...I know people in this day and age think any collaborative effort can fix things, often despite reality (ex. the MULTIPLE tumblr blackout protests over the last like 10 years across different owners of tumblr that didn’t change shit),
but I think going out of your way to buy things from tumblr en masse as a “well then they’ll be profitable and won’t have to change things to resemble profitable sites!” as if the CEO/higher ups are personally going to see this and not AT MOST just go “oh we made money, sick, Anyway.” is just. the most naive and frankly 5-year-old level of problem solving unrealistic idea if you think about it for more than 5 seconds. People are just so blinded by naive optimism it’s painful.
Staff isn’t going to see your purchases and go on a full redemption arc and restore porn in spite of payment systems’ massive stigma against it or Apple’s restrictions and never ever try to mimic Twitter or TikTok again, or whatever the fuck you’re expecting, they’ll keep focusing on shit tweaks that resemble other sites because those are what keep investors who think they know tech and user wants hooked and they think new people from other sites will come over for that instead of the fact these people are typically escaping those kinds of features.
Staff isn’t your friend, their vying for support like they’re your buddy who is hitting hard times and has been here holding your hand all these years is deliberate corporate marketing, they’re an arm of a corporation that spits in the face of LGBTQ+ people and especially black people for daring to post about themselves while touting themselves as The Queer Site! A diverse site! Look at this AMA we’re doing with someone about Black History Month! and you’re doing nobody a service when you’re unintentionally rewarding a service for getting worse because they will not know nor care about your motives, they just care that they got money and will continue making it worse regardless of you. They’re a corporation, not a small business ran by 10 people who are trying their best. People throwing money at Staff already encourages them, let alone when you buy into the weird parasocial shit they try with us which will continue as they see success with that method.
Like the mere idea of everyone buying the crabs to gift to make the site profitable is just unrealistic (especially in this economy with such terrible inflation and in NA there are issues with the weather and fires, on a site that mostly consists of groups of people who are typically low income or unable to work???), it feels very much like the gofundme pages people set up to raise money for celebrities who have debts who will be fine regardless and definitely don’t need your help. Corporations and CEOs are not your friends, they never will be. They do not care about you and they’re not some poor uwu victim of circumstance.
TL;DR half-assed blackouts aimed at companies that don’t care (that I have seen over and over) and “cr*b day” type efforts are incredibly dumb and will change nothing, and they will not change anything, just encourage them since they see they’re making money during their current marketing schemes, if they notice at all. You pitying them like they’re a poor innocent person is exactly what the corporation wants.
If you want to make a difference give that money to an artist or lgbtq+ people who basically get flagged as mature for Existing, or people who get their posts flagged for criticizing the site, or something, someone who gets screwed over by this site on the regular. It will do far more good than that whackadoo type pipe dream and sit down and think for a second, please.
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okay at this point we're gonna have to accept that any attempts of a live action ATLA will always be cursed and will never be a good alternative to just watching (pirating cause fuck nickelodeon) the cartoon because what the fuck do you mean they're taking out gigantic chunks of Sokka, Katara and Aang's arcs/development/characteristics, showing the genocide at the Southern Air air temple and more of the Agni Kai between Zuko and Ozai while simultaneously having the gall to say "I mean, the characters, we had to dimensionalize them-"
The Big Netflix Avatar: The Last Airbender Producer Interview: 'This Is a Remix, Not a Cover'
There are certain scenes that you never saw in the original, whether it's the attack on the Southern Air Temple or the Agni Kai between Ozai and Zuko. And those are things that I knew we needed to see in order to make it feel much more grounded as a live-action show. So it was about feeling your way throughout the process. Where can we take the story into the new directions that still feels true to the spirit of the original? And that's what it all comes down to, making sure it feels like it was Avatar in spirit.
Bending the Rules
And going back to those narrative liberties, was there anything in particular where you were like, “no, this is set in stone. This can’t change”?
AK: There's a lot of things like that, starting with the characters. I mean, the characters, we had to dimensionalize them, but there are certain core ... I would say there's a core DNA to the characters that you don't want to mess with, whether it's Aang, like I said, his childlike goofiness, his sense of humor, the burden of his responsibility, Sokka and his humor and his pragmatic outlook on life, Katara's warmth and her optimism. Those things had to carry through into our version. So you start with the characters, and you say, "What's the essence of the characters that got a big change? And what's the room where we can expand it a little more?" The cartoon, for as great as it was, was 15 years ago. And so, things have changed. There are certain roles I think that Katara did in the cartoon that we didn't necessarily also do here. I mean, I don't want to really get into a lot of that, but some gender issues that didn't quite translate.
My friend just watched it for the first time, and she's like, "Sokka's an asshole." I was like, "Yeah, no, he kind of is."
JR: Yeah, especially in the first season.
AK: Yeah. So we had to guard against that kind of stuff. And so, those are things that aren't really changing a character as so much as updating them a little bit.
I think one of the big questions is, despite all the remixing, is the point A and the point B still the same as the original?
AK: Pretty much. Yeah, I mean, I think the state of the world and the stakes of the world are still the same. So we decided to make Aang's narrative drive a little clearer. In the first season of the animated series, he's kind of going from place to place looking for adventures. He even says, "First, we've got to go and ride the elephant koi." It's a little looser as befits a cartoon. We needed to make sure that he had that drive from the start. And so, that's a change that we made. We essentially give him this vision of what's going to happen and he says, "I have to get to the Northern Water Tribe to stop this from happening." That gives him much more narrative compulsion going forward, as opposed to, "Let's make a detour and go ride the elephant koi," that type of thing. So that's something, again, that's part of the process of going from a Nickelodeon cartoon to a Netflix serialized drama.
And they say in regards to the original creators leaving: "But sure, having them leave was a blow. And we had to think about whether or not the vision that we had set forward really reflects and honors the spirit of what they had created. And we felt like it did, so we went forward with it. " idk y'all should've taken the hint goddamn ...
AK: But sure, having them leave was a blow. And we had to think about whether or not the vision that we had set forward really reflects and honors the spirit of what they had created. And we felt like it did, so we went forward with it.
If you could send fans who are anxious about the live-action show any message, what would it be?
JR: I think, as a fan of the show, they're going to get the live-action version of the show they've always hoped they would get.
Albert, anything to add?
AK: This is the version of Avatar that I would want to see as a fan.
- Netflix ATLA Showrunner Albert Kim & Executive Producer/Director/VFX Supervisor Jabbar Raisani
Source
like this ain't coming across like a remix, this is just empty meaningless noise
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