#I actually photographed this off of a physical comic book!

[villainspo]

Take no shit, give no fucks.

Source: Generation X (1994) #33, by Larry Hama (writer), Steve Harris (pencils), Scott Hannah (finishes), and RS/Comicraft/EM (lettering)

#x men #emma frost #generation x #larry hama #steve harris #scott hanna #richard starkings #comicraft #who’s em? no idea #how does anyone put a comic in their portfolio when your credits are sometimes so abbreviated #Jubilee is probably actually an elder millennial #which i find hilarious #for some reason #I actually photographed this off of a physical comic book! #I’m committed enough to reading all of Generation X that I have physical back issues #Because Emma and Banshee are so fantastic

[from-chaos-make-art]

2023 NY Resolutions (& 2022 Reflections)

This past year (2022), my one real resolution was to make certain changes to my diet to gain particular results. I just got my test results back from my physical and I can happily report that I did it!! 

Now for 2023, I’d like to continue to focus on my physical health. I work a desk job where I’m sitting the vast majority of the time, and at home, I tend to work et al. in bed, so my back and neck have definitely suffered. This year is the year of moving my body consistently. I don’t want to say I’ll work out x amount of times a week or that I’m going to do specific exercises -- I’m going to see what I can do and go from there. My success will be in if at the end of 2023, I am consistently moving my body every week, and those are all the limits I’ll put on myself. (we gotta start somewhere, otherwise we’ll never get anywhere). 

Diet-wise, I’d also like to limit my sodium intake a bit more. I have a tendency to eat pre-packaged, on-the-go meals, which are already sodium-packed, but if I’m being brutally honest with myself, cooking is not going to be a realistic goal for me next year. So I’d just like to be a bit more careful with my food selection process. 

I’d also like to eat more vegetables & fruit and limit my red meat intake even more (this was the primary goal for last year). Chickin gud. 

These are the three real goals for 2023. 

Now for the cherries:

Creative

This year, I said I wanted to improve on three things: digital work, figures/anatomy, and backgrounds. I took two classes -- Digital Painting & Background/Landscapes and Character Design, so those took care of the first and third things. My anatomy has suffered this year, just because I haven’t practiced it at all because I was struggling trying to figure out how to draw lines on a tablet ^^;;. I also wanted to improve my self-discipline to not just rely on classes to draw...and I think this is something that I really do need to work on. My last class ended in August...and I haven’t drawn since then. Tbh, I have needed a bit of a break, so I’m not going to beat myself up too much over that, but I know that I’m not at the level where I can take time off from practice and my skill not suffer because of it. So this is something that I do want to work on for next year as well, especially because I’ll start to take actual animation classes in the spring, which will very much challenge me. Tall order from 2022 was to draw a comic...yeah, no. No tall orders for 2023. For 2023, we draw and just get better, that’s it. (I think I’m finally getting the hang of this ‘realistic’ goals thing)

Ok, so my ridiculous ass thought I could read 15 books total, and read 3 books of poetry in three different languages...yeah, wtf 2022-me. (I know this is baseline reading for a lot of people, but I do tend to struggle to read long form material now). Now, I did actually deny myself graphic novels this year because I was trying to focus on books...so there’s that...the punishment worked, i guess >.> and I actually did start reading more poetry! but I ended up reading a whole 5 books and 2 plays in 2022...so in 2023, I will actually attempt to go back to reading 12 books, and once I finish 1 book for the month, I will read graphic novels the rest. :D (i give myself a leetle treat).

I did not end up doing needle work at all this year...I took a much-needed break, and I think I’m ready to start again...I’ll take 12 designs for 2023.

No non-travel photographs this year either...but I’m starting to get that itch again...I don’t know yet if I’m ready to commit to this...I’m realizing that this year, I needed to take a bit of a step back from the things I used to do and see if I still even wanted to do them...and if so, then do them with intention...I won’t force myself to take photographs if I don’t want to...just like with writing. If it happens, great. If not, it’s ok. 

I wanted to wear everything in my wardrobe at least once...I did not accomplish that, but I did end up wearing a lot more of my outfits! Some progress is still progress! And so, I would actually like to continue this as a goal for 2023. It was really fun and I very much enjoyed the process of going out if I told myself I was going to dress up for it. It was the first year I started to dress with intention and I’d like to continue doing so.  

New goal: more nail art! I’ve been really enjoying painting my nails over the last few years, but I’d like to get back into doing some real nail art -- I bought tools and everything! I’m just real lazy and I’d rather whip on a pretty top coat or have all the sfx nail polish do all the work for me -- but I have designs and dotting tools and butterfly stickers I need to use!! The rhinestones aren’t going to glue themselves! 2023 is going to be the year of the Claire’s goth. 

Leftovers from 2022: I watched 220 movies, 15 foreign films this year. (And I wonder where all my reading time went). I participated in the film festival and had a blast. I’m definitely going to do it again in 2023, it was really fun.

I wrote 14 songs and 1 poem this year....not the best output, but it is what it is. I’m actually pretty surprised about that 1 poem -- I don’t think I’ve written one for 7 years, so, cool!

Personal

I said I wanted to work on being more sympathetic, kinder, and less judgmental; to have my internal thought processes match my external behaviour; and to not be tempted into my inherent negativity. This is an ongoing resolution obviously, and will probably be the #1 personal thing to work on for the rest of my life, but I do think that I have gotten better this year. What helped immensely, if I’m being honest with myself, is the person that I was struggling to define boundaries with moved away and that allowed me to get more space (physical and mental) from them. I was able to process my emotions easier and to decide on the kind of relationship I wanted to have with them moving forward, which really helped me to stop being so judgmental towards them, and in general. This year, I have worked on trying to listen first, and hold space, rather than jumping to solutions/advice...I’ve also tried to give myself emotional boundaries so as not to get overly involved or influenced by someone else’s emotions/issues. Basking in negativity has been a tiny bit less on the personal side this year, but has been a whole lot more work-wise, and so I’d like to do a little bit less of that next year (but I have thoughts about that!!! anyway, we’ll leave the socio-political discourse for another post).  These are things I need to continue working on, as well as thinking before I speak, and taking things a lot less personally. I have a big tendency to be gutted by the things people say (who doesn’t), usually off-hand, in passing, for years and years afterwards, and stew in my little gremlin resentment hut and howl at the self-pity moon, and I’d like to be a little bit less influenced by other people’s bullshit and gtfo it. 

Gratitude, gratitude, gratitude! Again, something to cultivate the rest of my life. But this year, there have been so many things that I am truly grateful for -- the places I’ve been able to go to, the raise I’ve received, my living situation, my loved ones, the opportunities I’ve received, the experiences I’ve had, and my improved mental health. Life is so so good, right now...and I honestly can not believe that I am this lucky to be right here, right now, alive and well, after everything. When I forget and I feel down on myself (which I often do), I read my journal entries from even just one year ago, and I realize that I have truly grown as a person, even if it doesn’t seem that way to me, or even to other people. I can see it in the way I think, the way I write. As anxious or frustrated or insert-negative-emotion-here I am now, it is nothing compared to how I was. When I think of myself five years ago, or even three years ago, it’s day and night. I legitimately don’t know how I even made it through, quite frankly. And for that, I need to be proud of myself and give myself a break, because I deserve it. I really do. (hey, look, i can do affirmations!)

Lastly...I’ve been flirting with the idea of getting back into certain social scenes. I think I’ve been craving certain kinds of experiences that are intimate, but not inherently sexual. I’d like to explore more identity-based and exploratory-based communities...it’s been 10 years...I think I might finally be ready...maybe? also, there’s still covid, so...we’ll see...

#personal #New Year Resolutions

[dramatisperscnae]

Headcanon - Kyle Rayner

Age and Appearance

Kyle is somewhere in his mid-20s

He stands at 5’11”, weighing in at 175lbs; his build is slender and reasonably toned, but nowhere near the extent of most other superheroes.

He keeps his black hair mostly short, if a bit shaggy on top. His eyes are a dark greenish brown.

Kyle generally favors comfortable clothing, and generally things that won’t be hurt too badly by things like pastels and graphite smudges. The only thing that fits him like a glove is his Green Lantern uniform; everything else fits, but usually looks like he bought it at a thrift store. Which he probably did.

Personality

Through most of his life Kyle has generally had his head in the clouds, taking a largely lackadaisical, carefree approach to life. Since being given the Green Lantern ring his irresponsibility has eased up quite a bit, but he still has a tendency to slack off or put off things that he really probably shouldn’t. Outside of his work as a Lantern Kyle still has a little more difficulty than he’d care to admit with actually getting – and keeping – his priorities in the right order.

Due to the circumstances behind his receiving his ring, and the rather long shadow cast by his predecessor Hal Jordan, Kyle still occasionally struggles with insecurity. He’s sure of his position and his right to bear the ring and the title, he’s just not sure he can actually live up to the reputation Hal left behind.

Kyle is a stubborn son of a bitch who refuses to back down when he’s sure he’s in the right. This can – and has – resulted in serious trouble, but it’s also saved his bacon more than once, considering his ring draws its power from its bearer’s will.

As an artist, Kyle often sees beauty in places others might not. When not actively on duty it’s not uncommon for him to have a sketchbook and pencil on-hand in the event of sudden inspiration or if he sees something he really wants to draw.

He’s an absolute pop culture nerd. Movies, comics, books, anime, video games; when he has spare time that’s not being used for creative pursuits he’s probably busy enjoying something geeky.

Abilities [taken from the Fandom wiki page; I know, I know, they’re shitty, work with me here]

Green Lantern Ring Mastery: Kyle's constructs are among the most powerful ever recorded for a Green Lantern. They are also much more elaborate, often fading into view like a sketch refined into an illustration, and tend to be far more imaginative as well. Most notably, Kyle’s ring is unaffected by the color yellow, and does not need to be recharged daily. It also does not work for anyone else, even former Lanterns; Kyle is the only one able to wield his ring.

Master Artist: Kyle is a skilled and creative artist. He has been an artist since he was born and has an equally long history of creativity. He has drawn, painted, sculptured, photographed, inked, colored, designed, and created thousands of works of art with or without his ring.

Indomitable Will: Like many Green Lanterns, he possesses an incredibly strong will. He has been able to resist Queen Bee's hypnotic pollen (through some coaxing from Huntress) which no one has been able to resist in the past. In addition, Mageddon tried to disable his ring but the Ultimate Warbringer was no match for Kyle's will.

Miscellaneous

Kyle’s favorite art style is Art Deco

He continues to work as a freelance artist and graphic designer.

Kyle can work with digital tools, but he will always prefer physical media for his artwork. It's just more satisfying for him.

He is an absolute hopeless romantic

One of his favorite video game characters is Kitagawa Yusuke from Persona 5. It’s an artist thing.

Kyle is fluent in Gaeilge, thanks to his mother's upbringing and insistence. He keeps it up out of habit more than anything else.

#kylecanon #[we'll see how this goes >w>;;;]

[mylestheblacksamurai-blog]

I Really Enjoyed the BET Black Panther Series

The Black Panther series that aired on BET in 2010 was a very fun piece of media.  I like that we, the audience, get to see so many familiar faces (such as Captain America, Wolverine, Cyclops, Storm) and some characters that we do not see very often (Nightcrawler, Juggernaut, The Black Knight).  The series is also somewhat an adaptation of T’Challa’s origin story in regards to taking up the Black Panther mantle.  The villain, Ulssyes Klaw, is much more involved in this than his counterpart in the 2018 Black Panther film.  From the start of the series to the end, he is the main culprit.  Sometimes I believe it is a good thing to have a more linear set of villains; I just do not feel like every story needs too many twists in it.  Another thing I enjoyed is that T’Challa’s intellect is shown off more in this work.  I would not say that T’Challa is not shown to be intelligent in the film, but I do feel as though he is sort of dumbed down.  In the comic books, T’Challa is portrayed as having a genius level intelligence.  He is actually one of Marvel Comics’ most intelligent characters, and the creator of this mini animated series really illustrates that.  According to the Marvel Database wiki page, “T'Challa is a polymath genius and has an eidetic (aka photographic) memory.  His knowledge of physics and engineering ranks him among the top eight intellects of the world.  He possesses accomplishments such as a PhD in physics from Oxford University.” From scenes of T’Challa giving orders to his army to another scene where he is manually re-coding Wakanda’s security system while simultaneously flying an aircraft, they really show just how intelligent he is.  I was very glad to see that Storm made an appearance in this miniseries, because not too many people are aware that Storm and Black Panther are actually quite the power couple in the comics.  My only gripe with her cameo is that I wish we got to see a little bit more of her.  One of the last things I liked about the series is that King T’Challa got his revenge in the end.  I am not a very big fan of narratives where a character has been plotting on getting their revenge for years just for it to end with that character taking some kind of moral high ground and not following through with it.  T’Challa chased down the man that killed his father and was terrorizing his kingdom, and did what need to be done for himself and his country.  I really enjoyed the BET Black Panther series.  It is a shame that the series is so short, because I would have loved to see another six or more episodes.

[kaypeace21]

Analyzing the 5 plays in this drama club poster .From the bts pics of stranger things 4.

So... some of ya’ll know I'm going through the st s4 films given to us by the official st twitter + the films reffed in the show itself or mentioned by the Duffers in interviews .

So I decided to look at the plays mentioned here. Because even if we don't see the monologues in the show directly - the Duffers wouldn't name drop anything unless it inspired them in some way. Similar to films name dropped in the show. Tw : for some dark themes .

This is just a quick little analysis I decided to do since we probably won't get any new st content today (3/22). Nothing too deep. Just mentioning things that caught my interest especially cause these plays have a lot of narrative connections to the st s4 movies I've been watching.

Invitation to a march (Authur laurents)

Reminds me of the stancy/jancy love triangle. "A young woman is having second thoughts about doing the right thing and marrying a respectable , rich, kind, young man with good prospects.By way of a prewedding diversion, this woman becomes interested in the passionate but poor and entirely unsuitable son of a local landlord.Basically, the plot concerns the efforts of Norma Brown to choose between a conventional fiance who "puts her to sleep" but is wealthy (like what her own mother did) or go for this new-poor guy. The play is principally interested in how this youthful love triangle affects the three mothers involved (whether the kids like it or not)

12th night (Shakespeare)

 - viola (el) wrongly assumes a family member (hopper) is dead. She dresses up as a man named 'cesario'. A girl named Olivia falls for 'cesario' (violet dressed as a man). "Finally, when 'Cesario' and Sebastian (violet's twin brother: assumed to have drowned - Will) appear in the presence of Olivia there is more wonder and confusion at their physical similarity. Taking Sebastian for 'Cesario', Olivia asks him to marry her, and they are secretly married in a church. Cough if Olivia is 'straight' cause she fell for Viola (as a doppleganger dressed like her twin brother).Mike being into el who multiple characters in s1 said looked like a boy and specifically like Will is...suspish and a hint he's not straight lol. just like Olivia they're both into guys . plus, this play just has a butt load of love triangles (ugh i hated that aspect). There was also romantically coded letters (which was in the s4 films) . One character is also thrown into an insane asylum and framed as 'insane'.'Pretending that Malvolio is insane, they lock him up in a dark chamber. Feste visits him to mock his insanity'. We all know the psych hospital will be narratively important- talked about it more here.

The seagull (Anton Chekhov-russian)

similar to how I believed s4 will show m*#even already broken up since the months between s3-4 : act 3 (s3) ends with Nina begging for one last chance to be with Trigorin before he leaves/moves away. They kiss and make plans to meet again in Moscow.And in act 4 there's a timeskip where it shows they've been broken up for a long time between acts- and its established they never actually loved eachother. Do i even have to spell out why this parallels the m*#even ending in s3? There is also a play within the play (this is common in a lot of the st films- they have plays- or a story within a story- which illustrate certain themes or emotions of the characters within said film : blackswan, children of paradise, highschool musical, Rushmore, book of Henry, welcome to marwen, never ending story, romancing the stone, wet hot American summer, etc).The play is Konstantin's latest attempt at creating a dense symbolist work. There is also alot of love triangles in the seagull. TW!: for se#ual ab*se/su*cidal thoughts/ inc*st (here and in other play segments). The seagull motif reminds me a lot of Jonathan's rabbit story.Konstantin romantically into Nina shows up to give her a gull that he has shot. Nina is confused and horrified . Trigorin sees the gull that Konstantin has shot and muses to Nina on how he could use it as a subject for a short story: "The plot for the short story: a young girl lives all her life on the shore of a lake. She loves the lake, like a gull, and she's happy and free, like a gull. But a man arrives by chance, and when he sees her, he destroys her, out of sheer boredom. Like this gull."  This immediately reminded me of jon's rabbit story and some of the movies on the s4 list . Like in forrest gump- Jenny (who is poor) was se*ually ab*sed as a very young girl by her father. As a child she runs away into a field-away from her alcoholic father yelling at her -there she prays that she can "be a bird so I can fly far far away" .

Jenny as an adult struggles with this unresolved trauma- being with ab*sive partners, doing dr*gs, and having su*cidal thoughts . She as an adult when contemplating su*icide, jokes 'you think i can fly like a bird ?' while looking down at a bridge.God-i'm worried about jonathan (Jenny was also a musician sort of like jon). In another s4 movie example ' mystic river ' :(in the 80s) a preteen baseball playing boy is r*ped by men in the woods. He later says he wishes he could become an undead monster to not feel the pain of that experience - cause quote " if I'm not human anymore maybe the pain will stop" (Will) . slightly off topic but he also has another personality, imagines a alternate word that dissappears when he turns his head. And as a less direct animal parallel to the play - the boy from the film also imagined his perpetrators as monsters and wolves to cope.In 'getout' the photographer character sees a dead deer in the woods and it represents a parent/his own childhood tra*ma relating to his past. similarly in 'prince of tides' the 2 siblings as kids were ra*ed by men. The older brother remembered it and the younger sibling developed DID (so didn't remember but she would draw wolves- as the perpetrators/villains in her picture stories she created . In the film they also had an ab*sive dad and were very poor. She also tried k*ling herself multiple times-but started to get better after remembering the source of her pain and trauma.  There is also the theme of multiple attempted su*cides in the play- and the play ends with yet another attempt- and the audience is left unaware of the artist's fate at the end of the play.

The tempest (Shakespeare)

Prospereo - (the perceived antagonist) is a wizard with monstrous looks, storm powers , and ability to create monster-dogs

He wants revenge on a man who tried ra*ing his family member & revenge on his other family member who wronged him years ago. I mean... pretty much my did theory.But in the end.Prospero decides to show his enemies the mercy that they did not show him twelve years earlier. He tells Ariel to bring the men to him, he will restore their sanity and then renounce magic forever.Prospero breaks the spell that the men are under .

Diary of a scoundrel (Alexander Ostrovsky-Russian)

-  I suppose this could loosely relate to Jonathan? Glumov, is a young man from an impoverished family lacking status seeking entrance into society's pampered class. A 19th-century Russian scoundrel must scheme his way out of his meager life in a small apartment -whatever it takes.He has a quick mind and some talent for seeing through the hypocrisies of people around him ( Jonathan does make a lot of social critiques about society). That gives him some advantages. A tale of one man's mission to finagle his way into upper-class society and find a cushy job. Set in 1874, this social comedy follows Glumov, a Russian youth who begins his ambitious ascent to social esteem. He progresses by wit, guile and rhetoric. Pitting one stupid person against another, he soon gains his ends. To reach these goals, Glumov will lie, flatter, and cater to the vanities of the wealthy. Unable to contain his disgust with his victims, Glumov decides to relieve his unvoiced satirical comments by recording his schemes in a diary. But he is tripped up by his uncle's wife, to whom he has made passionate love on his way to success. At the end of the play, his diary is stolen and his duplicity exposed, but he can nevertheless suceeds. The author is much more critical about the high society itself than about the main character, so the play keeps attracting generations of directors by opening possibilities for political criticism while also avoiding naming names of the current rulers.The play's aim was to overthrow bourgeois tradition and establish a class-conscious art called eccentricism giving a deliberately comic portrayal of reality.

I suppose I notice some possible commonalities-  besides s3 critiquing the wealthy/capitalism in comedic ways . jonathan since s1 has worried about his family's finances / had some resentment toward the rich . In some of the s4 movies ‘orphan’ & ‘ girl interrupted’ someone reads their diary out loud to get at them (in girl interrupted the winona character’s diary even had critiques of her new friends).  Alot of movies also have someone (usually a teen/young adult) making a documentary about their life -which could narratively replace said diary? A few movies have a poor guy adjusting to snobby rich social circles (or being poor and then getting money)- titanic, kingsmen, karate kid, the craft , godfather,  wardogs,into the spiderverse,flashdance, and many others . And movies like wardogs has a poor-young-character do shady things to finacially support his family . There’s also that whole uncle’s wife thing- which makes me uncomfortable for obvious reasons (but I’m just thinking of Lonnie’s creepy gf who was into him). A few movies had the guy’s step mom innappropriately hit on him- orange county & you got mail. And him trying to avoid her advances. Or...not to mention ... it may be a problematic coincidence /trope. But in enter the void -the guy who needs to finacially support his sibling/ does dr*gs -hooks up with his dr*g dealing friend’s married mom (who would give him money).  Or in gilbert grape- the poor teen-who has to finacially support his siblings/single mom-has his endgame relationship be a girl his own age. But before that he h*oked up with a married woman -who would give him money. Don’s plum -young film guy-propositioned by older female film director (for dream job). Not even mentioning the other films that have the guy hooking up with toxic older women (like ‘the graduate’). Or analyze this-where the therapist accuses him of having an Oedipus complex (not touching that one... but the guy in ‘enter the void’ a 100% had one). It’s possible those movies were just- inspo for s3?  A coincidence? Or s3 was foreshadowing for this in s4- but unlike s3 it will accurately be played as wrong  and a sign of Jonathan recreating past tra*ma caused by Lonnie (cough like the photos) /being desperate for money. And not played ‘comedically’ like how it mostly was in s3. But shown as self destructive  (for Jon) and immoral on the Woman’s end. Like... Billy and Jon are character foils. Both are older siblings into rock music, with ab*sive dads who shoved them into walls. Both lose it (and beat steve to a pulp when Steve accidentally triggers their daddy issues). In s3 it’s established womanizer Billy has mommy issues, than he tries ho*king up with someone his mom’s age, and the characters ref ‘back to the future ‘ and Steve incorrectly says it’s about “alex p keaton trying to bang his mom.” This could illustrate his subconscious issues with parental figures/adults cause of Lonnie’s  possible past se*ual ab*se . One film the friend even says to the guy “you don’t have friends!” guy b: i have friends! him:  no you have acquaintances! ADMIT IT! YOU’RE AFRAID OF MEN!I mean-Jonathan liked Nancy- but he initially hooked up with her cause he wanted to prove he didn’t have ‘trust issues’ from his dad. Also it’s prob a bit of a reach (and maybe a coincidence)- but the fact Murray in the same breath compares Steve (Nancy’s then bf) and Lonnie  ... uh... if you think too long about it ... it’s very sinister .  Especially because in s3: muray tells Joyce  that despite her wanting to be with a nice guy, she’s curious about “the brute” Hopper despite him reminding her of a past “bad relationship”(aka Lonnie). Like- yeah connect some dots.  Quite a few films (other than forrest gump) also have the character who (as a kid) was  r*ped by their dad/parent-  begin to do dr*gs/be pr*miscuous as adults since they never learned to properly cope with their trauma (’girl with the dragon tattoo’,  ‘black swan’, and ‘magnolia’). Unfortunately the whole relative doing such things to kid-relatives is in at least 30+ movies. 

Personally, i would be MUCH happier if Jon had a age appropriate romance- and had not a single creepy adult near him. A few movies actually imply Lonnie gets yet another ‘new model’  replacing his gf in her 20s with a new gf- who is ‘barely l*gal” and just turned 18. so there’s that possibility as well- that she’s jonathan’s age.I just want Jonathan-happy &safe. GOD. IS THAT TOO MUCH TO ASK?

#byler #byeler #will byers #mike wheeler #Jonathan byers #nancy wheeler #joyce byers #jim hopper #murray bauman #stranger things #el hopper #s4 theory #stranger things theory

[mst3kproject]

Santo and Blue Demon vs the Monsters

When I started this blog way back in ancient times, before 'ad 1 of 2' was even a twinkle in YouTube's baleful eye, I really planned to watch more Luchador movies.  When I look at my catalogue, however, I've only done three: Samson vs the Vampire Women, Curse of the Aztec Mummy, and Night of the Bloody Apes. Why is that, when I've managed to watch fourteen fucking fishman films?  Honestly, I think it's because two out of three were so abysmally bad that I subconsciously wrote off the entire genre.  Can't be having that. Time to give Mexico's favourite sport another chance.

Neurologist Dr. Bruno Hadler has died, leaving unfulfilled a promise of revenge on El Santo and Blue Demon, the wrestlers-slash-superheroes who destroyed his career.  Shortly after the scientist's funeral, his body is stolen by four zombies and a bald hunchback midget named Waldo, and taken to a secluded castle, where they use equipment straight out of a Gamera film to bring him back to life!  With his castle full of monsters and an evil clone of Blue Demon, Hadler sets out to kill not only the wrestlers, but his brother Otto and niece Gloria, who I guess their Mom always liked better or something.

If anybody wants to know, El Santo's name was Rodolfo Guzmán Huerta, and he earned that cameo in Coco. Imagine if Dwayne Johnson only ever played himself, in over fifty movies that were called things like The Rock vs the Strangler's Ghost and The Rock vs the Invaders from Mars, and also had his own line of comic books and became a cultural symbol of justice.  El Santo did all that without ever showing his face in public.  As far as I can tell only two photographs of him without the mask actually exist, one of which is from his retirement announcement and the other his actor's union card.  The guy is a legend.  Too bad his movies suck.

Santo and Blue Demon vs the Monsters is basically just a series of ass-kickings, strung together with the barest possible minimum of plot.  Before the story even starts, we get ten minutes of wrestling.  First it's some women wrestlers we don't know anything about, then it's Blue Demon (Alejandro Muñoz Moreno, almost as much of a legend as El Santo) and three other guys tossing each other around while El Santo just stands in the audience watching.  The wrestling looks like a playground fight, lacking any sort of choreography and is filmed like it's meant to be shown on the six o'clock news.  The director doesn't even try to make it interesting to someone who doesn't already follow the sport... but then, since wrestling fans are the film's explicit target audience, maybe it never occurred to him to try.

We then move on to the two luchadors discussing the death of Dr. Hadler, in which we learn that they've encountered him previously and thwarted some evil plan, and that as well as hating Santo and Blue Demon, Hadler also hates his relatives.  This is all the backstory we ever get.  Gloria asks her father why Hadler hates them so much, but gets no answer – later the mad scientist tells Otto, “you said I was crazy!” but goes into no further detail.  Whatever prior encounter Santo and Blue Demon had with Hadler, we never hear about it.  Is this supposed to be a sequel to some previous El Santo movie I haven't seen?  IMDB doesn't say and I am sure as hell not watching them all just to find out.

Because all the time that could have been spent setting up the story was wasted on guys in speedos grappling, we never get a sense of El Santo and Blue Demon being rivals in the ring but best friends outside it.  We're told about it, but that's not enough when the whole movie is supposed to revolve around this relationship.  Hadler decides to send a clone of Blue Demon to assassinate El Santo because he thinks doing so will destroy Santo emotionally as well as physically, and there is a brief discussion of Blue Demon's 'betrayal', but none of this has any impact because we have never been shown their friendship.  I suppose this is another thing that wrestling fans would already know coming into the theatre, so the film-makers figured they needn't bother.

The other reason Hadler needs a clone of Blue Demon is because the titular monsters of the film are a truly pathetic lot.  There's a mouth-breathing mummy with a visible zipper in the back of his costume.  There's a wolfman and a Frankenstein monster (amusingly, the Spanish spelling of this is apparently 'Franquestain'), both of which look like they bought costume kits at Party City.  There's the same terrible cyclops costume from The Ship of Monsters, which looks very much as if it had simply been sitting in a prop warehouse for ten years before these people dragged it out and gave it a quick coat of paint.  Hadler has an army of zombie slaves represented by guys in green makeup that doesn't even reach their hairlines.  It comes off over the course of fight scenes and sometimes the makeup people didn't bother to do the actors' arms and hands.  There's a creature with an exposed brain that hangs around the evil lab and never does anything. And then there are the vampires.

There are three of these – the main dracula-esque guy and two women in lingerie that he attacked and vampirized on the streets.  One of these attempts a seduce-and-destroy on El Santo, which he almost falls for despite the movie having established that he's dating Otto's daughter Gloria.  The male vampire is a skinny little dude in the traditional tux and cape, who astonishingly manages to turn into an even faker fake bat than the one in The Devil Bat. The fact that the vampire is easily the least threatening out of this entire monster mash makes it downright hilarious that he's the one who tries to take on El Santo in the wrestling ring.  Once he puts on his own mask, it's painfully obvious that it's a completely different actor, and the wrestling itself is once again interesting only to those who like wrestling – the rest of us are too distracted by the guy in the crowd who looks strikingly like OJ Simpson.

At least, unlike Samson vs the Vampire Women, Santo and Blue Demon vs the Monsters keeps its creatures straight, and doesn't have the vampire wrestler transform into a werewolf when he gets unmasked.

The rest of the fight scenes are actually even worse.  At least the Santo-vs-Vampire fight had some focus.  In other parts of the movie, the monsters and the Blue Demon clone just rush into a room and start brawling.  The only evidence of fight choreography is the fact that the goons are considerate enough to take turns rather than dogpiling El Santo all at once.  The camerawork is no more interesting than in the ring scenes and there's never a sense of a 'story' to the fights.  At any one moment we have no idea who's winning or why.

In between the fight scenes, a lot of what we see is just killing time. The monsters wander around and kill a few random extras for no particular reason – doing so doesn't seem to further any part of Halder's diabolical plan, they just do it because they're monsters. El Santo and Gloria go for a drive and make out a little, which is just barely entertaining because Santo is of course still wearing his mask.  In Samson vs the Vampire Women we never saw the title character outside of the context of wresting and/or superheroing... in Santo and Blue Demon vs the Monsters we get to see the luchadors being people, but they have to maintain the mystery of their identities.  Thus we get ridiculous scenes of Blue Demon hanging out backstage in a t-shirt and slacks with his mask still on.  I think we're meant to believe that even El Santo's girlfriend doesn't know his real name.

Nobody in the movie acts like this is weird, by the way, even when El Santo dines at a restaurant with his mask on.  Is this something that goes on in Mexico, Luchadors just wandering around in their masks when they don't feel like going incognito, like the exact opposite of Dolly Parton?

There appear to be two different types of Luchador movies – there are the kind like Night of the Bloody Apes that have Luchador characters, and there are the type like this that have actual Luchadors playing fictionalized versions of themselves. Neither actually have to be bad, but I'm guessing that the ones with real Luchadors are far more likely to be, because of the flaws I've discussed above.  The fact that these characters come with lore that their fans will be familiar with is a gateway wide open to lazy writing.  The need to maintain the mystique makes it difficult to present the characters as people the audience can connect with.  Luchador films are for wrestling fans, and wrestling fans only.

Honestly I would much rather have had the prequel to this movie – the one in which El Santo and Blue Demon ruin Hadler's previous evil plan, and which would explain why Hadler hates his family and how El Santo and Gloria ended up dating without him revealing his identity to her.  But if I have to have this film, I wish we'd seen more of Hadler's midget hunchback assistant, Waldo.  He's not just the Igor to Hadler's Frankenstein, he has mad science ambitions of his own.  Waldo wants to experiment on the captive Blue Demon, but Hadler won't let him, which I hoped would eventually lead to Waldo turning against his master and possibly even out-evilling him to become the Big Bad.  Sadly, it was not to be, and we barely even see him again.  I haven't spent this much time wondering where Waldo is since... well, Where's Waldo.

#mst3k #reviews #episodes that never were #el santo and blue demon vs the monsters #70s #royally lame crummy mummies #you is a warwelf

[doublekrecs]

More than Friends

Spencer Reid x Reader

Synopsis: You and Spencer have gotten closer after that night of studying, pizza, and a little more. But could there be more growing between the two of you than just sex?

Warnings: smut, oral sex (female receiving), p in v action, risky pictures, fluffy ending!

a/n: Uh oh the feelings train has arrived at the station. Nothing sad I promise. I'm glad you guys liked the first installment and I’m excited to be writing my first mini series. As alway enjoy!

Part 1

It was almost spring break, you and Spencer had been going at it like bunny rabbits since January. Speaking of which, that's what you were doing at the moment. You had helped him gain a little more confidence in himself through the ‘lessons’ which were more you both just trying new things you haven't done before and ruining every piece of furniture in your dorms. 

Ever since you taught Spencer how to properly eat you out he’s been feasting on you like his last meal. He’s taken his time to learn what you like and dislike, paying attention to what moves have you gasping and moaning little louder. You were currently spread out on the bathroom counter. Flowy sundress scrunched around your waist as he was on his knees drinking you up like water in the desert. 

One of your hands was tugging at his hair causing him to moan in your heat, bringing you more pleasure. His right hand was pumping two fingers inside you, curling to reach the spot that made you whimper. The other hand was holding your thigh open to stop it from closing around his head. Even though he’d love nothing more than to die between your legs. 

“Fuck Spence I’m so close baby,” you mewled grinding your hips on his face. His lips wrapped around your clit and fingers sped up their pace, making your orgasm wash over you. He slowed down slightly to help bring you down slowly. Feeling too sensitive you stopped his hand and pulled him up for a deep kiss. Moaning at the taste of him and yourself on his lips. 

He pulled away and you chased his slips slightly placing another quick kiss.

“Well that was one hell of a greeting,” you giggled, stepping down to fix yourself up in the mirror. 

His arms instantly wrapped around you, chin resting on your head. “Yeah well I like dessert before dinner sometimes,” he said smirking. 

You pushed him off before reaching for your makeup bag to add some finishing touches. “Well if you plan on actually going to dinner then leave me alone so I can get ready,” you said playfully scolding and pointing a mascara wand at him.

He raised his arms in surrender and turned to wait on the couch. Picking up one of the many spare books he left at your place. 

_

To say you guys had gotten close was an understatement. He had honestly turned into your best friend and you guys spent a lot more time together. There were many sleepless nights spent at each other's dorms and not just for sexy times. You stayed up learning everything about one another. Childhood memories to favorite films and biggest fears. He told you about his mom and his life growing up. Then you told him about yours, both shedding a few tears. That night as you fell asleep wrapped in each other's arms you knew it was different. 

There wasn’t much said about your growing closeness but it was mutually accepted and welcomed. Petnames grew outside of the bedroom. It was normal for you guys to slip a “babe” or “sweetheart” somewhere in conversation. Same with holding hands, Spencer had mentioned he had a thing with germs but he made an exception for you and always found comfort in holding your hand when walking down the street or being cuddled up on the couch. 

Even your professor had noticed. Besides noticing the improvement in your grade due to the study sessions you'd been having with his trusty TA, the older man would smile when he saw you guys interacting. Either when you'd first enter class with two coffees in your hand, one for Spencer which would usually have post-it on the lid with a physics fact he obviously already knew. Or when you guys would leave together, he would hold your books in one arm and hold your hand with the other. 

_

The outing for tonight was to some new restaurant that opened up downtown. He opened the door for you and walked with his hand on your lower back as the hostess led you to a table. Completely ignoring you she kept her gaze on Spencer, practically the embodiment of the heart eyes emoji. He didn't seem to notice as he kept a polite smile until she walked off to bring you some waters. 

"I wonder if she noticed you're not dining alone?" you said looking up from your menu. 

"What do you mean?" he said looking confused.

You sighed, "Spence she was practically giving you the 'fuck me' eyes in front of me."

His eyes widened at the realization before clearing his throat and leaning in to whisper, "Obviously I didn't notice they don't work as good as yours." 

He comically winked which caused you to giggle just as the hostess was returning with the waters. Spencer took your hand in his rubbing this thumb over your knuckles before saying, "I think we're ready to order. Right babe?"

That sly dog. You nodded and proceded to set your orders with a now pissed off worker, biting your cheek not to laugh at the bitter look on her face. Conversation flowed like normal after a different server brought out your meals. 

"So are you going to see your mom for spring break?" 

He perked up at the thought before diving into his last conversation with his mother. He had told her a little about your relationship and sent her a polaroid of you he took while you guys went bowling. He mentioned she was doing really well this month and it was a perfect time for him to visit. 

"She says she'd want to meet you someday," he said with a little tint of pink on his cheeks. 

"From what I’ve heard she sounds so lovely. You better tell her that I'm expecting a book full of embarrassing baby pictures."

You both laughed at the thought before Spencer asked what your plans for the break were.

"I'm uh not going anywhere. My family is a lot more focused on my older siblings since they're married and have kids to take back home and visit," you said playing with the rice on your plate.

"Well there's a few days before break starts so I say we make the most of them together before I leave," he said with a large smile. 

You nodded and carried on with dinner. Afterwards you guys went on a walk through the park across campus before picking up some ice cream and making your way back to his place. 

_

Watching a movie on the couch quickly turned into a heated makeout session. Spencer now let his hands wander freely. Slipping under your dress to rub small circles on your ribs then running down to squeeze your behind. His lips traveled to your neck as he sucked faint marks and bit the skin. You let out moans at the feeling of his lips and growing erection grinding against your warm center. 

Your hand was at the nape of his neck playing with the hair that had gotten longer giving slight tugs. He pulled away and pressed a quick kiss to your lips before sitting up on his knees. 

You got up on your elbows before asking, "What's that big brain of yours thinking of?"

"I want to try something new." 

"Alright I'm all ears Spence."

He took a deep breath before spilling what he was thinking, "Would it be weird to um take pictures.."

You looked at him confused since you were sure the flip phone he carried around didn't have the best quality. He reached for his bag and pulled out his polaroid camera before he continued, "I'm uh gonna miss you when I leave, even though it's just for a week. And you always look really pretty when we do stuff."

"I'm sure I look like a dream, all sweaty and gross," you snorted. "But thank you Spencer," you smiled, "I'm ok with it as long as they're for your eyes only."

He crossed his heart and leaned back in to kiss you before pushing down the straps of your sundress. He moved away so you could push it down your legs, leaving you braless with just a pair of back undies with a lace trim. You would have worn a better set had you known about the impromptu photoshoot. 

He took a few pictures of you with your hands on your breasts. He had you sit in his lap while he shot some with one of his hands right on your ribs. And some of you spread out on the couch giving the camera lust filled eyes. That was until you both got antsy and sped into his bedroom. The camera was placed on his bedside counter and instantly forgotten with the new mission of him grabbing a condom. You laid back on the soft pillows as you watched him pump himself to hardness and slip it on. 

He crawled on the bed and made his place between your legs. You then reached over and grabbed the camera to snap a picture of your own, "Keep going."

He aligned himself with your center and pushed in a little. The stretch always making both of you gasp. Just then he heard a *click*. Out came a tiny photograph of the place where you were both connected. Setting the camera down in its place, Spencer took it as a signal to start moving. 

He leaned down so he was resting on his elbows. The close contact had you looking deep into each other's eyes. Big brown eyes were dark, just a ring of the color you loved so much visible. Your arms were wrapped under his clawing at his back. He hissed at the feeling and started to thrust into you quicker. 

Your head fell back in pleasure as your moans got louder. He was buried into the crook of your neck, you could hear and feel his heavy breathing on your shoulder. Your arms untangled from behind him as you placed your hands on his face to bring his lips to yours. It was deep and rough but there was a hint of something more there. Need? Passion?

You pulled away for air but stayed close enough that you shared the same breath. He didn't let up on his pace. You could feel every inch inside of you hitting spots you'd never felt before. He could feel your walls clenching around him signaling your incoming release. 

"I'm not gonna last much longer Y/n. I need you to cum for me sweetheart." His hand went down to rub quick circles on your clit. 

"Ah Spence I'm cumming," you gasped out connecting your lips together. 

His thrusts started faltering and you felt him spill into the condom. You disconnected from the kiss as he fell on the bed next to you. He went to discard the condom and came back to wrap you in his arms. 

Your head was resting on his chest as you traced little shapes with your fingers. You both shared the comfortable silence before he spoke up. 

"Hey I was thinking, what if you came with me to Vegas," his hand was rubbing comforting circles on your back but you stopped with your shapes. 

"I.. Spencer are you sure?", you asked sitting up to look at him. 

"Yeah why not. I don't want to leave you here alone. But maybe I can introduce you to my mom," he cleared his throat, "as my girlfriend."

You sat there in a little shock and he started to ramble, "Or maybe not. It was a dumb idea. Just ignore what I said-"

You cut him off by wrapping your arms around his neck and pulling him into a huge kiss. "I'd love to go! And I'd love nothing more than to be your girlfriend, genius."

You both laid back down but he quickly grabbed the camera and turned it around to face the two of you. You pressed your lips to his cheek and he put on a bright smile for the camera to capture. The little piece of film came out and you both looked like you were glowing, with more than just the fuzzy feeling after sex.

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@addie5264​

#spencer reid x reader #spencer reid smut #spencer reid headcanon #spencer reid hc #mgg x reader #mgg smut #spencer reid fic #spencer reid fanfiction #criminal minds #criminal minds smut #matthew gray gubler x reader #matthew gray gubler smut #🧞‍♀️writes

[traincat]

if you dont mind i would love to hear your thoughts on how and why peter seems to be more fulfilled by lower paying jobs (i.e photography, teaching) rather than by high paying jobs in STEM

(Sorry for the wait, anon! I did get this first ask, as you can see, it’s just that sometimes I tend to hoard asks that I want to give long in-depth answers to and then they get buried.)

So I think to best answer this the first thing we have to do is look at Peter’s 616 employment history -- what jobs he’s had when and for approximately how long. So here we have a more or less definitive list -- I may have skipped over a few minor jobs that aren’t important in the long run of the character history, but for the most part this is accurate. For the sake of brevity I am not going to count things he’s done as Spider-Man that have earned him money, like a brief bodyguard stint or his occasional time with the Avengers, because this is really more about his identity as Peter Parker and how his civilian employment plays into his life as Spider-Man than about his life as Spider-Man.

Works for the Daily Bugle on and off, through a variety of positions from part time to salaried, from the age of 15 onwards. Primarily a photographer. How good of a photographer Peter actually is varies from writer to writer, but he remains unmatched in his ability to get certain shots ranging from ones of Spider-Man (duh) to particularly high risk environments (different duh). He also briefly worked for rival newspaper the Daily Globe, the Bugle’s main competitor. His position as a full time newspaper photographer is his most well known (and most consistent) job.

A TA in grad school at Empire State University. At this point in time he labeled himself as having “the wrong temperament” for teaching -- and I would personally say I think his stints teaching college are much less engaging than high school.

Published author. His book, Webs, a collection of his Spider-Man photography, was a major bestseller that sent him on a book tour around the country. I hesitated sticking this on here because it’s very tied into his work with the Bugle -- and he was still working for the Bugle when the book was published -- but I figured it was worth including for the novelty of the fact that Peter’s technically a best selling author/artist.

Peter worked as a scientist at Galannan Alternative Research for Immunization Development (GARID) in Portland after his clone Ben Reilly took over the identity of Spider-Man. Although often overlooked in discussions of Peter’s job history, I think his stint at GARID is important in part because it illustrates how much of Peter’s time being Spider-Man took up and how a job with flexible hours was necessary for that balancing act. When he was working at GARID, Peter wasn’t Spider-Man, so it wasn’t difficult for him to keep a position at a laboratory. 

I mean granted the GARID job didn’t last long and there was sort of a whole big mutated monster case going on with it but you know. Anyway he pretty quickly moved back to New York and started working for the Bugle again.

Peter’s next major job at a lab comes in another period where he’s supposed to have quit being Spider-Man. (Which he did, very temporarily, and then he very much didn’t. Anyway, you’re seeing the pattern here.) He briefly worked at Tricorp, a private brain trust. This is a really short-lived position, even as Peter’s science gigs go, because -- Spider-Man.

At this point things get dicey employment-wise as Peter heads into a weird period of canon where Mary Jane was presumed dead. She wasn’t! But everyone thought she was. It was weird. When MJ came back (and promptly left for LA, not that I blame her), Peter exited this period of limbo by becoming a science teacher at his old school, Midtown High. This is the main career, beside news photography, that I think he really shines in.

Civil War/One More Day/Brand New Day hit and completely tank the direction of Spider-Man history. Peter’s marriage is erased by the devil and also he’s not a high school teacher anymore, for some reason, even though nobody remembers he’s Spider-Man anymore which is the reason he initially lost the Midtown High job. Make it make sense. Anyway, in Marvel’s desperate scramble to take Spider-Man back to the unmarried basics, as if they even got new readers that way, Peter returned to photography. When Dexter Bennett bought the Bugle out from under JJJ while JJJ was sick, Peter began working for the newly minted “DB” as a tabloid photographer. It wasn’t great.

He also briefly at some point in here worked at a comic book store for like five minutes. Mostly he complained about people who read comic books and made jokes about how he doesn’t get along with the X-Men. 

Under Slott’s run, Peter began working at Horizon Labs. Slott had a pretty major problem with Peter’s genius not being “recognized enough” and constantly had him inventing new things, showing off, etc. 

Horizon Lab became Parker Industries under Otto Octavius when he bodyjacked Peter during Superior Spider-Man and made himself CEO. When Peter got his body back, he was still CEO. It was bad but Peter did tank the company on purpose so that Otto and also nazis couldn’t get their hands on it, which was sort of fun. 

Peter went back to work for the Bugle, but as their science editor, because Slott was still in charge and there was some weird commentary about photography not being an adult job. Which I think is pretty weird in a medium that’s very dependent on visual art. But okay.

Then Peter got fired because he was busted for plagiarism of Otto Octavius’ work... that Otto did himself... while he was in Peter’s body... and Peter couldn’t reveal this because then he’d have to explain... and maybe I hate comics. 

In MC2 he becomes a forensic scientist! I really like this for him actually. I think it combines his interests and experiences in a very thoughtful way. But I do want to note it’s after a Spider-Man career ending injury, so again there’s not a real conflict there between his work as Spider-Man and a career.

Peter I think is an especially interesting case in how his character ties into his employment history because one of the first things he does in his story is figure out how to make money, and he does this because the Parkers don’t have any. If Ben and May were comfortable -- even comfortable enough that their teenaged nephew was unaware of financial pressures -- Spider-Man’s story would be completely different. But Peter immediately feels he pressure to use his new powers to earn money, at first with brute strength. And what he says he’s going to do with his earnings is that he’s going to take care of Ben and May:

(Amazing Fantasy #15) So the concept of Peter as someone who is very aware of financial pressure and who is pretty explicitly linking money to support is present from the absolute beginning. But at the same time, there’s a kind of selfishness presented in him here -- he’s only going to take care of Ben and May. They’re the only ones he cares about here, because as he’s stated they’re the only ones who have ever “been kind” to him. Peter at the beginning of his story is very rooted in his anger and his bitterness, and it takes him losing Uncle Ben -- because it wasn’t Peter’s “job” to stop the burglar -- to get him to the point where he starts to be able to see beyond that.

Ben’s death also heightens the Parker’s financial pressures -- Ben is the primary earner in the household. (Aunt May in the original context of the early 1960s was most likely a homemaker, and as an older woman especially she wouldn’t be expected to have a job. But even moving the timescale up to a point where she would be expected as a woman to hold down a job, it’s important to note that early in Spider-Man canon Aunt May is depicted as being in very poor physical health.) While it’s not clear in the initial Spider-Man stories what Ben did, it’s clear that with his death whatever income the Parkers had coming in abruptly stops:

(ASM #1) This sets in concrete one of the central conflicts Peter and May have -- both of them lie to protect the other. Peter feigns being an ordinary boy in order to protect May from the stress of his secret life as Spider-Man, worried that she wouldn’t be strong enough to handle the danger he regularly puts himself in. But this is a learned behavior, and here we see that he most likely learned it from May: she doesn’t want him to worry about the very deep financial troubles they’re obviously in, so she pawns her jewelry, and she stresses to him the importance of his education. Again I have to note that there are some pretty significant social differences between the 1960s and today in regards to this story -- Betty Brant, for example, notes that she had to drop out of school and become a secretary because of her own family’s financial problems, something she’s ashamed of. So early Spider-Man is very rooted in money, class, education, and how those things intersect. I think it should be noted that the only early Spider-Man characters who are financially well-off are Liz, Gwen, and Harry. (We don’t know anything about Flash’s financial situation in early Spider-Man comics but retroactively we know his family situation is not well-off.) In high school, Liz’s father is a bigshot who owns a dining club, but later on the Allans experience financial hardship with Liz quite literally being on the streets when Peter reunites with her when he’s in college. Harry’s father is a rich businessman, but from the beginning he’s depicted as emotionally negligent, caring more about money than spending time with his son:

(ASM #40) “After all... I had a business to care of! Money was the most important thing of all! I had to get rich! I needed wealth... for that was the key to power!” So right away you have this link between wealth, corruption, and negligence. Norman’s pursuit of wealth is his given reason for his neglect of Harry. Later on we’d learn that Norman’s father was also abusive and that that abuse formed Norman’s ideas about power and wealth. (Spider-Man! It’s about cycles of abuse!) There’s a very contrast between Norman’s attitudes here and the Parkers loving (but poor) household. Gwen is the only exception here -- she and her father are depicted as comfortable, most likely edging into wealthy, although on nowhere the level the Osborns have been elevated to. But compared to Peter, Flash, and Mary Jane especially -- all from poor households, with MJ and Flash’s fathers both being abusive -- Gwen’s home situation is the picture of stability, both in terms of economic status and in terms of her loving and very present father.

My goal in outlining all of this isn’t to say that Spider-Man’s message is definitively “money is bad” because I don’t think it is. I think as a series Spider-Man is very aware of the comfort that money can provide. But I think there is a frequent message about excess in Spider-Man -- excess power, excess wealth. As Norman says above, in his eyes, money is the key to power. With great power, comes great responsibility. In Norman hoarding and abusing his wealth, he abuses his power. If he provides for Harry, it is solely through money -- there is no love or devotion in Norman’s money-focused world. And I think that’s important when you look at where Peter starts in his story, before Uncle Ben’s death. He’s going to use his powers to make a lot of money and he’s going to provide for Ben and May but he’s not going to care about the world outside of that. I think one of the interesting things about Peter -- and this is where Slott’s run especially fails the character -- is that he’s not interesting in getting rich. He’d like to be comfortable, for sure -- he’d like to have enough money to not have worry about it, to not have the need to hustle impede what he can do as Spider-Man, to be able to take care of his family. (And there’s some machismo stuff linked in here for him too -- in the early days of their marriage the fact that Mary Jane earns much more than him is something he struggles with.) But he doesn’t care about being rich. He doesn’t care about the money; he cares about the support that the money would bring. 

That feels like a simple statement but I think it’s actually a really big distinction, especially when you’re analyzing a character. And I think it’s because Peter understands that value that it makes him so empathetic to others who have financial struggles. One of my favorite short self-contained Spider-Man stories is called Windfall, from Marvel Fanfare #42, where a mixup with a check embroils Peter in the personal affairs of a bank teller, a young single mother who is fired from her job ultimately because she refused the advances of her boss. Peter gets her her job back -- through blackmailing the boss for his other sexual affairs, which some people might think is immoral of him, but I think really speaks to Peter’s understanding of how the greater world works, and what he’s prepared to do to get bigger justice. But more importantly he uses his own money to pay the young woman’s rent, and he does it in a way where she never even knows it’s him. Because he understands her situation, the way someone who had grown up comfortable never could. And that understanding I think puts him a place where it’s more important for him to both keep that understanding and maintain that ability to act relatively freely, in the way that bigger, more prestigious positions in scientific fields might restrict him. There’s a reason he keeps getting fired from these scientific positions and it’s not that he can’t get them, because we can see from his employment history very clearly that he can. It’s because the freedom to act as Spider-Man and what he can do as Spider-Man is ultimately more important to him.

And while high school teacher is my number one favorite profession Peter has ever had, I think that his position as a newspaper photographer is also very important to the character’s history, in part because the Bugle is such a big part of his life and the connections he’s made but also because the Daily Bugle itself is important. I think it’s interesting to note that two of the biggest superheroes of all time from both of the big companies -- Spider-Man from Marvel and Superman from DC -- have had long running journalism jobs, Peter as a photographer and Clark as a reporter. I don’t think I really have to go into a whole thing about how good journalists are so important and why it matters that we have these incredibly famous mythic figures that are positioned in the roll of journalists specifically. But I do think it is important to Peter that he’s put in that position as someone who cares about uncovering the truth. So ultimately I think what I mean when I say Peter is more fulfilled by his jobs as a photojournalist and as a high school teacher than by his comparatively more high paying stints working as a scientist in a lab is that Peter gets the most fulfillment out of careers where he can actively see, day by day, that what he’s doing is helping people, and that it’s a very direct line from him to the people he’s helping. His efforts can’t be twisted, they can’t be used for other purposes the way they can within a larger organization. He has a line of control in what he can do to help other people. It’s like how Spider-Man functions best as a street level hero: what he does best is saving and helping individual people, on a case by case basis. And you can turn around and demonstrate that in his civilian life best in jobs where he gets to directly interact with people. And ultimately to Peter making that difference is more important than a better salary.

(Marvel Knights Spider-Man #9)

#peter parker #marvel comics #traincat talks comics #long post/

[thekidultlife]

100 Things I Learned About Love | Vernon!Android AU

Pairing: Hansol Vernon Chwe x female!reader

Genre: SCI FI!! Action, Romance, Angst(?)

Word Count: 22.2k (yes another giant fic)

Warnings: A bit of death and gore

A/N: Well, I’m gonna say sorry first to the anon who requested a vernon android au when we were just starting this blog (like three yrs ago) and I only managed to finish it now;; 

So this fic is a continuation (and is in the same universe) of the Jihoon Android AU The Coldest Human; The Warmest Robot. It is primarly inspired by the book “Do Androids Dream of Electric Sheep?” by Philip K. Dick and the anime “Beatless”. This one here has also elements from Huxley’s “A Brand New World” (because I just love reading dystopian novels for some reason). I kind of mashed everything together to create the world! 

This will be the 2nd part of a four part series! Next would be Soonyoung’s story and then finally Joshua’s! This series kind of explores the whole world I created for it. Jihoon’s story introduced the whole world and the relationship between android and creator, while Hansol’s story explores the world of bounty hunters! I still haven’t decided fully with what to do with the rest but I hope you enjoy this one!!

Tag List: @haotheheckk, @smthingabtlove!! (because they asked to skskks)

If mornings had any color, it would be a disgusting green. Afternoons, electric orange. Midnights, as dark as crude oil. Cities were built upon lines of flickering yellow, as streets were colored with the void of space; dark, desolate, and meaningless.

Society is tinted with the same shades of emptiness. Dressed in uniform white body suits—hair covered entirely as it was deemed unhygienic—only the face bore the resemblance of the classic human being, as if it was a mask. Serene smiles and polite gestures were exchanged almost to a hundred times; laughter was hollow and chemically induced, as with tears and frowns. Frivolity and superficiality were the main trends. 

As what they appear to be, is what they are actually are.

Welcome to the West Martian colony!

“Here ya go. The case’s now yours, doll,” your boss tossed a folder filled with papers on the polyester table. “Choi quit a few days ago after retiring Woozi.”

Your head perked up immediately as soon as you heard the news; disbelief painted on your face.

“What? Why?” you asked, standing up with mouth agape. He was one of your idols, your role models; the reason why you went into this line of work.

“He’s not talkin’, doll. Sadly. Told me it’s personal. But can’t blame him really, this business is gettin’ old.”

Your boss with his thinning hair and scotch-tapped broken glasses, sipped from a coffee stained mug; seemingly too overused for years of constant coffee drinking.

Yet you loved this place—this pseudo-police department home to bounty hunters of West Mars, with its crumbling brittle plastic window blinds and its moldy paper odor—all a different world than that of the city around it. You loved how it was like something straight from an Earth comic book; classic, rustic, and homey; a sheer contrast to the minimalist style of the new century.

“So what do we have here? Some andy from the Orion branch?”

A finger flipped through the factsheet with brows raised and lips in a tiny pout as you scanned the information laid before you. There were several official photographs of the unit after it was made, but none were security cam shots.

“So, from the organization…SVT-class Type-12 Vernon. The name’s too Western.”

Your boss shrugged. “The org’s just pastin’ names on their andys like butter on bread, dolly.”

“Guess so. But this Vernon just looks someone my age,” you remarked, munching on the biscotti within your arm’s reach.

“It’s an andy, YN. A hundred years, and it’ll still look the same. Now off ya go, better start retiring ‘em or you’re gonna get retired first.”

Sighing, you stood up and brushed the crumbs off your skinny jeans. Bending over, you picked up your briefcase filled with a laser gun and a V-T scale equipment as you bid your boss a short goodbye.

In reality, you didn’t want to leave the home base.

One particular reason was that you’d be taking the hovercraft and start cruising around the godforsaken city, not that it believes in any god for as long as you could account for. The city was an abomination, a stubborn mulish creation born out of rejection of the old, ancient ways—ways that had led to the destruction of the Earth, ways you still hold on to despite migrating to Mars. Despite being physically present, and even born in the red planet, you knew your heart was still back on Earth. You were proud to be to be human, with ancestry from the noble home planet, and everything which diminishes humanity is your enemy.

—you paused.

Lips parted, eyes transfixed.

A thousand snowflakes suspended on the air as if you were in a colony-sized snow globe. You continued to wonder, because you had never before seen snow in its truest, purest form, and everything you knew about them was from data gathered on Earth.

You removed your glove to touch one floating. It was cold, you shivered. However, it did not melt as you expected it to be as it only glistened against the dark backdrop of the city night like holographic particles.

“What the—!”

As if deliberately cutting you off, the hovercraft swiveled across the air, its power flickering on and off until it was unable to balance itself, swerving up and down across the night sky. You held on to the metal rails, as the turbulence brought you to your knees, the alarm systems of the vehicle blaring on your ears.

“Fucking hell…!” You cursed, grabbing your laser gun as the vehicle plunged you towards the empty streets of the city. Fortunately enough, you were trained to encounter these sorts of problems and thus, you were able to jump towards the nearest rooftop before the hovercraft exploded upon impact to the asphalt road.

Sighing, you watched the flames burn plastic and metal as if you couldn’t believe what you had just experienced. Well, of course it was unbelievable. So far, the only adventure you had experienced in your whole life was your day-to-day job of ‘retiring’ andys, which could get a bit messy but those were on balmier days. Normally, it wouldn’t get pass you to laser a hole on an andy’s head, but if you’re doing it like ten to twenty times a week, it could get boring.

Bam—!!

Your thoughts were placed in a halt as several other hovercrafts continued to fall from the sky like shooting stars, except that people could get killed. But havoc proceeded as it did, where lines of self-driving cars suddenly powered on and chased after human beings who had heard the crash and checked what had happened.

“What the fuck is happening?” you whispered, eyes peering on the alley beneath you. Hopping on several rooftops and sliding down the gutter towards the ground, you cautiously approached the main road, seeing if there was anyone who was in trouble. Luckily, there wasn’t anyone loitering around at this hour anymore.

You checked your intercom for any news or announcements from your home base or from the AI government, yet there was none. As it were, your intercom was actually having trouble projecting a hologram or following any of your commands seemingly halfway hacked.

“Dammit, I couldn’t get hold of HQ,” you grumbled, running towards a nearby police android to alert its human command center. “Hey, could you get in touch with your district station? It’s getting chaotic here.”

Yet the android only stared at you, its eyes blank as if you were a mere holographic image. The artificial smile on its face, which was made to comfort humans interacting with it, seemed more sinister than welcoming. The prolonged silence causing your heart to thump in anxiety.

“Hey? You heard me? Tell the—”

“Hi there. I’m Akiro. What can I do to help you?” It’s human voice making shivers crawl down your skin.

“I said, alert the district station! Haven’t you detected the level of violence—”

“Hi there. I’m Akiro. What can I—Hi there. I’m Akiro—Akiro—Hi—Hi there. H-H-H-Hi-i-i-i—”

The malfunction was obvious in its speech. It wasn’t unusual for an android to malfunction but when it began moving closer and closer to you, you took a step back, dread treading on your spine. Androids made you uneasy as humans once felt ill at ease with clowns—its artificial expressions making its lack of a soul even more prominent, triggering your fight or flight response.

It continued to move towards you until a snowflake dropped on its head, stopping as if it was suddenly glued to the ground. You hesitantly walked closer to it, inspecting its dead eyes to see if it had returned to normal. Raising an arm, you reached for its control box hidden behind its neck.

It grabbed your wrist, without warning. You gasped and began struggling to release yourself from its vice grip, yet you knew how strong androids were.

“Fuck it!”

“Hi there—Hi—I’m A-A-A-Aki-Akiro,” the android continued talking as if its movements were controlled by a remote system.

You moved to reach for your laser gun at your back pocket but the android was swift enough to twist your arm in a lock on your back. It pushed you to the ground as you grit your teeth at the scrapes on your knees and elbows, but you couldn’t break free.

“What can I do to help you?”

You groaned. “Maybe letting go of my fucking arm?”

Gathering your wits, you pushed yourself off the ground, rolling sideways and then kicking the android who was thrown off-balance with your two feet. As it fell to the ground, you grabbed your laser gun and without hesitation, pulled the trigger to blast off its processor.

As the headless android dropped to the asphalt, you sighed in relief as the adrenaline continued to pump into your veins, breathing heavily from all the action. You didn’t understand why the android was behaving out of its initial program and attacking you, a human, who it was supposed to protect.

While you were resting, the glaring headlights of a self-driving car were flashed towards your direction.

Disoriented, you froze to the ground as you tried to make do of your situation and surroundings. However, just like the android, the car sped right towards you in its maximum speed, as if it was trying to kill you. As soon as you heard its tires screech, you willed yourself to move away as the car missed you in just a few centimeters—throwing you to the ground and slammed itself towards the nearby wall.

Without even letting you take a breath, an arm was encircled around your neck, making you unable to breathe; its grip tightening gradually. Two other androids—one a police android, the other a personal helper—faced you with their blank stares as if they were zombies ordered to kill any human on sight.

The helper android had your laser gun on its possession as it slowly aimed it on your head. Panic rose as you tried to remove the arm locking you in place. Mentally, you were cursing at how you had underestimated the situation and let yourself die under the hands of goddamn androids.

Silently, the android pulled the trigger and you braced yourself for impact.

Except it didn’t come.

Your eyes were forced open when you heard the sound of metal dropping to the ground. What you saw had your eyes widen in astonishment as another small disk stuck itself on the police android’s head and split it into individual pieces. In a few seconds, you were dropped onto the ground, choking on your knees as the pieces of the android holding you fell into heaps next to you.

“Are you okay?”

A warm voice asked as a hand was offered to you. You looked up to see doe-like eyes gazing at you with a curious but a worried expression. His slightly curly caramel colored locks fell to his forehead softly as if it were made of the finest materials.

You nodded silently, still stunned by everything happening around you.

When you didn’t take his hand, the mysterious man carried you on his back as he walked you away from the site. While you were being carried, you noticed how he was ‘destroying’ the approaching rogue androids with a disc-like device which would stick on their skin and eventually ‘disassembling’ them to several parts.

“W-who are you…?” you finally asked, your voice returning despite still being painful.

Grabbing another disk from his pocket, the guy hurled it towards an incoming self-driving car which had it stopping, its parts detaching themselves automatically.

“I’m called Hansol. The snowflakes are nanobots which hacks the AI in androids and cars and drives them into killing humans. Unfortunately, I don’t have the capabilities to stop it,” he replied, his voice kind of removed, which had you wondering if he was an android or not. “Though I think Jihoon can.”

“Then…this…this will all continue?” you asked unbelievingly. You didn’t want it to continue, of course. More people would die and you still weren’t sure to what extent the casualties are because of this sudden outbreak.

“The snowflakes will lose its power when its controller is far away. So far, Joshua is already gone from this area.”

“Joshua? An android?”

“Yeah. SVT-class Type-03 Joshua. We came here together, and I tried to convince him out of it, but he wants to test out his abilities.”

Having enough evidence, you pushed yourself away from Hansol and landed safely on the ground with an abhorrent look on your face.

Aiming your laser gun at him, you shouted. “You’re an android too, aren’t you?”

Hansol simply gazed at you with his piercing eyes—tempting you to retract your accusation.

“Yes, I am. SVT-class Type-12 Vernon,” he replied, then looking down on the ground as he scratched his nape. “I like the name Hansol better though, so I want to be called Hansol from now on.”

You grinned. Your prey presented itself right in front of you without you giving an ounce of an effort.

“I’m supposed to retire you, you know?” you remarked, still aiming the gun at him. “And I will.”

Hansol stared at you with a frown on his lips, obviously disliking the fact that he was about to ‘die’ tonight. In fact, he didn’t want to die. He had a lot of things he wanted to do, so many questions yet unanswered.

“I’m…I…I don’t know how to plead. The data is incomplete in the cloud, but, um…don’t shoot me…please,” Hansol replied as he raised his arms.

You were obviously taken aback by his plea. You couldn’t count how many androids begged for their lives because there were none. He was the first one who ever did it.

Shaking thoughts of doubt, you tried to reason with yourself.

Androids don’t plead. They escape. Kill.

The most efficient way out is what they do.

“How am I supposed to believe you?” you shouted back; your finger threatening to press on the trigger. “You might be using analog hack for all I know.”

He scratched his nape again, unable to give an appropriate answer. “Well…I guess I could only ask you to trust me.”

You laughed sarcastically. You have never seen an android use deception so badly.

“If that’s too much to ask, then I guess this is it,” he continued, looking at you again straight into the eyes with his evocative gaze.

You just couldn’t believe what you were hearing. For all the years you spent hunting androids, never had you encountered one who had basically given up without any chase or struggle, especially from one who had every capability to squash you like an ant. You couldn’t help the itch to ask.

“Why? Why give up?”

Hansol shrugged, his gaze on the yellow lines outlining the faraway city buildings. “If I fight back, I will hurt you. I don’t want to hurt you.”

You gazed right into his eyes for a moment, trying to gauge the truth in his words, trying to calculate if he was using analog hack against your weakness as a human being. You dislike androids but never had you seen one like him.

“How should I know that?” you shouted again; laser gun still aimed at him. “Using tricks like reverse psychology…I’ll give you an A+ for creativity.”

“I’m not lying,” the android instantly replied. “If you have to kill me, then there is nothing I could do. I made a vow to myself never to hurt humans because that’s the right thing to do. I don’t want to see anyone suffer because of what I did. For some reason, it pains me as well.”

If only you could see how wide your eyes were, or how your lips parted in disbelief the moment you heard him. It almost gave you goosebumps. The air that hung underneath his every word felt so real and heavy that you would have never thought it was uttered by a mere android.

Androids and morality? Fucking hell…who would’ve thought you’d string those words together in the same sentence.

He was more human than most people living in the city. An android—known for their lack of soul; born only to be enslaved by their own programming; without their own thoughts, their own convictions.

But here is one in front of you, willing to die for his own principles; saying it pains him to see you hurt. That is not what androids do. Not in a million years.

What the hell is he then?

You threw your arms up in the air and tucked the laser gun in its holster as you made one big, ugly groan.

“Oh fine! Fuck it! I give up!”

Whether or not he will run away or he will kill you, you didn’t care anymore. It was a risk. You blame your biological flaw to see human traits in objects if he ever did harm you, but whatever, you decided to trust him.

With a small smile and a tiny huff, Hansol walked towards you slowly.

Heart hammering against your chest, you were deathly afraid that he might twist your neck or blast a hole through your chest. You couldn’t be so sure with these androids.

As soon as he had reached you, Hansol placed a hand on top of your head; your eyes squeezed tightly shut as if trying to brace for something bad coming. Yet as soon as you felt his hand, you opened your eyes and gave him a quizzical look.

He only smiled.

“Thank you for trusting me.”

The following morning was the same as ever. Except, not.

“—last night which appears to be a massive AI hack on neighboring Sectors 3, 4 and 7—“

With eyes heavy and a cup of coffee, you pressed another button.

“—71 people dead and more than a thousand injured, hospitals are in full capacity as of the moment—“

Another press of a button.

“—and take a deep breath. Happiness is found within Mercer as we continue to ascend up on the hill—“

“What a load of crap,” you muttered, turning to another channel. It was still six in the morning and you were already in a painfully awful mood. It could’ve been easily fixed with a Penfield Mood Organ but that was another can of shit you’d rather not touch with a ten-foot pole.

“—Mrs. Kim?”

You hadn’t caught on with what the news anchor was asking Mrs. Kim, but you could already take a gander that it was definitely about last night.

“My husband…He was just…he was truly a hero,” Mrs. Kim answered, wrecked by staggered sobs and sniffling of noses. You continued to watch, wondering what had happened to Mr. Kim—crushed by a car? Ran down by a flaming rogue hovercraft? Murdered by an andy?

“Your husband a hero, Mrs. Kim?” The interviewer repeated, coaxing the other for details. You waited for the dramatic reply after Mrs. Kim had settled herself down from the crying fit she was having.

“Yes…someone was stealing our ducks last night—“

You paused.

“During the whole chaos?”

“Yes, sir,” she sniffed and you rolled your eyes. “He—he tried protecting them yet they murdered him! Those bunch of foul-hearted bastards! Our ducks! Our Muscovy ducks…they were fifty grand a piece—“

You switched the TV off, now more tired and irritated than you were when you had turned it on about an hour ago. If you were asked to name one trend which just tasted like shit to you, that would probably be the current craze over owning animals. The whole Mercerism thing was only running second to that.

“I, uh…made some pancakes,” a foreign but familiar voice interrupted your thoughts, making you turn your head towards the doorway. With your eyes set upon Vernon, or Hansol, as he liked to be called, you instantly recalled what had happened last night.

You wondered if your brain disappeared that time or your common sense simply deteriorated because there was no way you would let a half-a-million-dollar bounty money just run free. Not to mention that he has all the capabilities to decapitate you in a millisecond.

Inwardly groaning, you gave him a small glance as he waited for your response with sheer curiosity. At least he followed you to your apartment and now you have a free housekeeper.

But that was last night, this was today. You can certainly do something about it, but you weren’t really in the mood for it. A headache was threatening to split your brain into half and racking your brain about the moralities and the whys of your decision last night wouldn’t really help anyone.

“Oh, right, right,” you replied absentmindedly, removing yourself from the cover of your flannel blanket and walked towards the dining room of the small apartment your meager earnings could afford.

It was a simple place. White walls, dirty carpet, and a worn-out sofa which had seen better days. Kitchen was slightly okay—the once white tiles now yellowed with age; the grout covered in black mold of unknown origin. The view was horrendous; covered up by dark globs of factory shadows and the ever-present rumbling of the monorail as it passes by.

Being a bounty hunter wasn’t exactly a glamorous job. It wasn’t like you were the police, who, as a matter of fact, are now mostly made up of androids. A bounty hunter does the nitty-gritty jobs the police wouldn’t do; such as hunting androids. Yet you liked this job. Even if it was stupidly exhausting.

Settling on your chair, you gazed at the expertly done pancakes and bacon, sending wonderful scents of home to your senses. You wondered why you had never thought of getting a helper android for yourself with how convenient they are, yet considering the fact that one helper was an inch away of killing you last night, it was better that you hadn’t.

“I hope you like them,” Hansol said, placing a bottle of maple syrup on the table. “I searched the cloud and it says you liked pancakes and bacon.”

Awkwardly, you nodded at him and then looked down on the piping hot breakfast on your table. You continued to gaze at it, the burnt patterns on the pancake beginning to take form of an image in your head, and then back at Hansol who was just standing at the side.

“You don’t like it?” he asked, as soon as he noticed the blank look on your face, curious if the cloud made some mistake.

“N-no! It’s…it’s fine,” you replied, waving your hands to and fro. “I just, um…are you just going to stand there?”

Hansol raised his brows at your question, his doe eyes widening just a bit. “Ah, me? Yeah. Isn’t this the right way?”

“The right way?” you asked, your forehead creasing.

“Yeah, the right way. I’m an android so I can’t sit with you. I heard from the cloud.”

“Why not?”

Hansol shrugged, the kitchen towel in his hands hanging. “Heard it’s inappropriate according to human table etiquette. Besides I don’t need to eat and I don’t really get tired.”

Sighing, you rolled your eyes at his response. “Human standards, what a load of bull. You just standing there makes me uncomfortable. So, you either sit down or you scram.”

You could tell that he was definitely taken aback, and began wavering if he should follow you or not. In the end, Hansol was forced down on the chair in front of you with a nervous look, awkward in his seat as you continued to stare at him.

Finally acknowledging that everything was alright, you began to drip maple syrup on your pancakes. The android was only watching you and your actions—very typical android behavior; gathering data from its surroundings.

“So, you’re Hansol?” you began, slicing through the three-tiered pancake tower with a knife.

“Yeah. Vernon is my model name, but I want to go by my own name.”

You raised your brows at him, biting into a forkful of food. “Cool. You picked that name on your own?”

“Yeah. It was the name of a musician I liked, so I took it.”

“Oh,” was the only thing you could say, because deep inside your head, you were already in a state of confusion.

For all the years working as a bounty hunter, this was the first time you’ve ever seen an android want to name himself after a musician he liked. Hell, this was your first time seeing an android have preferences. Usually, they would reflect the preferences of the human being they were talking to, but you haven’t even said anything about yourself to him other than your name.

No. He probably accessed the cloud or something. Androids of his caliber usually have better access to the place data miners dump people’s personal information.

Is this how advanced the Nexus 9 really is? If so, this could potentially cause a stir among bounty hunters. If they can’t identify their prey, things could potentially end up disastrous.

“You do know I’m assigned to retire you? Or kill you, to be exact. Not sure why we’re still using euphemism towards damn machines but whatever,” you pushed on, curious of how he would respond, thinking if there was anything more to the Nexus 9.

“Yeah, you told me last night,” he replied immediately and at the most flippant way; as if he wasn’t talking about being killed by the person in front of him.

“And…you’re not worried?” you asked, eyeing him up and wondering what was currently running in his processor. “I could just whip out my laser gun and fire a hole through your head while I eat this pancake, you know?”

Hansol leaned his head to the side, looking as if he was trying to process an answer to your question.

“I’m not worried. I mean, if you wanted me dead, you would’ve done it already,” he replied, as a matter-of-fact.

“What if I’m just too lazy to do it today? I could do it any other day I want, any time I want, and the thing is, you robots can’t even predict it with your fancy algorithms,” you smirked at him, your prejudice against androids showing through.

Yet even with your provocations, Hansol remained calm.

“It doesn’t matter. The fact that you haven’t done it yet means a lot to me. That’s why I trust you.”

At his answer, you simply frowned; unamused that he rebutted you with a good response and by the time he replied, you had already ran out of rocks to throw at him. So, in the end, you simply scoffed and finished your pancake, leaving him by the dining table with an irate glare.

Hansol watched your retreating back as he began to clean up the mess on the table. He was truly being honest with his words—he trusted you, and if he dies at your hands, well, that was it. Even though he didn’t really want to think of that possibility.

It was strange that the thought of you betraying his trust hurt more than the thought of dying.

“I’m going to work now. Don’t even think about leaving this place,” you told him as soon as you returned from the bedroom, all geared up. “There are other bounty hunters out to get you, and I don’t want them to get my bounty money.”

Silently, Hansol nodded as he saw you pick up your work equipment and your laser gun in a manner that seemed routine. Before you took another step further however, you stared into his eyes, thinking, pondering what you were about to do.

Slowly, you raised your arm and allowed the laser gun on your hands to unfold, pointing towards his direction. You saw the crosshairs between his doe-like eyes—an image you frequently saw seconds before you blow a hole through an andy’s processor. A decision made in a fraction of a second can ultimately change your life—that if you simply pressed the trigger within your grasps, Hansol would no longer move, or talk, or look at you with evocative gazes.

At that moment, you had all the power between “life and death”, as he unquestioningly relinquished it all to you by simply standing there in his spot in front of the kitchen counter.

Hansol felt himself tense up despite his calm exterior. He could already see it, just after thinking about the possibility, yet he never thought reality felt more painfully sharp than his thoughts were.

Your fingers brushed against the trigger. Just one press and he will be gone and you will be rich. Just another day as a bounty hunter. Could you do it?

You sighed.

In the end, you lowered your gun and turned to the other direction as if nothing had happened.

“I’ll be late for work,” you simply remarked, more to yourself than to anyone and then left him there in the kitchen, still stunned. You wondered if your shoulders felt burdened because of the heavy gun or because of the decision you just made.

Quick footfalls echoed across the dreary hallway.

The place stunk like hospital antiseptic and muriatic acid; matching the dim-lit atmosphere illuminated by only a few incandescent bulbs hanging every two meters. There were glass windows every so often, and if you took your time to peer through, you would see rows and rows of human-sized cylinders filled with a greenish liquid; all connected by wires the size of your torso to a place you simply assumed was the power supply.

“What an ironic place to hide for an andy,” you remarked as you looked around. Your partner this time, by the name of Morrison, scoffed amusingly at your comment.

“Who would’ve guessed they’re in a fertilization plant?”

You frowned. “What a gloomy place to be born in.”

Exactly as the name suggested, fertilizations plants ‘manufacture’ children. While that is as disgusting as you thought it was, that is the reality of the world you live in. While there are a few rare exceptions, people no longer have sex—it was too animalistic, too impure of an act to participate in.

Thus, the solution to a declining population is just to make babies just like how factories make your easily reproducible mug sitting on your kitchen counter. You couldn’t even deny the awful truth that you were made in one of these factories (you know, just like your mug). And more disappointingly, there was truly no ethical problem, because the world today only worships one god: Purity, in its coldest and most cruel manifestation.

In the end, aren’t we simply androids as well? Just made up of blood and guts?

“So? Have you caught on to that SVT andy yet?”

Morrison suddenly asked, dragging you back from your inner thoughts. You took a double take.

“The what—?”

“The SVT-class andy,” he clarified, “you know, the Vernon one.”

The mere mention of his model name made you purse your lips in annoyance. If only you could say that he was in your apartment doing some arbitrary thing an android would do if they were left alone.

“Still nothing. I was supposed to do an initial search last night but after being caught in all that chaos, I just went straight home,” you lied, having no choice. There was no way you would let everyone know you have something worth half a million bucks in your dingy, totally unsecure apartment.

“Well, no one could have it easy with these military grades. They’re craftier than your average andy after all,” he shrugged, giving you a pat on the shoulder. “Remember when Choi Seungcheol took almost three months to locate SVT-class Woozi? Man, I could still remember coming with him to a dozen places just to look for leads.”

As soon as Morrison reminisced memories with the former chief, you feel a bit heavy hearted. You did look up to him as your hero.

“You ever knew why he left?” you asked.

Morrison only shrugged. “Some say he just got tired of this awful job. Some say he was getting married. Most of them are just gossip anyway.”

You only sighed. “I guess we might never know the truth.”

“C’mon! Choi wouldn’t want you depressed! Straighten those shoulders! We have an andy to face!” your partner smiled, again giving a strong shove on your back. “Today’s just a commercial grade escapee. It wouldn’t be that hard. Peyton had it already detained and ready for questioning.”

Sucking in a huge amount of air and exhaling loudly, you prepped yourself up for some wonderful, heart-palpitating action.

“Alright! Let get it!”

As soon as the both of you entered the room, which was definitely a locker room prepared by the factory staff for your visit, you could already see the subject sitting quietly in front of a steel table; a dim white bulb only giving light to the gloomy room. It was definitely a classic cult-style interrogation room you’ve seen in vintage silent films.

“Good day to you sir,” Morrison greeted as he set his fedora on top of the table and prepped his V-T scale. “I am Agent Will Morrison. You are under suspicion of being an android and we will be administering this test to confirm it or not.”

“I told him so many times already! I’m being framed! The manager hates me and he’s been spreading those rumors!” the man screamed, his face heavy with fear and anxiety.

“We’ll see. If that’s the truth, then there’s no need to worry,” you retorted back with a clipped tone.

You then placed your hands on his shoulders, asking him to wear specialized VR glasses and then carefully arranging the electrodes attached to a spectrometer on his face.

“Settle down now. You don’t want to affect the test results, right?”

At your cleverly concealed threats, the man stopped his outbursts and looked at you in fear. You simply smiled at him before giving Morrison the go signal.

Identifying and hunting androids almost every single day of your life, you couldn’t even count in your head how many times they went for this flimsy cover-up story. They probably thought they were being clever or something.

“So, Jonathan West, age 35 and working as a plumber in one of Sector 3’s fertilization plants, correct?”

“Yes, sir,” the man replied, unbeknownst to him, the test was already starting.

“You are accused as the android who committed the Palmaide Apartment murders wherein six people were discovered to be brutally murdered and then embedded inside the concrete walls of the apartment.”

“Sir! I’m not android! Please believe me! I have a wife and two kids….! I-I can’t possibly be the murderer!”

You slid unnoticed under the shadows beside Agent Peyton, although still nearby enough to the subject that it would be easy to subdue it down if it goes berserk.

Watching the test being conducted for the nth time, you could easily claim to have memorized all hundred and fifty questions in the questionnaire.

Most questions are practically the same—asking how you would react to certain and usually gruesome scenarios—all designed to gauge micro-expressions and reactions. It is a common belief that androids do not have these sophisticated and almost undetectable movements on your face. Hence, the electrodes.

“I want you to immerse yourself in a certain situation,” you could hear Morrison speak as he turned on the virtual reality system. “Tell me what you think of it.”

Here it comes. Your thoughts turned rancid as you recalled the contents of that video. It was made to intentionally cause distress in humans—limbs being torn, live vivisections, disgusting lobotomies and other gruesome things that could make your stomach lurch; and more importantly, it is intentionally shown to be done to people the subject knows in real life.

Tests such as the Voight-Kampff Scale however are hardly perfect. Humans are complex creatures and are fundamentally unpredictable variables. Different people react to one single scenario in a million different ways. Even if you are looking for signs of empathy—a true testament of humanity—not everyone exhibits it the same way.

That’s why, no matter how many times you’ve blasted a hole through an andy’s head, you would always have this unreasonable nagging feeling underneath your gut that screams you might be wrong. You might actually kill an innocent person.

As you stood there and studied Jonathan West, you realized that his expression turned from disturbed to one of sheer horror. It was quite easy to know, to be honest—he turned pale and looked as if he just wanted to pluck his eyes out and forget that he ever seen what he was seeing right now. It was too real to be simple analog hack.

“Sir…I-I…please make it stop! Please, please….I can’t look anymore,” He muttered weakly, looking as if he was really going to puke big time, which prompted Morrison to immediately close the virtual reality system.

The man was still panting when it was shut down; visibly distraught by what he had seen. Agent Peyton, who was silent during the whole ordeal, then went to the man and asked him if he was alright. In the end, Peyton gave him a glass of water before the test proceeded as it should.

In your opinion, after that display, the subject was already leaning to the ‘most likely human’ side of the spectrum. He wasn’t making red flags which could mark him as an android, though he had a few quirks such as making a rather hollow laugh. Some humans have that kind of laugh, so you didn’t really mind it.

There are days when the excitement of discovering an android wouldn’t really pay you a visit. Sometimes, humans are mistaken as androids either because of their personalities, or by people who simply don’t really like them. Just like how it was in this case.

After a series of more questions and tests, Morrison was also convinced that Jonathan West was human. Besides, the processor level of the android you were looking for wasn’t capable of doing such complex analog hacks.

Even after a deliberation between the three of you outside of the room, it became a unanimous decision to exonerate the subject of any of the accusations placed on him. While you were still a bit doubtful, both Morrison and Peyton—men of more experience than you have as a bounty hunter—agree that West was human and the rumors simply might have been caused by office politics.

“Mr. West, the three of us have finished deliberating and we have decided that you are indeed as human as you could be,” Morrison began, sitting on the same seat he had been for the past few hours.

The man let out a heavy sigh of relief as he made a bashful smile. “Oh my god! Thank you so much, my good sir! Thank you! Thank you!”

Studying the exchange just beside Morrison, you made a small smile. In the end, you didn’t make a mistake and he still had a chance to live. Accidentally killing someone just because of some careless assessment was something you’d rather not go through in your entire life.

“Well, we thank you for giving us your time,” Morrison said as he stood up and walked towards the man, extending a hand. “And we apologize for the inconvenience.”

West shook his hand as they walked towards the door with you and Peyton following closely behind. It was finally over, and you could finally think about what you’d have for lunch. It’s been a while since you had some simple sandwiches. Going for a Subway down 14th Street would be great.

Your eyes found themselves again watching the man and your partner Morrison. You can’t stop smiling at how peaceful the day had become, contrary to what you were expecting.

“It’s no problem, sir!” West exclaimed. “Thank you for trusting me.”

You halted. Your smile faltering.

Those words rang loudly like a deafening siren in your head.

Someone had said those exact same words to you the day before, but for some reason, right now, those words made you shiver in dread; fear dropping down the pits of your stomach.

You instantly averted your alarmed eyes towards West who had been looking back at you as well.

He gave you a blank look.

He knew. You knew.

In just a span of a few seconds, you immediately seized his wrist, twisting it behind his back before tackling him to the ground. You saw the glint of a concealed knife in West’s hands before it flew away to some indiscriminate area of the room.

The man struggled yet he was pinned down by your whole body weight, unable to move—a tactic you learned through experience by subduing andys day in and day out.

Without a second thought, you grabbed your laser gun and fired it center of his forehead. The man lay still in a matter of seconds.

Your heart was beating wildly. You had finally done it.

For a moment, you feared that you might see blood and pieces of bone after the bright light of the laser dissipated. Yet when you finally stood up, huffing, the only thing you saw was the bright red glow of metal heated to melting point.

The two men beside you only stared at the motionless body of the andy with stunned expressions in their faces; unable to believe that they had almost made a grave mistake.

Everything it did was an incredible display of analog hacking.

Because androids are incapable of creating actual emotion, they simply react to the environment and transmit the appropriate response as dictated by the cloud and by their own programming as a means to communicate properly with humans. Using this technique and the fatal flaw of humans to anthropomorphize objects, androids are able to give the impression of ‘humanness’, of having a soul. That is analog hacking.

By ‘hacking’ through people’s ability to empathize, androids are able to deceive, to give a feeling that they too have a soul. It almost killed all of you today.

Eventually, your colleagues’ stares migrated to your direction while you were still gathering yourself.

“What?” was the only response you gave.

It was only until later that noon, as the three of you enjoyed a wonderful lunch at the 14th Street sandwich joint, when Morrison finally put an end to his curiosity.

“Say, YN,” he began, his mouth full of sandwich. “That andy earlier. How’d you know it wasn’t human?”

You were in the middle of sipping from your can of soda when he opened that question. You could only scrunch your brows together, looking for the right way to answer the question.

“Well…” you replied, unsure of how to say it. “I just…I guess I just knew. There’s really no secret behind it. We just exchanged looks and I knew he was about to stab you.”

Peyton nodded. “Pure instincts, huh?”

You knew he was only acknowledging your reason, yet to you, it felt like he was questioning whether you were telling the truth or not. And to be perfectly honest, you were lying by omission.

Because after all, you can’t just tell them that the way that andy said those words and the way Hansol said it, felt so drastically different.

It only took as far as thirty minutes for Hansol to get bored of your characterless apartment and began to get curious about the city of West Mars. Peeking from your dirty windows, all he could see were the tall skyscrapers, fluorescing still despite the morning sunlight, and the numerous utilitarian-looking factories doting the Martian landscape.

He guessed this was a neighborhood no one really fancied to go to, other than those who actually live here—the specials, the dirty, the outcasts. Even after a few hundred centuries, human civilization barely took one foot forward. Even after the Earth had died and most of the population moved to space colonies, life was still the same. There were still oppressors and the oppressed.

Hansol clutched his tightening chest; his eyes still transfixed at the smoke belching from the factory chimneys.

It had been months since he began to feel something. At first there were small bursts of ‘pressure’ in his chest, just some unexplainable pangs of ‘pain’, ‘guilt’, and ‘conscience’— it all began when his fellow android Joshua started murdering people. Six people; a family.

Hansol couldn’t bear to watch it and tried to stop him, yet he also got embedded into the wall with them. The only thing saving him was his ‘second brain’ or a backup processor installed only in him, which was supposed to aid him in his tactical assessments. Otherwise, he’d be dead as well.

He tried to save those people, but he had been a few hours late. In the end, he could only call the police. All this time, whenever he recalled that certain memory, he had to hold himself together. All sorts of things swirled inside him that he thought he might have had a hydraulic leak, but there was nothing physically wrong with him upon inspection.

Jihoon called it ‘emotion’, as soon as Hansol contacted him—born from the rumored empathy organ installed inside all the SVT-class androids. It blurred the lines between human and machine. Hansol couldn’t understand it, even until now, he didn’t have a tight grasp on such an abstract concept. All he knew is that he didn’t want to see anyone get hurt because of him anymore.

Just like those six people.

Caught himself in reverie, Hansol decided to explore the city some more. Staying in your apartment seemed to be making him…reflect. If that was the right word.

He silently apologized to you as soon as he stepped out of the front door, a bit guilty that he had to disobey. But he wanted to do a few things first, and most of them involves going out of your apartment. If he could just go out and then be back before you were back from work, it was as if he never went out in the first place. Well, at least to you.

Going wherever his feet took him, Hansol found himself out of the slums and in the middle of the busy city center.

The tall buildings from the distance were now like crystal towers before him, extending to eternal heights to the heavens beyond. The bright lights of large TV screens flashed in vivid technicolor as it sang ads for the miraculous Penfield Mood Organ, while the throngs of people clad in all white body suits walked across the glowing asphalts beneath their feet.

The thrum of city life vibrated all throughout the crossing like a magnetic field pulsing at every nanosecond; almost undetectable by an indifferent crowd, yet to Hansol, it was almost as if electromagnetic waves were coursing through his skin.

He placed his hand over his chest; trying to ground himself as soon as he felt his heart (if he did have one) soar over something much bigger than life. He tried to put his finger on what to call it, but he guessed the closest he could describe it would be something akin to what humans call ‘wonder’, or ‘amazement’ or ‘astonishment’.

 “Good morning, sir! I am Akito, the police android! Is there anything I can help you with?”

Just like that, Hansol’s bubble was popped as soon as the android appeared. It seemed like he had been standing in the middle of the city center for far too long that it made him quite suspicious.

“No, I…I’m about to go anyway. Thanks, Akito,” Hansol replied, still quite disoriented from the sudden intrusion, but left his place eventually.

Wandering around the area, he noticed a variety of shops and stores, and even some that he didn’t really understand what for. Yet when he was browsing over the different designs for the white body suits most people seemed to enjoy wearing (not like it had other designs), he found what he was looking for.

Well, first on the agenda, then.

After a rather filling lunch, you and your colleagues went out of the restaurant and hopped into the company hovercraft to go back to the office. Since the whole hunting went surprisingly well and ended earlier than expected, there weren’t any hunting jobs scheduled for the rest of the day.

As you laughed at the joke Morrison cracked about how Peyton didn’t utter a single word for the first six months when he joined the company, you spotted a rather familiar figure from the distance.

You frowned and inwardly groaned.

“Boys, I think I have a few errands to do in the city center. You go on ahead,” you told them as they looked at you in bewilderment but reluctantly agreed.

“Well if that’s the case, see you tomorrow, YN,” Morrison replied as he wore his hat again. “Good work today!”

“Thanks! Good working with you two as well!” you told them and the pointed at Peyton playfully. “Better start working on your goodbyes too. See ya!”

As soon as there where gone, making sure that their hovercraft were already a few miles away from where you were standing, you marched irately at the subject of your irritation. It seemed he had moved places from where you had first seen him but you doubted if he had seen you as well.  

“Mister, mister! Do that again!”

It did take time for you to finally locate him since he was pretty much easy to spot relative to the city dwellers who were in all-white body suits. Voices of children were getting louder as you went deeper inside the nearby park, and finally, you caught up to him blowing bubbles in sizes no one would probably be able to do other than him.

“Hansol,” you called behind his back, your hands on your hips and frown on your face. “Why’s your hair black?”

Eventually he turned around and saw your rather upset expression which made him avert his gaze back to the ground. The children around him (and yes they were wearing those stupid body suits) looked at the both of you in wonder, surprised that their entertainment aka Hansol had stopped blowing bubbles all of the sudden.

“Who’s she, mister?” a child asked, probably confused at your sudden appearance. “Your girlfriend?”

“Oh, no,” Hansol replied, ready to explain everything. “I’m actually an android—”

Letting him finish was something you’d rather not do, so you immediately covered his mouth.

“Sorry kids, we’ve gotta go now!” You apologized and then managed to drag him out of the park, away from all those children.

Reaching a faraway bench at a rather remote place, you made him sit and contemplate about what he had done. Hansol seemed to know what was wrong and proceeded to sulk at the far end of the bench with a downcast look.

“Well?” you began, your arms crossed and your brows furrowed. Standing in front of him like that, it only made him feel a bit more guilty.

“I, uh…I’m really sorry…” he replied, still unable to look at you. He didn’t calculate the fact that you might be in the same area as well thus his plan had failed. He should consider attaching a GPS tracker on you.

“Didn’t I specifically tell you to not go out of the apartment?” you reprimanded him. “You could be seen by my colleagues and you’d be dead!”

“Sorry…I just wanted to change my appearance so I could hide more easily.”

You groaned and sighed heavily.

“You could be killed! You were lucky it was me who caught you the other night! You think other bounty hunters would just magically trust you if you asked them pretty please?”

“Then why did you?”

Hansol threw back a question right at you like a curve ball and it hit you hard right at the gut. Taken aback, you simply pursed your lips and glared at him.

“Please don’t ask me that,” you replied and then abruptly turned around. “C’mon. Let’s go back.”

 Watching your retreating back, just like this morning, Hansol silently regarded you and your response. In the end however, he couldn’t understand anything, and eventually rose up from his seat and followed you home.

“Tell me more about yourself.”

You asked one day, as the both of you enjoyed a quiet breakfast on a Sunday morning.

It was clear to you that Hansol was not your ordinary android. He does things and says things which clearly were not ‘android’ by nature. As someone who identifies and hunts down androids for a living, you thought you already knew how to distinguish a human being from an android, but considering your confusion towards Hansol, it seems like you clearly do not.

Which is why, you had to ask.

“Me? Uhh…” Hansol scratched the nape of his neck, thinking what parts of himself should he tell you because there really was a lot of information about him. “Well…I’m an android designed for tactical assessments.”

You raised your brow at him, clearly pondering why that was the first thing he wished to share with you. “What does that mean?”

“Oh, I, uh…I gather data, consolidate them and then give an assessment of what choices the enemy could make during battle. I just give information and it’s Jihoon who would give the orders and the others would do the fighting. I’m a non-combatant type.”

“So that’s why your only weapon are those disks. They’re for self-defense,” you replied, leaning back. “Anything else?”

Hansol only stared at you, caught off guard that he had to provide more. “Uh…my birthday is on February 18.”

You nodded at him, unsure how his processor actually works, because it seems like he’s been giving you random things about him. “You mean your manufacturing date. Andys don’t give birth.”

“You could say it like that, but I like to think it’s my birthday,” he replied, and you arched another brow at him as you took a sip from your cup of coffee.

“Why?” you asked. The more Hansol talked, the more you sink into bewilderment. You regarded yourself as someone who could tell the difference between an android and a human being, yet right now, as you conversed with Hansol, that fine line was beginning to get blurry.

“I think,” he began, snatching you away from your thoughts, “I think there’s just something special with a birthday than a manufacturing date. It’s like…how do I say this…if you have a birthday, you matter as an existence. You were born to leave a mark in this world. As an android who isn’t exactly ‘alive’, I’d like to know what mark I would leave.”

Utterly speechless was what you were after you had heard Hansol’s explanation. It was weird, truly weird how he had the self-awareness to question his purpose, and you were sitting there wondering if any of the androids you had retired before had thoughts like this. If they did, you weren’t so different to a murderer as you thought you were.

As guilt began to spiral inside your gut, you tried to rationalize your concerns. Hansol was just different, probably using a novel way to use analog hack. Yeah, he’s probably analog hacking you—pretending to have deeper thinking and consciousness which he could easily access through the cloud. That scenario had the highest probability to be true.

“Oh, wow,” you replied hesitantly, gazing at the empty plate before you. “I—uh…I don’t think I’ve ever met an android like you.”

“Really?” he asked, his voice seemingly curious. “I guess maybe because we have an up-to-date processor….”

“Maybe you’re right.” You quietly scoffed. Are the organization’s labs really that advanced to even mimic human thought?

Smiling, you stood up from your seat. “Why don’t we take a breath of fresh air?”

Hansol glanced at you with a questioning look. “Where are we going?”

“Oh, just a trip to the grocery store.”

Hansol had several presumptions before he arrived to the West Martian Colony, before he had met you.

From what he had gathered in the cloud, human beings are always unpredictable. They were not run by any program, any command, not like his kind who were bound to the beck and call of a few strings of code. Humans follow their “heart” or whatever that means. They are selfish and cold, kind and warm.

Hansol was definitely apprehensive. He had never met any human being aside from his creator and a few scientists who would come and go into the labs like a cold draft. Yet despite that, Hansol knew deep down, that he doesn’t hate people. He certainly doesn’t hate you.

His brothers’ views towards humans were varying however. Hoshi, or Soonyoung was a lot more carefree, though he believed in the traditional roles of an android servant and a human master. Jihoon was too preoccupied with figuring what was wrong with him that he didn’t seem to care about them (though it seems like he has that sorted out now, according to his last status report). On the other hand, Joshua disliked people. He always made it clear to his brothers that humans were weak and that androids had long outpaced their creators.

Clear enough to make him murder people just to show you how he looks down on them.

It was interesting listening to them in past back in the labs. However, now that he had escaped and had met you, these memories began to resurface in his processor. Hansol had no idea why, to be honest. Was it because he was beginning to interact with a real human being in a much closer environment? That would be an interesting theory to explore, but right now, Hansol had to focus on where you were taking him.

“—are you sure you haven’t met another android before?” you asked him, the first part of your question he hadn’t caught. “I mean; don’t you have that info in your cloud?”

Hansol hummed, scratching his head. “I have my brothers and I met a few police androids, but other than that, I don’t have much experience. As for the cloud, it only stores pure information. We cannot derive actual experience from it.”

“Ah, I guess that’s right,” you replied, realizing that maybe it was like gathering information about something only through a book. It’s likely not going to make anyone instantly good at something.

For a while now, Hansol had been studying you. He was quiet about it, but he always wondered why you haven’t retired him yet. It was no secret that he was your assigned target, but surely, a mere plea from that night wouldn’t change your mind in an instant. Humans are so unpredictable.

“Hmm…we should sit here,” you suddenly said, stopping before a stone bench. “This has a great view of the shopping plaza.”

As you had said, it indeed held a spectacular view of the massive plaza just a few steps in front of you. There were several boutiques, cafes, stores of every shape and size—yet of course, it was as drab as it can be.

Everything was white, as Hansol stared at one giant building, from the stone ground to the shops, buildings and even the latex suits people wore as they walk around. The only redeeming feature it had were the ever-changing holographic ads shown on the white walls.

“Looks stupid, doesn’t it?” you remarked as you seated yourself on the bench with a cold expression.

“Is that why you’re not wearing those suits?” he asked as he sat beside you, glancing at the plaza.

“Everyone else in this city is stupid,” you told him, ignoring his question.

“Why?”

You snorted loudly. “Look at them Hansol. Why are they wearing those stupid suits from head to toe?  Look at how they’re all smiling so happily as if everything’s alright. It’s stupid.”

Hansol continued to stare at them, gazing at every face, every being in that plaza. Of course, he could remember all of them because of his impressive processor, yet despite that, he couldn’t understand what you were trying to say.

“But those are just clothes,” he replied, shrugging.

“Not sure if an andy like you would get it. But it’s more than a fashion trend. It’s an ideology.”

Ideology. He turned that word over and over inside his mind, trying to milk out anything substantial from that word alone. A way of thinking. What are these people thinking then whenever they decide to wear those body suits? Why would they do that?

Your questions seemed to have opened a whole new world for Hansol to explore. Human ideology; there were so many of that from the old century alone—liberalism, fascism, socialism. Why do humans subscribe to these thoughts and beliefs? And what would that mean to him as an android? Would he be able to subscribe to an ideology? Or had he always believed in one, just never realizing it?

If that’s the case, would he be able to find his purpose in it?

“What do they believe in?” he asked you, now fascinated.

Glad that he asked, you immediately replied.

“Purity. Cleanliness. Everything that is old is dirty, bad, and everything that is new is clean, good. I mean, I could understand why. It’s our fault that the Earth is basically a one big garbage dump. Maybe we just want to wash our hands clean from all of that guilt. I don’t know.”

“Why is that stupid then? I think that’s a valid reason.”

“That’s true,” you replied. “But that was how it was back then. It used to be an ideology. Now, after hundreds of years had passed, it had been so ingrained into the culture that no one really asks why is clean good and dirty, bad. People are being ostracized because of this and no one really understands why. It just seemed to have become desensitized. It’s true meaning forgotten.”

“What do you mean?”

You scoffed. “Ask one of them why they where those body suits and I bet you they would answer it with something like ‘it’s clean’ or some sort of bullshit. Ask why the Penfield mood organ is such a huge trend nowadays, or why they would submit themselves to chemicals just to induce happiness.”

“People couldn’t bear to feel any longer. Emotions have become so burdensome that it’s just easier to change your mood with one press of a button. They just do whatever other people do and, in the end, it became some sort of a mob mentality.”

For once, Hansol saw true despair in your eyes. Even if you appear to hate how the world is, he knew you were just deeply sad at how things ended up. Anger is after all, expressed when you are too sad to cry.

It struck a cord inside his processor, for some reason, as he felt the urge to do something to make you feel a little bit better. He didn’t understand why, but he knew what he should do.

Silently, Hansol took your hand, his fingers slowly intertwining with yours. He felt warm, was what you immediately thought while you anticipated what he was about to do.

“It must be lonely living in this city. There are people all around you but they all feel like ghosts. Passing by, passing through the walls and then disappear without a trace,” he began as he kept on gazing at your connected hands, talking as if he was expressing his actual thoughts.

“Hansol…?”

“That’s why, as this city becomes more and more alienating…” he continued; his honest eyes piercing right through yours. “I’ll be your friend.”

For a moment, you gazed at him, too stunned to even utter a sound. It was just a simple proposal of friendship, yet why does your heart feel like it’ll burst from the seams?

“W-why…?” you asked, becoming more and more conscious about how he was gripping your hand so tightly; his thumb brushing your skin in slow soothing circles.

“Why, you ask…I’m not even sure myself, but,” he replied, “Maybe I just want to make that sad look on your face disappear.”

You pursed your lips, head totally blank for any response.

You shouldn’t just say that to anyone, you know?

Not to me who’ve never felt something like this before.

The sound of lasers fired. Muffled voices; indiscernible against the background battle noise.

It was another day out in the field, and you were lucky there were five of you hunting a military grade android. During hunts like this, you don’t usually share the earn; it was all for the experience. Besides, how much would you even get if the bounty was divided upon five people?

You zeroed in on your prey. Shooting a laser beam at its direction, you deliberately let it miss as the android dodged it. When it had stopped running, you slid on the gravel and kicked its feet off the ground, then turned around faster than it could recover. As you aimed your two laser guns at it, the image of Hansol flashed in your brain, which made you hesitate to press the trigger.

“YN! Watch your head!”

To return to your apartment with a bandaged forehead and a huge frown on your face was enough to let the door slam behind you. It was both stupid and humiliating to falter in the middle of a simple mission like that, especially if the reason was the android living in your apartment.

It wasn’t supposed to be this way. You were supposed to retire Hansol several months before yet here you are still hung up and getting more and more sentimental towards him as the days pass by.

You couldn’t help it. You were only human.

If he wakes you up in the morning with a smile and some PB & J; if he talks about his sudden interest in various things with an eager look; if he greets you as you return home from work, dinner on the table and then asking you about your day; if he holds your hand and says he’ll be your friend—could you even stop yourself from softening up?

You were clearly angry with yourself to let this whole thing get to this point.

Were you really that lonely that you would even find comfort in an android?

Tossing all of your equipment—V-T scale, laser gun and leather bag—on your worn-out sofa, you went straight to your bedroom and found the subject of your frustrations, sitting on the bed and looking at the window with a rather pondering gaze.

“Say, YN,” Hansol started, without even waiting another second to pass by. He probably knew that you were going home the moment you left the office.

“What?” you replied, unbuckling the holsters on your belt and all the safety gear you had on your body. “I’m not in a good mood so make it quick. I just got hammered by an android.”

Before he replied to you, Hansol decided to turn around and look at you with those eyes that seem to gouge the truth from the depths of your being. It made you halt all your fussing and returned his stare back at him.

“How do you know the difference between an android and a human being?” he asked which made you turn your head slightly. What a simple question to ask a bounty hunter.

“Well, isn’t that obvious?” you replied as you placed your hands over your hips. “Humans have empathy while androids don’t.”

“But what if something was invented to make android experience empathy? What then?”

You blinked several times at his second question and then began chuckling. “You mean an empathy organ? Sorry to burst your bubble but that’s not even real. It’s an urban legend.”

Hansol made a side eye as he pondered what he was going to say next, his expression basically unchanged.

“Just hypothetically speaking, if an empathy organ does exist, how would you know the difference now?”

“Eh…if we’re hypothetically speaking, then I don’t really know. I wouldn’t be able to hunt anymore if that’s the case. I can’t risk making a mistake and kill someone, not to mention that if androids begin crying before me and beg me for their lives, I wouldn’t be able to shoot them at all.”

As soon as you uttered those words, you paused and contemplated.

You gazed back at him—realization dawning on you; your eyes wide with incredulity.

It was no longer a matter of if. Someone had already begged you for their life and you didn’t shoot them.

No. No way.

That’s not possible.

At your silence, Hansol never confirmed or denied your realization and simply stared at you with those powerful eyes; waiting for you to finally digest it all.

“This isn’t hypothetical at all, is it?” you finally asked, your expression uneasy.

“No, it isn’t.”

You sighed frustratingly but it made sense.

If Hansol really has an empathy organ, everything he did—asking you to trust him, his un-Android like responses, him holding your hand—everything made so much sense. And while it did provide some answers, it gave you more questions as well.

First of all…

“H-How is that possible?!”

Hansol shrugged at your sudden outburst. “That’s why we escaped from the organization. We don’t know how it works or if it’s really installed inside of us, so we went our separate ways.”

“So…so…!” you pointed your finger at him, still incredulous. “There’s more of you?”

“Yeah. All of the SVT-class androids have empathy organs installed while we were being made in the organization’s laboratories. At least that’s how Jihoon suspected it.”

“Jihoon?”

“Yes. SVT-class Type-07 Woozi. He stayed behind the labs to search for our original creator. He did find her daughter and they’re working on an experiment to test the validity and the effectivity of the empathy organ.”

For a minute you felt like the ground was going to swallow you whole. There was too much go on, too much information that you can’t properly process them all. Falling on your knees to the ground as you leaned against the bed for support, you felt like you were going to have an aneurysm.

“YN? Are you ok?” Hansol dashed to your side in Mach speed, his hand easily finding your back.

For Pete’s sake! You’re the reason why I’m not ok!!

“I’ll get you a glass of water and some ice for your head injury. It seems like it could be the cause of your headache,” he told you and the disappeared towards the kitchen, completely oblivious of your dilemma.

Goddamn it.

Didn’t Choi Seungcheol retire Woozi already? If the andy’s still alive then did he fail the mission? If he did, then why did he confirm that he retired Woozi?

And then it seems like there are more empathy organs out there. Not to mention I’m living with an andy who’s supposed to have one.

It wasn’t even two minutes before Hansol was back with a glass of water which you promptly drank, and then allowed him to settle himself behind you while he was giving a cold compress to your head—all done without complaints because you were too lost in your thoughts.

No. No. No.

An empathy organ is just a myth! Something like the Holy Grail or something! It’s impossible for Hansol to have one!

But…it just fits so well with all the strange things he had done so far! Who android would hold your hand just because you looked sad?

Wait. Get yourself together, YN.

Hansol is just a weird android.

He’s totally chill and a bit spaced out. He sometimes says really deep stuff and then comforts you so gently that your problems just melt away.

That’s…That’s what androids are supposed to be right?

Without even realizing, Hansol had already wrapped his arms around your waist. It was only until you were done with your internal monologue that you realized the warmth you felt from behind you.

“Wha-what are you doing!” You exclaimed, though still unable to move because of how he was holding on to you tightly.

“Oh, this?” he began, completely oblivious to your embarrassment. “I’m embracing you. I wanted to know if it feels as warm as what the cloud tells me.”

You groaned, struggling to get free. “Don’t patronize me! I know what a freakin’ hug is! Now, let me go!”

Instead of opening his arms, Hansol instead pulled you closer to him, making you flush even more. “Sorry. Just endure it a bit longer. The data I’ve gathered is still incomplete. Besides, now that you know about the empathy organ, it’s safe for me to test it on you, right?”

“What! I never—”

As soon as you met his eyes, you were unable to finish the rest of your words. There he was again with those eyes that just makes you screech into a complete halt. It was so intense that it almost gave you shivers down your spine.

“Do you really hate it?” he asked again. “I’ll let you go.”

You allowed a few moments to pass by—the sound of passing cars and the incessant ticking of the clock was what you could hear, as well as your faint breaths.

“Fine. Do whatever you like,” you finally conceded and leaned against chest. It was warm.

With a calm smile, he nuzzled against your shoulder. “How did you get that injury?”

“Oh, this? I almost got my head whacked by an android,” you replied plainly, almost forgetting that you were actually having a bad day because of what had happened.

“That’s unusual.”

“You could say that again. I just got…distracted.”

Hansol raised his brows at your reply; noting the pause between your words. Since he cannot place his chin on your head, he decided to prop himself on your shoulder, his lips near your ear.

“Was it because of me?”

You jumped at the sound of his voice being so near to your ear. It made you ticklish and pulled back away from him just for a tiny bit.

“You’re too close!” you exclaimed, flushed and uncharacteristically nervous. “And I didn’t get distracted because of you!”

He sighed at your response. “Sorry. But I’m glad it wasn’t because me. I’ll be troubled if I distract you from your work.”

Pursing your lips, you only returned to your original position in silence. You have been distracted me from work since the beginning.

“Maybe I can help you?” Hansol continued talking when you didn’t reply.

“With what?” you chuckled cynically. “Hunting androids? Don’t you feel bad about killing your own kind?”

“Well, some humans don’t feel bad if they kill other people. What’s the difference?”

You scoffed. “Touché,”

“I’ll help you if you’re in trouble.” He pressed on and you could only groan in exasperation. While he tends to be a bit spacey, he can also be stubborn. It’s not like you can stop him if you refused.  

“You’re weirdly obstinate—”

About to add an explanation, your words were cut short however by the doorbell. You stood up to get it but got dizzy from the sudden change that Hansol decided that you better sit down and rest.

As he padded his way across the living room, Hansol opened the door to see no one except for a bag of food on the ground. He tried to look around and assessed the surroundings, yet he found nothing suspicious.

Confused, he leaned his head to the side and eventually decided to take the food inside. It didn’t seem harmful.

“Wonder who that was,” he muttered before going back inside.

As a freeloader, Hansol took it upon himself the responsibility of maintaining your apartment in tip-top shape. From the floor to the ceiling; to every nook and cranny he finds—he made sure that everything was sparkling clean to the point that you thought you went to a different apartment when you went home.

It was easy to pretend he was a regular every day helper android since he always kept to himself at most times, and other than visiting a regular antique vinyl shop in an indefinite area of the city, he never really did anything out of the blue.

Hansol had two leeks, one in each hand as he assessed which one was the best using his state-of-the-art processor. The engineers at the labs probably never thought his military grade processor would be used in this way but it was extremely helpful. He tossed the one on his left to his grocery cart and the other back to the stall—concluding that it was already at 40% freshness and most of the chlorophyll and other biominerals had died out.

One of his responsibilities was making sure that groceries and other supplies in your apartment were well-stocked. And while it did make you furious at how he easily hacked into your bank account to access money, you eventually gave him permission to go on grocery trips for you because of how he efficiently did everything.

He turned his cart to the left, its squeaky rusting wheels making it hard to keep it moving in a straight line.

Next stop was the chicken aisle. He remembers seeing a photo of you in the cloud as you enjoyed a bucket of chicken nuggets, and he plans to make them for dinner that night. Halting the troublesome cart before the freezers, Hansol checked the display if there were any of the chicken nuggets he wanted to buy.

“This one’s too expensive…” he told himself in contemplation.

“Hi! I’m Martin of Fresh Daily Chicken! How may I help you?”

And there were those androids again.

Hansol knew they were just following their program but it was getting on his nerves. They kept on bothering him every single time he went out that it was very tempting to just dissemble them in front of his eyes.

“I’m fine, Martin. You can go help someone else,” he replied, wondering if there was an edge to his tone as he returned the chicken back to the freezer.

Instead of leaving though, Martin gripped Hansol’s arm tightly, as the other stopped and glared at the android with suspicion. In a beat, Hansol flicked his hand away and stood still for a moment, assessing the situation at hand. Nanoseconds pass, he finally realized what was happening.

“Joshua. What are you doing here?”

His voice was filled with animosity; his eyes like fire flickering. Hansol knew his brother was up to no good as soon as he showed up using a hacked android.

“Sharp as ever, aren’t we?” the android replied, the tone of its usual monotonous voice reflecting the malice of the hacker behind it all. “I guess I should expect no less from an android made to evaluate things.”

Hansol wasn’t having any of this small talk. “If you don’t have anything important to say, I’m leaving.”

“And what? Play house with your bounty hunter?” the android sneered. “She doesn’t trust you as much as you trust her, you know?”

Hansol threw daggers at the android with his eyes. “What are you talking about?”

It made a rather hollow chuckle. “Did you forget how despicable humans are? She’s planning on retiring you and your pleading won’t help you now. That’s why…”

“That’s why what?” Hansol felt uneasy.

“That’s why I’ll help you finish her off first.”

Like the wind howling, the android’s words felt like a siren blaring right into his ears. If he had any blood, it would’ve been boiling by now. If only looks could kill, the android would’ve been long dead.

“No. I don’t need your help and I never will. Get fuck out of here before I—”

“Fine, fine,” it responded rather dismissively, unperturbed by Hansol’s threats. “But if you need me, I’m just one call away.” 

And just like that, Joshua disappeared. “Hi! I’m Martin of Fresh Daily Chicken! How may I help you?”

Hnasol sighed and returned to his grocery shopping.

“Empathy organ?”

A boisterous laugh was all you could hear across the otherwise silent donut shop. You frowned, clearly annoyed.

“Didn’t know ya believe in those bullshit urban legends, YN.” Your boss replied, crumbs falling down his shirt, and thus has been looked at disgustedly by the people around you.

“Just answer the damn question, please,” you replied, giving him a not-too-pleased expression.

“What can I say?” he shrugged, “It ain’t real.”

You hold off clicking your tongue, and instead averted your gaze to the window beside you, towards the quiet concrete and asphalt streets of West Mars. Thinking that you could achieve something by bribing your boss with donuts, was a dashed dream. He easily dismissed the notion, now munching on some more donuts you had bought with your own pay.

“Doesn’t matter if it’s real or not. I just want to hear what you know about it,” you insisted, pushing your plate of donuts to his side.

He gulped in some coffee. “Well, for one, we don’t know where it is. Rumors say it was made by an engineer in the org, and they died without telling anyone.”

An engineer in the org? You felt like you have two pieces of the puzzle right below your nose, yet you couldn’t wad through the multitude of memories you had.

“Some say it was silently waiting in that engineer’s lab, but not gonna lie, doll, I myself don’t think it’s in there. Can’t be too easy,” he eagerly chomped on a bavarian. “It was prolly never built, kinda a blueprint of some sort.”

“Why?”

“What do you mean why?” Your boss chuckled again. “It’s just not possible! Look, have you ever heard of the phrase ‘good in theory but not in practice’? It’s just like that. You can’t build something science can’t even understand.”

You slumped on your chair, disappointed at his replies.

“C’mon now, doll. Stop digging around urban legends and focus on getting more andys to retire,” he continued when you didn’t reply. “Besides, you still got that SVT andy on your plate, don’t ya? Better set your eyes on that. These military grades ain’t just your ordinary tin foil man.”

Sighing, you silently berated yourself for letting this situation go out of hand.

“Alright. I’m still working on it though.”

You really weren’t. The fact that Hansol was still alive and kicking after several months since you the assignment dropped to your lap was proof that you were procrastinating. And becoming weaker.

You cursed yourself.

“Just a little warning for you. These andys, like the SVT line, are notoriously good at analog hacking. So, do be careful with handling them. Just because they told you you’re friends, ain’t gonna stop them from killin’ you when it suits them. They’re smarter than you’d expect.”

Pursing your lips, you felt your boss’ words weigh down upon you like a pile of stones.

You shouldn’t have trusted Hansol.

It was a gamble you shouldn’t have made in the first place.

The sun was already high and bright; blinding your eyes with its garish lighting as you stood before an android you just made into Swiss cheese with the number of holes you created a few seconds ago. Kicking off the dead weight, you decided to find the other one.

Another day out in the field means another chance to falter and fail even in a simple mission. You had already hesitated once and it had cost you a head injury. If you hesitate again, what would it cost you this time around?

It was getting into your nerves.

Was it truly wise to trust Hansol all this time?

Even if he had no intention of hurting you, it was your job to retire runaway andys before they harm anyone. Therefore, it makes sense to shoot him dead with a laser gun; no questions asked.

Then what was stopping you?

You stalked the andy a few meters away from you like a lion in a hunt; eyes laser focused and ears picking up every minute shuffle. The laser guns on both your hands were ready to shoot yet it wasn’t the right time or place.

Running a few meters away, you shot a few laser beams into the air; the sound echoing across the apartment rooftops in resounding waves. Your target tensed up; alarmed at how the sound was nearby.

You laid your trap.

The android began calculating the most efficient way out and then stood up from its hiding place, unaware that it was the moment you were waiting for. It jumped towards the nearest building and crouched beside a water tank, sniffing the air of your presence.

You grinned. “Looking for me?”

The android looked up, its eyes blank but you knew it was surprised. With two laser guns on both your hands, you aimed at it from the top of the water tank, the sun casting a glare over you. Lunging from its position, it made a narrowing escape as it sacrificed one leg to a laser beam.

It was all over.

You caught up and then threw it to the ground with one harsh kick. Stepping over its torso; effectively pinning it down, you took one good look.

“Did you know that it takes about three minutes for the Nexus 7 processor to calculate the next best move?” you told the android, despite knowing it wouldn’t really listen to you. “Enough time for me to set you up.”

“In the past, it only took you a minute.”

The android rebuked you, making you scrunch up your brows. How the hell did it know that?

“You’ve grown weaker, bounty hunter,” it continued, a grin creeping up to its lips; making its rather soulless expression more unnerving. “Could it be that you like us now?”

“Shut up,” you replied, aiming the two guns at its head. “That’s not going to stop me from retiring you.”

“What if I beg for my life then? Will you spare me now?”

You stopped.

The hands clutching your guns became unsteady. Its words zeroed in at your predicament just like how you had obliterated its leg with numerous laser beams—mocking you; taunting you with your weakness for Hansol.

“You think you could separate androids into your moralistic categories of good and bad? That android is only using you, you know? Like poison, gradually weakening your resolve until you could no longer pick up your laser gun. And when that time comes, he would strike and he will kill you.”

Your temper flared up.

You pressed the triggers furiously, your foot holding it still as laser after laser shot through its head. Even if the head was no longer recognizable, you continued to shoot just to please the rage and frustration weighing inside of you.

As the concrete beneath your feet began to weaken, you eventually stopped; realizing what you were doing all this time. Breaths heavy and eyes wide, you stared at the android which became, more or less, bits and pieces of burnt metal and hydraulic cables.

It still irritated you, so kicked it as far as you could so you wouldn’t be able to see it.

When you returned to the office to hand over the post-hunt report, Morrison was waiting for you t your desk; the serious and alarmed look on his face making you anxious.

“Morrison,” you acknowledged him, tossing your report to your table as well as your various work equipment. “What brings you here?”

“YN. We need to talk,” he replied, his tone of voice not so different that you had originally assumed which only heightened the tension of the situation.

As you followed behind him, you wondered what he wanted—was it about your dwindling work performance? Are you getting fired?

You only knew the answer to your questions when he stopped by a deserted hallway and then faced you. It was all your fears could ever hope for.

“Please tell me YN, that the person living in your apartment isn’t the SVT andy, Vernon.”

Your heart, along with your gut immediately dropped.

“W-what…”

“A few months ago, I saw you with someone walking around the city. I thought it was your boyfriend so I ignored it. The other day however, I heard you got injured so I went and delivered you dinner. That’s when I realized that the person you’re with was the SVT andy.”

If only the ground could swallow you whole. If only you could disappear at that exact moment. You had no explanation. You had been found out. You had nothing in your defense and the only thing you could do was hang your head low and avert your gaze out of guilt and shame.

“YN…”

“I’m sorry…” you replied, voice just above a whisper.

“Is that andy holding you hostage? Is it threatening you?” Morrison asked out of concern as soon as he saw you. “I could help—”

“No. This is my own doing,” you replied. “This is my own fault.”

“Then…why?” he asked. “Among all of us here, you were the one who hated them the most. Have you become sentimental towards them?”

“How the hell would I know!” You screamed as you tremble in both rage and despair. “Do I look like I’m enjoying it right now? Look at how weak I’ve become! Look how I almost died just because I hesitated to pull the trigger!”

“YN…I—”

“Shut up. All of you shut up,” you cut him off. “This is my problem and I’ll solve it on my own.”

Turning to the side, you marched down the hallway and left Morrison stunned and worried about you.

You tightened your fists until your knuckles turned white. Guilt, shame, anger—everything swirled inside of you like a thick soup; slowly pushing you downwards to a spiral of turmoil.

Androids would always be androids no matter what they say. Hansol was only using the way he knew he would survive. Even if it meant deceiving you.

You were angry.

More to yourself than anybody however.

How could you let yourself be swayed by an android’s sweet talking? You felt like an idiot; trusting his words, getting soft and sentimental for a mere android. You were weak and you hated it. Like slow moving magma, your rage was scalding you from the inside until you could no longer bear it. You pushed pass the entrance way and escaped to the streets of West Mars.

How could you be so susceptible? How could you allow him to easily manipulate you using your own desperate need for companionship? How could you allow yourself to succumb to such a baser kind of human emotion?

As a bounty hunter, you should’ve tossed all of them aside a long time ago. You should’ve been erased that weakness when you first began.

Yes, it was lonely. But in order to succeed, one must be alone on top of the mountain with no one to depend on.

You allowed the day to pass you by. As the afternoon became night and the flashing lights of the city returned to illuminate the streets with animations at a million frames per second, you sat high above a building and watch it al unfold like flowers blooming at night. As the dark skies slowly encroached the sunset reflecting the red dunes of Mars, you waited for the exact moment to solve all of your problems.

Problems of your own doing is something you have to solve by yourself. It was your fault that you believed in him when you clearly knew you shouldn’t have. Even if it weighs your heart, the guilt you felt was heavier.

You shouldn’t have allowed things to get to this point. Thus, you reap what you sow.

Head still swimming, you returned to your apartment at the wee hours of the morning. It was the perfect time; the calculated time—because you knew Hansol was at the living room, charging up next to a wireless charging station he himself had built. You saw him at that exact position; sitting, leaning against the wall with head hung low as a circular light glowed underneath the skin of his nape.

You knew what you have to do.

He was defenseless before you; asleep and unaware of what you are about to do. It was perfect this way— he couldn’t say anything, he couldn’t do anything, he couldn’t feel anything.

As you looked at his sleeping figure, you couldn’t help but notice how his now dark hair tumbling against his forehead in a soft caress, how his long eyelashes padded gently across his skin, how his soft breaths echoed across the room. Even at these last moments, he still caught you off guard.

Yet beautiful things erode and fade away like the fleeting spring.

You raised the laser gun to his forehead, your finger already by the trigger.

You can do it YN. Just one press and he’ll be gone. All your problems will be gone, and you’ll be able to return to your everyday life. You’ve done this so many times already.

He’s only an android.

‘…Vernon is my model name, but I want to go by my own name.’

He can be easily manufactured again and again like a replaceable object.

‘…As an android who isn’t exactly ‘alive’, I’d like to know what mark I would leave.’

Your hands trembled as your chest tightened into a vice grip. You couldn’t breathe.

Stop it.

He’s only using you for his own means. You don’t matter to him.

‘I’ll be your friend.’

‘Maybe I just want to make that sad look on your face disappear.’

He looked so peaceful, so innocent and so forgiving. Not like you who had been dirtied by the sins of humanity. You knew that even if you shot him, he would still smile and say ‘I understand.’

Shut up. Shut up. Shut up!

He’s just faking everything. He’s just deceiving you YN.

‘Thank you for trusting me.’

You screamed one painful cry; your knees giving way and sunk to the carpet in a thud. Hands propping you up as tears continued to stream down your face, you couldn’t stop crying all the pain you held inside for all these years. It was too painful.

You can’t do it.

“Just kill me now, goddamn it!” you shouted yet your eyes were looking at the floor, too scared to know if he was awake or not. “If you’re planning to kill me eventually, then do it now! Kill me now while I still trust you!”

In the midst of your endless sobs, you felt strong arms pull you into a tight embrace; wrapping you with all the love and warmth he could muster in one single action. You could only bury yourself to his chest, clutching to his shirt as if you were holding on to him for support.

“Kill me now, Hansol…”

“I won’t kill you YN. I have no intentions of ever hurting you,” he whispered as he brushed your hair gently with his fingers.

“How could you fucking say that!” you exclaimed; screams muffled. “I keep on hurting you! Hell, I even pointed a gun to you while you were sleeping! How…how could you just forgive me like that…”

“You only did what you needed to do, and if you need to kill me, then I wouldn’t mind dying. I understand that there are things you must sacrifice.”

As soon as you heard those words, you looked up to him with aghast. You could see that despite what he had said, you saw a flicker of pain in his eyes; a sadness that was accepted because there are things you simply cannot change.

“W-why…?” you asked as your heart poured out for him. “Why are you saying that even though it hurts you…?”

Hansol made a small smile and wiped away the tear stains away from your cheeks. “Because you’re the first person who ever trusted me, and it made me so happy to stay by your side all this time. That’s why even if it hurts, I feel relieved that I can at least make you happy in return.”

Stabbing pain filled your chest as if you were being pierced through by laser beams numerous times. You could feel yourself tremble as tears threatened to spill from your eyes once again; grasping to his shirt as if he might slip away any time soon.

“You fucking idiot…!” you muttered through your sobs. “You think I can still retire you after saying that? I can’t do it. I can’t…Hansol…I don’t know how or why but you matter so much to me now.”

His hand that was on your cheeks continued to caress you as gently as he could; not letting you go until you stopped crying. For some reason, he felt touched that you were pouring out all of your thoughts to him among all people in the world.

“I always kept myself so busy all this time just to distract me from all the loneliness I was feeling. I always try to be tough and cold so that my emotions wouldn’t get the best of me. But…but you showed me something I had thrown away a long time ago. You cared for me even though I tried to kill you so many times and it hurts so much how you are able to forgive me like that. I don’t deserve any of these, Hansol. I don’t deserve you.”

As he comforted you, he could feel his chest swell with so much emotion. You were crying for him, and he couldn’t help but share a bit of that pain as well. Picking up your hand, he slowly intertwined his fingers around yours and gazed at you with those eyes that easily seized you; body and soul.

“I feel like I should be saying something now but I don’t know what,” he whispered. “That’s why, I’ll just show you how I feel.”

Cupping your cheek with his hand, Hansol slowly reduced the distance between the two of you until his lips met yours in a soft and gentle kiss. It was warm and peaceful and light—as if everything which held you down were released and swept away by the cool breeze. You held on to his hand tightly, never letting go of this exact moment as you etched it vividly into your memory.

As the both of you pulled away, you gave him a small bashful smile.

“I think ‘I like you’ would be the best thing to say,” you whispered to him as he gave a toothy grin.

“You finally smiled,” he remarked as he allowed your foreheads to touch.

“Because of you.”

The both of you stayed that way until you felt your heart calm down. That night seemed to have uprooted all of your being—everything that you have built upon yourself for all these years was turned upside down. It was like a transformation; yet rather than frightening, it felt cathartic in some sense.

“Say, YN,” Hansol started, breaking the companiable silence the two of you shared. “Why did you become a bounty hunter?”

“Hm?” you hummed, gazing at your carpet as if it was the most interesting thing in the world. “Good question. Why did I become a bounty hunter?”

“You don’t know the answer?”

“I do know why,” you replied as you became more contemplative. “I think I was just too angry at the world. Angry that I was all alone; angry that no one really cared. So, I searched for ways to release that anger. That’s when I found myself wanting to be a bounty hunter.”

He pulled you closer, nuzzling to your shoulder; wanting to give comfort to the both of you. “Did you grow up like that?”

Amused by his question, you chuckled. “The thing is, when you are made from a glass incubator, it feels like you’re an artificial existence. Even if there are parents or siblings, most of them just kind of want to play house or something. When they’re done, you get thrown out. That’s it. And somehow just like that, I ended up all alone.”

Hansol was quiet, feeling like you weren’t done talking yet.

“When I met you…when I got to spend time with you, it felt like I was in a foreign territory. I wasn’t used being taken care of. It’s always just me so, I was scared as fuck that maybe this wonderful thing wouldn’t really last. That maybe you were just deceiving me and I was being an idiot for believing that life would finally give me some slack.”

You continued. “That’s why, I thought…let’s just end this with my own two hands. That way I can still have my dignity intact.”

As soon those words left your lips, the android embracing you hugged you tighter—a silent declaration that he was never going to let you go; that you deserved better and he will give everything just to make you happy.

“I don’t think I can ever leave you, YN. I was lucky that it was you who I met that night. Otherwise, I wouldn’t be able to understand myself or what I was feeling. I wouldn’t be able to experience a normal everyday life if I hadn’t met you. You have become someone important to me as well.”

At that night, as you finally fell asleep on Hansol’s shoulders, he easily carried you to your bed and gently laid you there without making a sound. Unable to resist, he slipped under the covers and silently watched your chest breathing in and out.

It was the first time he felt this way. It was unbelievable.

Combing your hair as softly as he could, Hansol contemplated this future with you. He was incredibly happy, if that was how the beautiful feeling in his chest should be called—how you embraced him tightly, how you grinned at him and held his hand. Those were things he could never forget.

With that said, he had to ensure that everything would stay as it is as long as it could. Using the built-in network among the SVT-line androids, he made a call.

Beep. Beep.

Click.

“Hello, brother? It’s me, Hansol. I need your help.”

The sun was still shining like any other day; as if it was unbothered by the egregious happenings of your life. Just like how it was during your first day as a bounty hunter.

Yet everything was different now. The anger that you held on to for far too long was released to the polluted city air just like scattered ashes of a bygone age. Now you have to rebuild yourself from scratch; to start anew and live differently than what you were doing all these years. Yet you weren’t alone this time, you had Hansol to support you along the way as the both of you rediscover life and the whole point of it.

That’s why it’s important to cut the few loose strings you had and tie them securely so they wouldn’t unravel in the future.

It was your last day on the job. Your last hunt.

“YN.”

You heard Morrison call you, turning to the direction where you had heard him. You were about to leave with your hovercraft to the designated location where the andy was reported yet he had stopped before you ever could.

“Last time, I—”

“It’s ok,” you cut him off. “I think I needed it to realize what I truly want to do with my life. Being a bounty hunter taught me a lot but I guess we just overgrow things.”

“Are you sure?” he asked you.

“Yes, you could say I was happy with my decision.” You scratched the nape of your neck. “You know, I think I understand now why Choi Seungcheol left.”

Morrison grinned. “Oh, really now?”

“Yeah. I think he realized the same thing as I did,” you replied, hands on your pockets. You just can’t live with anger in your heart.

Your partner genuinely smiled at you and give you a pat on the back. “Well then, it was great working with you, YN. You’ve been phenomenal.”

“Thank you. It was a pleasure working with you as well Morrison,” you grinned. “Now, time to go for my last hunt.”

“Good luck. Don’t go easy on the andy now,” he replied while you hopped into your hovercraft.

“You bet I won’t,” you replied, smiling. “Well, see you later then!”

With those words, you turned on the hovercraft as it slowly ascended to the skies. You could see down below Morrison who was looking up at you with a bittersweet smile on his face. This business was indeed dying.

“Alright. Time for my swan song.”

Your destination for today was in Sector 12, where all the warehouses and cargo facilities were located as they enter the West Martian colony. The andy in question was a normal escapee posing as a cargo boy—which was as common as it could get.

You hoped that your last andy should’ve at least been a little more challenging. But alas, you can’t have everything.

Turning the steering wheel to the side, you avoided a tall building and continued cruising through the sector with nothing much in mind. That is until something entered the hovercraft; making it shake through the skies like a rogue vehicle.

You clung to the wheel as you braced the impact, avoiding getting tossed to the air like a pancake. Still recovering from the shock, you were greeted by a punch which completely obliterated the hovercraft’s UI and had just missed your head by a hair.

Turning around, you saw that it was the android you were supposed to retire today—seemingly fallen from god knows where to your lap. Just like how Hansol just came to you that night. Lucky.

“Don’t underestimate me, fucker,” you exclaimed as you grabbed its arm with both your hands and levered it with your shoulder to the air, sending it flying to one of the buildings below. Taking your two trusty laser guns, you jumped off of the already derailing hovercraft before it plummeted to the ground in an explosion of fire and smoke.

Landing safely to one of the rooftops, you spotted the andy running away from you.

“Hey! Don’t get cowardly now!”

Shouting, you continued to shoot laser beams at its direction, pissed that it was playing some game of tag. With a head start of a few meters and an exceptional speed, there was no way you could ever catch up to an android. The only way you could ever gain an advantage was to play the strategy game.

Disappearing from view, you hid yourself as you pursued it; minding your distance so it wouldn’t be able to detect your presence with any of its scanners. Since the andy you were after had a Nexus 6 processor, it can see you through thermal readings which had a scanning radius of a few meters.

Confused of your vanishing act, the android in question stopped running and looked around. There was no sign of you yet you can see it using a special set of goggles which was luckily inside your pocket than in the hovercraft.

As it walked in search of you, you fired your laser guns to the distance which predictably alarmed the android and dashed to where it came from. And just like that, you were able to lay your ambush—jumping out from high ground and trapping it in place.

When do they even learn? You’ve done this technique so many times that it was hardly clever strategy to you anymore.

You shot it with your laser gun, missing its head in just a few centimeters. That however, was a fatal mistake as it swerved your leg around, tripping you to the ground in the process. Without stopping, the android then aimed for your head with its fist which could’ve easily broke your skull if not for the fact that you rolled out of the way just in time.

Even if your head was still reeling and you were still on the ground, you kicked its torso with both your feet as it staggered and lost balance. You ran off somewhere, picking up both your laser guns as it continued to pursue you.

Man, I judged this way too early.

Now that the tables have turned, the both you found yourselves inside a warehouse complex devoid of any human or andy. It was kind of strange that there was no one in sight except for the both of you, yet you shouldn’t really be wondering about that when an andy is after you with a huge metal pipe.

Now that you think about it, why was it even running after you? And why did it attack you in the first place? Shouldn’t it be running away from you?

You couldn’t find time to answer those questions when a pipe was hurled at your direction, hitting the cargo container you were hiding behind and piercing through the metal. You could’ve died if not for your quick reflexes. Clearly annoyed at being in the defensive, you faced the android square on and fired your laser guns at it as fast as you could.

A laser beam hit it on its chest and then on its legs, creating rather large gaping holes on its body. When you were near enough, you kicked it hard; crashing against the doors of the warehouse which opened upon impact. In one final blow, you shot through its processor at point blank.

It fell down to the ground in one swoop. It was all over. The final hunt was done.

“YN…?”

You heard your name being called by a familiar voice you never expected to hear while you were in the middle of a hunt. In an instant, you turned your head and saw with great surprise the person you had trusted the most.

“Hansol? What are you doing here?”

“No, what are you doing here?” he answered back. “You shouldn’t be here!”

“Looks like the final guest has arrived.” A figure from the shadows appeared; a gentle expression was on his face yet there was something dark looming just underneath his presence. “Took me some time to get you moving but looks like it went well.”

“Joshua, what’s the meaning of this?” Hansol asked, his eyes dark like coal; brimming with suspicion and fury.

“Joshua? Isn’t he one of your brothers and wasn’t he the one responsible for the AI hack that night?” You asked Hansol with incredulity bearing in your eyes.

You were standing there in the midst of it all, mouth ajar and eyes wide; unable to follow what was happening. You didn’t understand why Hansol was there or why he seemed to dislike his brother. If anything, it all seemed to suspicious.

“You’re right, YN. I am one of Hansol’s brothers and the AI hack was my work,” the android calmly replied which made you feel uneasy.

“And there’s no meaning at all, brother. I just wanted to meet YN,” he replied, shrugging with a carefree smile. “And besides, you did ask for my help.”

“I didn’t ask for your help. I came because you threatened to hurt her.”

Hurt me? You dared to take a look at Joshua who seemed to notice your apprehension yet only smiled so serenely—making it even more menacing.

“Ah, as honest as ever, huh?” Joshua replied as he pocketed his hands. “Or not.”

There was no denying that Hansol gazed at Joshua with contempt; the first time you have ever seen him display such a negative emotion. You now wondered what Joshua had done in order to push Hansol, who was as kind as ever, to treat him that way.

“Did you forget what happened to that family of six a few months ago? You know, that one in Palmaide.”

Joshua continued when Hansol refused to reply. You blinked several times at his words, feeling like you were familiar with the story one way or another. At the mere mention of the memory, Hansol immediately grit his teeth; sending death glares to the other android.

“Oh? Why are you looking at me like that?” Joshua asked, and then grinned, a malicious lilt in his voice appearing all of the sudden. “You didn’t tell YN, did you?”

“Tell me what?” you answered back with a clipped tone. “Tell me what, Hansol?”

In the midst of your questions, Hansol could only furrow his brow and purse his lips. He turned his head to the side, unable to face you.

“I-I…I’m sorry. I just…I always wanted to tell you…” he began, his voice unsteady.

“What is it?” you asked again, completely alarmed and afraid of what he might say.

“I—”

“He’s partly responsible for six deaths in the Palmaide Apartments.”

Joshua was the one who answered for him; malaise dripping from every word like thick poison. You could only gaze at him with disbelief and turned to Hansol for an explanation yet he couldn’t even look at you.

“Is that true, Hansol?” you asked, your voice a mere whisper; smelling the scent of betrayal.

“I…I didn’t want to hurt them,” he answered you as he trembled like a leaf in the wind. “Joshua was—”

“I did most of the killing but he just stood there, you know? Watching as I sliced open everyone and bury them to the wall,” Joshua interrupted. “Why the wall you ask? Don’t you think human guts look pretty when displayed?”

“You sick fucker!”

You pointed both laser guns to Joshua who only looked at you curiously even though you were shaking with anger. He seemed totally unperturbed by everything; a testament that he was far from sane.

“You shouldn’t be pointing your gun at me,” he replied as he leaned his head to the side. “Hansol was only lying to you, you know…saying he cares about you. Soon enough, I’ll be dissecting you and he’ll just watch me do it with those eyes you love so much.”

You wondered if the empathy organ really exists; wondering if Joshua had one or if Hansol had one. They could really be deceiving you for all you know. Back and forth, you tossed possibilities and motives inside your head, unsure of who to believe.

In the end, you gradually moved the guns to Hansol’s direction; your eyes meeting his. He looked hurt, but you could never really tell if that was real or something faked. Even if you had so many years of experience, the true test of your instincts was at that exact moment. It was only you who could determine who to trust.

Joshua grinned at the whole situation.

“You, move!”

You ordered which Hansol promptly followed, walking to the left and in front of Joshua. Still with the guns pointed at him, you continued to shout.

“Hansol, explain to me what happened.”

With your demands, Hansol flinched and then bit his lip, scared of what you would say if he told you the truth yet obeyed you nonetheless.

“At that time, I was so shocked—I just…I didn’t know what to do,” he began as he fiddled with his fingers. “I tried to stop Joshua…and we got into a fight. I lost and the next thing I knew I was in the wall as well…”

“YN, I’m…I’m really sorry…I-I—” he continued as his voice trembled and his heart beating wildly. “I didn’t know what you’ll say. I tried to save them but I was too late…the whole thing…it scares me sometimes. I don’t want it to happen ever again. That’s why I want to protect people as much as I can…”

About to say something, the sound of slow clapping stopped you from continuing. You gazed at Joshua who was looking at the whole thing with an amused expression.

“How heroic. You can’t obviously fall for that, YN, can you?” the android remarked, his arrogance obvious. “Don’t you think it’s now time to shoot?”

“You’re right,” you replied with such a cool and calm voice; as if a decision had finally dawned on you.

Hansol feared for the worst but like he said, there was nothing he could do if you decide to kill him. If that’s what makes you happy, then he understands. If that will make you more at peace, then he can forgive you. It hurts but it hurts him more if he sees you in despair.

You breathed in, and then breathed out. With eyes that seem to pierce right through Hansol’s being, you gazed at him with those clear looks as you pointed your gun at him.

“Keep still!”

You shouted at Hansol while the other tensed up. It was not a moment to falter.

In a heartbeat, you pressed both triggers. Hansol closed his eyes and braced for the impact. Even with death at his doorstep, he can proudly say that he loves you.

“You bitch!”

Hansol could hear Joshua curse from behind him, prompting him to open both of his eyes and realize what you had just done.

Shooting two laser beams at Hansol’s direction, you deliberately missed it a few centimeters off so it would instead hit Joshua, who was right behind him. The other was of course fuming mad. Before Hansol could reorient himself however, you grabbed his hand and began running.

“I’ve seen way better acting than yours, motherfucker!” You screamed with delight as you saw Joshua bending over to a partially burnt arm and leg; throwing murderous glances at you.

“What…?” Hansol asked but you only grinned at him, squeezing his hand.

“Let’s go! I don’t think I can wipe him out with just that.”

Dashing towards the exit, you were stopped by throes of androids who blocked the way. You clicked your tongue—totally forgetting that Joshua’s main ability was designed to overwhelm the opponent— and tried to find another way out.

“Ah, even that wouldn’t work, huh?” the voice behind you resounded across the empty warehouse. “I tried so hard to eliminate you, YN. If I didn’t, Hansol would never give up his weak mindset of protecting people. Too bad.”

While he was busy with his evil villain monologue, you were trying to find a way out of your situation. The entrance was blocked and you could take a gander that the whole building was surrounded as well. You had totally forgotten about his abilities, and Hansol couldn’t be of much help either since he was never made for this kind of combat. Oh for Pete’s sake!

“Oh well, so much for trying,” he sighed. “Everyone, you can dispose of them now.”

Shit.

You gazed at Hansol for an answer yet you noticed that he was only standing there with the most composed expression he could ever muster in a situation like this.

“We have to get out of here, Hansol!” you exclaimed, seizing his hand yet he didn’t budge a single inch at all.

He was just staring at one random spot in the warehouse.

“What…”

“Sorry I was late.”

A voice you have never heard before now echoed across the area. You looked up and saw someone standing by the mezzanine, leaning against the rusted railings as if they had no care in the world.

“Jihoon. You took your time,” Hansol responded, smiling.

“Why are you here?!” Joshua shouted, now even more furious at the turn of events. For some reason, you sensed that he had just lost his upper hand.

“Hansol asked for my help. So, I came,” Jihoon replied while you noticed black diamonds floating high above the air and settled in to surround the whole place. “He knew you were bound to cause some trouble, and you did.”

“If you think you’re one step ahead of us, we are two steps ahead of you,” Hansol continued. “Jihoon and my abilities are a good match after all.”

The android who was at the center of it all was silent as he trembled with sheer rage. If you could describe the tension weighing down all of you inside that warehouse, it would be like a dense core of a black hole—as if everything was compressed to the point of singularity. You were very much afraid but you knew you were not alone.

In a quiet voice, Joshua muttered. “Get them. Kill them all.”

Without even waiting for a second, the androids from outside marched in, making you take a step back. As soon as they entered however, the androids were immediately electrocuted; shaking in a frenzy before plummeting to the ground still twitching due to the remaining electrons passing through their conductors.

“Jihoon can easily stop all of those androids. That is his main ability as a tactical adviser,” Hansol explained as he caught your shoulder. “But we should go now. Joshua will probably go after us.”

In one breath, Hansol picked you up from the ground and carried you over his shoulder; sprinting out of the warehouse by kicking a hole through the roof. You didn’t want to be carried this way but you understood why. Hansol was far faster on foot than you; besides, it was easier to shoot this way.

As expected, Joshua came running after you; cursing both your names. You began to fire at him yet he was too fast and the whole ride on Hansol’s shoulder was a little too bumpy. It wasn’t as effective as you imagined it would be.

“This won’t work” you told him, trying to distract the android chasing after you. “At this rate, my laser gun would run out of batteries, and your energy would get depleted before we could ever chase him out.”

“What are you suggesting then?” Hansol asked, climbing on top of a cargo container tower.

For a moment, you were silent as you thought of how to defeat your agile enemy.

“Say, those diamond things your brother uses…they’re the ones doing the electrocuting, aren’t they?”

Hansol nodded as he dodged the iron beams being hurled at you both. “Yes, they’re made of specials alloys that conduct well with electricity and a special aluminum coating to protect it. They can be spread out as far as a hundred meters in radius.”

You grinned. “Perfect. Now, this is what we’re going to do.”

It had been quiet for a while.

Joshua clearly lost the both of you when you made use of a container full of flour to mask your escape earlier. But he wasn’t going back. He was incredibly furious and the both of you needed to pay before he could make Jihoon suffer.

He paused and looked around. Something was in the air but he didn’t know what it was.

Without warning, a laser beam appeared out of nowhere and hit him behind his shoulder; making him stumble forward and almost pushing him to the ground. Before he could even recover, another one came flying from a different direction—now to his left.

“Calculate the angle for me, Hansol,” you ordered; a massive railgun at your grasps. It was a sleek black gun that was propped up behind a cargo container.

The both of you were actually far from where Joshua was at but with the help of Jihoon’s diamond things—as you aptly described it—scattered across the sector, you were able to locate Joshua as well as shooting him from a distance in various directions.

How? Well…

“39.9 degrees up, 5 degrees to the right, yes…” Hansol replied as he watched over your shoulder.

Immediately, you found the right coordinates and fired the railgun—the sound of its energy loading up increasing the adrenaline in your veins. The laser beam hit one of the diamonds floating above you, but instead of destroying it, the magnetic field generated by the diamond bent the laser beam as it ricochets to another diamond a few distance away, sitting at a perfect angle to hit Joshua. Like a game of BBTan.

There were several diamonds sitting just above the two of you which you alternated with so that Joshua wouldn’t be able to tell where the laser beams were coming from.

“Good thing Jihoon brought Soonyoung’s railgun,” Hansol remarked as he fixed your goggles from before; adjusting it so that he can transmit signals to it.

“Soonyoung’s another brother right?” you asked as you adjusted the crossfires of the massive gun. “Is he dangerous?”

“If you’re asking if he’s dangerous to humans like Joshua, then no,” he readily replied. “As a military-grade android, then yes. He’s the true combatant-type. I don’t think any bounty hunter can deal with him.”

You whistled. “That’s scary. I’m glad he’s not the one I was assigned to hunt.”

“He’s too carefree to be able to pull off something like this though, and Jihoon has him on a leash anyway. I’m not worried.”

Chuckling, you pulled your attention off of the railgun and turned to Hansol. “Is he still moving?”

“He’s at a weakened state now. I think I’ll handle this on my own. This is something between us, after all.”

“Sometimes I envy your sense of composure,” you remarked as you sighed. “Don’t die on me.”

“I don’t plan to.”

Just as he had said, Hansol stepped out of one of the cargo containers to face a rather battered Joshua. Using his state-of-the-art processor, he assessed that Joshua was only hanging due to the immense anger he feeling and one powerful strike can finish him off in an instant.

“Didn’t think you’d show up,” Joshua remarked his face marred with bruises and burnt marks.

“I thought maybe you’d want to give up,” Hansol replied. “I don’t want to hurt you any more than this.”

Joshua furrowed his brows as he threw daggers with his eyes at Hansol. “Save me the heroics. I’m not weak like you. I don’t need humans to help me.”

“We’re made with the same materials; the same blueprint, Joshua. You have to accept that you have an empathy organ inside of you, and rejecting it any further would lead you to deteriorate.”

“Don’t make me laugh. The empathy organ isn’t real!” He scoffed. “Jihoon made a wrong interpretation of the data he gathered.”

“I disagree,” Hansol replied. “The data I have gathered says otherwise. It was consistent to Jihoon’s findings.”

“Who would’ve guessed you got smitten by that bounty hunter! I guess I just have to convince you out of it,” Joshua grinned.

Without warning, Joshua sprinted from his position; throwing a high velocity kick towards Hansol’s direction. Hansol immediately blocked it with his arms and clutched Joshua’s ankle; smashing him down to the ground in an explosive crash.

Through the cloud of dust, Joshua hurled debris towards Hansol’s direction which he easily dodged. However, he wasn’t prepared when the other android suddenly flew at his direction; hands outstretched to grab on Hansol’s neck.

Hansol immediately countered, ducking below and grabbing the other’s neck in a chokehold before slamming Joshua back to the ground. He picked him up soon after and tossed him faraway like a curve ball. Joshua caught himself flying and saw himself crashing to the concrete floor; shards of rock and dust clouds up in the air.

“You know you’re no match for me if I use my predictive algorithms,” Hansol remarked as he looked down on Joshua who was lying on the floor. “Especially at that state.”

The other android grinned as he wiped leaked fluids from his lips. “I’m impressed. By asking Jihoon for help, the only one who could counter my AI hacking, then have your girlfriend shoot lasers to weaken me, and then finally attacking me one-on-one where you have the upper hand—your android side is showing.”

“I never denied my identity as an android. I will always be made of artificial materials. But I will not deny the fact that I have developed emotions and a consciousness of my own,” Hansol answered. “We will always be creatures of myth—a cold android swayed by their own emotions.”

Joshua spat on the floor; disgusted by his brother’s words. “I will never be like you!”

Again, he sprung from the ground and dashed towards Hansol.

The other easily countered everything his brother threw at him. As Joshua hurled an uppercut, Hansol dodged and smashed his fist at Joshua’s stomach; the other immediately curling.

“Stop this already!” Hansol pleaded; his chest tightening at how stubborn his brother could be, even to the point of near death.  

“Fuck you.”

Joshua stood up, trying to land a blow on Hansol yet he was already struggling to stand upright. Hansol dodged the attack as he pushed Joshua away, putting in more distance between them. Every time Joshua tried to strike, he only ducked, dodged or jumped above the other.

“You’re looking down on me, huh? You think you’re above everyone else just because you think you understand yourself!” Joshua shouted.

“I’m not! Why are you even doing this?” Hansol replied as he bit his lip. He can no longer bear looking at his brother who he once looked up to.

“He’s right, you know?”

Jihoon’s voice resounded across the area, floating diamonds following just behind him. “It’s time for you to stop.”

Joshua clicked his tongue, knowing full well that he can’t take on both Hansol and Jihoon at the same time. With barred teeth, he glared at both his brothers.

“We’re not done here yet.”

With those words, he jumped off the building where a hovercraft caught him and escaped away from the city skylines. Hansol and Jihoon watched as their brother left, realizing that they must take significant measures to prevent Joshua from hurting anyone ever again.

“Did you do what I told you?” Jihoon asked Hansol, who only nodded in response. “We’ll have to deal with him sooner or later.”

“He’s not going to stop, is he?” Hansol responded as Jihoon turned around and waved his hand.

“It’s going to take a lot to stop him. We might need Soonyoung after all,” he replied, and then stopped walking, averting his gaze to Hansol. “While we’re planning things, you should enjoy this down time with your girlfriend. Things might get a little heated soon.”

Somewhere inside a fully automated café, Hansol was sitting beside you as he observed the people walking to and fro outside the busy street. He had been staying with you since that night and he was more than satisfied to explore his newfound freedom with you.

“So, you quit as well, huh?” a deep voice echoed across the café filled with people dressed in weird latex suits—you three being the only people dressed normally.

“There’s…I just don’t know…Seungcheol,” you replied, looking at your cup of macchiato with a pensive expression. “Sometimes, I get nightmares.”

The other man chuckled. “That those andys you retired might be human, right? Me too.”

You gave a bitter smile. “Humans and androids all seems to identical nowadays. Especially with that new research about human-android relationships…I feel like I’m killing humans when I retire androids…”

Seungcheol mirrored your expression.

“I felt the same. I felt like that for years…and the last one I did, SVT-class Type-07 Woozi…I couldn’t do it anymore. That android was too close to a human being. It was protecting its girlfriend,” Seungcheol recounted, as you looked at a newspaper article featuring a top scientist with a blond android leading the research on humans and androids, on top of the table.

“That line…there were rumors that there was an empathy organ embedded on its androids,” you remarked, relaying a very well-known information.

“He’s part of that line, isn’t he?” Seungcheol asked with a father-like knowing grin as he sipped his coffee—his eyes staring at the direction of a distracted Hansol.

You threw a smirk at him. “I couldn’t retire him. How could I refuse if he asked me to trust him?”

Your companion chuckled. “These andys knowing what to throw at us bounty hunters. But I didn’t regret letting that android live.”

You glanced at Hansol, and as soon as he realized your gaze, he looked at you curiously. “Me too. I think I’m at peace more than I was before. I didn’t realize it, but I was being stubborn.”

“You don’t dislike them anymore?” Seungcheol asked.

“I still dislike all this baloney,” you scoffed, pointing at your surroundings filled with people in white overalls with expressions induced by chemicals. “But I don’t dislike him.”

Seungcheol raised his brows at you. “I’m surprised you accepted the existence of an empathy organ.”

“I can’t deny that I’m skeptical about it, but I also can’t deny the fact that Hansol is different compared to all the androids I’ve met before. He made me realize how much anger I was hiding inside of me. He doesn’t make me feel lonely as this city does.”

“People are living in spaces separate from each other…not caring, not loving. It’s funny, you know?” you continued when your companion didn’t reply. “Androids are becoming more human, as humans become more robotic. You’d wonder what the future holds for us.”

He nodded in understanding.

“Yeah, you’d wonder.”

#seventeen #caratwritersclub #svtcreations #seventeen vernon #seventeen scenarios #seventeen fluff #seventeen imagines #hansol vernon chwe

[promptmaker]

Sinfully Nalu Prompt suggestions.

Here are suggestions for the Sinfully NaLu event prompts! If you want to use one, let me know and I can cross it out if you want. If none of these work for you but you still want an idea for the prompt, let me know and I can try to help!

1. Biting/Fangs/Teeth:  Now that Natsu and Lucy are together, Natsu has taken a liking to “marking” Lucy by leaving bite marks all over her. Though she enjoys it, it is a source of constant teasing from the other FT ladies whenever they bathe together. So she devises a way to get back at Natsu and leave some marks of her own. With research help from Levy, Lucy finds a spell that temporarily gives her fangs like Natsu. Next time they are alone together, they take great pleasure in marking each other up.

2. Biting/Fangs/Teeth: While fixing Natsu’s favorite spicy meal, Lucy spills some on herself after he sneaks up on her. Before she can get mad, Natsu is already licking the mess off of her. Liking the taste, he decides to make a meal out of Lucy instead.

3. Public Sex:  (Post Series) Fairy Tail is participating in the Grand Magic games yet again and are doing well. Natsu and Lucy are participating this year and after a few successful wins, they decide to celebrate in the team locker room.

4. Public Sex: During a stay at a fancy onsen,Lucy and Natsu indulge in a night of drinking at the bar after a dip in the hotspring. Unsurprisingly, Lucy becomes a bit tipsy and starts becoming extra  flirty and handsy with Natsu.  So he decides to end their night of drinking early and take Lucy back to their room to give her what she wants. Or he tries too but the place is big and gets lost. Lucy loses her patience and kisses Natsu against a wall and says she can’t wait anymore and they could go at it right then and there if they need to. Natsu is surprised but thrilled at her suggestion. Since it's late and the hallway is deserted, they go for it and Natsu takes her against the wall there.

5. Public Sex: Natsu and Lucy sneak off during a break at one of her book signings to have some fun at the back of the book store.

6. Public Sex: After starting the latest bar fight at the guild, Natsu is tasked with cleaning the FT pool as punishment. He manages to drag Lucy along to help him. But they can only see each other scantily clad and working up a sweat for so long before they go at it right in the pool.

7. Public Sex: (Modern AU)  Natsu and Lucy are enjoying a comic convention that they go to every year. Dressed up in cosplay the two wander the main hall and get quite a bit of attention due to their sexy cosplay. When Lucy gets a little too much attention, Natsu drags her off the main floor and finds a quiet place for a quickie.

8. Public Sex: When Lucy tells Natsu he can pick their next date location she knew she was asking for trouble and he confirms her fears by taking her to a nude beach. When she realizes he picked the location specifically to fluster her she decides two can play at that game and the two tease each other the entire time they are there. They of course get carried away and sneak somewhere hidden to go at it before they get caught.   Afterward Lucy realizes that she really had fun there and is open to returning.  Also works under the Secret prompt.  (Old Prompt)

9. Dirty Talk/Texting  Natsu and Lucy have been together for a couple of months now and can’t keep their hands off each other. It gets so bad that Lucy’s friends need to drag her away for some girl time at a spa/onsen. NaLu secretly keeps in touch via text and face time throughout Lucy’s trip but things escalate when a drunken and flirty Lucy starts sending Natsu risque pics and texts throughout her time there.   Their escapades end with a video chat session that turns steamy.  (Old Prompt)

10. Dirty talk/Sexting: After nearly destroying half a town during a mission, Natsu is brought before the magic council for the standard lecture. During which he mostly ignores them and texts Lucy under the table. To tease her, he makes the topic dirty and about the things they’ll do together when he gets home. But she takes him by surprise by making the conversation even dirtier and soon Natsu has another problem under the table.

11. Dirty Talk/Sexting:  Lucy and Natsu want to spice things up their sex life and they think adding dirty talk will help. They both do their own research on what they think sexy dirty talk will sound like (Lucy from the library/Levy, Natsu from the older FT guys). After their research they get together to put it to the test with… interesting results.

12. Dirty Talk/Sexting: Lucy is away on a week long photo shoot while Natsu is at home recovering from an injury. When he complains to her that he is bored, she decides to start sending him pictures of her in various sexy outfits she is wearing for the shoot. The messages between them become sexier and devolve into Natsu telling her what he wants to do to her and Lucy sending even more sexy/nude pics to instigate him (Optional: Lucy has a lady friend help her take the pics.)

13. Wedding night/Wedding:  Natsu and Lucy’s dream wedding is not going as expected. Natsu sees Lucy too early, the half the guests are delayed by a storm, there are issues with the food ect. So Natsu and Lucy find an empty room at the venue (or wherever the wedding takes place) and have a quiet moment together and are just glad they have each other. The tender moment quickly turns mischievous when one of them suggests a quickie to take the edge off. They are of course accidentally caught on camera by the wedding photographer.

14. Wedding Night/Wedding: NaLu have just gotten married and have just arrived at their hotel room to “celebrate”. Throughout the day, Natsu has been teasing Lucy that she looked great in her dress but he was going to burn it off her once they are alone and to his surprise she does encourage him to burn it off. Revealing that there was a spell on the dress that burned it off without hurting her and that she was wearing flame themed lingerie underneath. Now the fun can really begin.  (Lucy can switch out her actual wedding dress with this one before the scene takes place. I doubt she would burn the real thing.)

15. Snowed in/Trapped: Natsu and Lucy are stuck at home after several days of heavy snow. With Natsu crawling up the wall from boredom, Lucy makes a suggestion. With the help of Virgo and Natsu’s magic, they use the excess snow to create an impromptu hot spring in their backyard. As a challenge from Natsu, they two streak nude across the rest of the snow in their yard to get to the spring. An extra excuse to cuddle for warmth once they get there. Which of course leads to other things.

16. Snowed In/Trapped: A huge snow storm has blocked all the roads and has made a mess on the Dragneel household, so Natsu and Lucy spend their morning clearing the surrounding snow. Natsu of course starts a snowball fight that ends with him putting snow down Lucy’s shirt and her using Aquarius in retaliation. Now both thoroughly soaked, the two head inside, strip down, and must think of some creative ways to “warm up”.

17. Marking/Mating/Ritual:  An attempt to get Natsu’s DS mating cycle under control backfires when the spell that is supposed to calm him down, just gives his mating urges to Lucy instead. Now he must tend to her every need for 72 hours until the spell passes.

18. Marking/Mating/Ritual: After Lucy and Natsu get married, they are offered a rare honor by the Celestial Spirit King to perform a special mating ritual in the Celestial World. During this ritual their souls temporarily merge and it's supposed to be a deep bonding experience. Other future benefits is that they can share magic when they need to and can sense where the other is any time. They are given their own special villa to stay at where they can perform the ritual and not have to worry about their energy draining or losing time while in the Celestial World.

19. Starting a Family:  (Edolas)  Lucy Ashley is pregnant with her and Natsu Doragion’s first child and her sex drive is through the roof. So before he goes on his next solo mission, she is sure to get as much out of him as she can. He is more than happy (and a bit scared) to help.

20. Starting a Family: Natsu and Lucy have been in a friends with benefits relationship for quite some time, too afraid of ruining their friendship if they were to take things further. But when Natsu gets Lucy pregnant, they must figure out what their new relationship is going to be and how they are going to start a family together.

21. Massage/Masseuse: (Modern AU): Lucy has been visiting a massage parlor frequently lately (either for stress relief or for Physical Therapy). But mostly she goes there to flirt with her favorite masseuse, Natsu. He likes to flirt back too but attempts to be professional about it. Until eventually the sexual tension between them snaps and they go at it then and there.   (Roles can be flipped)

22. Massage/Masseuse: When Natsu takes a bad hit during a mission, he needs healing ointment rubbed onto his body regularly for a week. His girlfriend Lucy is happy to help him with this and they both indulge in a Nurse/Patient role-play they’ve been wanting to try.

23. Massage/Masseuse (Minor Hero’s/Edens Zero crossover): Lucy and Natsu are visiting the Edens Zero crew on their ship. When the crew becomes preoccupied with something, they encourage Natsu and Lucy to indulge in the bath and massage room. Which they gladly do. After their bath the two head to the massage room where Natsu plans on giving Lucy the rub down of her life!

24. Magic: (Whip) Lucy has gotten a new electrical whip. When Natsu puts them in the red again for being too destructive on a mission, she decides he needs to be punished. So next time they are intimate, she introduces the whip in the bedroom (Natsu is into this. She uses it to tie him up, lightly shock/stimulate him, and spanking (or whatever the writer wants.)

25. Magic: (X-Ray Glasses) Lucy gives Natsu magic glasses before a mission, telling him it's important that he wears them and it will help find what they are looking for.  What he doesn’t know is that they are actually Magic X-Ray Glasses. As revenge for an earlier prank done on her, Lucy enchants them to only work on her so Natsu can see through her clothes throughout the mission. But he can’t do anything about it with their teammates there (glasses could also be magically stuck to his face for a while), so he has to suffer his mate intentionally teasing him throughout the day until they finally get some alone time at an inn, where he pounces her and they both get some much needed release.

26. Magic: (Pleasure) NaLu are exposed to a “Pleasure” spell from a dark mage during a mission. They are forced to leave the dark mage in the care of their teammates as they scurry off to find a secluded area where they can work off the spell.   (Pleasure spell like Laracade’s, that sends a person into a heightened pleasured state until they reach completion with someone.)  (Old Prompt)

27. Magic: (Clones)  When Lucy makes the mistake of asking Cana what to get Natsu for his birthday, Cana crudely reveals that she has a new multiply card that can multiply anyone she touches with it and she convinces Lucy it would be a great bedroom surprise for Natsu. (Can also be given to Natsu)   (Old Prompt)

28. Magic: (Transform)  NaLu are at home practicing transformation magic for a mission. Once they get the hang of it they start having some fun with it. But once one (or both) of them find a transformation that the other finds too desirable for the other to ignore, the real fun can begin. (Bunny or Cat girl Lucy? Dragon Lord Natsu?  Whatever the writer wants!)  (Old Prompt)

29. Magic: (Invisibility) Natsu convinces Lucy to use a leftover invisibility potion to help him with some pranks at the guild. They quickly realize what other sexual mischief they can get up to at the guild now that  they won’t get caught.

30. Magic: (Unison Raid) While Natsu and Lucy are having an intense intimate moment, they activate a unison raid by accident. But instead of causing destruction, it amplifies everything they are feeling together.

#natsu dragneel #lucy heartifilla #nalu #smut #fanfic #prompts #sinfully nalu

[morrak]

Untitled Wednesday Library Series, Part 8

Lots of biology books so far. Don’t expect that to stop; they photograph easily and I have a bunch. Currently lining up a very special treat in that vein for a future week. The brand must be furthered.

Get your starched collars and ink pens ready; it’s time for a trip into the mind of Sir D'Arcy Wentworth Thompson CB FRS FRSE. A personal favorite: On Growth and Form (1917, as abridged and edited by John Tyler Bonner, 1961).

The How

For once, I don’t have a story for this; I’ve forgotten how I came by it. When my ~mentor, a physician turned clinical pathologist turned histologist, died, I inherited some of his library. Maybe it’s from there, but it doesn’t have his stamp. Possibly I just found it referenced in another book. I have some hunches but nothing concrete. Weird.

The Text

On Growth and Form is referenced, directly or indirectly, all the time. Less common is actually reading it. Some parts have aged quite badly (i.e. the comically incorrect chapter on egg shape that’s been removed for this edition), but it was/is one of the most influential works of the 20th century, both within and beyond biology.

Thompson’s interested in a lot of different things here, but mostly he tries to demonstrate that biological structures are often subject to simple physical and/or mathematical explanations. For Thompson, bubbles and beehives and cells are space-filling problems; shells are logarithmic spirals differing only by a single number; bones are force-describing structural members; skulls are slightly variable expressions of highly conserved coordinate systems.

The book helped disrupt vitalism in biology, which is nice. It also more or less kicked off biophysics and biomathemathics, which I gotta say have been neat. On the other hand he liked his structuralism so much he actually preferred it to natural selection, which...maybe not so much. For the second week in a row, we have a book that the development of molecular genetics treated badly.

Lots of biological illustration techniques can be traced back here, as can (for better or worse) much of modernist architecture. Also some other stuff, like from Alan Turing, but also more than a couple eugenicists. The history of biology is pretty fucking rocky.

The Object

As a physical object, it’s fine. Decent dimensions, acceptable weight. Very 60s in terms of paper quality and binding. It was taken care of equisitely before I got it, but nothing can stop the work of mediocre paper chemistry. I really wish this was hardcover, but since I applied a vinyl shell it behaves pretty respectably.

Full marks for typesetting and the quality of the figures — the illustrations, which Thompson mostly supplied himself, are rightly given center stage. They, at least, are gorgeous.

The Why, Though?

Honestly, the last chapter (17 in the original edition), which handles the Cartesian transformations, is reason enough. Absolute smash, that.

The illustrations are inspiring, the maths are kinda yikes, the sponges get due respect, and the long passages in French, Greek, and Latin were written long enough ago that it’s charming rather than painfully pretentious. Anyone who enjoyed high school bio should find a cheap copy and flip through it. Sometimes old science is good.

#images #untitled wednesday library series

[buzzdixonwriter]

TROTS AND BONNIE Review

Trigger Warning: This will review a work that often addresses human sexuality, emotional / physical / sexual abuse, and adolescents’ views on same.  Be advised.

. . . 

When I was growing up in the 1950s and early 1960s, two old comic strips that remained popular were J. R. Williams’ Out Our Way and Gene Ahern’s Our Boarding House, both started in the 1920s and, from their daily panels and Sunday pages, never moving out of that decade.  My favorite cartoons on local kid shows were Fleischer Brothers Betty Boop and Popeye cartoons, many of which took place in urban / suburban settings heavily reflective of 1920s and 1930s America.

So when I first encountered Shary Flenniken’s Trots And Bonnie I instantly recognized the flavor and style of the strips.

The content, on the other hand, came straight out of her underground comix pedigree, with the refreshing point of view of the female gaze instead of the admittedly too often misogynistic male cartoonists of the milieu.

Flenniken is one of the best artists and writers to come from the underground era, displaying a confident early mastery of the form (don’t listen to her protestations she really wasn’t good at the start of her career; she clearly ranked among the finest of the underground comix artists).

But the sweet and innocent look of Trots And Bonnie belies the frank and frequently shocking honesty of Flenniken’s work.  

As cartoonist Emily Flake notes in her introduction, “that’s the terrible power of children, the monstrous innocence that makes them capable of anything, a state of being we fatuously describe as ‘pure.’”

Innocence is not synonymous with purity in the world of Trots And Bonnie because the cast lack the moral and cultural filters we acquire as adults.  They are reporting on reality as they see it, and as with all children (and the elderly, and drunks) there’s nothing to stop them from commenting on the foibles of hypocrisy of humanity, nor is there a single iota of shame to hold back their expression.

And when you add the impact of puberty to that mix, holy &#@%, you have no room left for pretense or propriety.

Hold on to your hats, folks, ‘cuz it’s gonna be one helluva ride.

One helluva ride…and a hilarious one, too.

If modern audiences can get past the admittedly often shocking visuals and situations, they’ll find some of the most brilliant coming-of-age comedy ever penned.

The truth is always an absolute defense, and Trots And Bonnie dishes it out lavishly.  Brava to Shary Flenniken for having the courage (or honesty, of lack of filter; take your pick) to pen it, to the original underground comix and National Lampoon to publish it, and to new York Review Comics to bring almost all of it back (Flenniken herself opted to withhold a few strips that she feels might be construed now as hurtful or insulting).

Flenniken is the daughter of a military family, growing up in a variety of climes and places before her father retired in the Seattle area.

She reached adolescence and young adulthood during the hippie era, and the earliest strips cast a fond eye back on that time.

An original member of the infamous Air Pirates crew, she and fellow underground comix artists gained immediate recognition skewering Disney icons.  Air Pirates Funnies and Paul Kassner’s The Realist generated no small amount of tsuris for the House of Mouse in the late 1960s / early 1970s but The Realist, true to its name, possessed to good sense to adhere to the unofficial so-called “one-time fair use parody” rule while the Air Pirates pressed their luck with Air Pirates Funnies #2, resulting in the Disney legal department descending on them like an anvil dropped from orbit.

Crawling away from the wreckage, Flenniken kept contributing to a number of underground venues, creating the first Trots and Bonnie strip for the 1971 underground comix Merton Of The Movement. 

Trots and Bonnie (soon joined by Pepsi, a beguilingly sweet looking elfin-like child with the heart of Germaine Greer, the reproductive organs of Karen Finley, and the mouth of an interstate trucker) popped up in several single page strips and short stories until NatLamp recruited Flenniken in 1972 to be a regular contributor and (briefly) an editor.

NatLamp proved to be the perfect venue for Flenniken and her characters because the magazine possessed the economic mojo and suicidal “Who gives a &#@%?” attitude to publish Trots And Bonnie while at the same time providing a perfect audience of proto-incels who desperately needed some consciousness raising, especially if said consciousness raising arrived in the form of a kick in the groin.

Trots And Bonnie’s tenure at NatLamp lasted slightly more than two decades, but a big hunk of that era saw the Reagan culture wars raging, not to mention much of the country becoming obsessed with a literal modern day witch hunt in the infamous Satanic panic (an apt subject for Flenniken’s characters, but one she wisely avoided, thus following the old military adage, “Never draw fire on your own position.”).

The already edgy material in both NatLamp in general and Trots And Bonnie in particular threatened to be perceived as too edgy by law enforcement, legislators, and judicial authorities who seemed either unwilling or incapable of distinguishing between photographs and video of actual sexual assaults and rapes committed against real children as opposed to crudely drawn Xerox copied mini-comics made by outsider artists with audiences that might possibly number in the dozens.

Flenniken’s willingness to honestly recall the turbulent emotions of early adolescence resulted in stories and strips where prepubescent kids engage in activities and discussions that would be acutely problematic if done today.  Again, the utter lack of self-consciousness in Flenniken’s characters swerves her work away from the low grade smut ground out by many of her male contemporaries and flung open a window on how adolescent females perceived the world around them.

The stories are wildly transgressive, and like all transgressive art can only be understood in the context of their time and mores.  Flenniken’s art carries a sweetness that leavens out the most horrendous situations (she gets astonishing comedic mileage off a story about a woman raped by a police officer, never once blaming or exploiting the victim but lambasting the culture and mindset that makes such a crime possible).

The fact these stories are told from a vibrant feminist / sex positive point of view makes them relevant to this day, and Flenniken’s ability to draw both truth and humor from dysfunctional families, emotional abuse, and drug use keeps them from being one-note exercises.

Most importantly, Flenniken comes across as strongly pro-child, even while honestly depicting her own characters’ failings and misconceptions.

She always brings a genuine emotional connection with her characters as adolescents, neither glorifying nor patronizing them.

One of the most notorious Trots And Bonnie strips finds Bonnie looking at herself in a mirror, fantasizing she’s famous actresses of the past.*  

At the hands and brush of Norman Rockwell, this theme tries for poignant but lands in schmaltz, looking down on an anxious child studying her reflection in a mirror; in far too many bad novels by sub-par male writers, it’s borderline (and often not-so-borderline) pornography.

At the touch of Flenniken’s deft pen, it’s honest and sweet and shockingly frank but it never depicts Bonnie as a figment of the male imagination but as a character and personality all her own.

Flenniken has not done any new Trots And Bonnie strips since the last ones published in NatLamp in 1993.

To be honest, I think that’s a good thing.

The characters are of their particular time and cultural gestalt, it may not be possible to recapture that lightning in a new bottle, and rather than diminish the old, perhaps it best remains a perfect artefact of its era.

Mark Twain tried repeatedly but could never transport Tom Sawyer and Huck Finn out of antebellum Hannibal, and to use an example more contemporary to Flenniken’s work, the Fabulous Furry Freak Brothers resolutely thwart all efforts to move them out of San Francisco during the Summer of Love.

You can’t go home again, as Thomas Wolfe famously observed, but that only applies if you’ve successfully left home.  At a certain point, if you haven’t moved beyond your old confines, you never will.

Flenniken’s honest frankness could have turned into a big crosshair on her back during the cultural wars, but to paraphrase John Lennon, life happened while she was making comix.

She married twice, divorced once, widowed the second time.  While she never completely withdrew from professional illustration, she no longer sought out the high profile gigs.

Trots And Bonnie from New York Review Comics is the first extensive English language compilation of her strips and stories, a very handsomely produced volume designed by Norman Hathaway.

The strips are meticulously presented, making it possible to enjoy Flenniken’s fine line work and exquisite character depictions in greater detail than every before.  It’s a genuine delight, sure to thrill old time fans of the original strip and quite likely to win a new generation of admirers.

But brace yourselves, noobs, this ain’t your grandma’s Betty Boop…

© Buzz Dixon

 *  It should be noted that for all its apparent revolutionary newness, the counterculture of the 1960s and 1970s, the crucible that forged Flenniken’s point of view, also enthusiastically embraced the past.  W. C. Fields and the Marx Brothers became cultural icons to a new generation, Betty Boop regained her old popularity, old movies were rediscovered and reimagined, African-American spirituals and blues sprang from new voices, obscure books and novels from earlier decades and centuries became the new cultural touchstones.

I’ve posted elsewhere on how the boomer generation enjoyed a unique conflation of new technology and old media to produce a brand new synthesis; there has been nothing like it since even with astonishing advances in technology.  When old media is rediscovered and reinterpreted in this era, it too often tends to be in the form of irony, which mocks that which it cannot understand.

Give those old hippies their due -- they got the &#@%ing point!

#Shary Flenniken #Trots And Bonnie #New York Review Comics #comics #underground comix #Air Pirates #National Lampoon #NatLamp #cartooning #counterculture #hippies #1960s #1970s

[arecomicsevengood]

“Follow Your Own Star”

Lately I’ve found it hard to shake the feeling that everything of value is being destroyed, but we are being given simulacra in exchange, while we wait, to soften the blow. The relationship between the U.S. economy and what actually has value is basically nil, obviously, and COVID has only highlighted that, but beyond that, being in isolation has brought to light how much of what I consider “real” because it exists outside the bounds of money is nonetheless vulnerable. We’ve been given podcasts to fill our working hours with parasocial relationships where once we may’ve had genuine camaraderie with our coworkers. We’re given desultory political candidates to vote for in the absence of those who would govern in accordance with our actual beliefs. It feels like an elaborate art heist is taking place, where the masterpieces are exchanged for forgeries, and the endgame of those seeking to enrich themselves is to set a bonfire of all that’s made us human, all we’ve invested our true selves into. All this can occur only because our relationships have been made increasingly transactional already. I wondered at the start of quarantine how many couples, with the ability to see one another in the flesh compromised, had switched to having “sex” over Skype, how many intimate relationships were compromised by distance into resembling cam shows. Partly this curiosity was a way of comforting myself, as I came to the understanding that I would not be entering into anything approaching a real romantic relationship for the foreseeable future.

In the context of all of this, reading a book that feels reminiscent of the work of another artist feels like a minor thing, but it slips easily enough into the larger pattern. After reading Roaming Foliage by Patrick Kyle, I thought “Huh, this is very much a CF/Brian Chippendale thing.” Then, after reading Eight-Lane Runaways by Henry McCausland, I thought, “Oh, this is even more like a CF thing.” Both are, I think, appropriate for kids, which Powr Mastrs isn’t, but I also never read Powr Mastrs and felt like the thing that made it good was its BDSM pornography elements. People have been biting CF’s style for years — enough for him to address it with a little note in the third Powr Mastrs book, instructing them to “follow your own star.” Simon Hanselmann admits the similarities between the character design for Owl and a character in CF’s story in Kramers Ergot 5, Hanselmann’s subsequent popularity seems to suggest a moment where something becomes less of a direct influence and more just something that exists generally in the world. It’s art: Inspiration, influence, and appropriation are all part of the game. Reading Hanselmann, I’ve wondered what his work would’ve been like before exposure to his most obvious influences; reading these, I wondered instead if they would still have been made had Powr Mastrs 4 ever come out, to finish out the story and close the system; it feels like, in a transactional relationship between artist and audience, the fact of a work remaining unfinished makes it more socially acceptable to steal from. For instance, think of the debt Alejandro Jodorowsky’s The Holy Mountain owes to Rene Daumal’s Mount Analogue. It feels like an attempt to create something with an ending, to satisfy a desire for the logic to reach its conclusion. The comics fulfill a certain set of expectations, I found them a pleasant enough experience, satisfying on a certain level. However, on a deeper level, I found them completely unsatisfying, because they speak so directly to a sense of unfulfilled potential. They lack the thrill that CF’s comics provide, of totally transcending any expectations placed on them.

Measuring the impact made by CF, Paper Rad, and the Fort Thunder contingent is difficult to calculate, because there were so many radical gestures inside that work, and while some have been metabolized, others have not. The “reclamation of genre material in an art-school context” is maybe the most readily understood. Johnny Ryan’s Prison Pit probably wouldn’t exist were it not for these comics, but that’s such a “who cares” for me, such a dumbed-down and simplistic understanding of what makes these comics good. The silkscreening of covers is close behind, in terms of something that people really ran with. That’s fine, no one owns silkscreening, it looks great. What hasn’t really been reckoned with are the gestures against commodity fetishism. Paper Rodeo is progenitor of the free comics newspaper format, but the work that ran there is so much wilder than what you see in what followed, and most of it was anonymous. I understand why that was a gauntlet that wasn’t picked up, but is still one of the things that made an impact on its initial readership. Similarly, I haven’t seen anyone steal the CF format of the single-sheet xerox, with comics on the front and back. I guess that’s not surprising! But honestly? Sick format.

I’ve just been talking about comics, but Lightning Bolt playing on the floor is its own radical gesture, albeit one with an obvious precedent in the form of Crash Worship. The Forcefield oeuvre is its own thing. Those videos are great! The animation made out of photographing the cutting layers of multicolored clay… I wonder how much of this stuff hasn’t been picked up on because it’s the last stand of working with real world physical materials, before the coming of digital as the default medium for art students to work in. Obviously, the silkscreening has similar roots in physical media, and playing on floors relates directly to how you communicate with people when you’re in the same physical space as them. Real world community has distinct advantages, but many that came after took the trade for the benefits working digitally provides. Anyway. I could write a 33 1/3 book proposal for Lightning Bolt’s Ride The Skies that addresses all this stuff, but I also believe I would not be the best person to write such a book; I suspect those better suited would not be interested.

There is something so exciting about artists whose work feels overflowing with ideas, not just on a level of concept or drawing but also in terms of how the work is presented. That whole Providence/Picturebox crew was so abundant with this creative ferment that when I see others picking up on individual threads it makes sense on a certain level — you want more of a certain thing — but if it’s not backed up by something distinctly unique, as a reader I’m hyper-aware of what’s absent.

These artists also made books, and records, and it was their doing so that brought their work to a larger audience, including me. Not everything has to be a gesture against making money. But at the same time, radical gestures suggest the benefits made in fostering community work out better in the long term than leveraging oneself to be consumed as a commodity does. This is not to suggest that McCausland or Kyle are doing something wrong that will sabotage some sort of grand plan for utopia: I’m really just riffing here. If I buy electronic music mp3s online, I’m not necessarily going to lament the death of live music performance the same way I do when buying the mp3s of a jazz act. Looking at a contemporary superhero comic that feels dire and ugly will make me nostalgic for the Mike Parobeck comics of my youth, but a contemporary black and white zine exists in a completely different universe and might not remind me of anything. Certain things make you miss the world that was more than others.

It’s also worth noting that by all accounts Patrick Kyle has a bunch of people online ripping off his style but I have successfully been able to avoid such people. While Roaming Foliage is consciously modeled after the sort of weird adventure comics of not just Powr Mastrs, but also Brian Chippendale’s If N Oof,  What I am most often seeing and thinking “that’s a ripoff” is the presence of these geometrical patterns which are also similar to design choices made throughout his oeuvre. There’s a chaotic, obfuscatory energy approach to comics that he works with frequently, but so much of his other comics feel dark, melancholy, or paranoid whereas this feels much lighter in its tone. At the same time, compared to the claustrophobia of Don’t Come In Here, having his characters move about makes for an adventure narrative. Watching them wander, interact, and be given quests and goals belongs to this tradition that’s not unique to the Picturebox artists — but the feeling that this fantasy material was arrived at through adventure games like Zelda moreso than Tolkien makes for this sort of… generational level of familiarity, rather than seeming to occupy some sort of Campbellian myth-space, if that makes sense. The strangeness of Kyle’s art, where backgrounds overtake figures, suggests a sort of PC glitching, almost like the Cory Arcangel/Paper Rad collaboration Super Mario Movie, but achieved through photocopier technology of blowing up and distorting images. It is the sensation of a feeling being chased after that makes the book feel less exciting and more melancholy, though subsequently, that darker feeling might make the book slot into Kyle’s oeuvre so much that bigger fans of his might not even notice the resemblance I’m seeing.

McCausland has a list of acknowledgments in his book which includes CF alongside Herge and Otomo. I can sort of see them all, but Herge especially is an influence that’s been so widely absorbed by comics as a whole that I really only feel particularly aware of it in the case of Joost Swarte or something. McCausland’s resemblance to CF is reinforced by things as molecular as a resemblance in the lettering, which is really odd. The figures all have this youthful smallness to them, and I can’t tell if the characters are meant to be young specifically or if it’s just the way he’s learned to draw. I can see Otomo, but it’s definitely approached through the CF filter. Other trademarks, like the rendering of geometric shapes, the patterns of parallel lines, seems integrated, highlighted, by the “racetrack” premise that gives the book its name. However, he distinguishes himself because his work is more constantly busy, with the same general level of detail. There’s also these trees in the background, which seem like they’re rendered as these painted soft grey daubs, a type of texture you don’t see in CF’s darkened pencil work.

His storytelling is different, prone to large spreads, or showing the same character multiple times in a panel as they move across the landscape. (The dimensions of Eight-Lane Runaways are considerably larger than those of Powr Mastrs.) There are nonetheless panels that seem exactly like CF drawings, but with a less cryptic sense of humor. It feels more populist, like it’s based around what a person liked, and in the act of working it out, subtracted the mystery. What would’ve been a detailed “money shot” in a CF sequence is here the baseline level of drawing detail that never gets subtracted from. It’s really fascinating to me how this makes it less good, I think many people would prefer it.

I wrote most of this before learning that Anthology is releasing a new CF book next week. You can order it and see preview images at the Floating World site. You can draw your own conclusions. CF’s on his own path such that you might not even note a resemblance between his new images and McCausland’s. We’re all living on the same planet, orbiting the same sun in an expanding universe, subject to the will of an accelerating time.

[papermoonloveslucy]

LOOK! TV: TURN ON OR TURN OFF?

September 7, 1971

The September 7, 1971 issue of LOOK Magazine (volume 35, number 18) dedicated their entire issue to the medium of television. Inside, there is a feature titled “Lucille Ball, the Star That Never Sets...” by Laura Bergquist on page 54. 

The photograph on the cover is slightly distorted to give it the look of an image through a TV screen.  The shot was taken by Douglas Bergquist in January 1971. 

The issue presents a variety of viewpoints about the state of television. Is it ‘tired’ or is there an infusion of new energy to take it into the new decade? John Kronenberger writes an article that asks if cable television is the future. Hindsight tells us that it was not only the future, but is now the past. 

“Lucille Ball, the Star That Never Sets...” by Laura Bergquist. 

Bergquist first interviewed Lucille Ball in 1956 for the Christmas issue of Look. 

The photograph is by Douglas Kirkland, a Canadian-born photographer, who not coincidentally, also took the photograph used on the cover. This shot was taken in the garden of Ball’s home in June 1971.  At age 24, Kirkland was hired as a staff photographer for Look magazine and became famous for his 1961 photos of Marilyn Monroe taken for Look's 25th anniversary issue. He later joined the staff of Life magazine.

Bergquist launches the article talking about her friend Sally, who is besot with watching Lucille Ball reruns, preferring Lucy over the news. Under the headline, she sums up the purpose of her interview: “Sorry, Sally. But Lucy is a serious, unfunny lady. So how come she’s a top clown of the fickle tube for twenty years, seen at home 11 times weekly and in 77 countries?”  

LUCILLE BALL: THE STAR THAT NEVER SETS...

(Lucille Ball’s quotes are in BOLD. Footnote numbers are in parentheses.)

My neighbor Sally, nine, turns out to be a real Lucy freak. Though she likes vintage-house-wife I Love Lucy best, she'll watch Lucille Ball 11 times a week, if permitted. That's how often Madame Comedy Champ of the Tube, come 20 years this October, can be caught on my local box. Ten reruns, plus the current Here's Lucy on Monday night, CBS prime time. Friends, that's 330 weekly minutes of Lucy, which should be rank overexposure. Did you know that even the U.S. man-on-the-moon walkers slipped in ratings, second time around?

Quel mystery. Variety last fall announced that old-fashioned sitcoms and broad slapstick comedy are passé, given today's hip audiences. With one big exception - Lucy. When the third Lucy format went on in '68, reincarnating Miss Ball as a widowed secretary (with her real-life son, Desi Jr., now 18, and Lucie Jr., 20), Women's Wear Daily said not only were the kids no talent, but the show was "treacle." "One giant marshmallow," quoth the Hollywood Reporter, "impeccably professional, violence-free, non-controversial . . . 100% escapism." 

Miss Ball: "Listen, that's a good review. I usually get OK personal notices, but the show gets knocked regular."

So why does Sally, like all the kids on my block, love slapstick, non-relevant Lucy? "Because she's always scheming and getting into trouble like I do, and then wriggling her way out of it." A 44-year-old Long Island housewife: "Of course I watch. I should watch the news?" When the British Royal Family finally unbent for a TV documentary, what was the tribe watching come box-time? Lucy, over protests from Prince Philip. (1)

"I've been a baby-sitter for three generations," says Miss Ball briskly. "Kids watch me during the day [she outpulls most kiddy shows]. Women and older men at night. Teen-agers, no. They look at Mod Squad. Intellectuals, they read books or listen to records.... You know I even get fan mail from China?" MAINLAND CHINA? "Hong Kong, isn't that China?" No. "Where is it anyway?"

The Statistics on the Lucy Industry are numbing. In recent years, she has run in 77 countries abroad, including the rich sheikhdom of Kuwait, and Japan, where, dubbed in Japanese yet, she's been a long-distance runner for 12 years. Where are all those funny people of yesteryear - Jackie Gleason, the Smothers Brothers, Sid Caesar, the Beverly Hillbillies - old reliables like Ed Sullivan, Red Skelton? Gone, all gone, form the live tube - except for reruns dumped by sponsors, out of fashion, murdered in the ratings.

Even this interview is a rerun. Fifteen years ago, I sat in Miss Ball's old-timey movie-star mansion in Beverly Hills, wondering how much longer, oh Lord, could Lucy last? She has a different husband, a genial stand-up comic of the fast-gag Milton Berle school, Bronx-born Gary Morton, 49. He replaced Desi Arnaz, her volatile Cuban spouse (and costar and partner) of 20 years, who lives quietly in Mexico's Baja California, alongside a pool shaped like a guitar, with a second redhead wife. "Ever been here before?" asks Gary, now her executive producer, who's brightened the house decor. "Used to be funeral-parlor gray, right?"

Otherwise, the lady, like her show, seems preserved in amber. Though newly 60, she could be Sally's great-grandmother. Of a Saturday, she's unwinding from a murderous four-day workweek. Her pink-orange-fireball hair is up in rollers. Her black-and-blue Rolls-Royce, inherited from her friend, the late Hedda Hopper, is parked in the driveway. But in attitude and opinion, she comes across Madame Middle America, despite the shrewd show-biz exterior. Good egg. Believer in hard work, discipline, Norman Vincent Peale. Deadeye Dickstraight, she talks astonishingly unfunny - about Vietnam, Women's Lib, about which she feels dimly, marriage to Latins, books she toted up to her new condominium hideaway in Snowmass, Colo. "Snow" is her new-old passion, a throwback to her small-town Eastern childhood. For the first time in family memory, this lifelong workhorse actually relaxed in that 9,700-foot altitude for four months this year, learning to ski, reading Pepys, Thoreau, Shirley MacLaine's autobiography, "37 goddamned scripts, and all those Irvings" (Stone, Wallace, etc.). She had scouted for a mountain retreat far away from any gambling. Why? Is she against gambling? "No, I'm a sucker. I can't stay away from the tables."

From yellowing notes, I reel off an analysis by an early scriptwriter. Perhaps she comes by her comic genius because of some "early maladjustment in life, so you see commonplace things as unusual? To get even, to cover the hurt, you play back the unhappy as funny?"

Forget any deep-dish theorizing. "Listen, honey," says Miss B, drilling me with those big blue peepers, "you've been talking to me for four, five hours. Have you heard me say anything funny? I tell you I don't think funny. That's the difference between a wit and a comedian. My daughter Lucie thinks funny. So does Steve Allen, Buddy Hackett, Betty Grable."

BETTY GRABLE THINKS FUNNY? "Yeah. Dean Martin has a curly mind. oh, I can tell a funny story about something that happened to me. But I'm more of a hardworking hack with an instinct for timing, who knows the mechanics of comedy. I picked it up by osmosis, on radio and movie lots [she made 75 flicks] working with Bob Hope, Bert Lahr, the Marx Brothers, the Three Stooges - didn't learn a thing from them except when to duck. Buster Keaton taught me about props. OK, I'm waiting."

Well, I hedge, I caught Miss Ball in a few funny capers on the Universal lot this week. Like one day, in her star bungalow, she throws a quick-energy lunch in the blender - four almonds, wild honey, water, six-year-old Korean ginseng roots, plus her own medicine, liver extract. "AAAGH," she gags, then peers in the mirror at her hair, which is a normal working fright wig, "Gawd," she moans, "it looks as if I'd poked my finger into an electric-light socket!" No boffo line, but her pantomimed horror makes me laugh out loud. Working, she is fearless - dangling from high wires, coping with wild beasts. She talks of animals she's worked with, chimps, bears, lions, tigers. "I love 'em all, especially the chimps, but you can't trust their fright or panic. Like that baby elephant who gave a press job to a guest actress." (2) What's a press job? "Honey, once an elephant puts his head down, he keeps marching, right through walls." Miss Ball puts her own head down, crooks an arm for a trunk, and voila, is an elephant. Funny as hell. So off-camera she's no great wit, but then is Chaplin?

Four days a week, through the Thursday night filming before a live audience, she labors like some hungry Depression starlet. Monday a.m., she sits at the head of a conference table, lined by 12 staffers, editing the script. Madame Executive Tycoon in charge of everything, overseeing things Desi used to do. Also the haus-frau, constantly opening windows for fresh air and emptying ashtrays. She wears black horn-rims, three packs of ciggies are at the ready. "Do I have to ask for a raise again?" she impatiently drills the writers, "I've done that 400 times." "QUIET!" she yells during rehearsal, perching in a high director's chair, a la Cecil B. DeMille. "Isn't somebody around here supposed to yell quiet?" She frets about the new set. "Those aisles - they're a mile and a half wide. What for?" The audience is too far away, she won't get the feedback from their laughs are her life's blood. (Once I hear Gary Morton on the phone, in his British-antiqued executive office, saying: "We need your laugh, honey. Go down to the set and laugh; that's an order.")

That physical quality about her comedy, a la the old silent movies or vaudeville - which were the big amusements of her youth - seems to transcend any language. (A Moscow acting school, I was told, shows old Lucy clips as lessons in comic timing.) So what did she learn from that great Buster Keaton?

"At Metro, I kept being held back by show-girl-glamour typing. I always wanted to do comedy. Buster Keaton, a friend of director Eddy Sedgwick, spotted something in me when I was doing a movie called DuBarry - what the hell was the name? - and kept nagging the moguls about what I could do. Now a great forte of mine is props. He taught me all about 'em. Attention to detail, that's all it is. He was around when I went out on a vaudeville tour with Desi with a loaded prop." What's that? "Real Rube Goldberg stuff. A cello loaded with the whole act - a seat to perch on, a violin bow, a plunger, a whistle, a horn. Honey, if you noodge it, you've lost the act. Keaton taught me your prop is your jewel case. Never entrust it to a stagehand. Never let it out of your sight when you travel, rehearse with it all week." Ever noodge it? "Gawd, yes. Happened at the old Roxy in New York. I was supposed to run down that seven-mile aisle when some maniac sprang my prop by leaping out and yelling 'I'm that woman's mother! She's letting me starve.'" What did you do? "Ad-libbed it, and I am one lousy ad-libber."

After 20 years, isn't she weary of playing the Lucy character? "No, I'm a rooter, I look for ruts. My cousin Cleo [now producer of Here's Lucy] is always prodding me to move. She once said Lucy was my security blanket. Maybe. I'm not erudite in any way, like Cleo. But why should I change? Last year was big TV relevant year, and I made sure my show wasn't relevant. Lucy deals in fundamental, everyday things exaggerated, with a happy ending. She has a basic childishness that hopefully most of us never lose. That's why she cries a lot like a kid - the WAAH act - instead of getting drunk."

Aha! Is Lucy the guileful child-woman, conniving forever against male authority - whether husband or nagging boss - particularly FEMALE? ("None of us watch the show," sniffed a Women's Libber I know, "but she must be an Aunt Tom." Still, I ponder, hasn't that always been the essence of comedy, the little poor-soul man - or woman - up against the biggies?)

"I certainly hope so. You trying to con me into talking about Women's Lib? I don't know the meaning of it. I never had anything to squawk about. I don't know what they're asking for that I don't have already. Equal pay for equal work, that's OK. The suffragettes rightly pressed a hard case - and when roles like Carry Nation come along, they ask me to play them, perhaps because I have the physical vitality. But they're kind of a laughingstock, aren't they? Like that girl who gave her parents 40 whacks with an ax? Didn't Carry Nation ax things, was she a Prohibitionist or what?" (3)

She'd just said nix to playing Sabina, in the movie of Thornton Wilder's The Skin of Our Teeth. Why? "I didn't understand it." She turned down The Manchurian Candidate for the same reason. "Got that Oh Dad, Poor Dad script the same week and thought I'd gone loony." If she makes another movie, she'll play Lillian Russell in Diamond Jim with Jackie Gleason, "a nice, nostalgic courtship story that won't tax anyone's nerves." (4) 

Is Miss Ball warmed by the comeback of old stars in non-taxing Broadway nostalgia shows like No, No, Nanette? (5)

"Listen, I studied that audience. I saw people in their 60's and 70's enjoying themselves. That had to be nostalgia. The 30's and 40's smiled indulgently, that Ruby Keeler is up there on the stage alive, not dead. For the below 30's, it's pure camp. I don't put it down, but it’s not warm, working nostalgia, but the feeling 'Ye gods, anything but today'

"Maybe I'm more concerned about things that I realize. I told you politics is definitely not on my agenda - I got burned bad, back in the '40's signing a damned petition as a favor. (6) Just say the word 'politician,' and I think of chicanery. Too many subversive angles today. But I must be one of millions who are so fed up, depressed, sobbing inside, about the news...the atrocities, the dead, the running down of America. You can't obliterate the news, but the baddest dream is that you feels so helpless.

"I was sitting in this very chair one night, flipping the dial, and came to Combat! There were soldiers crouching in bushes, a helicopter hovering overhead. Nothing happening, so I make like a director, yelling, 'Move it! This take is too LONG!' It turned out to be a news show from Vietnam. That shook me. There I was criticizing the director, and real blood was dripping off my screen... That drug scene bugs me. It's ridiculous, self-indulgent. We're supposed to be grateful if the kids aren't on drugs. They're destroying us from within, getting at our youth in the colleges. OK, kids have to protest, but how can they accomplish anything if they're physically shot?

"One of the reasons I'm still working is that people seem grateful that Lucy is there, the same character and unchanging view. There's so much chaos in this world, that's important. Many people, not only shut-ins, depend on the tube, too much so - they look for favorites they can count on. Older people loved Lawrence Welk. They associated his music with their youth. Now he's gone. It's not fair. (7) They shouldn't have taken off those bucolic comedies; that left a big dent in some folks' lives. Maybe we're not getting messages anymore from the clergy, the politicians, so TV does the preaching. But as an entertainer, I don't believe in messages.

"Some Mr. Jones is always asking why am I still working - as if it were some crime or neurotic. OK, I'll say it's for my kids. But I like a routine life, I like to work. I come from an old New England family in which everyone worked. My grandparents were homesteaders in New York and Ohio. My mother worked all her life - during the Depression in a factory."

What does she think of the new "relevant" comedy like All in the Family? "I don't know... It's good to bring prejudice out in the open. People do think that way, but why glorify it? Those not necessarily young may not catch the moral. That show doesn't go full circle for me."

Full circle?

"You have to suffer a little when you do wrong. That prejudiced character doesn't pay a penance. Does he ever reverse a feeling? I'm for believability, but I'm tired of hearing 'pig,' 'wop,' 'Polack' said unkindly. Me, I have to have an on-the-nose moral. Years ago, the Romans let humans be eaten by lions, while they laughed and drank - that was entertainment. But I’m tired of the ugly. Fred Astaire and Ginger Rogers dancing, that's my idea of entertainment. Anything Richard Burton does is heaven. Easy Rider scared me at first because I knew how it could influence kids. But at least that movie came full circle. They led a life of nothing and they got nothing. Doris Day, I believe in her. Elaine May? A kook, but a great talent. Barbra Streisand? A brilliant technician."

On her old ten-minute daily interview radio show, (8) she once asked Barbra, like any star-struck civilian: How does it feel to be only 21, a big recording artist and star of the Broadway hit Funny Girl? "Not much," said Barbra. "That cool really flustered Lucille. It violated everything she believes in," says cousin Cleo Smith, who grew up with Miss B in small-town Celoron, N.Y. "For her, nothing ever came easy. She didn't marry until she was 30, or become a really big star until she was 40. She's still so hard on herself, sets such rigorous standards for herself as an actress and parent. She honestly believes in all the old maxims, that a stitch in time saves nine, etc. She's literal-minded, a bit like Scarlett O'Hara. Does what needs doing today, and to hell with tomorrow."

Her self-made wealth a few years ago was reckoned at $50 to $100 million. After her divorce, she reluctantly took over the presidency of the Desilu studio and sold it six years later to the conglomerate Gulf & Western for nearly $18 million. Does that make her the biggest lady tycoon in Hollywood? (The 179 original I Love Lucy reruns now belong, incidentally, to a CBS syndicate; her second Lucy Show, to Paramount. She owns only the current Here's Lucy - OK, go that straight?)

"Hah! Like Sinatra, I owe about three and a half million bucks all the time. That figure is ridiculous. All my money is working. I lost a helluva lot in the stock market last year and haven't recouped it. It's an illusion that people in show biz are really rich. The really filthy rich are the little old ladies in Boston, the old folks in Pasadena, who've had dough for years and haven't been seen since."

The divorce from Desi Arnaz can still set her brooding. "It was the worst period of my life. I really hit the bottom of despair - anything form there on had to be up. Neither Desi nor I has been the same since, physically or mentally, though we're very friendly, ridiculously so. Nobody knows how hard I tried to make that marriage work, thinking all the trouble must be my fault. I did everything I could to right that ship, trotting to psychiatrists. I hate failure, and that divorce was a Number One failure in my eyes... Anything in excess drives me crazy. He'd build a home anyplace he was, and then never be around to enjoy it. I was so idealistic, I thought that with two beautiful babies, and a beautiful business, what more could any man want? Freedom, he said, but he had that. People don't know what a job he did building that Desilu empire, what a great director and brilliant executive he was yet he let it all go....Maybe Latins have an instinct for self-destruction..."

Was that the conflict, a Latin temperament married to an old-fashioned American female? "It has a helluva lot to do with getting into it and getting out. The charm. But they keep up a big facade and don't follow through. No, the machismo didn't bother me, I like to play games too.

"Desi and I had made an agreement that if either of us wanted to pull out of Desilu, the other could buy. I wanted to go to Switzerland with the kids, anywhere to run away, but he wanted out. The I found out that for five years, our empire had taken a nose dive, and if I wanted to get my money back, I had to rebuild it first. For the first time in my life, I was absolutely terrified - I'd never run any show or a big studio. When I came back from doing the musical Wildcat on Broadway, I was so sick, so beat, I just sat in that backyard, numb, for a year. I'd had pneumonia, mononucleosis, staph, osteomyletis. Lost 22 pounds. Friends told me the best thing I could do physically, psychologically, was go back to work, but could I revive Lucy without Desi, my old writers, the old crew?"

You didn't like being a woman executive? "I hated it. I used to cry so much - and I'm not a crier - because I had to let someone go or make decisions I didn't understand. There were always two sides to every question, and trouble was I could see both sides. No one realizes how run-down Desilu was. The finks and sycophants making $70,000 a year, they were easy to clean out. Then during the CBS Jim Aubrey regime, I couldn't sell the new pilots we made - Dan Dailey, Donald O'Connor, Ethel Merman. I couldn't sell anything but me." (9)

Was it tough to be a woman bossing men? "Yeah. It puts men in a bad spot. I could read their minds, unfortunately, wondering who is this female making this decision, not realizing that maybe I'd consulted six experts first. I'm all wrong as an executive, I feel out of place. I have too many antennae out, I'm too easily hurt and intimidated. But I can make quick surgical incisions. I've learned that much about authority - give people enough rope to hand themselves, stand back, let them work, but warm them first. Creative people you have to give special leeway to, and often it doesn't pay off. Me, I'm workative, not creative. I can fix - what I call 'naturalize.' I'm a good editor, I can naturalize dialogue, find an easier way to do a show mechanically.

But I didn't make the same marriage mistake twice. Gary digs what my life is, why I have to work. We have tranquility. We want the same things, take care of what we have."

She shows me Gary's dressing room, closets hung with shirts and jackets - by the dozen. "My husband is a clothes and car nut, but it's a harmless vice. Better than booze or chasing women, right?" (His cars include a 1927 Model T Ford, a Mercedes-Benz 300 SL, an Astin Martin, a Rolls-Royce convertible.)

"Anyone married to me has an uphill climb. Gary and I coped by anticipating. We knew we should be separated eight, nine months a year, so he tapered off his act, found other thing to do - making investments, building things. He plays the golf circuit, Palm Springs, Pebble Beach, and tolerantly lets me stay at Snowmass for weeks. Sun just doesn't agree with me. He didn't come into the business for five years. I didn't want to put him in a position in which he would be ridiculed. I could tell that he was grasping things - casting, story line. I said, 'You've been a big help to me. You should be paid for it.' "

On a Friday night, I dine with the Mortons. Dinner is served around 6:30, just like in my Midwest hometown. Lucille is still fretting about this week's show - "over-rehearsed; because there were so many props, the fun had gone out of it." Gary, just home from unwinding his own way - golfing with Milton Berle, Joey Bishop - asks if I'd like something to drink with dinner? Coke or ginger ale? "No? I think we have wine." No high living in this house, but the spareribs are superb. "Laura asked me an interesting question," he tells his wife. "Like isn't there a conflict when a husband in the same business - comedy - marries a superstar? I told her I'd never thought of it before."

They met the summer when Lucille was rehearsing Wildcat, and he was a stand-up comic at Radio City Music Hall, seven days a week. "We both came up the hard way," he says. "I got started in World War II, clowning for USO shows. I've been in show biz for 30 years and can appreciate what she goes through. Lucy can't run company by herself. Maybe with me around, when she walks on the set, her mind is at peace. I pop in from time to time, on conferences, rehearsals. I can tell from her if things are going well, if the laughter is there. She's a thoroughbred, very honest with me, a friend to whom I can talk about anything. She never leaves me out of her life; that's important for a man. Do you know how many bets were lost about our marriage lasting? It's been nearly ten years now, and I've slept on the couch only once."

Past dinner, we adjourn promptly to the living room, and a private showing of Little Murders. It's not a pretty movie of urban American life, and Lucy talks back indignantly to the screen. (10) The flick she rally like was George Plimpton's Paper Lion, with the Detroit Lions, which she booked under the illusion it was an animal picture. "At the end, 12 of us here stood up and cheered, and I wrote every last Lion a fan note. You know that picture hardly made a dime?"

On a house tout, I'd noted the Norman Rockwell and Andrew Wyeth albums in the living room, and a memo scotch-taped to her bathroom wall: "Get Smart with N.V.P."

N.V.P. Is that Norman Vincent Peale, her old friend and spiritual mentor? "Yes. He marred me and Gary. I still adhere to his way of thinking because he preaches a day-to-day religion that I can understand. Something workable, not allegory. Like how do you get up in the morning and just get through the day?

"Dr. Peale taught me the art of selfishness. All it means is doing what's right for you, not being a burden to others. When I was in Wildcat, he dropped around one night saying, 'I hear you're very ill, and working too hard.' 'Work never hurt anybody,' I protested. But he reminded me I had two beautiful children to bring up, and if I was in bad shape, how could I do it? I've learned you don't rake more leaves than you can get into the wheelbarrow. I've always been moderate, but I was too spread around, trying to please too many people. You don't become callous, but you conserve your energies."

What about her kids? Passing a newsstand, I'd noted a rash of fan mags blazoned with headlines about Desi Jr., something of a teen-age idol, and at 18 a spitting image of old pop. (A rock star at 12, he'd recently garnered very good notices indeed for a movie role in Red Sky at Morning.) "Why Lucille Ball's Son Is So Bitter About His Own Mother," read the El Trasho covers. "Patty Duke Begs Desi Jr. To Believe Her: 'You Made Me Pregnant.' " Does the imbroglio bother this on-the-nose moralist?

"I worked for years for a quiet personal life and to have to personally impinged on, with no recourse, is hard. I brought Patty to the house, feeling very maternal about her, saying look at this clever girl, what a big talent she is. Now, I can thank her for useless notoriety. She's living in some fantastic dreamworld, and we're the victims of it. Desi being the tender age of 17 when they met, she used him. She hasn't proved or asked for anything. I asked Desi if he wanted to marry her and he said no. My daughter helped outfit the baby, which Patty brought to the house, but did she ever say thank you?

"Desi's going to CIA this fall." Not the CIA? No, the new California Institute of the Arts, where he'll study music. "Yes, he's very much like his father, too much sometimes - I just hope he has Desi's business acumen. I'm glad he didn't choose UCLA or Berkeley or a school full of nonconformists. Lucie just now wants marriage and babies - maybe she'll go on to college later.

"I took the kids out of school deliberately. Desi was at Beverly Hills High, Lucie at Immaculate Heart."

Why? "I didn't like the scene - it was the usual - pregnant girls, drugs." That goes on at Immaculate Heart? Sure. "A lot of girls who boarded there were unhappy misfits, and Lucie was already working in the nunnery. All the friends she brought home were the rejected. I'm that way myself."

Did they mind, well, your stage-managing their lives? "No, they were as sick of that weird high school scene as I was. I made them a proposition - told them to think it over for a month, while I was in Monaco. Do you want to be on the show? I told them the salary would be scale, that most would be put in trust. They'd be tutored and not able to graduate with their classes. They both thought they were going to the coast, but working with a tutor, they really got turned on by books for the first time. They wanted to be in show business, and I wanted to keep an eye on them."

Of course her show is nepotism, she grants. "Cleo thought a long time before becoming the producer, wondering if it wasn’t overdoing family. Nobody seems to be suffering from it, I told her." Thursday night show time is like a tense Broadway opening night. Gary Morton, in stylish crested blazer, warms up the audience, heavy with out-of-town tourists. "Lucy started out with another fellow, can't remember his name.... What is home without a mother? A place to bring girls." Lucille bursts out onstage, exuding the old MGM glamour, fireball hair ablaze, eyelashes inches long, in aquamarine-cum-rhinestone kaftan. "For God's sake," she implores, "laugh it up! We want to hear from you... Gary, have you introduced my mom?" Indeed he has. Loyal, durable, 79-year-old Desiree "DeDe" Ball, her hair pink as Lucille's, has missed few of the 409 Lucy shows filmed to date, and is on hand as usual with 19 personal guests. Gary also asks for big hands for Cleo, and her husband Cecil Smith, TV critic for the LA Times, who has also appeared on the show. (11) 

One day Desi Jr. wanders on the set, just back from visiting his father in Mexico. He'd gone with Patty Duke and the baby. The young man does have Latin charm, and apparently talent. I ask him a fan-mag query: Is it rough to be the spin-off of such famous show-biz parents?

"Well, I grew up with kids like Dean Martin, Jr., and Tony Martin, Jr., and we had a lot in common." What? "We all had houses in Palm Springs." Any generational problem with Mom? "She's found the thing she's best at, and sticks to it. As long as she has Snowmass, she has an escape, some reality. I realize she lives half in a man's world, and that must be tough on a woman. My father - he worked hard for years, and then he'd had it. This is silly, weird, he felt. He aged more in ten years than he had in 40. I'm like him. I feel life is very short. He's had major operations recently, and he's changed a lot."

Patty Duke is six years older than Desi Jr., paralleling the six-year age gap that separated parents Lucy and Desi. "Patty is a lot like my mother, the same drive, and strong will, a perfectionist...But I'm never going to get married. Marriage is unrealistic, expecting you to devote a whole life unselfishly to just one person. Do you know people age unbelievably when they marry? From what I've seen, 85 percent of married couples are miserable; 14 percent, just average; one percent, happy." (12) 

His mother's own childhood, in little Celoron, an outspring of Jamestown, N.Y., was oh-so-different from her kids'. "She was always a wild, tempestuous, exciting child," say Cleo, "doing things that worried people, plotting and scheming, though she knew she'd get in trouble." Interesting, because that's one basic of the Lucy format, Miss B forever finagling second bananas like Vivian Vance into co-trouble. "One summer, she conned me into running away. It was only to nearby Fredonia, but in her sneaky way she really wanted to catch up to a groovy high school principal who was teaching there. He played it very cool, calling Mom and telling her we were staying overnight in a boarding house. On his advice, when we got home, DeDe acted as if we hadn't been away. That devastated Lucille, no reaction, nothing."

The classic Lucy story line also has her conniving against male authority, whether husband or boss, now played by Gale Gordon. "I need a strong father or husband figure as catalyst. I have to be an inadequate somebody, because I don't want the authority for Lucy. Every damned movie script sent me seems to cast me as a lady with authority, like Eve Arden or Roz Russell, but that's not me.

"No, I don't remember my own father," says Miss Ball. "He was a telephone lineman who died of typhoid at 25, when I was about three. I do remember everything that day, though. Hanging out the window, begging to play with the kids next door who had measles... The doctor coming, my mother weeping. I remember a bird that flew in the window, a picture that fell off the wall.

"My brother Fred [who was born after her father's death] was always very, very good. He never did anything wrong - he was too much to bear. I was always in trouble, a real pain in the ass. I suppose I wasn't much fun to be around." To this day, says Cleo, Lucille suspects Fred is her mother's favorite, even though DeDe has devoted her whole life to this daughter.

Family ties were always fierce-strong. After her father's death, "We lived with my mother's parents, for a while. Grandpa Hunt was a marvelous jack-of-all-trades, a woodturner, eye doctor, mailman, bon vivant, hotel owner. [And also an old-fashioned Populist-Socialist.] He met my grandmother, Flora Belle, a real pioneer woman and pillar of the family, when she was a maid in his hotel. She was a nurse and midwife, an orphan who brought up four pairs of twin sisters and brothers all by herself. He took us to vaudeville every Saturday and to the local amusement park. When Grandma died at 51, all us kids had to pitch in, making beds, cooking.

"Yeah, I guess I am real mid-America, growing up as a mix of French-Scotch-Irish-English, living on credit like everyone else, paying $1.25 a week to the insurance man, buying furniture on time. But it was a good, full life. Grandpa took us camping, fishing, picking mushrooms, made us bobsleds. We always had goodies. I had the first boyish bob in town and the first open galoshes.

"My mother then married Ed Peterson, a handsome-ugly man, very well-read. He was good to me and Freddy but he drank too much. He was the first to point out the magic of the stage. A monologist came to town on the Chautauqua circuit. He just sat onstage with a pitcher of water and light bulb and made us laugh and cry for two hours. For me, this was pure magic. When I was about seven, Ed and mother moved to Detroit, leaving me with his old-fashioned Swedish parents, who were very strict. I had to be in bed at 6:30, hearing all the other kids playing outside in the summer daylight. Maybe it wasn't that traumatic, but I realize now it was a bad time for me. I felt as if I'd been deserted. I got my imagination to working, and read trillions of books."

The adult Lucille, talking to interviewers, used to go on and on about her "unhappy" childhood, little realizing that she was reflecting on her mother, to whom she is passionately devoted. "Just how long do you think you lived with the Petersons?" asked DeDe one day in a confrontation. "Three YEARS? Well I tell you it was more like three weeks."

"I left home at 15, much too early, desperate to break into the big wide world. Looking for work in New York show biz was ugly, without any leads or friends or training other than high school operettas and plays and Sunday school pageants. I was very shy and reticent, believe it or not, and I kept running home every five minutes. I got thrown in with older Shubert and Ziegfeld dollies and, believe me, they were a mean, closed corporation. I don't understand kids today who get easily discouraged and yap about doing their own thing. Don't they know what hard work is? Where are their morals? I always knew when I did wrong, and paid penance."

Yet she was venturesome enough to sit in on some recent Synanon group-therapy sessions for drug addicts. "They wanted me to raise some money, and I wanted to find out what it was about. The games were fascinating, wonderful, until I couldn't take it any more. The other participants kept bugging me: What are you here for? Are your children drug addicts? I had to start making up problems."

For two decades, she's been risking her neck in those murderous ratings, outlasting long-ago competitors like Fulton Sheen, and now up against such pleasers as pro football and Rowan and Martin. (13) 

Suppose the ratings drop, what would she do?

No idea. "Might take a trip on the Inland Waterway form Boston to Florida. In my deal with Universal, I can make specials, other movies, TV pilots. I wouldn't have to ski 'spooked' at Snowmass." What's that? "Honey, I have to be careful. If I break a leg 500 people are out of work. (14) I'd be happy in some branch of acting with some modicum of appreciation. Listen, it never occurred to me, in life that I'd fail ever, because I always appreciated small successes. I never had a big fixed goal. When I was running Desilu, it drove me wild when people asked, 'Aren't you proud to own the old RKO studio where you once worked as a starlet?' What $50-a-week starlet ever walked around a lot saying, 'I want to own this studio'?

"I don't know what you've been driving at, what's your story line? But it's been interesting, talking."

FOOTNOTES: HINDSIGHT IS 20/20

(1) This refers to a rare 1969 BBC documentary about Britain’s royal family that gave the public an inside look at the life of the Windsors. In one scene, the family was watching television, and on the screen was “I Love Lucy”, much to the chagrin of Prince Philip. Queen Elizabeth and Prince Philip were mentioned on the series, especially in the episode “Lucy Meets the Queen” (ILL S5;E15).  

(2) Lucy is referring to a 1967 episode of “The Lucy Show” titled “Lucy The Babysitter” (TLS S5;E16) in which Lucy Carmichael babysits three rambunctious chimps for their parents, played by Jonathan Hole and Mary Wickes. In the final moments of the show, Wickes reveals a fourth sibling - a baby elephant!  The animal went wild and pushed Wickes (what Ball described as a “press job”) into one of the prop trees. The trainer had to physically subdue the elephant to get it away from Wickes, who injured her arm. The final cut ends with the entrance of the baby elephant.

(3) Lucy is conflating (probably intentionally) the stories of real-life prohibitionist Carrie Nation (1846-1911), who famously hacked up bars and whisky barrels with an axe, and Lizzie Bordon (1860-1927), who famously hacked up her parents with an axe. (Photo from the 1962 TV special “The Good Years” starring Lucille Ball and Henry Fonda.) 

(4) There was never a film version of Thornton Wilder’s play Skin Of Our Teeth which was on Broadway in 1942 starring Tallulah Bankhead as Sabina, the role offered to Ball.  There were several television adaptations; one in Australia in 1959; one in England the same year starring Vivian Leigh as Sabina;  one in the USA in 1955 starring Mary Martin (above) as Sabina; and a filmed version of a stage production starring Blair Brown as Sabina in 1983. Although it is possible that Lucille Ball might have been considered for the role of the sexy housemaid Sabina in 1955, the article says that the role was “just” offered to her, so it probably refers to a 1971 project that never materialized. Wilder’s story tracks a typical American family from New Jersey from the ice age through the apocalypse. 

(5) In 1971, there was a popular revival of the 1925 musical comedy No, No, Nanette on Broadway. The cast featured veteran screen star Ruby Keeler and included Helen Gallagher (playing a character named Lucille, coincidentally), Bobby Van, Jack Gilford, Patsy Kelly and Susan Watson. Busby Berkeley, nearing the end of his career, was credited as supervising the production, although his name was his primary contribution to the show. The 1971 production was well-reviewed and ran for 861 performances. It sparked interest in the revival of similar musicals from the 1920s and 1930s. The original 1925 cast featured Charles Winninger, who played Barney Kurtz, Fred’s old vaudeville partner on “I Love Lucy.” In that same episode (above), they sing a song from the musical, "Peach on the Beach” by Vincent Youmans and Otto Harbach. Like the revue in the episode, the musical is set in Atlantic City, New Jersey.  

(6) Lucy is referring to her 1936 affidavit of registration to join the Communist Party.  Lucille said she signed it to appease her elderly grandfather. The cavalier act caught up with Ball in 1953, when zealous red-hunting Senator Joe McCarthy tried to purge America of suspected Communists. Although many careers were ruined, Ball escaped virtually unscathed.  

(7) The popular big band music series “The Lawrence Welk Show” (1955) was unceremoniously canceled in 1971 by ABC, in an attempt to attract younger audiences. What Lucy doesn’t mention is that four days after this magazine was published, the show began running brand new shows in syndication, which continued until 1982. Welk, despite not being much of an actor, played himself on “Here’s Lucy” (above) in January 1970. 

(8) “Let’s Talk To Lucy” was a short daily radio program aired on CBS Radio from September 1964 to June 1964. Most interviews (including Streisand’s) were spread over multiple installments.  

(9)  To showcase possible new series (pilots) Desilu and CBS aired “Vacation Playhouse” (1963-67) during the summer when “The Lucy Show” was on hiatus.  This would often be the only airing of Lucy’s passion projects. “Papa GI” with Dan Dailey as an army sergeant in Korea who has his hands full with two orphans who want him to adopt them. The pilot was aired in June 1964 but it was not picked up for production. “Maggie Brown” had Ethel Merman playing a widow trying to raise a daughter and run a nightclub which is next to a Marine Corps base. The pilot aired in September 1963, but went unsold. “The Hoofer” starring Donald O’Connor and Soupy Sales as former vaudevillians aired its pilot in August 1966. No sale! 

(10) Little Murders (1971) was a black comedy based on the play of the same name by Jules Feiffer. The film is about a young nihilistic New Yorker (Elliott Gould) coping with pervasive urban violence, obscene phone calls, rusty water pipes, electrical blackouts, paranoia and ethnic-racial conflict during a typical summer of the 1970s. Definitely not Lucille Ball’s style of comedy!  Paper Lion (1968) was a sports comedy about George Plimpton (Alan Alda) pretending to be a member of the Detroit Lions football team for a Sports Illustrated article. 

(11) Cecil Smith appeared in “Lucy Meets the Burtons” (HL S3;E1) in 1970 playing himself, a member of the Hollywood Press with a dozen other real-life writers. The casting was a way to get better coverage of the episode (featuring power couple Dick Burton, Liz Taylor, and her remarkable diamond ring). The gambit worked and the episode was the most viewed of the entire series. 

(12) Desi Jr.’s 1971 views on marriage did not last. He married actress Linda Purl in 1980, but they divorced in 1981. In October 1987, Arnaz married dancer Amy Laura Bargiel. Ten years later they purchased the Boulder Theatre in Boulder City, Nevada and restored it. They lived in Boulder with their daughter, Haley. Amy died of cancer in 2015, at the age of 63.   

(13) From 1952 to 1957, Catholic Bishop Fulton J. Sheen hosted the inspirational program “Life Is Worth Living”, winning an Emmy Award in 1953, alongside winners Lucille Ball and “I Love Lucy.”  “Here’s Lucy” was programmed up against “Monday Night Football” on ABC and “Rowan and Martin’s Laugh-In” on NBC.  Instead of ignoring her competition, Ball embraced them by featuring stories about football and incorporating many of the catch phrases and guest stars from “Laugh-In.” 

(14) Lucy spoke too soon!  Just a few months after this interview was published Ball did indeed have a skiing accident in Snowmass and broke her leg. With season five’s first shooting date approaching, Ball was faced with either ending the series or re-write the scripts so that Lucy Carter would be in a leg cast.  She chose the latter, even incorporating actual footage of herself on the Snowmass  slopes (above) into "Lucy’s Big Break” (HL S5;E1). 

Elsewhere in the Issue...

“This Was Our Life” by Gene Shalit includes images of Lucille Ball in the collage illustration. 

A week after this issue of Look hit the stands, the fourth season of “Here’s Lucy” kicked off with guest star Flip Wilson and a parody of Gone With the Wind.  Three days later, Ball guest-starred on his show. 

Not to be outdone, LOOK’s rival LIFE also devoted an entire issue to television, on news stands just three days later.  

Naturally, “I Love Lucy” didn’t escape mention!  I’m not sure why the show’s run is bifurcated: 1952-55, 1956-57.  Actually, the show began in 1951 and ran continually until 1957. 

Click here for more about Look, Life and Time! 

#Look Magazine #1971 #Lucille Ball #Here's Lucy #Lucy #Laura Bergquist #Douglas Kirkland #Desi Arnaz Jr. #Cleo Smith #Cecil Smith #Little Murders #Flip Wilson #Snowmass #Lawrence Welk #Let's Talk To Lucy #Mary Martin #Skin of Our Teeth #I Love Lucy #No No Nanette #The Good Years #The Lucy Show #Mary Wickes #Royal Family #Paper Lion #Television #TV Guide

[omega-deku]

So I would love to progress on my art and try comics any tips? ÙwÚ

Hi! I’m so sorry about the late reply. D: I hope you don’t mind if I take this opportunity to address all the anon messages about how we can improve as artists. 

I have a tough time answering this question because there is so much I need to learn. I’m super flattered that some of you feel that my art is good enough to ask me for tips, first of all!! So thank you, guys.

It’s a struggle because I only recently started taking up art again. So I’ve forgotten a lot of the things. So I’m probably not the best person to ask about this.

I used to draw all the time as a kid, but after high school, I stopped drawing. I stopped drawing for almost a decade, pretty much. I really regret it. I feel like I could have come such a long way if I did keep going. My parents really discouraged me from pursuing art, even just as a hobby, too. Even when I left home (I’m back now tho), my ex-spouse, greatly discouraged me from doing art too. I mean, “proper” art. They told me my art wasn’t “real art” because it’s not studio art, it’s “sellout” art, like anime/cartoons/fanart. I had even worse self-esteem as I do now, and I listened to them and gave up. I convinced myself I hated drawing. 

Please don’t deny yourself things that make you feel engaged and connected. If drawing makes you feel good, if it makes you not realize how much time has passed and makes you feel like you’re accomplishing things, even little by little, please don’t stop. Even if you suffer from depression and feel like things like this are pointless, remember that just doing things in general will help you. Drawing is an awesome way to get into the flow state. To me personally, it’s almost like a meditative state and I find it helpful in dealing with chronic pain and mental health issues. 

Anyways, I’ll try to compile some advice sort of things.

ART IN GENERAL

1. Draw what you enjoy! I think the most important thing is to draw what you like. It’s okay if it’s “dumb stuff”. Draw your favorite characters or pairings from your favorite tv shows if that tickles your fancy! You’re much more likely to be spending more time drawing if you’re drawing stuff you like. And as long as you’re drawing, you’re improving. (But still, challenge yourself and get out of your comfort zone!)

Especially for those of you who are planning to pursue art as a career, it’s essential that you don’t view practicing art as a chore. 

2. Draw from life. If you really want to take your art to the next level, drawing from life is vital! I think many of us have come across artists who are just amazing, but there are things that look a little “off”. For example, the anatomy doesn’t look quite right, or the perspective is a little wonky. Things like that can be a tell that they’ve learned to draw from other people’s art rather than from life. Or just haven’t practiced the basics enough. (My art isn’t amazing or anything close to that lmao, but it definitely suffers from this. I need lots of life drawing practice.)

There is nothing wrong with learning from your favorite artists, but to really train your “artist’s eye”, you need to strip away all the stylistic choices and go back to the basics. Training that Eye is one of the most crucial things you could do as an artist. 

Just take a piece of paper, a pencil and start drawing what you see. If you can, take figure drawing classes at your local community college, or draw the animals you see at the zoo. Sit on a bench and draw the scenery in front of you. Over time, you’ll start to recognize common patterns, simplify/think of things in terms of lines and shapes.

If you can’t afford a class or have the ability to go outside easily, drawing from photographs can be the next best thing. (See the Resources below for an online figure drawing tool.) I’m not experienced enough to definitively say why this isn’t the #1 idea, but from what I hear, there are things that you’ll miss out on, such as subtle shifts in shadows, colors, and other things that will happen from small movements in pose changes, a cloud moving, or whatever else. A different “feel”, if you will.

With the digital art boom, a lot of artists are learning how to do cool digital effects and fancy things, but forgoing basic anatomy, perspective, shading, etc. Which is all fine if you’re just having fun, but isn’t the best idea if you’re really serious about improving. Practice the fundamentals!

(If you have been dreaming about CalArts at one point like I did when I was in high school, one advice I came across from everyone who went there was to draw from life. All the time. It’s not an answer I expected from people who draw funny looking characters all day. You mean all these people who draw such simplified cartoon people and animals can actually draw like masters? Perfectly rendered bowls of fruit? I didn’t realize how much work goes into animating simple characters.)

3. Put in the time. 

It’s really easy to get suckered into just watching “how to improve” videos all day and thinking about improving. Watching how other artists work is an important learning tool, but you’ll never actually make progress if you aren’t practicing. 

Sometimes, the best thing to do is to not think about it. Just do it. 

It’s like when I’m spending a whole lotta time thinking about getting physically fit than just, you know.. just doing it. “Tomorrow for sure.” 

It may seem like it’s worthless, but doing those lame 5 push-ups a day instead of the 20-minute workout you wanted to put in, is better than nothing at all. You are making progress, no matter how small it may seem.  

Make it a habit to practice every day. That way, you don’t even hesitate. It’s as automatic as brushing your teeth.

All the artists you see who have fantastic, awe-inspiring art may seem like Unreachable Gods sometimes, but those artists didn’t just pull that out of their ass one day. They put in hours and hours and hours of work. Let’s not disrespect other artists by ignoring that and chalking it up to “talent”. No one is born with an innate ability to draw. WE can get there too if we practice!

I want to get good enough to draw the things I have in my head one day!

Some resources that may be helpful:

Draw a Box - This is a site for free lessons for absolute beginners. Look under “Lessons” to learn. The creator of the site is the mod for r/ArtFundamentals. You can post your work there to get critiqued.

Check out Proko’s videos on gesture drawing, art fundamentals, etc. Daily routines of successful artists.

Use this site to practice figure drawing, gesture drawing - Set aside some time to practice drawing people and animals every day. Start trying to see things as lines, shapes, and go big. Don’t get too caught up in the details, and tiny drawings. Learning to draw fast (not draw FAST as in speed, but as in capture the gesture in a post, the “feel” of the movement) will force you to do this more, and with more experience, make your figures less stiff looking. 

And it’s okay if you’re aren’t good at it. You’ll make loads and loads of shit drawings until you can get decent. 

I’m most definitely in this stage right now, trying to train my Artist’s Eye. As in, I can’t just draw a figure from memory. I don’t really know what goes where without a reference, or how they move, etc. You can tell by how stiff my drawings look.

Lulusketches How to Improve video - She has similar advice, but her point about looking at “Art of” books something I have come across from multiple professional artists; Her advice on worrying about finding your own “style” is really good too. Do challenges like she said!

Her playlist of art tutorials & advice is great. They’re short and sweet. Her beginner digital art tutorial got me started on digital art (the one with Ginny Weasley). 

Not free ($30 a month), but these online Schoolism classes look helpful. It’s run by Bobbie Chiu. I saw some great reviews and I want to try them someday. They’re taught by artists in the animation/film industry. But you gotta have a basic grasp on digital art/photoshop for many of the classes, I think? I’m not 100% sure. They’re pre-recorded video lessons. 

You can pay more for feedback from the teachers, but you can also just use it as a self-learning guide. 

This drawing faces from any angle video was pretty helpful for me. The artist has loads of other tutorials.

COMICS

I don’t feel qualified enough to give much advice on comics. I mean, I don’t even draw the lines for the boxes, haha.. However, these comic books are basically required reading for some courses:

Scott McCloud’s Understanding Comics & Making Comics.

I can’t remember which one it is that I read, I think it was Making Comics? But wow, if I remember correctly, it was FULL of really useful things about how to make effective comics. I lost the book while moving years ago, but it was FANTASTIC learning material. I loved every panel of it. 

He talks about everything from perspective, placement of characters, speech bubbles, how big panels should be, etc. 

If you can afford it, get a used one and start reading! Even if you don’t want to make comics just yet, it’s super interesting. 

#art #comics #art reference #art resources #asks #text #okay i fixed some of the links now #added better stuff

[viceprints]

Noodle King

Summary: Vice finds an unexpected clue at a noodle restaurant. 

Genre: Mystery, drama Pairing: OT7 / OT6 Word Count: 1.0k Warnings: Swearing, missing persons. 

After stopping at a thrift store to pick up some average-looking clothes and hearing Kane whine and complain about his bladder feeling like it was going to explode, the group suggested stopping for an early lunch at a local restaurant. The restaurant was recommended to them by the woman running the thrift store, as it was locally famous for their spicy fire noodles.

Once the boys were given a seat at the restaurant, Kane bolted to the mens room. Once he relieved himself he let out a satisfied sigh, closing his eyes. He didn’t realize how tired he was until that moment. Not just physically, but emotionally too. The maknae hadn’t given himself time to think about Seokyu’s disappearance, but now that he was completely alone for the first time in three days, the reality of the situation was starting to hit him.

As he washed his hands, he looked at himself in the mirror. Why would Seokyu just leave them? Was there something that Kane could have done to make him stay? His throat closed up at the thought of his missing friend, but he swallowed hard. He wasn’t about to have a mental breakdown in this family-owned restaurant. These people didn’t get paid enough to deal with coaxing him out of the restroom. He shook his head and reached for a paper towel, patting his hands dry. Exiting the bathroom, he took a look around.

On the wall opposite to the bathroom was full of photographs of people holding up a large empty noodle bowl. He hadn’t noticed it when he was running past in a crisis, but now that the anxiety of possibly peeing himself was gone, he took a closer look at the pictures.

Most of the contestants had tear-stained faces with orangey-red sauce rimming their lips. The pictures were pretty comical, actually, but there was one face that stood out from the rest.

“No fucking way.” Kane said under his breath. Right in front of him, smiling with closed lips, was Seokyu. The owner of the restaurant had his arm around Seokyu’s shoulders like a proud father would, but Seokyu’s expression made it look like the challenge was easy. Kane took the picture off the wall, dashing back to the dining area.

“Guys! Look who’s on the wall!” Kane said excitedly, dropping the photograph in the middle of the table.

“Seokyu? He was here?” Woodam asked, his eyes wide.

The waitress came back over with their drinks, furrowing her eyebrows at the photograph. “Oh yeah, I remember him. He was in two nights ago. He wanted to try our Hell’s Bells Noodle Challenge.”

“Hell’s Bells? Like AC/DC?” Minho asked as the waitress placed their drinks down on the table.

The waitress chuckled. “You wish. If someone can get through our spicy noodle dish in under 5 minutes, they eat free. A lot of people try, but your friend here was real impressive.” She shared. “Finished in less than two minutes. He didn’t even accept the eat free coupon.”

The boy group exchanged bewildered looks with each other. Seokyu never had a huge appetite, at least not compared to the rest of them. Seokyu didn’t even like spicy food. Why would he try this challenge if he had money on him to afford food? What was he doing in Cheongju when he told Eunjoo he’d be heading to Yuso? “And you said he was here two days ago?” Cyth asked.

The waitress nodded, looking around the table curiously. “Why? Has he been ghosting you guys?”

“Something like that, yeah.” Geonwu said bitterly, taking a sip of his water.

“Ma’am, did he say anything about visiting Yuso while he was here?” Kane asked anxiously. The waitress clicked her tongue, trying to recall the night Seokyu visited the restaurant.

“You know, he had a travel guide that he left behind. I think we chucked it behind the hostess desk if you would like me to grab it?” She offered.

Kane sighed with relief. “Yes please, that would be appreciated.”

The waitress hurried off, leaving the boys alone.

“What if he’s not going to Yuso anymore?” Ji wondered aloud. “If he’s not heading there, we’re fucked. Yuso is our only lead.”

“Let’s wait and see that travel guide. Maybe we’ll get a new lead.” Minho suggested, using the tone he only uses when he wants everyone to calm down, even though he himself is freaking out.

The waitress returned with a notebook full of travel guides poking out from the pages. The boys recognized the notebook immediately. Minho had given the notebook to Seokyu after his first year anniversary with Vice. It was meant for lyric writing or choreography formation, but now it was being doubled as a folder for travel brochures.

Luckily, most of the travel guides still focused on Yuso and there were a few pamphlets on sailing. But something else caught the member’s eyes. On the page were all the brochures were still poking out were a bunch of names that weren’t familiar to Vice.

“Wait, that says Oh Eunjoo.” Kane pointed, recognizing the name of the crazed psychic they met yesterday.

“That’s my name.” The waitress frowned. She had returned with their meals, but her attention was now on the book in front of them. “I’m Lee Seunghee. Sixth name from the bottom. And below that… Kim Taewoo, that’s the owner.” “Why is he keeping a list of names?” Woodie asked aloud. No one had an answer.

“Well… Enjoy you meals!” Seunghee gave a weak smile. She dashed away, clearly put off by the fact that a random man had written her name down in a book.

“Seokyu… what the fuck is going on inside that head.” Ji shook his head, a dry chuckle escaping his lips.

Kane observed the notes one more time. “Well, at least we know we’re on the right track with Yuso, right?” “Yeah. I hope so.” Minho nodded, although he seemed a little unsure. The leader picked up his chopsticks, gesturing to everyone around him. “Eat up, you don’t want your food to get cold.”

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