#'but we're not going to talk about any of that we're going to talk about you'

[a-b-riddle]

Part Four

Can't stop thinking about reader losing her cool.

"So we're closed, John." You said, trying to be cordial.

"Is that all you have to fucking say?" He practically growled before huffing. A humorless chuckle rumbling out of his chest. "I suppose not since you won't respond to any of us."

"Don't do that." You said taking a step back. Trying to create some distance between you and him. John would never physically hurt you. That much you knew.

"What?" He asked. His voice rising as he stepped closer to you. "Be angry that you pulled that shit and then left? Stopped talking to us. Changed your fucking locks. Last thing we even knew about you was that you got on a fucking plane and left. Even your friends wouldn't tell us anything besides that you were okay." "Which considering this came out of bloody nowhere, I find it highly unlikely that you are in any way 'okay'."

You took a deep breath. You wouldn't be intimidated. You wouldn't clam up. You wouldn't cry. You won't go back on your decision. You will be cordial and polite and not unleash everything you want to.

"I understand you might be upset, but it's for the best. It wasn't working out and I wanted to end on somewhat good terms. I would appreciate it if you lowered your voice and stopped speaking to me in that way." You could barely recognize your voice. It sounded so scripted. So robotic. But it was something you had been telling yourself. Excuses you had been telling yourself.

Because if you told yourself the truth. The picture you would paint would tell a different story. It wouldn't highlight the fact that John spoke to you like he was one of your men or that Johnny had the emotional capacity of a teaspoon. It wouldn't show what a flake Kyle was or that Simon was well and truly a mean-spirited person.

It would show how you weren't worth it. Four possible men. Four possibilities of happily ever after and none of them chose you. That no one ever did and no one ever would. You weren't worth it. You weren't loveable.

It wasn't right, but it was what the voices had been telling you late in the night. When you would crawl into your cold bed. The silence of the room not filled with John's steady breathing or the sound of Kyle's heartbeat as you laid you head on his chest. The absence of Johnny's occasional snoring or whatever Simon was watching playing in the background of your dreams.

In the void, all your dark thoughts came back at you.

"Upset?" He asked, his voice still louder than you would have liked. "An understatement considering the stunt you pulled."

"You think it was a stunt?"

"So Johnny thought with his dick and didn't plan things out. You should have told him instead of crying to Simon and then pulling this shit." "Christ, I knew you were still young, but I didn't take you for that immature."

"You know what?" "I'm done." "I am so fucking sick of making excuses for you all." "You want to act like I'm the immature one, John?" "You are 35-year-old man who cannot separate his work from his work like. You have continuously talked to and down to me like I am one of your men, only to turn around and always blame your shitty fucking attitude on work. I get that your job is stressful, but I did not sign up to be your verbal fucking punching bag."

"And this come and fucking go incident with Johnny. It has been a consistent issue with him coming over just to fuck. I've asked him for that last six months that 'hey, we've been seeing each other for a year and a half, I would love to meet your family' and suddenly the dates stop. He doesn't ask to see me until after 7 PM. He brings food occasionally, fucks me and leaves. Sometimes before I even wake up."

"And the only reason Kyle is the person I am the least pissed off with is because I haven't even seen him." You took a step closer, not noticing how the anger in John's eyes had softened. "I have not seen Kyle in weeks, to no fault of my own. I stopped reaching out to make dinner plans after the third time he canceled on a date night when I was either on my way or already at the restaurant."

"And Simon?" You scoffed. "Well, it doesn't really matter. After all, as he said I get mine. You all make me cum which is supposed to magically erase how shitty you've all been as partners. It's supposed to erase the nights I've cried myself to sleep debating on whether or not there was something wrong with me. How I'm not good enough to meet anyone else in your lives like some dirty fucking secret. How none of you can even bother to pencil me for a group dinner so I can tell you a publishing house picked up my book. How at some point you all stopped caring or maybe never did."

You took a breath. Blinking quickly to keep the tears at bay.

You wouldn't cry. You wouldn't cry.

"As Simon said it best, I should have known that spreading my legs wouldn’t end with one of you putting a ring on your finger.”

For once, John was silent. Unsure of what to say. An apology starting to form at the tip of his tongue before realizing 'sorry' wouldn't cut it. Not this time.

Had he really been that sharp with you? He knew that there were times he had gotten short, but he almost always apologized immediately after. If not at the very moment he took in your crest-fallen face, then definitely later. But he almost always told you he was sorry. Didn't he?

"So as I said," you swallowed down the lump in your throat. "I'm closed. We're done. Now get out." Your face held no sadness. Even though your eyes were nearly full to the brim with unshed tears, you weren't sad.

You were finally angry.

#captain john price #kyle gaz garrick #simon ghost riley #call of duty #john soap mactavish #angst #angst with a happy ending

[creatingblackcharacters]

"Let's Have a Talk, First"- Stereotypes, pt 1

Come sit down. You and I, before we get into any of the things I'm sure you're impatient to know: we need to have a come to Jesus talk, first.

There are some things that I've been asked and seen that strengthens my belief that we need to have a reframing of the conversation on stereotypes in media away from something as simple as "how do I find the checklist of stereotypes to avoid". Because race- and therefore racial stereotypes- is a complex construct! Stands to reason then, that seeing, understanding, and avoiding it won't be that simple! I'm going to give you a couple pointers to (hopefully) help you rethink your approach to this topic, and therefore how to apply it when you're writing Black characters- and even when thinking about Black people!

Point #1: DEVELOP THE CHARACTER!! WRITE!!

Excuse my crude language, but let me be blunt: Black people- and therefore Black characters- will get angry at things, and occasionally make bad choices in the heat of the moment. Some of us like to fuck real nasty, some might be dominant in the bedroom, they may even be incredibly experienced! Others of us succumb to circumstance and make poor decisions that lead to crime.

None of those things inherently makes any of us angry Black women and threatening Black men, Jezebels and BBC Mandingos, and gangsters and thugs!

Black people are PEOPLE! Write us as such!

If all Black characters ever did was go outside, say "hi neighbor!" and walk back in the house, we'd be as boring as racist fans often accuse.

I say this because I feel I've seen advice that I feel makes people think writing a Black character that… Emotes negatively, or gets hurt by life and circumstance, or really enjoys hard sex, or really any scenario where they might "look bad" is the issue. I can tell many people think "well if I write that, then it's a stereotype" and to avoid the difficulty, they'll probably end up writing a flat Black character or not writing them at all. Or- and I've seen this too- they'll overcompensate in the other direction, which reveals that they 'wrote a different sort of Black person!' and it comes off just as awkwardly because it means you think that the Black people that do these things are 'bad'. And I hate that, because we're capable of depth, nuance, good, evil, adventure, world domination, all of it!

My point is, if you write your character like the human being they are, while taking care to recognize that you as the writer are not buying into stereotypes with your OWN messaging, you're fine. We have emotions, we have motivations and goals, we make decisions, and we make mistakes, just like anybody else. Write that! Develop your character!

POINT #2: YOU CAN'T CONTROL THE READERS!!

Okay. You can write the GREATEST Black character ever, full of depth, love, nuance, emotional range, all those things…. And people are still going to be racist about them. Sorry. There is absolutely nothing you can do to control a reader coming from that place of bias you sought to avoid. If it's not there, TRUST AND BELIEVE, it'll be projected onto them.

That passionate young Black woman who told the MC to get her head out of her ass? Yeah she's an angry Black bitch now, and bully to the sweet white MC. Maybe a lesbian mommy figure if they like her enough to "redeem" her. That Black gay male lead that treats his partner like he worships the ground he walks on? Yeah he's an abusive thug that needs to die now because he disagreed One Time with his white partner. That Black trans woman who happened to be competing against the white MC, in a story where the white MC makes comparable choices? Ohhhh they're gonna be VILE about that poor woman.

It really hurts- most especially as a Black fan and writer- knowing that you have something amazing to offer (as a person and creative) and people are gonna spit on that and call it "preference". That they can project themselves onto white characters no matter what, but if you project your experiences onto black characters, it's "pandering", "self insert", "woke", "annoying", "boring", and other foul things we've all gotten comments of.

But expect that it's gonna happen when you write a Black character, again, especially if you're a Black writer. If you're not Black, it won't hurt as personally, but it will probably come as a shock when you put so much effort in to create a lovely character and people are just ass about them. Unfortunately, that is the climate of fandom we currently exist in.

My favorite example is of Louis De Pointe Du Lac from AMC's Interview With The Vampire. Louis is actually one of the best depictions of the existential horror that is being Black in a racist White world I have ever seen written by mostly nonblack people. It was timeless; I related to every single source of racist pain he experienced.

People were HORRIFIC about Louis.

It didn't matter that he was well written and what he symbolized; many white viewers did NOT LIKE this man. There's a level of empathy and understanding that Black characters in particular don't receive in comparison to white counterparts, and that's due to many of those stereotypes and systemic biases I'm going to talk about.

My point is, recognize that while yes, you as the author have a duty to write a character thoughtfully as you can, it's not going to stop the response of the ignorant. Writing seeking to get everyone to understand what you were trying to do… Sisyphean effort. It's better to focus on knowing that YOU wrote something good, that YOU did not write the stereotype that those people are determined to see.

POINT #3: WHY is something a stereotype?

While there are lists of stereotypes against Black people in media and life that can be found, I would appreciate if people stopped approaching it as just a list of things you can check off to avoid. You can know what the stereotypes are, sure, but if you don't understand WHY they're a problem and how they play into perception of us, you'll either end up writing a flat character trying to avoid that list, or you're going to write other things related to that stereotype because "oh its not item #1"... and it'll still be racist.

For example: if you wrote a "sassy Black woman" that does a z formation neck rotation just because a store manager asked her something… that's probably stereotype. If you thought of a character that needed to be "loudmouthed", "sassy", and "strong" and a dark-skinned black woman was automatically what fit the profile in your mind, ding ding ding! THAT'S where you need to catch your racist biases.

But a dark-skinned Black woman character cursing out a store manager because she's had a really bad, stressful day and their attitude towards her pushed her over the edge may be in the wrong, but she's not an "angry Black woman". She's a Black woman that's angry! And if you wrote the day she had to be as bad as would drive anyone to overstimulation and anxiety, the blow up will make sense! The development and writing behind her led to this logical point (which connects to point #1!)

I'm not going to provide a truly exhaustive list of Black stereotypes in media because that would ACTUALLY be worth a college credited class and I do this for free lmao. But I am going to provide some classic examples that can get y'all started on your own research.

POINT #4: WATCH BLACK NARRATIVES!

As always, I'm gonna push supporting Black creators, because that's the best way to see the range of what you'd like. You want to see Black villains? We got those! Black heroes? Black antiheroes? Assholes, lovers, comedians, depressed, criminals, kings, and more? They exist! You can get inspired by watching those movies and reading those books, see how WE depict us!

I've seen mixed reviews on it, BUT- I personally really enjoyed Swarm, because it was one of the first times I'd ever seen that "unhinged obsessed murderous Black fan girl" concept. Tumblr usually loves that shit lmao. Even the "bites you bites you bites you [thing I love]" thing was there. And she liked girls, too. Just saying. I thought it was a fun idea that I'd love to see more of. Y'all gotta give us a chance to be in these roles, to tell these tales. We can do it too, and you'd enjoy it if you tried to understand it!

POINT#5: You are NOT Black!

This is obvious lmao, but if you're not Black, there's no need to pretend. There's no need to think "oh well I have to get a 100% perfect depiction of the Black person's mind". That's… That's gonna look cringe, at its best. You don't have to do that in order to avoid stereotypes. You're not going to be able to catch every nuance because it's not your lived experience, nor is it the societally enforced culture. Just… Do what you can, and if you feel like it's coming off hokey… Maybe consider if you want to continue this way lol. If you know of any Black beta readers or sensitivity reviewers, that'd be a good time to check in!

For example, if your Black character is talking about "what's good my homie" and there's absolutely no reason for him to be speaking that way other than to indicate that he's Black… 😬 I can't stop you but… Are you sure?

An egregious example of a TERRIBLE way to write a Black character is the "What If: Miles Morales/Thor" comic. I want to emphasize the lack of good Black character design involved in some of these PROFESSIONAL art spaces, because that MARVEL comic PASSED QA!! That comic went past NUMEROUS sets of eyes and was APPROVED!! IT GOT RELEASED!! NO ONE STOPPED IT!!

I'm sorry, it was just so racist-ly bad that it was hilarious. Like you couldn't make that shit up.

Anyway, unfortunately that's how some of y'all sound trying to write AAVE. I promise that we speak the Queen's English too lmao. If you're worried you won't get it right, just use the standard form of English. It's fine! Personally, I'd much rather you do that than try to 'decode AAVE' if you don't know how to use it.

My point is, if you're actively "forcing" yourself to "think Black"… maybe you need to stand down and reconsider your approach lmao. This is why understanding the stereotypes and social environment behind them will help you write better, because you can incorporate that Blackness- without having to verbally "emphasize how Black this is"- into their character, motivations, and actions.

Conclusion

We need to reconsider how we approach the concepts of stereotypes when writing our Black characters. The goal is not to cross off a checklist of things to avoid per se, but to understand WHY we have to develop our Black characters well enough to avoid incorporating them into our writing. Give your Black characters substance- we're human beings! We have motivations and fears and desires! We're not perfect, but we're not inherently flawed because of our race. That's what makes the difference!

And as always, and really in particular for this topic, it's the thought that counts, but the action that delivers!

#creatingblackcharacters #character design #black characters #black character design #black culture

[withwritersblock]

Lover Boy-The Relationship

~Lover Boy by Phum Viphurit~

Author's Note: Listen idk Summary: Luke and Y/N put a title on their relationship Warnings: underage drinking Word Count: 2,117 Luke Hughes x Edwards sister!reader

She sat at the table with Nessa beside her, watching the boys be swarmed with girls. She clenched her jaw as she watched Luke flirt with a short blonde girl. Nessa rested her hand onto Y/N’s arm trying to be reassuring. 

Ethan wandered towards the pair, alone. He held three drinks in his hand as he delicately rested them onto the table. The three glasses were filled to the brim with mixed drinks. Y/N took a hold of one of the glasses and began to sip for several seconds. She forced her gaze back down at the drink, staring at the drink less full. 

Ethan stared towards her, wide eyed. He slowly sat down, sliding his glass towards himself. “What’s wrong with you?” he asked before he took a sip of his drink. She shrugged as she pushed the glass away from her. “Your date not go well last night?” he asked. 

It was the exact opposite, it was the best night she’s ever had. They didn’t get back to their dorm building until after two in the morning. She watched as Luke’s gaze shifted towards their table. He straightened his posture as he smiled politely towards the girl before he wandered away from the crowd. 

“It was fine,” she muttered, lying. Ethan nodded suspiciously.

She watched him walk towards the table, keeping his attention towards Ethan. Y/N dropped her gaze towards her phone on the table. She began scrolling through Instagram.

“What happened?” Ethan asked Luke, he shrugged as a reply as he rested his hands on the table. He let out a huff of air as he shifted his gaze towards Y/N, his cheeks flushing red. 

“She kept asking about when I’ll be in the NHL, not even sure she knows my name,” Luke said while chuckling nervously, he met Y/N’s gaze. She clenched her jaw as she looked towards Nessa. 

“That’s annoying,” Ethan said before he took a sip of his drink, his eyes danced around the bar. “I’m gonna go talk to some girl,” he continued as he danced awkwardly with the drink in his hand away from the table. He pointed towards Y/N while nodding dramatically. He was drunk, it was easy to tell, he never dances unless he was drinking. Y/N smiled towards him before she shifted her gaze towards Luke.

Luke shifted awkwardly as he glanced towards Nessa before he met Y/N’s gaze again. “I’ve got to use the bathroom,” Nessa muttered as she stood up from the table and began manuering through the bar away from the pair.

Luke leaned his body against the table, a shy smile on his lips. “I’m sorry, she came up to me. I didn’t-”

“Luke,” she interrupted, leaning towards him. His mouth clamped shut. “It’s not like we’re dating,” she said as she smiled kindly towards him. He leaned towards her, glancing around him. He checked to see if there were any wandering eyes.

“Well, that’s the goal though, right?” he asked, widening his eyes. 

“Is it?” she asked while a smirk toyed to her lips.

He scoffed playfully as he leaned back, crossing his arms over his chest. His lips curled up in a teasing smirk. “I mean of course,” he let out as he ran his tongue over his bottom lip as he pulled his lips between his teeth. 

Before she could say anything, Dylan came up behind Luke smacking his hand against his shoulder, “Come on, we're doing shots,” Dylan took a hold of Luke’s bicep forcing him away from the table. Luke smiled towards her as he shook his head laughing. 

She dropped her gaze towards the drink, she took a hold of her straw and began stirring her drink. 

~~~

Several hours later, Luke was walking both Nessa and Y/N back to their dorm. They were waiting in the elevator. It was awkward silence as Nessa was standing between Luke and Y/N. 

Nessa’s phone began buzzing in her pocket, she quickly pulled it out and brought her phone to her ear. “Hey,” she whispered, her eyes widened as she glanced towards Y/N. “Yeah, I’ll be down in like two minutes,” she mumbled, “Alright, love you.”

Y/N furrowed her eyebrows as she looked Nessa up and down. 

“Derek’s here, we’re gonna go to his place,” she explained as she looked towards Luke. The elevator doors opened, letting Luke and Y/N step off. Nessa pressed the lobby button as she winked towards the pair. 

They stared towards one another, fighting off the smiles forming on their lips. “She’s ridicious,” Y/N let out as she started walking backwards towards her end of the hallway. She held out her hand towards him. He excitedly took a hold of her hand, letting her lead him astray towards her room. 

Shamelessly, he stared towards her frame, watching her hips sway back and forth. “What am I supposed to tell Duker?” he mumbled as she slowly stopped in front of her door, leaning her back against the door. He rested his hands against the door, holding her in place. She looked towards him, shrugging his shoulders.

“Tell him you changed your mind about the girl at the bar,” she teased.

“He knows I’m walking you to your dorm because Eddie asked me too,” he mumbled as he brushed a few pieces of hair away from her face. 

“Tell Duker that I didn’t want to be alone and you slept on my floor,” she said as she dug her keys out of her pocket. She held the keys in front of her face, he gladly took them and unlocked the door for her. 

“He’s not going to believe that,” he whispered as he unlocked the door, handing her the keys before he shoved the door open. He rested his hands onto her hips as he guided her into the dorm room. “But I don’t really care,” he mumbled as he locked the door behind him before he planted his lips onto hers.

She hummed against his lips as he tightened his grip against her hips. She pulled away, taking a deep breath, “We’re not-” she trailed off, suddenly very nervous. He shook his head instantly.

“No, we’re gonna do a lot of this,” he mumbled slowly before he pressed his lips against hers. She began stumbling backwards towards her bed as their lips remained connected. Her body began to tingle as he loosened his grip along her body, gliding his hands delicately along her hips. 

She pulled away from him, breathily as she sat down on her bed, looking up towards him. He took in a sharp breath as he scanned her features. Everything about her seemed perfect. He delicately reached his hand towards her cheek, brushing her hair behind her ear.

He leaned down towards her, gliding his hand from her jaw towards her chin. He tilted her head up. He leaned towards her, his lips hovering over her own. He smiled as he watched her lean towards him, craving his lips against hers. 

His phone began vibrating in his pocket, he groaned as he pulled away from her. “I’m sorry,” he mumbled. He pulled his phone from his pocket to see Dylan calling him. He pulled it towards his ear. She sighed as she hopped off the bed and wandered towards her closet. 

He watched her movements, “Duker what’s up?” Luke asked as he watched her reach into her closet for comfy clothes. She tilted her head to the side while widening her eyes. Luke smiled as he rolled his eyes playfully. He spun around facing away from her. 

“I’m staying at Rutger’s to-tonight, I can’t get back to the ro-room,” Dylan slurred. There was shuffling on his end of the phone.

“He’s fucked man, Kayleigh and I are taking care of him,” Rutger offered on the phone.

“Yeah, alright, well tell him to call me in the morning,” Luke expressed as he kept staring towards the small alarm clock on her side table. 

“Will do, you make it back to your room okay?” Rutger asked. Luke cheeks flushed red as he took in a sharp breath.

“Yeah, yeah,” he lied. Rutger hummed.

“Good, man, see you tomorrow,” Rutger said before he hung up the phone. 

Luke pulled the phone from his ear, he delicately placed it down onto the side table, tilting his head back. “Can I look at you now?” he asked, quietly. She hummed as he spun around. She smiled as she walked towards him.

“Dylan okay?” she asked as she delicately rested her hands onto his chest. 

“He’s going to regret being alive tomorrow but Rutger and Kayleigh are taking care of him,” Luke explained as he took a hold of her waist, pulling her towards him. “Come on,” he whispered as he pressed his lips against her cheek, “Let’s get some sleep,” 

He reached around her waist, lifting her up in the air. A dramatic laugh leaves her throat as she is thrown onto the mattress. “Luke, what are you doing?” she asked as she took in a sharp breath. He tugged on the comforter as he climbed underneath the blanket, she quickly tucked her legs underneath. He wrapped his arms around her waist, pulling her towards him. He pressed his lips against her shoulder. “We cuddle now?” she asked as she took a hold of his hand, interlocking their fingers. He hummed as he nuzzled into her neck. 

She smiled to herself as she pushed herself back, creating less space between them. “Is that okay?” he asked, his voice slightly rasped. She spun arond slowly, meeting his gaze. She took her hand away from his and rested it onto his cheek, running her thumb across his cheek.

“Think so,” she muttered as she pulled him towards her, kissing him delicately. 

~~~

It had been nearly a month since their first date together. They’ve practically spent nearly every night together they could. Whether that was a group setting with the other players or just themselves. 

The only other person that knew about their situation was Nessa. It was starting to become a lot of pressure for her. She was doing everything in her power to not let it slip. 

Luke and Y/N were walking side by side through the dining hall searching for something to eat. Ethan, Dylan, Nessa, and Derek were all wandering around as well. 

“Can we tell Duker? It would make things so much easier,” he whispered as he smiled politely to a friend from one of his classes. Her eyes widened as she shook her head. 

“You tell Dylan and then he tells Jacob and then he tells Rutger and then-” she rambled.

“Okay, okay, I get it. I just-when can we start telling people?” he asked as he guided her towards one of the stations. He picked up a plate and began adding chicken to his plate. She sighed as she brushed a few pieces of hair away from her face.

“When this becomes serious,” she muttered as she walked away from him. Luke lifted his gaze as he watched her walk away from. He scoffed while rolling his eyes. 

He clenched his jaw as he finished making his plate. He walked towards the large circle booth the other members of their little friend group were sitting at. There was only one spot left, and it was on the end beside Ethan. Y/N was sitting beside Nessa on the other side of the table. 

“Hughesy, are you going out tomorrow night? Might be our last friday we can go out for a while,” Ethan asked before he took a dramatic bite of his salad on his plate. Luke shook his head as he met Y/N’s gaze for a second.

A small smirk formed onto his lips, “I’m taking my girlfriend out to dinner and we’re going to this drive-in movie tomorrow,” he let out. Y/N’s eyes widened slightly as she kept her gaze towards her food, Nessa gripped her thigh. 

The boys all cheer, excitedly, “Since when dude?” Dylan said, reaching across the table to scruff Luke’s hair. He leaned away with a smirk on his lips, he shrugged slightly.

“I haven’t really asked her yet, but pretty sure she’s my girlfriend,” he said, switching his gaze towards Y/N. Her gaze was still staring at her food. 

Ethan wrapped his arm around Luke’s shoulder, glancing towards Y/N and back towards Luke, “You happy?” Ethan questioned, meeting Luke’s eye. Luke nodded, nervously. “Good,” he muttered as he switched his gaze back towards Y/N. 

She finally lifted her head to meet Ethan’s gaze, he winked towards her.

#luke hughes x reader #luke hughes imagines #luke hughes #luke hughes fanfic #hockey #nhl imagines #nhl #nhl x reader #nhl fic #umich imagine #umich hockey #umich #Ethan edwards #jack hughes #jack hughes x reader #jack hughes imagines #quinn hughes #quinn hughes imagines #quinn hughes x reader #nj devils #new jersey devils fic #new jersey devils x reader

[fyorina]

ᡣ𐭩 I, CARRION

FEATURING: beast dazai osamu

SUMMARY: the day of the event has arrived and dazai is second guessing everything, but it's too late for him to back out now.{wordcount: 12k; fem!reader; romance & tragedy}

AUTHOR'S NOTES: PART FOUR wow guys we're really getting into the meat of the fic now. HAHAH this is the chapter i had to split into two parts, initially it was going to be one big one but then it would've been a whopping 23k words and that's a bit much even for me. i didn't want to cross the 20k realm HAHAHH. anyway, this chapter really was a pleasure to write, the second scene was my favorite but the ending was SOOOO close to usurping it

GENERAL WARNINGS: again, i'll just leave this warning on every chapter - dazai struggles a lot with disassociation/derealization & losing himself in the pages of the book. as always please let me know if i forgot any warnings

SEE: UNREAL UNEARTH SERIES MASTERLIST READ: BADLANDS SIDE A

“Gin-chan, I’m so nervous.” 

You pace around Dazai’s penthouse anxiously, twisting your fingers in front of your body. The event is taking place tomorrow night. You still don’t have an outfit for it—Dazai told you not to worry about it, you’re still worrying about it because what does that even mean? You don’t know what to expect from the event, and Gin is evasive when you ask her about what will happen, just keeps telling you that it’ll be fine as long as you stay with Dazai.

“There’s no reason to be nervous,” Gin says, as she always does, still tapping away at her laptop. Glasses hang off the bridge of her nose and there are dark circles beneath her eyes. You feel a bit ashamed about constantly going on about your nerves when you know damn well she, Dazai and all of the other executives of his company have been working nonstop the past few days trying to finish preparations. “Dazai-san will be with you the whole time, and if he has to talk business, someone will sit with you until he can get back so you’re not feeling awkward.”

Somehow, you think that might be even more awkward because you doubt a random person is going to want to babysit you while Dazai is busy, but you don’t voice your thoughts, instead just withering as you circle the large room for the sixth time in the past five minutes. 

You’ve hardly seen Dazai all week. You don’t really mind, you know he’s swamped with work and you’ve been keeping yourself busy going out cafe hopping and shopping. Gin comes with you when she can, but it’s usually Nakajima Atsushi or Tachihara Michizo that joins you—Gin had introduced you to the two security guards a week ago when she’d been too busy to come with you to a cafe downtown. You don’t mind the company but you can’t help but wonder why Dazai is so insistent that someone comes with you.

Well. You can’t help but wonder about a lot of things, really. You’re pretty certain that Dazai is still hiding something major from you. You don’t know a lot about business, and you especially don’t know anything about his business, but something isn’t right. You’re not stupid and everyone is not as slick as they think themselves to be, you see how tense and anxious people get when you mention him to them, more so than the average worker would be at the mere mention of their boss, and everyone in the entire damn building is armed, even though they clearly try to hide it whenever you’re in the area. 

You and your friends have joked about the uber wealthy before, and how no one above a certain tax bracket obtains their wealth without some sort of blood money; you’re about 99% sure that’s what’s taking place here too, and it would certainly explain all of the secrecy. More so than trade secrets at least, you feel a bit dumb for that to have even been an explanation in your mind. You just don’t know the specifics. You don’t know if you want to know the specifics, you think you’d prefer to remain ignorant because 1) you definitely don’t want to have any sort of culpability, not when you’re on path to graduate school and hopefully a very prestigious job with the government, and 2) … you don’t want to face the reality of what that would mean. 

You like Dazai. More than like him. You’ve been slowly coming to terms with the fact that you really, truly care for him, and if you end up learning the… specifics of his job, then you’re going to be forced into making a decision you don’t want to make: preserving your future and morals or risking them for him. And you’re not going to sit around and claim to be some upstanding, virtuous person. You’re not. But you are ambitious, and you’ve had your mind set on your future since you learned how to pick up a pen and write. You’ve worked your entire life to get where you are now, slaved your way through a prestigious undergraduate school in Japan and spent months preparing for the entrance exams for graduate school, only to what? Throw it all away for some man?

God, you almost feel sick. Distantly, you wonder how awful of a person you must be for the threat to your future success to be the main reason why you’re questioning yourself, and not the fact that it’s very likely that Dazai and his conglomerate have some sort of business with Japan’s underground, maybe even direct dealings with the mafia itself. 

You pause from where you’re pacing around the room, eyes widening a bit as another realization hits you. You had thought it was odd that Dazai and Gin and all of the executives of the conglomerate have been so stressed and anxious over an event that they’re not even hosting, but what if… Your throat spasms a bit as you swallow, wondering if Dazai is about to bring you not to an event hosted by their rival, but to an event hosted by the mafia. You don’t think he would put you in danger like that, you don’t want to think he would put you in danger like that and you wonder if you’re just sending yourself down a spiral of unnecessary paranoia. 

But it doesn’t make sense. Dazai is enamored by you, and you don’t think you’re being conceited by saying that because he has made it abundantly clear. There’s no way he would ever put you in danger like that. Not unless… you feel a bit green remembering his reaction to you saying that you’d go out on your own and stay with your friend the weekend of the event. You could feel the anxiety radiating off of him for a split second before he asked you to come with him. You also remember how he always makes sure someone is with you when you go out, and god, you swear you’re not a conspiracy theorist but nothing is making sense when you look at it through your rose-tinted lenses but looking at it through these lenses. The lenses of a man who is obviously smitten with you, and who might have dealings with the mafia—of course he wouldn’t want you to go out on your own because he’d be scared that you might be targeted as a means to get to him.

Oh, you feel dizzy. What have you gotten yourself into?

“Are you okay?” Gin is looking up at you, brows furrowed in concern. “You look a little sick.”

“I’m fine,” you say, but the words sound pathetic even to your own ears and you know Gin doesn’t believe you from the way she tilts her head to the side to study you.

Luckily, you’re saved by the bell. Literally. 

Your head snaps to the side as the elevator dings, and ordinarily, you would be ecstatic because who else would be coming up to the penthouse besides Dazai and while you’ve certainly missed him over the past week with how busy he’s been, you’re not sure if you’re ready to see him right now with the way your thoughts have just spiraled, because you think you might blurt something out that you can’t take back.

But, for better or for worse, it is not Dazai that enters the penthouse.

“Good morning, ladies,” a familiar voice croons as the elevator doors slide open. Your eyes light up as you whip around, eyes falling upon a face you haven’t seen in almost two weeks. “I come bearing gifts.”

“Albatross!” you say, excited, a smile splitting your face, because yes, even knowing about the possible affiliation with the mafia, you’re still excited to see the blonde—he’s never been anything but sweet to you, and he’s really the only one besides Gin and Chuuya who doesn’t treat you weirdly because of your relationship with Dazai. 

“D’aw, look at it, Lippmann, told you the doll would still remember me,” Albatross grins, dark glasses hanging on the bridge of his nose as he tosses you a wink and then looks back toward the elevator.

Your gaze follows his, and your eyes fall upon a vaguely familiar person stepping out of the elevator and into the penthouse, carrying a few boxes. Pale hair cut into a bob, a pretty, androgynous face, dressed to the nines in a light purple waistcoat and matching pants—where have you seen him before? Wait-

“You’re-!” you begin, eyes wide and lips parting in shock.

“Walter Lippmann,” the man greets you with a kind smile and soft eyes, you feel a bit flustered, you can hardly meet his gaze. “Everybody just calls me Lippmann though.”

You try to speak, but you’re a bit starstruck—the last thing you’d expected was for a movie star to step into the penthouse. You’re looking between Albatross and Gin and then hesitantly back at Lippmann as you try to figure out what’s going on. 

Albatross cackles. “Looks like she’s gotta crush, Lippmann. Better not let the boss find out, he’ll get jealous.”

“Albatross,” you complain, hands flying to cover your hot face. “Not true, I’m just surprised. Am I allowed to be surprised?”

“Yeah, sure, doll, that’s it,” Albatross says, clearly not believing you at all as he throws himself onto the couch next to Gin, looking up at you. “The boss asked us to pick up a dress for you. Go try it on, I’m going to raid his liquor cabinet while you do—if he asks, you better take the blame.”

You see Gin roll her eyes. “You will not raid his liquor cabinet, Albatross,” she says firmly, but the man only winks at her.

You turn your attention back to Lippmann, who’s carrying the dress in a garment bag, a shoe box tucked under his other arm. He gives you a small smile and then motions for you to follow him; you’re still starstruck as you follow him into Dazai’s bedroom, pointedly ignoring the way Albatross snickers. 

You watch as Lippmann hangs the garment bag up on the closet, placing the shoebox down on the bed. He turns toward you after and says, “Try it on and make sure it fits properly. And make sure you like it.”

You nod, lips parting to speak but no words leave your lips. You look up at the garment bag, down to the shoes, and back to Lippmann and then you ask, “How do you… how do you know Dazai?” 

Lippmann gives you another gentle smile, tucking a strand of hair behind his ear. You notice, a bit curiously, that he seems to take a moment before he speaks, as if choosing his words carefully. 

“I knew Dazai’s father,” he says after a few seconds. “I work with the Mori Corporation sometimes regarding press and political matters. Like a spokesperson when Dazai is unable to.”

Hm, you think to yourself before nodding, a movie star as a spokesperson for a corporation, that’s a bit odd, isn’t it?

Your brows furrow slightly as you try to fit the new knowledge in with all of the rest you’ve put together over the past few weeks but it’s just another jagged puzzle piece that’s not fitting in anywhere.

“I’m a huge fan of your movies,” you finally tell him, rubbing the back of your neck as you toss him a sheepish smile. “Like, no joke, almost cried when you had your discussion panel for The Good Society three months ago because it was two days before my entrance exam to grad school so I couldn’t go.”

Lippman laughs, pale cheeks flushing as he looks down at the ground before back up at you. “Honestly, you didn’t miss out. The whole panel was a mess, and the AC broke twenty minutes before, so it was ridiculously hot.”

You don’t really know what to say to that, cursing the fact that you are 1) still half dazed on top of 2) already being naturally awkward, but Walter Lippmann is Walter Lippmann, so of course he knows just what to say and do.

He nods to the dress that he hung up on the closet. “Try it on and then give us a show,” he says, winking at you before he makes his way out of Dazai’s bedroom back into the other room with Albatross and Gin.

You sigh when you’re alone again, tilting your head up to look at the ceiling for a moment, wondering what your life has become before you make your way over to the dress. You unzip the garment bag, curious to see what Dazai had picked for you, and your eyes shoot open when you see the red gown within the bag. Smooth and silky, off-the-shoulder, it’s probably the most expensive thing you’ve ever laid your eyes upon; you feel like you shouldn’t even touch it, much less put it on. 

But Lippmann and Albatross and Gin are out there waiting, you can hear them talking through the door, so you force yourself to gingerly pull it off of the hanger, careful to not be too rough with the material. It doesn’t take you too long to get your clothes off and the dress on, but when you do, you can hardly bring yourself to move away from the mirror. 

You look beautiful. You do. The dress is a perfect fit, it compliments your skin, it compliments your hair. You look beautiful, but you feel like a fraud, like a clown in a ball gown, hoping that the beauty of the dress would draw attention from the fact that it’s not meant for someone like you. 

You don’t know how long you stand there, staring at your reflection. Too long, evidently, because you hear a sharp knock at the door and Lippman’s concerned voice asking if you’ve gotten the dress on.

“Yeah,” you say quietly. “I’m dressed.”

You hear the door to Dazai’s bedroom creak open but you don’t turn to look.

“I think this costs more than my student loans,” you breathe out, staring at yourself in the mirror. You smooth your hands over the silky material, eyes catching the way it clings to you perfectly. “God, where the hell did he get something like this? It’s like it was made for me.”

“Probably was,” Lippmann says from where he’s leaning against the doorframe, lips quirked up into a half smile as he tosses you another wink. “Perks of dating one of the richest men in Japan.”

You let out a noise caught between a whimper and a laugh, suddenly feeling very, very out of place.

Lippmann clearly catches your sudden change in attitude and his brows furrow. “Do you not like it?” he asks curiously. “There’s plenty of time for him to send for something else.”

“No, no,” you hurry to say, voice catching. Although you’re unsure how twenty-hour hours constitutes ‘plenty of time’, but you digress. “It’s perfect. It is.”

“What’s the issue then?”

“I just…” you trail off, eyes lingering in the mirror. “I feel silly, I guess. How obvious is it that I’ve never worn anything like this before?” 

“Silly?” Lippmann asks, amused, peeling off the doorframe to make his way over to you. You swallow thickly as he straightens your posture and then uses two fingers to make you raise your chin. “You look stunning. Like a woman who belongs on the arm of the most influential man in Japan… Like a woman who doesn’t need to be on the arm of any man.”

Your face feels a bit hot as you let out a puff of laughter. “Now you’re exaggerating.”

“I certainly am not,” Lippmann says firmly, taking a step back. “You’re only getting in your head. From what Chuuya has told me about you, you’re more than suited to outwit and outclass anyone in attendance at that event.”

Your face feels hotter now, smiling as you roll your eyes. “Flatterer,” you say, but you feel a bit better, chest lighter as your gaze turns back to look at the mirror. “... Do you-”

A sharp whistle from the door draws your attention from Lippmann; there’s a lecherous smile on Albatross’s face as he leans against the frame and looks at you, glasses hanging off the bridge of his nose. “Damn, if you weren’t the boss’s girl…”

Gin slaps him hard on the back of his head, glaring at him before turning a small smile to you. “You look beautiful,” she says softly. “He’ll be speechless when he sees you tomorrow.”

Your throat feels tight as your lashes flutter, a smile on your lips as you look down at the ground. Even though the concerns of your realizations from before still weigh heavily in the back of your mind, you can’t help but feel a bit giddy at the thought of seeing Dazai tomorrow.

The giddiness is long gone.

You still haven’t gotten dressed.

You’re sitting at the edge of Dazai’s bed in your bra and panties, staring at the wall with your knees pulled to your chest. Your dress is hanging on the closet on the far side of the room, heels sitting on the floor beneath it. You’ve done your makeup and you put your earrings on already—pretty, dangly diamonds that are the most expensive thing you own, the last thing your brother gifted you before he cut you off entirely. You need to be getting dressed, Dazai will be up here any second to pick you up to leave for the event, but you just can’t bring yourself to put the dress on, anxiety eating away at you.

It’s not even because of the realization you’d come to yesterday, it’s because you think you’re about to make a fool out of yourself. Even if you’re wrong about the theory that you might be heading into an event hosted by the mafia and their associates, you’re still heading into an event that’s going to be attended by people who are much wealthier than you, and you already feel out of place and you’re not even there. 

The dress is beautiful, but you think you’ll look like a clown in it, everyone will know that you’re not from the same sector of life as them with a single glance. Lippmann’s words from yesterday are in one ear out the other now that you’re closer to the actual time of the event.

You’re so lost in your thoughts that you don’t even hear the bing of the elevator arriving at the penthouse, and you don’t notice Dazai until he pushes open the cracked door to step into the bedroom. And you feel like you should be embarrassed sitting half naked on his bed, rather than being dressed and waiting for him, but you can’t muster it, eyes dragging up from the wall to land on his concerned expression. 

And he’s a sight, you think. He’s so handsome. Absently, you think he might be more handsome than the last time you saw him but you think that’s a bit ridiculous because he hasn’t changed at all. He’s wearing the same long black coat and burgundy scarf, but the sleek, dark suit he wears beneath it is different, more expensive than all of the others that he’s donned the past few months you’ve known him. 

His lips are turned downward as he approaches you, placing a blue box down on his dresser, dark eye soft with concern, and you also can’t help but notice that he still wears the bandages around the upper left side of his face, covering his eye. You want to know what’s beneath them desperately, but you can’t bring yourself to ask, hoping that he’ll show you on his own terms.

He stands in front of you, and you rest your chin on your knees as you stare forward, staring at his abdomen instead of looking up at his face. But he doesn’t let your gaze linger there, bringing his right hand to cup your cheek so he can gently lift your face upward, forcing you to meet his eyes. You can feel the rough edges of his bandages scraping against your skin, and you instinctively lean into his touch. You try to remind yourself of all of the realizations you’d come to yesterday, tell yourself to not be as at ease with him, at least have some semblance of your guard up, but you fail.

“What’s wrong?” he asks you softly, letting you lean into his touch as he brings his other hand up to tuck a strand of hair behind your ear. “Are you okay?”

And you feel selfish, you realize, as you try to figure out what to tell him. You can’t even fathom the amount of money he spent on your dress and the shoes, and here you are being a baby because you’re self conscious. You don’t even want to reply to him, so you try to turn your face away but he doesn’t let you.

“Tell me,” he says quietly. “I’ll fix it, whatever it is.”

“It’s silly,” you finally breathe out, averting your gaze to the ground as you let your eyes flutter shut, turning your face in his hand to kiss his palm before leaning back into it. “I’m being a baby, I’m sorry.”

“It’s not silly if it has you upset,” Dazai tells you, and he kneels down in front of you to catch your gaze again and briefly, you think it’s absurd that you have such a powerful man at your whims like this, kneeling before you, willing to do anything to make sure that you’re content and happy. It makes your throat swell a bit, those inferior feelings rising back to your chest with a vengeance, because what the hell did you do to deserve this? There’s nothing special about you. “Tell me what’s wrong, let me help.”

“I just don’t understand.” 

Oh my god, your voice cracks, you can feel your eyes go a bit misty, and instantly, Dazai’s concerned gaze is narrowing, as if trying to calculate what exactly is the source of your distress so he can remove it, and it only makes you want to cry more because what did you do to deserve all of this? 

If you’re right about all of the assumptions you made the other day, and Dazai is bringing you to this event even though by all means he should not because there’s likely going to be a lot of shady business occurring that could incriminate him and all of the other people at this event, then why? Why would he risk that just for a girl he met a few months ago? You can’t fathom it.

God, you know better than anyone the effects imposter syndrome can have on a person in school, but the last thing you expected was to be dealing with it in love too.

Love, the word makes your stomach churn because you do love him, you realize, as he stares up at you desperately trying to figure out what’s wrong so he can fix it. And how scary is that, considering only twenty-four hours ago you came to the realization that he’s very likely involved in the underground, in some way or another, and you had to come to terms with the fact that you’d have to choose between your future and a man. But he’s not just a man, he’s a man that you love in spite of everything you’ve put together.

A tear spills over your cheek and Dazai’s gaze becomes alarmed as he instantly wipes it away with his thumb before caressing your cheek gently. 

“What don’t you understand?” he presses quietly. “Talk to me.”

Where do you fucking start?

You want to cry even more but you force yourself not to, you can’t afford to let your makeup get anymore messed up than it already is. Instead you sniffle a bit and try to blink away the tears. 

“This,” you finally say, and your voice cracks again, you take a wet breath. Dazai’s lips part a bit, as if he wants to speak but he’s not sure what to say, brows furrowing. “There’s nothing special about me, Dazai, and I don’t understand why you’ve gone to the lengths that you have for me. Meeting me at that club every Friday as if you’re not always swamped with work, indulging me whenever I want to do things. You gave me a place to stay after only knowing me for a few weeks, gave up your own room, your own bed, so I could be comfortable while you slept at your desk. You’ve made sure people are always with me so I never get bored or lonely. You’ve given me literally everything I could possibly ask for and I’ve just been freeloading off of you for two and a half weeks now. Now, I’m going to go with you to this event and end up embarrassing you because I’m going to stick out like a sore thumb compared to everyone else there. They’ll know I don’t belong there and I just-”

You cut yourself off, and you want to avert your gaze from Dazai’s but you can’t bring yourself to. Instead, you watch as something akin to amusement flashes through his eye. He takes one of your hands into his and brings it up to his lips, eye sliding shut for a moment as he kisses your knuckles. You let out a shaky puff of air as his lips linger for a moment before he looks up at you again through his lashes.

“Let me help you get dressed,” he murmurs, and you look down at the ground now as you nod, letting him help you to your feet and lead you over to where the dress is hanging up on the closet door.

He pulls it off the hanger and guides you into it, pulling it up and adjusting it so that it covers you properly. He steps behind you, and you realize that he also has you standing in front of the floor length mirror set up on his closet door. You sniffle a bit again as you look at yourself in the mirror. 

Your makeup looks a bit smudged beneath your eye from the tears gathering at your lash line, but somehow, you still look beautiful. You think it’s only because of the dress, the way it clings to your body so nicely and brightens all of your features. You take in another shuddered gulp of air when you feel Dazai begin to zip up the back of your dress slowly, each brush of his fingers against your skin lights your nerves on fire, and once he finally has it zipped to the top, he kisses the nape of your neck, hands falling to your hips to caress them gently. Your eyes flutter shut as you lean back against him, his comforting hold settling your turbulent emotions.

“I met you at the club every Friday because you were the only relief I had from reality,” he finally says, resting his forehead on your shoulder as he holds you. “I indulged your requests because I was indulging in you myself. Every moment I spent with you, I allowed myself to be Dazai Osamu, the person, and not the… Not what I’ve had to become to keep this organization running.”

Your breath catches, lips parting at his words but no sound escapes them. He kisses the nape of your neck one last time before he moves to stand in front of you, kneeling down again as he grabs one of your heels and undos the buckle. You watch with bated breath as he lifts your left foot from the ground to kiss your ankle before sliding the heel on, deft fingers fasting the clasp. 

“I gave you a place to stay because I was selfish and I wanted you around more,” he sighs, resting his forehead against your knee now as he lingers there for a moment before moving on to repeat the process with your other foot, kissing your ankle and slipping the heel on. He continues, “Likewise, I have kept you surrounded by people because I have been desperately afraid that you’re going to get bored and want to leave because work leaves me little time to be around. Unfortunately, I’m not the generous person you’re making me out to be, I’m horribly self-serving and greedy, especially when it comes to you.”

He looks up at you now from where he’s kneeling in front of you, gaze searching your face. You want to reach out and cup his cheek, so you do, and immediately, he’s turning his face to kiss your palm just as you’d done to him before letting his eye slide shut as he leans into your touch, as if basking in it.

“I would give you anything you want,” he admits softly, keeping his gaze shut as he holds your palm against his face. “Anything. And if it was something outside of my reach, I would make it in my reach. There’s nothing I wouldn’t do for you, no lengths I wouldn’t go to and no lines I wouldn’t cross.”

You think your lungs might be burning, you don’t think you can breathe as you stare down at him, heart thudding in your swelling chest, tears building in your eyes again but this time not out of insecurity. Dazai finally rises to his feet after placing one last kiss upon your knuckles, and he doesn’t say anything as he makes his way over to the dresser where he’d placed the blue box. 

You don’t move, watching as he opens it and pulls something out before making his way back over to you, standing behind you. He looks at you through the mirror as he lifts his hands to place a glittering diamond necklace upon your collarbone. You can’t breathe again, you realize, it’s cool against your skin and you think it might be the most expensive thing you’ve ever laid your eyes upon, dozens upon dozens of white diamonds shimmering in the mirror in front of you. Your skin feels like it’s on fire as his fingers brush the nape of your neck as he clasps it onto you. 

“You are beautiful,” he says, voice so raw that you almost shiver at the intensity of it. His fingers brush your hips as if he’s afraid to touch you. “You are beautiful, and intelligent, and everything I have ever wanted. You deserve so much more than me, more than you’ll ever be able to understand, and I’m sorry that I’m not a good enough man to do what’s right and let you go. The last thing you should ever be doubting is this.”

His eye slides shut again as he lets out a soft puff of air, the warmth fans across the back of your neck and you think you could spend forever in this moment with him, wishing that you could freeze time. 

“You said that you thought it was fate that brought us together,” he finally finishes, voice quiet as he references what you told him the first time you met. “Don’t ever doubt your place with me. Wherever I am, you belong, whether it’s a club, or an apartment, or an event.”

“I thought you hate the idea of fate,” you say, voice a bit choked as you try to force the tears back again.

“I do,” he affirms, “but if fate brought us together, then far be it from me to deny the one thing in this world that has ever made me happy.”

You love him.

You feel sick to your stomach—be it from butterflies or the implications of the realization. The words threaten to burst from your lips but you swallow them, instead, another tear trails down your face and he sees it through the mirror, lifting his hand to wipe it away before leaning a bit over your shoulder to press his lips to your jaw.

“I’m ruining my makeup,” you rasp, letting out another shaky breath.

He smiles against your skin.

“You’ll be beautiful still,” he murmurs before pulling back, admiring you for a moment before he asks: “Are you ready to go?”

You nod. “Yeah,” you say, a bit breathless. “I’m ready.”

“Everyone is staring at us.”

You’re not wrong, exactly. As soon as the two of you had entered the room, all attention was sent your way, and though the music was loud enough to drown out most chatter (intentional, of course, so unsavory ears can’t overhear even more unsavory dealings), Dazai couldn’t help but notice the hush that spread through the room at the sight of you. The boss of the Port Mafia with a date on his arm was certainly a sight to behold to all of the rest of the occupants of the event hall,.

“Can you blame them? You look beautiful,” he says, voice laced with a teasing edge that is certainly not matched in his expression. Dazai knew people would be looking at you if he brought you here. Still, he wants to gouge their eyes out. 

His arm tightens around you as he tucks you into his side, cold gaze sweeping across the massive event hall. At least two hundred people are attending Nabokov’s event—an even mixture of pharmaceutical tycoons, technology barons, politicians and mafiosos. 

At first glance, he recognizes four different mafias in attendance. 

Mishima Yukio of the Sun and Steel stands by one of his associates, the president of Mitsubishi Chemical Group; the man’s dark eyes card over Dazai with lazy interest, before his head tilts to the side as he studies you.

Dazai thinks that the Sun and Steel might be the Port Mafia’s only allies in attendance, and even then, allies might be taking it too far. The extent of Dazai’s dealing with Mishima was a general agreement to not encroach the Sun and Steel’s monopoly over the narcotics industry—which Dazai never intended on doing anyway because the industry is far more trouble than it's worth—and an unspoken promise to protect Japan’s underground from foreign mafias. 

Dazai wonders if that unspoken promise still holds or if the Russians have cut a deal with him. 

Nabokov’s Pale Flame, obviously, is in attendance, along with the remnants of Leo Tolstoy’s Three Deaths. Tolstoy himself is sitting at the bar, a glass of whiskey in hand as he leans back on the stool, gaze focused on you. Nabokov is off to the left, making his way across the room to greet Dazai, a curious expression on his face. Dazai recognizes Cao Xueqin of the Red Chamber sitting near Kitazawa Michihiro of Fuji Electric, one of the Port Mafia’s closest associates; and Dazai thinks that might be a bit foreboding, both because of the presence of the Chinese and the company he’s keeping.

Dostoevsky’s House of the Dead is nowhere to be seen, but Dazai knows that they’re here. Somewhere. He just has to find him—and he will.

More eyes are on you than him, and although that was to be expected, Dazai can’t fight the doubt that suddenly swirls in his chest, wondering if he’d made the right decision. If you hadn’t been on people’s radar already, you definitely are now, and the thought makes him a bit sick to his stomach. He tries to console himself with the fact that this was the lesser of two evils—the mere chance of you being on the radar of any of the mafias in this room, no matter how slim it might be, was not something he could gamble with. There was no way he could let you go out alone and unprotected. People like them, people like him, would jump on the chance to take advantage of the weakness and he couldn’t let that happen. 

But is this really any better? 

He’s thrown you into a pit of snakes, and you’re ignorant to all of the threats around you. His gaze drifts back down to you, catching the way your brows are knit together slightly, the way your lips are pressed in a thin line. There’s an indecipherable look in your eyes as your gaze shifts over the room, and Dazai wonders if you know more than you’re letting on. That’s another scary thought, but he can at least find comfort in it for now because it’ll have you keeping your guard up around these people. He’ll just have to deal with the consequences later.

He dips his head down to your ear, speaking quietly before Nabokov finally reaches him: “Just follow my lead, you’ll be fine.”

The look you shoot at him is nothing short of withering, and Dazai can’t help the smile that curves at the corners of his lips as he lifts his head back up to subtly brush his lips against your temple. He catches sight of movement from the corner of his eye and any softness that might’ve been visible in his expression washes away instantly.

“Dazai,” Nabokov greets, beady eyes flickering between you and Dazai, partially curious about you and partially nervous about Dazai. Dazai tilts his head to the side, becoming increasingly more unamused the longer Nabokov’s gaze lingers on you. “I’m glad you came. I wanted to apologize for not being able to attend our planned meeting a few months ago.”

“So I heard.” Dazai’s voice is short and distant, more focused on the feeling of you tucked into his side than the conversation at hand. He has to force himself to keep his gaze steady on Nabokov, wanting to look down at you, but he contents himself with letting his hand slide down to your hip, rubbing absent circles against the silky material of your dress. 

Nabokov fumbles over Dazai’s clipped response, a bead of sweat gathering at the corner of his forehead. He wishes he could peer into your head and see what you’re thinking, about him, about this, about everything. He doesn’t know if he’ll be able to get through the night without you realizing who he is, what he is, and that thought scares him because he thinks that maybe he should have been the one to explain it to you, so he could at least try to paint himself in a better light. Although, he’s not sure what sort of light would make anything about him look better.

“Who is this?” Nabokov finally asks, turning his attention toward you. Dazai doesn’t like the way he looks at you, eyes raking over you like you’re a piece of meat.

“My partner.” To Dazai’s credit, his voice is much smoother than the turbulent emotions in his chest would suggest. “Where is your wife, Nabokov?” 

Nabokov doesn’t even respond to the question, laughing loudly. “Never thought I’d see the day you found yourself a lover, Dazai,” he chuckles and then holds his hand out to you. “Vladimir Nabokov.”

You shift a bit to take his hand, but Dazai is faster, lithe fingers wrapping around Nabokov’s wrist in an agonizingly tight grip. Nabokov winces, Dazai’s face is cold as he stares down at the man.

“Keep your hands to yourself,” he warns, keeping his voice low. 

Vladimir Nabokov. Invitation to a Beheading. An ability that grants its user to draw a target into an interdimensional space through physical touch—Dazai isn’t sure what the space entails because no one has ever left it alive.

Nabokov tries to laugh it off, weaker this time as he takes his hand back and shakes out his wrist. “My, Dazai, possessive, aren’t you?”

“Very,” Dazai agrees idly. “Be sure to remember that.”

Nabokov gives him another wavering smile, and Dazai can’t help but wonder how Dostoevsky could have possibly thought anyone would believe the man could head the tripartite alliance of the Pale Flame, Three Deaths, and the House of the Dead. Anyone with half of a brain would know that Dostoevsky is behind their union. Maybe that’s what he wanted, Dazai notes absently as he watches Nabokov’s gaze flicker to the upper left corner of the room. Dazai follows it to where a camera is positioned, encompassing most of the event hall. 

The smile on his lips is nearly as chilly as the air-conditioned room around him.

There you are. 

Dazai’s gaze cuts back to Kouyou, who’s standing a few feet behind you and Dazai with Chuuya, Ace and Piano Man. The woman inclines her head in recognition of his silent order as she fans her face lightly, taking a step away to make a call to Hirotsu, who should be stationed around the building with the rest of the Black Lizards by now, prepared to move in at the first sign of danger.

Nabokov looks as if he’s going to speak again, which inclines Dazai to believe that he’s seeking something out in particular for Dostoevsky, and from the way he keeps glancing at you, Dazai assumes it has to do with you. So as the man's lips waver, eyes darting as he tries to formulate another conversation opener, Dazai speaks before he can get the words out.

“If you don’t mind,” he says, voice cold and clipped as he all but dismisses Nabokov, who flushes a bit, nodding and apologizing before stepping away. 

Dazai realizes that he probably has not prepped you enough for this event, but in his defense, he’s been swamped with his own preparations and how is he supposed to prepare you when he can’t even fully explain all of the dangers? But now, it’s making him anxious, because at some point tonight he’s going to have to step away from you to meet with Nabokov in one of the backrooms, likely with Tolstoy, Cao, and Mishima. Dazai’s executives will have to be there with him, and Tachihara is supposed to slip from the shadows to join you while you wait for his return, but there’s likely going to be at least a good two to three minutes where you’ll be alone until Tachihara can get to you. That’s assuming he doesn’t get caught up on the way over.

He needs to talk to you, at least warn you about the ability users attending the event so you don’t accidentally stumble into a potentially lethal situation without him around.

If he goes to the bar, Tolstoy will take advantage to try to sweep you into a conversation, picking up right where Nabokov left off. If he goes off to the left side of the room, Cao will make his way over to interrupt. If he goes off to the right side of the room, Mishima is there. The only place… Dazai inhales as his gaze focuses on the massive dance floor of the event hall, dozens of couples are spinning around already, and it will be loud enough there for the music to drown out his conversation with you from unwelcome listeners. 

He turns his attention to you, holding his palm up and tucking one arm behind his back as he asks lightly, “May I have this dance?” 

Your eyes widen a bit in surprise, seemingly hyper aware of all of the hungry, curious glances of the other attendants directed your way, but he’s only focused on you, and the way your eyes glitter beneath the chandelier’s lights, and the way your dress clings to your body, and the way a soft smile tugs at your lips. He thinks that even if you hadn’t entered the event on his arm, all of the room’s attention would be on you still, because you’re beautiful, and captivating, and Dazai doesn’t think he’ll ever understand how he managed to pull you in one lifetime, much less all of them. 

You place your hand in his and Dazai guides you across the floor, intent on finding the perfect space. It’s hardly obvious the way that the other people on the dance floor would inch away as the two of you passed by, intent on staying out of Dazai’s way and letting him have whatever space he wants, but you pick up on it, he thinks, seeing the curious look in your eyes as your gaze sweeps around the people around you. He bites back a sigh, because he’s sure that you’re tallying everything up in your head trying to put it all together, and once you get that final puzzle piece, everything will be over.

His chest sinks at the thought of losing you, but he forces it away. He has to focus on the situation at hand because even a single slip up could be fatal—not only for him, but for you too. As soon as he reaches a suitable spot on the dance floor, he tugs you a bit closer to him, hands sliding down to your waist. Your own arms instantly come up to loop around his neck as you look up at him through your lashes and Dazai suddenly feels breathless, vision tunneling and heartbeat stuttering at the way you look at him.

God, how is he supposed to focus with you around? He can hardly concentrate on anything but you. He’s flying too close to the sun. Has been since the moment he met you. Drawing you into his life and keeping you there, now bringing you here, so many gambles, too many gambles… the heat is scorching, and it’s only a matter of time before his wings burn. If he was smart, he’d let you go so that you don’t burn with him, but his fingers only bite deeper into your waist at the thought.

The music is slow, and the two of you sway in tune to it. The other couples give a wide berth, some casting wary looks at Dazai, ones that he’s sure you’re catching. He doesn’t know where to start, or how to start; what does he tell you that doesn’t condemn him? Luckily, he doesn’t have to start the conversation because you do, for better or for worse.

“Was that man the rival that Gin mentioned?” you ask curiously, and Dazai can’t help but notice there’s a strange look in your eyes as you ask it, one that he can’t place.

He hesitates, but then says, “No. He wasn’t. I haven’t seen him yet.”

You hum lightly, fingers toying with the hair at the nape of his neck in a way that makes him shiver. But his eyes narrow when he realizes that you don’t look the slightest bit surprised by his answer. 

“You knew that already,” he accuses lightly, and he forces himself to swallow the lump that suddenly forms in his throat because if you figured that out on your own already, what else have you figured out? God, he knew this was risky, you’ve always been ridiculously perceptive—he just needs to get through tonight without you putting everything together, then he’ll be fine.

“I suspected it,” you finally affirm his accusation, gaze searching his face. “He was nervous talking to you. If he was your rival, I’d expect him to be a bit more… assured. And he kept looking up toward a camera, like he knew someone was watching that he’d have to answer to.”

Oh, you did pick up on a lot more than he expected. He doesn’t think that the smile he gives you quite meets his eyes, if the way your brows furrow have anything to say about it, but he distracts you by bringing his hand up from your waist to cup your cheek, thumb brushing over your bottom lip as he murmurs, “That’s my girl, always so smart.”

Your lashes flutter as you avert your gaze, a tell tale sign of you being flustered. His lips quirk up into a more genuine smile, hand dropping back down to your waist. He can do this, he tells himself, he just has to be careful, tell you enough to make sure your guard is up and you know to at least some extent that the people in this room aren’t to be trusted.

“There are a lot of ability users in here,” he finally warns, careful to keep his voice low even with the music covering his words. “Do your best to keep your distance from people. I’ll stay with you as much as I can, but I’m going to get pulled away sooner or later. Chuuya or Piano Man will stay with you when they can, and if they’re pulled away, Tachihara is going to come down to stay with you.”

“... That’s why you didn’t let him shake my hand,” you say, realization flashing through your eyes, another puzzle piece fitting behind your eyes and Dazai has to be careful because it’s only a matter of time before you’re given that final piece and everything comes together. “What’s his ability?” 

“... Nothing good,” he answers after a few moments of silence, but you’re not content with that, brows furrowing. He sighs. “No confirmation on it, we only know it’s lethal. Many are in here.”

Your eyes widen and then you look a bit skeptical. “And you think they would use it here? In public?” you ask slowly.

To Dazai’s horror, it is not skepticism tainting your tone, but rather, you’re fishing for information, trying to put more pieces together, and he doesn’t have much choice but to give you answers because he can’t risk you setting your guard down even for a second.

He chooses his words carefully. “... There is little they wouldn’t do to get ahead in our business.”

“Hm,” is all you say in response, something akin to understanding flashing through your eyes and Dazai dreads to know what his answer has just told you. He feels distinctly like he’s playing chess against an opponent he did not anticipate and he’s at a disadvantage because the opponent is you. He can feel your shoulders slump suddenly, an unfamiliar expression crossing over your face; you look tired, as if you’d aged twenty years in a matter of seconds. “What did you get me involved with, Dazai?” 

You say it so softly that Dazai barely hears it himself, and he knows. He knows that you’ve figured something out, he doesn’t know what and he doesn’t want to know what. He wants to evade it as long as possible, because the moment he has to have this conversation with you, he knows he’ll lose you. He can’t think about that now, it’ll throw him off and this is the last place he can allow himself to be thrown off.

Instead, his grip on your waist tightens again, gaze averting down toward the ground. 

“I’m sorry,” he murmurs. The words weigh heavy on his tongue, not just an apology for tonight but an apology for accepting your offer for a drink two months ago, knowing he wouldn’t be strong enough to let it be a single night of indulgence; an apology for seeking you out again afterward, knowing that he would be sentencing you to death.

He feels sick. 

What is he doing?

Why are you here?

What has he done?

“Dazai.”

You say his name but Dazai hardly hears you. God, he can feel it happening, where his fingers are pressed against your body, the skin suddenly goes cold and stiff, his surroundings are blurring, the people fading into the background. This isn’t the place. Nabokov. Tolstoy. Mishima. Cao. He can’t lose himself, not now, but his grip on reality is starting to waver, the pages pile around him. 

“Dazai.”

What has he done?

Everything he’s planned for, seven years of careful calculations and planning gone down the drain. How does he even fix this? Can he fix this? His mind races, but he’s not even sure he’s thinking coherent thoughts, trying to ground himself to the present because he needs to stay here, he can figure out how to fix it later, when you’re not in danger but-

His vision swims. Not now. He can see it—he can see you. Still on the ground. Sometimes there’s blood, so much that he can hardly recognize you (but he can, of course, he can always recognize you, even when your body is littered with more gaping wounds than not). Sometimes it looks like you’re sleeping, so much so that Dazai kneels next to you, begging you to wake up (he knows in his heart that it’s futile. he can’t stop himself from trying). His head spins, he loses track of where he is and then-

“Osamu.”

His breath catches, gaze zeroing in on you. You. Alive. Your brows are furrowed in concern, searching his face to try to draw him back to reality. He thinks his grip on your waist must be painful but he can’t bring himself to loosen it at all. He stares at you, still desperately trying to keep himself grounded because although you’ve brought him back mostly, the corners of the pages still linger in the edge of his vision, threatening to consume him again.

“You can’t leave me,” you tell him quietly. “You brought me here. I need you here with me. Don’t go off somewhere I can’t follow.”

Oh.

He lets out a breath, slow and maybe a bit more shaky than he would’ve liked, but he tries to focus on the situation at hand. He loosens his grip on your waist, rubbing a gentle circle over your hip in an apology.

His gaze drifts around the room, Nabokov is in deep conversation with Cao, hardly paying attention to anything going on, but Cao’s sharp, dark eyes are pointed over Nabokov’s shoulder, scanning the dance floor. He’s looking for someone—not Dazai, which is a bit worrying, and he becomes all the more attentive to everyone in the vicinity, trying to make sure none of the Red Chamber’s assassins made it through the security. If any organization would be able to pull it off, it would be them. 

Once he’s decided the coast is clear, he turns his gaze back to the bar. Tolstoy is looking at him—blue eyes sharp, blonde hair hanging in them, a curious expression on his face as he sips at his drink and watches as Dazai dances with you. As soon as Tolstoy notices Dazai has caught him, his lips curl up into a smirk and he raises his drink. Dazai’s expression is cold as he looks away, seeking out Mishima only to find the man nowhere to be found.

Hm.

Chuuya and Kouyou are entertaining idle conversation with two executives of the Sun and Steel, both keeping a sharp eye on where you and Dazai sway on the dance floor. Piano Man is entertaining several politicians, doing a good job at ensuring that none of the other foreign executives get any chance to get their ears. Ace, Dazai notes, is in deep conversation in the shadows with one of the executives of the Three Deaths. 

Interesting.

He finally draws his attention back to you, a small smile on his lips as he recalls what you’d said to drag him from his spiral.

Osamu,

“You called me Osamu,” he murmurs, a warm feeling spreading through his chest as he focuses on that instead, trying to ease himself back into reality. Technically, he’s heard you say his given name before. Well. Not technically. It was never you and it was never him, rather it was vague memories of other yous and other hims, but it was nothing in comparison to hearing you actually say it.

You look embarrassed, averting your gaze. “I didn’t know how to get your attention, I’m s-”

“Say it again,” he whispers, lifting his hand back up to your chin to tilt your face back up, forcing you to look at him. His eyes search yours, watching the way you can hardly hold his gaze. You look hesitant, so he continues with, “Please.”

“... Osamu,” you say again, breathless, and god, Dazai wishes the two of you were anywhere but here. He wants to press you back against his bed, run his lips up and down your body, map out all of your curves with his hand. He wants to watch you come undone on his tongue and on his fingers—he wants you, he wants you more than anything else in the world. Every time he’s tried to take the next step with you the past few weeks, he either got interrupted by work or he ended up getting cold feet, nervous about making a mistake. 

Before his thoughts can spiral even more, the music picks up to a faster paced waltz. Your eyes widen, watching as all of the other couples shift into the respective dance. You look up at him, a bit panicked, clearly not sure what to do, and his lips curl up in amusement, beckoning you to lace your fingers with his to take the stance the other couples were taking.

“I don’t know this da-” you begin, voice hushed.

“Just follow my lead,” he repeats the same words he spoke to you when they entered the hall. “You’ll be fine. Trust me.”

You exhale, studying his face for a moment before sighing and mimicking the stance the other women took with their partners. He can feel your fingers wavering against his as he interlocks your fingers and he rubs his thumb over the back of your hand soothingly.

“Keep your eyes on me,” he tells you, just as the music finally picks up for the dance to start. 

He thinks you’re worried for nothing. You moved smoothly in line with him and in tune with the music, gliding across the dance floor as if you’ve danced with him hundreds of times before, your body so in sync with his that the two of you put all of the other couples to shame. Not that any of them matter, of course, you’re all that Dazai can focus on. Your eyes never leave his, not even for the sparest of moments, and Dazai feels like he’s caught in a trance, lost in your eyes and the feeling of your body so close to his, hyper aware of the way your your hand rests on his shoulder and the way your fingers are wrapped tight around his.

God, there’s something so otherworldly about you. Doesn’t know if it’s heavenly or supernatural, if you’re his angel sent to lead him to salvation or his very own siren singing a sweet melody to lead him to ruin. Doesn’t think he cares either way—salvation, damnation, none of it matters as long as he has you.

“Not so bad, hm?” he murmurs, sweeping you out into a spin before pulling you back to him, closer this time. He can feel your chest brush his and he prays you can’t feel the way he’s lost control of his heart, painfully cognizant of the erratic thumping. His hand slides from your hip to the small of your back, holding you close to him. He could stay in this moment forever, surroundings drowning out; all he can see is you, all that matters is you.

“Yeah,” you say softly. “Not so bad.”

His lips part to respond but he’s interrupted when he sees movement from the corner of his eye, freezing.

“Dazai.”

Dazai stiffens as a familiar voice speaks from behind him, shifting to stand partially in front of you as his gaze cuts to the side to see Mishima��s familiar figure standing a few feet away. Turning to face him, he asks, “Do you need something?”

“I’d like to speak to you before we meet with Tolstoy, Nabokov and Cao.”

Mishima’s voice leaves no room for argument, dark eyes absent of any emotion as he waits for Dazai to follow him. Dazai’s jaw tightens, eyes drifting back to you as he tries to figure out what to do. He can’t leave you here, not with Cao’s hawk-like gaze trained on the dancefloor and Tolstoy waiting for the opportunity to make a move. But he does need to talk to Mishima, have some idea of where he stands with the Sun and Steel before facing all of the foreigners. 

“May I have this dance?” 

Dazai hadn’t even heard Chuuya approach, turning to the side to watch as he holds a hand out toward you expectantly, quick to step in to take Dazai’s place so that you’re not alone. You shoot Dazai a concerned glance, brows furrowing a bit, before you place your hand in Chuuya’s.

Chuuya leads you back onto the dance floor, Dazai’s gaze lingers for a few moments, a bitter feeling spreads through his chest because that should be him, and it’s wholly unfair that he has to deal with all of this unsavory business when he should be spending time with you.

He should just kill them all here and be done with it.

The words ring through his head, echoing, tempting. He inhales and forces himself to look away as you loop your arms around Chuuya’s shoulders, swaying in tune to the slow song playing. He turns his attention back to Mishima, voice cool and expression void of emotion:

“Speak.”

Dancing with Nakahara Chuuya is awkward. Awkward is even being generous. It’s not like he’s a bad dancer—in fact, it’s clear that he’s a very good one. He’s smooth on his feet as he spins you around the dance floor, but he’s so stiff. He’s careful to keep space between the two of you, hands never dipping lower than your sides, lips pressed together. He hardly even looks at you, his attention is more on where Dazai had stepped to the side to speak with the dark-haired man who’d interrupted the two of you, but you’re grateful for it, because it’s giving you a chance to gather your thoughts.

You think Dazai might’ve inadvertently confirmed your suspicions from yesterday. You don’t know who these people are, but there’s no way any ordinary business event would be dangerous enough for Dazai to genuinely worry that someone might kill you in a room crowded with two hundred people. A part of you wonders if it’s just different for ability users, that they’re not scared of committing crimes in public because they have an ability that prevents them from getting caught, but you know you’re just trying to make excuses at this point.

Your gaze drifts back over to the older, light-haired man with dark eyes who’d approached you and Dazai when you walked in. He’s off to the side talking with a Chinese man dressed in a red suit—your gaze lingers, trying to piece together the puzzle in your head desperately, but all of the edges are jagged and confusing, you can’t seem to figure out where they each fit with each other. 

You’d thought maybe that Dazai and his business was somehow affiliated with the mafia, because no one with the amount of money and success that he has gets it cleanly, but now you can’t help but hesitate, reconsidering your original theory. Vladimir Nabokov had been scared of Dazai. And it’s not like you haven’t noticed the effect that Dazai has on people. Whenever you’re around people with him, they get tense and on edge, but it’s different seeing the effect he has on someone who doesn’t even work for him, a foreigner supposed to be one of Dazai’s associates if you understood what he meant about not showing up to a meeting. 

Who are you, Dazai?

You don’t even know if you want to know. You love Dazai. You do. You knew it earlier in the night. You know it now. It’s something you can no longer hide or deny. You remember the concerned look on his face when he saw how upset you were. You can feel the way his lips brushed the nape of your neck as he explained why he kept meeting you at the club, the way he kissed your ankles as he knelt in front of you and told you how he was selfish for keeping you around, how he kissed your palm and leaned into your touch as he promised you anything you want. God, you love him, you don’t think anyone has ever looked at you the way he does; no one has ever spoken to you the way he does. 

You love him, and it scares you because you’re realizing you still don’t know anything about him, not really, and you’re also realizing that there’s a high chance he’s been lying to you about what he does. It scares you even more that your first instinct isn’t to run. Because you should run. This should make you run. He brought you to an event with people so dangerous that he’s afraid they might try to hurt you, or worse, but you don’t want to run, because you’d be running from him and you don’t want to run from him. 

Could you sacrifice everything for him though?

Fuck your morals—everything you’ve worked for, all of the years slaving away to put yourself on the path to success. You’ve told yourself your entire life that it would be all you would focus on, that it would all be worth it in the end. You convinced yourself that maybe if you proved yourself enough, your brother would return to your life; he’d be proud of you and he’d come back to you. You know he’s still out there somewhere, you get letters with no return address every month—the only thing in the envelope is a check with a dubious amount of money, but it’s in his hand writing, so you know it’s him. 

A part of you wants to cry, frustration clawing at your chest: the future you’ve worked so hard for, or love? The question you’ve dreaded since your epiphany yesterday is finally thrown right in front of your face, and you need an answer. The two are mutually exclusive—you will not be able to pursue the career you want with Dazai Osamu, not in the way you want at least. And you don’t want to do all of this work to just end up being another shady politician.

“Penny for your thoughts?” 

Your gaze snaps up to Chuuya, who’s suddenly looking at you, and you don’t really know how to respond. 

I’m pretty sure you guys are part of the fucking Mafia and you’re all hiding it from me, but also I don’t want to know if you are because that’s going to force me to make a decision that I don’t want to make so I’d rather live in ignorance. 

“My thoughts are only worth a penny?” You deflect with a grin instead, hoping it meets your eyes.

It doesn’t, evidently, because Chuuya’s eyes narrow a bit, and then he tilts his head to the side and hits you with a more direct: “What’s wrong?”

“I’m just worried,” you finally say, not entirely lying but also not telling the truth. 

“About?” Chuuya presses and you sigh, exhaling a bit.

“He mentioned that there were dangerous people here,” you tell him quietly. “I’m just nervous for when you guys go to your meeting… I’m guessing it’s going to be soon.”

Chuuya’s brows furrow and you can see the thoughts racing behind his eyes before he speaks again. “You’ll be fine,” he tells you. “We have people all over the event hall, and Tachihara is going to sit with you until you Dazai can get back. Dazai shouldn’t have worried you with all of this. He shouldn’t have even-”

He cuts himself off, jaw tightening, but you know what he’s going to say: he shouldn’t have even brought you here.

“I don’t know what he’s thinking,” Chuuya says quietly, and you think he might be talking more to himself than anything else now, but you listen anyway. “He’s always been hard to read but this is…”

He stops speaking out loud, as if he’s realized that you’re there again, and instead he shakes his head. “You’ll be fine. Back at the headquarters before you know it.”

You aren’t so sure.

Your gaze drifts to the side as you watch Nabokov and the Chinese man make their way over to Dazai and the man he’s talking to. The blonde at the bar that Dazai kept looking at also stands up, drink in his hand as walks in the same direction. 

Chuuya spits out a curse under his breath and gives you an apologetic look. Your heart sinks and your throat feels a bit tight—he doesn’t abandon you right away though, pressing his hand to the middle of your back as he guides you across the dancefloor to the bar, all the while keeping a keen eye on what’s happening on the other side of the room.

He pulls the barstool out for you, eyes still trained on where Dazai is standing with Kouyou, two men that work for him you haven’t met yet, and the four men you assume are business associates of his. Dazai is looking at you, an indecipherable expression on his face. You’re looking at him, suddenly anxious at the thought of being left alone, a bad feeling sweeping over you. 

“Tachihara will be over here soon,” Chuuya finally says to you, tearing his gaze from his coworkers to look back down at you. He flags down the bartender to order a drink for you. “You’ll be fine. Knowing Dazai, the meeting won’t last long anyway.”

Your shoulders only slump a bit as you nod, thanking the bartender quietly for your drink as he hurries to bring it back to you, taking a sip of it. Chuuya doesn’t say much else—once you’re settled in your seat and have your drink, he squeezes your shoulder before making his way back over to the intimidating group of people standing on the opposite side of the room.

Your gaze meets Dazai’s conflicted one one last time before he’s forced to turn away and disappears down a side hall deeper into the building. You sigh as you twirl your drink around, the clear liquid sloshing dangerously close to the brim of your glass as your eyes twist around the event hall, seeking out Tachihara, or Atsushi, or anyone that works with Dazai because you’re feeling distinctly vulnerable alone. You find none of them. You can feel eyes on you—most you’re sure are harmless curiosity, wanting to know who exactly came in on the arm of Dazai Osamu, but you know some aren’t nearly as harmless, you can feel the hungry stares of vicious opportunists directed at your back and you don’t feel comfortable sitting alone.

You don’t even get five minutes to yourself.

“Is this seat taken?” 

You’re startled by the unfamiliar voice, head snapping to the side. Your gaze focuses on a pretty man with soft features, shoulder-length black hair and gentle purple eyes. Your lips part to speak, but no words leave them, caught off-guard by his sudden appearance. He looks harmless enough, but there’s something about him that has you on edge—something simmering beneath the surface of his deceptive eyes that you can’t quite place but you know you don’t like.

“I mean no harm,” he says smoothly, lips curving up into an amiable smile. “I’m an old friend of Dazai’s. I only want to talk.”

An old friend. You don’t buy it, but you don’t want to risk antagonizing him, Dazai’s warning about the many lethal ability users prowling the event ringing through your head. You just hope that Tachihara shows up sooner rather than later as you finally shake your head.

“It’s not taken,” you say quietly, motioning to the stool as you take another generous sip of your drink.

The dark-haired man smiles at you as he takes a seat at the bar next to you, teeth glimmering like knives beneath the lighting of the chandelier. Instantly, you feel like you’ve made a mistake, a chill running down your spine as your eyes meet purple ones that are not quite so gentle anymore. Sharp and shrewd instead. Calculating. Dangerous. 

“Fyodor Dostoevsky. A pleasure, truly.”

#dazai x reader #dazai x you #dazai osamu x reader #dazai osamu x you #bsd x reader #bsd x you #bungo stray dogs x reader #bungo stray dogs x you

[charons-ships]

If you, too, are looking for hope that Painland could be a thing:

Charles looked hurt when Edwin was talking to Monty, and he was clearly jealous when Edwin read Monty's book instead of talking to him.

Charles and Crystal don't seem to have a very meaningful romantic relationship. They're clearly into each other, and great friends besides, but it feels like they kiss because they want a distraction, not because of a deep desire.

In Episode 5, Charles is clearly projecting his relationship with Edwin onto the jocks. He's quick to say that "they're just mates" after Ritchie is gross and homophobic. What the jocks are or aren't doesn't matter. The important thing is that Charles immediately felt the need to shut down any conversation about whether or not two dead mates could be gay.

After Edwin and Charles hug later in Episode 5, Edwin realizes his feelings for his friend and puts his hand to his chest. Then, in Episode 8, Charles touches his chest after they hug coincidence? I think not.

Also in the finale, Charles says that he has a pretty convincing smile and leans in close to Edwin. It seems rather odd to do that after your friend confessed they liked you. Maybe I'm alone in this, but it seemed like really playful flirting?

Niko points out a blue and a red starfish and says that "they're in love". Blue is Edwin's colour and red is for Charles. This feels like subtle foreshadowing.

And Charles choose to run away with Edwin? Instead of going to heaven or something? After only knowing him for a few hours?

I've seen and read some cast interviews, and I've read what the show runners have said about the pairing. I think that what we're hearing is somewhat conflicted, so I'm not reading too much into it for any interpretation.

There are many interpretations of their relationship, of course, and all are valid. My view (maybe fueled by delusion and little else) is that Charles may have feelings for Edwin, but he's unaware of them or unwilling to acknowledge them for some reason.

Also, even if Painland never happens, I don't want Charles and Crystal to stay together romantically. I don't think that their relationship is very healthy in that regard.

#anyways #this is a sign of permanent brainrot isn't it #dead boy detectives #paynland #painland #edwin payne #charles rowland

[luceafarul-de-dimineata]

Hi, I apologize if I'm being annoying but I love your shipping au and I was thinking of something and wanted to tell you

What if once the shipp that is most trending is MC x the worst possible noble of that country. Like, people notice mc has a lot of chemistry with glasya or bimet and instead of a king there is now a whole thread talking about how mc should stay with the noble instead of the king? I think it would be really funny

Oh, I love this. Mc that has terrible taste in men is so real.

*Glasylabolas posts a photo of him kissing Mc*

Glasylabolas: Task failed succesfully

Foras: I'm glad you like the dead so much because there's no way you're going to keep on living after this

Barbatos: I'm preparing the candles

Glasylabolas: It's fineeeeee I made it so only people that follow me can see it. His majesty Leviathan doesn't follow anyone.

Dantalian: BROOOOOOOO THIS IS SO COOOOOOL

Glasylabolas: I know, right? The child of Solomon is my significant other now. Everyone else can go cry about it.

Dantalian: You'll be sharing with your bestie, right

Dantalian: 🥹👉👈

Glasylabolas: Of course

Dantalian: Yepeeeee

Glasylabolas: Tell Ronové to check his dms

Dantalian: He's busy. We're in the middle of a battle

Glasylabolas: I don't care, I want to see if he has time in his scheduel for our threesome

Dantalian: wait... I thought I was your bestie!

Glasylabolas: I have many besties, Dantalian

Glasylabolas: Most of them from Abaddon. You people trully understand me

Dantalian: It's fine. Wanting to fuck corpses is tame. Just yesterday someone died from getting fucked by a horse.

Glasylabolas: Crazy

Dantalian: Can I have more pics with you and Mc? I want to make an edit

Glasylabolas: Absolutely, just send it to me directly

Dantalian: sure sure

*Glasylabolas posted 10 more photos*

Dantalian: wiat ill doiy when i grt homt

Glasylabolas: Are you having a stroke?

Dantalian: m typng wjth m feert

Glasylabolas: Pop off

5 hours later

*Dantalian posted an edit*

Dantalian: It's done!

Glasylabolas: This is great! Though why is the song "Be my bad boy"

Dantalian: Because you're the bad boy and Mc is the badass dom

Glasylabolas: They haven't dommed yet

Dantalian: yet

Gamigin: WHAT THE FUCK IS THIS??????

Paimon: It's not even photoshopped... Glasy, how could you?!

Eligos: Nooooooo out of all the bad decisions, Mc made the worst one

Amon: I think I just lost my appatite for the next century

Dantalian: Come on, guys, it's not that bad!

Amon: @Gamigin are there any free beds in Paradise Lost? I think I need emergency medical attention

Gamigin: I'll send Buer over

Amon: Thx

Eligos: This is fucking outragous

Paimon: My main question is how Glasy is still alive

Foras: @Glasylabolas I think you should brace yourself

Gamigin: What happened?

Barbatos: Hi guys!!!! So, his handsome majesty Leviathan took care of everything. His last words were "This is hot"

Gamigin: Is he dead?

Paimon: Good

Dantalian: He was a good devil.

Dantalian:

Dantalian: Stay strong, brothers

Foras: He's not dead, just unconcious

Paimon: Bumeeeer

*This forum has been terminated at the request of his majesty Leviathan*

#whb #what in hell is bad #whb glasylabolas #whb foras #whb barbatos #whb leviathan #whb dantalian #whb eligos #whb paimon #whb amon #whb gamigin #shipper au #whb x reader

[yuri-is-online]

Ranted about this elsewhere already buuuuut . . . Hot take: OB Jamil keeping the reader as a pet/slave is pre-relationship.

Jamil's whole shtick is wanting to free himself from servanthood and getting the equality, freedom, and respect he deserves. Why would he not want that for his lover? Hell one of his biggest insecurities is trapping them with him under the Asims and being unable to give them the life they deserve.

A Jamil who's in a relationship where he 10000% smitten, comfortable, and genuinely open with s/o would rip his own heart out before even thinking of trapping them or seeing them as lesser. This goes double for his overblot (we've seen with the Shround's that it is possible for overblots to do things out of love).

So what doth thou thinketh of this scenario: OB!Jamil who's just finished sending the gang to the middle of the desert having the immediate thought "FUCK YEAH! Now I can finally spoil my beloved!"

OB!Jamil just throwing embarrassment out the window and spoiling the absolute shit out of his lover. I'm talking shameless PDA, no filter whatsoever about how much he loves them, giving them just about anything they could want. Feeling hungry? Here's a feast of your favorite dishes and Jamil is the one feeding you. Little chilly? You're now dressed in enchanted fine silk fit for a queen and cuddled up next him. Worried about your friends out in the desert? Now you get an adorable pouty overblot asking for your attention and making it really hard to say no. Ironically any manipulation he pulls will be the light hearted kind he usual do to get their attention. Also worth mentioning that Jamil is calling them every pet name under the sun while being kissed constantly by the snakes.

Just Overblot Jamil willingly and happily going full malewife mode for his Sultana.

God it will be hard to convince him that overblotting it bad, won't it?

You know I usually have a hard time wrapping my head around Yuu being in a relationship with any of the ob boys pre blot, but the events make it pretty clear that the actual order the blots happen in is pretty flexible σ(￣、￣=) so after squaring that in my head:

Pre-Relationship OB Jamil would want to keep Yuu in a cage because he subconsciously knows they aren't his but he still feels the desire to keep them close. The walls of the cage area physical manifestation of Jamil's emotional repression surrounding his feelings towards Yuu but that's not we're brainrotting about today~

Overblot! Jamil (and just Jamil in general really) is pretty hard to convince that overblotting was a bad idea. Granted he doesn't want to die so yes he'll agree that's bad once he comes to his senses but for now he's really pleased with himself. Finally, he gets to have your attention all to himself and there is no one to judge or interrupt him. He made sure to throw the biggest annoyances across the desert, you can stay right here with him in his embrace exactly where you belong. Being kissed by the snakes is such a cute concept TᴖT He has so many things he's wanted to say, so many many kisses he wanted to give, times he's wanted to touch and hold you that he was never able to do because of his place in the world. I like the idea of Overblot Jamil dancing with Yuu while he sings the sappiest love songs imaginable. Anything to make up for lost time, now that he's free there's so much he can finally give you.

That's what you've wanted this whole time too... right?

#<3 asks #twisted wonderland x reader #twst x reader #jamil viper x reader

[hiaon]

Fan!Yandere!Oc x CamBoy! Reader

(I FINALLY HAVE MOTIVATION)

Disclaimer: Toys, Blackmail, & masturbation.

Fan!Yandere!Oc was probably your most number one fan, and definitely has participated in every streams and watched everything that you have ever done in your carrier as a CamBoy.

Fan!Yandere!Oc favorite things that you do is that you only do solo, and the things that gets him harder the most is when you get all whimpery in camera and babbling nonsense. He's wondering that could he do that if he fucked you all night?

Fan!Yandere!Oc had a new roommate which is you, he didn't really care of you at one point because he was just focused on you at his phone.

Fan!Yandere!Oc immediately noticed that you where his favorite CamBoy when you took a picture of the apartment that you we're momentarily staying on social media.

Fan!Yandere!Oc knew he had to make you stay, but, he was so nervous to talk to you because he can finally see your face since you always wear a mask when streaming or recording.. He really wanted to talk to you, he wanted to fuck you already.

Fan!Yandere!Oc was masturbating to your stream like always, but it made his harder that he knew you we're 2 doors away when putting that 7-inch dildo into your lubed up hole.

Fan!Yandere!Oc holded up for 3 week of talking and to you— nervously. Well, except of stealing your boxers full of your musk. He was at complete bliss whenever deeply inhaling into your boxers.

Fan!Yandere!Oc couldn't hold it any longer, and blackmailed you in having sex with him because he was going to leak your face into the internet, and you had some of your videos doing in at work.. So, you said yes to avoid at losing your job to a side job.

He trusts deep inside you — fuck, how is it even possible of having such a long and girthy cock.

"Ahgn! Shoo good.!" You moaned out into him.

"You like that?" Hardy said whispering in your ears, and you eagerly nodded. To be honest, you didn't really experienced this good in your whole sex life as well as having a raw cock up in your ass because you always put a condom to whoever you we're fucking.

You forgot on how you we're even in that situation, and definitely didn't see the Fujifilm X-T4 camera pointing to you two fucking like bunnies in heat. With your face fully in display, meaning for Hardy more blackmail and masturbation material.

"H-hardy! I'm so c-close-! Ahn-" you moaned like you have never moaned before.

"Then come." Hardy even did more powerful trust than earlier which made you more faster to come.

You have never passed out so fast after sex for a long time ago..

Fan!Yandere!Oc even blackmailed you when you talk to other guys, because he is the only guy that can ever get to see how beautiful you look.

Fan!Yandere!Oc is happy that you aloud him to be in on of your videos! It really gave him a lot of pride in side him, and even though he blackmailed you. You eventually forgot about it because sex with him is amazing.

#oc x male reader #x male reader #x you #oneshot #gay #male reader smut #smut #bxb #ocs #x male camboy! reader

[cecilysass]

The Penultimate Partner Episode: Analyzing the Second-to-Last Episodes of Seasons 3-7

So I was thinking about the show’s tendency to do an episode that is explicitly about the Partnership—about the deep abiding bonds between Mulder and Scully—right before the season finale.

This doesn’t seem to happen in season 1 and 2 (the penultimate episodes are Roland and Our Town, respectively, which don’t seem to play the same role). And something different is happening in season 8 and 9, so I don't think they fit as well.

But during the show’s peak popularity, seasons 3-7, the second-to-last episode seems to be setting up baseline emotional stakes for whatever plotline is about to hit. These episodes are giving us the state of the partnership, reminding us how devoted they are to one another. They also tend to have to do with one or both partners having a distorted perception on reality that requires the other partner's intervention in some way. I’m calling them the Penultimate Partner episodes.

So can we look at the themes of each of these Partnership episodes and see development over time? I think yes. It’s gonna be long. I rewatched them all, so buckle up.

Season 3: Wetwired - partnership as trust Season 4: Demons - partnership as loyalty Season 5: Folie a Deux - partnership as shared madness Season 6: Field Trip - partnership as touchstones Season 7: Je Souhaite - partnership as happiness

Season 3: Wetwired  (right before Talitha Cumi)

This episode, like several in the Penultimate Partner episode category, involves a X-file that distorts perception. Because Scully can’t trust her own senses due to the mind control, she also can’t trust Mulder, calling into question the key tenet of their partnership. (And by season three, they have definitely established trust as the bedrock.)

Her gradual mistrust of Mulder in this episode is tense and painful; you can see on her face how much she argues with herself about it even as her mind is tricking her. Others who fall victim to this mind control phenomenon wind up murdering their romantic partner, but in the end of the episode, when they’re discussing what happened in the hospital, they both seem pretty unsurprised that Scully’s paranoia focused on Mulder. They both know, late season three, how crucial trust is between them. They understand that it’s Scully’s worst fear that Mulder would betray her. It’s not even news to them.

What Mulder’s worst fear might be is also hinted at, although it’s unsaid. He’s furious that her life is put at risk by the mysterious informant. When Mulder believes Scully may be dead and he’s going to identify her body, his reaction is chilling. He seems to completely shut down emotionally, not even showing any reaction to the Gunmen. Tellingly, when he is offered a choice between getting answers and going to ID Scully’s body, he doesn’t hesitate—he chooses Scully. (Sometimes people claim Mulder doesn’t show this kind of commitment to her until much later, even until Home Again in season 10, so it’s interesting to see it so unequivocal here.)   

I want to say that Scully’s anxiety about trusting Mulder in this episode is foreshadowing aspects of the cancer arc in the next season, but I don’t think that’s really what’s happening. This episode seems more like an entirely season 3 cap to the Anasazi / Blessing Way / Paperclip storyline, especially the murder of Melissa. Scully’s paranoia calls back Mulder’s in Anasazi, and Scully explicitly blames Mulder for her sister’s murder when she’s drawn a gun on him. Even just the fact that we're there with Maggie, who has a picture of Melissa displayed prominently, tells me that loss is supposed to be on both partners' minds. (Actually, the interaction between Mulder, Scully and Maggie is pretty amazing in this scene; they’re an emotionally complex trio who seem to be communicating on some other level. I love how when Mulder and Maggie are talking to freaked-out Scully they almost sound strangely unreal, almost like they really are speaking falsely. It allows us to imagine the scene as it looks from Scully’s point-of-view, as a massive betrayal.)

Wetwired is, technically, a mytharc episode, as this whole mind control thing seems to tie back into X and the Syndicate. Personally I think the episode’s ending, emphasizing the mytharc-related plot and X’s involvement and whatever tf was happening there, was a little misguided. For my tastes they would have done better to play up the more personal, character-based themes a little more. But I also think this episode was the first real Penultimate Partner episode, and it was setting some patterns that were going to be expanded on.

Season 4: Demons (before Gethsemane)

From the cold open, we can already tell this is already a more personal episode than Wetwired. Mulder is the one having perception problems now; he wakes from a disturbing dream, covered in blood, muddled memory. This is also technically a mytharc episode, but much more concerned with direct impact on character than Wetwired was. 

Scully instantly rushes to Mulder’s aid—walks right into his shower, for heaven’s sake—and absolutely never wavers in loyalty to him, even when he looks real, real guilty and a "rational" person would be suspicious. She is in fierce, must-protect-Mulder mode throughout this entire episode, from the moment she shows up palpating his head with her hands to her back-off behavior with the cops to her badass cold “I know what you do” comment to Dr. Goldstein. She also helps Mulder see through his distorted perception, telling him "this is not the way to the truth" as he holds a gun on her.

In this Penultimate Partner episode, we see something more than simple trust going on, although there’s trust, too. Maybe the word is loyalty or devotion. We see Mulder coming apart and Scully completely and utterly devoted to him. It’s actually very clear foreshadowing for the following week’s episode, Gethsemane. Mulder isn’t stable, and he needs Scully to keep him from “los[ing] his course,” as she says in Demons’ end narration. Gethsemane will follow up on the Mulder losing-his-course idea, and also will explore the idea that Scully’s bottomless support of Mulder isn’t always good for her. (This idea is voiced especially by Bill.) 

There are some ways in which this episode is a neat little bookend to Wetwired. In Wetwired, Scully flees to her mother’s house, desperate and paranoid; in Demons, Mulder, similarly unhinged, seeks out his mother at her house. In Wetwired, Scully sees things that aren’t there, and in Demons, it’s definitely implied that Mulder may be seeing things in his past that weren’t actually there. In Wetwired, Scully pulls a gun on Mulder, and in Demons, Mulder pulls one on Scully. 

I adore this episode, even though it’s definitely vulnerable to the critique that Mulder acts like a self-obsessed loon and Scully a hopeless enabler lol. Especially because it comes before the Gethsemane / Redux three parter, I wish the episode would have explicitly connected his behavior to the cancer arc, as I feel like that would have made his wild choices seem more understandable. If he felt like he needed to find answers faster because he knew Scully’s time was running out and he saw it all tied together with her fate, then we would get why he was acting so rashly. It would also tie more nicely into Gethsemane, which misleads the audience into thinking Mulder has killed himself, in part, because he believes she’s been given cancer to make him believe. But again, I love this episode. Scully showing up and putting that blanket around Mulder when he’s shaking. Her hugging him at the end when he’s desolate on the floor. This shows a partnership that’s been through Paper Hearts and Memento Mori—that’s moved beyond trust alone.

Season 5: Folie a Deux (before The End)

This is another episode about perception—about one partner seeing things the other can’t. Unlike in Wetwired or Demons, however, in this episode the altered perception actually represents the real truth, something everyone else fails to understand. The episode plays around with the tropes of earlier episodes like Wetwired, at first encouraging us to think that it's a delusion that Pincus is a monster, but then convincing us, through Mulder’s eyes, that the delusion is actually reality.  

As other people have observed, this episode ends up being a nice little metaphor for the whole show: Mulder knowing what no one else does, being ostracized and considered insane, asking Scully to find evidence to corroborate him and ultimately convincing her to believe him and see what he sees. Their partnership is, quite precisely, a madness shared by two. 

It’s a monster of the week, not a mytharc, so there’s no distraction of elaborate mytharc plot, just characters and monster. And this is a Vince Gilligan operation, so our focus is definitely on character. From the first scene with Mulder and Scully, we sense that we’re going to be talking about the partnership. Skinner gives them an assignment in Chicago that Mulder doesn’t think is worth it, and he complains in a particularly self-centered way to Scully, which she observes (“You’re saying I a lot.”) The episode is going to be very explicit that while Mulder might be monster boy, they are in this unhinged partnership situation together. Another important moment comes later, when Scully is calling the perp crazy for thinking he saw a monster, and Mulder says, “Well, I saw it, too.” Scully’s careful about-face after that, her delicate avoidance of implying she thinks Mulder is actually crazy, is part of the dance they’re doing at this late season five stage of their partnership. She doesn’t quite believe him, but she doesn’t knee-jerk not believe him either. 

And the foreshadowing of what’s to come in this one, whoo boy. Most obviously, we must acknowledge that 1013 knew exactly what they were doing when Mulder tells Scully “you’re my one in five billion.” A mere seven days from now, a mysterious beautiful ex who believes his theories is going to show up to immediately cast doubt on that claim. And this episode is also toying with the question of whether Scully actually does always back Mulder up when it’s important, when she has to accept she saw something illogical. At the end, does she tell Skinner she actually saw a giant bug in Mulder’s hospital room? We don’t know, but I think it’s implied she doesn’t. That’s all presaging what will happen in The Beginning coming off of Fight the Future. It’s Scully’s little way of resisting the madness, but it also hurts Mulder and damages the partnership, which will be a problem in season six. 

Season 6: Field Trip (before Biogenesis)

Full disclosure: this is my favorite episode. So I’m going to make some big claims about it. This is the ultimate Penultimate Partner episode—the one that best knits together what it wants to say about their partnership and what it wants to establish for the finale. It's a monster-of-the-week episode (another Vince Gilligan ep, with John Shiban) but refers to the mytharc often. It’s also one of the best episodes about their partnership, period. 

This is yet another episode about distorted perception. This time, however, under the influence of a giant mushroom, both partners are unable to perceive clearly, to determine what is real and what is a lie. And when they’re confused, they critically turn to one another to help them see what the truth is.

Coming off of season six, the partnership is rocky. Mulder is frustrated that after so many theories of his have borne out, he still can’t get the benefit of the doubt from Scully, something he explicitly says in the dialogue here. Scully has felt like she’s not been trusted or heard, like Mulder has turned to others (Diana Fowley, for example) rather than his partner.

This is an episode about how they absolutely need one another to be able to make sense of the world—that individually each of their points-of-view are not enough. In Mulder’s hallucination, Scully accepts his claims about alien life forms too completely, not applying enough skepticism, not pushing back against him. In Scully’s hallucination, a world without Mulder, everyone is unacceptably unquestioning of the status quo, refusing to dig deeper, lacking Mulder’s critical acumen and drive. Neither partner likes the feeling of being unopposed, and it makes both of them suspicious about the hallucination’s reality. They may think they want their own view to prevail, but they need one another to be a whole person.

The theme of what’s real and what’s not – and needing one another to discern the truth–is exactly what is picked up and developed further in the Biogenesis-Sixth Extinction-Amor Fati arc that follows this. Scully’s skepticism has to stretch to incorporate more of Mulder’s worldview to make sense of what she sees in the Ivory Coast, and of course, Mulder calls on Scully’s worldview to see through his misleading dream world in Amor Fati. In fact, you could argue Field Trip is really about the idea that Mulder and Scully are one another’s touchstones—the people they need to know what’s right and real. 

Incidentally, this episode also plays around with some of season 6’s other subtextual throughlines: Mulder and Scully’s anxieties about possibly entering a non-platonic relationship, their unease about what a normal, domestic life might even be for them. For the entire episode they’re directly compared and juxtaposed with the Schiffs, a young married couple who died on Brown Mountain. The Schiffs are a tall man and a redheaded woman. They even die hallucinating lying together on a hotel bed after she asked him to “hold her” (although I do seriously doubt 1013 was intentionally foreshadowing a full year ahead). The last shot is of Mulder reaching out to take Scully’s hand across the ambulance, suggesting a kind of partnership beyond just, you know, partnership. Which takes us to the next season.  

Season 7: Je Souhaite (before Requiem)

Truthfully, I don’t think this episode fits quite as well in the Penultimate Partner category. It doesn’t share some of the same traits as these other episodes—it’s not quite as notably about perception, for instance—and it’s not fundamentally about the partnership in the same way. But it does end up commenting on their partnership (even their relationship, really) as part of its theme, so I think we can include it—especially because its position right before Requiem ends up being important. 

Je Souhaite (btw, written and directed by Vince Gilligan) has a bit of an unsettled feeling to it because it was kind of treading water, waiting to see what happened with DD and the series. Nothing too monumental could happen with the partnership or the plot because it wasn’t clear to anyone what would happen next with the show: whether it would end or continue, whether DD would be involved or not.

So we have a story about Mulder and Scully making peace with not having a significant impact on the world—e.g. not bringing about world peace, not introducing invisible bodies to science. Instead, they are content to delightfully share a beer and comment that they have made one another “pretty happy” (as Scully says about Mulder). Through the jinni character, they seem to take the lesson that they can enjoy being with one another, accept the simple happiness that their relationship brings them. Rather than wish for success that comes too easily, they take joy in the little things with one another.

Comparing this episode to the Penultimate Partner episodes that come before, we can really see how Mulder and Scully’s dynamic has evolved by season seven. We have a Scully who is much more open to supernatural phenomena, for example, and whose skepticism seems more like a reflex or a defense mechanism now. Scully’s move towards belief is partially reflected in the plot of the episode: the X-file here really isn’t even science fiction. It is just straight up fantasy or magical realism. Aside from Scully's brief mention of a disease to explain what happened to the mouthless man in the cold open, no plausible scientific explanation for the jinni's long life or wishes is really even floated.

Scully is delighted by the discovery of the invisible body, and Mulder is visibly delighted by her delight. He’s also frustrated by her retreat into doubt when the body disappears, of course. But even the reversal into her old skepticism is half-hearted, as she soon after she's engaging in discussion with Mulder about what his final wish was. This is consistent with the overall blurring of the old hardline believer-skeptic dynamic we see in season 7. It’s also peeking ahead to Scully’s coming role as resident basement believer in season 8. 

The last scene, with the beers and Caddyshack, is meant to be a callback to djinni Jenn’s comment that she wishes she could “live my life moment by moment... enjoying it for what it is instead of... instead of worrying about what it isn't.” Mulder, we see, is taking a cue from her. (And good for him, as we almost never see these characters do this. Except on rare baseball-related occasions.)

However, this episode’s position right before Requiem—and right before the events of season 8—ends up giving this scene a real bittersweet bite. We know, after Requiem, that they were probably a romantic couple at this time. We know, after Requiem, that this time is going to be their last happy time together for a long while. Later in season 8, we learn that one lingering wish of Scully’s in season 7 is that she wanted to conceive a child with Mulder. And of course we know, after Requiem, that she gets her wish—but with a vicious catch, with a terrible side effect, much like what happens with the jinni’s wishes. 

So that’s my academic thesis on that. I know others have pointed out the existence of this type of episode before. What did I miss? Do you think I am wrong to leave out seasons 1, 2, 8, and 9? Why do we think these episodes focus so much on distorted perception? Interested to hear others’ thoughts (if they make it through this lol).

#the x files #x files meta #penultimate partner episodes #wetwired #x files #demons #season 3 x files #season 4 x files #folie à deux #season 5 X files #field trip #season 6 x files #je souhaite #season 7 x files #mulder and scully #fox mulder #dana scully #MSR

[flower-boi16]

The Millie Problem

The first Helluva Boss short came out and...it was mid. It's cute and harmless, sure, but it's also nothing special or anything that great. The short once again tries and fails to give Millie any real depth and it made me realize the biggest flaw with Millie as a character...

....the writers don't know how to give her depth. I've talked this before but now it seems like a fairly common thing for Millie as a character that it's time to make a post about this. The writers clearly want to give Millie depth but like I said the problem is that they don't seem to know HOW, and here I'm going to explain why the writers' attempts at giving Millie depth simply don't work.

In Season 1 Millie kinda just...existed. She was there. She had little personality or character depth beyond being Moxxie's wife, she was completely one-dimensional as a character.

Season 2 would come and try to give her depth with Unhappy Campers, and this is where the problem begins to arise. Instead of actually focusing on Millie as a character, Unhappy Campers wasted it's runtime on focusing on Moxxie being jealous and decided to just. Randomly give Millie validation issues completely out of nowhere.

I've spoken before about this doesn't work, so I'll just explain it quick; it comes out of nowhere. Millie has never shown to want validation from others, there was no foreshadowing or build-up to this, thus it feels forced and rushed. It's just a random character flaw the writers pulled out their ass in a rushed and failed attempt at giving Millie depth.

But it doesn't give her depth because it came out of nowhere. This flaw is also never explored upoun; the show never explores this insecurity or why Millie even has it. Feels tacked on to her.

It is, essentially, a rushed attempt at giving her depth. This is a conflict that comes completely out of nowhere and is heavily underdeveloped. It does little for Millie as a character and fails to give her depth.

The new short is the second instance of this; once again we have a conflict where Sally is upset that Millie moved away and they reconcile in the end. This conflict is at least better than the other two of three times is happened, however, it still has the same problems; it doesn't really do that much for Millie as a character. It comes out of nowhere and is explored very little.

It's not enough to develop Millie as a character, it simply feels like the bare minimum. Once again; it's a conflict that comes out of nowhere, is explored very little, and gives little depth to Millie as a character. It once again, feels tacked on.

Now we're going to go into leak territory here as a future episode called GhostFuckers shows the third instance of the writers attempting to give Millie depth. How are they going to do it this time?

By making Millie suicidal of course! ....wait I'm sorry what???? Like with Unhappy Campers I've spoken before about why this doesn't work but of the three instances, this is easily the worst one. Why is Millie being suicidal here??? WHY have her be suicidal in the first place??? What's the point?????

This adds nothing to Millie as a character and once again feels forced and tacked on. Like the other two instances, it comes completely out of nowhere. Plus it just flat out makes no sense! Why does Millie apparently hate herself for "being a killing machine" when that is LITERALLY THE THING HER HUSBAND LOVES ABOUT HER AND WHEN THAT'S THE THING THAT MAKES HER ONE OF THE BEST MEMBERS OF THE GROUP???? WHY DOES SHE HATE HERSELF??? AND WHY IS SHE SUDDENELY SUICIDAL???? WHY DOES SHE SUDDENLY FEEL LIKE A BURDEN TO HER HUSBAND????? Once again, it's a forced attempt at giving Millie depth and feels tacked on.

It comes out of nowhere & is extremely forced. Granted, the episode hasn't come out yet, however judging by the leaks it seems like the episode will be the third instance of the writers randomly introducing conflicts out of nowhere in order to give Millie depth.

It's clear that the writers want to flesh out Millie as a character, but the problem is that they don't seem to know how. They constantly try introducing random conflicts for Millie to try and give her character depth, but they fail because every time the writers try to give Millie depth, it always comes out of nowhere. They always feel rushed, tacked on, and they just don't add anything to her as a character. It just feels like the bare minimum.

I want to like Millie, I really do, but it seems like the writers just don't know what to do with her anymore.

#vivziepop critical #hazbin hotel critical #helluva boss critical #vivziepop criticism #helluva boss criticism

[tofixtheshadows]

You guys really need to stop and consider the ways you're talking about Kabru I am dead fucking serious. Like I know that flattening characters is just what fandom does to a certain extent, but Kabru's actual personality is getting lost to the fandom hivemind insisting that he's aggressive/cruel/sociopathic/hateful, and these are particularly concerning takes to see leveled at the only brown character in the main cast day after day. "My poor sweet golden child Laios needs to be protected from this scary brown man" is not a good look! Like, it's very telling that the bulk of the hate and bad faith readings are reserved for Toshiro and Kabru. Everyone else's flaws get to be discussed and validated and forgiven (or erased), meanwhile people are straight making up things to be mad about with Toshiro and Kabru but patting themselves on the back for being smart.

The worst part is how undeserved it all is. I'm trying to lay off anime-onlys because we're still kind of in the red herring stage of getting to know Kabru, but I would still like to gently suggest that even if you think Kabru is up to something, you don't gave to get in the tags of every fan creator's post and bring up how you hate him or You Can Tell he's totally evil. Sometimes I think Kabru's blue eyes give people license to say things about his appearance that they know would sound completely racist otherwise, but referring to his blue eyes acts as a get-out-of-racism free card. The jokes about the dog with brown contacts are getting old, by the way.

For people who have read the manga, it's disappointing. Kabru is one of the most complex and important characters in the story, and if you base your interpretation of him and all your fandom interactions on shallow first impressions you are completely missing out.

I know part of this is because Dungeon Meshi is a comedy, but the story also wants to be taken seriously. For example, it's admittedly really funny when Chilchuck calls Laios "sick in the head", but that doesn't change the fact that the way Chilchuck casually belittles Laios caused him to hide the fact that he was "hallucinating" from his friends for weeks. Those feelings matter.

Like, this

is funny.

But this?

Is not. This is just a very clear example of a brown boy with PTSD. As someone else with PTSD, just looking at this fucking sucks, man.

The only reason why Kabru thinks about killing Laios is because he is in the middle of a flashback. He's struggling through a panic attack. If he truly wanted to kill Laios because he's violent or because he finds Laios inherently annoying, he wouldn't otherwise talk with Laios normally. Notice how he doesn't act this way at any other point in the story- it's just because he's triggered by monsters. Even when he's thinking about his plans to "deal with" Laios later, he's reluctant to actually kill him and only considers it to prevent another tragedy. Despite his deadly skills, Kabru relies far more on "soft" power- insight, persuasion, diplomacy. He's a rare example of a character who absolutely is, or at least can be, manipulative, but seems to use his abilities for good. He's not a pathological liar, he isn't looking down on everyone behind a smile. He's someone who is extremely emotionally intelligent, and he's willing to put aside all his own basic wants and needs to stop the cycle of dungeons devouring humans.

I'm going to cut a potential thesis on his character short and just give some examples of things that fandom should consider about his personality more:

Racism in fandom isn't just about whitewashing in fan art, or using racial slurs. The insidiousness of bad faith readings, reductions to racist tropes, lack of fan content for characters of color, and dismissal of a character's complexity are far more common. You can believe yourself to be completely neutral or even positive about a character and still churn out low-grade bile about them into fandom's collective unconscious. Fandom reflects real life.

And I have been around fandom long enough to see how these behaviors (mostly from my fellow white fans) affect fans of color, how it makes a fandom feel hostile and unwelcome to them. It's fun to make jokes and memes, I'm absolutely not saying that everything needs to be a deeply nuanced take, but we need to be careful that it doesn't veer into toxicity. Please think about how our contributions to fandom come across, and what sort of vibes they cultivate in this communal space.

#Dungeon Meshi #Kabru #Kabru of Utaya #Dungeon Meshi meta #I'm putting it in the tag. I'm making you look at it. #if you come into my inbox to bitch about this just know that people used to send me b*heading videos in there for similar racist reasons #so I will not be impressed #I'm in a fucking time loop someone get me out!!!! #musings with Dea

[skamenglishsubs]

Subtext and Culture, Young Royals, Season 3, Episode 6

Out here in the real world it's been a week since the cliffhanger ending of episode 5 where Simon broke up with Wilhelm, but in-universe it's just the next day, and Wilhelm is being comforted by Felice.

Subtext: This entire episode is incredibly meta, there are so many times characters say things that reference earlier seasons or episodes, or the entire series as a whole. This is the first time, and Felice is saying what we're all thinking. IS IT REALLY OVER?!? 😱

Blink and you miss it: Felice gives Wilhelm her sunglasses and dries his tears so he can hide the fact that he's been crying. Also, look at that gorgeous Swedish summer. It is so pretty.

Culture: The third-years are painting the banners that go on the trucks on graduation day.

Culture: They're also signing each others' student hats, which is a common tradition. You can just sign your name or write something funny or do whatever.

Culture: This car is what we in Sweden call a sossecontainer. It's an old 90's Volvo, it's square, it's ugly, and it was pretty cheap and reliable, so it was very common and popular among working class and the lower middle classes. It was never a high-status car, so it perfectly illustrates the Eriksson family.

Subtext: Oh look, another throwback to season 1 when Sara argued with Simon about their dad, and said that he should stop giving people second chances.

Culture: Oh look, another poem by Karin Boye. This time it's Eternity, a poem about cherishing your time with your loved one, and the text is about how good times feel like an endless summer, which is what it certainly looks like for the kids and their teacher in the lush landscape. But just like in the poem, their endless summer is about to end.

Culture: This is pretty much exactly the reason used when real-world Lundsberg was temporarily closed.

Culture: And Wilhelm isn't wrong, the shitty traditions are in the walls of the place, it's always been like that, and it's always been upheld by everyone involved with the school, parents, teachers, staff, and students.

Subtext: Since this is the last episode, let's prepare the viewers to say good bye to the show, and let's do it with a little montage of students crying and taking their stuff down and emptying their rooms.

Culture: This is a 100% factually true statement, Göteborg is the worst city in the world. Source: I'm a native Stockholmer, and you just have to trust me on this, ok? Look, it's just common sense, alright? Don't listen to people from Göteborg, they're just jealous they're not living in the glorious capital. Also, they talk funny. And they have no sense of humour! And everyone is named Glenn or something.

Culture: I don't think they're referencing an actual school here, and the current Norwegian royal children went to school in Norway, not Switzerland. But the current Danish crown prince went to some boarding school in Switzerland for a while, but then he went to the Danish elite boarding school Herlufsholm. However, it was rocked by a bullying scandal in 2022, so they had to pull him out of that one and deny all knowledge of the events. Feels familiar?

Culture: Solliden is the private summer palace of the real-world Swedish royal family located on Öland, an island off the south-east coast of Sweden. The show has consistently stayed away from every likeness with the real world, but I guess they couldn't be arsed making up a fictional summer palace for the YR royal family so they went with something familiar.

Subtext: Farima is talking about the problems of finding a new school for Wilhelm from an academic perspective, but he's just thinking about how this means he won't be close to Simon any longer.

Culture: Vincent and the boys are pouring one out for Hillerska. It's a way to toast a dead friend, or in this case, a place.

Blink and you miss it: August places a king chess piece on the table before telling his friends that he's Wilhelm's reserve and might be king someday.

Subtext: And he's still so blinded by the glamour of it, despite everything. Thankfully, his friends can bring him down a couple of pegs.

Blink and you miss it: While Wilhelm is returning Kris, the book from last season, the second book in the pile is a book by Kjell Westö, Den Svavelgula Himlen - Yellow Sulphur Sky. It's about a working class kid in Finland becoming friends with his upper-class neighbour family, and his struggle maintaining a relationship with the girl of the family because of their class differences. Slightly on the nose there, show.

Meta: Henry interrupting our boys at the worst possible time is just a running joke at this point. How many times has it happened now? Four times? Five? Read the fucking room, Henry!

Subtext: Last chance to have a party together, but also last chance to see Simon, "maybe ever". Oh no, we have to start preparing for a sad ending!

Culture: Red solo cups are not a thing anywhere outside the US really, but you can buy them as a gag gift in Sweden, because to us they're just a weird movie prop we've seen American movies. Every other party scene in the show has featured regular plastic cups.

Culture: Drinking with the teachers?!? Yeah, sure, why not, everyone is an adult.

Subtext: Emo outfit? ✅ Sitting on the floor? ✅ Full of self-pity? ✅ Exaggerating the catastrophic state of his world in the way only a 17yo disaster boy can do? ✅

Meta: Another throwback to how Wilhelm was referred to as the party prince back in season 1.

Blink and you miss it: Felice hides the wine bottle behind her back before Malin comes in. She knows, Felice. Malin knows everything.

Meta: Another throwback to when Wilhelm was eating the dirt at the very same football field that disaster emo boy Simon is now sitting at together with his friends, who are trying to convince him to go to the final party.

Subtext: This time, August isn't just sorry that he got caught, he is genuinely sorry for everything he did to Wilhelm. He in turn forgives August, and we're all getting closure for this plot point.

Meta: Hey, hey, hey guys, do you remember that scene in season 1 episode 1 when Sara helped hold Felice's hair while she was throwing up? We're doing a throwback here!

Meta: Hey, hey, hey guys, do you remember that scene in season 1 episode 3 when Felice told Sara that maybe you don't have to speak the truth all the time? Well, Sara still doesn't understand why you would lie, but this time she's right, Felice was right to tell the truth.

Blink and you miss it: Stella and Fredrika are making out at the party, Felice saw it, and is making a very funny face. This is also why Stella rudely rejects Rosh, because of course she's gonna choose Fredrika, Rosh was just a distraction to make her jealous.

Subtext: Vincent is talking about Nils, who just came out, but August just saw Sara, and that's the whoever he wants.

Subtext: But despite saying that he doesn't care about anyone else seeing them, he still ducked behind a stack of pallets for this conversation.

Meta: This is a brutal Fleabag reference.

Cinematography: This scene is overwhelmingly lit in that sickly greenish fluorescent hue, but there's golden light coming from somewhere, so Sara and August share one final kiss in that golden light. But there's not enough of it to go around, not enough for their love to last, so August is left standing there alone, and all the golden light is gone.

Cinematography: Wilhelm and Simon left the party sometime after midnight, this is supposed to be a very early morning summer sunrise, and our boys are just gonna be bathed in the golden light throughout the entire scene. Gods, it is pretty.

Meta: Hey, hey, remember that scene in season 1 when Simon was singing that song, and Wilhelm instantly fell for him?

Meta: Hey guys, remember that scene in season 1 when they were discussing welfare politics in class and Simon threw shade on Wilhelm? This is a throwback to that.

Cinematography: Just fucking look at this shit. What a nice view. The nature and the sunrise is pretty, too! Going naked into the water? Yeah, that's a rebirth metaphor as well. Lisa said so!

Subtext: This entire scene is basically Wilhelm trying one last time to get Simon back. They said they weren't gonna, but he's trying anyway. They're talking about that politics class where Wilhelm couldn't speak up because he was "not allowed". So he's still bound by his royal duties, which is why Simon broke up with him last episode.

Subtext: And since Wilhelm is still stuck, he's left on dry land, while Simon swims away from him, free. Guys, I'm thinking we're actually gonna get a sad ending! This does not look good! 😭

Blink and you miss it: Stella and Fredrika are sleeping in the same bed and making out the morning after, and millions of #Stedrika shippers are rejoicing! Yay, fanservice!

Blink and you miss it: Walter is helping Henry up after he passed out in the grass outside after the party, and millions of #Walty shippers are rejoicing! Yay, fanservice!

Subtext: The last photo Wilhelm takes down from his wall is the one with him and Simon, because that's the most important memory of this place.

Blink and you miss it: Wilhelm shuts off his red lightstrip in his room. Those lights have typically been a symbol of his love for Simon, but he's turning it off. Sad ending confirmed.

Meta: Listen, it's a lovely little song that Simon wrote for Wilhelm, but it's 100% fanservice, it's referencing events in the show that Simon actually didn't witness, and it's even referencing the soundtrack to the show itself! I mean, come on! And we're getting yet another sad boy Wilhelm montage of him moping around Hillerska with his earbuds.

Subtext: Remember how the frog snowglobe was a gift from Erik, who in turn got it from their grandpa, the king? It's so obviously a symbol of the monarchy, but Wilhelm is dumping it in the trash. Are we... Are we not getting a sad ending?

Cinematography: The shot of the flag being raised is cut off at half mast, which is a pretty universal symbol for mourning. Oh ok, we're back on track for a sad ending.

Subtext: This is the first time this season that Simon speaks Spanish with his mom, and the first time in the entire series that Sara does, which shows that they're fully themselves again, they've pulled themselves out of the Hillerska world.

Culture: The graduating students are having a champagne breakfast before the graduation ceremony, that's also very common in Sweden.

Subtext: Felice and the rest of the choir decided to have a little rebellion and not sing the boring old Hillerska song, and instead the new improved one that Simon made last season. No-one told him about the switch though, which is why he's so surprised.

Culture: After the ceremony, the graduating students will run out of the school to find their parents and family and friends, who are waiting for them, usually with a big sign with the most embarrassing baby picture they could find of them.

Blink and you miss it: August's mom and stepdad have also made a huge sign with an embarrassing picture of August Malte as a kid. Adorable.

Lost in translation: The queen is saying "lilla gubben", which literally means "little old man", a very common term of endearment in Swedish families. The show has been pretty consistent in that Wilhelm's family are all using normal words, just like any other family would. So it's pretty funny that despite everyone else using titles and styles all the time, to Wilhelm, his parents are simply "mamma" and "pappa", as if he was a regular kid.

Subtext: As a graduating student you get little gifts from your family, flowers, champagne, stuffed animals, all with a blue-and-yellow ribbon so you can hang them around your neck. August is family, so the Queen gives him one as well. Of a frog with a crown. Which is a symbol of the monarchy in the show. Wilhelm threw his frog in the trash, August is getting a frog from the Queen. I think there might be symbolism here! I think we're setting up August to become the next king! Do we dare hope for a happy ending?

Cinematography: Just fucking look at this shit. The composition, the contrast, the height difference, the distance between them. It's so pretty. And they're talking about how good it was while it lasted, just like how a TV show with a sad ending can still be an amazing experience. Hint hint.

Subtext: We're saying our goodbyes, Wilhelm and Simon are saying goodbye to each other, Wilhelm wishes Simon a nice summer, just like how Simon wished Wilhelm a good Christmas back in season 1, and just like back then, they both understand that they love each other, but can't be together.

Cinematography: And then Simon exits the scene, again, leaving Wilhelm standing there alone, again, having seemingly chosen his family and royal duty.

Culture: It's common to either rent a truck as a large group of students, or to be driven in a flashy car alone or with a friend. The two girls in the centre are sitting in a very nice Aston Martin, while a bunch of their classmates are on a truck. I can't make out the full text on the banner, but I think it says something like "Lock up your sons because tonight we become like animals".

Culture: Svensson is a very common Swedish last name, so to "be a Svensson" basically means that you're super average and mediocre, you're like everyone else. Whereas these elite kids are used to having everyone else bow and scrape for them, so that message is on brand.

Cinematography: We're in the car, it looks like the ending of season 1, and we're doing a close-up of Wilhelm's face. We're ready for the fourth-wall-break of him staring sadly into the camera, having been once again broken down by the system and not getting the boy. We've said goodbye to everyone, roll the credits, start your crying...

Cinematography: ...except the show isn't ending here. We're having an honest conversation between Wilhelm and his parents for the first time. Because every other time he's said that he doesn't want to be crown prince of the next king, he's been angry or upset, he's been threatening, and definitely impulsive. But he's never wanted any of it.

Cinematography: His parents let him go, they open the door to their van, Wilhelm exits, and the show turns up the volume of the soundtrack. "Energetic music" my ass, it's the Harmony theme! It's the main theme of the entire show playing as Wilhelm runs away.

Subtext: Oh, yeah, August sees him run away, and understands that he's next in line now. Sorry buddy, sucks to be you, but never mind that now. RUN, WILHELM, RUN!!! GET YOUR MAN!

Cinematography: The shows turns into the most perfect rom-com, with Wilhelm chasing down Simon's car through the incredibly lush and green Swedish summer. He catches up to them, tells Simon that he ditched the crown for his own sake, and asks if it's really over between them.

VAD FAN TROR DU?

As if the soundtrack wasn't triumphant enough, it now starts playing As Long As you Are Here as they throw themselves in each other's arms. Happy ending! They're crying, I'm crying, we're all crying! 😭

Cinematography: A montage? With all the best scenes between our boys from the entire show? With the text of the soundtrack perfectly matching the montage? I should be outraged at how cheesy this is, but it is perfect. Perfect. I love it. I swear, this fucking show.

Subtext: Finally we are at the true ending of the show. Wilhelm has managed to escape Hillerska, him and Simon and Sara and Felice have all escaped the hierarchies, the expectations, the duties, and the toxic environment of the school. He arrived in a Ferrari, and is now running away with his boyfriend and friends in a crappy Volvo station-wagon. The stiff suit jackets are gone, they're all in white, his hair is ruffled in the wind, and for the last time ever Wilhelm looks into the camera. And he smiles.

He is finally free.

#young royals #young royals subtext #young royals analysis #young royals season 3

[helvegen-s]

Rage, rage | five

prologue | one | two | three | four | five

Pairing: Azriel x Hybern!Princess!OC

Summary: Nimue was a gift for the King of Hybern. His shining jewel, the perfect heir. However, she is clear about who the villain of the story is. When she saves her father's enemies from a tragic end, she realizes that now it's the Cauldron who has a gift for her: a mate.

Warnings: nothing that I can think of, just some fluff and nimue and azriel bantering

Two days had passed since Nimue had been there, in that house, in that city.

She spent the day inside her room, in silence, talking to herself or to The Voice, when that entity deigned to honor her with its presence. She wondered how it was able to overcome the magical guards that surrounded the entire house, how it got there without alerting Rhysand or any of the others.

Food simply materialized on a small desk in the room assigned to her. Clothing too.

Sometimes she heard the others talking through the walls: she heard them gathered in the living room discussing strategies or plans; she heard Feyre crying at night, lamenting the fate of her sisters and the guilt that consumed her; she heard Cassian and the blonde female, Morrigan, talking in the living room about trivial matters.

What she didn't hear was that dull noise on the other side of the bond. She hadn't heard the voice or the steps of this Azriel fellow. She hadn't smelled his scent, of cedar and mist, the same scent she had smelled on the dead spies her father had sent to Prythian.

In her head, she had begun to imagine stories about each of them. Her own observant nature had told her that Cassian must be some kind of warrior, a commander or general in Rhysand's army; Morrigan, on the other hand, must be involved in politics, as her contributions in those small meetings she heard on the other side of the house were purely rational and theoretical observations, worthy of a brilliant mind; Azriel, she assumed, would be a spy, hence that distinctive aura surrounding him, and the fact that her father's dead spies were imbued in his scent and that of his pretty dagger.

She spends her days like this, locked in with her own thoughts.

Until the third day, when someone knocks on her door. Sitting in a small armchair, Nimue simply waits for whoever it is to decide to come in: it's not her house, she has no right to prohibit anyone from entering.

When the door opens, the petite figure of Feyre slips into the room, closing the door behind her. They both look at each other, in silence, Feyre standing by the door and Nimue sitting in front of her.

Nimue knows she has nothing to say, however, Feyre seems to be struggling to find the right words.

"You're not our prisoner, you know that, right?" Nimue nods, but says nothing more. "You're free to roam the house, go out, and do whatever you do in your free time. We're not your jailers."

"I know, this is what I do in my free time," and with her hand, she simply gestures around, towards nothing. Because that's what she does in her free time: nothing. It's either train or wait for something to happen, nothing more. "I've considered it would be best to stay here. My presence is not welcomed in this house, and I don't want to make anyone uncomfortable. I know it's not a good time."

Nimue didn't want to tell her that she heard her cry at night, but nevertheless, Feyre's gaze was filled with understanding.

"It's not a good time, you're right, but you've helped us to make it not even worse. Don't judge them by how they treat you, they're a bit short-sighted. That's what happens when you've been living the same life for five hundred years," a small laugh escaped Feyre's lips, and Nimue couldn't help but smile herself. There was something about that woman that softened her heart, like Ferlan, the old cook who told her stories. "They'll accept you, sooner or later. Give them time."

Feyre directed her a smile so warm and friendly that for a moment, Nimue felt breathless.

How sad it was, to shrink in her place at such a small act of kindness, because in her life she had never known such a thing.

Nimue nodded, trying to return the woman's smile.

"Come with me."

She was surprised, but she obeyed and stood up. The brunette woman walked through the halls of the house, with Nimue trailing behind. She pointed out each room; to the right, a beautiful office; to the left, a smaller second living room; downstairs the kitchen and the living room where she had already been, and a little further down the hall, a huge library.

Nimue couldn't wipe the constant look of amazement off her face: yes, she had seen libraries, offices, kitchens, living rooms. But nowhere had she felt that warmth emanating from the walls, that sweet smell, a mixture of all the scents of those who inhabited it.

She felt Feyre's eyes on her, with an amused expression on her face.

"You have the same look as a child who has tried candies for the first time."

Nimue frowned, tearing her gaze away from the shelves full of books to look at the brunette, puzzled.

"What is a candies?"

Feyre placed a hand on her chest, letting out a small cry of indignation. With her hands outstretched, she loudly asked for some candy and they immediately materialized in her palms.

Nimue looked at them as if she were looking at a six-legged horse: balls of all colors, with shiny wrappers and all kinds of scents. She took one and opened it, imitating Feyre, who popped one into her mouth without hesitation.

When the princess put it in her mouth, she could swear she had never tasted anything so delicious in her life. Yes, the food at her Palace was good, but that... That was a whole new world.

As she savored it and let it roll around in her mouth, she reached out her hands into the air.

"More," she said aloud. Feyre let out a genuine laugh that, once again, softened her heart. "More, please. I've never tasted anything so delicious in my life, I want more."

Candies began to sprout from the palms of her own hands, overflowing and falling to the ground. Before she knew it, a small pile of candies and many more things had formed at her feet: there were lollipops, spiral-shaped candies, candy canes. There were even small buns appearing at her feet and in her hands.

Feyre couldn't stop laughing. The innocence and naturalness of the princess had fallen upon her like sunlight, after being immersed in her own shadows for the past few days.

"The house really likes you, it's not willing to please everyone like this."

"I know," said Nimue, "sometimes I feel like it's trying to talk to me. It's such ancient magic, it must be a very special spirit."

A last and enormous bun appeared in her hands, as if the house itself were appreciating Nimue's acknowledgment.

She looked up at Feyre, with a silly smile she couldn't wipe off her face. It even hurt her face, as she couldn't remember if she had ever smiled so much in her life.

"Come, let's go outside."

Feyre took her hand, and while Nimue took one last bite of the bun, they left behind that small pile of sweets. She glanced back, and in a low voice, she thanked the house again.

Before she knew it, Feyre had pushed her out into the same courtyard where they had landed days ago, just after escaping from Hybern.

The sun was high in the sky, and Nimue had to squint to see anything. She found herself in the same situation as three days ago, completely overwhelmed by the light, the sounds, the smells, the vastness of the sky above her.

She took in as much air as her lungs would allow, and allowed herself to enjoy it all: the blue sky, the cool breeze coming from the mountains, the smell of the sea and salt that reminded her so much of home, when the sea breeze would sneak through her windows.

Twenty years locked away. And now, she felt that not even a whole lifetime would be enough to see it all, to feel it all.

She still held Feyre's hand, who couldn't stop watching her by her side.

"I believe you. I see in you a scared child who has managed to escape the clutches of an evil man," she said, carefully and in a low voice. Nimue felt a breath of fresh air, which tangled in her hair and danced around her face. "I choose to trust you because I see goodness and light in you, fighting to do something good."

Nimue brought a hand to her face: she found that, once again, she was crying.

"Thank you," she whispered. "Thank you, for your trust. I understand what it's like to be in your place, I would also be suspicious of me. But I will prove to you that I can be useful to win this war."

Feyre nodded and smiled.

"I hope you'll be useful to us for much more than just the war."

And then Nimue felt it.

After three days of dead silence, something in her chest began to vibrate again.

She looked up at the sky to see two winged shadows approaching them. Instinctively, she covered Feyre with her body, prepared for anything.

Azriel and Cassian landed carefully on the courtyard, under Nimue's watchful gaze. Those wings were something impressive.

"What are you doing here alone with her, Feyre?" Azriel asked. He walked threateningly towards the two females, and Nimue felt the hairs on the back of her neck stand up, like a cat ready to attack. "It's not safe, she should be under surveillance."

"Azriel-"

"I'm right here, don't talk about me like a dog," Nimue interrupted, taking a step forward. Azriel was tall, yes, but so was she. Face to face, she didn't feel the least bit intimidated by him, and she even realized how surprised the male was by the indifference she felt towards his intimidation. Nimue smiled. "That thing of spreading your wings like a bird and seeming bigger might work with others, not with me."

She didn't know what prompted her to act like that with the winged male. Perhaps it was his anger, which through the bond infected her with that anger and rage that left her seeing red.

Azriel growled.

"Give me one reason to trust you. Then, I'll let you roam freely around my house and my city."

"I saved your life. Shall I remind you?" Nimue takes another step forward, getting so close to him that she can see the tiny specks of dark brown in his amber eyes. "If I hadn't taken you out of there, who knows what my father would have done to you. I also remind you that it was me who pulled the arrow out of your chest without poisoning you."

"But something tells me you're doing that to win our favor and trust. Who says you're not a spy for your father? Only a fool would trust you."

"Hey, I trust her," Feyre says. She and Cassian look at each other, not knowing what to do.

They don't fully understand the situation either. Azriel had always been cautious and foresighted, slow to trust people and always suspicious of others' intentions. However, there was something about Nimue... They couldn't quite put their finger on it, but it was a kind of blind trust.

Azriel ignores Feyre and continues accusing and accusing.

"What I really can't wrap my head around is how we've never known anything about you. My spies have been in the Court of the King of Hybern for years and I've never heard a whisper about a princess. If you're so powerful and important, explain to me how not a single person on the other side of the sea knows of your existence."

"Maybe you're not as good at your job as you claim to be."

Azriel feels like he's about to explode, now more than ever.

He has to fight against all his impulses not to kill her on the spot. But at the same time, there's something in him that dies just imagining her bleeding.

His own mind contradicts him, and he feels like he's going to split in two. So before any of that happens, he lets out one last growl and leaves, flapping his wings and causing a gust of wind that tousles Nimue's hair.

There they stand, Feyre, Cassian, and Nimue, watching Azriel enter the house.

They look at each other, not knowing what to say, and the princess feels her heart racing.

It was so complicated, dealing with all those pure and unfiltered emotions that came to her from the other side of the bond...

Cassian snorts and then smiles at the two females.

"Would you like some tea?"

Nimue furrows her brows and looks at Feyre, then at Cassian.

"What is a tea?”

Taglist:

@lilah-asteria @agentsofsheilds @leptitlu @just-here-reading @glitterypirateduck @saltedcoffeescotch @krowiathemythologynerd @annblvd @annamariereads16

#acotar #acotar fanfiction #acotar fic #azriel #azriel imagine #azriel x female!reader #azriel x oc #azriel x reader #cassian #rhysand

[moonydustx]

a/n: taking a short break from requests to bring this here. I'll be back next week replying to whoever sent it, I'm really looking forward to it (seriously, don't kill me, I had some problems at work and ended up messing up my schedule).

Who breaks first?

F!Reader x Ace

warnings: smut, kinda of dom!F!reader e sub!, sweet boy Ace is begging for some laid here. Dirty talk, sorta of a pre-established relationship. Not proofread, may contain some errors.

MINORS DO NOT INTERACT | +18

"I can't wait until we find a good island, with good girls…" Thatch pointed out, downing the rest of the beer in his glass. "It's been decades."

"You mean days." Marcos corrected him.

"You men, can't you not think about it?" you pointed out, seeing them laugh. "What's the problem?"

"The person said that every other night he's waking up the entire ship." Izou leaned on you, in an almost theatrical way. "Oh Ace, don't stop. Please Ace, give me more." He tuned his voice in order to imitate you.

"That doesn't mean I only think about it." you pushed him away and on the other side of the table, you saw Ace laugh cynically. "And what's your problem?"

"Nothing, I mean, I'm not the one who seems to only think about it, or beg for it." upon seeing your sullen face, he pointed at his colleague. "I'm speaking based on what Izou said."

"I would stop the joke here, you could be entering dangerous waters." Marco warned him, but was completely ignored.

"I agree with the little bird." your challenging gaze turned to him. "There's no point complaining later."

"Complain? Well, it's a good thing we're getting to the next island, isn't it Thatch?" Ace's laugh was more to tease you than for any other reason. This time, you would allow yourself to fall into his pile, even if on purpose.

"Good to know, Mr. Portgas." a pretentious smile crossed your expression. "Island pussies will be the next and only ones you'll see."

The commotion between the friends brought a common redness to Ace's face, eliciting almost evil laughter from you. That same night, as you were getting ready for bed, you felt a hand wrap around your waist, wet lips slide down the back of your neck.

"You know I was joking, don't you?" Ace whispered, placing a kiss on the corner of your neck that he knew was your weak face. One of his hands slipped inside your shorts, his fingers played with the elastic of your panties. "Let me make it up to you for today?"

"But I wasn't kidding." Begrudgingly, you pulled away from him, turning to look at Ace's frustrated face. "Go after the women on the island."

"You don't have to be so mean."

"Or you'll have to beg." you pointed out, unable to hide the malice in your words. That didn't go unnoticed by Ace, who took a few steps back.

"So this is going to be a little game." He sat on the bed, arms back supporting his body, legs parted highlighting the bulge in his shorts. "Whoever begs first loses?"

"Not whoever begs first." you moved closer, pretending to sit on his lap, just enough to move away and lie down on the bed, facing away from his body. "You're the one who's going to beg. Good night, fire fists."

Ace wasted a good few minutes there, contemplating how low a game you had played at that moment. He wouldn't break the small bet first, at least that's what he thought.

The next day, hunting through the clothes you had, you picked out the ones you knew were his favorites. No comfortable pajamas or loose clothes until he gave in. You knew it would be a difficult bet, but this time you would emerge victorious.

Sundress on your skin, floral perfume and lips red as fire, you knew how to play your cards.

"Hi guys!" you approached the small circle that was engaged in some kind of conversation. You noticed three immediate reactions, Marco and Izou who laughed knowing full well what you were doing and Ace, who seemed to be lost in some kind of mirage.

"I know about your commitment, but it would be unfair if I let it go unnoticed." Vista pulled out some rose petals and handed them to you. "You look beautiful today."

"Thank you Vi." You purposely walked past them and leaned on the edge of the ship, feeling the wind move the hem of your dress. "How long until the island?"

"I-I guess one day, miss." you heard one of the boys murmur and then your boyfriend's voice shouted at him.

"I see what you're looking at!" you didn't even need to look back, knowing that Ace was touching all the brothers there. "Everyone disappear, go, circulate."

"What's wrong, darling?"

"What is wrong?" he came to you. His hands pointed indignantly at your body. "What is that?"

"A dress. Don't like it?" His growl of frustration made you laugh.

"You know very well that's not the problem." he leaned closer, almost whispering. "The problem is actually the incredible opposite of that."

"It's a shame, my little flame." you snuck up to reach his ear. "Although, seeing you all jealous like that makes me sooo wet. Too bad you can't see it, or taste it."

That sentence was enough to guarantee, firstly, Ace's bad mood, damn the time he was falling for such a bet, and secondly, another dose of overprotectiveness from Ace, after all, no one would watch his girl. Whether it was while you were parading around in your sundress, or when the next day you showed up in an even shorter one and wearing just a bikini over it, or when you decided to sleep wearing just one of his t-shirts.

A week had already passed since the small bet. Maybe Ace had taken your possible hurt too seriously, especially because he refused to disembark - until he saw you go to the village wearing another one of the clothes that drove him crazy and he wouldn't have been crazy enough to leave you parading alone.

Night had already fallen at Moby Dick and most of your colleagues were asleep when you reached your room. Of all things, you didn't expect to find Ace sitting on the edge of the bed, one hand wrapped in your panties and the other sliding over his cock.

"Looks like someone is having a hard time." you murmured, hearing him groan and turn towards you. "Ready to beg?"

"I bet you'll beg first." his husky voice punctuated, as if the sight of him masturbating in front of you wasn’t enough to turn you on.

"That's a game two can play, my love." you locked the door behind you and allowed your dress to turn into a puddle of fabric at your feet.

"No panties, all day?" you gave a smug smile when you saw that you had stolen his attention. Ignoring the question, you walked to the other side of the room.

"Do you see anything interesting?" you patiently dragged the chair in front of where Ace was sitting. Using the same patience, you sat down on the chair and let each of your legs rest beside him, giving him a privileged view.

"Fuck." he muttered. "You're not going to do that to me, are you?"

"I'm not going to lie, it's been a tough few days." Your hand slid across your breasts, paying little attention to them, after all your objective was different.

Your fingers separated your pussy lips, the shine indicating how wet you were made Ace tighten his grip against his own cock. You used your two middle fingers to slowly circle your clit.

"It's so hard to use just my fingers, my love." you penetrated one of your fingers inside you, slowly and giving a drawn out moan. "I miss you so much, you're so much better at this than me."

"Just ask." His voice was broken, his eyes focused on your intimacy.

"I'm not going to - fuck - give up." another finger accompanied the entry of intimacy, in a slow back and forth that was excruciating for you and your viewer. "But it's burning so much babe, I miss you so much in here."

You continued moving your fingers slowly, seeing that Ace no longer paid attention to his movements but to yours. The tip of his dick was almost red from the pressure of his closed fist, precum glistening and oozing from it. You took your fingers out of your intimate area and pretended to take them to Ace's mouth, when he opened them ready to taste, you put them in your mouth, moaning just to tease him.

"You're right when you say I'm delicious." you, millimeters away from him, made a point of licking finger after finger that was in contact with your pussy. "Too bad bad boys can't prove that."

"Please." the request was barely audible. "Babe, please."

"I don't think I heard you right. You're going to have to beg a little more." You closed your legs and leaned back against the chair.

"Please, love, let me taste you a little. You're so wet, I just want to feel you a little, please." he started to ask, his hands were now pressing hard against the bed sheet, a way to contain himself and not advance on you. "Fuck, please, baby, just a little."

"Such a good boy." You grabbed his chin and pulled away again. "Come on, you can taste some."

The words barely left your mouth and Ace was already on his knees on the floor. His hands separating your legs and this time, resting them on his shoulders. His tongue - warmer than usual - slid all over your pussy, bringing some of the relief you had waited for so long.

"No, no, no my dear." you asked as you saw one of his hands slide out of your reach. "You've been a bad boy these days and that's why you can't touch yourself."

"Y-Yes ma'am." he pulled away from your lower lips to respond. His hand, which went down to his dick, went up to your intimacy, inserting his fingers without any warning. "Can I do that? Fuck you like that? It's so tight."

"Please, Ace." Your request sounded like music to his ears, which accelerated the small thrusts he made while holding your clitoris between his lips.

Your hand got tangled in his dark hair and pulled him away from your intimacy. You stood up and he remained on his knees there, waiting for the next order. That was already an old thing between the two of you and the days of waiting only made it even more enjoyable.

You motioned for him to stand and took his lips to yourself. The taste of you stuck in his mouth along with the moans he made could be almost enough to get you there, but you needed more. You pushed Ace onto the bed, laying him down and placing his hands under the pillow. Before sinking down on his cock, you let your hips rub your intimacy soaked by his length.

“I’m begging you” he pleaded, trying to lunge at you. "Just let me fuck you, just a little. I already did what you wanted, begging and leaving me suffering like this is too mean."

"Does my little flame want to cum?" You slid down, feeling inch by inch of him impaling you. Your moans were contained, remembering the comments of your friends who heard you. "Just a little more and I promise to let you fill me up." you moved slowly, only to leave him frustrated.

"Honey, please." his voice was squeaky, the pillow over his hands had become a mash of cotton and fabric. "Please, just ride for me. Just move, please."

"Like this?" You let his cock move in and out a few times, hearing him moan loudly.

"Exactly like that, please." you increased your pace.

It was like having a private ego booster. Each time your hips met the base of his cock, you could hear the moans increase - theirs and yours. The ends of the pillow began to turn to ashes as you remained on top of Ace, looking for both of you to orgasm.

"Keep it up, your pussy is squeezing me so good, so fucking good. I can't hold back anymore, babe."

"Poor Ace." you slid out of him, seeing him grunt. The little torture was too much even for you. Before letting him in again, you took his hands from under the pillow and brought them to your hips. "Can you help me?"

It was like awakening a sleeping monster, or releasing a beast that had been caged for decades. Ace immediately turned you over on the bed and your legs met his shoulders. He could bend you in half there, you really liked it when he took the reins to complain. It didn't take many thrusts for you to become a mess beneath him, holding your tongue so you wouldn't become the one begging.

"That's how you like it, isn't it? Feeling me so deep in that pussy, so delicious, so mine" Ace pressed you even more, eliciting a scream mixed with a moan from inside you. "Is this how you want it, my princess?"

"I -I…Ace!"

"No need to beg, babe." One of his fingers began to circle your clitoris as quickly as he was thrusting deep into you. "Just cum with me, please. Let me feel you cumming so good around me." your orgasm became just a blur in your vision, as Ace filled you. The heat that his cum brought inside you was capable of making you cum again.

Before he threw himself on your side of the bed, Ace took your lips in a deep kiss and even when he lay down, his hands slid down your back, giving you goosebumps that you knew very well what they meant.

"You lost." your voice came out weaker than before.

"Yeah, I lost." unlike your voice, his came out provocative. His fingertips seemed to get hotter and hotter as he traced your skin. "For my defeat, tomorrow I take your services."

"This is a great prize." you laughed, turning your head to meet his attentive gaze. "Ace?"

"Just ask, my princess."

"As I've already won and now it's worthless…" you pulled his hand to your lips, teasing kisses falling between his fingers. "Fuck me just a little more, please, I want to feel you a little more. I missed you so much."

A weak laugh came from Ace and his hand that was on your lips came down to clamp against your throat.

"I don't think I heard you right. You're going to have to beg a little more."

#fiction #reader insert #one piece #no use of y/n #requests open #portgas ace x reader #ace x you #fire fist ace #ace x reader #portgas d ace

[slugtranslation-hypmic]

I Think Hypmic's Portrayal of Gender Roles is Kinda Refreshing: An Essay A.K.A. I'm Procrastinating on a Weekend Deadline :)

Hypmic's talking points on gender are hamfisted, corny, and melodramatic. "Maybe...we shouldn't have a wage gap," is not the hottest of takes. However, like most things in Hypmic, the writers have a lot more to say about gender and gender roles in the framing of the story itself that's much more nuanced. And honestly? It's kinda refreshing.

It's also something that went way over my head when I first became a Hypmic fan. Sure, I read manga and played Japanese video games--usually translated into English first--but I didn't have enough exposure to hundreds or thousands of pieces of untranslated Japanese media. I'm going to guess that most Hypmic fans don't either, which is totally fine and normal. We all exist within our respective cultural communities wherein we're bombarded with messages constantly telling us how to act, think, and speak. We tend to absorb these messages on subconscious levels and reflect them in the art we create and stories we tell, either by reinforcing them or challenging them. Thus, our stories don't exist in a vacuum, and divorcing stories from their cultural backgrounds can suggest the artist is the original thinker of a larger concept or hide their specific point of criticism. That is, if I wrote a story about a man who chooses to not catch fish, drink beer, and drive a Dodge Ram pick-up truck, we should be aware that I'm not the person who conceptualized the stereotype of dudes who catch fish, drink beer, and drive pick-ups. I wouldn't deserve the credit for dreaming up that exact image, and at the same time, it would be incorrect to read that as me targeting those three things randomly. The choice to not drive a Dodge Ram pick-up is not a commentary on Fiat Chrysler Automobiles. It's a stand-in for the notion of masculinity.

Thing is, we're hit with messages about masculinity, femininity, and other gender-related concepts on a daily basis. No matter where you live or what language you speak, every person on Earth is inundated with messages saying, "This is what you are, and consequently, this is how you should act." Our relation to these messages is complicated, and this complexity is compounded by different cultural communities preaching different messages in their stories, marketing, and human interactions. For instance, the US's massive global cultural influence means that those outside the US can still easily recognize what I mean by catching fish, drinking beer, and driving enormous American pick-up trucks. But the location and cultural differences may add or subtract nuances. A person living in, say, Munich is unlikely to have Dodge pick-ups advertised to them the way a person in rural Texas would. Our fictional Munich person does not feel the same social pressures to buy a Dodge and represent their masculinity with a Dodge the way our imaginary Texan would. In turn, the Munich person likely sees a Dodge with an element of absurdity--who the hell needs such a big truck in a European city?--and foreign Americanness. The Texan wouldn't have that concern--why worry about navigating your enormous truck down narrow streets when you live in the countryside?--and sees Americanness as their local default, thus removing any element of foreignness.

That is to say, gendered messages aimed at people (especially women) who live in Japan don't affect me the same way as they impact those who do live in Japan. Like, it's not my dog in the fight, and there are plenty of people who are directly affected who write their own stories and commentaries on gender roles in Japan. Japanese women don't need a random guy in the US to stand up and say, "Damn, your gender roles are fucked!" 1) They already know. 2) They're already saying it. So I come at this from an angle of someone who already has deep, primary frustration with the gendered messaging in my culture and secondary frustrations when similar messages appear in other cultures. I don't have a bone to pick with Japanese media in particular. Plain and simple, reading and working on hundreds of pieces of Japanese media is what I do for a living. It's in my face constantly, and as a result, I am also perpetually bombarded by messages about gender roles in Japanese media.

It's not a hot take to say that Japanese media, like the media of every single other culture around the globe, has a lot to say about gender. There's a lot of slotting people into boxes and telling people what to do. It's chafing, as we see all across history in art produced in reaction to gender roles. In the past couple of decades, global shifts in gender roles have caused media to shift the messages they're pushing, but it's not controversial to say that Japan has lagged behind other countries like the US.

Many, many stories push arbitrary notions of how to be a girl or how to be a boy that don't necessarily come from the author themselves. The authors probably aren't even fully conscious that they're making these choices. If an author writes a story about a library and makes every female character a romance fan and every male character an action fan, it's likely a reflection of endless messaging that says action is for boys, romance is for girls. In turn, this story becomes yet another reinforcing message. If no fictional girls like action, and no fictional boys like romance, it becomes alienating for real girls and boys who don't follow these same rules. These rules are everywhere and have so much to say about gender that it's hard to know where to begin. Girls must like cute things. Boys can't like sweet food. Women must not express sexual desire. Men can't be shy. On and on and on.

Which is why, when there's a relative lack of this in Hypmic, it's kind of a breath of fresh air.

Wrong Ways to Be a Man

Actually, Hypmic does have a few moments where characters claim there are certain things men or women should do, but the writing always frames these messages as incorrect.

Take Samatoki, for instance. After Kuukou and Sasara leave MCD, Samatoki tells Ichirou, "Men shouldn't cry when they lose their friends. Men should only cry when they lose a family member."

(TDD chapter 10)

This line usually appears via Ichirou's perspective. In the stage play, it's told during a song Ichirou narrates, and as shown above in panel 3, the manga frames the line from the angle at which Ichirou sees it. In such moments, the audience is meant to read this as a cool line from a strong mentor figure to Ichirou. That's how Ichirou sees it, and he's a seventeen-year-old with too much on his shoulders who idolizes Samatoki. He is incapable of seeing how much pain Samatoki struggles with.

However, when the manga focuses on more intimate moments of Samatoki's life, we see that Samatoki does struggle quite a lot.

(BB/MTC+ chapter 6)

This isn't a cool, attractive figure meant to be idolized. While Samatoki's cigarette usage and aggressiveness are often framed as sexy or enticing, the juxtaposition with dirty laundry, overflowing ashtrays, and empty bottles make him a sympathetic and struggling figure. Therefore, we should understand that his notion that men don't cry is flawed. It's a means to distract himself from emotions he doesn't want to feel.

Later, as Samatoki begins to process his emotions and open up to his teammates, the unhealthy coping mechanisms recede. Samatoki is more confident, mature, and happier as a result of being more emotionally vulnerable.

We see a similar transformation with Kuukou. As a teen, Kuukou is reluctant to accept help or truly let anyone in. In a conversation with Hitoya, he says (and I am still completely unable to take this seriously), "A man's got to wipe his own ass."

(DH/BAT chapter 4)

However, over the course of his character arc, Kuukou learns that he cannot exist as a good leader or individual without the teamwork of his newfound "family." Only rejecting this classical and toxic notion of masculinity brings Kuukou joy.

In fact, most of the first-line characters have very similar arcs. At the start of the story, Ichirou is insistent on doing everything himself. He has to learn to be able to rely on other people (Kuukou, Samatoki, Ichirou and Jirou) to be happier and unlock his true strength. See below, his final attack and Ability use in the 2nd DRB, which is only possible when his brothers figuratively and literally support him through it.

(BB/MTC+ chapter 25)

Sasara struggles with emotional honesty and trust in favor of using humor to gloss over discomfort. It takes multiple heart-to-hearts with Roshou before he can let humor take a backseat and say how he really feels. Ramuda has difficulty trusting other people and being honest with his emotions when faced with stressful scenarios. Only through Fling Posse is he able to open up and ask for help instead of driving people away when the problems are too big for him to face alone. Jakurai struggles to connect with other people, work through and acknowledge his complicated feelings, and not place himself on a pedestal. Through Matenrou, Jakurai is able to ask for help, be more open, and ultimately be less hard on himself.

The second- and third-line characters follow similar arcs, and this repetition creates a core message for Hypmic: Trust and rely other people. Be open with your feelings. There's a wrong way to be a man, and that's to hurt yourself and other people.

Right Ways to Be a Man...Are Infinite!

But with that being said, there is a surprising lack of commentary on how else to be a man. Hypmic as a whole doesn't do much to constrain the male characters in terms of gender roles.

Sure, some characters do fit into more traditionally masculine roles--Ichirou, Samatoki, Riou, etc. The messaging makes it clear that it isn't wrong to play into masculinity provided it doesn't become toxic. (See above.)

Even then, however, these especially masculine characters are associated with less masculine traits that are either portrayed positively or not portrayed as a joke. Riou is an avid cook, but the joke is never that he wears an apron and knows his way around an outdoor kitchen (tee-hee, men don't cook!). It's that he cooks with horrifying ingredients. Samatoki is a fashionista, but the joke is framed as a counterpart to Ichirou's nerdiness.

(DoD chapter 1)

Here, it's funny that neither of them can shut up (the ペラペラ/blah blah SFX, the long bubbles filled with lots of text that's cut to indicate they kept going for longer), but the object of their attention--a model toy and a pair of jeans--are treated in the same neutral light. It's very common for stories to touch on, even defensively, the social taboo of men being into clothes. Hypmic doesn't even acknowledge that such a taboo could exist.

This is subtle but extraordinarily effective in giving characters the same consideration and weight. The more feminine characters are always treated just as sincerely (or, if there's a joke to be made, irreverently) as the more masculine characters. Take Ramuda, for instance. In Japanese media, a love of sweets is often characterized as feminine and will often be remarked upon, even in LGBT+ media, as atypical for men. Again, there's zero acknowledgement of such a thing in Hypmic. Whenever other characters talk about Ramuda's food intake, it's always framed as a concern about the lack of nutrition.

(FP/M chapter 11... I don't have the source lying around on my computer, so here's the old-ass scanlation lol)

It's also given the exact same weight as anyone else's junk food habits. Here, MCD goes out for burgers (a neutral to masculine-coded food due to the meat and high calorie count) while Ramuda opts to try a sugary Starbucks-esque drink. The parallelism in the comic's framing suggests that the two objects are functionally the same, and there is no comment that a sugary drink is feminine and therefore "inappropriate" for Ramuda. There's also no indication that MCD's preferences are in any way better. They simply happen to be the characters' personal preferences. The punchline is two groups splitting up, only to awkwardly run into each other again moments later.

(DoD volume 4 bonus comic)

Similarly, Ramuda's interest in clothes or fashion is never treated negatively--in fact, the discussions of clothes as a means to find identity and happiness make it a positive!

In ARB cards and promotional materials, Ramuda sometimes wears dresses. It's, again, portrayed in parallel to other characters wearing more masculine clothes and is never commented on as something "unusual." It's just who Ramuda is.

Hifumi is another interesting case. Like Ramuda, his playful personality often doesn't as stereotypically masculine. (To be clear, I read much of this as "gender neutral with a strong emphasis on youth" versus "feminine" in a way that I'm not sure has a good US equivalent...metrosexual/yuppie men's fashion, maybe? In the sense that it's a youth subculture that defies some masculine gender roles but is still focused mainly on men. I wish I was more well-versed in Japanese men's fashion and could give an exact term, but I'm what I'm thinking of is definitely an established thing--young, trendy dudes whose styles focus on poppiness vs. the rugged manly man or "idk, I'm just some guy" subcultures. It's a thing that pisses off old Japanese conservative men in the same fashion as people getting up in arms about "the gayz!!!1!" and their androgynous clothing lol.) Their personalities are often the butt of jokes, but only in the same way that Dice or Doppo are--that is, that they're exaggerated and over the top. There's no commentary on masculinity or lack thereof.

There are also moments when Hifumi, Gentarou, or other characters play feminine characters in roleplay moments, which is usually (but not always) not the sole joke. The audience is supposed to find it funny, but the humor is almost always centered on the absurdity of the scene as a whole. For instance, in a moment where Hifumi and Doppo are pretending to be two drunk karaoke-goers, the humor comes from the composite set-up of Hifumi's hair twirl, Doppo's untucked shirt and tie, Doppo and Hifumi's exaggeratedly flirtatious poses, the spotlights and sparkles, and the same font as used on classic karaoke machines.

(FP/M+ September 2022 oneshot)

Hifumi and Doppo do not perform traditional gender roles in their homelife, and while it's easy to see and often commented on in the English-speaking fanbase when it comes to Hifumi, I find it just as prevalent on Doppo. It's true that Hifumi is taking a feminine role by doing the majority of the household's cooking and cleaning, but if we were to assume Doppo has the masculine role in the household, he would have the breadwinner duty. However, he isn't the main source of income for their household, and he's just as unassertive in finding a (female) romantic partner as Hifumi is. Japanese men are bombarded with media messages stressing the importance of taking an active role in career and romance. That Doppo does not would, in many stories, make him the butt of a joke for not living up to masculine gender roles. But he isn't; instead, Hypmic portrays him as a sympathetic character. It's tough, Hypmic says, for people to get good jobs and maintain friendships/relationships as an adult.

Similarly, it's noteworthy that Hifumi's self-appointed term "Gigolo" is consistently portrayed as a good thing in Hypmic. The meaning of the English term aside, the Japanese word ジゴロ (jigoro) is almost always used as an insult for a man who is financially dependent on one or multiple women. In the strictest sense of the term, Hifumi is a jigoro in that his income derives from his female clients. However, there is never any shame associated with that, and as a whole, Hifumi's career as a host is shown to be a positive thing. I can't express enough how rare that is in any sort of semi-serious media. Certainly, Hypmic acknowledges that his job requires too much drinking (Doppo's verse in Hoodstar), but the overall portrayal is overwhelmingly positive. Hifumi and his coworkers are never treated as uneducated, boorish, or pathetic for "failing" to find other work that does not require flirting with and entertaining women. (This is partially due to the overlapping judgment with sex work.)

All the various harmless preferences and personality traits of the male characters are treated equally with no judgement over what's masculine or non-masculine. Within the broader context of Japanese media, this absence of judgment stands out and reinforces one of Hypmic's core themes: Differences make us better, not worse. In the end, Hypmic suggests, there's no one right way to be a man.

Right Ways to Be a Woman...Are Just as Infinite!

But what about women? This series is, after all, marketed mainly towards women, and while female audience members can no doubt extrapolate the lessons learned from the male characters, it's worth taking a look at the female characters too.

The female characters do receive much less screen time than the men and are not the focus in the series; I'd argue that's less an issue of overt sexism and more that they fall out of focus in the story the writers want to tell. (There's a broader discussion to be had about inherent sexism in the writers' focus which goes hand-in-hand with rap industries across the globe favoring men and rap being an example of exaggerated masculinity, but that's a topic for another day.)

Even so, the framing of the female characters is interesting in a couple key respects. The individual character arcs and motivations of the main female characters are, in my opinion, some of the weakest parts of Hypmic--many times, Otome and Ichijiku do things because the plot demands them to, making them look incompetent or needlessly cruel for characters we're supposed to sympathize with. Nemu's story seems to be handled with more care and takes an interesting twist, wherein she openly acknowledges that she's disenfranchised as a woman in modern Japan but rejects the notion that she needs to find strength on either Ichirou or Samatoki's (male) terms. By choosing to be strong in "her own way" (whatever that means...it's not well-defined), the authors are using Nemu to reject the notion that strength and power are inherently masculine.

What I find to be far more interesting is the character design for the Chuuouku women, both in what is said and what is not said.

To begin with, the characters and their portrayals run the gambit from highly sexualized to completely non-sexual. Some characters (especially Ichijku and Honobono) have conventionally attractive, curvy body types and are often drawn in ways that highlight their bodies.

(FP/M+ chapter 4)

(FP/M+ chapter 14)

In some cases, especially Honobono's, the enticing nature of the illustrations is framed as the character's choice; in the above, her words indicate that she wants to seduce the off-screen listeners. The images included above are largely representative of these characters' raps, regardless of illustrator.

But on the flip side, other characters with large breasts or hips are never drawn in a sexual fashion. By way of comparison, here are two shots of Nemu rapping.

(BB/MTC+ chapter 12)

Even in shots with dynamic poses, no attention is drawn to Nemu's figure in any sort of provocative sense. Nemu touches her chest, drawing the reader's eye there, but the artist does not emphasize the size of her chest--they're allowing a chest touch to be no more than an emphasis of the self. At the same time, Nemu's body isn't downplayed. We can see in panel 2 on page 2 that Nemu has a small waist and wider hips, but once again, she isn't being sexualized. The action lines draw the reader's eye to Samatoki and thus put the action first and foremost. This creates the idea that not only can characters portray themselves sexually, but they can just as easily choose not to.

We see similar with Otome, who does not wear any sort of revealing clothing and is never shown in a sexual fashion. However, Hypmic doesn't equate revealing clothing to sexual portrayals either! While I wouldn't call Tsumabira's outfit revealing, she does have more visible cleavage than most Chuuouku figures. However, her bare chest is never sexualized like Ichijiku's.

(BB/MTC+ chapter 4)

Compare the non-emphasis on the chest and the power stance to any of the many shots of Ichijuku where her breasts are front and center in the camera. Speaking of power stance, Tsumabira remains confident in her power stance without being sexy--that is, no stepping on the camera and showing her whole leg.

Which isn't to say that Tsumabira is a sexless character. She's drawn visibly turned on by the male characters in such a way that is cartoonish but not, in turn, overly sexual. Were this supposed to be titillating to the reader, I would have expected to see a larger close-up on her face and tongue. However, the artist (who is no stranger to focusing on tongues!) devotes the majority of the panel to Tsumabira's body language (which, again, doesn't absurdly exaggerate any of her proportions or focus on her chest) and covers part of the mouth with text bubbles. Tsumabira is drawn as engaging in sexual behavior without being sexualized for reader entertainment.

(FP/M+ chapter 4)

The juxtaposition of such different views with little to no judgement attached to any of them suggests that it's perfectly okay to want to be sexy or not, to wear revealing clothing or not, to be involved in sexual situations without being the object of sexual interest, or to simply exist with an attractive body type without sex ever coming into the equation. Just as some characters choose to tie bodies to sexiness, some don't whatsoever--and either is perfectly fine!

The former idea ("I can choose to be sexy") may not sound especially revolutionary to US audiences, where sexuality is thrust upon women willingly or otherwise, but I find it fascinating because it lets the main characters embrace this idea without associated slut shaming. So much of Japanese media insists that women should be sexy but are also wrong for wanting to indulge in their own sexuality. Therefore, having characters who run virtually every iteration of take on the topic (I want to engage in sexuality and be sexualized, I want to engage in sexuality without being sexualized, I don't want to engage in either) with multiple body types (ie, Tsumabira isn't automatically not sexualized because she has a smaller chest; Nemu isn't automatically sexualized because she has a bigger chest) and no judgement involved feels like another breath of fresh air to me.

As a whole, I find the diversity of the Chuuouku uniforms and character appearances quite interesting. They're undeniably all feminine and relatively militaristic, but different characters wear entirely different wardrobes. Skirts vs pants, blouses vs dresses, high heels vs boots... Since every character has her own take on the common theme, it once again feeds into the idea that each character is her own individual and perfectly valid for defining femininity in her own way.

Haircuts, too, range from longer and more feminine hairstyles to pixie cut-esque looks.

(BB/MTC+ chapter 16)

Again, nothing of the framing suggests this short-haired woman is in any way different from her longer-haired counterparts on the edges of this screenshot.

Finally, while most Chuuouku women are conventionally attractive, I find it extremely compelling that Haebaru is a stereotype of an unattractive Japanese woman. To be extremely clear, I do not think these stereotypes should have weight, but the combination of chubby and/or muscular build, freckles, rounded nose, and non-glossy hair is often used as a visual shorthand for unattractive or otherwise undesirable women.

Sure, it's not fantastic that Haebaru is a scheming, two-bit villain. However, so is virtually every other female character in the series, and in particular, Haebaru is (the conventionally attractive) Tsumabira's counterpart. Both are treated with the same respect or lack thereof, suggesting that one's appearance has nothing to do with your ability to be a no-good baddie. Ha ha ha.

It would be lovely if the female characters were fleshed out further and given intelligent choices and diversity outside of the realms of physical appearance. However, I do think the writers' choices are limited by virtue of all women automatically being antagonistic side characters (which, again, is another discussion altogether). What the writers can and have accomplished is further reinforcing a celebration of differences. Just as there's no one right way to be a man, there's an infinite number of ways to be a scheming snake of a woman HAHA.

Intersection with LGBT+ Topics

Unfortunately, this is a very binary look at gender and gender roles, which, while largely representative of the current state of Japanese media, can be disappointing.

Hypmic appears to want to steer shy of LGBT+ topics as a whole, which is a bit of a shame. In a story so focused on gender and acceptance of diversity, it seems the natural next step to explore the notion of those who experiences don't align with a strict gender binary. Such stories are growing in popularity in Japanese media but have yet to be anywhere near the mainstream acceptance in US media (which is still in a fledgling stage at best). I would imagine Hypmic's writers are unable or unwilling to take a definite stance on these topics in the work due to fears of financial or career backlash. If nothing else, the sexuality of the main characters needs to remain in a limbo in order to have plausible deniability for both self-shipping and shipping with other characters. (Some deniability may be more plausible than others.)

The few instances in which Hypmic does wander into this territory are usually clumsy. I am no fan of the handful of scenes where male/male attraction is supposed to be funny purely by virtue of being male/male.

The inclusion of Urumi, the one minor character explicitly LGBT+, is not stellar either. I am hesitant to apply any definite label to her, as the real-life people her stereotype portrays self-identify as everything from trans women to cis men--or refuse to use these English labels at all! Still, we know from her profession (proprietor of a bar heavily implied to be a gay bar by the neighborhood it's in), appearance (poofy permed hair, exaggerated make-up), and demeanor (feminine speech style, a bit flirtatious) that she's AMAB and choosing to present herself in a feminine fashion. By writing Jirou to ask, "Aren't you a man?" in an exasperated fashion, the writers have put her gender presentation in a boke role--suggesting she's over-the-top, exaggerated, comedic. It's not great. I completely understand why readers find it offensive (and it is) even while I don't think the writers intended it that way. Ultimately, it would have been great to see other explicitly LGBT+ characters portrayed without the joking angle.

With that said, I'm not entirely unhappy with her character. She is a stereotype, but the authors have chosen to take only the visual elements of the stereotype and leave the rest on the cutting room floor. In other works of fiction, characters like Urumi are often hypersexual to the point of being in-universe creepy, especially towards underage boys. Other times, characters like her may be eccentric or off-putting in other ways. However, that's not at all the case here. Urumi seems to play a helpful big sister/aunt role in Jirou's life, and he's clearly comfortable enough with her to spend the night at her bar.

(BB/MTC+ chapter 17. "Sorry, but can I shack up here again tonight?" "Of course you can.")

While she seems to engage in some sort of a bohemian lifestyle, as evidenced by the alcohol and smoking, it isn't anything outside of what many of the other characters do. Additionally, while she isn't drawn in a flattering fashion in scenes where she's playing up her persona (which is par for the course with any character in this series, regardless of gender), there are plenty of neutral shots of her being serious. Finally, the art is never outright rude--that is, she isn't drawn exaggeratedly masculine or flamboyantly...snakey? I don't know how to describe this to anyone who's lucky enough to have never seen this--clearly LGBT+ AMAB characters drawn with noodly limbs and huge, overblown lips winding around male characters.

Maybe because I see so much worse continuing to be produced in this day and age, I feel like Hypmic could have done a much, much worse job with this character. She overall plays a positive role and is treated with much the same care as other side characters. It's unfortunate, then, that the writers have chosen to make her gender presentation the subject of a joke.

In other frustrations, I heavily dislike the unnecessary gender divide in background characters. All punks and other background baddies are male, whereas all adoring fans are female. (But Rhyme Anima has done an interesting job of subverting this!) The vast majority of other background figures fall into strict gender roles, which is likewise disappointing. It appears that diversity may be an accepted trait for none but a lucky few that form the main Hypmic cast.

All in all, I don't think Hypmic's portrayal of gender roles is groundbreaking, nor do I think it's fair to suggest that all Japanese pop culture plays into strict gender roles. There are certainly many Japanese works, popular or otherwise, with much more interesting things to say about gender. However, when compared to the vast majority of the titles that cross my desk on a regular basis, I notice and appreciate the level of care put in to Hypmic's commentary on gender roles. The work consistently reinforces the notion that it's okay to be your own individual, no matter how that plays into your gender, and I find that freeing. That's a message we could all do to hear more often, regardless of culture and language.

TL;DR: Oh no, my rapidly approaching deadline. :)

#not a translation #analysis asks

[l3irdl3rain]

Purdue as in purdue university in indiana? If so, wow, we're neighbors!

Yes, Purdue University. I’m a bit over 3 hours away though, so we’re not necessarily neighbors.

I’m also going to use this ask to post about the call back I just got from Purdue. It was NOT great.

They called me back early this morning. Was very happy to hear from them until they informed me the estimate they gave me did not include the work up, which would be an additional $1,800 to $2,000.

This practically doubles the total cost. If I hadn’t already done the gofundme I’d just wipe my hands of this and have doc do the surgery to remove one of them. But the fact that I’ve now got half the money in my bank account makes that a little more complicated.

Doc said he’d be willing to talk with their doctor and see how much of the work up they’d let him do here, which hopefully could lower the cost. Otherwise I could see about refunding the money. Refunding the money that hasn’t processed looks like it’d be pretty simple. But the stuff that’s already transferred to my savings account looks like it would be a nightmare.

Gonna take some time to think on this before I make any official decisions or announcements on the gofundme. But eugh 😵‍💫

#ask #Persephone