#AgfaPan 100

[mikuteit]

Neue Nationalgalerie, Berlin.

The New National Gallery, a world-class architectural icon, and the final and highlight of the life's work of Ludwig Mies van der Rohe. This classic of modernism was built between 1965 and 1968. The Neue Nationalgalerie consistently implemented - like no other building - his idea of a support-free "universal space".

Sculpture by Alexander Calder (1898-1976), "Têtes et queue", 1965, steal. Sculpture by Joannis Avramidis (1922-2016), Polis, 1968, bronce.

Shot with 6x6 medium format, Agfapan 100 professional.

Foto: © Wolfram Mikuteit

#medium format #rollfilm #120film #120mmphotography #analog photography #filmphotography #analog camera #analog foto #black an white film #monochrome #bnw #b&w aesthetic #blackandwhitephotography #schwarzweißfotografie #architecture #archdaily #archidaily #architecturephotography #archilovers #architecturedaily #mikuteit #wolfram mikuteit #berlin #neue nationalgalerie #alexander calder #joannis avramidis #sculpture #ludwig mies van der rohe

[guerrerense]

Here goes! por Maxim Sinelshchikov Por Flickr: "Classic start" of the flagship Russian P36 steam locomotive. Film AGFA Agfapan APX 100 + Pentax67 + Smc Pentax 165/2.8

[iso3200net]

Emerging from the fog

Foggy day in the park, twisted-looking trees emerging from the shadows. December 2021.

Taken with Yashica Mat 124G medium-format twin-lens camera, on a roll of then-unknown film, that turned out to be an old Agfapan APX 100. As I didn't know what the film was, I bracketed with a wide margin, one shot at 400ASA, the other at 50ASA. Ultimately, the film was 100ASA, and I developed it as 200ASA. :D Developed with Adox Adonal, 1+50 dilution at 22°C. Scanned with Canon CanoScan 8800F flatbed scanner, using VueScan 9.5.

#IFTTT #Flickr #mediumformat #squareformat #6x6 #6×6 #tlr #twinlensreflex #medium format #square #film #film photography #analogue #analog photography #black and white film #Yashica #Yashica Mat 124G #Croatia #Zagreb #Bundek #park #trees #fog #landscape #nature #film is not dead #film is alive #stay broke shoot film #winter #December

[kleinefreiheiten]

1979 Hamburg

#photographers on tumblr #black and white photography #35mm film #no edit #early work #before urban renewal #70s #agfapan 100 #hamburg #©p.mandelkow

[bigvistaphoto]

#scotland #isle of skye #uig #harbour #agfapan apx 100 #Kodak X-TOL #hasselblad 500 c/m #analog

[bcwhitetn]

Zeiss Ikon Nettar II Swamp Grass by Bill White Via Flickr: Zeiss Ikon Nettar II, Medium Format (6cm x 6cm), 75mm f/6.3, 1954 - Agfapan APX 100 developed in Ilford Ilfosol 1:9 for 7 minutes.

#Flickr

[snapshottaiwan]

Snapshot, Xinpu, Hsinchu, Taiwan, 義民廟, 隨拍, 新埔, 新竹, 台灣 by Bryan Suen

#新埔 #Xinpu #canon #eos50 #義民廟 #AGFA APX 100 #AGFA #AGFAPAN #Canon EOS50 #人像 #Portrait #B/W #Black & White #Black and White #黑白 #Taiwan #台灣 #黑白照片

[panatomic-x]

Agfapan APX 100

FILM PACKAGES #47 Agfapan APX 100 No.135 36exp. B/W　film ISO 100 1998　Agfa-Gevaert AG

#film #35mm #35mm film #filmphotography #agfa #b/w film

[architecture-v-rassias]

Temple of Aphaea.Aegina island,Argossaronic gulf.Greece.1998.

Contax RTS III,Carl Zeiss Sonnar T* 28mm f/2 Agfapan 100

The Temple of Aphaia (Greek: Ναός Αφαίας) or Afea is located within a sanctuary complex dedicated to the goddess Aphaia on the Greek island of Aigina, which lies in the Saronic Gulf. Formerly known as the Temple of Jupiter Panhellenius, the great Doric temple is now recognized as dedicated to the mother-goddess Aphaia. It was a favorite of the neoclassical and romantic artists such as J. M. W. Turner. It stands on a c. 160 m peak on the eastern side of the island approximately 13 km east by road from the main port.

Aphaia (Greek Ἀφαία) was a Greek goddess who was worshipped exclusively at this sanctuary. The extant temple of c. 500 BC was built over the remains of an earlier temple of c. 570 BC, which was destroyed by fire c. 510 BC. The elements of this destroyed temple were buried in the infill for the larger, flat terrace of the later temple, and are thus well preserved. Abundant traces of paint remain on many of these buried fragments. There may have been another temple in the 7th century BC, also located on the same site, but it is thought to have been much smaller and simpler in terms of both plan and execution. Significant quantities of Late Bronze Age figurines have been discovered at the site, including proportionally large numbers of female figurines (kourotrophoi), indicating – perhaps – that cult activity at the site was continuous from the 14th century BC, suggesting a Minoanconnection for the cult.[3] The last temple is of an unusual plan and is also significant for its pedimental sculptures, which are thought to illustrate the change from Archaic to Early Classical technique. These sculptures are on display in the Glyptothek of Munich, with a number of fragments located in the museums at Aigina and on the site itself.

#greece #ancient #ancient greece #temple #temple of Afea #perspective #urban exploration #urban photography #natural light #Black and White #analog camera #film

[sjosch]

Shot on Agfapan 100 expired in 2009

Developed with Rodinal (1+50/13)

Contax 139 Quartz + Zeiss Planar 50mm 1.4

#analog #analog photography #film #film photography #zeiss #Black and White #bw #rodinal #contax #agfa #expired #spider #photography #photographers on tumblr

[faces-of-7th-art]

#Catherine Deneuve Portrait

Cannes 1984 

Contax RTS  Carl Zeiss T* Tessar 200mm f/3,5 Agfapan 100

Catherine Fabienne Dorléac (born 22 October 1943), known professionally as Catherine Deneuve , is a French actress as well as an occasional singer, model and producer, considered one of the best European actresses and the greatest French actress of all time.. She gained recognition for her portrayal of icy, aloof and mysterious beauties for various directors, including Luis Buñuel, François Truffaut and Roman Polanski. In 1985, she succeeded Mireille Mathieu as the official face of Marianne, France's national symbol of liberty. A 14-time César Award nominee, she won for her performances in Truffaut's The Last Metro (1980), for which she also won the David di Donatello for Best Foreign Actress, and Régis Wargnier's Indochine (1992).

Deneuve made her film debut in 1957 and first came to prominence in Jacques Demy's 1964 musical The Umbrellas of Cherbourg. She went on to star in such films as Repulsion (1965), Donkey Skin (1970), Belle de Jour (1967), Tristana (1970) and The Young Girls of Rochefort (1967) opposite her sister, the actress Françoise Dorléac. She was nominated for the BAFTA Award for Best Actress for Belle de Jour, and the Academy Award for Best Actress for Indochine. She also won the 1998 Volpi Cup for Best Actress at the Venice Film Festival for Place Vendôme. Other notable English-language films include The April Fools (1969), Hustle (1975), The Hunger (1983) and Dancer in the Dark (2000).

Deneuve was born Catherine Fabienne Dorléac in Paris, the daughter of French stage actors Maurice Dorléac (1901–1979) and Renée Simonot (b. 1911). Deneuve has two sisters, Françoise Dorléac (1942–1967) and Sylvie Dorléac (born 14 December 1946), as well as a maternal half-sister, Danielle, whom their mother had out of wedlock in 1937 with Aimé Clariond, but who was later adopted by Maurice and took his surname. Deneuve was her mother's maiden name, which she chose for her stage name, in order to differentiate herself from her sisters. Deneuve attended Catholic schools .

Deneuve made her film debut with a small role in André Hunebelle's Les Collégiennes (1957) with her younger sister Sylvie Dorléac who, like their older half-sister Danielle, was an occasional child actress. She subsequently appeared in several films for director Roger Vadim as well as in L'Homme à femmes (1960), which caught the eye of Jacques Demy, who cast Deneuve in his 1964 musical Les Parapluies de Cherbourg, the film that brought her to stardom. Deneuve played the cold but erotic persona, for which she would be nicknamed the "ice maiden", in Roman Polanski's horror classic Repulsion (1965), reinforcing it in Luis Buñuel's Belle de Jour (1967), and reaching a peak in Tristana (1970).Her work for Buñuel would be her most famous .

Further prominent films from this early time in her career included Jean-Paul Rappeneau's A Matter of Resistance (1966), Demy's musical Les Demoiselles de Rochefort (1967) and François Truffaut's romantic thriller Mississippi Mermaid (1969). Deneuve remained active in European films during the 1960s and 1970s, though she limited her appearances in American films of the period to The April Fools (1969), a romantic comedy with Jack Lemmon, and Hustle (1975), a crime drama with Burt Reynolds. Her starring roles at the time were featured in such films as A Slightly Pregnant Man (1973) with Marcello Mastroianni and Le Sauvage (1975) with Yves Montand.

In the 1980s, Deneuve's films included François Truffaut's Le Dernier métro (1980), for which she won the César Award for Best Actress, and Tony Scott's The Hunger (1983) as a bisexual vampire, co-starring with David Bowie and Susan Sarandon, a role which brought her a significant lesbian and cult following, mostly among the gothic subculture. She made her debut film as a producer in 1988, Drôle d'endroit pour une rencontre, alongside frequent co-star Gerard Depardieu.

In the early 1990s, Deneuve's more significant roles included 1992's Indochine opposite Vincent Perez, for which she was nominated for an Academy Award for Best Actress and won a second César Award for Best Actress; and André Téchin��'s two movies, Ma saison préférée (1993) and Les Voleurs (1996). In 1997, Deneuve was the protagonist in the music video for the song N'Oubliez Jamais sung by Joe Cocker. In 1998 she won acclaim and the Volpi Cup at the Venice Film Festival for her performance in Place Vendôme. In the late 1990s, Deneuve continued to appear in a large number of films such as 1999's five films Est-Ouest, Le temps retrouvé, Pola X, Belle maman, and Le Vent de la nuit.

In 2000, Deneuve's part in Lars von Trier's musical drama Dancer in the Dark alongside Icelandic singer Björk was subject to considerable critical scrutiny. The film was selected for the Palme d'Or at the Cannes Film Festival. She made another foray into Hollywood the following year, starring in The Musketeer (2001) for Peter Hyams. In 2002, she shared the Silver Bear Award for Best Ensemble Cast at the Berlin International Film Festival for her performance in 8 Women. In 2005, Deneuve published her diary A l'ombre de moi-meme ("In My Own Shadow", published in English as Close Up and Personal: The Private Diaries of Catherine Deneuve); in it she writes about her experiences shooting the films Indochine and Dancer in the Dark. She also provided the voice role of Marjane Satrapi's mother in Satrapi's animated autobiographical film Persepolis (2007), based on the graphic novel of the same name. In 2008, she appeared in her 100th film, Un conte de Noël.

Deneuve's recent work includes Potiche (2010) with frequent co-star Depardieu, Beloved (2011), alongside former co-stars Ludivine Sagnier and Chiara Mastroianni, the popular French adventure comedy Asterix and Obelix: God Save Britannia (2012) with Gerard Depardieu and Valérie Lemercier, screenwriter and director Emmanuelle Bercot's On My Way (2013), Palme D'or winning writer/director Pierre Salvadori's comedy drama In the Courtyard (2014), and André Téchiné's drama In the Name of My Daughter (2014). In 2017, she co-starred alongside Catherine Frot, in writer/director Martin Provost's French drama The Midwife, which has been acquired by Music Box Films for a summer 2017 distribution in the United States.

Deneuve appeared nude in two Playboy pictorials in 1963 and 1965. Her image was used to represent Marianne, the national symbol of France, from 1985 to 1989.[citation needed] As the face of Chanel No. 5 in the late 1970s, she caused sales of the perfume to soar in the United States – so much so that the American press, captivated by her charm, nominated her as the world's most elegant woman. In 1983, American Home Products retained her to represent their cosmetics line and hired world-renowned photographer Richard Avedon to promote its line of Youth Garde cosmetics, for which she famously proclaimed, "Look closely. Next year I will be 40."

She is considered the muse of designer Yves Saint Laurent; he dressed her in the films, Belle de Jour, La Chamade, La sirène du Mississipi, Un flic, Liza and The Hunger. In 1992, she became a model for his skincare line. In 2001, she was chosen as the new face of L'Oréal Paris. In 2006, Deneuve became the third inspiration for the M•A•C Beauty Icon series and collaborated on the colour collection that became available at M•A•C locations worldwide in February that year. Deneuve began appearing in the new Louis Vuitton luggage advertisements in 2007. Deneuve was listed as one of the fifty best-dressed over 50s by the Guardian in March 2013. In July 2017, Deneuve appeared in a video campaign for Louis Vuitton entitled Connected Journeys, celebrating the launch of the brand's Tambour Horizon smartwatch, which also featured celebrities, including Jennifer Connelly, Bae Doona, Jaden Smith and Miranda Kerr.

In 1986, Deneuve introduced her own perfume, Deneuve. She is also a designer of glasses, shoes, jewelry and greeting cards

Deneuve speaks fluent French, Italian and English and has some knowledge of Spanish, though she does not speak the language fluently. Her hobbies and passions include gardening, drawing, photography, reading, music, cinema, fashion, antiques and decoration.

Deneuve has been married once, to photographer David Bailey from 1965 to 1972. She has lived with director Roger Vadim, actor Marcello Mastroianni,cinematographer Hugh Johnson, Spanish model and current television presenter Carlos Lozano, and Canal+ tycoon Pierre Lescure.

Deneuve has two children: actor Christian Vadim, from her relationship with Roger Vadim, and actress Chiara Mastroianni, from her relationship with Marcello Mastroianni. She has five grandchildren.

Deneuve is close friends with the artist Nall and owns some of his works.

On 6 November 2019, BBC News reported that Deneuve suffered a mild stroke and was recuperating in a Paris hospital. Despite the health scare, there was no damage to her motor functions. Five weeks later, she was released from the hospital and spent the remainder of 2019 recuperating at her Paris home.

#catherine deneuve #portrait #portrait photography #famous actress #celebrity #black and white #beauty #french cinema #film star #movies star #beautiful #attractive #analog camera #film #cannes #film festival

[guerrerense]

Here goes! por Maxim Sinelshchikov Por Flickr: "Classic start" of the flagship Russian P36 steam locomotive. Film AGFA Agfapan APX 100 + Pentax67 + Smc Pentax 165/2.8

[iso3200net]

Emerging from the fog

Foggy day in the park, twisted-looking trees emerging from the shadows. December 2021.

Taken with Yashica Mat 124G medium-format twin-lens camera, on a roll of then-unknown film, that turned out to be an old Agfapan APX 100. As I didn't know what the film was, I bracketed with a wide margin, one shot at 400ASA, the other at 50ASA. Ultimately, the film was 100ASA, and I developed it as 200ASA. :D Developed with Adox Adonal, 1+50 dilution at 22°C. Scanned with Canon CanoScan 8800F flatbed scanner, using VueScan 9.5.

#IFTTT #Flickr #mediumformat #squareformat #6x6 #6×6 #tlr #twinlensreflex #medium format #square #film #analogue #film photography #analog photography #black and white film #Yashica #Yashica Mat 124G #trees #park #fog #winter #Bundek #Croatia #Zagreb #December #film is not dead #film is alive #stay broke shoot film #Agfa #Adox

[otticafotobenzi]

AGFA APX 100 135/36 BW

AGFA APX 100 135/36 BW

DETTAGLI Nuovamente disponibili le mitiche Agfapan 100 e 400.Ora con nuova emulsione AgfaPhoto APX sono pellicole in bianco e nero professionali ad alta risoluzione e finezza di grana. Caratteristiche: alta acutanza, flessibili in sensibilità e contrasto, esemplari nel bilanciamento dei grigi.   SCHEDA TECNICA Formato pellicola 135 da 36 pose Sensibilità nominale (ASA) 100 Scadenza…

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[bigvistaphoto]

#scotland #isle of skye #agfapan apx 100 #hasselblad 500 c/m #Kodak X-TOL #analog

[editingxpert]

A Leica in the Limousin: Photographic Bliss in 1980s Rural France on Agfapan 100 Professional

A Leica in the Limousin: Photographic Bliss in 1980s Rural France on Agfapan 100 Professional

It was in the backwaters of France that I decided to do the research right here for my Master’s in anthropology. Almost every morning, the sun crept over the forested hills at seven but was quickly pushed away by dark clouds, which brought rain the entire day until sunset, where our perennial star showed the locals that it was still alive. I knew the region pretty well. Together with my parents…

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