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prince-kallisto · 5 months

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Crowley’s Special Lesson Themes Analysis

HELPPPPPPPP OMGGGGGGG WTF

Okay okay okay, first of all, I’m really flattered when some of y’all say I’m perceptive and such due to my theories, but tell me why I literally JUST realized that the lesson theme changes when Crowley drops in for a Special Lesson?!?!? 😭😭😭😭 L Kallisto moment. -100 perception.

Im not kidding I was literally so focused on Crowley’s chibi form that I never noticed that the music changed when Special Lessons were activated 💀 Self-roasting aside, I immediately went to search up the OSTs for Special Lessons. A huge thank you to this user on YouTube. I compiled the three videos just for my personal reference, but I highly recommend to listen to these songs they’re such a bop!!! 🏃‍♂️🏃‍♂️🏃‍♂️🏃‍♂️

I find it really fascinating that the “Dire Crowley” theme (the song that plays when you first open the game) is very foreboding, but the Special Lesson songs are rather flamboyant. Maybe I’m just hearing it wrong, but I like how a ringing bell-like sound can be heard in the Special Lessons songs. It seems like the passage of time through bells is a shared motif in Crowley’s songs? It could also be a reference to school bells.

I have a theory that these Special Lesson theme songs represent Crowley’s relationship and dynamic with each of the staff members. I separated each song into their different section to talk about, including their bpm/tempo, just because I think the details put into these songs as amazing! Note, I don’t know much about music and instruments haha, so please correct or feel free to elaborate on any information ∑(ﾟДﾟ)

Alchemy Special Lesson BGM (Crewel)

-100 bpm, Allegretto, and in D minor. Allegretto is lively, but it must be executed with a sense of restraint, elegance, and precision. It is not like Allegro, which tends to be happy and upbeat. Allegretto is quite literally “less than Allegro,” so it’s restrained. D minor is a key that is often related to feelings of desperation or distress, which is fitting for Crewel’s students. Although don’t take anything I say about the keys too literally (*ﾟ∀ﾟ*) “Major=Happy, Minor=Sad” is a gross oversimplification of keys, and a song can represent any emotion regardless the key it’s in. However, I think it’s worth mentioning because keys are still chosen purposefully to guide the listener to an interpretation of the music! ♪(๑ᴖ◡ᴖ๑)♪

-This is honestly one of my favorite songs from the game. I am LIVING for the doublebass in the background. It’s so jaunty and lively despite its deceptively simple sound. It keeps the tempo very well, I love it

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-I relistened to the “Cruella De Vil” song that Roger sings in 101 Dalmatians, and it’s what gave me the idea that Crowley combines his theme with the individual teachers. This song has a elegant yet foreboding vibe to it, much like Roger says about Cruella: “she’s like a spider waiting for the kill.” If you listen to instrumental versions of this song, I feel like the vibe is there

-The Alchemy song feels a bit tense, especially near the end, where is feels like the instruments are fighting for attention and overlapping each other. Although Crowley and Crewel are both (SEEMINGLY) classy and get along surprisingly well in canon, both of their “teacher modes” are very intense. E.g Crewel with the whole pup thing, and Crowley just being unreasonable over all haha. Perhaps it is why Crewel and Crowley very rarely are on screen together? For both Crewel and Crowley to be present in a Special Lesson must be very stressful for the students, with Crewel being strict and demanding and Crowley just being nosy haha.

-Their relationship fascinates me, as they both seem to respect each other a lot. For Crowley, it makes sense, as he generally speaks favorably of the other staff members. But Crewel is rather critical of both Vargas and Trein, so why is he so tolerant of Crowley’s rather unreasonable behavior? Crewel seems to respect him and consider him to be kind, even though it’s obvious Crowley is not. And like I said, they don’t interact a lot in canon, and they mostly do when the other staff members are there too, so there’s very little time of them talking to each other specifically. But then it made me think how crows/ravens and wolves have a mutually beneficial relationship in the wild, with crows leading wolves to possible prey, and the crows feeding on the carcass once the wolves make the kill and eat their portion of the prey. Research has even discovered that ravens have close bonds with specific wolves in a pack, and often play tug-a-war with wolf puppies with sticks. Thus, ravens are often referred to as “wolf birds.” Due to this, some crows and ravens get along with bigger dogs too, as crows/ravens tend to like canines. So perhaps Crowley and Crewel’s positive relationship is a reference to this, and how they may just instinctually like each other? 🤔 Because I cannot think of a reference from the 101 Dalmatians, Snow White, or Sleeping Beauty to be made here with these two characters.

-So going back to how the instruments seem to be fighting each other in the end, perhaps it represents how differing Crowley and Crewel’s personalities and teaching methods are. Crowley is strict when necessary, but he’s far more tolerant with student antics and often acts even more immature than the students sometimes and allows fights/conflicts for the students “personal growth,” whereas Crewel has this intensity and energy with the students at all times, never wanting them to be out of line in any matter at all. Like the clash of their hands-off and hands-on methods, but at the end of the day, they’re both rather strict and it’s unfortunate when the students have to deal with them at the same time haha! In their Alchemy Special Lesson voice lines, both Jack and Rook express how intense the room gets, and Room saying HE feels like the prey now. Several other students say how they feel a chill in the air during Alchemy special lessons, with even Floyd saying he gets the “heebie-jeebies.”

History Special Lesson BGM (Trein)

-100 bpm, Allegretto, and in F major. Allegretto is a common tempo in classical music, alongside Allegro and Adante, so it’s fitting that Alchemy and History follow suit. Ernst Pauer describes F major to express peace and joy, but to have an underlying passing regret and melancholy. I could think of few possible “passing regrets,” with Trein in particular with the passing of his wife, whom he remembers fondly and has many habits in her memory. And of course, History in general causes many regrets.

-After listening to this one, I immediately went to go listen to the BGMs from Briar Valley in Book 7 lmaooo…I find it interesting how prominent wind instruments are shared between these songs, but I need to analyze further before I can say something more definitive 🏃‍♂️ It is interesting how the History Special Leason theme has this whimsical and fantastical feel to it- it’s very fitting.

-On this note, the middle-ish section of the song reminds me a bit of a marching band! Which is. Interesting considering it’s military origins 👀but maybe I have to admit that this is a stretch haha…something to think about though when I analyze Book 7’s music in the future.

-I’m really in love with the “call and response” theme they have with the woodwind instruments (clarinet and piccolo?? I’m apologize if that’s inaccurate, I don’t know much about woodwind instruments 😭 I listened to samples and just made my best guess,,,) clarinet plays a melody and a piccolo responds and repeats the same sound. Not to be dramatic af, but it lowkey sounds like a pair of songbirds who are courting each other, which makes me sad because I’m not normal over my silly Crowley theories🏃‍♂️🏃‍♂️🏃‍♂️ When courting, a songbird “sings”so the other bird they are courting can respond. If the courting is successful, the pair duets the same tune, which is exactly what the piccolo and flute are doing. Crowley x Trein is real… (I’m kidding HELP). It goes to show that even though Trein scolds Crowley a lot, they clearly have some faith in each other, especially in Book 6 when Crowley assigns Trein as temporary Headmage. This “call and response” is a representation of this faith, with one calling, and the other responding when it’s necessary.

-Or if you’re ridiculous like me, it’s sad in context because Crowley is an isolated character, despite all the pairs of raven statues around the school haha!

-Interestingly enough, this is the one song out of the Alchemy and Flight themes that does not have a the “ringing bell” I was talking about. Interesting this is missing in the History class, as if time is not relevant/time has stopped. Or perhaps how sense it’s history, we are not at the “present” time.

-Overall, this song feels far more harmonious than the Alchemy song. I think it goes to show how genuinely dedicated Trein is about the study of History, given he’s done fieldwork in the past. Trein is able to keep Crowley relatively in line just like the students, so the song flows smoothly.

Flight Special Lesson BGM (Vargas)

-140 bpm, Vivace, and in A minor. Vivace means brisk, lively, which signals to the musicians to play with spirit and energy. This tempo is AMAZING, because Crewel and Trein’s were both at 100 bpm, right? But this song is at 140 bpm. It gives a dynamic sense of movement and vigor to the song. At this beat, it’s known that it may make some listeners feel restless, due to the beat being faster than a resting heartbeat range. It was an incredible choice for the Flight lessons with Vargas, as it is a gym/workout class! 140 bpm falls comfortably in aerobic exercises heart rate range, especially since where referring to teenage boys. Haha this may be obvious in music theory/composition, but I thought it was cool! (*ﾟ▽ﾟ*)

-I was surprised by this one, for how prominent the electric guitar is instead of the orchestra at the start of the song! Crewel and Trein go along with the orchestral theme rather well, making it a strong highlight of their respective songs. Compared to the other themes, the guitar feels overbearing. It’s very fitting for Vargas’ personality, for as we see in the special voice lines, Vargas is a bit much even for Crowley

-However, strangely enough it works, as the ending portion combines everything quite well. Vargas is one the staff members who I think has the most positive opinion about Crowley. Although Vargas is overbearing, he and Crowley get along really well. In events like Beanfest, they share an equally concerning enthusiasm of the sport of it all. They seem to have a lot together sharing their predictions and ideas for Beanfest, and Spelldrive is also a shared interest of theirs. Funnily enough, I think Vargas of all people is able to take Crowley’s antics more in stride than the other staff members, and vice versa.

-This song ends in a particularly exuberant manner. It goes to show how excitable both Crowley and Vargas be, and how they have high hopes for their students. Yes, they’re a bit much, but there’s a genuine liveliness they both share. Crowley even plays along with Vargas’ strange ideas, like how in an Unified Exam voice line, Crowley thinks that Vargas’ idea of making the student uniforms with heavier fabric to “build muscles” is a genius idea and he wants to look into it more.

-So perhaps this song deviates a little bit more from the classical themes to represent the antics these two have compared with the other teachers?

Did I overthink these theme songs WAY too much? YES LMAO 😭😭😭 But I am so genuinely surprised at how the different Special Lesson themes were made for each class. You would think that the song would be the same, since Special Lessons are rare and last for a short amount of time. It is why I have these little notes about each song, because if the time was spent to craft unique songs, I feel like there is a purpose and thought put behind it? Hmm, I’d like to study more about music to articulate my thoughts better, because I am very interested in Twisted Wonderland’s songs, and I know very little about music!

Edit: the brilliant and lovely @snakevsnis (💞) also sent me a brilliant interpretation that Crowley may also just be the type to “mimic” the personalities of the people around him, especially based on their habits to blend in. I love this idea! It makes me think how Crowley’s immaturity becomes far more rampant when he’s around the students. He’s even a character with a generous voice range, e.g his deep, serious voice in the opening prologue, versus any other time when he’s silly. It’s to the point where his “true” personality is currently ambiguous, as it tends to shift quite a bit. So yeah, I think these BGMs could be representation of this!!

Anyway if the Alchemy special lesson theme song doesn’t get played at my wedding, what’s even the point anymore. L spouse, L wedding, I’m ditching it immediately and running away into the night, taking all the gifts and money with me so I can finally buy a Crowley plushie (things perfectly sane people say)

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victori11 · 29 days

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Classy 101 - Feid & Young Miko

Classy 101 de Feid & Young Miko https://www.shazam.com/track/661459358/classy-101?referrer=share

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the-werewolf-prince · 2 months

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The Werewolf Prince Page 101 (Ch 3 Pg 21)

Calahan doesn't understand the concept of crosswalks. But that search didn't take long! Real easy to find your target when they have neon hair.

All new VIP tier patrons can receive a copy of TWP issue 1 while supplies last!!! Receive other awesome rewards including Behind the Scenes, early access, production credit & exclusive art, starting at $1 a month!

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The Werewolf Prince is a passion project 10 years in the making. It is a silly, derivative, and sincere story born from my love of monster of the week TV shows, survival horror video games, gothic literature, campy films, seinen manga, 90's animation, shonen anime, and homoerotic art throughout history. I truly hope you enjoy it. And please, let me know your opinions in the comments. Stay Classy

Art, Characters & Story © Sorbet Mystery

Read the comic! A free way to support the comic is to enjoy it and subscribe! leave a comment, share with someone you enjoy reading comics with!

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5hot · 7 months

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Feid, Young Miko - Classy 101 (Official Video)

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butteryfreshbasement · 9 months

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Feid, Young Miko - Classy 101 (Official Video)

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priymavlad03 · 1 year

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Feid, Young Miko - Classy 101 (Official Video)

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soflying369 · 1 year

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Ver "Feid, Young Miko - Classy 101 (Official Video)" en YouTube

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#Youtube

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radiosixweb · 1 year

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Feid, Young Miko - Classy 101 (Official Video)

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classythursdays · 7 years

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Happy Tuesday! Who else can’t wait to be 80, own 10 cats, and spend their days knitting???

#meeeeee #vlog #video #youtube #cats #knitting #classy thursdays #adulting #adulting 101 #adulthood #me

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kayliemusing · 3 years

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1: Name - Kaylie

2: Age - 23

3: 3 Fears - Spiders, failure, loss

4: 3 things I love - Reading, writing, Taylor Swift

5: 4 turns on - Kindness, nice hands, humor, someone who has a really warm heart.

6: 4 turns off - Arrogance, moustaches lmao, narcissism, basket ball shorts *shudders*

7: My best friend - Her name is Megan (but also my mom lmao)

8: Sexual orientation - Heterosexual

9: My best first date - I have never been on a date.

10: How tall am I - 5'2

11: What do I miss - My childhood mostly

12: What time were I born - 2:45 pm

13: Favorite color - Red, but sometimes a nice summery, pastel yellow

14: Do I have a crush - no

15: Favorite quote - I have so many that I can't say my utmost favourite, but one that I always think about is from Richard Siken "He was pointing at the moon but I was looking at his hand." I'm not even sure how this is supposed to be interpreted, but I just love the detail of this. Of someone looking at the moon and pointing at it, but you're looking at their hand because you're that consumed by them and also they're like your moon. anyway-

16: Favorite place - My house lol

17: Favorite food - Cheesecake

18: Do I use sarcasm - Yes, but very dryly

19: What am I listening to right now - Nothing actually. I'm just sitting in the quiet.

20: First thing I notice in new person - I used to think it was physical, like eyes or their smile, but I think it's actually their demeanor. i.e., confidence, if they're laid back, talkative or quiet, etc. Or even just how they handle things. Like when I'm at work and I meet a new co-worker I'm always noticing how they are with people.

21: Shoe size - 6.5 US but I can manage a 7 US too.

22: Eye color - Grey

23: Hair color - Ashy blonde, but I usually get it highlighted to be a brighter blonde

24: Favorite style of clothing - I'm super into the French girl vibe right now (elegany, classy, ribbed sweaters tucked into high waisted jeans or dress pants, a blazer thrown over and a nice gold necklace) but I'm also really into a summery boho look (flowy maxi dresses and skirts)

25: Ever done a prank call? No

27: Meaning behind my URL - On this account, it's just my name and then 'muses' because this account is just me talking to myself tbh. My main account is called autumnsletters which is just a combo of my fav things: autumn and handwritten love letters, and finally, my embarrassing taylor swift account is called sixteenavenue which is a lyric from her song I Think He Knows where she mentions her heart skipping down sixteenth avenue.

28: Favorite movie - I feel like i don't have one answer bc I always have a different answer to this question lmao. I think it's called A Christmas Carol (the 2009 version w/ Jim Carrey). It just makes me feel cozy and warm inside. Also: Clueless.

29: Favorite song - All Too Well by Taylor Swift I think.

30: Favorite band - Of Monsters and Men

31: How I feel right now - I actually feel really happy today, which is a change lol. I had an awful week last week, but over the last couple of days I've just felt more creative and happier.

32: Someone I love - My mom

33: My current relationship status - Single

34: My relationship with my parents - Excellent.

35: Favorite holiday - Christmas

36: Tattoos and piercing i have -0 :'(

37: Tattoos and piercing i want - I want to get my ears pierced again bc the holes grew over. Low key want a nose piericing and low key want a tattoo on my collarbone (or somewhere around there)

38: The reason I joined Tumblr - Because everyone else had it and I felt left out LOL

39: Do I and my last ex hate each other? - I don't have an ex

40: Do I ever get “good morning” or “good night ” texts? - No

41: Have I ever kissed the last person you texted? - No i've never been kissed rip

42: When did I last hold hands? - never but it's ok bc i can hold my own hand

43: How long does it take me to get ready in the morning? - Depending on what I'm doing. If I showered the night before and I'm just doing a very low-maintenance look, roughly 15-20 mins. On a normal day in which I shower in the morning and am trying to actually be presentable, roughly an hour.

44: Have I shaved your legs in the past three days? - Have YOU shaved MY legs? No. Have I shaved my own? Yes

45: Where am I right now? - My room

46: If I were drunk & can’t stand, who’s taking care of me? - Most likely I'm not drunk, but IF I WAS, it would be my friend, my mom, or my sister (my sister would probs make fun of me and film me tho tbh)

47: Do I like my music loud or at a reasonable level? - Loud if I'm jamming with nothing else to do but sing along. If I'm trying to do something, I'll turn it down bc I can't focus with loud music (especially if I'm trying to write something/talk to someone/text someone)

48: Do I live with my Mom and Dad? - My mom bc my dads dead

49: Am I excited for anything? - My sister and I are going to Banff in about three weeks so I'm excited for a getaway.

50: Do I have someone of the opposite sex I can tell everything to? - No

51: How often do I wear a fake smile? - I work in retail so

52: When was the last time I hugged someone? - I don't know. I think I hugged my mom at some point this week lol

53: What if the last person I kissed was kissing someone else right in front of me? - Bye bye babyyyy

54: Is there anyone I trust even though I should not? - my cat

55: What is something I disliked about today? - I had to go to work

56: If I could meet anyone on this earth, who would it be? - Taylor Alison Swift baby

57: What do I think about most? - Probably Taylor Swift.

58: What’s my strangest talent? - I can make stomach gurgling noises with my mouth closed.

59: Do I have any strange phobias? - Nah, pretty generic ones

60: Do I prefer to be behind the camera or in front of it? - Behind the camera

61: What was the last lie I told? - Some lady asked if a product was good and I said yes so I wouldn't have to help her find another one

62: Do I prefer talking on the phone or video chatting online? - Neither what the hell

63: Do I believe in ghosts? How about aliens? - Neither

64: Do I believe in magic? - No

65: Do I believe in luck? - No

66: What's the weather like right now? - It's calm, but a little cloudy. It was really warm and sunny earlier, but it's gotten a little grey.

67: What was the last book I've read? - I just finished this series called The Winner's Curse by Marie Rutkoski and it was so good but so stressful omg. Still 5/5 stars.

68: Do I like the smell of gasoline? - Yes

69: Do I have any nicknames? - Not really, but sometimes my coworkers call my Kayls

70: What was the worst injury I've ever had? - Oh my god when I was like 10 I fell during grounders and the bar hit me right on the cooch. Most painful event of my entire life.

71: Do I spend money or save it? - Spend it bitch

72: Can I touch my nose with a tongue? - No

73: Is there anything pink in 10 feet from me? - yes!! my blanket!!

74: Favorite animal? - I love hippos and I don't know why.

75: What was I doing last night at 12 AM? - Reading on my phone to avoid sleeping so I could prolong not going to work

76: What do I think is Satan’s last name is? - Devil. Kind of like Satan The Devil is his full name

77: What’s a song that always makes me happy when I hear it? - Shake It Off

78: How can you win my heart? - Learning Taylor Swift's entire discography for my sake

79: What would I want to be written on my tombstone? - tbh I really don't know

80: What is my favorite word? - Wonderstruck

81: My top 5 blogs on tumblr - n/a

82: If the whole world were listening to me right now, what would I say? - stream fearless taylor's version

83: Do I have any relatives in jail? - no

84: I accidentally eat some radioactive vegetables. They were good, and what’s even cooler is that they endow me with the super-power of my choice! What is that power? - Healing

85: What would be a question I’d be afraid to tell the truth on? - N/A

86: What is my current desktop picture? - it's a misty forest

87: Had sex? - no

88: Bought condoms? - no

89: Gotten pregnant? - no

90: Failed a class? - yes

91: Kissed a boy? - no

92: Kissed a girl? - no

93: Have I ever kissed somebody in the rain? - no but it's a dream

94: Had a job? - I've had two so far

95: Left the house without my wallet? - Yes, sometimes I do it on purpose so I can make my mom pay for something lmao (chill i'm talking something small like candy)

96: Bullied someone on the internet? - no

97: Had sex in public? - no

98: Played on a sports team? - no

99: Smoked weed? - no

100: Did drugs? - no

101: Smoked cigarettes? - no

102: Drank alcohol? - yes

103: Am I a vegetarian/vegan? - no

104: Been overweight? - I feel overweight, but technically no

105: Been underweight? - No

106: Been to a wedding? - Yes

107: Been on the computer for 5 hours straight? - Yes, but not since I was younger. I'm mostly on my phone now.

108: Watched TV for 5 hours straight? - Oh yeah lmao

109: Been outside my home country? - No

110: Gotten my heart broken? - Yes

111: Been to a professional sports game? - No

112: Broken a bone? - No

113: Cut myself? - Yes

114: Been to prom? - Sort of. I'm Canadian so I had grad.

115: Been in airplane? - No

116: Fly by helicopter? - No

117: What concerts have I been to? - Jonas Brothers when I was about 10 lmao and Marianas Trench when I was 15

118: Had a crush on someone of the same sex? - No

119: Learned another language? - Tried to

120: Wore make up? - Yes. I do work at a makeup store.

121: Lost my virginity before I was 18? - no

122: Had oral sex? - no

123: Dyed my hair? - not a funky color, no

124: Voted in a presidential election? - Sort of; I voted for a prime minister

125: Rode in an ambulance? - Yes

126: Had a surgery? - No

127: Met someone famous? - No

128: Stalked someone on a social network? - No

129: Peed outside? - No

130: Been fishing? - No

131: Helped with charity? - Yes

132: Been rejected by a crush? - No bc I never fessed up to any crush lol

133: Broken a mirror? - No

134: What do I want for birthday? - A jewelry box

#survey

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devincmch948 · 3 years

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Clothing - Forever 21

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cxhnow · 4 years

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Chloe x Halle Talk Police Brutality and Postponing Their Album

“The way our music has evolved is exactly how we're evolving as young women.”

Four days before the release of their sophomore album, Ungodly Hour, Chloe x Halle addressed their fans to let them know they’re postponing it. In a video posted across their social channels, sisters Chloe, 21, and Halle Bailey, 20, sat shoulder to shoulder at their home in Los Angeles, surrounded by hovering green trees, and tried to sum up their range of emotions after witnessing a global uprising against police brutality.“In honor of all of the lives lost in police brutality, we felt like it was right to postpone, and fully shine our attention and our work on them,” Chloe said, with both a shake and clarity in her voice, in the video to the duo's 2.7 million followers. Halle added, “Music has been used for a long time to bring us joy and healing in difficult times like this.” Just weeks before, George Perry Floyd, a Black man living in Minneapolis, died in police custody while a white officer’s knee was pressed on his neck. As video of his killing spread, and after the deaths of Ahmaud Arbery and Breonna Taylor, protests sparked around the world demanding accountability and allyship with the Black Lives Matter movement. On the day Chloe, Halle, and I spoke by phone, Tony McDade, a Black trans man in Tallahassee, Florida, was fatally shot by an officer. In Los Angeles, where the sisters live, protesters strung their bodies together to temporarily shut down the 101 freeway. In Atlanta, where they were born, six police officers were charged after being accused of using excessive force on two Black college students who were tased and pulled out of their cars days earlier.During a time when fans are more critical of how celebrities engage in civil rights activism, Grammy-nominated musicians and actors Chloe and Halle Bailey don’t tiptoe. They urge fans to sign petitions, donate, vote, and recognize Black life, early and often. They celebrate Black joy year-round. This is what their followers have grown to expect from them. Chloe and Halle have always had something to say, and it just so happens to be an important time to speak up.

It’s hard to wrap your head around the unbreakable confidence it takes to be a female pop artist if you aren’t one. Thankfully, Chloe and Halle have each other. For decades, the bond among members of Black singing girl groups has given audiences soulful and fun music. In the '90s, groups like SWV, En Vogue, and Zhané made upbeat R&B music that made you want to dance with your homegirls. Now, contemporary duos like KING, Van Jess, and Ibeyi stand out for their rapturous vocals enveloped in dramatic production. Chloe x Halle add to this legacy by singing, writing, and producing ethereal music that resonates with the girl next door.Yet there are distinct differences in the duo’s vocal style; they don’t try to match each other’s voices to create some sort of uniformity. Rather, they play off of rhythm and song pacing to meld their voices. When they do sing choruses and bridges together, their voices, albeit distinct, create layered, otherworldly melodies.The duo’s sound is often described as angelic, giving leeway for some to describe them as two women without sin. Chloe and Halle want to shatter this idea because it’s not realistic. “For Ungodly Hour we were so excited to just flip the narrative of being the perfect angel and show the other side[s] of us.…," says Halle. "The dark side, the naughty side, the things that happen that you don't see behind the scenes.”

The majority of the 13 songs on the album are about navigating messy situations — sometimes ones that you have caused. In the midst of trying to be a better friend or romantic partner, you know that you’ll always be imperfect, and decide to love yourself anyway.“I've always been a jazz head," Halle says. “I don't know why, but there's something about the pain and the love and the heartbreak that you can truly feel through the essence of those songs that are sung by Billie Holiday, Nina Simone, Ella Fitzgerald.” As of late, Chloe’s “really, really been inspired by '90s music and early 2000s production,” a vibe you can hear and see in “Do It,” the second single off of Ungodly Hour.“We wanted to show our sensual side because we are growing as young women, but we still kept it classy and cute,” Chloe says. “It was just really fun for us to do that. We also wanted to start dancing this era, and just something really simple. And it makes us so happy to see everyone doing that dance on TikTok.”Chloe expands on how the name of the album and title track came about after working with the U.K. duo Disclosure: “We wrote this song [the title track “Ungodly Hour”] with Disclosure, and we had the best time,” she recalls. “I forgot what I was watching, but I heard the phrase ‘ungodly hour’ and wrote it in my notes. [It] kind of stuck out to all of us, and we were like, ‘What can you say with this?’ We all came up with this sentence: ‘Love me at the ungodly hour,’ which means love me when I'm at my worst; love me when I'm not all dolled up and made up. Love me when all my insecurities are out on the table.”’

“We started writing about when you're in a situationship with a guy and the chemistry is there, and you know the love is there and your connection is so deep, but he's not going all in," she continues. "For some reason he doesn't want to commit. He's entertaining other options, and it's just saying, ‘You know what? I love myself enough to walk away and put the brakes on this and to pause this. So when you decide you like yourself, when you decide you need someone, when you don't have to think about it — love me at the ungodly hour.’”Other emotionally complex tracks on the album include “Forgive Me,” a haunting song inspired by Chloe’s own life, after she discovered a guy she was involved with was going back and forth between her and another young woman. “I Wonder What She Thinks of Me” is a song that tells the story of the new love, the one a man gets with after he’s broken up with his ex.The vocalists are eager to make music that grows with them and becomes more layered as they do. “The way our music has evolved is exactly how we're evolving as young women,” Chloe says. The chromelike wings they turn around and show on their album cover, worn with black, latex dresses, are symbolic of their strength and power.When I ask what they hope for in the future, the Bailey sisters seem at ease. Chloe would love to work with BTS: “They're performing — it's top-notch. I'll sit at my computer and watch all of their music videos and all of their performances.”“Awards would be nice," she adds. "Being at the top of these Hot 100 lists would be beautiful and amazing, but as long as I'm growing and I'm a better version of myself tomorrow than I was today, I am content.”

The duo is used to releasing music during times of political duress. Two years ago, when Chloe x Halle were part of our music issue for the release of their debut album The Kids Are Alright, the world was grappling with an immigration travel ban enacted by President Donald Trump, the #MeToo movement, and pressing climate change legislation. That album was an intonation from the sisters to young activists approaching human rights issues head-on: “Do it while you young. Don't let them turn you numb. Don't let them get you strung. Ooh, let me put you on,” they sing on their first album's title song.“I was 15 through 17, and Chloe was 17 through 19 during the making of the album,” Halle says of their debut project. “We were still very young. We were still trying to figure out what we wanted, and I think that showed in the music.”As artists, the singers say their first album was about proving they could play an active, hands-on role in the production of their own music in an industry dominated by men. As two teenage women, it was about showing the world that, although they didn't have all the answers and weren’t sure what was lurking around every corner, they had the guts to find out. At that point in their careers they had been signed to Beyoncé’s Parkwood for five years and had released one other project, the Sugar Symphony EP, in 2016. But aside from opening tour performances and high-profile appearances, they hadn't become household names.

Now, amid a health pandemic and a country in unrest because of its history of white supremacy, Chloe and Halle are navigating being famous and also having a distinct voice. While finding ways to take care of themselves, the sisters are also promoting an album from their home, in the rooms where they first honed their craft as writers, instrumentalists, and producers. “We've kind of gotten back to our roots and started doing what originally got us started," Halle says, "which is doing YouTube covers, interacting on social media, and connecting with our beautiful fans through there.” A lot has changed in their personal lives as well. They're private about the details, but say they’re learning more about guys and finding themselves in relationships and situationships. They’re experiencing more love, heartbreak, and the misguided antics of boys. "We have to take our power back as women and not allow ourselves to be played,” Chloe riffs.In January, the third season of their Freeform show, grown-ish, dropped. In the college-centered comedy, led by Yara Shahidi, Chloe plays Jazz and Halle plays Sky, ambitious twin sisters who attend the fictional state school Cal U. Jazz is balancing being in love with her boyfriend Doug (played by Diggy Simmons) and schoolwork; Sky is focused on being a track star while navigating her interracial relationship. Like the sisters in real life, their characters are witty, impeccably stylish, and proud of their Blackness. But unlike Chloe and Halle, they’re far more overt about their love lives — often kissing in hallways and openly discussing their sex lives — and unfiltered opinions.Before stay-at-home orders went into place, Chloe and Halle had been expanding farther into Hollywood, and pursuing separate film projects.In July 2019, it was announced that Halle is set to play Ariel in the live-action The Little Mermaid. Many saw Halle’s breakout feature-film role as a huge win for inclusion, but, like clockwork, people on social media found an issue with the revamped iteration of Ariel being played by a Black woman. Halle spoke out on the discourse, telling Variety at the time, “I feel like I’m dreaming, and I’m just grateful. I don’t pay attention to the negativity. I just feel like this role is something bigger than me. It’s going to be beautiful.”

Halle remains grateful, but says of the negative criticism, “We've always learned to just keep our heads up no matter the situation. No matter what anybody has to say about you...just keep pushing.”

Like Halle, Chloe is also expanding her acting chops in feature projects. In December, Chloe wrapped filming for her role in the horror film The Georgetown Project, starring Russell Crowe and Ryan Simpkins. “I'm really protective of my energy, I'm very spiritual, and I love God,” she says about the thriller. “So I was constantly praying when I was on set. But surprisingly, the energy on set was so positive. And I learned so much by being around all of these Oscar-winning actors.”

Humility is a running trait between the sisters. They don’t hide their confidence, but are also God-fearing and incredibly gracious. They’re media-trained and polite, but also find a way to be frank. They say this album is a “whole different world” for them as they reveal more of their personalities, while exploring what it means to be grown women.

“We are learning to embrace who we truly are,” Chloe says about their music evolution. “Our insecurities, our sexuality, owning our power. I'm grateful that we are given a space where we can do that comfortably. And I'm grateful for our parents, because they instilled in us that we need to be strong and independent young women.”

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urirealvibekiller · 4 years

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⊱┊this is an idol life ship for @prettiboijae !! you’re gorgeous lovee <33 hope you like your ship !!

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⊱┊your entertainment

it is a company under big hit entertainment and houses g-friend <33

⊱┊ your training years

you trained for four years before debuting.

you used to be a jyp trainee.

you actually got a lot of pre-debut exposure. just a year after your training at source music, you joined produce 101 as a contestant. you were actually a very popular trainee, praised constantly for your talents and skills. but ranking #12 in the final episode, you didn’t make it to the final line-up, which some found shocking and outrageous because you’ve been a consistently high-ranker throughout the show. it’s kind of a similar situation with samuel from season 2.

but nonetheless, your time at produce 101 provided you a significant fan base and public exposure even before your debut.

⊱┊number of members in your group

there are seven members in your group; 4 koreans, 1 japanese-american, 1 taiwanese, and you.

the maknae in your group is a 04 liner and the oldest is a 97 liner who is also the leader.

⊱┊your position(s)

you’re the main vocalist, lead dancer, and face of the group

you’re also the center but this position varies with each comeback and song.

you’re a part of the maknae line, being the third youngest in the group.

⊱┊your group’s concept

your group generally has a sweet and classy concept.

similar to songs like lion heart by snsd or luv by apink.

⊱┊groups you’re closest to

gfriend || i mean this was expected, considering you’re from the same label. they’re like your group’s older sisters; fans pretty much consider you as sister groups. you’re closest with sinb from g-friend.

txt || you guys debuted around the same time and you met quite a number of times at music shows and you appeared together as guests on variety shows. you’re closest with soobin from txt.

⊱┊idol best friends

jeon somi (former member of ioi and a soloist) || she was your best-friend both on and off-screen at produce 101 and you guys were a very beloved pair by the public. some people even made assumptions that mnet purposely rigged the votes so that you don’t end up in the final line-up to make more drama and create a sort of sad moment on-screen; but these remain as speculations. you and somi often text a lot and you guys often post about each other on social media.

bang chan from stray kids || your best-friend since your days at jyp. you guys were each other’s first friends at the company and even after you left you guys remain best friends. he’s honestly such an amazing best-friends; very supportive and understanding. very thoughtful too and gives the best birthday presents. you guys open up to each other about the difficulties in each others’ lives and careers and he always gives you great advice.

⊱┊notable collaborations/special stages

snsd cover songs with loona at inkigayo.

duet with stray kid’s han jisung at music bank.

dance stage with jisung from nct dream at show champion.

⊱┊fans ship you with

the maknae of your group but it’s a platonic ship. of course you’re close with your whole group and pretty much considers them family but you and the maknae are always seen together in photos and seem to be inseparable in v-lives and other reality shows of your group.

huening kai from txt || i mean your group is very friendly with txt and although you love all the members as friends, your interactions with him are caught the least on camera so the fans speculated that it’s because something is going on between you two and started shipping you guys. there is absolutely nothing going on though; you’re good friends.

⊱┊your biggest fanboy

minjae from mcnd || he’s generally a big fan of your group and your songs. but you’re definitely his bias. he has been your fan since your produce 101 days.

⊱┊your boyfriend

jeno from nct dream || it started with the collab dance stage with jisung; you two became really friendly and well, it was also around the time jeno began crushing on you (the poor dude was lowkey jealous that he wasn’t the one chosen for the collab stage)

and so jisung kind of reluctantly played a wingman for his hyung and introduced him to you.

since then, you guys talk a lot on call and text each other every chance you get.

when you eventually got into a relationship after months of talking, you basically got caught by dispatch on your first date :’)

BUT fans were surprisingly giving positive reactions about the news and not even a day after, ship videos of you two sprang up on the internet.

after talking over with your managements and especially with each other, you decided to confirm your relationship a week after the dispatch released photos of you on a date.

you guys don’t post a lot of couple pictures or selfies and you try to keep it professional when you’re at award shows but fans always somehow catch fancams of you two smiling at each other or giving each other glances constantly with knowing smiles or half-smiles - it’s honestly adorable.

⊱┊ miscellaneous

as side activities, you host a radio show with one of your group members, the one who’s japanese-american and is also a part of the maknae line.

you’re the brand ambassador of prada <33

you’re the most ‘biased’ member of your group.

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thank you for requesting ! have a beautiful day/night lovely <33

#kpop ships #kpop ship requests #ship requests #idol life ships #prettiboijae

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kpoptimeout · 4 years

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Top 10 Most Underrated K-pop Songs of 2019 (Idol Edition)

2019 has come and gone before we knew it.

Continuing with the K-Pop Timeout Tradition (see 2018 Ver) of listing the Top 10 Most Underrated K-Pop Songs because all the other sites are just bothered with the Top 10 that pretty much everyone will have heard of/have fan wars over, below are our top 10 picks of songs that did not rank high but deserves your attention!

Like last year we have a separate post for Top 10 underrated non-idol tracks. Unlike usual years where there is a separate post made for Top 10 underrated K-Drama OSTs, this year there is instead posts for the Top 20 most underrated K-Pop songs of the decade.

Some of the artists have escaped the list in recent years to stardom (like NU’EST, N.FLYING, and OH MY GIRL), so hopefully, it happens again!

This is in alphabetic order NOT in the order of awesomeness because all of them are awesome. Also, all MVs are linked in the song titles because Tumblr won’t let me share that many videos in one post.

1TEAM “Vibe”

After braving through the shitshows of Mnet’s BOYS24 and YG’s MIXNINE, these talented boys finally debut as 1TEAM under Liveworks Entertainment (the label for the solo promotions of SHINHWA’s Hyesung and Minwoo). This debut song of 1TEAM highlights some of the key strengths of the group - their extremely laid-back retro sound and also addictive hooks. With K-Pop boy bands going for increasingly dramatic and over the top complex sounds due to the popularity of hype bops among overseas fans, it is a breath of fresh air to see 1TEAM deliver such a chill and amazing song and it is unfortunate they have yet to receive more attention both in South Korea and overseas. They continue this sound in their comeback “ROLLING ROLLING” and went more mature and sexy while still simple and retro in “MAKE THIS”, showing that they will continue to develop this unique sound. If you like the relaxing summer sound of WINNER, you would also love 1TEAM’s “Vibe”!

3YE “OOMM (Out Of My Mind)”

After not getting much attention as Apple.B under GH Entertainment, 3 of the original Apple.B members Yuji, Yurim, and Haeun re-debuted as 3YE. And this was the right re-debut to make as the girls went from generic cutesy to edgy and hard in the most unexpected way. “OOM (Out of My Mind)”, their first comeback track, is definitely a powerful bop but what makes it stand out from other hyped-up party tracks is the structure of the song. The first verses were typical powerful girl group song sounding (a mixture of RnB vocals and rap), but things change up quickly at the bridge. The song suddenly becomes very melodic and sounding like something you would expect from a quirky girl group track. Then the song changes again, creating a dark and breathy build-up reminiscent to Billie Eilish’s “bad guy” and “all the good girls go to hell”. Only then do we get the beat drop you would expect from a lit girl group track and the adventurous path to get there makes the drop all the more enjoyable. Also, all three girls’ have amazing stage presence to carry the powerful choreo. If you love powerful girl groups like BLACKPINK and EVERGLOW, you should really check out 3YE’s latest song!

A.C.E “UNDER COVER”

After stints on KBS’ “The Unit” and YG’s “MIXNINE”, the boys of A.C.E have definitely increased significantly in their international fan base and have the makings of a small but dedicated Korean fan base. However, these boys really deserve a lot more attention, especially with “UNDER COVER” being one of the best and also most underrated tracks of 2019 K-Pop. After attempts with artsy edm music in their debut era and later a cuter sound in “Take Me Higher”, the boys and the label seem to have finally found their sound. It is dramatic, it is powerful, it has a strong rock influence combined with hip-hop and RnB. Honestly, this is what I would expect TVXQ to sound like if they debuted in the late 2010s (cries thinking about OT5 early days and their rock influence tracks). This song also clearly highlights the strength of every member - Byeongkwan’s playful rap and diva-like stage presence, Wow’s more relaxed rap and sexy charms, Chan’s boyish appeal and perfect complementation of other members’ sounds, Jun’s attractive vocal colour and Donghun’s emotive voice and wide vocal range. If you love the dramatic and powerful boy band tracks like the bops of B.A.P, it is time to stream “UNDER COVER”!

fromis_9 “FUN!”

After the amazing comeback with “Love Bomb” last year, I really did not know how fromis_9 can top that but they really did with “FUN!” They continue to go for the really quirky, really weird and playful cute girl group sound they perfected in “Love Bomb” to bring an amazing and refreshing summer track. “FUN!” has a ridiculously catchy hook and like other fromis_9 songs have beautiful bridge parts to also showcase the members’ amazing vocal abilities and harmonies often hidden under their hype and wild choruses. Also, the music video is a delight, with the girls’ parodying various CFs. The album for this song peaked at #2 on Gaon Charts but somehow this amazing title track did not rank at all on Gaon and only peaked at #94 on the K-Pop Hot 100 of Billboard. If you love the addictive, fun and weird side of girl groups like Red Velvet and Oh My Girl, you would really enjoy fromis_9′s “FUN!”

GWSN “Pinky Star (RUN)”

After a unique debut and a string of consistent bops, it is unclear why most K-Pop fans are still sleeping on GWSN. “Pinky Star (RUN)” is an amazing song, showcasing GWSN’s indie video game-like sound which is heavily electronic and 8-bit like yet has all the K-Pop high notes and dance breaks you would also expect. This perfect blend of the girls’ unique sound and a seasoned K-Pop style production makes the song all the more amazing and it all the more infuriating they are still quite a nugu group in South Korea. The MV is also beautifully shot, with amazing sets and smart use of the aspect ratios. If you love to see the artsy pop vibes of BOL4 and IU married with the quirky girl group sounds of Oh My Girl, you would love GWSN’s “Pinky Star (RUN)”!

JBJ95 “Awake”

After PRODUCE 101 Season 2 and the success of JBJ, JBJ members Sanggyun and Kenta continue as duo JBJ95 and continue delivering quality music. One of their best songs and one of the best of K-Pop this year is arguably “Awake”. The song excels in having this bright and dreamy texture to it, which blends perfectly with the concept of the song and the Bauhaus-styled MV set pieces. Those listening to the song which literally feel woken up by the upbeat chorus which incorporates some dancehall beats into this electro-pop song. While JBJ95 are without a doubt doing quite well out of the post-PRODUCE 101 groups with variety show appearances and web drama roles, this song did not win any awards albeit its superb quality. If you are a fan of SHINee’s more fun and dream-like tracks like “Why So Serious?” and “View”, you would love this song!

KNK “Sunset”

Last year was extremely annoying when IN2IT’s “Snapshot” and SF9’s “Now or Never” flew under the radar of most K-Pop fans and the Korean public in general for their sexy supermodel runway sounds. Apparently, people have still not learned their lesson this year with the spectacular release by KNK in the form of “Sunset”. These talented men are back again with one of the best concepts ever - the song is just a 90s house bop that serves expensive runway model realness. The chorus of simply just Seoham saying “Sunset, for-for y'all” again and again in his deep voice is definitely one of the highlights of the song along with the classy and mature choreography. The MV of this absolute bop is also an example of how low-budget MVs can look expensive if there’s good camera work, creative lighting and smart editing choices. So if you liked IN2IT’s “Snapshot” and SF9’s “Now or Never” last year, and love yourself some good mature and sensual choreo like Taemin’s, “Sunset” is the song for you!

ONF “Why”

At this point, ONF is just one of the best-kept secrets in K-Pop. All the members already showcased their immense talent on YG’s “MIXNINE” but somehow South Korea still does not seem to know they exist. And it is infuriating that after a masterpiece like “Why”, they are still swimming in absolute nugu-dom. This song sounds ridiculously dramatic, with beautiful high notes and sentimental harmonica/synth instrumentals in the chorus. One of the highlights of the song is Wyatt’s deep-voiced speed rapping which was layered with multiple effects so that it sounded like it was being received through a device from afar and also serves to make it so much more grungier. Basically, the song sounds like it could be the OST for a high-budget Netflix dystopian sci-fi series and the MV shot in Moscow actually gave us some very expensive looking CGI and effects. It is difficult for me to find a song to compare “Why” to but if you love yourself a dramatic boyband track, you should really check it out!

SAAY “ZGZG”

This song just hits hard in a very unique way. Following her departure from EvoL (a highly underrated girl group), Kwon Sohee/SAAY has mainly worked as a producer and songwriter, penning bops for SM Entertainment and often working with Super Junior M’s Henry Lau. As a solo artist, she shows that she has a lot to show in “ZGZG”, which honestly would not be such a great song if not carried by her off-the-charts amount of charisma. The chorus is just her swag-filled mumbling of the word(s?) “ZGZG” and it works because of her attitude. She also belts high notes and delivers smoking hot bars when she raps in the song too. If you are a fan of confident female solos like Hyuna, Sunmi, and Chungha, I now urge you to check out this amazing song by SAAY!

UP10TION “Your Gravity”

UP10TION is an extremely talented group but have failed to make a mark in the K-Pop industry due to years of TOP Media’s mismanagement. One of the biggest mismanagement moves, in my opinion, was giving UP10TION good but extremely generic K-Pop title tracks. There was never a song that screamed: “this is an UP10TION-only track.” I can go on forever about TOP Media’s poor management of all its groups but now is the time to focus on what a brilliant song “Your Gravity” is - UP10TION has finally found a unique sound and they really owned this song, making it arguably one of the best and most underrated songs of the year. The song plays on an addictive synth hook and good use of diverse beats. The whole song just sounded super fresh yet not cutesy but high energy at the same time - a rare example of balancing freshness and coolness. The MV is also filmed very well, with shots from very interesting angles and great use of a few set pieces in a variety of ways. The closest comparisons I can make would probably be WANNA ONE’s “Energetic” era. If you love a powerful and feel-good track, UP10TION’s “Your Gravity” is the song for you!

Special Mentions of Underrated Debuts:

There were many strong debuts this year and I would like to mention 2 underrated rookie groups to look out for in 2020!

Male - 1TEAM “Make This”

I have already discussed 1TEAM’s greatness and music style above, but the reason I also chose them as the most underrated male group debut is because out of all the underrated male idol debuts this year, 1TEAM is the only one that have already showed us their consistency and duality. “MAKE THIS” continues 1TEAM’s retro sound and aesthetic - the song sounds like how people in the 80s think future sexy music would be like and also how people right now thought 80s sexy music remade might sound like. So even though 1TEAM went from soft and cute in their first two title tracks to mature in this latest comeback, they still stayed true to their retro sound. The MV is also delight due to the very “2001: A Space Odyssey” inspired looking set pieces.

Female - BVNDIT “Dumb”

MND Entertainment’s newest girl group and basically Chungha’s younger sisters, BVNDIT may have been overlooked as they debuted in the same year as JYP’s ITZY, HINAPIA which features PRISTIN members, and a string of post-PRODUCE 48 girl groups like EVERGLOW, CHERRY BULLET and ROCKET PUNCH. However, BVNDIT has a lot to offer and has likely one of the most standout sounds and looks. The girls all have confidence and stage presence unlike any rookie girl group and this really shined in their songs following the safer pop song debut with “Hocus Pocus.” The south-east Asian and Latin American influences in the drums used in their songs like “Dramatic” and “Dumb” also gives them an opportunity to attempt more powerful and mature choreography than some of the rookies, giving them an additional edge. With the company now starting to use a “Chungha-like budget” in their production as seen in the “Dumb” MV, I believe we can expect a lot from BVNDIT in 2019.

Which idol songs do you think were underrated this year? Leave your thoughts in the comments section below and let the song sharing begin!!!

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acsversace-news · 5 years

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Rather than offering standard gore and merely giving us the willies, The Assassination of Gianni Versace, Ryan Murphy’s second installment of American Crime Story on the FX channel (now available on Amazon Prime Video and ITunes), is one of the rare serial killer dramas genuinely interested in sexual mores, complex character, spiky history, and salient issues of class. Demanding, sometimes confounding, but nevertheless searing and absorbing, the series piles on layer after layer of pain, irony, and god-awful coincidence, its counter-clockwise structure designed to take us deeper and deeper into a human abyss.

Andrew Cunanan, the elusive Minotaur at the heart of this real-life ’90s labyrinth, is a deadbeat on the lam, a name-dropping, designer-obsessed social climber. On a tried-and-true procedural-thriller level, the limited series, chronicling the curly-haired monster sacré’s notorious murder spree and suicide, sheds light on the largest failed manhunt in U.S. history—a fascinating botch, the whole law enforcement fiasco resulting from rampant homophobia and pure incomprehension regarding “a gay parallel universe,” as Vanity Fair reporter Maureen Orth labels it in Vulgar Favors, her juicy recounting of the roller-coaster case. Another key factor is the homicidal young con man Cunanan’s startling ability to evade the cops. A wizard at blithely rearranging his Filipino-Sicilian heritage to suit his gold-digging needs, Cunanan could blend with chameleon ease into different communities—Italian, Greek, Latino, Asian, etc.—as “a multi-purpose ethnic.” Since the fugitive Cunanan had never been arrested, the only fingerprints to be found were on his California driver’s license.

The series is set in 1997—a pivotal year in LGBT history, as it marked the discovery of a viable treatment for AIDS, so the dread disease was no longer an outright death sentence. The show’s backward historical movement is a strategy that illuminates the beleaguered gay world of the period and ably avoids a Psychology 101 approach to motive and pathology, creating a dramatic and poignant memorial to the fleshed-out lives of Cunanan’s victims: we get the appealing, even ecstatic early moments of Cunanan’s relationships after we’ve witnessed the desperate, unraveling scenes and harrowing murders, and the effect is unsettling and difficult to shake.

As the far-reaching series spins further away from Versace’s sumptuous life in South Beach, “the pleasure capital of the gay world,” and from the spirited realms of high fashion, its trajectory and intent become a little puzzling, but the last few riveting episodes suggest Murphy’s main focus is to plumb Cunanan’s lethal mix of unhinged aspiration and greed and to link Versace’s well-documented life as a lauded fashion king, an openly gay man (challenged by AIDS-related illness), with the accomplished lives of Cunanan’s other gifted gay victims. Protean Andrew, a glad-handing, money-flashing teller of tall tales, functions as a soul-crippled shadow version of the flamboyant Italian designer. It’s primarily the last two episodes, “Creator/Destroyer” and “Alone,” that underscore the genius of Murphy’s overall design.

In his native Calabria, the child Versace, shored by his seamstress mother’s approval, sketches and discovers his interest in fashion, developing his métier, despite cruel bullying by his Catholic teachers and classmates. In contrast, Cunanan is raised, in neurotic, almost farcical fashion, to be a petulant Filipino-American prince by his dictatorial, cock-of-the-walk father, an embezzler and reflexive con man, so it’s clear Andrew’s propensity for around-the-clock deception is a direct result of his appalling daddy’s over-the-top spoiling, with a pinch of his Sicilian-American mother’s religious mania and mental illness added to the stew. Andrew is flimflam Pete’s and frail MaryAnn’s Frankenstein child. What we see of Cunanan’s shaky upbringing also clicks with his penchant for hooking up with “beaucoup-bucks” johns and well-heeled patrons: just as his father gave him the best and biggest room in the house, Cunanan lives and moves, for the most part, from one gravy train to the next.

Facing jail time for financial crimes, Cunanan’s dad flees his wife and children for good, but later an unusually determined Andrew tracks him down in Manila. In a savage moment, in what amounts to a 180-degree turn from his previous paternal adoration, Pete slaps and spits on Andrew, calling him “a sissy boy with a sissy mind.”

On Murphy’s hit series Glee, Darren Criss had the heart-on-his sleeve emotionality of a young Streisand or Garland, gradually emerging as the most expressive musical talent on the show, which was praised for—beyond its weekly ebullient songfest—its groundbreaking emphasis on “baby queers” and high school bullying. It seemed enough that the dynamite Criss could sing. In The Assassination of Gianni Versace, he gives a prismatic performance as Andrew Cunanan: he’s voluble, sly, strung-out on drugs (even shooting up between his grubby toes) or he’s coolly, scarily detached—a crystal meth Dr. Jekyll and Mr. Hyde. As the series progresses, we get to follow Andrew-in-a-social-whirl scenes (frankly a relief after the brackish murder segments) and to observe: the precocious, nose-in-a-book child reading Evelyn Waugh’s Brideshead Revisited; the attention-grabbing, boundary-less teen sneaking off in cars with married men; the deluded, self-loathing bon vivant; the facile, coke-fueled charmer, with a geisha’s skill at entertaining rich men; and a relentless operator (with an IQ of 147), lying through his teeth, working the upper echelons of the gay community.

In several of its telltale social scenes, the show resembles John Guare’s Six Degrees of Separation, a drawing-room tragicomedy about a similarly adept gay con artist, and Anthony Minghella’s elegant 1999 film version of the Patricia Highsmith classic, The Talented Mr. Ripley. I remember watching Ripley when it first appeared and actually being reminded of Cunanan: what is it about the prospect of losing the good life that unhinges once-struggling or working-class people and sometimes drives them to murder? Is the luxury and the freedom money brings really so hopelessly addictive?

Melding rock with rebel fashion and, according to Orth, “a diehard infatuation with rank and power that smacked of new money vulgarity,” Versace’s brash, innovative work was “inspired by antiquity and sadomasochism.” In revealing counterpoint, Andrew Cunanan, an outcast aiming for an A-list life with a kind of “If they could see me now” fury, keeps his S&M habits, sideline drug dealing, pimping for the rich and closeted, and serious crystal meth use on the down low, so as not to scare away his upper-crust friends, lovers, and patrons. A bondage scene in the first episode, set to Phil Collins’s breezy “She’s an Easy Lover,” is the sort of libidinous freak-out Ryan Murphy has been serving up since the late seasons of Nip/Tuck;Criss does an impromptu, preppy-trying-to-be-wild dance before his duct-taped john that’s so perfect and right for the era that I almost laughed. He’s his own demented go-go boy.

Criss gives a tour-de-force turn as Cunanan, but the moving supporting performances are also stellar: Edgar Ramirez (as Versace); Ricky Martin (as the designer’s longtime partner); Jon Jon Briones (as wily Pete Cunanan); Cody Fern (as Cunanan’s dream man, a wheat-haired Midwestern Apollo); Mike Farrell and Michael Nouri (as Cunanan’s classy, wealthy, older lovers); Finn Wittrock (as a decent, brave but disconsolate Navy man caught up in Clinton’s swampy Don’t Ask, Don’t Tell policy); and the always-reliable Judith Light (as the blinkered wife of one of the murder victims, a honeyed Home Network purveyor of perfumes, cosmetics, and folksy advice). Penelope Cruz gives one of her most ferocious performances as Donatella, the world-weary fashion insurgent; Cruz uses the trademark Donatella snarl and swagger in such a creative way that it becomes almost lovable, suggesting the impassioned, caring sister underneath all the come-hither leather and glamorous packaging.

Despite some initially mixed, even dismissive reviews, this second installment of American Crime Story recently garnered 18 Emmy nominations, six of which went to the risk-taking actors. Murphy has, in the past, been all about shock and showmanship, but Assassination represents a newfound candor, fraught complexity, and daring in his work: he’s gone for something deeper and subtler here than his dynamic crowd-pleaser, The People Vs. O.J. Simpson, 2016’s most lauded show, or even his affecting, Emmy-winning TV version of Larry Kramer’s AIDS drama, The Normal Heart.

Just as the emboldened right has renewed its predictable attacks against the LGBT community, Murphy’s piercing, intricate series delves into the tyranny of the closet—the toxic effects of suppression, bigotry, and mainstream rejection. I’ve never admired Murphy’s bold, baroque eye and vision more.

#acs versace #the washington spectator #article #review #darren criss #penelope cruz #december 2018 #january 2019 #.thanks musexmoirai

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