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#// she is the most powerful character
comradekatara · 3 months
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ty lee is by far the most underrated atla character imo. as far as minor principal players, it’s easy to disregard her as the least fleshed out fire nation kid, the most underdeveloped. her role as a foil to any of the main characters is vague, and many people just assume she’s there to bring some sort of levity and humor to azula’s plotline. she’s dismissed as the pretty ditzy girl, or even (shudders) “the bimbo.” but when you actually make the effort to consider what we do see of her, to extrapolate from her few yet crucial scenes anything regarding her underlying motivations, you quickly realize that one of the most layered, multifaceted, compelling, intriguing, ambiguous, and perhaps even straight up insane characters in the entire show has been hiding in plain sight all along. and also that that’s the entire point.
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cheebuss · 11 months
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Mouse Pauling AU!! ft. redraws of certain panels from the comics I felt like doing
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bestboy-huan · 2 years
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The girlboss-ification of Galadriel bothers me so much. In the books, in Tolkien’s works, Galadriel is a powerful political leader, even by the second age. She is a princess of the Noldor, the daughter of Finarfin. She is proud and respected.
In the Rings of Power, she is nothing more than a bitter commander in Gil-Galad’s army. She can’t even control her own subordinates. (They call her “Commandeer Galadriel” not “Lady Galadriel”!) She is ignored by Gil-Galad and condescended to by Elrond, she is dismissed and rebuked. She has no influence and no status of her own. So far in the show, her motivation is just vengeance and her own trauma, there is no greater consideration of the fate of Middle-Earth, no political aspirations, no nothing. Her identity becomes one of being Finrod’s little sister, not a leader of her own.
In the Unfinished Tales, there are many inconsistencies in Galadriel’s history, but none of them suggest this powerlessness and this humiliation.
I don’t care if they make her out to be a warrior or not, I don’t care if she leads people into battle or not, I do care about her political power.
They say they are centering female characters, which would be great, except they are disempowering her. I would much rather see a woman in a position of influence and respect, than one who is good with a sword. This is Galadriel, who refused Feanor, one of the greatest elves of all time, when he asked for a strand of her hair, and in Rings of Power she becomes a cast-away who is thrown around, ignored, and manhandled by those around her.
I understand the need to have room for character development and growth, but this is not that. It’s such a performative attempt at feminism, she is a classic 2010 female protagonist. One who is good at fighting, who is the underdog, who doesn’t allow herself to be kind or gentle or have emotional vulnerability, because the writers forgot what female empowerment actually looks like. A woman with dignity and political power is so much more important than a woman who can carry a sword.
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whaliiwatching · 7 months
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a rendezvous beyond
and a halfway closeup just bc im rlly happy with how the bg turned out lol
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yourhighness6 · 3 months
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Unpopular opinion but I think in SPOP S2E3 Catra was genuinely trying to protect Entrapta from Hordak after almost being suffocated in the same episode by him
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I think the main obstacle to Catra's perspective redemption arc at this point isn't her tendency towards violence or her constant anger, as those are classic character flaws before redemption arcs, but her manipulation tactics and her capacity to treat other people like shit. This is kind of an uncommon way of presenting these sorts of characters, who are often shown as being kind of "dumb" while having a repressed natural kindness. Catra certainly isn't "dumb", she's incredibly intelligent, an excellent strategist, and extremely careful with her words. In this scene I saw not the first glimpse but one of the first of a girl who genuinely cares about those close to her (besides Adora) and may be worthy of redemption. Catra clearly does have a heart, but I'm interested to see exactly how this plays out, as Noelle Stevenson took a huge risk by giving her these traits.
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fromtheseventhhell · 8 months
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I want to make a longer post about this someday but: I think Arya's TWOW arc is going to include her coming to terms with her identity as a Lady. This has been an ongoing conflict with her since her first chapter and I think her flowering in winds is going to mark a turning point. The theory of her having an apprenticeship with the courtesans holds a lot of weight and the idea of Arya going through puberty among a group of unconventional women she's fostered a positive relationship with is just too perfect. It would really have an impact on Arya reconciling her personal idea of what a Lady should be. There's also a lot that she could learn from them in terms of courtesies, communication, appearances, body-language, etc. that would elevate her current skill-set and ways her relationship with them could push the plot.
Not to mention she will undoubtedly reclaim her identity as Arya Stark, and her being a Lady is inseparable from that. Arya Stark is a Lady Stark and being a Lady is a social position, not a measure of how well someone preforms feminine tasks. She shouldn't have to relinquish her position because she doesn't fit patriarchal standards. That's not to say that she's ever going to be the perfect example of a traditional Lady but what I think will happen is that she becomes capable of playing the part. She plays several identities throughout the series but she's always been Arya underneath, so I think it's appropriate that she learns to adopt a "persona" that's part of her. Her remembering Ned putting on his "Lord's face" (+ the various examples of other characters being separate from their ruling persona) makes me think that Arya will be donning her "Lady's face" when she makes a return to Westeros.
#arya stark#asoiaf#twow speculations#Arya has been through so much traumatic shit and I think her flowering is going to bring up a lot of her self-esteem issues#I just really need her surrounded by kind older women when that happens so she can have some comfort#George saying her arc in braavos could be the plot of a YA novel?? definitely makes me think she's going to grow up a lot there#she's already one of the most mature characters so I think part of it's going to be her accepting her duty as a Stark Lady#she wants to help and protect people and the best way she can do that is if she has political power#She could learn that first hand in TWOW#possibly through her finding out about her marriage??? and meeting Jeyne in Braavos??#and before someone says it courtesans are so much more then sex work so I don't want to hear it#they are such a big part of Braavosi high life...they're cultured and connected with very important people#I just have so many thoughts on the subject cause I think her apprenticeship with them will serve multiple purposes#the faceless men and their plans...the iron bank...the sealord...It's all connected and I think her apprenticeship with them will kick off#the braavos plot and could mark the beginning of the end of her time with the faceless men and in braavosi#half a boy half a wolf pup -> half a lady half a wolf#I think her current skillset fits well and it's likely she'll learn even more in TWOW#Arya defining her own role as a Lady and becoming comfortable means so much to me
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foxx-queen · 10 months
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perhaps i am a dragon
the dragon milf by @ancientannoyance
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hawkinsp0st · 2 years
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holy shit, this post just made something click for me.
both will and mike’s arcs have revolved around being separated from each other again and again and again.
every season they’re torn apart in some way, and one of them is desperately trying to get the other back—s1 physically, s2 spiritually, s3 emotionally, and again in s4 by physical distance…
yeah, their arcs are woven together and it went totally over my head. their happy ending is each other. it’s written this way.
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Propaganda:
Vegas:
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Catra:
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i really hate the way spop nerfed hordak. he could have been a legitimately intimidating villain while also being a sympathetic character, but he is instead a weak antagonist who supposedly conquered half of etheria, but nothing we see on screen supports this claim.
somehow catra is better at making plans, catra is stronger and a better fighter, catra has power over hordak and can manipulate him with ease, all while being a teenager who had no experience in battle or strategy prior to becoming the force captain. the tyrannical warlord who built an army by himself and groomed child soldiers is somehow weaker and less intimidating than this random child who was part of his army.
how did hordak even conquered all those kingdoms by himself if he was so weak and easily manipulated? i'm tempted to believe that it was either dumb luck or the rulers of those kingdoms were weaker and dumber than he was.
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lightlavenders · 5 days
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i'd love to hear your answers + reasoning in the replies/tags too :)
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duckapus · 1 month
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Based on how the series is going, by Splatoon 7 at the latest Pearl is going to either kill a God (via yet another superpowered Killer Wail variant, of course), or become one. Probably both at once.
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londyboobs · 6 months
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after this episode i’m even more grateful that marie didn’t fell completely for indira’s bullshit and i really think is because unlike cate and jordan she was really loved by her parents and her trauma comes from a completely different place
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velvetjune · 2 months
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Jesse would probably have the same reaction to Saga’s profiling as Tor or Odin, being able to directly communicate, which would lead to the best situation of both of them just staring into space while they’re silently and psychically communicating at random times
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project-catgirlpillar · 11 months
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I think Viewing Monika as some Kind of evil Mastermind does her character a huge disservice for multiple reasons but also Just cause it ascribes her a Level of competence she simply does Not display
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copepods · 11 months
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less gentle nurturing protective goddess c!kristin more amoral fickle petty divine being c!kristin who cares little for the affairs of mortals aside from her chosen favorites. more c!kristin who destroys lives with a flick of the wrist without sparing a thought, not out of malice but pure carelessness, as gods are wont to do
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