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cuddlytogas · 1 month

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So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.

See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.

But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...

What is the difference between this and this?

Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?

Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.

But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.

And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.

But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.

See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!

As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.

And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:

So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?

Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.

In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.

In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.

This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).

Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.

More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.

This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.

A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.

But also. At least it fucking says something with its leather.

#everyone say 'thank you togas' for not including a long tangent about evil rimmer in red dwarf 5x05 #Our Flag Means Death #Togas does meta #and yes these principles DO fall apart slightly in s2 and i DON'T like those costumes as much #don't get me wrong they're fun and gorgeous - but generally a bit less deep and more inaccurate. so. :(#I'm not sure this really says anything new about Our Flag but I just needed to get my thoughts out #i hate hate hate Gritty Period Drama costumes they're so boring and so ugly and so wrong #god bless OFMD for using more than 3 muted colours and actually putting men in heels (and not as a shorthand for rich/foppish villainy) <3 #looking at that Tudors still is insane like they really will go to any lengths to not make men feel like they've got bare legs XD #image descriptions in alt text #and yes i DID just sink about two hours into those so you'd better appreciate them

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judgedarts · 3 months

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tsunayoshi sawada doodle page comm❤️‍🔥

#i had so much fun with this one!! i love his character design #and a lot of friends of mine know this show in general - so glad i got to draw this :')!#sawada tsunayoshi #katekyo hitman reborn #also isnt there some exciting news for this series? like a new adaptation or continuation... i should really get into it

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mildarka · 16 days

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Big fan of immortals finding joy in very mortal things... like mcdonalds

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somnimagus · 7 months

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My page for @kairizine. It was such a huge honor to be part of this wonderful book with everyone, I had so much fun!

[id in alt!]

#kingdom hearts #kh #kh kairi #kh xion #kh namine #i don't really feel proud of my own stuff usually but #i really think this is the drawing i'm most proud of from this past year!! it made me think 'oh maybe i can draw' haha #i'm still kinda bad with colors but something clicked with this one. and i feel like i got the sentimental feeling i wanted!#ooh but this project's about flower symbolism so ramble incoming:#protea symbolizes resilience transformation and diversity; hollyhock means 'please remember me.'#so my general theme was finding a sense of self.#these 3 have struggled with finding their own identity; they tend to get left behind both in-universe and in general plotwise #and naminé and xion both resemble kairi and were overshadowed by her memory. but i feel like all 3 have transformed into their own people #xion and naminé have their faces covered partially by hollyhock to show their wish to be remembered for who they are-#instead of the parts that they share with someone else #and the protea bouquets show how they each held on and resiliently grew into their own person despite it all #i put a little swervy path on the hill behind kairi to give that hopeful sense of growth and moving forward. it's a little hard to see #hopefully that makes sense! i really love symbolism but i think in visuals so i'm really bad with words #but gosh working with everyone on this project was so fun. it was like impossible not to get swept up by the team's hype for this zine #i need to hunt down everybody's work and rb it #ohh and everybody's flowers are so crisply drawn it's insane!! i think if i lined all these flowers and leaves i'd die haha #fan art #my art #project stuff

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poorly-drawn-mdzs · 8 months

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Cultivator and Lawyer, Elle Woods (& Her spiritual dog Bruiser)!

Part 2 (soon)

#better drawn mdzs #mdzs #legally blonde #elle woods #In honour of Elle woods being canon to the PD-MDZS universe I *had* to make a legally blonde crossover #Elle Woods is a mythic figure. To me. Don't think about the lore of how she would exist in a Wuxia setting. This is for goofs.#Part 2 tomorrow ! Though its mostly silly doodles of the MDZS crew.#Lawyers and MDZS crossover *so* well. Legally blonde is a bit too specific of a story though. More on that in the next post.#Legally Blonde in general is a movie that means a lot to me (esp the musical). Your mileage may vary but I think it has a lot to say!#The feeling of being chronically underestimated and boxed into a role based on other people's perception of you really got to me!#(and the fact that the person who introduced me to MDZS turned out to...not be a good friend.#But I found a huge passion for something because of it! Yippee! I'm having more fun without you bringing me down!)#Drawing brusier made me realize I need to draw more dogs before dogust ends....

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sualne · 7 months

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captain trio undercover

#monkey d luffy #trafalgar law #eustass kid #one piece #my art #have been really tired so i wanted to draw something fun. theyre trying to steal smth at some kind of cocktail party but luffy gets into a #fight and everything goes to shit. i like em and dresses and heists so thats the general idea.#described in alt text #cw blood

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homewrecking-lore · 11 months

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The thing about the fandom’s interpretation of Data and Pulaski is that it makes both characters extremely flat and boring while also erasing their whole relationship. Data’s made into this flawless, naive baby that can’t defend himself (when he does - when Pulaski mispronounces his name, he tells her exactly why she should pronounce it correctly), while Pulaski is an ugly bitch-hag who is morally reprehensible. Most fanfics portray Data as being uncomfortable or scared of her, while Pulaski’s chomping at the bit to break him into parts. Their whole relationship in season two is based around the fact they both have flaws, and that Data is still learning about what exactly he is capable of as an android.

In “Elementary, My Dear Data”, the big question of the episode is if Data can solve a narrative mystery without it being based on his knowledge of the original stories. Geordi doesn’t know the answer. Pulaski doesn’t. Data doesn’t. From what they know of Data, Pulaski outright dismisses the possibility that Data can, which sparks the episode’s plot.

So when Geordi goes back later and prompts the computer to alter the program to be more challenging, both Data and Pulaski are excited! They want to see where this goes! They are openly having fun with this.

In her first episode, Pulaski dismissed Data when he tried to stay during Troi’s labour, and only relented when Troi said she wanted him there. But by “Penpals”, she assures Sarjenka that Data will be at her side the whole time. When Data expresses doubts, she assures him that this is what’s best for Sarjenka, but that his memories of her will still be important. This is also the same episode where Pulaski defends both her and Data’s personal involvement in the situation to Worf.

In “Measure of A Man”, the game opens with some of the crew playing a poker game. Data and Pulaski are obviously friendly and comfortable enough to socialize together outside of professional circumstances. And again, the scene shows Data calling the game simplistic and assuming he will win, but he turns out to be wrong.

Later in “Peak Performance”, Pulaski sets up Data to compete in Strategema, only for him to end up losing, to everyone’s surprise. The reason why Data’s confidence falls is because he had the exact same assumption about his computational abilities as Pulaski. They were both wrong! When she sees how much losing has affected him, she apologizes:

Data says that he must be malfunctioning. It’s not until Picard tells him that failure can happen even when you do everything right that Data accepts he can make mistakes - and that making mistakes is okay! By the end of the episode, they both know that Data is not infallible, and that he can be affected by failure as much as any human.

Pulaski makes assumptions and mistakes, and so does Data. They learn and grow from them, and their relationship is overall a very positive one despite their very different personalities. It’s an interesting dynamic that gets rewritten by fans entirely, despite the fact that it’s weirdly one of the more developed dynamics in the show.

#tng #st tng #data soong #data tng #katherine pulaski #star trek next generation #i promise this is my last rant post about data and pulaski #tng fans: i wish the crew had more developed and complex dynamics :(#also tng fans: no not like that #anyway my point is data and pulaski were pretty rounded characters in this season #and their relationship is really interesting!#and i dont think its a coincidence that a big chunk of data's growth drops after season 2 #which sucks because its interesting to see him learn about what being an android means!#him and geordi and pulaski on the holodeck was so fun #anyway in this house we love and respect pulaski in both data related and not-data-related matters

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turtleblogatlast · 1 month

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Thinking about how Leo says he uses his jokes to cope and y’know, thinking harder on it I think it may very well be because of what else uses one-liners and puns and that type of humor.

Specifically, 80’s action movies and campy sci-fi. Even more specifically, the protagonists of these.

So I can imagine why, exactly, Leo leans toward this brand of humor. It’s directly linked to things he loves! But even more than that is why I think it’s used as a coping mechanism.

In these genres, these quips tend to be said by the winner - or, if not a winner, then someone who will stay alive. So there’s a confidence behind them, an assurance, almost, that even if things go wrong, things aren’t ever too serious. There’s no bad endings here! It’s all good fun, even if the stakes seem high.

Leo canonically has been known to steer his brothers away from the more brutal villains and toward more fun, lighthearted activities and not-so-dangerous criminals. So for Leo, these jokes definitely make things less heavy, make the situations they find themselves in less intense.

It’s kinda not just coping, but also can be seen as a form of escapism. A safety blanket. A way for Leo to defuse the tension of knowing just how dangerous their lives are and replace that with a levity which implies that things will be okay.

Unfortunately, levity alone does not alter reality.

#rottmnt #rise of the teenage mutant ninja turtles #rottmnt leo #rise leo #rottmnt headcanons #how pretentious can I sound when talking about a fictional turtle more at eight #anyway I always loved to think about Leo’s quick line about coping with humor #I don’t care how much people think it doesn’t REALLY matter it’s fun to play around with tbh #also love the idea that Leo’s sense of humor comes from the protags of his fav campy series #(+ from his confident and awesome big sis April)#like idk Leo’s special interests directly paving out how he presents himself both to others and in general is so interesting to me!!!#he is someone who KNOWS people and their quirks so 100% he caught on to that 80’s style of quippy one-liners-#-and associated that with safety and levity #even the villains of these genres who spout off quips tend to be the ones who survive!#Leo desperately fighting to keep the same lighthearted genre as 87 TMNT as the horrors of 2003 and 2012 loom on the horizon #and I think something important to note is that Leo KNOWS things are real #he is WELL AWARE of how dangerous things can get for them #but he copes anyway because it’s easier to deal with everything that way #bro just wants he and his family to be safe tbh

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otaku553 · 6 months

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As it goes with every new brainrot I have, it’s time for Kirby crossover again :)

Kirby in one piece! With one piece’s strong focus on dreams and found family, I thought it would fit for Kirby to be a pirate that dreams of sailing to the stars and beyond. Not that this is very achievable by normal means, but we know that it’s at least possible with Eneru and the Skypiea arc :D