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#China History
chinesehanfu · 4 months
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[Hanfu · 漢服]China's national Important Cultural Relics Impression Series By Artist @陆曼陀
 China Neolithic Period:The Hongshan culture(4700-2900 BC)Relics<玉猪龙/Pig dragon>
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China Shang dynasty / Western Zhou dynasty(1200–800 BC) · Shu state Relics < 太阳神鸟金饰/Golden Sun Bird>
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China Western Han Dynasty (202 BC – 9 AD)Artifact Relics<长信宫灯/oil lamp in the shape of a kneeling female servant>
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After the lamp is lit, the soot enters the base of the palace lantern through the sleeve to achieve the purpose of cleaning the air.
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China Eastern Han Dynasty(25–220 AD)Artifact Relics<铜奔马 or the Galloping Horse Treading on a Flying Swallow (馬踏飛燕)>
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China Eastern Han Dynasty(25–220 AD) Artifact Relics<摇钱树/Money tree (myth)>
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China Tang Dynasty(618–907CE) Artifact Relics<女立俑/Female standing figurine ​​​​>
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China Song Dynasty (960–1279) Artifact Relics<汝窑天蓝釉刻花鹅颈瓶/Ru kiln sky blue glaze carved gooseneck bottle>
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China Song Dynasty (960–1279) Painting<千里江山图/A Thousand Li of Rivers and Mountains>by 王希孟(Wang Ximeng)
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China Yuan dynasty (1279–1368) Artifact Relics<霁蓝釉白龙纹梅瓶/Ji blue-glazed plum vase with white dragon pattern>
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【Artist:陆曼陀 Social Media】 ————————
Twitter:https://twitter.com/LuDanling
Weibo:https://weibo.com/u/2846691957
Post Source:https://weibo.com/2846691957/NzQ9IyzKL
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polyglot-thought-2 · 10 months
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Who is Yang Guang?
楊光是誰?
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The only picture I can find of him is this one (pictured above), when you search his name he doesn't have a page on Baidu or Wikipedia, although he is mentioned in this article. On Baidu and Wikipedia there are pages of people named 杨光 but none of them seem to be him.
He seems to have been a singer in the 1950s judging by the way I found him was through his duet with Tsin Ting (靜婷) in the song 搖船曲 (Rocking Boat Song) (Youtube).
Other than this, from my google searching I can't find much of anything about him. He is most likely Taiwanese or Chinese, unknown age or if he is still alive, or if he has any solo music. I also don't know if he goes by an English name.
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The curse of long-ruling autocrats
By Yuhua Wang
In October 2022, during the 20th Party Congress of the Chinese Communist Party, Xi Jinping was “reelected” as the party’s chairman, paving his way for a third term as China’s top political leader. This will make Xi the longest-reigning head of state in the history of the People’s Republic—even longer than Mao Zedong, the founder of the regime, who was head of state from 1949 to 1959.
Are long-reining rulers a blessing or a curse to the country? 
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harrison-abbott · 24 days
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The first Emperor of China was Qin Shi Huang (259 BC – 210 BC). He is accredited as the founder of the Qin dynasty. Under his rule, China expanded vastly in terms of geographical size.
He is widely regarded as a tyrannical leader and directed the execution of tens of thousands of people.
There were three attempts to assassinate him throughout his reign. The first attempt was via a dagger that was smuggled inside an exotic map, which was intended to be a gift. The second was with a block of lead, which was hidden inside a lute, belonging to a musician who had been invited to play in the palace. The assassin/musician swung at the king with it, but missed. The third involved a hired strongman, who was to hurl a heavy metal cone, of 160 lb, at the Huang’s carriage as it passed in the mountains. The cone did hit the carriage; but Huang was inside the carriage behind it, having used two other carriages as dummies.
As Huang got older and his health worsened, he became obsessed with funding the ‘elixir of life’. He studied mystical texts about the legend of the elixir, and then sent teams on expeditions to islands and mountains where it was rumoured could be found. Huang also sought to find a magician who was supposedly 1000 years old, and hired a group of men to locate him. The group never returned, perhaps because they knew what would happen if they returned to Huang having failed.
The emperor owned over 200 palaces. Under these, he had built for him a network of tunnels, which he believed could keep him safe from evil spirits.
Despite his fear of dying, Huang ordered the building of a huge mausoleum for himself. The tomb was built at the bottom of Mount Li, and was surrounded by around 6000 terracotta soldier statues. Huang believed the statues, equipped with real bronze weapons, would protect his body in the afterlife.
Although the amount of real men it took to build this gigantic mausoleum can’t be figured exactly, it was certainly in the tens of thousands. After the tomb was completed, it was sealed off, with many things hidden inside. Huang had ordered for all the men who helped build it then be executed, because he wanted to preserve the secrecy of his building.
^ Yep. We still get tyrants today. We know who they are. Regularly we see their photos in the news, and hear about their madness. But, wow: this ^ man must have had some real problems. You wonder what could happen to a man for him to get so deluded as to his own self worth. These are reasons why I often find history so disturbing. Violent, murderous. Mad kings … that kind of thing. There is certainly truth in that old phrase ‘gone mad with power’. In history books, the term ‘Great’ is often labelled to a particular leader, or man. ‘The Great King of …’ etc, etc. I see nothing of greatness in men such as these.
History can be a fairly grizzly topic indeed.
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us-china · 1 month
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#tangdynasty #poet #MengHaoran paid a visit to an old friend's house that was surrounded by serene rural scenery. As they chatted about everyday life, Meng also shared an intriguing story involving the emperor. Dive into this the AI-animated "Poems of Timeless Acclaim" to unravel the captivating story! Check out the video and subscribe to the channel for more China’s stories!
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memories-of-ancients · 6 months
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Turqouise inlaid bronze dagger axe (ge), China, Late Shang Dynasty 12th-11th century BC
from Sothebys
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blueiskewl · 2 months
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Chinese Bronze Sword With An Inlaid Rock Crystal, Turquoise and Gold Hilt Warring States Period, Circa 4th - 2nd Century B.C.
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evilsment · 4 months
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🌞 Sun and Moon Pagodas | 日月双塔 🌚
Originally built in Guilin, Guangxi during the Tang dynasty (618-917) the pagodas were reconstructed in 2001.
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livesunique · 5 months
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Tianjing Pavilion, Lake Shi. Suzhou, China,
Photo by Jeff Deng
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victusinveritas · 8 months
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Chinese imperial dynasties as Simpsons quotes
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nesyanast · 1 month
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Baghdadi Jews celebrate Purim in Shanghai 1908
Source: Rachel Wahba
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chinesehanfu · 29 days
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[Hanfu · 漢服]Chinese immortal Hanfu <西王母/Queen Mother of the West> Based On Yuan Dynasty Taoist Temple Mural<永乐宫/Yongle Palace>
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【Historical Artifacts Reference 】:
▶ China Yuan Dynasty Taoist Temple 永乐宫/Yongle Palace Mural
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<西王母/Queen Mother of the West>
The Queen Mother of the West, known by various local names, is a mother goddess in Chinese religion and mythology, also worshipped in neighbouring Asian countries, and attested from ancient times.
The first mentions of the Queen Mother date back to the oracle bone inscriptions of the Shang dynasty (1766 – 1122 BCE). One inscription reads:
Crack-making on day IX (9th day), we divined. If we make offering to the eastern mother and the western mother, there will be approval.
Western Mother refers to an archaic divinity residing in the west. The exact nature of the Mother divinities in the Shang dynasty is unclear, but they were seen as powerful forces deserving of ritual by the people of the Shang dynasty. Originally, from the earliest known depictions of her in accounts like the Classic of Mountains and Seas during the Zhou dynasty, she was a ferocious goddess of death with the teeth of a tiger, who rules over wild beasts and sends down heavenly punishments such as pestilences. She was also mentioned as an authority ruling over other divinities such as Jiutian Xuannü, a goddess of war and sex. Other stories hold that she is a mountain goddess or a divine tigress. She is also popularly thought to have blessed the Eight Immortals with their supernatural abilities.
After her integration into the Taoist pantheon, she gradually took on associations with other aspects, such as immortality, as well.
The Queen Mother of the West is most often depicted holding court within her palace on the mythological Mount Kunlun, usually supposed to be in western China (a modern Mount Kunlun is named after this). Her palace is believed to be a perfect and complete paradise, where it was used as a meeting place for the deities and a cosmic pillar where communications between deities and humans were possible.At her palace she was surrounded by a female retinue of prominent goddesses and spiritual attendants. One of her symbols is the Big Dipper.
Although not definite there are many beliefs that her garden had a special orchard of longevity peaches which would ripen once every three thousand years,others believe though that her court on Mount Kunlun was nearby to the orchard of the Peaches of Immortality. No matter where the peaches were located, the Queen Mother of the West is widely known for serving peaches to her guests, which would then make them immortal. She normally wears a distinctive headdress with the Peaches of Immortality suspended from it.
Flourishing parasols, we reach the chronograms' extremity; Riding on the mist, I wander to Lofty Whirlwind Peak. The Lady of the Supreme Primordial descends through jade interior doors; The Queen Mother opens her Blue-gem Palace. Celestial people—What a Crowd! A lofty meeting inside the Cyan Audience Hall. Arrayed Attendants perform Cloud Songs; Realized intonations fill the Grand Empty Space. Every thousand years, her purple crabapple ripens; Every four kalpas, her numinous melon produces abundantly. This music differs from that at the feast in the wilderness— So convivial, and certainly infinite.— Wu Yun (Complete Tang Poems 1967, line 4942)
One of the earliest written references to the Queen Mother comes from the writings of the Taoist writer Zhuangzi (c. 4th century BCE):
The Queen Mother of the West obtained it [the Dao]... ...and took up her seat at Shao kuang. No one knows her beginning; no one knows her end.
Zhuangzi describes the Queen Mother as one of the highest of the deities, meaning she had gained immortality and celestial powers. Zhuangzi also states that Xiwangmu is seated upon a spiritual western mountain range, suggesting she is connected to not only the heavens, but also to the west.
Legendary encounters
In Tu Kuang-ting's text, he includes narrative accounts of the Queen Mother's encounters with legendary Chinese heroes. One such account narrates an encounter between the Queen Mother and Laozi (Lord Lao):
"In the 25th year of King Chao of the Chou dynasty (1028 BCE) …" "…Lord Lao and the realized person Yin Hsi went traveling…" "…on their behalf, the Queen Mother of the West explicated the Scripture of Constant Purity and Quiet."
In this account, the Queen Mother plays the role of Laozi's superior and is credited with the ultimate authorship of the Dao De Jing. This dichotomy of the Queen Mother as the superior is a characteristic of Shangqing Taoism, a goddess worshiping sect of Taoism of which Tu Kuang-ting was a master. There is also an account of a meeting between the Queen Mother and Laozi in Tang poetry.[18] This account however, being of traditional Taoist thought, has the Queen Mother taking an inferior role to Laozi, calling him "Primordial Lord" (the title of his highest manifestation) and pays homage to the sage.
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<China Han Dynasty stone-relief showing 西王母/Queen Mother of the West from Sichuan,China>
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<China Wei and Jin Dynasties Mural showing 西王母/Queen Mother of the West>
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📸Photography post-production :@小何力
👗Hanfu & 👑Crown:@雁鸿Aimee
💄 Makeup:百丽 (临溪摄影)
👭Model:@清音音音音
🔗 Weibo:https://weibo.com/1648616372/O2R5bpBud
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sitting-on-me-bum · 6 months
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Two females and a male golden snub-nosed monkey huddle together to keep warm in the extreme winter cold. Threatened mainly by forest loss and fragmentation, this endangered species is confined to central China. One of the shortlisted 25 images in the running for the Wildlife Photographer of the Year People’s Choice award at the Natural History Museum
Photograph: Minqiang Lu/2022 Wildlife Photographer of the Year
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veiledinfo · 2 years
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ziseviolet · 1 month
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Hi my friend wanted to ask about Chinese Opera and the red pom poms on their hats and their significance. I asked my mom and she said they were for decoration so I just wanted clarification
Hi! Thanks for the question, and sorry for taking ages to reply!
The pom poms you see on 盔头/kuitou (Chinese opera headdresses) are called 绒球/rongqiu (lit. "velvet ball"). They are often red, but can also be other colors, and vary in size. Ronqiu are decorative and serve to distinguish the many different types of kuitou from one another. Each type of kuitou is distinct in the number, size, and color of rongqiu that it's decorated with (of course, not all kuitou have rongqiu).
Below - a few different types of Beijing opera kuitou decorated with rongqiu (x):
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Rongqiu isn't used just for Chinese opera performances - it's a very common decorative item for Chinese headwear, especially for traditional/folk performances.
Below - examples of rongqiu use in folk custom/performance costumes, left to right: 1) 游神/youshen (wandering gods) procession in Fujian (x), 2) 英歌舞/yingge wu (yingge dance) performer in Guangdong (x), 3) & 4) 高跷/gaoqiao (stilt walking) performers in a 社火/shehuo parade in Gansu (x):
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As a festive decoration, rongqiu was also widely used on bridal guan (crowns) from the Qing dynasty into the modern day.
Below - examples of rongqiu use in historical bridal guan: Left - a bride during the late Qing dynasty, circa 1890 (x); Right - a bride during the Republican era/minguo, in 1939 (x):
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For some reason it's been extremely difficult to find sources on the origin of rongqiu that would shed more light on its significance, but based on historical paintings the use of rongqiu as a head ornament may have originated in the Qing dynasty. During the late Qing dynasty, it was fashionable among women to wear rongqiu on the sides of their hair, as can be seen in the paintings below (x):
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This particular style of rongqiu hair ornament was depicted in the 2012 historical cdrama 娘心计/Mother's Scheme:
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For more references, please see my rongqiu and kuitou tags.
If anyone has more information on the significance of rongqiu, please do share!
Hope this helps ^^
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theancientwayoflife · 3 months
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東漢(鮮卑文化) 鎏金翼馬紋銅飾板
~ Plaque with a Winged Horse.
Period: Eastern Han dynasty (25–220), Xianbei culture
Date: 1st century
Culture: North China
Medium: Gilt bronze
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