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#Born to run
hawkeyeqierce · 1 month
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petiteclover · 2 months
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Bruce Springsteen laughing relaxed at the camera, just after his Born to Run concert, on November 23, 1975 at the Amsterdam RAI. captured by Kees de Jong.
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troutreznor · 1 year
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Bruce Springsteen on Clarence Clemons (Born To Run pg. 474) + some of my favorite pics of them together from the Born To Run album cover shoot by Eric Meola
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aaronstveit · 8 months
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Born to Run (Live at the Hammersmith Odeon, London '75)
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balkanparamo · 1 year
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Marcella Casu - Born to Run
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the-swift-tricker · 2 months
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bruce springsteen side of tumblr i desperately need your help
in his song "born to run" bruce sings the lyrics "just wrap your legs 'round these velvet rims and strap your hands 'cross my engines"
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Let Those Powerlines Take Me Somewhere
Powerline Valley (Demo) - Ethel Cain / Born to Run - Bruce Springsteen / Hum Hum - Mary Oliver / Sleep on the Floor - The Lumineers / Triple Dog Dare - Lucy Dacus / Courtney Love Prays to Oregon - Clementine Von Radics
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micamicster · 6 months
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Bruce Springsteen's third album BORN TO RUN as Penguin Classics (inspo): Odilon Redon / Romere Bearden / Max Regot Selling Company / Lewis Hine / Ulpiano Checa / Edgar Degas / Thomas Cole / El Greco
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e-streetbruce · 2 years
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bruce springsteen and clarence clemons in front of tour bus 1978
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catfindr · 1 year
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myimaginaryradio · 2 months
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Born To Run - Bruce Springsteen - 1975
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stone-cold-groove · 2 months
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Columbia Records promo ad for the Bruce Springsteen single, Born to Run - 1975.
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Bruce Springsteen: I understood that underneath this illusion of freedom was an oppressiveness that would kill me
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My Hometown (Bruce Springsteen Live at LA Coliseum, Los Angeles, CA - September 1985)
Bruce Springsteen: “At some point I said to myself—and I know this is one of the things that caused me a lot of distress—I said, Well, okay, what if I am the guy in ‘Born to Run,’ with the bike and the girl, shooting down the road. But when you get out there a little ways, there’s not that much traffic. And you can’t see the people in the cars next to you; all the windows are tinted. And all of a sudden you’re out there, but where is everybody? So I guess I kinda thought, Well, all right, you know; so maybe I get to do these things, but what about everybody else?
And that didn’t come from a real selfless motivation or some idea to do good. Because I understood that it was a self-preservation question. I realized that you will die out there, simple as that. I understood that underneath this illusion of freedom was an oppressiveness that would kill me. And that where maybe I was different was that I knew it.
So when I got in that situation, I felt tremendously threatened, and I did not know why. It was totally instinctive. Matter of fact, I don’t think I really knew why until not that long ago. But initially, when I was twenty-five, it was just instinctive—I felt threatened, I felt in danger. And it was funny because those were the exact opposite responses that people generally have. But I didn’t know why I was havin’ ’em; I was just havin’ ’em.
So initially, I wanted to just reject the whole thing—‘This is bad; all this is bad’—as people have done before. I think you look at some of the older rock and rollers, they’ve chosen to reject it and their opposite choice was to move to religious fundamentalism. But I got so alienated from religion when I was younger that there was no way that that was ever gonna be an alternative, in that sense, for me. I just could never see it.
I think when I got in that spot, I really did feel—and not in a paranoid fashion— attacked on the essence of who I felt that I was. So at that point I realized that, unattached from community, it was impossible to find any meaning. And if you can’t find any meaning, you will go insane and you will either kill yourself or somebody will do the job for you, either by doping you or one thing or another.
I began to question from that moment on the values and the ideas that I set out and believed in on that Born to Run record: friendship, hope, belief in a better day. I questioned all of these things. And so Darkness on the Edge of Town was basically saying, You get out there and you turn around and you come back because that’s just the beginning. That’s the real beginning.
I got out there—hey, the wind’s whipping through your hair, you feel real good, you’re the guy with the gold guitar or whatever, and all of a sudden you feel that sense of dread that is overwhelming everything you do. It’s like that great scene in The Last Picture Show where the guy hits the brakes and turns around. The Darkness record was a confrontation record: ‘Badlands,’ ‘Adam Raised a Cain,’ ‘Racing in the Street’all those people, all those faces, you gotta look at ’em all. Right through to ‘Darkness on the Edge of Town’—that was a whole other beginning.
Now, you strip a whole bunch of things away from the thing, and you lose a lot of your illusions and a lot of, I suppose, your romantic dreams. And you decide…you make a particular decision. And that is a decision, I believe, that saves your life—your real life, your internal life, your emotional life, your essential life. Because you can live on, and a lotta people do; there’s all sorts of people livin’ on out there, you know. But I knew—and this ties right in with the discussion I had with Jon about Born in the U.S.A.—that the reason I began to do what I did was for connection. I desperately needed connection. I couldn’t get it; I wanted it.
And that’s why the guitar was my lifeline. That was my connection with other people, more than anything else. Because other things will not sustain you. Maybe for a while you’ll be distracted and have some fun, but in the end, your real life, you’ll die, you will really die. And then once that happens, I believe there’s only a certain amount of time before the physical thing catches up to you.
So you’ve got that situation, where I turn around—on the live record, that’s where ‘Badlands’ fits.”
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vexic929 · 2 months
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Born to Run
Chapter 1
Warnings: blood, internal organs not inside the body, implied SA of a minor
OC info: link
Chapter 2: link
Blood doesn't sparkle in the setting sun the way water does - it shines, wet and dark, and stains everything it touches leaving behind red-orange blotches that never seem to quite go away even after a deep clean.
"I...oh-oh my god-" Berrie couldn't breathe. The blood felt scalding as it ran down her trembling forearm, soaking into her rolled up sleeve at the elbow. God, there was so much blood. "W-why did I...I..."
Berrie dropped the heart suddenly as though it had burned her and it landed with a sickening squelch on the linoleum as the blind range shifted into horror at what she'd done.
"No. Nonononono- what did I-I didn't mean to- oh god-" Berrie stepped backwards, her pristine white sneakers nearly slipping in the rapidly forming pool of blood. The metallic scent was overwhelming, making her stomach churn and she covered her nose and mouth with her clean hand.
She'd killed him. She'd killed her chemistry teacher, Mr. Abbott, the one who always made corny science jokes, the one who everyone liked. The one who had tried to assault Shun when he was alone in his classroom for detention after school. So...so then it was fine, right? Berrie had just been protecting Shun.
But even as she tried to rationalize it, her mind was racing. She'd never meant to do this. She didn't know how it happened. She just remembered feeling a sudden moment of blinding rage and then...then the heart was in her hand. And Mr. Abbott was on the floor. Dead.
A locker clanged outside the classroom and Berrie jumped before taking off in a flash of orange. She needed to get home. She needed to...to...she wasn't sure. Her dad would know what to do. He always did. She skidded to a stop in the hallway of her home, near hyperventilating.
"Berrie? You're home late-" Eobard entered the hall as well and paused, taking in his daughter's appearance before crossing to her and taking her arm, gently leading her to the kitchen. "Why are you covered in blood? Are you hurt?"
"No, I...it's not-not mine. I..." Berrie struggled to put her thoughts into words as she processed what had just happened.
"Did anyone see you?" He asked, still inexplicably calm as he wiped her arm clean. How was he so calm? He should be freaking out. He should be angry or-or worried or something right?
Berrie shook her head, feeling like she might be sick.
"Good. I'll clean things up and then we'll deal with the rest." Eobard said before dropping the rag in the sink and running off in a flash of red lightning.
Berrie stared at the blood-soaked rag in the sink without really seeing it, her mind racing. She couldn't seem to contain her panic, it felt like it was suffocating her, desperate to be released; she couldn't stay here, she needed to go somewhere, do something. She needed to leave. She needed to run. So, Berrie ran.
She gathered all of her speed, pushing herself faster and faster until the world around her started to morph. Colors blurred together, buildings shifted and changed, street sounds mingled in her ears. She ran faster than she ever had before, orange lightning flashing around her, pushing past all the limits she had until suddenly in a flash of light she was careening into a dumpster as her speed cut out without warning.
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Ily: I love you
Ilysm: I love you so much
Twwclwtsilywaotmims: together Wendy we can live with the sadness, I’ll love you with all of the madness in my soul
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