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#you even said it yourself
p4nishers · 5 months
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god. GOD. the underlying anger in everything terry writes really IS apparent in hogfather bc fuck u mean this is how things should be? no the fuck it shouldn't. poor people shouldn't have to be satisfied with what they get, that's just fucking capitalism. i REALLY like that terry decided to use death as projection for what he thinks bc death doesn't know anything and it has to be explained to him and by it being explained to him it shows how fucking stupid those things are. bc ok here's this world where an equivalent of santa ACTUALLY exists and, because it mirrors our world, it's still unjust. santa actually fucking exists in this world and he could give ANYONE ANYTHING bc he's essentially a god and people gave him that power by making him up, BUT because ppl imagined him in a way that poor people don't get shit (like they usually do) and rich people get EVERYTHING they want, he exists like that. whereas death has seen the absolutely WORST of humanity and he STILL thinks that's bullshit and it's not how it should be, it's just how it goes. bc capitalism is always capitalism where there's money and the world will always be fucked up as long as there are oppressor to hold it up. like i just.
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pocketgalaxies · 1 month
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C1E60 || C3E88
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bakudekublogblog · 25 days
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kacchan telling izuku that his body moved on his own is fucking crazy. like not only did kacchan remember izuku saying that all the way back from the sludge-villain incident but he’s also confirming that izuku’s crazy, boarder-line suicidal intensity is a two way street. it’s not just izuku who is insane about kacchan it’s mutual insanity. kacchan’s body moved on its own. he was helpless but to throw himself into the line of fire when he saw izuku was in danger. he didn’t think about it. he didn’t choose to do it. he didn’t have a choice. it was as if izuku was a piece of his own soul. katsuki instinctually needed to protect him above all else, even at the cost of his own life
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nat20composure · 4 months
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Astarion and Agency- The Necessity of Discomfort to Self Discovery and the Infantilization of Victims
Minor Astarion discourse ahead that mentions the treatment of SA victims post-abuse:
I want to open this post up just with like. The statement that I don't think there is a correct way to enjoy media and that I LOVE to see individual head cannons and takes on characters in media. I think that is also, to a degree, an integral part of video games because of how unique the experience of playing a game will be to every person who plays it. But it has been making me feel so incredibly sad looking through fan content, art, or discourse for BG3 specifically because of how many people have taken the route of infantilizing Astarion.
I understand the instinct to shield or protect an individual that you love and care for. I also understand that because of the nature of the things that Astarion goes through, a lot of people also feel very deep emotional stakes in him. I'm one of the many fans of the character who is a victim of SA and CSA, I really do get it. That is also why for me personally it is so demoralizing to watch so many people treat him like he is a child who cannot make his own decisions or stand up for himself. Part of that frustration stems from it feeling like a media literacy issue, and the other part of that sense of defeat is just because it feels indicative of a broader attitude that people seem to hold towards victims of abuse, particularly those who are victims of SA.
To explain what I mean by people infantilizing him: I see so many people refuse to allow him the opportunity to be hurt, or to feel uncomfortable. They see this character who has been through an immensely horrible and traumatic experience, and their instinct is to try and shield him from anything else that has the potential to upset him. I get that the people who want that aren't doing it with malicious intent, but frankly it is not really...Helpful? To try and prevent victims from Experiencing Discomfort tm. I also think it kind of disregards the entire thesis of Astarion's character and arc.
When you go through something that robs you of your selfhood and agency, the world can become a crushingly terrifying place. In Astarion, that fear presents itself in a desperation for power, control, and at the core of both of these desires- Safety. One thing the game is clear about is that he has a right to kill his abuser. He has a right to escape his situation. A lot of Astarion's personal arc is centered around being able to finally do that. But the game doesn't just leave it off at getting him to safety. So much of it is also about him needing to take responsibility for himself and his actions, with needing to learn who he as a person is.
The inclusion of the Gur children and Sebastian as characters is a good example of ways in which the game gives Astarion the opportunity to take responsibility. I think that if the intention of the arc was meant to be that "Astarion should never ever have to deal with being afraid or uncomfortable again", then the Ascended arc wouldn't Come with such heavy moral ramifications, like sacrificing the other people just like him, killing the victims he lured in, literal child murder. The game infers that he doesn't deserve to die because of the things he Needed to do to survive, but it also makes it very clear that there is a difference between addressing an Active Threat and using your fear as an excuse to hurt others. Breaking that cycle of abuse when he finally gets the chance to is what separates Spawn Astarion from Cazador.
Taking responsibility for himself, and letting himself sit in the discomfort of vulnerability ultimately ends up being a thing that he is very proud of and cherishes. If you tell him you will make sure nothing like that ever again he himself says that he doesn't want you to be his protector. And so it blows my mind when people go into all of these discussions about Astarion with this...Weird moral high ground for never, ever making or letting him make choices that might hurt him?
I see this the most when it comes to discussions about the possible polyamorous relationship with Halsin and the interaction with the drow twins in the brothel. So many people are just...outright angry? At other people engaging with either of those options? And I feel like that anger is one) rooted in the projection of their Own feelings on non-monogamy and what a victim of SA can or cannot look like. and two) Relies on undermining the agency that Astarion BEGS you for at every turn.
When it comes to the drow twins, the game adapts Astarion's response to them based on where he is in his own personal development (a really cool thing imo). Obviously, if he still doesn't feel good or safe about engaging with sex he declines and says you can feel free, though he hopes you aren't just doing it because he hasn't had sex with you. I think this makes sense: He's just gotten out of a situation where his Safety and worth were directly tied to him having sex. I imagine he feels afraid that not wanting to have sex with you makes him replaceable or inadequate because at this point in the game, he feels like that's all he has to offer. The interaction is relatively the same if you ask him for a poly amorous relationship with Halsin: He just asks you to reassure him that you aren't only doing it because he hasn't had sex with you, and then tells you he isn't worried about it otherwise.
A lot of people have taken the expression of that insecurity in combination with him still allowing you to go forward and do these things as him just "sucking it up" because he's afraid of losing you. (I am aware Shadowheart says he wouldn't be able to handle it when you ask her if you can date both of them- But keep in mind, Astarion says she wouldn't be able to either, and THAT obviously isn't true of her. For the purposes of this discussion I'm only including interactions with Astarion as a judgement of his character.) I understand that concern, but I feel this take disregards so many other points of dialogue, and is also continually rooted in the baseline vilification of discomfort.
To further go into it, the way that he speaks about both of these interactions changes significantly if you speak to him about it once he is completely free from Cazador, and has had time to allow himself to start reconnecting with himself and his sexuality on his terms. He has absolutely No reservations about an open or poly relationship with Halsin, and says he trusts that things will be ok because he one) feels secure in Your relationship and two) Knows Halsin is experienced and trusts him to not be a messy bitch about it.
I think that shift, in combination with the in game explanation of why he isn't ok with being in that sort of relationship with the other Origin Characters (for Lae'zel and Wyll, he says they'd never agree to that. For Shadowheart, he says she's not experienced with open relationships and that he doesn't think it'd work out. For Karlach, that it would break her heart. And for Gale, he says you need standards.) is a pretty good indicator that he doesn't actually care about polyamory or monogamy. I think the vilification of that choice relies on you picking and choosing when you do or do not believe Astarion or just outright not liking non-monogamy in the first place. This interaction has more to do with the player's choice and comfort level, and so is not as important to the broader discussion I am trying to have in this post.
The interaction that is more pertinent to not Allowing him to make decisions is, I think, the drow twins. If you interact with the drow twins after the completion of the Cazador questline, he is outright giddy at the prospect of interacting with the Drow twins. Specifically stating that he is excited to see how he likes these sorts of things now that he's free.
NOW- I do NOT think that he enjoys the act. The game makes that abundantly clear, and I'm not arguing that he has a great time. He obviously does not, and dissociates during it. That being said, allowing this interaction to happen does not make a player evil or selfish. You are not playing the hero if you decide to moderate his choices just because you do not think he is ready for it. Once again, no one is evil for Not doing it either, and I am not saying anybody has to want to. I am just saying that treating this choice like it is an evil choice to make relies on completely disregarding what He wants to do.
Astarion says so many times in the game that he is anxious about finally having the freedom to find out what he wants to do, and I think that his excitement for the drow twin exchange is one of the opportunities the game gives him to make a choice. He makes that choice- And it sucks for him. He doesn't enjoy the act, and having done it he would be able to move forward knowing that. I think it's really cool and important that the game represents that facet of recovering as a victim. While you are trying to renavigate who you are, you are going to make a million new choices you never had before. And sometimes those choices are going to suck ass. It would be a different matter if he knew these things would hurt him and went ahead and did them anyway. But so many people expect him to move forward avoiding even the Potential of being hurt, and I think that is extremely reductive of his arc and who he is.
Beyond the matter of interpersonal relationships, the choice between Ascending or not Ascending Astarion is not a matter of choosing the lesser of two evils. It is a choice between his fear and his humanity. Between letting his trauma and his fear define him for the rest of his immortal life, and allowing him the vulnerability of deciding who he is when he isn't running from the world. When he's willing to listen to the parts of himself that want to do right, that wants meaningful connection, that wants to be proud of himself. That wants to meet himself. To confront who he is when someone else isn't deciding that for him.
Astarion as a character is extremely ambitious, inquisitive, and adventurous, three traits that only become more and more evident as he breaks free from letting his own fear dictate how he lives his life. I don't understand how so many people can see him and want to take the core of his character away from him, when he spends the entire game fighting desperately to take it back.
Victims are not casts of the abuse they have gone through. Their shapes may be changed by the hands of others, they may have to relearn how to be the person they want to be. But they are not broken or irreparable or fragile. They do not need to be freed from the grip of one person to be held tight in the grip of another. It is so fucking unfair and self-important to think that your hands will be the ones that fix them. That your hands know better than theirs. I think the kindest thing you can do for a person is to trust them with themselves, and to listen when they tell you who they are and what they want. Please listen to the voices that have only just learned to speak. It is the only way they can get better at doing it.
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transmascissues · 1 year
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it really rubs me the wrong way when people say things about how cis women should just date trans men because they see us as a safer alternative to cis men. because the thing is, cis women being with trans men instead of cis men doesn’t eliminate the unsafe power dynamic the way they often act like it does;
the dynamic is just flipped.
generally speaking, a trans man isn’t any safer in a relationship with a cis woman than that cis woman would be in a relationship with a cis man. it just feels like a safer dynamic if you’re the cis woman because suddenly you’ve become the one with the privilege, and if you’re not used to being the one with privilege in a relationship you might not even think to ask how safe the other person is.
the reality is, the reason that relationship feels safer to you is the same reason it’s not safe for us — we’re safer for you because we don’t have the same privilege as a cis man, and we also don’t have the same privilege as you. when you date us because we’re safer, you’re dating us because we have less power.
that’s not to say cis women should never date trans men, or that it’s bad to seek out trans men if you don’t feel safe in relationships with cis men. but you have to recognize the power dynamic you’re opting into — you have to realize that you’re not going into a relationship that’s safer overall, you’re just going into one that’s safer for you. you have to be prepared for the person you’re interested in to have all the same fears and reservations about you that you had about cis men.
and most importantly, you have to actually put the work into being a safe person; you have to put effort into unlearning transphobia overall, especially into unlearning anti-transmasculinity, and you have to do it before you start seeking out trans men.
i’m very familiar at this point in my life with how unsafe relationships with cis women can be for trans men, romantic or otherwise, and i know most other trans men have probably had similar experiences to mine. we know very well that you might not be safe; we need you to know that, and we need you to care enough about us to make yourself safe.
us being “safer” for you isn’t just a nice benefit for you, it’s a direct result of the fact that we are oppressed and that you hold power over us. if you’re going to seek us out for your safety, know what that really means.
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andy-clutterbuck · 2 months
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The Ones Who Live | 1x03 - Bye
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chirpsythismorning · 1 year
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Them Duffers are the most immature mfs in show biz
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crybaby-bkg · 8 months
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cw: Bakugou dies but comes back to life, “comes back wrong” trope, implied fighting, angst
When Bakugou died, you’re not sure how you went on living. Grief had taken over your life, sat you in the passenger side while it cruised off the highway into icy waters. And even then, you couldn’t find the energy to drown.
It’s why there’s a sudden uptick of energy when you’re promised to have him back. Some top scientists contact you months after his death, tell you to hurry down to the headquarters labs, come and rejoice for what you’re about to witness. And you’re horrified, to say the least.
“This isn’t my husband.” Are your first words when you walk in, watch the figure on the other side of the glass examine its own hands. It looks like your husband but—but his hair isn’t the right shade of blond all over. His nose bridge had a slight bump after a scuffle with a villain. He had a scar on his hand but—but it never looked like it was to sew a pinky beside the other fingers.
“Is that really my husband?” You ask next in disbelief, slowly entering the room. Bakugou’s head snaps up, his eyes a little brighter than you remember but—they hold so much emotion. So much memory, so much panic, so much guilt.
“I left you.” He mutters, his voice raspy and ragged, and you wonder if it’ll always be like this now. It makes you cry a little harder than it should, but you only embrace each other. He’s cold and his shoulders don’t hold the same mass and his back doesn’t carry the same scars. There’s one, jagged and rough, running down his back, and you think, you think that’s where they slipped a new spine in.
“Welcome back home.” You tell him, weeks after meeting him again, new and not totally—Katsuki. He’s stiff and he doesn’t immediately take off his boots when he enters, and it worries you. Makes you think if you’ve just let a stranger into your home, one that has stolen your dead husbands face. Makes you wonder if he’ll be as loving as Katsuki once was, or if he’ll become your monster looming over you with the guilt of not being able to rest anymore.
“I’ve missed you so much.” You whisper against his mouth one night, a little while after he’s moved back. You don’t know why you lay under him, why you let him nestle himself inside of you, why you let him hold you against his chest. Katsuki always ran his hands over your cheeks and neck whenever he held you like this, but this…man, only holds himself up with his hands resting beside your head. It’s alien, how he looks at you, how his hips are methodically measured with every thrust, how he kisses you every 8 seconds. You wonder if he’s more robot than Frankenstein monster.
“Why did you come back to me like this?” You ask him one night, barricaded in the bathroom away from him. You can hear his sobs on the other side, his pleading to be let in. He tells you he never wanted to come back if he had to be like this, that he’s sorry, please let him in, he misses the warmth of your skin, he’s never been so cold before, he’s never liked the cold.
“Is this considered cheating?” You ask yourself aloud one night, when Bakugou is forced back to the lab when he becomes too…un-Bakugou. To sleep with a man that is your husband in every way but? Your husband has been dead for a year now, and yet you stroke the chin of the man that tries so hard to be him everyday, but fails so miserably at it every time.
“I’ll come back to you right this time.” Bakugou promises to you when he’s strapped down to leave for the lab and before he’s sedated. But you don’t believe him—you never did. Your husband is dead, and this animated corpse has been nothing but a cheap mockery of everything you’ve lost and something you will never truly get back.
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alaynestone · 4 months
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-the incest diary, anonymous.
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allupinyourminds · 9 months
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BEYONCÉ — performing All Up in Your Mind on opening night at the Renaissance World Tour in Stockholm, Sweden (May 10th, 2023)
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crescentfool · 6 months
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happy mochizuki monday!!!
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thepoisonroom · 14 days
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'I flirted with the idea that instead of being trans that I was just a cross-dresser (a quirk, I thought, that could be quietly folded into an otherwise average life) and that my dysphoria was sexual in nature, and sexual only. And if my feelings were only sexual, then, I wondered, perhaps I wasn’t actually trans.
I had read about a book called The Man Who Would Be Queen, by a Northwestern University professor who believed that transwomen who were attracted to women were really confused fetishists, they wanted to be women to satisfy an autogynephilia. And though I first read about this book in the context of its debunkment and disparagement, I thought about the electricity of slipping on those tights, zipping up those boots, and a stream of guilt followed. Maybe this professor was right, and maybe I was only a fetishist. Not trans, just a misguided boy.
About a year later, on the Internet, I come across a transwoman who added a unique message to the crowd refuting this professor. Oh, I wish I remember who this woman was, and I wish even more that I could do better than paraphrase her, but I remember her saying something like this: “Well, of course I feel sexy putting on women’s clothing and having a woman’s body. If you feel comfortable in your body for the first time, won’t that probably mean it’ll be the first time you feel comfortable, too, with delighting in your body as a sexual thing?”'
-Casey Plett, Consciousness
#this quote always moves me almost to tears when i remember it#i'm not a trans woman and i don't share the author's specific experiences with transition#but it really moves me that she frame transition as joyfully giving yourself permission to approach your body#not as something that has to be disciplined and deprived and made small in all these various ways#but as a means for experiencing pleasure and joy and delight and for insisting that our feelings and desires are worth#valuing and exploring and treasuring#i always used to think of prioritizing those things for myself as selfish and irresponsible#but who does it harm to want to experience pleasure in your own body?#it's such a beautifully simple and powerful switch to have flip in your head#and equally why are we forced to deny our own pleasure in transition and anything else related to our bodies in the name of moral rectitude#this is why i get so confused and pissed off when other trans people are fatphobic for example#like why are you so invested in politics of shame and disgust that never had any purpose other than#violently disciplining people as if they've violated moral codes by existing in a body#to say nothing of white people being racist in gay and trans communities#like again this system of violence is foundational to homophobia and transphobia#so why are you acting like it has nothing to do with you#even if you are unmoved by the urgency of other people's suffering which btw you should be moved by#what do you hope to gain by acting a collaborator and handmaiden to those systems#Casey Plett#she really is one of my favorite authors i wish more non-canadians read her#this quote is from a series of columns she did ont transition and every single one is a banger#i love when she talks about the people-pleasing elements of dysphoria and transition denial#she's so sharp about noting how many of us deny our own dysphoria on the grounds that others like and validate our bodies#that's how i always felt during my cis conventionally feminine era#it pleased other people so much and also that reception felt so hollow and joyless to me because i hated it#i get less of that positive feedback but that feels so unimportant next to the joy and pleasure i get to experience#said with the understanding that i'm very privileged in being able to prioritize those things without fear. but it was a switch flip#personal nonsense
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zeb-z · 6 months
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also can I just say. the difference between the joy of fit and bagi having a full day with blue, getting acquainted with the base, reuniting with their loved ones, all relieved to have more materials and more of a team - and then the absolute misery of etoiles and roier, moving the few valuable possessions red has to a new base that got immediately discovered anyway, losing all their gear, getting it back, then burning it themselves before killing eachother, is just so fucking funny. the new blues had freshman orientation while the new reds had a trial by fire canon event
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astarlightmonbebe · 1 year
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the appeal of yeojeong as a normal guy who’s just a little bit off. not enough that you would notice when talking to him, of course, but it’s just there, under the surface. a disturbance. and i think it’s interesting because typically you have two types of guys somewhat adjacent to this: guy who seems totally normal but is secretly sadistic/a psychopath, and then guy haunted by a traumatic/troubled past, who has that secret layer of torment running beneath the surface of their image. but yeojeong breaks through these archetypes, and i think part of it is because he’s just so...calm. it’s not that he’s living a double life (kind doctor by day, killer by night) or hiding part of his past (everyone he worked with knew about what happened to his father, and watched his downward spiral during his college days). he’s not the typical male character who is, at every attempt, trying to outrun his tragic past (even though he does run once or twice); he’s not haunted by flashbacks, or suffer from PTSD in the way that is usually portrayed in dramas. and i think part of that is because the glory is a story about victims. it’s dongeun’s story, first and foremost, even though it is also yeojeong’s story, and hyeonnam’s story, and sohee’s story. but it’s a story about dongeun’s pain, and when it’s not about her pain, it’s just about the pain of victimhood - unlike other dramas, this isn’t a show where male pain outweighs the rest.
so yeojeong is just a normal guy. he’s handsome. he has a good career. he’s a plastic surgeon, an interesting choice when both his parents were/are hospital directors, and his father seemed to have worked in the er or something of the sort prior to his death (or at the very least wasn’t a plastic surgeon). something could be said here of yeojeong choosing the ‘safe’ path as a doctor, a path where he cures pain and makes people happy without the added risk of being attacked by one of his patients. there’s no proof of that in the show - why he chose to be a plastic surgeon - but it’s an interesting thought path to travel. 
dongeun says he must have lived a good life. that he’s never had to worry about the path that he’s on. and that’s true, to a certain extent. to everyone, including her in the beginning, yeojeong is perfectly friendly. he’s perfect, but not the perfect that people perceive as too perfect (i.e. the guy who’s hiding things); he has his moments where he spazzes out, gets into fights, goes crazy over dongeun texting him back, teases his mom. he’s perfectly well adjusted (a perfect contrast to dongeun’s ‘maladjustment’). he wears flip flops to work and gets the same coffee order daily. he plays go with old men in the park.
he likes to listen to the fizzing of vitamin tablets in water because it calms him down. is this a strange thing? only because he thinks it’s important enough to mention to his therapist. he does it at work too - drops the tablet in, closes his eyes, rests his head. he does it at home - drops the tablet in, opens the drawer, draws a knife. it’s about the noise. bubbles rising to the surface, like bubbles rising from underwater. he stays underwater until the last possible moment, when he has to break the surface in order to breath. dongeun makes him feel like he’s at the eye of a storm - a deceptively calm center, while everything else rages outside. and i think it’s kind of important that he makes that comparison, when he’s someone always seeking that calm. the soothing noise, that makes him feel lonely.
so he’s just a normal guy. a normal guy who receives letters on a regular basis from the prisoner who brutally murdered his father. he doesn’t like letters, he tells dongeun. who knows what he does with the letters - does he keep them? does he throw them away as soon as he sees them? he must have read some of them; maybe you only need to read one to know what is in the rest. maybe he’s still reading them; maybe he keeps them without reading, an invisible torment. it’s not what he does with the letters that matters, but that he receives letters at all. 
can you still call it a haunting if you’ve almost made your peace with it? if you’re living with it? 
he’s just a normal guy, who looks his therapist right in the eyes and tells her that she couldn’t fix him. he diligently attends therapy for years on a regular basis, even though it doesn’t work. he finally abandons it when he moves to semyeong, because he chooses to embrace dongeun’s revenge. he chooses his own revenge, too, in a way. the dark part of him that he can’t escape. the one that makes him pick up the knife, who asks dongeun who to kill before she even tells him she wants any of them dead, even when he’s a doctor from a family of doctors, and doctors don’t kill - they save lives instead. 
you couldn’t fix me, he tells his therapist calmly. so calmly. as if there’s not a bloodied man sitting next to him, a man he dreams of killing. the man is just life to him, just like the letters are life to him to. a dulled numbness. an acceptance of it. 
is your son going through hell? can you even tell it’s hell, if it’s what you’ve become used to? is it hell when you’re a doctor dreaming of murder? is it hell to no longer be tormented by dead men and living murderers who send you letters? is it?
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sisididis · 6 months
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I still can’t get over the fact that the only time Sebastian expressed doubt (and later remorse) about his actions was after we had cast Imperio at Ominis to allow Sebastian to leave the catacomb without fighting and effectively losing his best friend. [36:57]
Almost as if to say: Yes, I’ll dabble with Dark Magic. Yes, I’ll Crucio my friend and then resume the quest like nothing had happened. Yes, I’ll lie to everyone including my sister for her “own good”. But, oh, I’m drawing the line at having Imperio cast at my best friend. 
“Are you willing to sacrifice your friendship over this?” we ask Ominis, to which he replies: “I might be. How could I choose to stand by and watch him do this?” And when he’s offered to be put in thrall, Ominis reluctantly agrees to it because “it may just save what is left of [his] friendship with Sebastian.” 
I like to believe that, throughout their quest to save Anne, Sebastian comes to see Ominis as his last reminder of his morality. Even though Ominis holds little sway over Sebastian’s decision-making, I believe that the temporary loss of Ominis' opposition comes as a blow to Sebastian, because it is only then that he realizes that he’s lost the last person who’s tugging him back from his free fall into the Dark Arts.
“You need the relic,” we reassure Sebastian as we exit the catacomb. “I know, but not like this,” he says. “We’ve always looked out for each other - Ominis and I. I hope he knows that hasn’t changed.” His confession proves that he's aware that something profound had shifted in their friendship. Sebastian is past the point of no return.
“When we get to Feldcroft, I’d rather Anne not know what had to be done to get this relic. She thinks like Ominis. It’d only upset her.”
This almost begs the question: “Shouldn’t you ask Anne, the victim of the curse, if your sacrifice is worth the risk?” 
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danmeichael · 1 month
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"shen qingqiu is a liar who is lying about his feelings so we can't ACTUALLY tell how he feels about anything"
so you admit that you can tell he is lying and by extension you can actually discern what his true feelings on the matter are and that he's just unwilling to admit to them.
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