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#(Obviously Watson would be the one asking)
you know that comic with the birds? “Do you think we’re best friends in other universes too”? I think about that but with all the different Holmes & Watsons
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thethirdromana · 4 months
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With your natural advantages, Watson, every lady is your helper and accomplice.
- The Retired Colourman, 1926
It seems to me that some Watsons (no matter how good their Watsonning otherwise) fit this bill more than others. So, because it's Boxing Day and I'm a bit bored, please enjoy...
A selection of Watsons, rated on how likely I (a lady) would be to be a helper and accomplice to them on appearance alone
David Burke in Sherlock Holmes
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This is just a bloke (pt 1). Very standard-issue white bloke. Neither especially advantageous nor especially unadvantageous. 3/10, would need more than appearance to persuade me.
Edward Hardwicke in Sherlock Holmes
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More like it! Edward Hardwicke has this kind of immediate avuncular charm that I could imagine making me look the other way when he was breaking into a building, for instance. 7/10.
Martin Freeman in Sherlock
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This is just a bloke (pt 2). Standard-issue white bloke updated for the 21st century. Unsurprisingly given Martin Freeman's entire career has been built on looking like an everyman. 4/10, with one extra point for wearing quite a nice jacket.
Lucy Liu in Elementary
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Obviously I would do anything that Lucy Liu asked of me, immediately and without question. I mean have you seen her? I would hide a body for this woman if she so much as smiled at me. 9/10 because I don't think I could pretend to forget having seen her if I tried.
Jude Law in Sherlock Holmes
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A tricky one, this. Wilde asked us to believe that a man would ruin his life for the chance to look at Jude Law's face again, and it worked. But he's like the anti-Edward Hardwicke: beautiful, but not in a way that inspires trust. 8/10, would still be distracted if he flirted with me.
Robert Sean Leonard in House
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We could have a debate about whether Wilson really counts as a Watson. But I had to include him, since to my mind this is nearly the peak of Watsonning. Robert Sean Leonard combines a very handsome face with a kind of puppy-dog appealingness that I could not help but fall for. 10/10.
Major Dr. David Q. Dawson in The Great Mouse Detective
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He is a talking mouse wearing a little bow tie. There could be no greater natural advantage. 1000/10 I will do whatever my new mouse friend asks of me.
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darlingofdots · 4 months
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Formal vs Informal Address in German Temeraire Translations: a report
So I have picked up my German copies of the Temeraire books for the first time in over a decade for reasons unrelated to this post but I immediately got distracted by the matter of formal address in German and how translators have to make a very specific and important choice when translating from English. German (like French and many other languages) has two forms of direct address in the 2nd person, an informal one for friends, family, children etc., and a formal address for strangers, teachers, colleagues, professional contacts. It is famously a Whole Thing when you switch from formal to informal with somebody: usually the person with a 'higher' position in the relationship has to explicitly offer it and it can be a big deal! A common instance might be when you've worked at a new job for a while and your colleagues tell you to use informal to indicate they consider you Part Of The Team, or your girlfriend's parents do it when you've been dating a while and they signal that you're part of the family now. In translation, this can be a really tricky choice! For instance, I have not watched Elementary in German but I would say Sherlock and Joan would absolutely start out addressing each other formally (Sherlock calls her "Watson" most of the time), but by the end of the show there is no way they would not have switched. Obviously English-language media does not have an explicit conversation about this and the closest analogue would be switching to first names when they've only ever used last names before, but you can't rely on that and translators end up having to make choices about characterisation and relationships based on like, vibes. With all that said!
In the Temeraire series, there's a lot of formal address around, such as among officers; I knew Laurence would be addressing his cadets formally because even though they are like, 9 years old, they are his officers and deserve to be treated with that respect. I only have books 1-5 in German but I'd be willing to bet that this doesn't change even Emily's been with him for nigh on ten years, and the same goes for Temeraire. Also Laurence uses formal address with both his parents, in case you were wondering.
What I was not sure about was a) how other people address dragons and how dragons address each other and b) the finer interpersonal relationships among aviators. Jane addresses Iskierka formally but Temeraire informally; the dragons of the formation are formal with each other but Temeraire, Lily, and Maximus are not, and Temeraire quite happily scolds Iskierka like a misbehaving child. I would LOVE to find a bit of, say, Laurence talking to Lily or Berkley to Temeraire!
Among the aviators, Laurence and Jane are informal with each other once they've slept together, but I just saw that Laurence is also informal with Harcourt but not with Chenery, which is interesting but I suppose makes sense if you go by the dragons' relationships too. What really fascinates me is that at the end of Victory of Eagles, Laurence and Granby are still formal, which makes sense because until five minutes ago Laurence was his superior officer, but if I were the translator for this series I'd have them switch to informal with the beginning of book six but unfortunately I do not have that on hand so I can't check.
Now for the main event: Tharkay uses formal address with Laurence when he leaves to fetch more ferals at the beginning of book 4, and I thought he switched for the infamous "Laurence, what are you doing" which would have been exactly the right moment if you'd asked me, but in fact there is one random informal when they're out rescuing Granby in London (loose quotation: "that is [Woolvey's] problem and for those who would weep for him, even if they are close to your [informal] heart")? And then he goes right back to formal all the way to "Laurence, what are you [informal] doing" and finally switches properly, at which point Laurence follows his example. At first I thought that was weird and I am not sure if it was done on purpose, but on second thought I kind of like that he tries it out first when speaking of something personal (Laurence's concern for Edith) but isn't sure of it yet and retreats back to familiar territory until he realises that he needs to shock Laurence out of his war crime depression.
It's interesting to me that Tharkay was the one to take that step. Traditionally, like I said, it would be on the person in a position of authority to offer or, like with Granby, Laurence could have just switched once Granby was confirmed in rank to indicate that he wants to be friends now that he doesn't give orders anymore. Of course it makes perfect sense that Tharkay would not care one bit about rank, and he's not really an officer anyway and he certainly does not consider Laurence to have authority over him. I love that the translator (Marianne Schmidt) recognised that moment on campaign for what I think it is: not so much a turning point in their relationship but one that cements a degree of intimacy that Laurence doesn't have with anyone else. They would not have had access to book 6, I think, when they were working on book 5, so it very much is a deliberate choice based on their interactions up to this point. I made a list recently about people that Will Laurence calls by their first name (former first lieutenants, Catherine Harcourt, 1 FWB, and Tharkay) and now I feel like I need to make another list of people German!Will Laurence uses informal address with!
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the-music-maniac · 3 months
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What the fuck do you MEAN Ron Kamonohashi has the blood of both Sherlock Holmes and William James Moriarty.
HE'S THEIR DESCENDANT?!?
I'm sure they're gonna give us a different explanation but as far as I'm concerned, Ron is their love child and SherLiam is canon now
I need a fic where specifically the Sherlock Holmes and William Moriarty from Moriarty the Patriot are in a modern au and have to deal with raising the little shit that is Ron Kamonohashi. Dare I say detective genius dad and criminal genius dad with their detective/criminal feral child.
Edit:
No but could you IMAGINE the chaos of three eccentric geniuses in one house, we got Ron Kamonohashi in his teenage years probably absolutely hawking down a bag of black sugar syrup at top speed while William is trying to pry it out of his jaw like you do with an unruly cat that's eating something it shouldn't be, Sherlock's in the background watching this unfold like "just be glad he's not doing drugs or something" to which William would probably point out, Sherlock's smoking habit isn't any better
Meanwhile William's side of the family are arguably equally as insane as Sherlock and Liam so they're just a horde of weirdly rich crazy uncles that take Ron out on questionable adventures, Sherlock's side of the family aka John, Mary and Ms. Hudson is relatively normal in comparison but still dote on Ron - Mycroft repeatedly says that he can't believe his little brother is now responsible for taking care of a child, pretends he doesn't give a shit and yet somehow always ends up visiting his nephew.
Sherlock is still a free-lance private detective/consultant for the police force who takes cases whenever they come around, and when Ron asks him why he's usually home he jokes around that he's a kept man/housewife because William was rich when he married him, to which Liam laughs and asks if he even knows how to boil water without burning it -
It can be up to you whether or not William was or is in crime or not, I can imagine in a modern au he could've been the leader of an organized crime group for whatever reason, eventually decided to get out etc. etc.
And then Ron still meets Toto and brings home his cop boyfriend to meet his batshit crazy parents and one of them is a former CRIME LORD LMAO
Toto is able to withstand the sheer level of crazy that is Ron's family, obviously cause it's Toto
John Watson takes a liking to Toto. Gee I wonder why, it couldn't be because he sympathizes with being the detective partner of an eccentric genius could it
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gregorovitch-adler · 8 months
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Romance
After Holmes had arrested Jefferson Hope, and I had had a discussion with him that I was going to publish the story in The Strand - to let everyone know who had really solved the case - Holmes had agreed.
A better explanation would be that Holmes did not care. It did not matter to him who received the credit for solving the case in the newspapers. However, it did matter to me. Very much, in fact.
In what world was it fair for the police officers at Scotland Yard to take help from Holmes to solve the case every step of the way and not even thank him publicly? It simply could not happen. Not on my watch.
After having published the story, I decided to show it to Holmes. I was quite enthusiastic about it.
However, I had not expected Holmes to react so badly.
When I brought up the conversation, whilst he was consuming his damn cocaine - with his long and thin legs stretched out on the coffee table - he shook his head ruefully.
“I glanced over it,” said he. “Honestly, I cannot congratulate you upon it. Detection is, or ought to be, an exact science, and should be treated in the same cold and unemotional manner. You have attempted to tinge it with romanticism, which produces much the same effect as if you worked a love story or an elopement into the fifth proposition of Euclid.”
“But the romance was there,” I remonstrated. “I could not tamper with the facts."
I had feared that this conversation might be going in a dangerous direction. Holmes was not insinuating the obviousness of my feelings for him - that had developed over time - was he?
Well, if he decided to spell it out, I would not hesitate to remind him about how much he had blushed after listening to my compliments about his detective work.
I could not say anything for sure, but as time passed, I had a feeling that there was something between us. A connection, of sorts. One that went beyond what a couple of flatmates usually had.
Holmes may have a habit of pretending that he preferred to be unemotional, but I was his closest friend. I lived with him. I might not be as brilliant as he was, but I could tell that he did not mean it.
"Some facts should be suppressed, or at least a just sense of proportion should be observed in treating them. The only point in the case which deserved mention was the curious analytical reasoning from effects to causes by which I succeeded in unraveling it.”
I was annoyed at this criticism of a work that had been specially designed to please him. Moreover, I was hurt to know that he would deviate this much from the truth.
Maybe I had miscalculated. Probably it was only I who felt the connection between us. Not him. I frowned at the thought and swallowed as I stopped pacing and took a seat on my armchair across from Holmes in the sitting room.
I was willing to speak up this time, though.
I inhaled deeply and held my breath as I spoke. "And why, pray tell, do you want to suppress the facts, specifically about romance? Is it because the same facts hit too close to home?"
Holmes came out of his dazed state, dropped his legs on the floor, and sat up straight with his grey eyes widened.
"What are you getting at, Watson?" asked Holmes cautiously.
"We have not been friends for that long, but for what little time I have known you, I've developed a profound respect for you and your work. There is more to it, however. I have grown to have feelings for you. Romantic feelings, in particular."
Holmes leaned forward in his chair and pinned me with an intense gaze. Fortunately, he did not try to interrupt me.
"I think that you have, too. Although I could be extremely wrong on that part, it makes little sense for you, of all people, to want to suppress the facts and events that happened for real. So, I want to know: Am I right about the real reason or not? I would certainly understand if I am completely off the mark and you do not feel the same, but I need to know."
I breathed deeply after having blurted all that out, hoping to dear Lord that I had not messed up everything and ruined our friendship.
"Oh, dear Watson," Holmes breathed. His long and thin fingers were tapping on his sinewy lap vigorously. "You are so exactly on point sometimes. Everything you said - all of it... I feel the same way."
My heart fluttered with excitement and happiness. A ridiculously wide smile spread across my face. It looked as though he wanted to say more, so I let him.
Holmes continued. "And yes, I do not wish for the whole world to know about it through your stories. I see I was a bit too harsh about it, moments ago. I apologise."
Holmes got up to make sure the door was shut and the window curtains had been drawn. They were. Holmes then walked across the room to approach me. I was still sitting, so he looked down at me with the same intensity as before.
I looked up to meet his gaze and locked my eyes with him.
He held out his pale hand to me in an offer.
My heart pounded as I took that hand and got up to meet his eye level.
His eyes were filled with longingness and pain. His brows were furrowed. "The world will never forgive us. They will never acknowledge that we are just two people in love who happen to be men."
He was right, as always. My eyes welled up as I gulped. I was still holding his hand, which felt warm and dry in mine.
"I know. Do you think this is a bad idea, then?" I tried to be prepared for the worst. 'Tried'.
Holmes placed his other hand on my waist and pulled me close. Our faces were just inches away. "I never said that, Watson. I was never the one to go with the rules, was I?"
We both shared a short laugh. Without another word, we leaned in and I captured his bottom lip with my mouth.
He made a desperate sound and we deepened the kiss with our arms wrapped around each other tightly. The dam had broken, and we were unable to let go for a whole minute.
I pulled away reluctantly. "Holmes, I-"
"Sherlock."
My ears had been aching to hear that correction. "Sherlock, I was saying that we need to deal with this in a practical way as well. I will not forgive myself if we were to be arrested because of this," I said with my brows furrowed.
"You are right," he said, holding my face in his hands.
"I suppose we would have to confine our relationship to the rooms of this flat." My heart was heavy.
My lover's ethereal grey eyes lit up with a mischievous glint in them. Christ, the effect those eyes always had on me.
"I have a plan."
Of course, he did. I was now looking at him with expectation and pride.
"You are going to have to marry a woman."
"What the deuce are you -"
"Shh." Sherlock placed a long finger on my mouth. "Just listen. That woman is a distant relative of mine. She is going to be our next client too. Her name is Mary Morstan."
I still did not get what was going on. Was he already pushing me away?
"For God's sake, do not look so heartbroken," he said and pulled my face close by my chin to press another kiss on my mouth.
"Her situation is just like ours. She has fallen in love with another woman too. Only I knew about that until now. She is in a constant state of having to look over her shoulder, trying to keep the prying eyes of this cruel world away. It occurred to me just now that if you married her, we would not have to worry about society anymore. It would be helpful for all four of us."
I sighed in relief and gave this whole thing a thought for a moment. "Excellent plan, Sherlock. This is brilliant!"
Sherlock smiled and looked down as he blushed.
"Just remember to never be on a first-name basis in public. John."
I grinned from ear to ear like an idiot, before pulling him in for a slow, drawn-out kiss again.
I knew what I had to do next. I just had to twist the facts in my next story to make it look like I was in love with Mary or whatever her name was.
Now, nobody would speculate a thing about Holmes and I, would they?
***
Sherlock September Challenge
Prompt Romance by @onesmallfamily
Tags: @helloliriels @topsyturvy-turtely @gaylilsherlock @lisbeth-kk @keirgreeneyes @lookingforlifeoutthere @clueless-mp4 @missdeliadili @curlyjohnlock @a-victorian-girl @peanitbear @kettykika78 @calaisreno
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anneangel · 9 months
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Being at Holmes' side is the undoubted source of Watson's joy, otherwise he would not have created an entire collection where Sherlock is the hero, which Watson wrote faithfully throughout his life, he is like his admirer number 1.
Watson treats Holmes with the greatest deference, there is no one better in the world for him, he himself admits that Holmes is the man he most respects and holds in the highest regard.
Watson was never really interested in learning Sherlock's deductive techniques, he admired Holmes' intelligence (obviously), but what held his curiosity was Holmes as an individual.
As a biographer he never sheds light on Sherlock's techniques, but on Sherlock himself, by whom Watson is undoubtedly fascinated (which is why Sherlock accuses Watson's writing of being sensationalist, as Watson does not speak of the facts itselves, he romanticizes Holmes as the hero of mystery-solving).
But it's not like Holmes doesn't like it, he doesn't like flattery from anyone (especially where there are ulterior motives). But Watson truly admires Holmes from the heart, it's an honest feeling (and Holmes doesn't get it from others that easily because everyone has an ego war with him at some point), but Watson never changes, Holmes says he's been the same ever since that they met.
That's why Holmes is so: "my dear doctor", "my dear Watson", "my dear boy", "my man" (...)
It's a lot of use of the possessive pronoun, and a lot of willingness to show affection with the constant use of "dear", and he doesn't do that with anyone else.
Holmes is so reclusive, polite and generally sentimentally aloof from everyone. Holmes abstains from friendships and extra-professional relationships, does not encourage visits that are not clients, and tipically does not seem to allow anyway someone to enter in his daily life and leisure, with Watson exception.
Holmes trusts and believes in Watson enough to have him by his side on cases, and there is no one else who fills that spot but Watson. Holmes also says he doesn't like how Watson narrates his cases, but he never stopped him from writing and even encouraged him at times. Besides, he doesn't share facts of his private life with anyone, but share only with Watson.
Despite appearing at times, Holmes is not only a cold and reclusive thinking machine, he does display emotions towards clients, other detectives, police officers, and those close to him and his home and work. But nothing like what he kept with Watson throughout his life.
Holmes likes to have him by his side, even to concerts, hikes or turkish baths. Watson entered his life beyond the professional aspect, he is not someone Holmes merely shares rooms with, nor is he a mere sidekick.
Holmes is still quite emotionally closed and does not share elements of his private life easily, even for Watson he takes time to feel comfortable sharing something and when he does it is always in moderation. But somehow Watson becomes unique, he is not a confidant, but Holmes knows that he is someone he can talk to if he ever wants to. He knows Watson will never turn him down or turn his face away.
Watson has managed to put down some roots inside Holmes heart when no one else seems to have succeeded.
Probably the only reason they don't call each other by their first names is because it would be stepping beyond the bounds of Victorian era decorum, it would be scandalous.
But they have dialogue, trust, respect and empathy for each other, for all life. Together they make each other feel like they can handle any situation, good or bad. They value and bring out the best in each other. There are for each other when asked, when they need. They praise and support each other's achievements. They keep each other's secrets and help each other. They forgive each other's mistakes and overlook flaws inherent in each other's personalities.
They support each other's lifestyles even when they have differing views on life. Well, Watson never supported Holmes' drug use, just as Holmes always thought Watson's marriages were an act of selfishness of Watson in leaving him alone in many cases. But they never gave up each other because of these disagreements, right? They find a way around it and be there for each other. They could go years without seeing each other, and when they finally saw each other it was as if nothing had changed, that's why they were each other's fixed point, no matter what happened or what they had to endure.
They would do anything for each other. They would abandon anything in the world for being in each other side. Because those who love take care!
The point, is an great relationship. Is an great definition of relationSHIP.
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Stoic Perspective
This post will be some kind of addition to mindset, but also very important part. You might be wondering how it is related to deduction and Sherlock Holmes but even though we don't see Sherlock talking about Stoicism, he follows it in most cases. (Mixed with Cynicism which started around the time Diogenes lived.) So, let's see how Sherlock uses and how we can use it in our daily life.
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Remember this episode? Season 1 Episode 3. Sherlock solves 5 cases in a row with some time constraints, stress factors, etc. In one scene, Watson asks, "There are lives at stake Sherlock! Actual human lives. Just so I know, do you care about that all?" and Sherlock answers with a brilliant answer: "Will caring about them help save them?" and Watson says "Nope." and then Sherlock says "Then I will continue not to make that mistake." Obviously, they show it like Sherlock doesn't care about anyone and is an egocentric narcissistic robot but that is certainly not the case. If you watch other adaptations(Granada, Elementary or even the books)Sherlock cares about other people, but not in a way normal people do. I am pointing out this scene because it shows us the attitude and mindset of Sherlock. Let's see how we can apply this in real life:
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1-Caring without Emotions
"Emotional qualities are antagonistic to clear reasoning." -Sherlock Holmes
After watching Sherlock we shouldn't try to be like Sherlock, especially if we don't understand how he thinks. When he says, caring won't save them it doesn't mean he doesn't care. It just means it is not relevant and emotions won't help them in any way because it will cloud his thinking and deductions. So, what can you do in situations where stress is high and your emotions come to the surface?
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1-Recognize them: Don't suppress or act like you don't have them. Just realize they are there and act accordingly. If you say "There is nothing wrong with me. I don't feel any emotions right now..." then you won't be aware of the affect they have on you.
2-Think Clearly: It is easy to say but hard to do. How can we think clearly? What does it mean? It means you have to use the relevant data and eliminate what is not. If you want to think clearly, you have to recognize your feelings, emotions etc. You have to be aware of them at every step so that when they are affecting your reasoning, you can overcome them and keep going.
3-Follow Your Logic
Sherlock doesn't call Moriarty after he solves the case because he wants to use time advantage. He wants to work on other cases and because of that, he doesn't call Moriarty. Watson is reacting with emotions and says this woman was covered with bombs all this time. Although Sherlock cares about the woman, he follows the logic. If he uses the time to his advantage, he can save more than one life but if he reacts with emotions, he will just save one. So, use your logic and act accordingly.
2-Perspective For Problems "External things are not the problem. It's your assessment of them. Which you can erase right now." -Marcus Aurelius
This can change a lot of things about how you see your problems. Let's say you have a lot of work to do and after a long day you are going home. When you arrive there, you realize your house is on fire? How would you react?
I believe, most of us would be full of emotions. Why did this happen to me? Why is life not fair? My life is over. What will I do now?
But if we just can change our perspective and practice it in our daily life we would have a very different and constructive response to the situation. Now, here is the perspective I am talking about:
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Now think about the same scenario. You see that your house is on fire. You think "Can I do something about it?"->"Yes. I can call the fire department." or "No. It is too late. Everything is turned to ash." In both cases, you don't have to worry because it is already done. You can't travel back in time so you have to create your plans for the future. You can't waste time thinking about the past because it will limit your capacity to act on the future.
If you use this perspective in every situation, eventually it will become automatic and your emotional reactions will not be as strong as it is now. This way, you will be able to use your logic more easily and solve the problem you have.(Or you will stop worrying if you don't have a problem.) This is probably the fundamental perspective of Stoicism.
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3-Expressing Emotions
I won't go deep into the Jungian Shadow or deep psychology of the emotions and suppressing etc but we have to be aware of this fact: The fact that if you don't express your emotions in some way, it will come out later bigger than it was.(Also, you won't be in control.)
If you watched Elementary, you know that almost in every episode Sherlock express his emotions to Watson.(Or to someone else. Which by the way is a more human adaptation of Sherlock.)He talks with her about what he feels and thinks about the situation because he can't deal with them alone. We can't deal with them alone too so we have to find some ways to express them. Here are some basic ones: 1-Talking to your Watson
If you have someone you are close to, then talk to them. Explain your feelings and emotions as clear as you can be.
2-Keeping a Journal
You won't always have an opportunity to talk with somebody so you need to talk with yourself clearly, which is what journaling does. You use words and getting things out of your head so you can analyze them more clearly. Just write and then read them aloud.
3-Physicality
If you like to work out, run, go to the gym or do any physical activity, do it. It is especially useful for anger and sadness. Try and find whatever works for you.
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So, that is a general look at emotions and how to live with them. After you read this, you won't immediately detach from your emotions and act with your logic. This post is not enough, so you have to do your own reading. Some suggestions for reading: Meditations-Marcus Aurelius (Excellent example of journaling in a stoic way.) The Handbook-Epictetus Ryan Holiday's books(All relates to Stoicism)
And one last thing. Always remember these wise words:
"You have power over your mind, not outside events. Realize this and you will find strength." -Marcus Aurelius
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alexjcrowley · 1 year
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Hi, it's me, the author of the fucked everything au post, this one
I wanted to add some things, feel free to make your additions
-Sherlock is a firm believer in the Doctor, but he think Crowley is the Doctor, just disguised. He tried to nonchilantly pull his "red wig" from his head. (He has never run into the Doctor for some reason)
-Morpheus and Crowley talk shit about Lucifer when they're drunk.
-Watson and Wilson have a bet on whose partner will break the most law in a week. They're always very close wins.
-Dirk Gently and Aziraphale have become great friends, they take tea together every Thursday and they talk about all sort of stuff. Aziraphale finds Dirk captivating in his weirdness, he thinks he is a very interesting human.
-Scooby Doo is afraid of Dog (Adam's dog)
-Gregory House thinks paralibulites is made up, he steals a couple of Todd's pills to analyse them and see if they're like allucinogens but they're not. He forms an alliance with Sherlock to find out what the fuck is there in those pills.
-James Bond can imitate Benoit perfectly but Benoit can't imitate James, he can't get rid of the accent. Q finds James's impressions very amusing.
-Aziraphale and Philip talks about sweet recipes, they also exchange culinary creations, but, while Philip actually makes them, Aziraphale miracles them because he is shit at cooking. Philip always tells him that he is such a great baker and he feels like a beginner compared to him, Aziraphale smiles patting his arm and saying practice makes perfect. When Philip starts asking for details on how to make the perfect sponge cake or a mousse that won't melt, Aziraphale just miracles someone calling him because oh boy he doesn't know the first thing Philip is talking about.
-Both Sherlock and House tried to get Shaggy to sell them marijuana, unsuccessfully.
-Crowley loves to hear House going on and on about how God doesn't exist. It's hilarious for him. He has to physically stop himself from laughing. He pretends to agree with him.
-Dirk is the only one not fazed about Scooby Doo being a talking dog. When Crowley and Aziraphale are weirded out. They're trying to remember if it's one of their old miracles.
-Ascots were invented by Crowley, because they're simply an insult to style, and also he knew Aziraphale would have loved them. He is proud to see Benoit and Fred wearing them, they release a small but effective amount of evil into the world.
-I saw a post on Tumblr, I don't remember by who, that said if Benoit Blanc is with Hugh Grant it means at some point he had to choose between him and Colin Firth, you know, like in Bridget Jones Diary. This is now canon for me. Philip won Benoit Blanc's heart over Colin Firth and Philip hates talking about Colin, the idea that he could lose Benoit over him is just terrible to remember. Also Colin isn't really called Colin his name is Harry Bright. You were fools if you thought I'd leave Mamma Mia out of this.
-Dirk has heard Matthew the raven talk and Scooby Doo talk and now he is convinced he can talk to animals, that's a skill the universe granted him.
-Benoit Blanc and Aziraphale talk about fashion, obviously.
-If Q and Newton Pulsifer ever met all the computers in the world would explode.
-Also here's a small fic I read some time ago that I really love (and it's a House/Good Omens crossover) on how House and Wilson are alive and well in this au
-Dirk actually somewhat counts amongst the supernatural individuals so Crowley and Aziraphale and Dream and Hob started inviting him and Todd to their dinners. The point is Dirk and Todd haven't understood Ineffable Husbands and Dremling are supernatural individuals yet and they just think they're very eccentric folks.
-Dirk stole Crowley's Bentley once because The UniverseTM and Crowley has been trying to kill him ever since, but the Universe won't let Dirk die. This does not interfer with the Supernatural Dinners Aziraphale insists on hosting and the angel made him promise he won't try to kill Dirk at their house.
-He tries not show, but Sherlock is feeling the competitions with all of these other private detectives showing up. Especially Dirk, because he has no idea how they guy does since he looks like an idiot but he is always on top of the cases.
-Aziraphale unsuccessfully tries to buy the old medicine book Wilson gifted house for Christmas.
-Lestrade tried to stop the Scooby Doo Gang from interfering with a police case but ended up talking about cars with Fred and just...forgot he was supposed to stop these guys. He opted for closing an eye. It wasn't even his division, anyway.
-Q and Mycroft have been trying for years to obtain information on Hob Gadling, Aziraphale, Crowley and Morpheus at MI6 because, like, they're weird. They all come from families in which people always had roughly the same name for some reasons, their documents seem legit but there's something wrong about them. Also why is Crowley financing a witch hunting agency. Like yes he looks weird but not let's hunt witches in 2022 weird.
Dirk: "Your name is Sherlock? I have a friend named Sherlock!"
Sherlock: "It's not a very common name."
Dirk: "His name is Sherlock Hobbs."
Sherlock: "...Interesting."
Todd: "So you're like...you're Sherlock...and Watson."
Watson: "There are our names, yes."
Todd: "But, like, just like... Sherlock and Watson?"
Watson: "Yes. Again, these are our names."
-Benoit and Philip are very proud of Fred, they're only worried about his well being always travelling and having to deal with bad guys (especially Philip, he's scared for his son🥺), but luckily Q installed a tracking device in the Mystery Machine
-Sherlock is secretly fond of Steve McQueen the rat and will go to House's house (my God what did I write) just to pet it. House allows it.
-Sometimes Sherlock and House play together, violion and piano. They found out they have more in common than they'd like to admit and that they enjoy eachothers company, even if they'll never say it out loud.
-(btw I think it was @thesaltofcarthage to headcanon that House is Sherlock's biological father and yes it's far fetched but also I am not opposed to this at all, I like it a lot, I vibe with it so I leave this here and give her the due credits).
-The Them ask Morpheus if he is a new Horseman of the Apocalypse. Morpheus simply smiles at them and then tells Adam "My sister likes you" before going his way.
-Aziraphale dislikes Mycroft a lot because may I remind you Mark Gatiss played one of the two Nazis in the church who played Aziraphale for a fool with the book deal. The rest you know yada yada yada Crowley comes to the rescue.
-House often dreams of Fiddler's Green since he is played by Stephen Fry and he and Hugh Laurie are very close friends.
-I like to think Shaggy actually is an failed attempt at an Antichrist that didn't work out and yes he is...someway Lucifer's son. And kind of Adam's brother. But he doesn't know. Also Scooby Doo is an infernal hound like of course. And Shaggy wished for Scooby Doo to be his best friend and like food and be as scared as him of horror stuff so there you have it.
-Aziraphale knows Wilson. He knew John Keating, great professor, and he went to visit him at Welton Academy once. He remember Wilson when he was young, talentex actor, shame he went for medicine in the end, he could really have a future in the arts. Wilson tells himself his mind is playing tricks on him, the weird man he saw with Mr Keating once must be dead at this time.
Last thing I wanna add I didn't expect this whole everything-I've-ever-watched-au to resonate with people and I am happy you like it, I have fun writing but it's even better to share it with someone, please keep adding ideas and crossovers to this. All the comments and reblogs I had under my last posts were brilliant and all together we make a big brain of mind-blowing ideas.
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raina-at · 11 months
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Taxi
Sherlock raises his hand to summon a taxi. John keeps telling him that his ability to always get a cab to stop for him is uncanny. Sherlock never bothered to explain that it’s a combination of his awareness of the rules of the flow of traffic in London and the fact that he’s quite a bit taller than John and easier to spot. The second would have hurt John’s feelings and the first would have punctured the mystique, and Sherlock thinks the reason they’ve been married for twenty years without any major arguments is that they both know how to keep a bit of mystery intact.
Today, he is especially glad for this ability as he helps his heavily pregnant daughter into the vehicle.
The driver takes one look at them and says, “No. Get out. You’re not popping in my bloody backseat.”
Sherlock turns to him and narrows his eyes. “Sheffield, originally. Wife, two children, you played football semiprofessionally but blew out your knee, you have a mistress in Hounslow your wife doesn’t know about and you’re up to your neck in gambling debts. Keep your mouth shut and your eyes on the road and I won’t phone your wife to tell her about your extramarital activities.”
The taxi driver, who’s gone white as a sheet, swallows and nods, then turns around back to face the traffic.
Rosie is watching him with an awed expression. “Sometimes you scare me a bit,” she says, then grins. “That was brilliant! I can’t wait to tell Dad!”
Then her face contorts with pain and she doubles over with another contraction. 
“Steady now, Watson, we’ll be at the hospital soon.” He settles her into her seat, then gets into the car and gives the driver the name of the hospital.
As soon as the cab moves into traffic, Rosie tilts over and rests against his side. “You texted Mark, right?”
“Yes, he said he’d meet us at the hospital.”
“And Dad?”
“On his way as well.”
Rosie’s quiet for a bit as she breathes through the pain. Sherlock can tell when the contraction fades as the tension goes out of her body and she releases the death grip she had on his hand.  Her eyes are closed and she already sounds exhausted. She’s been having contractions on and off for several hours now, but both her midwife and John recommended staying active until the contractions grew more regular, so she stayed at 221B to help Sherlock sort through some of her childhood things to leave behind in London ahead of Sherlock and John’s move to Sussex. 
“Paps?” she finally says, still leaning against Sherlock.
Sherlock hums once to let her know he’s listening.
“I’m having a bit of a problem.”
“Am I allowed to guess?” he asks, having learned form a experience that sometimes people don’t want their problems deduced, they want to tell you themselves. It took him about ten years of marriage and living with a teenager to learn this, but learn it he did.
“No,” Rosie grumbles. “It’s about the name.”
“What about the name?”
“Well…” Rosie hesitates, and then sits up to look at him. “I thought about naming my daughter Joanna after Dad.”
“Well, obviously,” Sherlock says, having guessed this about six months ago. “It’s a lovely name, your dad will be over the moon, what’s the problem?”
Rosie hesitates a bit more, then she takes a deep breath and blurts out, “I was trying to come up with a way to name her after you, too, but your names are just impossible to work with for a girl. I’m sorry, I’m really sorry, but I couldn’t think of a way to do it.”
Sherlock blinks, unsure what to say to this. It never occurred to him that Rosie would want to name her child after him. Her dad, obviously, but him…
“Dad had the same problem, by the way,” Rosie adds, “he told me once that he tried to work it in somehow, but he didn’t want to name me Wilma or Willhelmina, he says no kid deserves that. But it always bothered him, and it bothers me, too. I don't want you to think I'm picking Dad over you."
Sherlock huffs a laugh and bites his lips to keep the tears he feels building in his eyes from spilling. After twenty years, it's still sometimes hard to believe that he's as much Rosie's father as John is. It still takes him by surprise sometimes that the two people he loves most in the world love him back.
“Oh my god are you crying?” Rosie exclaims. “Are you getting sentimental on me, Paps?”
“You wait until you tell Dad about your chosen name, he’ll cry like a little girl.”
“Dad doesn’t cry.”
“Your wedding?”
Rosie rolls her eyes. “That was an once in a lifetime thing.”
“And the day his first grandchild is born, who will be named after him isn’t?”
“Bet you a fiver he’ll hold it together,” Rosie says with a grin.
“Easiest money I ever made.”
Rosie laughs and settles back against him. “So,” she says with a contented sigh. “What to do about my dilemma?”
Sherlock kisses the top of her head. “You’re forgetting one thing, sweetheart. "
“What’s that?”
“Your daughter’s full name. Joanna Watson-Holmes, like her mother, Rosamund Watson-Holmes. Your dad did what he said he would. He named you after me in the end.”
Rosie smiles. “Definitely getting sentimental in your old days, Paps.”
Sherlock looks out of the window and doesn’t even try to stop himself from getting misty-eyed at the thought of his little girl becoming a mother, about this new little girl which will be his and John’s and Rosie’s together. “Don’t mention it to the cab driver.”
He can hear the smile in Rosie’s voice as she answers, “Wouldn’t dream of it.”
A bit of sentimental Parentlock - or Grandparentlock, I should say.
Thank you so much @calaisreno for keeping us going!
Tagging some of the usual suspects: @helloliriels @jrow @keirgreeneyes @lisbeth-kk @meetinginsamarra @topsyturvy-turtely @thetimemoves @7-percent @totallysilvergirl @khorazir @catlock-holmes and anyone else who wants to play.
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liquor-liquor-lips · 1 year
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Characters' train of thought explained through mycro expressions
Well, I say explained, but just hear me out.
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It occurred to me just now that I was making one of my silly posts, that they way Sherlock and John react to Sally Donovan's words might reflect something that I hadn't previously considered.
Up until this point in ASiP, John has just met Mrs. Hudson, with whom Sherlock seems to be so close, and her first thought was not only that he and Sherlock were romantically involved, but that they were already serious enough to be moving in together.
Then, there's Sally Donovan. She calls Sherlock a freak, so from here on, it must be obvious to John they're not in good terms.
Sherlock then remarks Sally didn't make it home the previous night, and Sally knows he's right; furthermore, she knows why she didn't make it home; she was with Anderson, with whom she is actually romantically involved, but presumably, she doesn't want to give Sherlock, the man she constantly ridicules, the power to ridicule her back over Anderson, so she tries to prevent Sherlock from going any further with his deductions by deflecting to John and the reason he's there.
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Sherlock proceeds to introduce John by his professional title, "Colleague of mine, Doctor Watson", because he's eager to show off his association with him, something I have previously theorised about in this post, but Sally doesn't care about that, now does she?
"Colleague? How do you get a colleague?" she asks then, and the question is obviously meant to imply Sherlock is so utterly unbearable that no one would want to be around him, but it serves another purpose too. By teasing Sherlock about his involvement with John, she can easily deflect from her own involvement with Anderson.
Now, let's see the boys' reactions to the question again, shall we?
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Sherlock turns his head and rolls his eyes because he's obviously offended, but he's already used to it; after all, Sally is hardly the first person to treat Sherlock this way, but John, John frowns as if offended on Sherlock's behalf because at this point, neither Sally nor Mycroft have warned him about Sherlock being... well, Sherlock yet. It is then that Sally adds...
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Sherlock lowers his head, once he finally gets what Sally is implying. It is true that Sherlock doesn't know that she spent the night with Anderson yet, but just the fact that she was out all night might suggest she spent it with someone, and now she might be asking if John followed Sherlock home for the exact same reason.
Thing is, at this point, they have just met each other, and they seem to be getting along. This doesn't happen to Sherlock that often, and he must know John is special, which is the reason he invited him along in the first place. Why would a man who is said to have no friends and who once said "Alone protects me" would immediately ask John to live with him and work with him within 24 hours of having met him if he wasn't the exception to the rule? I can only imagine how badly Sherlock wants to be the exception to the rule for John as well, and how scared he might be of driving him away; after all, he's learned from everyone else around him that he's a freak, that he puts everyone off, that he's meant to be alone, and he doesn't want John to see him in that light because he wants him to stay.
Sally's comments have effectively made John question why he's even there. He rolls his eyes and prompty suggests it might be better if he waits outside, but that's not all there is to it.
Why would John suggest that? He could have just ignored Sally's question, but instead, he reacts just like he did when Mrs. Hudson ("Of course we'll be needing two"), and Angelo ("I'm not his date") implied he and Sherlock were a couple, by retreating. Sherlock can't be happy about this, but he reacts like he did before too, by ignoring the situation and bringing John along anyway. He can deal with Donovan later.
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The opportunity presents itself when they come across Anderson, and it takes Sherlock less than a second to deduce by his deodorant that he is the person with whom Sally spent the night, which is then confirmed by their reactions.
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So this little remark...
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This was payback. If Sally really thought she could make him look inadequate in front of John, well then she'd better take a look at her own choice of companionship first. Inappropriate and immature, sure, but so was Sally Donovan's behavior from the start.
So we're finally in, and who do we have next? Ah, Lestrade! Kind, and unassuming Detective Inspector Lestrade, who mirrors Sally's question upon seeing John, but Sherlock is having none of this.
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Translation: "I'm not doing this again. This is nobody's business but our own. He's here, he's with me, and I intend to keep him, so would everyone please back off?"
I may be wrong, but I think that ultimately, this might be at least part of the reason Sherlock doesn't respond when they are interrogated about the nature of their relationship. Why bother when it's obvious to him people don't know the first thing about them? This is them, this is the two of them against the rest of the world, this is private, this is their life together, this is what they are to each other and Sherlock will have no one question it or ridicule it, let alone trying to understand it.
Almost 12 years later, and here I am, trying to question it, and trying to understand it, but that's neither here, nor there.
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topsyturvy-turtely · 1 year
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OTP challenge - day 17
[link to day 16]
17: washing something
"Sherlock?", the name sounded from the laundry room, formed as a question by John Watson.
Sherlock hummed, doubting his flatmate would hear him but not caring. But said man kept going anyways, "Do you have any idea where my jumper is?"
"The hideous one?"
"You find all my jumpers hideous, I mean the grey one! I need to wash it!"
Sherlock eyed his bedroom door. "No idea."
*one week later*
"Where the hell is it?", John asked, kneeling on the floor, looking under the couch. Sherlock rather enjoyed the view.
"Where's what?", Sherlock asked, while continuing to eye John's arse.
"My jumper!", with that John stood up and flapped his arms, frustrated.
"I'm sure it's somewhere, you just gotta look better."
John grunted. "Thanks for your help, Sherlock." Annoyed sarcasm was floating from his voice.
*two weeks later*
"I don't get it!", a very grumpy John Watson stomped through the flat. Almost aggressively searching for the one jumper. The jumper! The John Watson jumper! He had to find it!
Out of a sudden spur, John marched into Sherlock's room without knocking. Sherlock, who was sitting on his bed, looked at him, startled. With John's jumper in his hands.
"Is that... my jumper?", John asked surprised.
Sherlock - looking caught - stared up at John. Looked at the jumper in his hands... and at John again. "It... might?"
"I'm... confused... Did you... keep it?"
"I... might have.", Sherlock said, visibly uncomfortable.
"But, why?"
"It doesn't matter!", Sherlock said, suddenly all of the awkwardness gone. He stood up and moved as if to exit the room.
"Oh, no. You're not leaving-" John stood in front of the door. "-until you've told me why you kept my favorite jumper for over three weeks!"
"It's for-", the smallest pause, almost unnoticeable, but John did notice. "-an experiment."
"Yeah? What kinda experiment is that? Why would you need a sheep wool jumper for it? Hell, the last time I had it I spilled freaking tomatoe-sauce on it!"
"I washed it out."
"You washed what out?"
"The tomato stain, obviously, John. Do keep up. Now will you let me-", Sherlock wanted to push by John, but the doctor wasn't having it.
"The whole reason why I was looking for my jumper in the first place, was, because I needed to wash it, so-", a realization hit John. "For god's sake- did you wash it by hand?"
With two big steps he was at his jumper. The red-brown stain still faintly visible. With an incredulous look he held the jumper up towards- nothing.
Sherlock was gone.
He had fled the scene.
When John quickly walked into the living room, he faintly heard the outside door close.
With an exhausted sigh, his jumper in his hands, John sat down in his armchair. What has Sherlock's mission been? Confused, John glared at his jumper. Then he picked it up, grabbed more laundry and turned the washing machine on. He had missed this piece of clothing. A lot. Maybe... if he looked into Sherlock's room...?
***
Sherlock called a cab as soon as he was outside of the flat.
He couldn't believe he had been caught like that. John is suspecting something for sure. He didn't lie however - he actually had needed the jumper for an experiment. He wouldn't waste his thoughts on this right now, though. He was dropped off at Bart's and immediately started working on some poor guy that had already been half-eaten by chrysalises before Scotland Yard had found him. The murderer was the husband of course - it is always the husband.
Sherlock lost himself in documenting the stage of decay of the corpse and for an hour or two he almost forgot about John Watson and his jumper. Almost, never all the way.
When Sherlock returned home, he found John in his armchair calmly typing away on his laptop. A relieved sigh escaped- and immediately got stuck in his throat when he saw his journal on the coffee table next to his flatmate. It was where he had kept track of all the different smells of John, and how it had been impacted by keeping it in his room. (He would never admit he sometimes would sleep with it. Well- It was for the experiment!) The jumper was the John-est thing he could find. John wore this article of clothing the most. Therefore it was the best sample for his research.
"Why are you still standing there like you've seen a ghost? Sit down!", John asked him. Slowly, like he was approaching a wild animal, Sherlock did as he was told.
The doctor then looked up, smiled, put his laptop away, leaned forward. Sherlock gulped and considered running away again. He was not ready for the conversation that was about to be held.
"So." John started, and Sherlock eyed the door. "Don't run away I am not mad, I promise.", John saw through his flatmate immediately.
Sherlock nodded.
But when he saw, John still had that assuring, patient smile on his face, it somehow put Sherlock off. He was just considering jumping up and running away again when John spoke up, "I'm gonna make a deduction."
Sherlock opened his mouth but John continued before Sherlock could say anything.
"You love-", John began too loudly. He cleared his throat. "You love... my jumper."
Alarmed, Sherlock immediately started to find an excuse. "Look, John. The only reason I took that-"
"Actually, I think you love... me."
Sherlock was dumbfounded. "No. No, John, you're misinterpreting this. I-"
"And I...", John took a deep breath. "...love you, too." John apparently wasn't gonna let Sherlock finish one sentence.
"-never meant to make our friendship... Wait. what did you just say?"
John looked at him, eyes intense. "You love me. And I love you, too.", he said matter-of-factly. A statement - a deduction - in John-Watson-style: Not a long monologue, only the hard facts.
"Did I seduce you, Mr. Holmes?"
"I'm certain you meant 'dedu-'" an abrupt ending. "Oh.", Sherlock said.
A smirk crept on John's face. Slowly, he inched closer towards Sherlock. He was sitting on the edge of his armchair now.
"I'm gonna kiss you now, are you okay with that?"
"John, what-"
"That was a simple yes-no question. So, what is your answer? Yes or no?"
Sherlock gulped and looked at John. "Y-Yes."
"I was hoping you'd say that."
And just like that, something, Sherlock never even dared to dream of, came true.
---
hi!
i, originally, wanted to update Human Urges but i have the biggest fucking writer's block with that fic. every time i open that doc i am immediately mad because i dislike it SO MUCH and do not know how to fix it. and then i just close it, because WHAT. if any of you are reading it - i apologize for the extremely slow updates. please know i will manage eventually and i hope it will be worth the wait!
anygays. decided to finally publish this silly little thing at least. hope you like it! lmk! thanks for reading and reblogging, babes! -🐢
btw i will probably join @fluffbruary - sounds like a cool challenge. maybe i can actually pull through with it :D
tag list! (tell me if you wanna be added or removed💚) @justanobsessedpan @helloliriels @fluffbyday-smutbynight @inevitably-johnlocked @hisfavouritejumper @rhasima @forfucksakejohn @ohlooktheresabee @turbulenttrouble @7arantellgrrl @ssmeowl123 @so-youre-unattached-like-me @totallysilvergirl @peanitbear @train-mossman @loki-lock @smulderscobie @timberva @grace-in-the-wilderness @chinike @pansherlock @the-smol-bean-libby-blog @jawnn-watson @whatnext2020 @escapingthereality @missdeliadili @kettykika78 @musingsofmyown @7-percent @speedymoviesbyscience @astudyin221b @francj15 @almosttinycowboy @ladylindaaa @we-r-loonies @mxster-jocale @sherlockcorner @noahspector @our-stars-graveside @jobooksncoffee @baker-street-blog @psychosociogentleman
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lisbeth-kk · 1 year
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The soldier and the detective
It’s his fifth birthday and they’ve eaten cake, he’s got the best present ever, a microscope from his grandparents. He’s quite puzzled when his mother gives him another present, and hands a similar one to her father.
“What’s this, love?” her father asks.
“Yeah. Why does grandad get a present too when it’s my birthday?” the boy counters.
“Well, it’s because this present is meant for all three of you, and…”
“Is it your new book, Mum?” the boy asks while he tears at the paper.
“It is, William. Daddy’s done the illustrations this time,” she says and beams at her husband.
William’s excited and reveals the book, but frowns when he looks over at his grandad. He pulls at his mother’s sleeve.
“Mum, I don’t think grandad likes it,” he whispers.
Looking over at her father, she understands what her son means.
“It’s happy tears, Willliam,” she explains. “You see, the book is about him and papi.”
William looks at her astounded, then takes a closer look at the book. He reads the title slowly.
“The soldier and the detective,” he reads out loud. 
He flips through the pages and his eyes shine with excitement. He goes over to the sofa where his grandparents sit side by side, hand in hand now, both teary eyed.
“Have you been a soldier, grandad?” he asks and climbs into his lap.
“I have, William. A long time ago,” John answers.
“Before you met papi?”
“Yes, before that,” he agrees and glances over at Sherlock with a loving expression.
“Your grandad was a brave man, William,” Sherlock says fondly, leaning in to kiss John’s temple and ruffles William’s curls when he withdraws.
Sherlock stands and goes over to Rosie. He pulls her in for a tight hug.
“Thank you, Bee,” he murmurs. “How did you come up with this idea?”
Rosie looks up at her Papa and kisses his cheek.
“Well, it’s an homage to you and Dad, really. To thank you both for always believing in me. For giving me the best childhood. I’ve grown up with these stories on Dad’s blog, and I was, am, so proud of you both. Proud to be your daughter, and I thought that other children may enjoy these stories too. I have obviously moderated them somewhat, mind,” Rosie chuckles.
John joins them and gives his daughter a warm hug.
“Thanks, sweetheart. This is such a wonderful gift, and I’m quite astounded that you’ve managed to keep it a secret from Sherlock,” John says.
“I guess it’s lucky I don’t live with you anymore, or I wouldn’t have been able to do that. It helped immensely that you live down in Sussex now, too,” Rosie concludes.
Rosie reaches out for her husband hand and pulls him to her, kissing his palm.
“What do you think of Terry’s illustrations?” she asks her parents.
“From the glimpses I’ve seen thus far, you’ve captured all of it perfectly,” John says enthusiastically, and Sherlock concurs sincerely.
William interferes, bringing the book to show the adults something.
“It’s got all our names in it,” he exclaims gleefully. “I’ve counted five Watson’s!”
They all laugh at this.
“It was a coincidence, but quite satisfactory that you mother married a man already named Watson,” Sherlock muses.
“And my name has bigger letters than yours,” the five year old says quite content. “William Hamish Watson.”
No prompts the last couple of days, but I've been busy writing anyway. Today it's Constitution Day and this day is all about the children. When this story popped into my head, I knew I would make it a tribute of sorts to the way we celebrate this day.
@calaisreno @totallysilvergirl @notjustamumj @missdeliadili @topsyturvy-turtely @raina-at @meetinginsamarra @peanitbear
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vanhelsingapologist · 4 months
Note
I am requesting goth country music recs!
You got it! Now, obviously goth is its own thing. Has its own sound. In my post, I meant more than there are gothic themes in country music, so you won’t find like, Sisters of Mercy wearing cowboy hats. Some of this is Southern Gothic, some of this is simply alt-country music with dark themes. You’ll also get bluegrass and Americana (which is sort of where rock and country meet). I tried to keep this mostly country since that’s what you asked, but I overlapped a lot and I tried to keep the sound diverse!
• Old Number Seven by The Devil Makes Three. The Devil Makes Three is a band based out of California but Bluegrass and Country make up a majority of their discography. They also have I Am The Man Thomas.
• Decoration Day by The Drive By Truckers. They’ve also got a great one called Where The Devil Don’t Stay. This is alt-country and rock. This particular one is sung by Jason Isbell, who’s my favorite country/americana artist. He’s from Muscle Shoals, Alabama and has a song that got pretty popular called If We Were Vampires.
• Hypothermic by Goodnight, Texas. I wasn’t sure if I should put this on because they verge on folk, but I’ll be real, there’s so much stylistic overlap that folk, Americana, and country are like triplet sisters by this point. A better example would be Jesse Got Trapped In The Coal Mine, and Tucumcari on account of their twang. They’re from North Carolina.
• E. Watson by the Decemberists. The Decemberists are from Portland, Oregon and are pretty well-known for their indie folk. That being said, E. Watson is a murder ballad and is sort of undeniably a country song.
• Barton Hollow by The Civil Wars. They’re a group out of Nashville, famously collaborated with Taylor Swift. Nice balance of male and female vocals.
• Appalachian Witch by Gallows Bound. Virginia band known for using punk influence to play bluegrass. It’s pretty sick.
• Highwomen by the Highwomen. They’re supergroup of country music singers, all of which have some kickass discography, but this one is darker. My personal favorite in the group is Amanda Shires, who has a great song called Hawk for the Dove. She and Jason Isbell also did a cover of the song I Follow Rivers and made it pretty country!
• Ain’t No Grave by anyone. I like the Johnny Cash version, but I also like Crooked Still. I think it works best with female vocals, I don’t know! It’s an OLD gospel-blues folk song.
• While we’re on the topic of old folk songs, House of the Rising Sun and all its covers. Gothic as bats. Wayfaring Stranger by Rhiannon Giddens is also fantastic.
• Graves by Whiskey Shivers. They call themselves a ‘trashgrass’ band and they’re based out of Texas. One of the best country bands out there in my opinion. Real dark material, sometimes, too.
• Magnolia Blues by Adia Victoria. Honestly, her entire discography fits that dark gothic country style. She’s one of the more talented artists I’ve heard in a while. You Was Born To Die is great too.
• Up The Devil’s Pay by the Old 97’s. This is an alt-country song by an alt-country band from Texas. They also have a song called Am I Too Late? which is a song about being in love with a corpse. I Don’t Wanna Die In This Town and I’m Good With God is a great contender for this list too.
• Bury Me In Georgia by Kane Brown. Some people miiight categorize this as bro country. I disagree, but it’s definitely more in line with what you’ll hear on the radio. Kane Brown is from Tennessee and he honestly kicks the hell out of any song he’s in.
• Alabama by Bishop Gunn. I think they’re from Natchez, Mississippi. More death, more problems, more religion, more rotting in the South.
I hope this is helpful! It’s mostly modern stuff, but if you want older, I have that too.
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sandersgrey · 1 year
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"Kit's silence treatment to Ty isn't healthy because it's stewed in shame" uh YEAH. Nearly ALL of Kit's relationships are.
He's JUST starting to figure out a healthier dynamic with his family in Devon, and they havent done anything to upset him yet, so he hasn't had any reason to try and figure out healthy forgiveness.
The only real, meaningful relationship Kit is shown to have before the Institute was his dad, who we never see him saying no to.
You think Johnny Rook was out there showing Kit how to establish and enforce boundaries in a healthy way? Fuck no.
Kit was, as far as we're aware of, not only obedient to Johnny's wants but also willing to go out and put himself at risk by pickpocketing as as ten years old. He's not even outwardly angry when he realizes his own father didn't unconditionally love him.
Kit is consistently shown to be people pleasing when it comes to people he's attached to.
He jokes but plays Ty's Watson nearly as soon as he realizes that's what Ty wants from him; he assumes he has to repay Jessa for the love they show him before Jem assures him he doesn't; this all stems from Kit's core belief that love is earned.
And yeah, he thinks he hasn't earned Ty's. There is some deep shame in there, born from internalized homophobia, but also from Kit showing vulnerabilty for the first time in his life and getting... nothing. The realization that he means absolutely nothing to Ty.*
Of course he doesn't want to be reminded of that. The sheer humiliation would've killed a lesser teenager.
That's the same kid who saw a werewolf transform in front of him as a child and had a breakdown so public his dad pulled him out of school and kept him at home for at least five years, and he still has werewolf friends.
He dated someone who he was 50% sure was a werewolf, and only broke up w her bc it was too awkward... to not know if she was or not. He never hints that her being a werewolf would be a problem itself. It's just the awkwardness of asking.
He jokes that his dad isn't in heaven, but that's as far as his anger there goes. When he finds out that Johnny lied to him his entire life, Kit is upset. He's not mad.
This is the same kid who grew up being told shadowhunters snatch children, who had a knife held to his throat in his first close interaction with one, and still was able to become best friends and eventually fall in love with the exact same shadowhunter.
Kit can't do confrontations. He assumes that whenever a relationship goes wrong, it's because of something that makes him unlovable. That's obviously untrue and unhealthy.
But Kit doesn't hold grudges. He might avoid a more intimate relationship if things are awkward, but he's clearly willing to be close to people who he would be somewhat justified in believing have hurt him in the past.
The fact that he doesn't want to see Ty is stewed in shame.
The fact that he's so willing to enforce that boundary that he'll tell his friend's ghost that he won't talk to her anymore if she keeps trying to bring that up? That he's not rude, or mean, but honest about his unwillingness to be around Ty when Ty himself shows up?
Honestly, I'm kinda proud of him. That couldn't have been easy.
* Btw, this isn't Ty's fault. Ty was trying to bring back his sister from the dead and was not prepared for Kit to just straight up tell him he loves him. He needed 3-5 business days to process that, but, of course, both of their trauma responses clashed. That's what trauma responses often do.
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sygneth · 24 days
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hi hello. i just need to send an ask to someone about how Frogwares Remakes Holmes is afraid of water to the point of passing out in it, and how if I were writing a sherlock holmes/cthulhu mythos crossover i would definitely play with that concept more. can you imagine how he must have felt during the swamp chapter
YES!! I have been thinking about this definitely too much... I know this is mainly for gameplay reasons but I 100% agree it has so much potential! (Btw, I love the concept itself. It makes Holmes seem so... simply human. I think Frogwares did such a great job on Holmes' portrayal in general, they didn't go into the "cold detached logician without emotions" trope and I am SO HAPPY they didn't. This Holmes is nearly 1:1 how I see canon!Holmes, and he is so human in it. And small details like this, they just give depth to the character, and I think this is a great use of the fact that here in fact we see Holmes as he is, with all the aspects that Watson would obviously omit in the stories.... Yeah, I wouldn't miss an opportunity to write an epiphany on a great reading of Holmes)
And the swamps.... I don't think I can even imagine. Honestly, I think it would be great if they addressed that somehow in this part, even Watson asking Holmes if he is alright, would be something.
(And if I am not mistaken, the only locations when there is enough water to make his pass out are the ones where Watson is with us? So I always imagine Watson pulling Holmes out of it, and I was almost disappointed that he didn't even comment on that.)
This is one mess of an answer but! What I mean to say is I am totally with you on this, I love this aspect of the game and I only wish they played with it a little bit more
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mariana-oconnor · 8 months
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The Sussex Vampire pt 2
It took me five times to write the title correctly, so this is clearly going to go brilliantly.
Back to the vampires
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Now, my working theory is that the son is secretly trying to off his new half-sibling and frame his stepmother. Mainly I think this because Peru, because British authors in the first part of the twentieth century loved a good untraceable tropical poison from South America.
“She verra ill,” cried the girl, looking with indignant eyes at her master. “She no ask for food. She verra ill. She need doctor. I frightened stay alone with her without doctor.”
First... wow. That's some terrible accent work there. Yikes. Second, is she ill because she's been sucking poison out of her baby's neck?
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“Would your mistress see Dr. Watson?” “I take him. I no ask leave. She needs doctor.”
First, all he's going to do is prescribe brandy. And second, it's lucky he's actually a medical doctor (Although I'm not convinced he's ever done much medicine. He wasn't at his practice much before he abandoned it to live with Holmes again.) You can't just go assuming that everyone called doctor such and such knows medicine. I have many friends and relatives who are doctors and literally 1 of them is a medical doctor.
Both were high, and yet my impression was that the condition was rather that of mental and nervous excitement than of any actual seizure.
Or... an untraceable tropical poison...
“A fiend! A fiend! Oh, what shall I do with this devil?”
A fiend? A devil? Or perhaps...
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(No, she's referring to the son. Definitely because who else could it be. Way too obviously directed at her husband here for it to actually be him.)
So far no brandy though. Watson must have lost all his medical knowledge since he left his practice. Woe.
“He loves me. Yes. But do I not love him? Do I not love him even to sacrifice myself rather than break his dear heart? That is how I love him. And yet he could think of me—he could speak of me so.”
Lady, I get it, I get it. You don't want to tell him his son is a murderer. But given the evidence you've left the poor man with, what do you expect. You think he'll just be like 'well, she beat my son and she keeps chowing down on our baby's neck, but I trust that she knows what she's doing?'
...a youth entered the room. He was a remarkable lad, pale-faced and fair-haired, with excitable light blue eyes which blazed into a sudden flame of emotion and joy as they rested upon his father. He rushed forward and threw his arms round his neck with the abandon of a loving girl.
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The child is evil.
Although I kind of dislike how they're using his 'excess' of emotional response to show this, especially with the comparison to a woman. There's a distinct undercurrent in this description that sparks of him 'showing too much emotion for a boy' and therefore being othered.
Or maybe I'm reading too much into things in order to support my own hypothesis. Am I altering data to suit my story? Am I the misogynistic one reading too much into this.
Although it literally says in the text that his father 'gently disengaged himself from the embrace with some little show of embarrassment.'
Like, tell me that isn't outright supporting my reading.
Presently he returned, and behind him came a tall, gaunt woman bearing in her arms a very beautiful child, dark-eyed, golden-haired, a wonderful mixture of the Saxon and the Latin. Ferguson was evidently devoted to it, for he took it into his arms and fondled it most tenderly.
Watson out there refusing to apply gendered pronouns. How very modern of him. Lol.
It is a bit weird to see a baby referred to as 'it' so consistently, though. Not even 'them'. Reminds me of the baby object in the Sims.
Then he smiled, and his eyes came back to the baby. On its chubby neck there was this small puckered mark. Without speaking, Holmes examined it with care. Finally he shook one of the dimpled fists which waved in front of him. “Good-bye, little man. You have made a strange start in life."
Holmes being very nice to a baby. Actually interacting with... it? when he really doesn't need to. Not like the baby knows what he's saying. Just taking the time to be nice to a baby. Super heartless and lacking in empathy, that man.
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“Do you like her, Jack?” Holmes turned suddenly upon the boy. His expressive mobile face shadowed over, and he shook his head. “Jacky has very strong likes and dislikes,” said Ferguson, putting his arm round the boy. “Luckily I am one of his likes.”
On the one hand, perfectly reasonable to dislike the woman who beat you. On the other hand, maybe the father knows his son is capable of terrible things.
The boy cooed and nestled his head upon his father's breast. Ferguson gently disengaged him.
Oh my god, he's a kid. Let the boy have a hug. Even if he is a monster-child, this is probably why. Though I have a sneaking suspicion the story is going to try to tell me it's the exact opposite.
"Now, Mr. Ferguson, I am a busy man with many calls, and my methods have to be short and direct. The swiftest surgery is the least painful. Let me first say what will ease your mind. Your wife is a very good, a very loving, and a very ill-used woman.”
And your son is a murderer.
“I will do so, but in doing so I must wound you deeply in another direction.” “I care nothing so long as you clear my wife. Everything on earth is insignificant compared to that.”
People really need to think before they make statements like this. I understand that he is unlikely to consider that his son is trying to murder his other child in a fit of outraged jealousy over having to share his beloved father, but still... famous last words.
"The idea of a vampire was to me absurd. Such things do not happen in criminal practice in England."
The specficity of this is very bizarre. Do they happen in other kinds of practices in England?
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"Was there not a queen in English history who sucked such a wound to draw poison from it?”
Was there?
OK, apparently this refers to Queen Eleanor, who sucked the poison from Edward I's poisoned knife wound in 1272. A story that has, sadly, fallen out of vogue in the English educational system. Probably because we don't really like to discuss the crusades except in a very general, distant sense. Or... y'know... any of the other times we invaded people. There are a lot of gaps in English history lessons.
“A South American household. My instinct felt the presence of those weapons upon the wall before my eyes ever saw them. It might have been other poison, but that was what occurred to me. When I saw that little empty quiver beside the small bird-bow, it was just what I expected to see. If the child were pricked with one of those arrows dipped in curare or some other devilish drug, it would mean death if the venom were not sucked out."
Curare, that was the name I've been trying to think of. Very popular for a while in literature.
“I watched him as you fondled the child just now. His face was clearly reflected in the glass of the window where the shutter formed a background. I saw such jealousy, such cruel hatred, as I have seldom seen in a human face.”
Sometimes it does suck to be right.
Suck... heh. Pun wasn't intended, but I'll take it.
“I think a year at sea would be my prescription for Master Jacky,” said Holmes.
Like... they're making him work on a ship? I know therapy isn't really anything at this point in time. But would-be murderer child gets sent to sea?
I doubt he'll be killed in a mysterious shipwreck off page, like so many others have been, but really... how is sending him to sea going to help literally anyone? Surely it'll just make him angrier and more resentful.
Victorian parenting was super weird.
Is this to 'make him a man', because we've seen him being compared to a woman? Is this some sort of misguided restoration of the gender binary to save him?
"There, now,” he added as he closed the door behind him, “I think we may leave them to settle the rest among themselves.”
Also Holmes reading the room well enough to know husband and wife need some alone time?
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(One last vampire gif there that I don't know if anyone but me will even recognise. Josef, you almost made me understand the vampire thing...)
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