Field Day (2023)
#DavidWinning #RachelBoston #CarmelAmit #BenjaminAyres #ShannonChanKent #RobertWisden
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Jahr: 2023 (Oktober)
Genre: Comedy
Regie: David Winning
Hauptrollen: Rachel Boston, Carmel Amit, Benjamin Ayres, Shannon Chan-Kent, Robert Wisden, Preston Vanderslice, Nevis Unipan, David Attar, Colleen Wheeler, Maesa Nicholson, Jocelyn Gauthier, Rubi Tupper, Kheon Clarke, Matt Clarke …
Filmbeschreibung: Der Film folgt Jen, die Liebe findet, als sie sich einer Elternvereinigung an der Schule…
Friday the 13th: The Series may always be a winner in the hearts of its fans, but I wanted to do a post listing its actual 4 Wins & 16 Nominations (as found on IMDb)
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Primetime Emmy Awards
1989 Nominee Primetime Emmy
Outstanding Achievement in Special Visual Effects
John Gajdecki (visual effects artist) Gary L. Smith (supervising editor)
For episode "13 O'Clock".
1988 Nominee Primetime Emmy
Outstanding Achievement in Graphic Design and Title Sequences
Paul Boyington
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Chicago International Film Festival
1992 Winner Silver Plaque
Best Television Drama
David Winning
For episode "The Sweetest Sting"
1992 Winner Silver Plaque
Best Director
David Winning
For episode "Scarlet Cinema".
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Academy of Science Fiction, Fantasy & Horror Films, USA
1990 Nominee Saturn Award
Best Genre Television Series
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Gemini Awards
1990 Nominee Gemini
Best Direction in a Dramatic or Comedy Series
David Winning
For episode "Jack In The Box".
1990 Nominee Gemini
Best Writing in a Dramatic Series
Jim Henshaw
1990 Nominee Gemini
Best Picture Editing in a Dramatic Program or Series
Dave Goard
For episode "The Prophecies".
1990 Nominee Gemini
Best Production Design or Art Direction
Stephen Roloff
1989 Nominee Gemini
Best Guest Performance in a Series by an Actor or Actress
Colm Feore
1989 Nominee Gemini
Best Direction in a Dramatic or Comedy Series
David Winning
For episode "Sweetest Sting".
1989 Nominee Gemini
Best Direction in a Dramatic or Comedy Series
David Winning
For episode "Scarlet Cinema".
1989 Nominee Gemini
Best Writing in a Dramatic Series
Timothy Bond, Peter Jobin, Roy Sallows
1989 Nominee Gemini
Best Writing in a Dramatic Series
Bruce Martin
1989 Nominee Gemini
Best Picture Editing in a Dramatic Program or Series
Dave Goard
1989 Nominee Gemini
Best Original Music Score for a Series
Fred Mollin
1989 Nominee Gemini
Best Sound in a Dramatic Program or Series
Christopher Hutton, Steve Foster, Terry Gordica, Tim Archer, Gary Daprato
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International Monitor Awards
1990 Nominee Monitor
Film Originated Television Series - Audio Post Production
Frank Morrone (sound re-recording mixer)
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Alberta Film & Television Awards (AMPIA Awards)
1989 Winner Special Jury Award
David Winning
For directing season two.
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Motion Picture Sound Editors, USA
1989 Winner Golden Reel Award
Best Sound Editing - Television Episodic - Dialogue & ADR
Steve Foster (adr editor)
I Talk Telly Awards 2023 were won by Good Omens, Staged, David and Michael and David! 🥳🥳🥳❤❤❤
Acceptance Speech for BEST COMEDY PARTNERSHIP - DAVID TENNANT & MICHAEL SHEEN - STAGED
David: Hello, everybody. David Tennant here from TV's Staged. Just dropping by to the I Talk Telly Awards to say... thank you because we are very thrilled to have won an award for Staged.
Georgia: Oh, that's nice.
David: Yeah.
Georgia: What's it for?
David: Best Comedy partnership.
Georgia: Oh, right. For erm.
David: For me and...
Georgia: You and Michael.
David: Me and Michael.
Georgia: Ok. That's... That's nice.
David: You know what that means, Georgia.
Georgia: No, I'm not doing it again.
David: Yeah, it's time.
Georgia: No, I'm not doing it again.
David: You've got to.
Georgia: David, I'm not doing it again.
David: You've got to.
Georgia: Everyone else has moved on and you need to too.
David: It's impolite. We've got to say thank you properly for the award to the lovely people who voted. We love them very much. Go on...
Georgia: I don't wanna do it.
David: Do it.
[Georgia holds big cardboard head of Michael Sheen in front of herself]
David: Heeeeeeeeeeeeyyyyyy! Michaeeeeel! Michael Sheen and David Tennant here saying thank you for recognizing us as Best Comedy Partnership. Very kind. We're thrilled, aren't we, Michael?
[The cardboard head of Michael nods]
David: Anything else you want to say, Michael?
[The cardboard head of Michael shakes as no]
David: Anything at all?
[The cardboard head of Michael shakes as no]
David: Say something in Welsh.
Georgia behind the head: I don't want to say anything in Welsh.
David: Must be something you could say in Welsh.
Georgia behind the head: I don't want to say anything in Welsh.
David: Thanks everybody! Iechyd da! [= Cheers in Welsh]
Acceptance Speech for BEST RETURNING COMEDY - STAGED
[There is Anna and Lyra, with Cardboard Georgia and Cardboard David]
Lyra: Thank you everyone for voting for Staged!
Anna whispers: For Best Returning Comedy.
Lyra: For Best Returning Comedy.
Acceptance Speech for BEST DRAMATIC PERFORMANCE - DAVID TENNANT - LITVINENKO
David: Hello. Welcome to backstage at the Domar Warehouse. I just stepped out of rehearsals for a second because I want to say thank you so much for this award. Litvinenko was such a very special project to be part of. It meant so much to all of us who were involved in telling Sasha Litvinenko's story. It wasn't just another job. We were telling the story of an extraordinary man and his extraordinary family. It was an honour to portray him. And it means so much to have it recognized in this way. Marina Litvinenko and Anatoly, her son, were extraordinary human beings to get to know. And to be entrusted with their story is something that I will be forever proud of. So this means a great deal. So thank you to everyone who voted and thank you to I Talk Telly. I really appreciate it. Thank you so much.
We don't have an acceptance speech but Good Omens won in the BEST RETURNING DRAMA category! :)
He doesn’t know how they got here, but Jason’s thankful for it. It’s not often that he speaks to Cass, when Jason’s passions are words and righteous murder and Cass’s passions are distinctly not that, but when they do speak, they manage to get along. Somehow.
“So, why don’t you kill?” Jason leans back on the couch, his favorite mug filled with Alfred’s hot chocolate.
Cass is curled against the arm of the sofa. She looks at him, head tilted. Jason knows she’s reading him, but he’s not sure what she’s finding. It’s humbling, and intimidating, to know she sees more than what he allows to show.
“I can see,” she says. “That one time… I killed. I saw. Pain. Fear. Desp- des- not wanting to die.”
“Desperation?”
Cass nods. One of her fingers fiddle with the material of the couch. Jason knows she’s allowing him to see the motion. He knows it’s her silent way of showing him trust.
“There is more. To dying. Like… like they see their lives-They think- remembers. Loves. Their life- regret, love, everything. It goes through-” Cass taps her temple.
“Their lives are flashing through their heads?”
“Yes. Good. Bad. Everything. I see.” Quieter, Cass adds “I know. I know them, then. I killed a life that I know. They love. Everyone, have something they love. I kill, I kill that love.”
“That must suck.”
Cass leans back. She nods, neck releasing their tension and eyes less hunted, more accepting.
“Yes. I don’t want to- I don’t want to be the end.” Cass swivels her shoulders towards him, now. “Why… why do you?”
“Me?” Jason… hasn’t thought about it for a while, nor too deeply. But this is Cass. And her honesty deserves an honest reply. “I kill because some people shouldn’t be left alive to hurt and kill others”
“Not about… Bruce?”
Jason took a sip of his hot chocolate. Cass settled more into the couch, her eyes clear and watchful.
“It used to be,” he admitted. “About him, I mean. It used to be about vengeance. But then I came back to Crime Alley, and then I saw the kids getting hurt instead of being protected. They’re innocent. And then, it wasn’t about Bruce anymore. Killing is just the means to an end now, for me.”
“Do you- not regret?” She makes a gesture at his leg, where on a normal day, his holsters would be.
“I try to make sure I don’t kill people I’d regret, no. Like, you know how sometimes you guys arrest muggers?”
Cass nodded.
“Sometimes,” Jason said, remembering the days of digging through trash for food and the lingering hunger that rumbled through his younger self’s stomach. “They mug people because they’re desperate. I don’t kill those guys. But people deal to kids? Who hurt sex workers? Rapists? They’re doing irreparable harm, with full knowledge of their actions. For profit, mostly. If they’re willing to ruin lives, then they should be ready for their own to be ruined. It’s justice, for people like me.”
Cass studied him. “Justice…?”
“The only kind us Alley kids could ever appreciate. Arresting an abuser, a threat, and having that stick is for the privileged. Having that threat removed completely is relieving.”
“Can’t trust the world to be fair. But death, is fair.”
“Yeah. I think if I saw as much as you do, it’d be harder to do. But I think I’d still kill, because one person’s suffering after a life of being evil is worth the safety of so many others. To know… well, I guess I’m glad I don’t know what that’s like.”
“I see.”
“I know you do,” Jason grins at her. “But not killing is an act of courage too. Even if B makes it seem like it should come instinctually.”
“Yes. He does not connect, with Damian. Does not understand, fully, how hard. To unlearn.”
“Yeah.”
They sit in silence for a while after that, listening to the sounds of their family clambering around in other rooms.
“Hey, Cass?”
Cass turned back to him.
“I would kill David Cain for you.”
He would. It makes the Pit seethe when he thinks about how much David Cain and Lady Shiva hurt Cass for her to get this insanely good at reading people. He hopes she sees the pure honesty and sincerity he feels at that declaration
Cass puts a hand on his shoulder and squeezed once. Twice.
“Okay. Thank you.”
“No objections?”
“… would not feel too bad.”
Jason snorted.
“Yeah. You and me both.”
He doesn’t know how they got here, but he’s thankful for it anyways, because he understands his sister just that much more now.
the real tragedy of season one is that aziraphale stopped crowley from his heist in the 1960’s
it would’ve been so funny to see his overly dramatic, james bond inspired heist only for him to realise the church is empty and no one cares if he takes all the holy water