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#Flip magazine
thislovintime · 8 months
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Photo by Dan Wynn, via Dan Wynn Archive on Instagram.
“[Peter] has this magnificently low voice and sounds about ten years older than any of the others. But sometimes, he acts about ten years younger than any of the others. He is not ‘zany’ however. Just kind of childish at times. He forgets that he is an ‘adult.’ I think that all adults do occasionally, because of the tension, and he certainly is under stress as much or more than other people. [...] He’s very serious about music, however. He won’t be content until they do something really special — ‘I want us to make a contribution to the music world, like all the big groups have.’
 He reminds me of a cocker spaniel puppy, ya know what I mean? He’s so eager to please and excited when people are around. Then suddenly he’ll fall into a sulk or just a quiet mood and lay down his hands clenched under his chin. He’s the type of person that you worry about a lot and yet you don’t. That’s as clear as mud. I mean, you know he’ll be all right in the end, but you’re not too sure about the middle. Now it’s just dusty, huh? He tends to be gullible — a sob story will get him every time, but he manages to wise up." - Tracy Thomas, Flip, September 1967 (x)
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ludmilachaibemachado · 5 months
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"The Music of Lennon and McCartney", broadcast in December 1965, it was the biggest music spectacular produced to date by Granada Television, and was designed to showcase the songwriting talents of John Lennon and Paul McCartney. Photo published along with an interview in Flip Magazine, May 1966🌷🌷🌷
Via @soulmagicalbeatles on Instagram🌷
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missy-lou-frodis · 1 year
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Russ Giguere and Ted Bluechel of The Association, from Flip Magazine, Dec 1967
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instaviewpoint · 1 year
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Beatles
#photography #photooftheday #Beatles For those from this era: This is a picture of Flip Magazine from 1969.  Dig the Beatles, Man! What do Linda McCarthy and a spider web the in common? They hang out with dead Beatles. Beatles
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dozydawn · 10 months
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YM, September 1998.
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youre-dreaming-302 · 8 months
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zegalba · 11 months
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Cell Phone Showcase in Kera Magazine (2001)
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thisisrealy2kok · 22 days
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MAR.2005
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princessantisocial · 1 year
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kkumateen · 4 months
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thislovintime · 10 months
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At the premiere of Head, November 1968.
“The first time I met Peter was at the Troubadour where he performed, long before the auditions. I’ve always liked his warmth and honesty. And he’s always been very kind to me. Both Davy and Peter have lived with us and Peter was always very considerate, helping with the dishes and all. One night Mike just brought Davy home to dinner and that was how I met him. It was at a very early period, right after the guys had been chosen. Davy was so charming and nice. He would walk the dog, play with Christian and compliment my cooking — really nice to have around. Christian liked all of them right from the first. He’s always so happy when any of the Monkees drop over. When Davy and Peter lived with us it was kind of a family atmosphere. They just all kind of pitched in — and even babysat for us!” - Phyllis Nesmith, Fave, January 1968
“I remember staying at Mike’s house in Hollywood when we first started filming the series. It was the upper story of a two-story building on a little hillside. Mike’s wife, Phyllis, was wonderful. Mike and I laughed a lot and played music together. I remember that time very fondly.” - Peter Tork, When The Music Mattered (1984)
“Michael was very kind to me at the outset. He put me up through the entire shooting of the pilot process. He and his wife had a wonderful little apartment just big enough for a guest on the day bed, which overlooked Hollywood. I remember a Thanksgiving Day when the air was crystal clear in a way that I’ve never seen it before or since in L.A., and you could see all the way out to Catalina. It was wonderful. That crystal clarity symbolizes the whole era for me. Mike and I wrote a few things together. We were very comradely and very buddy buddy, and it was a wonderful time, with Mike’s then wife, Phyllis, and Christian, their little infant baby. The early days of the pilot shooting were just great by my lights and I had a wonderful time.” - Peter Tork, quoted in Hey, Hey, We’re The Monkees (1996) (x)
Q: “Being that your tastes were similar, and you both were the first to leave the group, why didn’t you form a group with Peter Tork?” Michael Nesmith: “I don’t like Peter Tork — never have liked him, I don’t like him as a man. I have to qualify that now: Me not liking somebody doesn’t mean that they’re bad people — he could do a lot of wonderful things for and to me. Not liking someone to me is a very gut reaction — a very visceral attitude. The first reaction to Peter was one of dislike. I don’t like him, I have never liked him, and I probably will never like him. I didn’t enjoy playing in a band with Peter, and I still don’t. Our tastes were much the same, our political beliefs were similar, our ideas of fun, pleasure, our intellectual capacity, our ability to talk to each other — we were very much alike. I have a great respect for Peter — his technical abilities on an instrument and the positions he took were well conceived ideas, always a posture with a motive, never emotional. I don’t like my mother. She happens to be a very nice lady — never done anything that would make me not like her — but I don’t. I like my wife.” - Hit Parader, February 1972 (x)
“[We were] partners in silence.” - Michael Nesmith, Rolling Stone, December 3, 2019
“I have a great deal of respect for Mike as a musician and a songwriter. He’s very good. He could make it on his own easily. Also he’s one of the funniest people I’ve ever met.” - Peter Tork, Flip, August 1967
"I have a lot of respect for Michael.” - Peter Tork, The Sacramento Bee, April 20, 1997
“I still have a lot of respect for Michael.” - Peter Tork, WDBB, February 2006
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JUL.2010
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girlbrat · 2 years
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MOTOROLA advertisement, DAZED & CONFUSED, #84, December 2001
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apricotmayonaise · 5 months
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don't you know that you're toxic
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exdeputysonso · 5 months
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Max, Italian Magazine, May 1989
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