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#HF Zero
coolthingsguyslike · 2 years
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diabolus1exmachina · 1 year
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Alfa Romeo Carabo 
The Carabo project was a collaborative effort between the Italian manufacturer and the Bertone styling house: a partnership which had previously borne fruits that included the 2000 Sportiva and BAT concept cars of the mid-1950s. The basis of the Carabo was a chassis numbered 75033.109 which was, more specifically, that of a 33 Stradale road car. Despite sharing mechanicals with the Tipo 33 race car and since being recognised as one of the most beautiful cars in history, Alfa had trouble finding owners for the Stradale due to its steep asking price of around $17,000. As a result, five of the Stradale chassis were passed to Italian carrozzerie: two to Pininfarina (used for the 33.2 and Cuneo concepts), one to Italdesign (which became the Iguana concept), and two to Bertone – the other being used as a basis for the 1976 Navajo concept.
The H-shaped tubular chassis supported an all-aluminium 1995cc engine which was designed by Carlo Chiti and, incidentally, was the first Alfa Romeo V8. The fuel-injected, longitudinally mounted motor used chain-driven camshafts and red-lined at 10,000rpm, despite being detuned to 230bhp from the Tipo race car’s 250-270bhp. This granted the Carabo a top speed of 160mph and the ability to dispatch the 0-62mph sprint in 5.5 seconds, with the power being sent to the rear wheels through a six-speed, syncromeshed, transaxle gearbox designed by Valerio Colotti.
Because of its underpinnings, designer Marcelo Gandini had the opportunity to create a car that would revolutionise the automotive industry for many years afterwards. The engine being mounted amidships allowed for a pointed front end, while the ground-hugging poise inherited from the Tipo race car meant the car was under a metre tall at its highest point. Combined with the squared-off rear end, these characteristics inspired countless wedge-shaped designs of the 70s and 80s, and also gave the car its name and colour: Carabo is derived from ‘Carabidae’, a family of ground-beetles with a distinctive green and gold colour.
The principle of the wedge-shaped profile was used to eliminate the high-speed aerodynamic lift troubles of the Lamborghini Miura, which Gandini had penned two years earlier. However, his innovative cerebration didn’t stop there: as well as having headlights hidden beneath active flaps, the Carabo was the first concept car with front-hinged wing doors, later used by Gandini when designing the Lamborghini Countach and since assuming the ‘Lamborghini doors’ meme. As well as inspiring the revolutionary raging bull, the Carabo clearly also lent styling cues to the Lancia Stratos Zero concept car, which in turn inspired the iconic Stratos HF. Unsurprisingly, the Carabo remained a one-off, but its revolutionary styling dramatically steered the automotive design industry onto a radically different path – one which produced some of the landmark cars of the 20th Century. Even those who can’t look favourably on its apparent aversion to curved surfaces should take a second to appreciate its legacy; after all, would an Aventador have quite the same drama without its ‘Carabo doors’?
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shinesurge · 3 months
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i dont wanna get up in that person's tags but man i've never seen somebody else talk about The OCD Substance lmao. Mine feels more solid than fabric and mostly exists attached to people or feelings but they are definitely cousins Wrow
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circusislife · 11 months
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And I was doing so well too
wait what?
context?
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kestarren · 8 months
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youtube
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fencecollapsed · 1 year
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ok so i just know about zero for the oc questions so im gonna ask about zero: 1, 5, 10, 35 and 50
1. Do they have any crafting hobbies?
nope 😔
5. Do they have any tattoos? If so what are they and do they have any special meaning?
Zero has a back tattoo that represents his religion. I am. a horrendous designer however and can not settle on ideas for the life of me so I cannot describe it at the moment but it's there! religious back tattoo. themed around stars. that's what I've got kdkjgksk
10. Do they have any regrets?
lots and lots and lots and lots
35. Do they believe in fate or do they believe they are in charge of their own destiny?
Zero believes whatever fate there is is determined by his gods, but it's not definitive. the choices you make and the actions you take aren't decided by anyone but you, and they play a part in the fate you get. that's what he believes
50. What is your favorite thing about them?
I kind of peaked with his design tbh I really love his design hgkfksksmgnd
just character wise though I like the moral code I gave him. all his actions are motivated by his incredibly specific set of moral beliefs, which were formed from a combination of rules his mother taught him before she died, and how he integrated those with the teachings of the religious cult he was brought into later. to name a couple he's strongly opposed to breaking promises, but he's open to murder (and has committed murder) as long as it serves a functional purpose
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chloelikesthesims · 9 months
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Lancia Stratos HF Zero by Bertone
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viraltiger · 2 years
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1970, Lancia Strato's HF Zero - See more viral images on ViralTiger.org
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les-belles-mecaniques · 8 months
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1970 Lancia Stratos HF Zero concept Bertone by Marcello Gandini.
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I feel so guilty for feeling this way, but I’m genuinely frustrated by all the people who put so much energy into further queering Hatchetfield—investing heavily in non-canon queer ships including some that have zero in-canon interaction, hcing everyone as trans, fan-recasting Mariah as Ethan, etc—but aren’t putting any energy into Tinlightenment and the actually queer stories put forth by TCB. Like, I’ve got nothing against queering HF, that’s great, but it sucks to see that being prioritized over intentionally queer work from queer creators like Corey and Clark. And I know a lot of fans are giving love to both, and the situation is nuanced, but on the whole the disparity is quite upsetting. I’ve seen a couple of posts about it and it’s, like, yeah.
~~~
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blackswaneuroparedux · 11 months
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Les aspirations les plus absurdes et les plus téméraires ont parfois conduit à des succès extraordinaires.
- Vauvenargues
St. Moritz has been a famous health resort in Engadine since the 19th century. At first, it was only frequented by spa guests, before the village developed into a high alpine sports centre, and for a time it was a playground for the rich and famous. There’s still some of that element present but not as in its hey day of the 70s. For nine months of the year it’s just another picturesque village in the gorgeous Swiss Alps, with Lake St. Moritz lying at its heart.
Crucially it is quietly forgotten by the outside world. Residents can breathe and go about their daily chilled out lives. For those precious nine months it was great to hike and ski there as my boarding school wasn’t too far away from getting there. But the other four months of the year, the high season, it gets flood with skiers and altogether more showy crowd.
The frozen surface of the lake, which can only be described as a desert of snow, now serves as a symbol of the resort itself. From nine months of natural bliss to four months of chaos and madness. Every time the ice lends its surface to polo tournaments, horse races, and the wealthy and beautiful make the pilgrimage down the mountains from their grand hotels, St. Moritz seems to transform. St. Moritz’s newest ‘gimmick’ for the past three years or so has been to serve the International Concours of Elegance St. Moritz - or The ICE St. Moritz - as a kind of classic car museum with an adventurous character.
Since the first ever The ICE St. Moritz in 2019, historic rally cars have been exhibited to the sports car-crazy public on the opening day, before demonstrating their horsepower on the ice racetrack on the second day of the event. However, the fact that The ICE is taking place on Lake St. Moritz, of all places, is no coincidence. In 1985, a group of Scottish and British sportsmen drove their vintage Bentleys to St. Moritz to celebrate the centenary of the Cresta Run (an eccentric and high spirited toboggan amateur race). As part of the festivities, they drove their cars on the racecourse across the frozen Lake St. Moritz.
This year, however, the ICE St. Moritz evolved slightly differently. For the first time, the event was held on two days: Friday 24 and Saturday 25 February. On the first day, the lake was transformed into an open-air museum, where the jury evaluated the cars on display from an aesthetic perspective. Then, on the second day, the actual race took place, whereupon the jury evaluated the classic cars from a performance perspective.
This year there were five category winners. In the ‘Open Wheels’ category, the 1958 Maserati 420M/58 “Eldorado” held its own. Meanwhile, the ‘Barchettas on the Lake’ category crowned the Ferrari 500 Mondial Series II from 1955 as the winner. My personal favourite, the aforementioned Ferrari 250 Testarossa ‘Lucybelle’ emerged as the winner in the ‘Le Mans 100’ category. As expected, Lancia Strato’s HF Zero of 1970 came out on top in the ‘Concept Cars & One Offs’ category. Last but not least, judges crowned the 1958 Bentley S1 Continental Drophead Coupé as the winner of the ‘Queens on Wheels’ category.
The evening gala took place at Badrutts Palace, which towers over the city like a castle with its high stone walls. In the stimulating semi-darkness and under shimmering candlelight, riders, collectors, enthusiasts, the public and media from all over the world celebrated the conclusion of one of the most anticipated competitions in the Engadine. Overall it’s spectacular fun and contrary to what one might believe it really does draw the car enthusiast crowd rather than the snob mob. It’s a very chilled event and bags of fun.
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typellblog · 9 months
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What the anime got wrong about Gilgamesh
So, we know Saber kinda gets shafted in the anime adaptations. She’s introduced in Zero, in which her role is a bit different from FSN, and then instead of adapting the introductory route, the one where we learn the most about her as a character, we skip straight to UBW.
Well, guess who else gets a similar treatment, where they’re first introduced to anime-only watchers via the prequel, and then we skip the route they’re supposed to be introduced in for one where they play a comparatively lesser role?
Illya, of course! And then the bastards cut her scenes from the HF movies as well.
Okay, but seriously, I want to talk about Gilgamesh. Now you might be thinking, Gilgamesh? What’s wrong with Gilgamesh? People liked Gil in Zero. Well, so did I, but reading the Fate route again, there are some interesting differences. I think examining his introductory scenes in both Zero and Fate makes this clear.
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Brief recap for those who don’t remember: In Fate he appears near the end of the route, where he slaughters Caster and establishes himself as the final boss. In Zero he appears near the start of the story, where he slaughters Assassin (well, one of them), and establishes himself as a threat.
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These scenes are remarkably similar; I wouldn’t be surprised if Urobuchi’s was an intentional homage (Zero does this a lot, compare the role that Lancer plays as Saber’s initial opponent in both).
The two key components here are that Gil is standing at a position higher than his opponent in order to display his superiority, and that his opponent gets utterly destroyed with no chance of fighting back.
That’s rare in any Fate fight scene, but it serves to establish that if Gil wants you dead, you’re dead. It’s a simple but effective formula, especially paired with his striking character design and Seki Tomokazu’s excellent voice acting.
There are two key differences, though. Firstly, Urobuchi is kind of cheating: Assassin is, by design, expendable. It’s only impressive that Gil dispatches him so quickly until you realise that he’s one of a hundred different Assassins. This was even a trick in-story, the plot concocted by Kirei and Tokiomi to conceal that Assassin is still alive.
Caster, on the other hand, is not expendable. She’s an important character who serves as a midboss in UBW and seems poised to serve the same role in Fate before Gil arrives. She’s in the middle of a tense fight scene with Saber and Shirou and is hinting at the hidden capabilities of her Noble Phantasm and everything! This, to be fair, is something that Nasu can only get away with due to the medium – in a visual novel, you can have the impact of a sudden subversion of expectation in one route while playing it straight in another, ensuring you don’t waste any setup or make readers feel cheated.
The second difference, and I think the more important one, is how we’re supposed to react to the scene as audiences. Zero’s version seems solely oriented around showing off how cool Gil is; Assassin gets about as much characterization as a plank of wood, meaning that the audience, as dispassionate spectators, are much closer to Gil’s point of view than anything.
FSN’s version, on the other hand, has a point-of-view character! And if there’s anything we know about Emiya Shirou by this point, it’s that he’s not a big fan of seeing women getting hurt.
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As a result, it’s very easy for us to mentally reframe the scene as a person seeing another person getting brutally murdered. And it is brutal. Caster screams in agony as she desperately tries to escape, in contrast to Assassin who simply accepts his fate. The whole scene is dyed blood-red as she is repeatedly skewered by a barrage of Gil’s Noble Phantasms.
Gil isn’t just portrayed as impressive and powerful in this scene, he’s also cruel and awful. And that’s my first point:
1: Golden Man Bad
Gilgamesh is a surprisingly offputting individual.
From his voice (Shirou describes his laugh as ‘irritating’), to his mannerisms (remember the way he blocks Saber’s blows by just covering his head with his hands?), to his unbelievably weird facial expressions, he’s the epitome of an unlikeable villain.
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In Zero, we see Gil at his best: sexy, dominating and intelligent. He’s still not a very nice guy, but his bursts of anger all fall on characters we aren’t particularly sympathetic to. In FSN his casual cruelty is made more apparent and more objectionable. (Need I remind the reader of what he does to Illya in UBW?)
In Zero Gil’s constant boasting asserts his confidence and power; in FSN it just makes him kind of seem like a douchebag.
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The core qualities that people like about Gil, and make him a cool character to watch, are still there in Fate, but they’re tempered by a lot of reasons to not like him, which barely show up in Zero.
Basically, in FSN Gil seems to have been conceived as the type of villain you love to hate, while in Zero he leans way into the role of a villain you love to love. The subject of how he's portrayed in FGO, CCC or Strange Fake is beyond the bounds of this post to address, but I do think the popularity of his appearance in Zero had some influence there.
2: Sexism
Strictly speaking it’s a subset of the above point as it’s a big part of what makes him so unlikeable, but I think it’s interesting enough to deserve its own discussion, considering it’s much more noticeable here than in other entries.
Just a quick reminder of some of his greatest hits:
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The fact that Gil is objectifying Saber specifically because of her gender is obvious, and interestingly enough Shirou is the one who pushes back against it. There’s a real comparison to be made between the two insofar as they are both trying to win her over in the latter stages of the story.
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Gil ascribes to a similar perspective to Saber when it comes to the roles people should play. He just thinks that Saber should abandon her role of king in favour of the role of woman, which in Gil’s view is characterized by a set of obligations that include marrying a man and basically becoming his slave.
On the other hand, Shirou is strongly opposed to denying people’s humanity based on arbitrary categories. That’s why, in the early parts of the route, he . . . repeatedly emphasizes the fact that she’s a girl? It probably sounded better in Nasu’s head.
Regardless, the point is that Shirou sees Saber as a human, while Gil sees her as an object. So, there you have it. Emiya Shirou, ally of social justice.
Now, I don’t think Zero is necessarily a worse portrayal of Gil than Fate. In many ways it’s more interesting, and in fact, I think they’re complimentary. Which nicely leads into my last point (wow, it’s almost like I planned the structure of this post before I wrote it):
3: His defeat
For a moment, put yourself in the shoes of an anime-only fan who has started with Zero, just about to watch UBW (yeah, I know, ew).
The main takeaway from Zero seems to be that the bad guys always win. People who pursue their dreams are idiots who will inevitably fail, even if their dreams are really cool (looking at you, Iskandar). A thorough victory for Gil’s ideology of self-centeredness, and a large factor seems to be that he doesn’t care - from his perspective, he already won like three thousand years ago!
So, going into UBW, the characters that we’re attached to, whose stories we really want to see the end of, are Gil and Kirei. That doesn’t necessarily mean that we want them to win – we’d be fine with them losing, just so long as they do something.
And then Gil gets shot in the head and swallowed by a black hole. Shirou wins, but it’s hard to say that Gil loses. After all, Shirou’s whole deal is that he doesn’t need external enemies – the one he must fight is his own image (UBW takes this line very literally). All well and good for the Shirou fans – i.e. the people who began the story at the correct point – but those excited for what they were expecting to be a culmination of Gil’s character arc might understandably be a little disappointed.
To those people I say: read Fate!
In this route, Gilgamesh’s final battle is against Saber, not Shirou. Saber, a person he knows prior to the beginning of the story due to the events of Zero. Saber, the person who serves as his primary motivation and goal during the story. Saber, the person with whom he has significant ideological disagreements about the nature of kingship with!
Just as Ea, embodiment of the cold, hard Truth of the world, proves superior to Iskandar’s dream by destroying Ionian Hetairoi, so too does Avalon, the symbol of everything Artoria fought for, prove able to endure Ea’s destructive power. It’s a perfect conclusion to the questions asked in the Banquet of Kings.
UBW, for the Zero fan, does not reveal anything new about Gil’s character. But Fate does. We get his single best quote!
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Not only is Gil implicitly justifying Artoria’s own unobtainable dream as valuable, but he also identifies himself with her, as a fellow pursuer of that which cannot be obtained.
The contradiction at the heart of their conflict is that Gil wanted Artoria precisely because she was the kind of person to refuse him. What attracted him to her was the stubborn idealism of her kingship, not the subservience he expects from a woman. So, there’s no actual way for Gil to end up satisfied, even if he wins.
His plan was to force Artoria to drink Grail mud to physically incarnate her, driving her insane, but even if he could make her submit to him without that, she would still be tainted, still be fundamentally less valuable to him by the mere fact of being his possession.
In realizing this, he accepts his defeat, unlike in other routes. He couldn’t stand the idea of losing to inferior copies of his treasures in Unlimited Blade Works, but Artoria’s Noble Phantasms were never in his treasury to begin with. And after owning everything in existence for thousands of years, the things you don’t have start to look a lot more alluring than anything you already do.
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This is the fifth of roughly thirty analytical essays on Fate/Stay Night that I will be reposting here (with some edits) from Reddit.
It was once pointed out to me that this one was where my posts started 'getting good' so to speak. Hopefully this time round the rough start has been softened a bit.
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dromaeocore · 9 months
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Speaking of peer respite (again), there are none in Minnesota, (despite them already existing in many Midwest states) meaning MN residents in crisis have no choice but to go to the psychiatric hospital, which is incredibly expensive and can be traumatizing and isolating.
(Peer respites are homelike, entirely voluntary environments for people in crisis, staffed by individuals with lived experience, and are usually free for their clients. You can come and go as you please, and are not isolated from the community like you are in psychiatric hospitals.)
HF2301 tried to ameliorate this problem by seeking funding for two peer respites, though it seems it was never picked up after 2019.
You can find the emails of the members of the Minnesota State Advisory Council of Mental Health here. I sent 'em an email already, as someone who is considering a move to MN who has multiple friends and loved ones in the state who could benefit from this service.
I think it's better if you write your own thing, but you want a template/example, here's basically what I said:
Hello, I am a(n) [MN resident/individual with loved ones in MN/concerned citizen/whatever you wanna put about yourself here]. As members of the State Advisory Council on Mental Health, I would love for you to revisit the idea of funding (a) peer-run respite house(s) in MN, as outlined in 2019's HF 2301. Peer-run respites are a homelike, cost-effective alternative to inpatient hospitalization for folks experiencing a behavioral health crisis, staffed by peers with lived experience. They are successfully run in at least 14 states and counting, and are a rising trend in the US. On average, they resulted in $2,138 lower Medicaid expenditures per month and 2.9 fewer hospitalizations for individual respite clients. (source) [feel free to put more data here if you know of any, there's a ton] There are currently zero peer-run respites in the state of Minnesota, despite the strong evidence base for peer support. I know many people who would benefit from such a service, especially individuals who do not qualify for inpatient hospitalization or would prefer a less clinical environment. [Thank you for considering/I hope you will consider this/etc] [Name]
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empty-dream · 7 months
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Zero // HF
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dopplerdora · 10 months
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So I've been thinking about post-heavens feel.
Like there is an over 50% chance some dumb ass magus learns about Sakura and/or Shirou and trys to pull something and I can only imagine it ending like this
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Post-HF Rin strikes me as a woman who would approach any threat to her family with absolute overkill.
She zero hesitation bought a body from fucking Touko. I love Touko but the woman has the worst fucking rep.
Anyway I HF Rin is probably 2 degrees from a rabid animal by magus standards.
Like...
Dumb ass:"YES! Once I gain this power"
*jesters to Sakura and Shirou*
"My family's research will be conplete!....wait what that lig-"
*is atomized by prismatic light"
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charlidos · 9 days
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Since I'm going through everything about Viggo & Orlando anyway, I might as well bring out the gossip that used to surround them. I don't put a lot of trust in blind items from Ted at E!Online and it's impossible to know if he actuallly had any real intel, or if it was just idle gossip about popular celebs. But it does say one thing for certain: that this was something people talked about back then (in 2004, mostly). That it wasn't just the "Viggorli tinhats" talking. And that, in itself, is interesting.
And I think it's beyond doubt that it WAS Orlando and Viggo that he was talking about here. Regardless if the gossip was true.
From 2004:
We still need to zero in on Grimy Gus and Harland Fuss (or as they're known to their most secretive of buds, Gussy 'n' Fussy). G. 'n' F. have been on location recently. Well, one of them has, at least. Don't think too many folks know that Fuss has joined his good bud Gus for a little mattress messin'. Look, I'm the first to give a hearty shout-out to two guys who want to do what they want, sexually speaking. But when both--all right, make that one--of these men go to great lengths to make the public believe he's bedding down with rising supersweet starlet Eartha Bertha, well then, I get a little pissy. Although it sure was romantic when Gus 'n' Fuss went to such a Secret Service-defying to-do while Gus was out of the States (in a film-friendly environment) making his latest butch-it-up celluloid job. Public lobby and elevator trips at the sumptuous Springtime Suites hotel with Fuss 'n' Eartha were arranged. Photographers just happened to be around, sorta the same way Rock Hudson lived his whole fake life. But I'm getting terribly off the point here, aren't I?
At this time, Orlando was (very) publically dating "starlet" Kate B, and Viggo was filming History of Violence (playing a "butch" character) in Canada. And they were both at the Toronto film festival that year, where this supposed secret romp happened. Also, the nicknames seems to refer to the whole "Prissy elf" and "Filthy human" thing they had going on the set of LotR. And during LotR PR, there was very inane gossip about Viggo seeing L, a woman around O's age, but that they broke up because V didn't care about his personal hygiene. If you look at gossip rags from around 2002-3, it was mentioned a lot...
So yeah, no doubt that it's O, V and K referred to. It's generally considered a "solved" blind. Again, doesn't mean the gossip is true.
In 2010, Ted mentioned HF again, just around when Orlando got married. In this one, there's no mention of "Gus", so of less interest to me. It's all about HF being bi, and how he and his newly wedded wife got hitched because they both needed a career boost (and HF needing a "beard"). A whole lot of nothing really. But again, quite obviously referring to Orlando.
More interesting to me, but also a bit more confounding, are some questions answered around 2009/2010:
Dear Ted: Since you dusted off the old Harland Fuss B.V., can you give us an update on his relaysh with Gus, please? Are they still together? If not, who broke up with whom? And who is Fussy seeing on the DL, then, if not Gussy? —Agusta Dear Gus Who: Long over, babe. Too bad, too, because they were way too hot together, but it was always more of a short-term (very) steamy hookup sitch. Neither dude expected a serious relaysh to come of it, just sex, sex and, oh yeah, more sex. Dear Ted: This is a question about an old blind item that I don't expect you'll answer but I thought I'd give it a shot. Are Harland Fuss and Grimy Gus still together? —Silver Dear Oldie: No. Nor were they ever. Dear Ted: Has Viggo Mortensen ever been a B.V.? I absolutely love him, and he did spend several years with those B.V.-worthy Hobbits in Middle Earth. Did they rub off on him? —LOTR Lover Dear Viggo Go Go: Oh, yeah. One of my (and readers') all-time favorites!
Again, quite clear this blind item was about Orlando and Viggo. This idea that they were just meeting to hook up, short-term (not sure if it's short term as in short meetings, or if it's short in terms of how long this relationship went on), feels a bit off for these two. But it fits that they lost touch (as per Orlando himself) sometime after 2008 or so. And what do I know, really?
No one but them knows. I'm just here, speculating wildly and letting my imagination run free.
(And I looks like I need to keep posting about them - until I've completely exhausted the subject. Or myself. Or tumblr.)
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