyss!"

That signature phrase makes you smile at the robotic woman before leaving down the stairs. That had to be the simplest job interview you've every applied for!

Not to mention this is the only one you've ever successfully gotten hired for. Most deny you for not having a high school diploma and the rest for not having a GED. You would have gotten one if your old boss ever let you. But the way a gang keeps you trapped is by cutting off any other options. If you never get better, you can never leave.

You walk back down the stairs and stuff the handbook into your bag. What to do now? Visiting Hu Tao is not an option, and this was Liyue for crying out loud! You couldn't explore Inazuma in fear of being seen but the problem didn't exist in Liyue... for now at least.

Glancing at the teleport waypoint in the middle of the city, you make sure to keep a good distance from it. Accidentally activating it would be the worst thing especially with all the people around.

Pushing back any worries you begin exploring the Harbor while checking stores for anything useful. The red of the building frames were such an eye-catching design compared to the monochrome and neon buildings on Earth.

The lanterns and lights were off, but you could already imagine the sight of them illuminating the city. One thing you did note was how everyone walked on the stairs and avoided the smooth stone. Wasn't that one reserved for royalty or rather the Archons? Best that you avoid it too.

Unable to read the signs you took to spying the wares to see if the stores have what you need. Camping supplies like a tent, sleeping bag (the closest thing was a sleeping mat and a blanket), travel-sized hygiene tools, a lantern that holds a candle and a multi tool. Were the first things on your list.

You couldn't stay in hotels or get lucky enough like you did to stay with the Kamisatos so it's best to be prepared to sleep outside. Hotels and even motels are expensive so it's best to save money until you have a general income established.

Having a game bag was such a blessing. The shopkeepers looked surprised when you stuffed the whole tent into it but not to the point where it's absurd. The adepti inventions and the traveler seemed to have made all these things rare but not unheard of.

Another high priority was medical supplies. There was a chance that the Statue of the Seven could heal you but that could summon the respective Archon too. You didn't want to bleed to death while walking to one either. Unless you could teleport to them too...

With a good-sized medical kit, you go to the Wanmin restaurant and merely order from the outside. A good heaping of raw ingredients is added to your bag along with a cooking pot.

Second Life, the store nearby is perfect for some of the missing items like milk. The bag is timeless, so nothing ever rots or spoils. If you had something like this on Earth, you wouldn't have spent years going hungry.

You end up near Xigu Antiques and take out Beisht's scale from your bag. If you ever got low on money, then selling Beisht's scale could work. But using it as a bargaining chip or as a verification of being an oracle would be ideal.

"This scale is unlike I've ever seen. It's not only in perfect condition but it's overflowing with hydro energy. Inventors would pay around 5 million mora to power inventions using it. While jewelers like us would pay up to 2 million mora for it. Are you interested in selling it?"

You give a polite refusal before being extra careful in storing the scale. The last thing you want is its price tag going down. Only one thing left on the checklist of items you wanted to buy.

As you ran around looking for that particular shop, you slowed down near the toy seller. Granny Shan smiled at you with wrinkles crinkling as you admired the kites and toys on the bench.

"Hello young one, interested in any of the toys? The ready-made toys are all child sized but I'm open to commissions for specific toys as well."

There wasn't any point in buying anything. The money could be better spent on living expenses rather than kites or fireworks. With a well-mannered smile you're about to decline until you spot a toy design on a piece of paper.

The air in your lungs struggle to leave you as your hands gently pick up the paper to see it closer. A grey cat plushie design with black and white patches graces your eyes. Your lips are dry, and your throat feels tight.

"This design... Can I get the first finished product?"

"I would be happy to. This kind of toy must bring back some childhood memories, right?"

Granny Shan is oblivious to your inner turmoil as she writes down your name and takes the appropriate mora from you. "It'll be done in around two days. Feel free to pick up that day or the day after."

Thankfully it wasn't that expensive, and you leave the stall trying to regain your bearings. The reminder of your beloved Ashtray was sudden but bittersweet. You had a similar plushie in Earth that comforted you, maybe having one here would help you too.

After walking in a daze, you find yourself in front of a shop that was hidden away. It wasn't in the game but maybe that's because it would have been useless to note. Entering the shop, the sight of wind gliders sends you some excitement and nervousness.

Wind gliders of different designs and colors are hung around the shop as protective gear is stationed around on tables. The metallic of the middle structure of it are cold to the touch. A contradictory to the soft cotton hiding the bendable mechanics of the wings.

You're quickly attended to by an employee as they explain the functions and unique color schemes behind each glider. Some designs have monochrome colors to let the buyer color it themselves while others are bejeweled to hell and back.

The one you end up buying is a mild colored glider that suited your color scheme with gold and black mechanical parts. Hopefully you won't regret skipping on the protective gear, Teyvat would protect you from hurting yourself... right?

Who are you kidding? You didn't have a clue on how to use it. Gliding in the game and gliding in real life were two different things. Although they explained the basic of attaching it to the back of your clothes and how it'll automatically deploy at certain velocity. That didn't fix the fact that you don't have a license to use it or any actual knowledge.

There's a bookstore in Liyue right? You already needed to buy some books on camping and the in-depth flora so you can pick up a more detailed gliding instruction manual too.

Feeling a bit lost you climb the red staircases vaguely remembering that the bookstore should be above ground floor. What you end up coming across first is the Heyu Tea House where Yun Jin usually performs.

It's a lot bigger than it was shown in game. This one actually looks like it can hold her performance. A border is set around the stage as a paper is stuck to it. Getting closer you run your fingers over the words.

'Yun Jin performing in less than two hours! The final act to the opera: The Lonely Chameleon!'

Great, now you know exactly where not to be in two hours. You would undoubtably miss whatever story she would be telling as it's the last act. Why be there and potentially draw attention and embarrassment to yourself?

Continuing your journey, you end up being forced to walk past the Northland Back. Vlad, the daytime guard that you were cheering on to end up with Nadia, the night guard was a lot more intimidating in person.

You walk past quickly as the memories of meeting Childe, learning the truth of Zhongli and stealing the chest inside the bank enter your mind. It was years ago that you did that quest, but it felt nostalgic with you walking past it like this.

Confusion is clear on your face as you look across the staircase and see the bookstore much farther than you thought. Slapping your hand lightly on your face you audibly groan at the realization.

You climbed the wrong staircase.

After backtracking, getting a little more lost and finally climbing what you think is the right staircase you are greeted by the bookshelves. A sigh of relief leaves you as your fingers trail against the spines of the books to read the titles.

Most of these you already have in the game screen and can access anytime. An in-depth gliding book, natural Liyue flora book, and a camping book are all paid for with your mora pouch that is much lighter than when you first arrived at Liyue.

Unfortunately, you had to give up on finding a book on tracking and hunting. Seems someone had already bought the last copy.

Slowly you walk back to the area where the bridge connected to the Harbor. The sun was close to setting with the orange hue embracing the sky. Most people are already home with only a few children and the usual dogs hanging out on the bridge. Passing by the alchemy table and pond your tired thoughts begin to wander.

To think alchemy was a real thing in this world. In some ways Teyvat surpassed Earth's technology using it while they were also limited due to it. You could probably make a lot of money by inventing the most useful tools you saw on Earth. Like the creation of a bicycle or at least a tricycle was revolutionary during this era.

"I'm happy to walk ya back Yun Jin but I really can't stay."

"I understand Xinyan so thank you for escorting me back to the Heyu Tea House."

You freeze at the foot of the bridge as the faint figures of Xinyan and Yun Jin walk from the other side of the bridge. Yun Jin must have gone to watch Xinyan's performance but wasn't hers supposed to start in less than an hour?

A loud bang catches your attention as the sound of electro crystalizing is heard from the city on your left. Two geovishap hatchlings speed out of somewhere from the city as Keqing chases them. The hatchlings circle around Keqing as she continuesly dodges their attacks.

"Everyone be careful! Please keep a clear distance from this area for your own safety!"

Watching in surprise you stand at the foot of the bridge as the kids and dogs get closer to you. Seems Beidou wasn't kidding when she said that the monsters and Ley lines were acting strange. The game has had monsters get close to the cities but never inside it.

As Keqing continues to block and attack the hatchlings, Xinyan and Yun Jin get to the halfway point of the bridge. Heavy footsteps of multiple guards can be heard from the direction Keqing came from.

The geovishap hatchlings startle at the vibrations and curl back into balls moving in a fast pace toward the bridge. The same bridge that you were in front of!

Urgently you're about to move out the way when the children hold onto your clothes in fear. Combine that with the two dogs blocking your feet, moving out of the way was impossible.

Did you have enough time to get your sickle out of your bag? Was there anything else you can use?! The hatchlings speed up as Keqing notices your predicament and rushes over. You can already tell that even if she used her skill, she wouldn't make it in time.

Trembling the kids close their eyes and bury their heads into your clothing. The dogs bark and growl at the approaching hatchlings. Gritting your teeth, you close your eyes and hold your arms out in some form of defense.

The rough rocks of the hatchling scrape your hand and you swing your arm to the side from the pain. The hatchling makes a pitiful whimper as it's pushed back by the sickle appearing in your hands.

In surprise you examine the sickle in your hands. Did you really get the ability to sheathe and unsheathe your weapon without manually holding it? It's quite late seeing as you could have used this during Beisht's battle but better late than never.

Did the creatures really not recognize you as the creator?

Your blood from the scrape drips down your hand and hits the ground. You could tell that something changed within the geovishap hatchlings... The one that scratched your hand started to spin around in circles for seemingly no reason.

The second hatchling lunged at the first one with teeth and claws barred out. It pins the first one to the ground and brutally stabs it as it bites chunks of rock out of its skin.

Everyone around stops at the scene and watches it in horrific disbelief. The blood splatters all over the floor and the smell of copper invades your nose. The bloody barely moving corpse of the hatchling starts to weakly crawl to you.

The kids shriek and the dogs whine as the chipped bloody geo claw reaches toward you. Unlike how threatening it felt earlier, the sight of it trying so desperately to reach you had grief swelling up inside.

The second hatchling with bloody rocks and crimson flowing out of its jaw follows it as it's club like tail raises. The tail is slammed down onto the it's victim with no remorse repeatedly. As the rocky exterior is beaten away blood flies off the body.

Your body takes the brunt of the splashing blood as you cannot stop staring at the corpse. By the time the tail is lifted off the body, all that's left is a bloody pulp of rock, scales and flesh.

Everything is silent for a moment as the sole Geo hatchling looks up at you. It seems happy? Maybe even proud of what it did. It rips off the gold horn from the corpse and places it at your feet.

You stare down at the item as you shakily pick it up. It's still warm. Whether from the blood or the newly deceased creature, you aren't sure.

The background seems to blur as you stare at it. The children running to their parents, Keqing yelling out orders, Yun Jin and Xinyan trying to get past without attracting the attention of the hatchling. All of it fades away.

What caused this situation to happen? They didn't recognize you until your blood dribbled out. Teyvat was calling strong creatures to protect you so maybe the weaker ones hadn't got the message yet? Should you be mad at the hatchling that stands at your feet looking at you with adoration?

If a person did this, you would be appalled. But nature was never kind and Teyvat had its own laws. Even if you did kill the geo hatchling for murdering its brethren, it wouldn't stop anything. They aren't like humans who can understand your words and worries. Besides the hatchling didn't do it in your name like the acolytes' sacrificial events, it did it to protect you...

You snap back into attention as Keqing teleports using her skill above the hatchling. It curls up and rolls around you to escape using the bridge. The faint trail of blood in its wake is only mildly off-putting compared to earlier.

In its hurry it slams into Yun Jin's chest. Her clothing is smeared with blood, and it rips from the rocky scales. She stumbles back with a pained cry as Xinyan growls and summons her weapon.

"Get away from her!" Xinyan barely misses the hatchling as it digs under the ground and reappears behind them. Xinyan is about to give chase, but you grab her arm in a haste.

"Just leave it be, there's more important things to worry about! Yun Jin's show is starting in less than an hour."

Yun Jin stands up from the ground and the damage had already been done. Her hair was a mess, her makeup was smudged, and her clothes were torn with a blood smear.

"Oh no, oh dear. I was supposed to perform in these clothes, I had no costume prepared. If I go back now, they'll be so caught up in fixing me that the show will be ruined."

Yun Jin's despair quickly captures Xinyan's attention, and you glance at the geovishap hatchling that flees the area. Some of the Millelith guards are about to give chase but Keqing stops them.

"I think we still have a chance to fix things." Your voice has a glimmer of hope as you take in Yun Jin's appearance. "I don't know how to do your hair, but I have experience in makeup and clothing. If we all work together, we could get it fixed up in time."

"Is that really a possibility?"

"Don't give up hope Yun Jin! Y/N is right, if we go somewhere and fix it up, you might make it! You know I can help with all that stuff too."

Yun Jin smiles feeling a bit better with Xinyan and your reassurance. Before you can start looking around for somewhere to work on it Keqing walks up to your group.

"Hello, I wanted to come over to amend the situation that I could have prevented if not for my own lack of skills. Situations like these may not be under the Yuheng's responsibility but as a member of the Liyue Qixing who was here, I should have been able to stop the geovishap hatchlings.

As much as I would like to properly introduce myself, it's best that I cut to the chase. Yun Jin, you are performing soon, and your friends want to help you fix it correct? I'll pay a room for you in the Yanshang Teahouse and have someone bring over any material you might need."

This was a real lucky break, but Keqing keeps glancing at you, as if she knows or wants something. Everyone saw how the hatchling presented the horn to you, hopefully she's not suspecting you to be behind the Geo hatchlings attack.

Xinyan and Yun Jin are quick to agree as you all hurry to the teahouse. The hostess that you remember being really bitchy before Yelan took over was pleasant at the sight of the very popular vision holders. You ignore the side-eye she gives you as you all pile into a room.

Xinyan is creating a list of necassary materials to remedy Yun Jin's situation with Keqing as you clear the table of all the decorations. The whole next 10 minutes is a blur. The only thing you focus on is cleaning the blood from her outfit and repairing the holes as Yun Jin sits in front of a mirror in some spare clothes. Xinyan is focused on redoing the hairstyle.

Keqing only stopped to drop off the supplies before leaving for work. She didn't ask you anything but the way she stared at you whenever she thought you weren't looking says otherwise. Knowing your luck, Ningguang will have heard of this too. And being in the teahouse that Yelan owns? Yeah, you're screwed.

Deciding to push it to the back of your mind, you focus on the dress in your hands that's almost done being repaired. You were no professional sewer, you just had so much practice in sewing your clothes that this came easily to you. Same with your make-up skills, your job on Earth required you to constantly change faces. So, your make-up skills were more in the contouring section. Always used to obscure your features rather than enhance them.

The dress looks brand-new as you examine it closely for any signs of imperfection. Satisfied at your job you stand up and go over to the duo. They've been chatting about how the Heyu Tea House owner would react to Yun Jin arriving so close to the beginning of the opera.

"Sorry to interrupt but I finished fixing your dress. Do you want me to help you with your make-up or are you all good?"

Yun Jin jumps at your appearance and nearly drops the brush she was using.

"Thank you so much!... Y/N? I'm so sorry I never even got to properly introduce myself to you and you were still kind enough to help me. Is there any way I can repay you for all you've done for me?"

You smile gently at the formal woman as she stresses out over her lack of manners. What a perfect opportunity served on a silver platter.

"Please don't worry about that. You're a friend of Xinyan's right? I came on the Alcor with Xinyan, and I was more than happy to help. The situation earlier left everyone quite frazzled. I really don't need anything as repayment. I just hope you can make it to your show in time."

Yun Jin only looks more regretful at your generous wish. Xinyan finishes her hair and scoots back as she grabs the hat. She takes the sewing needle you were using earlier and begins to repair the hanging tassels.

"Don't feel bad Yun Jin, Y/N is a good person! I never got to tell you in detail how the trip with the Crux went this time but after your show I can tell you all about it. Ya know that oracle I mentioned before? Y/N is that oracle!"

Careful not to mess up her hair, you begin applying the red eyeshadow as Yun Jin puts on the light red tinted lipstick. "Is that really true? I'm not doubting you, it's just incredible to hear."

"Yes, to put it simply I tend to resemble the creator due to the powers I'm granted. One of the major ones is how I can connect with the creatures of this world." Your downcast eyes make Yun Jin send you a worried look.

"Is something wrong Y/N?"

"It's just that I think the geovishap hatchling may have sensed the creator's presence on me and instead of attacking me like they do to the awakened acolytes, it reacted weirdly. I think the Yuheng may be under the belief that I did something to make them react like that."

You finish applying it and lean away from Yun Jin. The girls share a look with each other and begin reassuring you that there's no way you would get in trouble. It's when you hear a particular sentence from Yun Jin that your pursed lips curl into a grateful smile.

"I have a performance that requires me to speak with Keqing tomorrow, I can explain your oracle status and clear up any misunderstandings that may have arisen."

"I would be so thankful for that Yun Jin! You would really be my hero."

Calling her a hero makes her pale cheeks heat up a little as she stands up.

"Think nothing of it Y/N. Now I believe everything is repaired and ready. I'll change and meet you outside as soon as I possibly can."

Smiling happily, you wave with Xinyan and leave to the entrance of the Teahouse. Xinyan pats you on the back with an ecstatic smile.

"We might be able to arrive on time, we really couldn't have done it without you Y/N. If you have time, would ya like to watch her show with me? The final act usually has a quick recap and the story in this one is pretty simple."

Xinyan looks at you with expectant eyes as you remember her telling Yun Jin that she wouldn't be able to attend. What made her change her mind?

"That sounds like fun! I've never seen an opera before, would I need to buy tickets?"

"Don't worry about that! Yun Jin always has private tickets for anyone she wants to personally invite. I don't usually go since I've never been too fond of opera, but I want to support Yun Jin. It would be a lot more fun with you."

Yun Jin comes out at that exact moment looking nearly identical to her pre-attacked appearance. Xinyan keeps her fingers to her lips signaling to keep your agreement a secret. You nod back to her; it was nice seeing them get along so well.

Getting there at the last second, the troupe calls her over in a hurry. Yun Jin can only briefly wave goodbye before disappearing behind the topaz curtain.

The Heyu Tea House was packed to say the least. Fighting through the people, you and Xinyan managed to find a seat close enough that Yun Jin would notice you both immediately.

Eyes stare at your table or rather at Xinyan. You had only gotten this seat because they moved away in fear without either of you doing anything. Not that you were complaining, if they wanted to be chicken then that's on them.

If only they stopped glaring at Xinyan for simply existing. Now doesn't that bring up memories of your own childhood. No one really liked being saddled with the orphan kid.

Xinyan doesn't even react and only smiles when the curtain pulls away to reveal a few backup dancers and Yun Jin posing. Her voice rings out in Chinese as they start dancing and performing in harmony.

You don't miss how her eyes light up at the sight of you and Xinyan watching from the table. A separate narrator begins to recap the previous acts.

"A chameleon with no one and nothing left. What a pitiful existence. Yet it strives for some meaning or person to live for, it works tirelessly each day. Changing its colors, it's position and its soul for that singular purpose. Taken advantage by each animal requesting a color. At long last it's used every color and been rejected by each one. So now it's left to wonder; what color was its true color?"

Each animal that had taken advantage of the chameleon appears in costume around Yun Jin. The lanterns dim as the moon starts to rise setting a perfect backdrop.

The singing slows down as Yun Jin speaks mournfully.

"Not a single color keeps them with me. No matter how hard I try to blend in, to be accepted it is but a lost cause. Should I find my original color and live all alone? Or should I give one last ditch effort?"

Colored lights and decorations spin around Yun Jin at her last line. When it's pulled away her hat had changed to a multicolored fan of hairpins. A long robe covered her dress with flags in each color stood proud fanning out from behind her.

Her singing is high-pitched and melancholic. All the other animal performers crowd around her as she sings. After each verse she belts out and poses, they briefly stop and bow to her.

You couldn't understand what was being said but judging by their actions, it seemed the animals finally accepted the chameleon due to the rainbow of colors.

A last long note as the animals pose in various positions around her until only the moon shines down on Yun Jin. She looks up at the moon as she starts her speech with an empty voice that rises with emotion.

"I am loved, adored, and nearly worshipped so why am I as lonely as before? If the only difference between the me before and the me now is the color, I display then is my color the only reason they love me? Is this the life I want? Is this the love I desire!?"

The drums beat and the music rings louder. The animal performers move away in a fast pace as Yun Jin tears off each flag. The animals scramble to pick each colored flag and hold it out to Yun Jin but she ignores them. Instead, she grabs the hairpin on her head and tears it off.

The animals run around her in a dance as longer flags that cover the sight of her fly around. When she's revealed she's back in her normal clothes and a single dagger lies in her grasp.

"If that is the only way I will ever be loved then this life of mine is as useless as my colors."

With a single motion the dagger is 'stabbed' into her heart, and she falls backwards with the animal performers catching her. They gently set her 'dead' body on the ground and mourn her. The curtains close and the audience erupts into cheers.

You clap and smile as the curtains open and the performers bow with Yun Jin in the front. For reasons unknown to you, the play had shaken your heart like an earthquake to a fragile little house.

Xinyan excitedly congratulates Yun Jin as you compliment her as well. Cotten in your ears make what they're saying muffled. Smiling you say your goodbyes and leave them. The ghost of Xinyan's hand reaching for your shoulder is ignored.

Instead you focus on what matters, your identity and living situation. Yun Jin already agreed to clear up the situation with Keqing, the horn given to you was safely in your bag, your job with the Guild was confirmed, and you avoided any high-profile acolytes that you're wary of.

Hopefully Yelan will never investigate you seeing as you stayed at the Yansheng Teahouse.

Out of curiosity you check the price of a week at a small motel. You promptly leave after they tell you it would cost 210,000 mora for a single week. If you paid that, you'd be fresh out of money by the end of the month. Things were expensive since it's Liyue but that was just too much.

You make your way to the bridge where the whole geovishap hatchling murder happened. Sleeping in the tent you bought is the much smarter and better financial decision... Even if it was the more dangerous one.

Not a single soul is around as you cross the bridge. The grass crunches under your shoes as the uneven stone makes your footsteps ring out in the night air. It turns into a dirt path and the city lights fade from how far you've gone.

Lighting the candle in your lantern you hold it out in front of you as you continue walking. The path splits and you stay on the right side due to the faint lanterns that are hung around that direction.

Cobblestone patio on the left and two huge identical stone statues on the right can be seen as you stand in the middle. The spot of dirt you choose to camp out on the patio gives you a perfect view of the statues. The mist flower and what you think is an adepti machine goes ignored.

It's been a quite a few years since you've ever had to put up a tent. But the survival skills come back to you quickly. With the tent set up and a small campfire going, you set a pot over it.

Swiftly you open the game screen and find the needed recipes for any simple food to make. The matsutake potatoes and meat are put into the pot and you turn your head to grab a plate. You aren't surprised to see it already done when you turn back.

You gobble down most of the matsutake meat rolls and stop when the bushes on your left begin to shake. Freezing mid-bite, you stare at the bush intently. When something begins to tumble out of it you jump to your feet and summon your sickle.

An unfortunately familiar bronze creature unravels itself from its ball and stares at you innocently. That damn geovishap hatchling has appeared again.

Sighing you flop back onto the ground with no fear. It may not have crimson liquid staining its body, but the smell of copper was still strong. There was no way it's not the hatchling you met in the city.

It creeps closer to you with every passing second. You can see the marks from Keqing's sword and electro cover its bedrock body. Taking pity on the poor hatchling, it's still a baby after all, you pat the spot beside you.

With a happy growl it sits next to you, and you give it the last of the meat rolls. Happy noises escape it as it carefully takes the food from your hands and eats it. That seems to have completely softened the reptile as it snuggles into your side.

Despite what it did earlier, your heart melts like wax under the sun, and you pet its head. You scold it in a faint voice.

"You shouldn't go into the city, it's dangerous. Now that your friend is gone, it'll be easier for you to get hurt. Stay close with your family so that you don't get hurt."

It's eyes close and it whimpers. It may not understand your words, but the main message seemed to have resonated with it. Your hand brushes against one of its injuries and it flinches.

Should you use some of the ointment from your medical kit to help it? With purpose you drag your finger lightly over its cuts and scraped areas. The wounds begin to glow gold and you close your eyes from the brightness.

Once it dims you open them to see the injuries healed.

Being the creator is one thing, but being the equivalent of a Statue of the Seven to the creatures is another. You're basically capable of healing everything but yourself!

The brief annoyance fades into fondness as the hatchlings springs up and rolls around in happiness. A sudden wave of exhaustion hits you making you groan and struggle to stand up.

You put out the fire and crawl into the tent, the bed is welcomed after such an exhausting day. The rough ground beneath the thin bedding and cold air nipping your skin brings back memories of the years you spent sleeping in alleyways and parks.

Maybe comparing yourself to a Statue of a Seven was more accurate than you thought. As the creator you shouldn't be this exhausted after healing minor wounds. So, it would make sense that you would need to practice or gain more power through touching the Statues of the Seven in order to heal more without getting exhausted.

Your train of thoughts slow down as sleep overtakes you. The faint thudding of the hatchling outside makes you feel somewhat safe. Is this life something you'll truly get used to? Or will you end up giving up like the chameleon?

And it's done! Now that Y/N has some freedom, I can start implemeting certain game ascepts. And if I don't enter specific ones then I probably forgot so feel free to comment any that you would want to see! This chapter was supposed to be just a nice day of touring Liyue and the geovishap hatchling was supposed to be annoying/cute and progress the plot. But damn did it get darker. I do want to say that Kazuha's last line wasn't him removing himself from his obsession. Kazuha is a very self-reflective character and all that he's gone through has added to that. I originally was going to have the opera nameless and just a quick description less show, but I had fun writing one that would fit with the plot. Welp time to finish 100% the Summer event! Taglist: @vvyeislazzy, @nikqi, @the-dumber-scaramouche, @etherisy, @yourlocalstranger123, @ra404, @iruiji, @goldenglow149, @haru-tofuu, @lsleepysimpl, @bebobeboben, @yuyuzi-ling, @amidst-the-tempest, @resident-cryptid, @mxd1zzy, @mochicurls21, @nervouseaglelover, @thedevioussmirk, @yumuramma, @kwqsla, @undecidingfate, @ehjane, @game-savvy, @akiramirae, @sielt, @fluffy-koalala, @formacoon, @sxftiebee, @khxii-i, @ursinaw, @chuuya-brainrot, @sweetbills, @kazuchaos, @snowfoxnix, @bluebelony, @conspicuous-mayonnaise, @pencil-of-ashes, @ghostlyintervention, @taiformaifoe, @sielt, @goaudduck, @carminerin, @maddysflowers, @zenith-of-all-zeniths, @crazydreamcat, @leafanonsforest, @grimreapersscythe, @leylanx, @undecidingfate, @sapphireknown, @help-whatdoimakemyusername, @zhonglisfruityass, @fluffy-koalala, @mer0n37, @victoria1676, @mochinessss, @sinnful-darling

#genshin impact #whisp's amateur work #yandere genshin impact #yandere genshin x reader #genshin sagau #genshin impact x reader #genshin x reader #yandere sagau #genshin impact sagau #sagau #oracle au #yandere x reader #yandere #yandere x y/n #yandere x you #yandere kazuha #yandere hu tao #yandere yun jin #yandere xinyan #yandere xiangling #i should put a keqing tag since she was only here briefly #i'll put her when she makes a proper apperence #sagau cult au #self aware genshin #sagau x reader #sagau impostor au #geshin impact

[lifeandtimesoftrying]

The overlords’ persuasion, the Morningstar’s power, and what this means for Charlie

Hazbin Hotel's been rotating in my head since the finale and I have capital-t Thoughts about the worldbuilding (and its implications). So!

Hazbin Hotel’s power system is fundamentally divided into two parts: the overlords, whose abilities are fully tied to and determined by their connections with other denizens, and the Morningstars/other Hell-born aristocracy, whose abilities are innate and unchanging. I think this is why Lucifer is incredibly powerful while not really having power, the overlords seem to be running the show, and Charlie’s character has a lot left to come.

(This got pretty long and there are spoilers, so I’m putting it under a cut!)

Lucifer doesn’t have much authority—the meeting to decide the fate of hell is attended by only the overlords, other demons repeatedly dismiss Charlie (often even using her relationship with her dad to do so), and when we do finally meet the King of Hell himself, it’s when he’s engaged in a hobby which he clearly has a lot of free time for. When Charlie needs large numbers of allies, it’s Alastor and Rosie who coordinate to get them for her, and Alastor is terrified of Zestiel but told Lucifer “fuck you” to his face. Lucifer doesn’t have any control over his subjects.

However, he is still incredibly powerful. He and Charlie, whose powers presumably came from him, defeated Adam, and in the finale sequence he conjured the foundation for a whole hotel without any strain.

The overlords function in the exact opposite way: their powers are gained through their various relationships with other people, and can be influenced as such. Most obviously, Carmilla Carmine explicitly tells Vaggie that the best way to fight is for love, but Rosie is powerful because of the ways she can provide for people and gain their loyalty. Alastor’s known to have bought souls to do his bidding, and the Vees are all themed around ways to influence people (pornography, TV, and social media), and at least one of them also has contracts for souls.

“Hell’s Greatest Dad” illustrates both the overlords’ and the aristocracy’s perspectives. Regardless of how authentic Alastor is being in his claims in the song, it can be assumed that he’s doing everything he can to convince Charlie to work with him, and Lucifer is doing the same. However, their approaches are polar opposites.

Lucifer’s persuasion relies on his innate abilities: he calls himself “the big boss of Hell himself,” and says that he can help “with the punch of a pentagram / I wap-bam-boom, alakazam / Usually I charge a sacrificial lamb / But you get the family rate.” This emphasizes both his familial (and unchangeable) tie to Charlie and his inborn abilities, which come up again when he says “there’s no substitute for pure angelic power.”

The reasons that Alastor cites for why he should be chosen are all based in the actions that he’s done for Charlie, and the resulting relationship that they have because of those actions. He emphasizes his consistency (“who’s been here since day one”) and reliability (who’s been faithful as a nun), both of which are good traits for an overlord to have.

I think this contrast is why Mimzy has to show up when she does: there is no way to resolve the argument about whether to choose that which has been built or that which you were born with. And that’s because of Charlie. Charlie’s dad was never mortal, but her mom was. None of the overlords have been called immortal, but many of them are confirmed to have been mortal. A large part of Charlie’s arc in season 1 is her learning how to connect with the people around her and get them to believe in her. She is, in many ways, beginning to function like an overlord would. With one major difference.

We know that Husk used to be an overlord, most likely one of gambling. Gambling is really three things: chance, skill, and being able to read other people without them being able to read you. And from what we know of overlords, getting that status requires all of those traits. Chance and skill exist in any field, but the ability to see past other’s facades without revealing your own hand is incredibly important here, to the point where it’s Alastor’s whole shtick—a smile is a way of staying in control.

But where overlords try to read those around them while keeping their own feelings hidden, Charlie always has her heart on her sleeve. When she goes to cannibal town, Alastor’s advice that she always smile quickly stops working, and only after she’s processed her feelings about Vaggie by talking with Rosie is she able to convince people to follow her.

But this is still only half of what she’s potentially capable of. We haven’t seen her try to battle anyone on her own and win—the closest we got was Valentino, but she quickly backed down from that. Since a second season is scheduled, my bet is that it’ll follow her learning the extent of her innate powers, and how to pair them with her connections to others—after all, she is the only character with both mortal an immortal lineages.

#hazbin hotel #hazbin hotel analysis #hazbin hotel meta #is it meta? eh hopefully #charlie morningstar #lucifer morningstar #i have so many thoughts about them #i freakin' love having thoughts #alastor #hazbin hotel alastor #the radio demon #jeez he's hard to tag #behold! an original post!

[writingquestionsanswered]

I've often heard that it's not okay to put any sort of worldbuilding info(dump) in a prologue. But what are the parameters in which it would work well? I know Avatar has done it and it was fairly brief but I'm just curious as to how far one can go with "infodumping" in a prologue without it becoming boring to the reader. Also if it does get to the point where it is too much or not necessary then what are some ways you can explain worldbuilding in the story when every character is usually in the know of how the magic system works or whatever?

Info-Dumping, Prologues, and Weaving In Details

First, it's important not to confuse "info-dumping" with providing information in your story. Info-dumping is specifically when you use exposition to "dump" a whole bunch of information into the story at once, rather than weaving those details into the narrative through a balance of exposition, action, and dialogue. In The Hunger Games, for example, details about Katniss's life and the oppressive world she lives in are doled out between exposition (her first-person thoughts), dialogue (with Gale), and action (walking through District 12, hunting outside the electric fence, the Reaping.) If it had been info-dumped, the entire first chapter would just be Katniss "telling" the reader all of those things rather than the reader getting to experience some of them through action and dialogue.

Prologues have a very specific use, are rarely needed, and are often misused--which is why writers are typically told to avoid them all together. Prologues aren't there to be used as an expository introduction to your story's world, characters, back story, or situation so that the reader is up and running in chapter one. Prologues are meant to house a scene (or small group of scenes) that take place before the main timeline of your story but which provide critical information and details the reader must know going into the story. Just as with any other scene or chapter, prologues need to be a balance of exposition (explaining), action (things happening), and dialogue. A good example is the prologue at the beginning of George R.R. Martin's A Game of Thrones. The scene takes place north of the wall and features some Night's Watch rangers encountering a White Walker. This scene is important because it sets up the hidden conflict at the heart of the story--the battle between humanity and the magical undead ice beings from beyond the wall. While we do certainly get some expository information in the way of world building, character details, and back story, it isn't dumped on the reader. Some of it is expository, but the rest is woven into the action and dialogue as these characters range beyond the wall and encounter the White Walker.

Even when your characters are "in the know" about the details of your story, that doesn't mean they can't think about them, interact with them, or talk about them. In the real world, we may not do that a lot, but books are not the real world. Books are a storytelling device which requires you to transcend some everyday realities in order to keep the audience informed of what's going on. Part of that means finding ways for your characters to think about, interact with, or talk about things that will help deliver the necessary details to your reader. For example, in The Hunger Games, we get a lot of world building details and Hunger Games set up through action and dialogue while Katniss walking through District 12 to meet Gale, and then hunting with him in the meadow. The entire scene exists solely to introduce the reader to Katniss, her world, the people who are important to her, her internal conflict, and the story's external conflict.

Have a look at my post Weaving Details into the Story for more help. Happy writing!

•••••••••••••••••••••••••••••••••

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[sanctus-ingenium]

I'd looove to hear a little about your worldbuilding process if you don't mind sharing. How do you go about it? I know you have shared in a few posts already but just wanna know moree. Also where did it all begin? What inspired you? (eating it all uppp!!!)

hi!! I know I wrote a big long thing like last year or the year before about the process to making a setting but I cannot be arsed to find it rn so here's some disconnected thoughts

Overall I don't really make Headworlds or Worldbuilding Projects the way a lot of people do (which is why u keep hearing me say 'setting' over and over) because mainly what I make are stories in the order of characters -> plot -> world. those three things have to serve one another in that order of importance, so the world itself bends to serve the narrative. for example, ultimately idgaf where the holy beasts' skeletons come from, that is not important because the beasts are basically just a big plot device to serve the story. i can make some post-hoc justifications for their existence (and i did) but at the end of the day it will not and does not matter how they work or where they come from. the world is full of mysteries that will never be solved because the characters are not in a position to solve them. aside from a single border conflict, the world outside the mezian empire is nebulous and unimportant.

I don't enjoy working in a world -> narrative order because what I want to produce isn't just a series of info posts or artpieces about a setting, but a closed and self-contained story which is the justification for the entire world's existence. Headworlds that are all world and no character don't interest me.

So basically in the process of worldbuilding, I have to serve the story. A while back I made a post about continental history around Inver, all these wars and occupations and schisms and so on. All of those exist solely to provide a particular political climate, justification for Aquitan's theocratic structure, and the spread of the southern church north into Inver. I already had the idea of this church, that it would be integral to the country as a main political faction, so now I have to figure out how it got there and the political ramifications of that. It's all worldbuilding for sure, but it's a support structure underneath the story about how that church eventually changes world history, because i wanted to write a story about a church lol.

I guess if I wanted to explain The Process for a world -> characters setting i'd just be giving you How To Write A Story 101 lol. But basically: I think of a concept which interests me (big mechs yay). Then I think of a conflict that might arise (where does the fuel come from? who controls that supply? what might that do to the concentration of power in this area?). Then I put a character in what I consider to be the most interesting position to observe the effects of this conflict (a knight, an enginesmith, an exile), and honestly the main plot generally writes itself after that. I extrapolate the hook from that.

In terms of characters, I try to avoid calling them 'ocs' because in my mind 'oc' tends to be a very static stand-alone thing. Like I couldn't make a useful ref sheet of my characters because they are all changed by the story. I couldn't say 'he has a carefree personality' because in a few chapters no he fucking won't. in the same way i struggle a LOT to talk about my Siren setting which as close to a specbio 'headworld' as i'm ever gonna get, because I am worldbuilding in vastly different time periods at once in a world which is always changing, i can't make a post about for example a map of Siren because that's just a map from one era, I'd need to make a dozen maps to show how things change, how time affects it all, etc.

Because nothing is ever static and everything is in flux, pretty much the only way I can handle a setting like this is, again, just to focus on a few small stories centered around a cast of characters separated by time (i have... 4 distinct stories in Siren. maybe more). this is actually a frustrating barrier to me sharing any information at all about this place lol i'm the struggler

Where did it all begin? When I was 11 I used to write stories in my copybooks in class. There has never been a time where I was not making stories and where my stories were not the only important thing at all to me, superseding literally everything else. I learned how to draw digitally in 2011 because I wanted to draw my characters.

What inspires me? Everything lol. I actually don't have time to Consume Media much, I struggle watching movies or tv and I mostly hate video games because I would much rather be productive and sitting and watching a screen feels like a waste of my time. but I like reading books because I can take them with me on my phone. I get ideas from all sources but mostly non-media sources, like obviously mythology but also my history with the church and my scientific education. Usually nonfictional sources interest me the most (i was going to write a whole story that was a post-apocalyptic plague plot based on canine transmissible venereal cancer haha and even to this day that's where "the Immortal Hound" title comes from, little easter egg in inver)

#sorry this is barely coherent

[lesbianjobutupaki]

Art practice by trying some other artist's styles that I'm a huge fan of!

From Top Left to Bottom Right:

@ghostishere0 - the original reason I started this doodle, as I wanted to draw a "shepherd lovers squad" and their OC (who I don't know the name of F) was the perfect fit for it.

@luminesparkz - the best interpretation of Pom pikmin. If I were Mr. Nitendo, I would make them the official comic creator along with the manga comics.

@marblyso - If I was a little more unhinged and made a shrine to Erma Shepherd, it would be mostly marblyso's art of her, it's my absolute favorite Erma depiction <3

@rexscanonwife - another OC that I don't know the name of, but she makes such a cute pair with Shepherd and has such cute art that why not, let Shepherd have multiple canon wives at this point.

@citruscrisp - I think this is secretly Alph in an alternate universe where he makes comics about himself, because citrus has Alph's character SPOT ON, and also loves to put that boy in a situation (which I am happy for, I enjoy seeing that boy in a situation)

@daisythecomic - oooaaaaaaaaaa they look like little mice people they look so soft and sweet I love them so muuuuuuuuuccchhhhhhhhh

@louie-posting - I can't not include actual Louie Pikmin on this list.

@kiwilittle - the soft, the sweet, the one who makes the best family style art, really making me wish I was an inch tall so I could go to holidays with the olimar family, also their wife design is so cute that if Olimar didn't already get it I would shoot my shot for her m a a m

@pikbugz - really nails the soft aesthetic that makes pikmin such a calming series, and their coloring style is so soft and good that it gives me the ratatouille nostalgia flashback moment.

@splitster - more than just the wraith au guy, they are the one who makes incredible and funny comics; I've seen so many fics with the rescue corps where I can pick up that yes, this trait came from a splitster comic, and that's a GOOD thing. Made me actually LIKE Dingo, the nerve.

@diesaur - I can't do diesaur's incredible, unique art justice, they are amazing at using geometrics and have the best charlie (his little teefs...)

@solluxander - Cars, one of my favorite pikmin Ocs I've ever seen! Collin deserves a slightly unhinged sentient fluffball boyfriend, and I always love seeing the new ways Cars will interact with him.

@sillypikmin - all hail the best pikposter, who I'm still convinced is an actual leafling living on actual pnf-404, literally every time I have a bad day I look at drawings of Moss and feel better.

@eggpathy - thank goodness they came back to give us old man yaoi. I keep their drawing of olimar kissing the pikmin good night on my phone and look at it before I go to sleep and so far I have yet to have a single nightmare.

@the-knife-consumer - the only person I trust with Louittany, toxic yuri my beloved, I just adore their beasty brittany design so so much, I wish I could have a small brittany to live in my house...

anyway they have the best headcanons for our beloved blorbo hamster people

@natibranch - there's a voice line of Louie going "wa-ha!" in this really cute sing-song voice and every time I see any art by natibranch I hear that sound in my head as a little burst of serotonin, they just nail that exact feeling so so well.

@pikked-min - Another of my favorite Pikmin OCs, Yuva! A really interesting and unique character concept with a lot of thought put into the worldbuilding, followed by a strong unusual personality that had me looking at the pikmin world through a new perspective entirely. Please, someone, give them some sunglasses. Read the fic it's so good

@ssserf - artistic and deep while still somehow looking like official nintendo tm art, genuinely the best at the pikmin proportions, how could I resist trying my hand at the classic amazing beautiful Brittany Fruit Sweater moment, literally SO iconic

@kashi-pon - while I was working on the part of this that was just kashi's various highlife dresses there was a part of me that wanted to dedicate the rest of the space to paying homage to the joke comic of Louie lifting his skirt to show Olimar that he's wearing shorts, except this dress....well......

@diamondwerewolf - the reason we got louie in a little bunny outfit anyway, and thus why we got kashi's dress version. you single-handedly turned Louie into a tumblr sexyman, how could you

#pikmin #pikmin art #pikmin artists #pikmin 2 #pikmin 4 #pikmin 3 #my art

[1001aus]

@wearerandomlyyours IceMav time travel au has lived in my mind for a while now. Also I have Chronic Worldbuilding Syndrome and started having thoughts about Ice and Mav telling the brass that they met at Top Gun leading to the eventual creation of the program and policies put into place that will ensure it's the same as they described (i.e. teaching positions reserved for trophy winners, being located at Miramar).

Anyway.

I Wrote A Thing.

(Disclaimer: as this au does not belong to me, I make no promises that this will be compliant with anything that may get written by randomlyyours (that is their name on ao3. go check them out) in the future. I cannot promise that this is an au they are working on at all.)

---------‐

Mike has a suspicion about Duke's kid before he ever earns his callsign.

It starts as a funny thought: wouldn't it be a laugh if Duke was named after his own son. Duke being named after his son's cover identity which was probably named after him—Mike doesn't have the clearance to know more than what he needs to so he can identify Blizzard and Wild Thing when they come to Top Gun, not even what year to expect them although he's sure it's in the files somewhere—the exact order of events makes for a chicken-or-the-egg question for when he has nothing better to do than navel gazing.

Then he hears that Pete Mitchell is rejected from the academy because of who his father was. That burns him as much for the possibility he hadn't realized he felt so strongly about as much as it does because he knows the things people say about his wingman are lies.

For a while he assumes he was wrong; that's the end of it and doesn't think about that stray idea again.

Their first class roster for the class of '86 seems to confirm that. Mike wouldn't be cleared to know about Blizzard and Wild Thing if someone high up didn't expect him to be teaching them and Iceman looks like a perfect candidate. Blizzard and Wild Thing meet for the first time at Top Gun, that's why he's read in. Hell, it's why the program exists in the first place.

None of the other pilots have callsigns that line up, but it could be Cougar if he squints. Then Cougar turns in his wings less than a week before they start and Stinger sends the only other pilot on the Enterprise worth sending.

Pete Mitchell. Maverick.

That funny thought is worth something after all.

"Well, I'll be damned."

"Mike?"

He pulls the files out of the stack and offers them to Rick. It doesn't take more than a minute for Rick to understand what he's looking at.

"So it's finally happening, huh? They look just like the pictures."

"Explains why Wild Thing flew like he had a chip on his shoulder."

"That it does." Rick snorts out a laugh. "Either the pair of them will be our best students or our worst."

Yeah, Mike's already dreading that. He still isn't sure if he should tell the kid Duke flew on his wing or if that would just make more problems. Gonna have to play that one by ear.

Mitchell's got a chip on his shoulder the size of Texas and Kazansky's shooting for stars. They're the only real competition the two of them have got in this class and they're sharp enough to know it. There isn't much information available on Blizzard and Wild Thing before their grand entrance to the war, but Mike's willing to bet the first impressions don't go smoothly.

"The worst. Ten bucks says."

"Pretty confident there. Sure, I'll take that bet."

(Rick gives him his winnings at the end of the first day.)

#IceMav #fic tag #wearerandomlyyours time travel au #this will go up on ao3 eventually but I need to figure out what to call it first

[wsdanon]

i feel like this will be quite niche, mostly because i'm not sure how many ordem fans are in my sphere but also because it's not about the main cast lol

but below the cut is an osnf fic \o/! many spoilers for that season. it's based on a canon divergent au me and @factorialsotherfandoms came up with and this one in particular involves the helper and the gatekeeper!

also below the cut for anyone who hasn't seen ordem but is curious about the fic is a brief summary of some world-building elements that will help with understanding the fic \o/ but not the plot because that will take too long lol

reblogs appreciated \o/!! hope you guys enjoy

brief worldbuilding stuff: the helper and the gatekeeper are from a town called santo berço which was a seemingly perfect town apart from the fact that the people are brainwashed to some degree into wanting to stay there and there's a parasite (the saint/a god) feeding on some of them. everyone in the town uses their work titles as their names, and they have an alien-ish appearance (Luzidio) but can switch into a human appearance (Ignaro) at will. the crystals mentioned are healing crystals that have the ability to knock people out if ingested. i can't explain buttery butter. blame felps for this creation

--

The Helper stands in front of the mirror, his Ignaro form staring back. Technically he doesn’t need to be in it right now, but he’ll need to get used to it eventually, so… he’s practicing. 

The eyes are maybe the strangest bit about it. They feel smaller. The familiar blackness now shrunk down and encased by other colours—brown and white. 

He leans closer to the mirror and pokes at his cheek where his markings would be. Maybe if he looks close enough he’ll still be able to see the faint shadow of them—

“Why are you acting like it’s new?” The Gatekeeper says. “You’ve seen this form before.” 

The Helper jumps at the sudden appearance of his voice, and spins around to face him. He doesn’t like having people behind him anymore—an alien distrust crawling through his body at even the thought of it. 

“I know, I’m just… getting used to it. You know?” He shrugs, and tries to force himself to relax. “I never used to use it much before, but now it’s going to be pretty much constant, right?”

“That’s true.” 

Cautiously, the Gatekeeper drifts closer. They don’t have the crystals anymore, and he’s not holding a weapon so it should be fine. 

Really, he wishes his brain would stop thinking so hard about it. He’s one of the few people who actually managed to survive and that was because of the Gatekeeper. 

It’s just… 

It’s hard to put the memory out of his mind of the Gatekeeper approaching him with a knife and wrestling crystals into his mouth.

“It is strange.” The Gatekeeper admits with a small smile as he stops close in front of him. “I only ever saw you like this when we were messing around.”

“And you went on lots of Pilgrimages, right?” The Helper says, knocking their shoulders together gently with a smile that doesn’t quite feel real crossing his face. He doesn’t like it, but no attempts at widening the smile make it feel realer. “So you’re probably dealing fine, huh?” 

“Eh…” The Gatekeeper shrugs. “With this, yeah.” 

He’s in his Luzidio form now. It’s nice. A tiny bit of familiarity to cling onto. 

“What if we lose it?” The Gatekeeper continues, something nervous seeping into his tone. 

“What?” The Helper tilts his head, eyebrows furrowing. “What do you mean?” 

“This form.” He points to himself. “We only had this because of the Saint’s influence. What if we lose it now?” 

“Well, we—“ He cuts himself off as the full implications hit him, a hollow feeling settling into his chest. It’s uncomfortable. He never used to feel this way in Santo Berço, but now it’s almost all he can feel. “We—We get used to it, I guess.” 

The Gatekeeper reaches a hand up—slowly, but the Helper can’t help but flinch away a little. All he does, though, is settle it onto his cheek. Doesn’t try to pry his mouth open. Doesn’t try to force the anaesthesia down his throat. 

“You should, uh…” The Gatekeeper shifts his thumb to line up with where the Helper’s markings would be. Presses down firmly, but not enough to hurt. “You should get them tattooed.”

“Okay.” This smile feels a little more real. “Would you?”

“Ah, maybe.” He shrugs. “I’m still not… sure how I feel about, uh, all of it.” 

“I like them.” The Helper brings a finger up to trace down one before letting it drop to his side again. “I’d miss them.”

“O-Okay.” The Gatekeeper looks away, his cheeks darkening. “Maybe for you, then.”

The Helper frowns. He misses Santo Berço. Misses the simplicity of it. Everything out here just feels like a mess—the selfish desire to keep at least one thing the same, versus the guilt of forcing the Gatekeeper to do something he doesn’t particularly want to do. 

“Only if it’s for you, too.” He tries another smile. “From what you’ve said, it sounds like it’s about time you do things for yourself, hm?” 

The Gatekeeper is still cupping his cheek, so he can feel the moment his hands start shaking. He wonders if they shook when he spilled his blood to fake his death. 

“I…” His voice cracks. He drops his hand from the Helper’s face so he can wrap him in a tight hug instead. “I’m so glad you’re here. My god, I’m so glad you’re here, Helper, I… I’m sorry. I’m so sorry.” 

The Helper hugs him back.

“It’s okay. Everything’s okay now.”

For a while they stand there. The Gatekeeper isn’t quite crying, but he is trembling in the Helper’s arms—murmuring things that he can’t make out, but are probably apologies. 

When he pulls away he doesn’t go far. And he’s still trembling a little—his eyes shiny with unshed tears—but he seems more put together than he was a moment ago. 

“I’ll—I’ll figure out how to make buttery butter, okay?” The Gatekeeper promises. 

“Oh, how cool!” For the first time since they got here, a spark of excitement ignites in him. “We can all experiment together! I’m sure we’ll get it right eventually, you know?”

“Hopefully.” The Gatekeeper sends him a watery smile. “I just—I know how much you like it. You did always say it was the best part of Santo Berço.”

That was when he still had Santo Berço. When he didn’t have to miss it. But the sentiment is sweet, and he is clawing for any scrap of familiarity. 

For the Collector and the Nurse it isn’t so bad, he thinks. As much as they might miss it, they know what it’s like to live without it. All they’ll need is a readjustment period. 

The Gatekeeper is in his boat, but it’s different. He’s always hated Santo Berço—apparently. And he’s probably been on enough Pilgrimages to understand how the world outside is. 

“Thank you.” It’s worth being optimistic, though. “I think between the four of us we’ll get close!”

“We will.” The Gatekeeper declares—an intensity to him that the situation doesn’t really require. “I promise.”

They should maybe talk about that. The devotion he feels for them. 

The Helper knows the Nurse doesn’t like it. He’s aware of her wariness every time the Gatekeeper is around. But they all saw the fates of the people still connected to the Saint, and the Helper finds it difficult to hate his friend for his original plan. 

He doesn’t want to open up the discussion and find out she has a reason to still be worried, though. It’s a strange enough thing to know your friend would kill you to prevent your suffering. To not be able to shake the fear that came with the certainty you were about to die by his hands. 

He doesn’t want it to be made worse. He’s lost too much to lose the Gatekeeper now.

“Come on.” The Helper says, nudging the Gatekeeper into action. “The Nurse said you should be resting, and you know she knows what she’s talking about.” 

“If you could say that with less infatuation in your voice I’d be more inclined to believe you, you know?” The Gatekeeper says teasingly. “But you’re right—she’s right—I am tired. Maybe you could carry me?”

The Gatekeeper had collapsed when the Saint was killed. Dropped like a stone before any of them could catch him. It wasn’t as worrying as bursting into flames, but it was still terrifying. 

The Helper had carried him to safety. Held on tightly to him—almost afraid he’d disappear in front of him, just like his dad had. 

“Yeah, okay.” 

And then he scoops him up. 

It’s as easy to carry him as last time, but this time feels nicer. Less terrifying. Instead of being limp and unconscious in his arms, the Gatekeeper clings back to him immediately—his eyes widening in shock.

The Helper laughs. The Gatekeeper clearly wasn’t expecting the request to be taken seriously, but he doesn’t complain or ask to be put down and it’s—it’s nice. 

It’s a short walk to the spare room, but the Gatekeeper is already dozing off. He lays him down in bed gently, but the Gatekeeper grabs his arm before he can leave. 

“Wait, can you—can you stay?” He asks, his voice shaky with something the Helper would label as fear. “Please? Just until I fall asleep.”

“Okay.” 

He was going to wait up until the Nurse got back from her shift, but that won’t be for a few more hours. 

So, he gets into bed, but doesn’t lay down—unwilling to tempt sleep. Just sits there and lets the Gatekeeper curl up against him. It’s a bit of a tight fit, but he doesn’t mind. The closeness is nice, actually. 

“Goodnight.” He cards a hand through the Gatekeeper’s hair. Like this, it’s hard to imagine he could be capable of murder. “Sleep well.” 

“Thank you. Goodnight.” 

The Gatekeeper falls asleep quickly, but the Helper doesn’t leave yet. It’s peaceful. And it wouldn’t hurt to keep an eye on the Gatekeeper’s health. 

The Nurse had said he’ll probably need more time to recover than them, but she had also asked the Helper to tell her if he seemed to be getting worse. 

He was his dad’s assistant before the Blacksmith’s, after all. And while he definitely doesn’t have the knack for it that the Nurse does, he thinks he could at least figure out if she needs to reassess his condition. 

But the Gatekeeper seems fine for now, and he has a couple of hours to kill. So, he grabs the book on the bedside table that the Gatekeeper’s been reading through and starts reading it himself.

--

hope you guys enjoyed \o/!! i'm happy to talk more about the au's details if anyone's curious

#wsd/f.ics

[sarah-yyy]

what: modern cdrama // completed // 38 eps, roughly 35 mins each where: wetv (also on the app) // viki why: desert supernatural adventure with ni ni and bai yu, this had "sarah is going to lose it over this show" written all over it right from the start tbh, zero percent of people are surprised i enjoyed it. the characters are all well done and ni ni and bygg were great in their roles, the worldbuilding for the society inside yumen was interesting, and the cgi is well done for the genre (i mean...this is basing it off cdrama cgi standards okay!!)

meet my girl ye liuxi:

GOD... xi-jie... 😘 where do we even start

brains: 10 brawns: 100 memory: -300

xi-jie woke up in the middle of the desert, hung on a tree, with no idea who she is, v fragmented memories of the past, and a satchel with some v vague clues. she spends about a year working odd jobs in a town nearby to survive and to work out a plan to find out about her past.

her investigations lead her to chang dong:

dong-ge!! 😍🤤

brains: 10 brawns: 10 memory: 10 (but like 95% of it is tragic)

dong-ge is a desert guide, used to be one of the best (and certainly one of the most famous) in the region until he led an expedition (which consisted of his fiancée and their friends) into the desert and all eighteen of them except him died during a freak sandstorm. major survivor guilt on this boy. ultimate goal is to find the remains of his friends so that their families can move on in peace.

anyway, xi-jie ropes dong-ge into taking her into the desert. it's heavily implied that pre-memory lost her knows where the remains of his dead fiancée is, so the deal is: help me find my memory, and i'll help you find your friends.

they travel to the Yumen Pass together with three others - fei tang (who tags along for an opportunity to steal this priceless artefact he saw on xi-jie), and xiaoliu & gao shen (xiaoliu's godfather is sponsoring the trip for ~reasons, gao shen is her bodyguard with a crush on her), but soon realise that the pass leads to a parallel world where xi-jie is originally from.

in that world, there are spiritual beasts and monsters and all that jazz. the parallel world is governed by three ruling families who fight against a rebel organisation the Scorpion Eye. the gang navigates through the parallel world trying to solve the mystery behind xi-jie's past and the Yumen Pass prophecy. that's p much the gist of it.

the cons: this show moves a little slowly at times, but once you get invested, everything is all good. i'd say the first 2-4 eps needed a bit of getting into, but it does pick up. meng ziyi is in this as well, but i was a bit :/ about her performance - her character needed a bit more nuance and would've benefitted from a better portrayal than what mzy delivered. not something that really put me off the show, tho!!

the pros: ye liuxi is such an excellent character!! she is super fight fight fight and has Minimal impulse control. if a fight can solve problems, that's the way she's going. she starts off a bit "stick close, because if y'all die in the desert i'm not going to care" but just...grows so invested in everyone's wellbeing. chang dong is a nice contrast to ye liuxi - he's level-headed and is more focused on plans and trying to get everyone in and out of the Pass alive. the chemistry between them is great, like i didn't think i would be into this for the romance but GOD DAMN look at my dongxi couple

ni ni and bai yu aside, the rest of the gang were great also - they provided a lot of laughs to cut through the seriousness of the show, and the growing friendship between them was really fun to watch.

the plot was decent!! you can sort of guess the direction it's going, but it doesn't stop it from being a super fun show to watch. i binged like the last 10 eps in one sitting. i also really did appreciate the show giving me the finale i wanted: everything wraps up nicely (*stares at mlc*), there're no loose ends for me to lose my shit over (*stares at my journey to you*).

all in all, a p strong 9/10 for me!! would enjoy if y'all are into those desert adventure cdramas. would enjoy if y'all are bygg fans.

#tv rec #parallel world #west out of yumen #west out of the yumen #yumen #cdrama

[st-armand]

Plug!Hobie x Fem!Reader Part 1

( Reposted from @armands-sanctum ) Authors Note: All fanfictions I make for Hobie are in the worldbuilding of him living in New London, a re-colonized NYC by British V.E.N.O.M. operatives. This is more like a vomit of words then a headcanon but all of my headcanons are like that. Might make the move to AO3 if I keep getting banned

CW: Weed smoking, suggestive imagery, detailed descriptions of a specific body types, fem!reader, terrible black british slang, not beta read

Word Count: 1.5k

Masterlist • Part 2

Plug!Hobie who you meet on a particularly sweltering day, relaxing with a group of alternatives smoking outside—your sweet perfumes and oils blending in with the droplets sweat that bead on your skin.You’re frustrated with work/school/life and all you need is a quick high, a joint, especially after going about your day smelling other people smoke, now you’re craving it bad, so bad in fact you lose all inhibitions towards going up to strangers and asking them to sell you drugs.

He's done up in dreadfully low waisted, tight black jeans—ripped and littered with patches, that compliment his long-limbed body, intricate belts that you know have to be a pain in the ass to take off when peeing, and a cropped band tee ‘Black Liver’— on summer days like this Hobie would exclaim, “ T’ hot to be all done up” opting for the easiest outfits, like a Nike tech-wear, or a pair of adidas sweats that you gifted him, since you despise the look of Nike clothing, he chided on you about buying from corporative fast fashion, you retort, “Hobie you KNOW I only thrift things, please don’t start that now.”

Upon that first conversation, or even the moment his eyes caught onto your figure, he’d fallen, well…into lust, head first, dead upon impact.Hobie is attractive, interacts with other hot people, but he can’t help but be particularly fascinated with your figure—from your equally as low waisted and tight jeans, so tight they fit like a second skin on your legs, a sliver of your midriff exposed from the cut of your top giving him unlimited access to the slopes of your stomach, and the natural arch in your back begging to be gripped, or the way your bra makes your shirt look exceptionally tight around your breasts, every step in your stride causes a ripple to glide through the supple flesh, and the best for last his favorite part of you, your ass, so large it’s almost disproportionate to your body shape, but your thighs constricted by the denim makes it fathomable you have an ass that large.

But your face makes your body look like a present wrapped in luxurious foils, with an intricate bow on top.

Now it’s uncomfortable for him to wear those skinny jeans.

Hobie watches you intently as you saunter your way through other pedestrians, fixated on a single goal, he thinks youre coming up to chat them up maybe giving him the chance to get your contacts, until he follows your line of sight—oh youre looking at his joint…

“Bro! You got any to spare? I need a joint so fucking bad, I have cash so I’ll happily buy some off you.”

He’s slightly put off by your ice breaker, “Why? You a pig?”

Now you’re fucking pissed, after a long arduous day, when you want the most is to smoke a flat blunt, and this beanstalk, bastard is calling you an opp.

“Get your head out of your ass, or ill do it for you.” You bite backThe group tenses, waiting for Hobie to speak—who cooly replies,

“ leng ting ‘ot a mouth on her,”

he LAUGHS boisterously in fact—his chest heaves and he slinks into himself with just how fucking hilarious he thinks this situation must be, you want weed and you want to go home.

“Got a lot t’ spare, actually, but I ‘otta go back t’ my flat.” Hobie drawls his replies, languidly letting the words slip through his tongue, slurred from the high, lean frame against the stoop of the store their loitering about, he gazes down at you to gauge your reaction.

“I ain’t going to back to your ‘flat’, so let’s compromise. How much can I get for $120, and a few containers of food?”

Hobie quirks a single pierced eyebrow, the sterling metals on his face reflecting the light, even under the shade making it hard to even focus on his face for too long—that and how attractive he is, it breaks your own mask of intimidation (He’ll break it more once you start developing a relationship with each other).

“ ‘pends on how good the food is luv.”

Hobie’s had a few people offer food in exchange for weed, so you’ve already gotten him with your proposition, even if you rejected the insinuation that he wanted you to come with him back to his place.Other people love to use favors of other kinds which he rejects, he’s finds it completely unnecessary, but he is still kind, a community-oriented person he doesn’t mind giving people weed for free.

But he DOES enjoy getting gifts from his peers for weed; trinkets, porcelain dolls, customized instruments, accessories, and clothing that they tailor for him—forcing him into their studios to get to measurements right, and letting Hobie customizing the clothing to the way he desires, with no interjections or complaints even. All these things are decorated precisely around his place, he might not clean the mess in his apartment but he will ALWAYS make sure these things are safe, and dust-free.

“It’s pretty damn good! Alright lemme get your number, I’ll tell you where we meet.” During the conversation you contemplated the best course of action, do you go to his apartment—no. Let him drop off at your place? You’d rather eat glass then let a strange man have your address. But you want weed so meeting around the corner can’t be the worst choice.

Hobie wastes no time whipping his phone out of his back pocket, you exchange contact information, and with nothing but a curt nod, walking away from the draining social interaction, before a firm, slightly sweaty, ringed hand on your shoulder, whipping your body around, you watch a slow impish smirk grace his facial features.

“See ya’ later ‘orgeous.”

You retained a deadpanned expression, but your mind races and it isn’t from the secondhand high your getting from being around them. Weak kneed but you don’t falter in your perfectly constructed veneer, this is why you stay 10 feet away from attractive men.

The conversation is over now, at least to you, you give him a thumbs up, but Hobie persists even knowing he will be seeing you later, and he has patrol immediately afterwards.

“Want a joint for the road? ‘s on me luv”

Now this perks you up exponentially, and you invade his space like a cat yearning for its meal early in the morning.He’s reeling from the closeness—inebriated from the sweet smell of your body oil, and the crisp red rose perfume you wear, even the smell of the sweat gathering on your skin has him shaky

(I also headcanon him as a huge pervert, im talking panty thief levels. If yall vote on it will be graciously provided.)

Try his bet to focus on letting his lithe fingers play the edges of the paper like he would his guitar, meticulously stuffing the herb into the folded valley of the parchment, before joining the ends together with quick reels.

Hobie places the semi wrapped joint in front of your lips, glancing down at you with an expectant look, your brows furrow, not entirely too sure what he’s gesturing you to do.

“Mind sealin’ it f’ me? Your joint after all”

You wordlessly comply, letting your tongue tease the laminated edge of the parchment activating the adhesive, your eyes wander to his for approval an ‘Is this good enough?’ kind.

But for Hobie the vision of your tinted eyes, and the moist muscled appendage carefully coating the sealant edge has his cock twitching in his jeans.

He tightened it into a cone-like shape, before twisting the end closed, lightly shaking the tip to stuff the herb down farther, then passing it into your hands.

With that you exit, giving a coy wave in their direction and a mischievous “See ya later.”

Comments, Concerns?? Im still looking for beta readers so message me if you're interested. Pushing this out for traction since my other blog got shadow-banned.

#hobie brown x reader #hobie headcanons #hobie brown x black!reader #hobie brown #across the spiderverse #miguel o’hara x reader #atsv #atsv hobie #armands sanctum

[possumsinpeoplesuits]

So, every once in a while, I have to rant about something online before I just start blabbing to some poor unfortunate Wendy's employee about niche internet pornography. Sometimes in the middle of that rant I realize I might be onto something, and have to share it with others who might benefit.

Today, that subject is the Omegaverse, and the squandered potential for worldbuilding therein.

Now, this post is gonna have some very broad generalizations about the genre, because while I'm certain there's plenty of authors who do put a lot of thought into the pedantic details I'm about to have a Category 5 Autism Event about, it's been difficult to find them amongst a sea of painfully mediocre fics.

For every stellar Locked Tomb Omegaverse fic set in a modern day Taco Bell (Seriously, I want to engrave Double the Meat onto a satellite and launch it into space so that extraterrestrials can see the peak of human civilization) there's like... a million and one Alpha Male/Omega Female pairings written by Conservative Mormon housewives that dare to ask such questions as "What if a man and a woman could have a baby?" and "What the hell is consent?"

But I'm not here to be mentally ill about yet another space being drowned in heteronormativity. Nor am I gonna be a dick about the first fics written by teenagers who're just dipping into fan communities, because my terminally online since the age of 11 ass would be a huge hypocrite for that.

No, instead I'm here to talk about genitals, and deliver just enough sciencey technobabble to justify my passionate opinions about the potential of what is, ostensibly, werewolf porn.

So, for those who've somehow gotten through all these paragraphs but have zero idea what the Omegaverse is, the basic gist is that there are three sex categories that're separate and occur within the usual sexes that humans already have. Effectively, this means that male, female, and intersex individuals can also be Alphas, Betas, or Omegas.

So, to understand these categories, there's a pretty simple rule. Alphas can get Omegas pregnant, regardless of physical sex. Sometimes Alphas are bigger than normal, and Omegas are more petite, but that's not quite as much of a core "rule" to follow, and more just dependent on people's tastes. Betas usually follow standard human dimorphism, though I have seen some people headcanon them as a sort of halfway point between Alpha and Omega.

There's some more details, too, like the presence of knotting (where the base of the penis swells and prevents pulling out during orgasm), heat cycles and rut (where the mating instinct goes into fucking overdrive in the most literal sense), pheromones, bite marking, and sometimes that whole... imprinting thing from Twilight.

So, taking this all into account... Omegaverse fiction has the potential for a BARE MINIMUM of 6-9 SEXES before even taking the vast spectrum of gender identities and presentations into account.

Do you see what I'm on about now? When our society is still struggling with the concept of being nonbinary, and barely ever even acknowledges intersexuality as existing, any Omegaverse setting would be radically different on a biological, psychological, and sociological level.

Can ya see now why I get frustrated when it gets stripped down to compulsive heterosexuality with wolf dicks?

Now, with all the standard tropes laid out like this, we get back to the question that started this all, the question that should be a no brainer when it comes to smut... What them genitals look like? What does a female Alpha, or a male Omega have down there? I have three concepts in mind, and explanations on how they could work from a scientific perspective that's just barely not bullshit enough to overcome suspension of disbelief!

So, the first thought, and the one that initially appeals to me as a nonbinary person... they just look trans. This concept is really simple to work with, because we can just look at real life trans people and just tweak things a little bit. Maybe primary and secondary sexual characteristics operate independently naturally, or maybe there's HRT for it. It's a pretty common method, too, and I enjoy seeing it... but it feels like it needs something more?

Don't get me wrong, this one's basically my personal gold standard for shorter Omegaverse stories, especially fanfiction, but it's also just... swapping parts around. Great for ease of access, but hard to differentiate from the trans experience. Definitely a go-to if you want to play with transition in an alternate society, though.

For the other two, I have to explain a bit about fetal development and reproductive organ equivalents. Also a bit of genetics, too, because it's where we're gonna fuck around and build a lot of theoretical bullshit around a little bit of real knowledge.

So! Some of you may have heard that every fetus starts as female, but might not know some of the mechanisms at work when that changes, and how finicky they can be. This is also fun to throw at TERFs, because ambiguity throws a wrench in the simplistic arguments of reactionary bigots. :)

So, the usual arrangement of sex determining genes is often simplified to XX=female and XY=male. This leaves out other variations like Klinefelter syndrome (XXY) which affects 1 in 500 people under the AMAB umbrella, causing some degree of infertility, autism symptoms, and a somewhat androgynous body shape. (I've been checked for this one! It came up negative, but reading about it was enlightening.)

Now, the presence of a Y chromosome (usually) causes the proto-organs to change function, and develop into the male-aligned reproductive systems at roughly, say... 6-8 weeks? (Unless, of course, there a deficiency in the 5α-Reductase enzyme, which causes a delay in some of this process, resulting in a child that appears female, then just... grows a dick during puberty when the higher levels of testosterone overcome the deficiency and finish off the primary sexual trait development.)

Hey, wanna know the fun thing? Even that is an oversimplification. The whole Y chromosome doesn't mean shit unless the sex-determining region Y gene is in the right place. It can just... fuck off and attach to the X chromosome. If this mutation occurs in XY individuals, it causes Swyer's syndrome, resulting in a female aligned reproductive system that just doesn't include functioning ovaries, just purposeless ambiguous gonads. Pair that fucky X chromosome with another X chromosome, and you get a male with XX chromosomes.

Plus, if someone has a faulty androgen receptor? Well, partial androgen insensitivity can leave things ambiguous, but if it just doesn't work at all? Yeah, everything will develop along the female blueprint, despite the fact that the gonads are testes.

I swear this is still about the porn.

So, with the information we have about these real, existent conditions, we have a good idea of reproductive development, and the mechanisms at play. Now, there's still some theory that's not been definitively proven yet, but the current consensus on the primary sexual equivalents are as follows:

The clitoris forms into the penis, while the vaginal canal doesn't form.

The ovaries become testes, or stay as undefined gonads.

The salpinx become the vas deferens (these are the tubes that transfer eggs or seminal fluids, respectively. More on this later.)

And finally, and the most theoretical, the uterus is believed to become the prostate. (There's sometimes a little pocket, or divot in the prostate, and the arrangement makes sense, but it's still up for debate.)

But how do we use this for our fuck fics, you ask? How do we take your failed medical career, and translate it into Destiel's babies ever after? Well, it's quite simple! We just have to add the bullshit!

So, most alterations to the SRY gene or the androgen receptor tends to just wholesale alter the whole array, and the midway point usually results in infertility and difficulty with sexual function, but what if we could change this? What if, for the purpose of our fiction, we can mix and match everything, and somehow make it all functional and neat? Well, fasten your fuckin' seatbelts, because we're finally at the theories I made while delirious due to a combination of sleep deprivation and the after effects of eating an entire ice cream cake to myself over the weekend.

So, the firmest idea, and the idea I'll be using because I am WAY too deep into this to not write Omegaverse unironically, is what I've dubbed the Primary/vestigal system for f!A and m!O characters.

So, this theory would require that we shove two things into suspension of disbelief. One, we have to completely fuck with androgen and estrogen receptors to mix and match the development of primary and secondary sexual characteristics. Two, I have absolutely no idea how you'd be able to tell when this is going to occur. Maybe genetic testing, or maybe it's just a surprise? Depends on your style of story.

Effectively, we'd base this off the delayed primary sexual characteristic development mentioned above. Alpha Females would operate similar to the real thing, being born looking typically female, before puberty hits and the Alpha genes take over for the genital development, while secondary characteristics still follow a feminine shape. Maybe the gonads stay inside, but function as testes? Sure, sperm production is more effective around 1-2 degrees lower than normal body temperature, but it doesn't stop entirely.

For Omega Males, the process would occur in reverse. Maybe the testes just change course and go back into the abdomen to become ovaries, or maybe they don't descend at all and the first clue this is happening would just be finding a vaginal canal forming?

I like this one primarily because it feels like a less 1 to 1 allegory for being queer, but still feels kind of relatable? You can, of course, still have the end result resemble the first method mentioned waaaaay up past the sciencey bits, but I kind of like the idea of there being a vestigial remnant of the birth parts left behind. I like the ambiguity, and the chance to explore how this would affect someone appeals to me.

Now, my last theory is mostly for the lulz, but this must be DOCUMENTED for POSTERITY'S SAKE.

So, Omegaverse started with m/m shipping with mpreg, right? Well, a lot of the earlier fiction just... describes typical cis male anatomy, with zero explanation for exactly how this is all occurring. There's just... anal sex, and then that somehow forms babby.

Well, what if I told you that I've figured it out? See, remember how I mentioned that the prostate is theoretically what became of the fetal uterine tissue? Guess where the prostate is? Guess. GUESS.

THE ASS IS WHERE!

So, we just have to bullshit the prostate back into a functioning uterus, but leave the placement in close proximity to the anus. Now, the other problem is that that would mean that there's an opening leading to the colon, which... look, I have no idea how birds and lizards keep their cloaca from getting infected, but connecting other tracts to the asshole doesn't usually end well.

So, we have to find a way to seal it up when not in use. Now, the cervix serves this purpose in the real world, opening to let in fluids, or let out discharge or, y'know... a baby, but that's really expensive so most of us settle for having a breeding kink that we never act on, and instead impose on our favorite blorbos who don't have to pay for health insurance.

But still, even with a butt-cervix, bacteria's still likely to get in, so we need a firmer block. I've suggested a little flap like the epiglottis in the throat as a second line of defense. If it can protect your trachea from wayward chicken nuggets, then hey! It might not be terrible for keeping sepsis at bay!

Unfortunately, layering extra protection over the bussy business zone ain't gonna cut it. Hell, as self cleaning as the vagina is, infections happen all the damn time, even if your hygiene is good. So, we need to take that self cleaning nature, apply it to the bussy business zone, and crank it up to eleven. Just constant mucousal discharge, pushing all the bad back out.

So, yeah. Your favorite Omega Man'll have a rectal womb covered with a secondary internal assflap that's constantly discharging a steady stream of slime (just consider it free lube!), but if you can make it past that, you can live your dreams of gettin' that bussy mpregged by cumming in they gay ass. Then they'd just kinda... poop out the baby, presumably.

So there you have it! Three in-depth explorations of how Omegaverse genitals can work! I'm gonna go take my psych meds and fucking SLEEP.

#omegaverse #a/b/o #a/b/o dynamics #a/b/o verse #a/b/o au #mpreg #mpregnancy #worldbuilding #I'm so tired that sunlight hurts #We are all god's forgotten neopets #Mmm mirtazepine tastes like sleep.

[keydekyie]

𝕋𝕙𝕖 𝕄𝕠𝕥𝕙 𝕒𝕟𝕕 𝕥𝕙𝕖 𝔹𝕖𝕒𝕣

~Frequently asked questions~

Wondering what the hell that human-faced bear monster was that you saw on your dash? Can't figure out whether it's supposed to be scary or cute? Confused deeply?

Well do I have the solution for you: All your questions answered, and more!

First of all: what am I looking at?

uh... well, the creatures are called Kanai. They're basically a sphinx, a creature with a human face, but instead of the body of a lion, it's a bear! It's not that weird! (right?) Oh, and they're also the size of a house. Don't worry about it, it's fine. It's fine.

What is this setting?

The story is set in my headworld, which is a sort of an alternate-reality Earth, and specifically in a country called Kellabor. Here's a big worldbuilding dump if you're curious, but there's no need to read it all before diving into the books. You'll discover everything important along the way.

So there are books?

Yes! I've published two books in the series, and I'm working on the third. I have a masterpost explaining them with content warnings here.

Okay but what is the story, really? What happens?

It's a very PG slow-burn fantasy romance adventure story with a dash of horror.

Oh, so there's romance?

Yep! It's been planned that way since the first words I put down. If you get through the first two books and are wondering where the hell the romance happens, just remember: it's a slow burn. A sloooow burn. We'll get there.

How many books are there going to be?

So far, I'm planning on four. Originally, I had three planned, but the second one was getting too long and I had to split it in half. That's why book II: The Crossing ends on a cliffhanger. Don't worry, it's not going to take four books to get to the cute parts.

Is there going to be a happy ending?

Yes! Yes, I promise there will be a happy ending. Might not, uh... seem very likely, at times, but yes.

What's the inspiration behind this story?

If you want a long somewhat-spoilery answer, you can read this, but the tl;dr non-spoilery version is:

I wanted to write a story about a monster and a human where the monster is the one facing the ethical dilemma, and they come to be friends and care about each other. And go on adventures. And love each other.

Wait, so... are the giant bear monsters the good guys?

Um... yes and no. There really aren't clear good guys or bad guys in this story. I'm going to have to ask you to have a bit of an open mind, here.

Okay, but I swear I saw a gif of one of these monsters eating someone. Was that from this?

Yeah, that gif is from a side-project set in the same world. It's a little more explicit than anything that happens on screen in TMatB, but let's just say it's not... uncharacteristic. That's the dash of horror I mentioned.

Listen... it's the dash of horror that makes the cute stuff that much cuter. The horror is the flavor. Trust me on this one.

Wait so if the bear monsters eat people, how are they not obviously the bad guys?

It's complicated! You'll find nothing is black and white here in Kellabor. The country has a long, mysterious, complex history, and so do each of my characters.

Okay but... what happens, though? Who's this girl I keep seeing in these drawings? Why does it sometimes seem like they are enemies and sometimes not?

The protagonists start out in conflict in book I due to ✨circumstances✨. They have a lot of issues to work out. Depending on where they are in the story, drawings of them might show them being more antagonistic or more sweet. It'll all make sense with context.

I'm still confused...

Ask box is always open! ♥️

#tmatb #faq #writing #books #the moth and the bear

[coraniaid]

I really think Season 7 would have worked so much better if Kennedy was a Slayer from the start, not a Potential.

The show is already very clear that Kennedy is, narratively, the most important of the Potentials. She gets almost as much speaking time in Season 7 as all the other Potentials combined (as well as having far more speaking time and appearing in more episodes than Kendra ever did in Season 2).  She's the only one who has any meaningful connection to any other character in the show (except for, maybe, Amanda and Dawn).  The writing already positions her as the main voice of opposition to Buffy within the group -- she's already the one most likely to question what Buffy's doing and suggest she could do better -- so why not formalize that?  Put her on a more equal footing with Buffy to start with.  Make it credible that Kennedy really could take charge and ignore Buffy entirely. Make Kennedy the Slayer who was called when Buffy died at the end of "The Gift".  

Yes, I know that the official canon is that no Slayer was called when Buffy died for a second time because Faith was the "active" Slayer at this point, but I think it's important to note that that was only something the writers came up with between Season 5 and 6.  It didn't have to be that way: there's nothing at all in the show's lore to suggest it's canon before then, and in fact people in the show openly talk about Buffy's death possibly activating a new Slayer even after her first death in "Prophecy Girl". And even in Season 6, I don't think we're told definitively that a new Slayer wasn't called (and wouldn't a new Slayer explain why the Watcher's Council aren't around this season?).  If you look online, the writers were even being vague about Kendra's death calling a new Slayer during the Season 2/Season 3 gap: none of how this works was ever planned out in detail in advance.  More importantly, it's pretty central to the show's mythology that Buffy is "the" Slayer and "the" Chosen One, and it's honestly a pretty silly bit of worldbuilding to accidentally retcon that she was actually only the "real" Slayer for 12 episodes (or even for 56, if you further retcon that Willow's resurrection spell somehow made Buffy the unique active Slayer again).

The idea of Buffy's second death not calling a new Slayer was a mistake, in my opinion.  Yes, I get that they didn't want another Slayer showing up in Sunnydale in Season 6.  That wasn't part of the story that season was trying to tell.  But why would she have to?  The world's a big place, and until the last few episodes there's nothing particularly apocalyptic happening in Sunnydale that season.  Why couldn't you just have the new Slayer off somewhere else, minding her own business?  (In fact, if Faith is the only "active" Slayer, then not resurrecting Buffy means condemning the world to no new Slayer at all until Faith dies, which -- given where she is -- probably wouldn't happen for years if not decades.  It's much better, I think, for Buffy's friends to bring her back because they miss her than because the world objectively needs her to continue the Slayer line and the only other Slayer is serving time in prison for murder.)

And imagine how Season 7 plays out with Kennedy as a Slayer from the start.  The focus of a lot of the second half of the season is on Buffy teaching the Potentials how to fight, which is perfectly fine as a bit of symbolism and helps set up the events of “Chosen” but doesn't really make much sense in-universe.  Potentials just aren't meant to fight vampires. There's never been any indication in the show before this that that was a good idea.  "She alone can stand against the demons" and so on, not "she and a bunch of other people who don't have superpowers yet".  But make Kennedy a young Slayer -- one who's been prepared 'properly' by the Watchers' Council, taught to follow their rules and procedures, the way Kendra was, but who still lacks much practical experience -- and make the focus of the second half of the season be Buffy  (and Faith) trying to teach her what that means ... doesn't that work a lot better?

(And sure, I'd bring the rest of Potentials in a few episodes before “Chosen”, I'd still end the season the same way -- but we really didn't need to see quite as much of them, did we?  Let Robin and Kennedy be the big two new characters this season -- let them represent our links to the past and future of the Slayer line -- and don't let the show get overwhelmed by so many other new faces.)

Also, this would let my inner world-building-obsessed pedant stop asking how old Kennedy is meant to be, given that Season 3's “Helpless” establishes that every Slayer undergoes the Cruciamentum on their eighteenth birthday (something that can logically only happen if every Slayer is called at seventeen or younger).  Which is not at all a good reason in itself, but ... look, it does irritate me, I'd be lying if I said it didn't.  Why does this season include “Help”, an episode highlighting how weird it would be for any of the now adult cast to have a romantic relationship with a high school student, only to then pair WIllow off with a girl who -- by the established rules of the show's own world-building -- has to be younger than eighteen?  I mean, the answer is that the show largely pretends Kennedy is older than that, or doesn't address her age at all, but this does contradict what we're told in “Helpless”.

And it doesn't have to. There's an easy fix. I'm not saying that the show shouldn't have had Willow and Kennedy get together. I like Kennedy as a character. I just think she'd make a lot more sense -- both as a character in her own right, and in terms of her place in the broader narrative -- if she was a Slayer from the moment we met her.

#btvs

[mamadarama]

I was going through some posts I missed and came across the “tatsumi is mature but still does 19 year old things” and I just wanna say I’ve never been able to put it into words when my friends ask but like. That’s exactly what I love about this game.

We’ve got scandals and drama and weird crypto currencies and convoluted backstories of implied murder or identity theft or military shit or relations to underground gang activity or so SO much more and yet the writers still succeed in reminding you that this is a game full of high schoolers.

Natume was one of the five oddballs and suffered through so much during the war where it affects him to this day, but he also refers to his tech savvy and love of the occult as magic and loves the junior he “adopted” to death. Despite Aira struggling against every odd to become a real idol he still buys merch and looks on the internet to look for content of the ones he likes. Rinne was destined to become the monarch of his homeland but ran away in an attempt to find happiness and acceptance and is an amazing strategist who uses it to take down corruption, but his sense of humor is entirely made up of sex jokes and romantic teasing like Aira being “hiiro’s little girlfriend”. The amount of characters that assign themselves the mom friend role just because. Trickstar. I don’t think I need to explain Trickstar-

Like this game has made me cry so many times and it has its ridiculous moments but it also has its genuine ones while also being the most teenage shit I’ve seen in my life and I feel like so few media can balance those and still have a decent story like that. Sorry for the long ass post I just have so many feelings about this kind of stuff 😭

YEAH this is exactly what i was talking about in a previous ask when i said i have nothing meaningful to add to the enstars cast that isnt a headcanon . its all very well thought out and the interpersonal relationships are nuanced enough to feel realistic but outlandish enough to be interesting .

worldbuilding and character design is one of my special interests and i say this any chance i can get: the most important part of building a character (and a story in general) is realizing the importance of comedic irony and comedy as a whole regardless of genre or tone. it makes characters feel more 3 dimensional and relatable because people arent stagnant and theres multiple facets to any individuals personality (this is also why some of the most popular animes of all time have filler episodes or funny bits that show the characters personalities, every event hits with 3x emotional impact the more you know about the characters as people but that's a different discussion) enstars does a really good job of this . like for example if wataru were to have had a realistic reaction to eichi starting the war it wouldnt be nearly as good of a story. the fact that eichis ridiculous ass backwards plan to get wataru to fall in love with him actually worked is a perfect example of comedy used to make a story more interesting. another thing similar to this is how sometimes its better to not detail something and let characters do things for a mundane reason or even no reason at all . for example subaru hating chiaki just because he annoys him, or shinobu being on the broadcasting team despite his character not being associated with technology otherwise and therefore having no real backstory on why he likes radio stuff. its all really well planned worldbuilding with an insane amount of subtle details , which is why enstars is one of my favorite stories to analyze . the only thing i could possibly want more out of it is hardcore tragedy but thats entirely a personal preference rather than a critique because im a slut for catharsis and i love sad endings , especially ones where characters die . (don't worry im in therapy)

#ask #anon