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#I find myself not knowing what to think
drberfarious · 3 months
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it's season 2 of the pjo tv show, and percy and annabeth are devising their plan to save camp.
annabeth says, "the fleece will not only heal thalia's tree, but it will also bring thalia back."
it's season 3 of the pjo tv show, and they're at westover hall
grover walks up to bianca and nico and says "you two are children of hades."
it's season 4 of the pjo tv show, and percy's meeting quintus.
he says, "you're daedalus, aren't you."
it's season 5 of the pjo tv show, and percy just read out the great prophecy out loud.
rachel pops in and says, "luke is the hero."
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breadandblankets · 1 month
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there's a lot of Jason as a fanfic writer headcanons (which I love) but we're sleeping on the bat that is canonically not just a huge nerd but also a great writer: duke
where's he's at now he doesn't do hobbies he barely does humaning, he's The Signal practically full time, all his fics are on permanent hiatus
theres a better future where he learns to take breaks and has a note on his mega fic like "life ya know?" like No duke we Don't know
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black-and-yellow · 19 days
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lovesickeros · 5 months
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☆ even the gods bleed [ pt 4 ]
{☆} characters arlecchino, furina, lyney {☆} notes cult au, imposter au, multi-chapter, gender neutral reader {☆} warnings blood {☆} word count 3.7k {☆} previous [ 1 ] [ 2 ] [ 3 ]
Fontaine was bathed in darkness, not even the moon daring to illuminate where the common man fears to walk. The streets were bleak and empty save for the constant, rhythmic ticking and clanking of machines marching on endlessly, dauntlessly wading where even the bravest dared not to venture. Not even the sharp click of the Gardes boots followed the occasional hisses of steam as they walked the barren streets.
It was haunting, and it'd been like that for days now. It showed little signs of stalling in the slightest, too. Every inch of Fontaine was practically crawling with Gardemeks– like a swarm of rats skittering about.
Arlecchino had secluded herself in the Hotel Bouffes d'ete for days at this point, waiting– biding her time. Her nails clicked against the wood as she tapped at the table in a stilted rhythm, the subtle click of the clock mixing into the clanking outside, weaving in and out of earshot as the patrols slipped by. She reached forward after a moment of thought, reaching for the white king.
She leaned back against the chaise, tilting her head just enough to catch a glimpse of a patrol of Gardemeks as they vanished behind the rows and rows of buildings. It wasn't enough to keep her attention for long, however, her features twisting in disinterest as she glanced back to the chessboard– and the letter neatly resting beside it. The seal was unmistakable and a sobering sight, demanding her attention– the soft hues of blue etched into the shape of a dragon stared back at her in a way that almost unsettled her.
She had already parsed through it's contents hundreds of times, but she was met with only vague, flowing script that only served to irritate her more then anything– it filled the page top to bottom yet managed to say nothing at all. Her hand reached out again, but instead of reaching for the letter she plucked the black rook from the board, setting it down with a soft click.
Arlecchino had all the time in the world to sit back and observe her prey, but all that time would be useless if she lacked the information to act.
And he was quite tight fisted about it, evidentially. None of her inquiries or attempts to decipher any potential codes in the letter left her empty handed. She could not act without even knowing the reason for his summons– it was almost worded like a personal affair rather then one would expect for a foreign diplomat. In truth, she'd expected a scalding report on her operatives, but it lacked any mention of anything of the sort.
She was no stranger to people masking hostility behind pretty words and compliments, not that it was ever unwarranted per se– the Fatui did not create connections through honesty and genuine kindness. They have strong armed more then their fair share of people into cooperation to the point distrust is all the Fatui are met with outside of Snezhnaya. Every word was meant to conceal the deceit, every action meant to conceal the price later paid.
So she had been..skeptical of the letter, to put it lightly. She doubted the Iudex of all people would offer a hand to the Fatui without a price attached– a trap, perhaps, meant to lure in the most powerful piece left on the board. Her eyes narrowed, reaching for a white rook and moving it to the right.
Or he was hiding something. Something that he simply couldn't risk getting out to anyone, not even the Divine themself. A tempting prize, whatever it was.
..A dangerous prize, too.
She'd considered burning the letter and forgetting it all together– the risk was great, and she couldn't risk getting caught up by whoever else the Iudex may have on his side of the board. But she could hardly pass up the challenge and the prize that he fought so hard to keep from prying eyes and ears. Even her agents came back empty handed each time. She lazily picked up a black rook, sliding the white pawn aside.
"Lyney," Arlecchino drawled, crossing one leg over the other and turning her gaze to the door as it slowly creaked open. The pale visage of Lyney stepped through, though his siblings were noticeably absent. The weariness that weighed down on his shoulders was apparent in the slightest furrow of his brows and the subtle creak of leather as he clenched his fists behind his back. "Father." He choked out, the title dragged out by the sharp inhale and shaky exhale.
He looked out of breath, she noted.
The silence that lingered after the small exchange was punctuated only by the click of another chess piece being moved. She sets aside the black rook, letting it sit among the dozen other pieces that had been wiped off the board. She can see the conviction glinting beneath the fog of exhaustion, but if he would utilize it was another matter all together.
He had seemed to make his choice quickly, at the very least.
"Our contacts and operatives within the Fortress of Meropide have gone silent– all we have is their final confirmed missive.." His voice is confident, but it is rigid as the words spill from his lips. He takes a sharp step forward, unfolding his arms from behind his back and opening his hands– the small, water stained and messily folded note catches her eye, plucking it from his palms with a half hearted interest. "They believe the Duke left the Fortress of Meropide..and that he may be coming to the Court of Fontaine."
Her eyes narrow dangerously, nearly crumpling the thin paper in her hands– yet just as quickly, she collects herself.
But she cannot get rid of the bitter taste on her tongue, lingering as she sets down the note and slides it to the side, her lips pursed into a thin line.
So the Iudex had shown one of his pieces..she tightly grasps a black rook, tipping over the white rook, letting it roll against the board.
If the Duke was involved, things were much more complicated then she expected– he would be a problem, she was certain. She couldn't blame the lamb for fearing the wolf, either. Whether her agents had been killed or captured by the man mattered little. He had his ways, and he was a force that could instill fear in even them.
Which meant the possibility that her operation was already compromised was far too real.
What had the Iudex so concerned he had gone through the trouble of bringing in the Duke and herself? The Fatui was one thing, but to specifically request one of it's Harbingers..
The Prophecy? The thought had her clenching her fist, but..no. If it were to rear it's head now, the Iudex could simply not afford to waste time on his contacts deciphering his nonsensical script– If the prophecy were to be the issue, there time would be limited to mere minutes in the worst of cases. Which meant it was worth biding his time in order to ensure absolute secrecy.
So if not the prophecy, then what?
Her next moves were..limited. She was already walking on eggshells considering her position and the reputations of the Fatui– especially with a Harbinger in the midst. If they caught wind of her operations, they'd weed out her operatives and be on guards for any snakes that lingered in their garden.
She reached for the chessboard again, picking up one of the white rooks from the board with a scowl. The sharp click as she sets down the white rook and sets aside the black pawn draws a shaky inhale from Lyney as she moves another black pawn, the dull click of the pieces drowning out the distant clinking of machines.
..A draw, perhaps.
The pieces were all falling into place– the players of this game were slowly being revealed. Whether she could secure her victory..she was unsure.
She wasn't even sure who her opponent was. Only that the Iudex himself was but another piece in their game.
Arlecchino reached for the board again, yet this time she hesitated. Perhaps she could still swipe the win from beneath them, if she played her cards right.
She would simply have to capture the king– or, if need be, let it end on a draw. Either way, she would not concede. She could not afford to concede. Down to the last piece, she would drag out this match until she was in a position to force their hand into the outcome she desired.
She stood slowly, picking up the king piece and observing it for only the briefest of moments before she set it down on the table, taking measured steps around the table and across the room. She was hunting a much more dangerous quarry today– it would be no simple runaway traitor this time.
"Do you remember the directive?" She inquired coldly, her hand lingering on the door for that long, tense moment. "..Yes, Father." Lyney faltered, taking a hesitant step back and bowing at the waist. "Then do not stray."
All that was left was the silence and click of the door shutting behind her as she disappeared down the hall, her boots clicking harshly against the floorboards. The rest of the agents knew better then to linger in her path as she stepped down into the lobby, adjusting the cuffs of her sleeves. She barely even acknowledged the Fatui agent standing at the ready by the heavyset doors, their gloves hands held out with her cloak held loosely in their palms. She quickly snagged it from them, tugging it over her board shoulders and clasping it around her throat.
With a quick tug, she brought the hood up over her head to conceal her sharp features, lifting her hand and placing a neatly folded note within their waiting hands. She had only one chance to make the right moves and secure her victory– no matter the cost.
Each piece had it's purpose.
Oft, that purpose was a bloody and horrible end– but for the grand goal of the Fatui built on the backs of the dead, it was an honor.
She didn't bother speaking a word as she dismissed them with a wave of her hand, pushing open the heavyset doors and stepping out into the barren, damp streets. The rhythmic clink and whir of Gardemeks was still distant– she needed to move. Her boots clicked and splashed in the rain soaked stone of the streets as she slithered between the buildings, ducking through the openings in the patrols.
It was almost too easy.
She tilted her head back, taking in the towering Palais Mermonia with a scowl, her hands clenched into fists. The final moves were being played– the king was within her reach, yet she felt no more confident then when she began.
The air carried a sense of unease, thick and heavy, filling her lungs until she felt her breath still in her chest– listening to the empty, bleak night that seemed so..quiet.
She'd done her fair share of research, had more then her fair share of her agents try to peer into the Iudex's office or the Archon's supposedly hidden chambers, but every attempt was a failure. She had to give them credit, they were quite elusive when they wished to be. Though now she only thought about it bitterly– this was all a risky gamble, in the end, and only time would tell if it paid off.
With minimal effort, she'd managed to pull herself to the flat, tiled roof, eyeing the massive tower peaking out of the center cautiously. At least here the wandering patrols down below weren't likely to notice her..she could hear them passing by the spot she'd been in only a few minutes ago, just beneath her. She pulled the hood further over her face, peering through the sheer darkness of the night for any oddities, but it was almost impossible to see in the dark.
Her boots clicked softly against the tiles as she approached the tower jutting out from the Palais, her hand gliding along the smooth stone, pressing against odd indents or crevices. If it was for the Archon's chambers, she doubted they made it very difficult– she'd only met the woman once, but she doubted the Iudex make it all that complex just from a brief glance. And it surprised her little when one of the stones sunk into the wall, gears whirring as the walls split open to reveal a stairwell straight into an inky black hall. Only the barest hint of light peaked under the door at the bottom, but it's occupants must have heard her, considering it went out not a moment later.
She cautiously stepped down into the small crevice, her breath visible in the bitter cold air– her shoulders tensed at the subtle sound of muffled footsteps behind the door, her vision flaring with a molten heat between her shoulder blades as she reached for the worn handle of the door. The heat of her vision was enough to just barely heat the metal, her vision flaring like a quickly building inferno.
Arlecchino was prepared for a fight, if it came down to it.
The door creaked as she pressed against it, shoving it open with a grunt of effort and surveying the room with narrowed eyes and a biting remark on the tip of her tongue– the lavish opulence was expected, she supposed, but the lack of the towering figure of the Iudex was not.
Yet before she could get a word in or even take in her surroundings properly, the light flickered back on and she had to squeeze her eyes shut with a hiss at the sudden brightness. She could hear the door being shoved closed behind her, the hurried footsteps retreating just as quickly as her eyes adjusted to the light.
..This was a joke, wasn't it? It had to be.
She'd expected the Iudex, perhaps even the Duke if she'd been unlucky, not the Hydro Archon. She had half the mind to test her worth as an Archon then and there, her temper flaring like an uncontrollable blaze, barely kept at bay. It took all her self control to force herself to smile politely at the woman rather then snarl.
"Miss Furina," She sneered beneath her hood, x shaped pupils locked onto the startled, trembling Archon with thinly veiled contempt. "What a..pleasant surprise. You'll have to forgive my manners, I assumed I was meeting with the Iudex." She observed her body language carefully– the way her eyes darted about like a frightened rabbit seeking escape, the slightest tremble of her lips..
Arlecchino opened her mouth to offer another scathing remark, but her jaw audibly clicked shut as her entire body seemed to lock up. Even her vision went cold against her back, a chilling feeling creeping up her spine as someone, or something, crept up behind her. Their footsteps were almost silent, the slight rustling of their clothes the only thing she could hear over her heart pounding against her ribcage.
Arlecchino had always prided herself on being on the other end of that sensation– she was the monster, and her target was the prey frozen like a deer between the hunters crosshair.
It was a chilling feeling to have the dynamic shifted on it's head.
She couldn't even swallow, her jaw clenched so hard she could hear it creak as she tried to reason with her quickly splintering mind– a futile effort, her joints locking up almost painfully. Black spots were quickly swallowing her vision from the lack of air in her lungs, the sound of shuffling behind her barely audible over the ringing in her ears.
For a moment – a moment too long to have only lasted the seconds that it did, yet so quick it gave her whiplash – she thought she would hit the floor dead before she could even glimpse her assailant.
And then it was gone. She came crashing back into reality with a startled inhale, her lungs burning and her knees nearly buckling under her. The instinct to lash out and kill whoever had done it was intense, yet she couldn't bring herself to move even a finger– it would be so easy to twist around and ignite them with searing flames, but her feet were rooted in place.
She almost didn't notice the surprisingly gentle hands unclasping her cloak, tugging it off her shoulders, if not for the sheer intensity of the presence still lingering behind her. Her mind was still fractured, struggling to right itself after the ordeal, and it had her seething.
"..Are you certain you held back enough?" Furina croaked, the normally soft lilt raspy and almost hoarse. "Not– not that I doubt your capability, most Divine!"
Arlecchino felt her nails dig harshly into her palms, heat swelling beneath her skin– Divine? Had she lost her mind? The Divine was..
The Divine was upon their throne where they belonged. She'd seen them!
"Hm. Well, maybe? Sorry, I didn't think it'd affect you too." Their voice was sickeningly soft as they stepped around her like she wasn't even there, focusing their attention on the Archon who seemed more then delighted about it. "What gave you that impression, most Divine? Aha, I..was completely unaffected, as you can see! Perfectly fine."
Furina let out a small squeak when they pinched her cheek, but the almost affectionate smile that tugged at their lips revealed the lack of malice behind the action.
"You're a bad liar, Furina. You might want to sit down..please?" They didn't take her protests for an answer, gently pushing her to sit on the bed before abruptly turning to face Arlecchino once more, a forced smile on their lips. "Oh, good, you're..uh, not dead. That's good. I thought I fried your brain. Sorry?"
..Had she hit her head on the way here? The Divine should still be on their throne, yet she couldn't shake the weight of their stare– it felt tangible. She felt like she was standing face to face with the stars– galaxies and constellations bearing down upon her.
She grit her teeth and clenched her hands until she felt the sting of her nails against her palms, grounding herself in the pain through the sheer overwhelming nature of their existence.
"You.." She croaks, reaching out with a shaky hand and grabbing them by the collar of their shirt, lifting them up until their feet left the floor– she pays no mind to the startled protests of the Archon. Arlecchino would crush her like a bug before she even got the chance to intervene and they both knew it. "You shouldn't exist– you aren't them, and yet you..you're the imposter, aren't you?" Her grip tightens yet they face her without an ounce of fear, meeting her unyielding glare with a pondering look.
Arlecchino wanted to make them bleed just to see if she could, the urge to sink her teeth into skin welling up in her chest to the point she visibly snarled, her mask of politeness long . "You're the imposter." Her expression falls for a moment before she schools it into one of apathy, setting them back down and holding them there for a moment, finally releasing them after a tense moment. "Or you were supposed to be."
Hers brows furrow– she wants to demand answers, to throttle them for damning them to being nothing more then dolls for the supposed Divine to break at their whim, but none of the words come to her.
"..Why now? The current Divine has been in power for years, yet you descend now?" Her shoulders tensed, lips pursed into a thin line– it's impossible to ignore the truth that lay before her. The Divine is a fraud and this..imposter is the true Divine. How many years had they been in power, now? How many years were they waiting? Why did they wait? Was the suffering of Teyvat not enough? Was the blood that painted the steps of their stolen throne not enough?
She'd personally been on the wrong end of the Divine's wrath– she wonders..had they watched? Had they seen the cruel hand of their imposter and turned their back on Teyvat?
"I.." They hesitated. It made her seethe, her hands clenching into fists at her sides– her vision flickered, flames swelling within it's casing just to be smothered by the presence of the Divine. But once that spark had been lit, she refused to let it go out. "I didn't know."
The answer does not satisfy her. There is an itch beneath her skin that she cannot scratch, a fire that burns in her chest so hot it scorches even herself.
"And what about now? Are you content to cower like prey in the safety of the Palais Mermonia?" She snapped, taking a step forward, her brows furrowed and her glare intense– she can see the slightest bit of worry in their eyes. She revels in it. "Will you let them use your acolytes like pawns? How many more need to be broken on the steps to your throne before you act?"
Again, her vision flares and dims– it refuses to be used against the Divine that created it.
"Have you no answer?"
The room is silent. They do not speak and neither does she.
Even the world itself seems to quiet in the face of her accusations, fury boiling to the surface so hot it incinerated all it touched.
"I will kill them myself."
Their words are quiet, but they are not soft– there is a vindictive, searing anger that explodes out like dying stars within their eyes. The sight of constellations replaced by a void that would not be . The smell of ichor grows stronger– to the point she feels almost lightheaded.
"..I am aware that I have failed in preventing this, but I had no choice in the matter. Still," They muse, their voice like the tolling of bells. A solemn melody that stills the swelling fury burning in her chest, if only for a moment. "I will rectify it– I will tear down their throne of lies and let not even the earth tarnish itself by burying their corpse among it's soil."
They pause for a moment, holding out their hand– scarred and bandaged by the weapons of the devout, yet still they take upon the burden of dirtying their hands to save those who did not save them.
"Do you trust me, Arlecchino?"
Did she?
"Will you help me?"
She exhales heavily, meeting the starry iris' of the Divine with a scowl still tugging at her lips. Arlecchino trusted no one but herself.
"..Yes."
#sagau#genshin sagau#self aware genshin#genshin impact sagau#self aware genshin impact#fic tag#imposter au#genshin cult au#genshin impact cult au#arlecchino#lyney#furina#you do NOT wanna know what i got put thru writing this fic#trying 2 find out where arle was in the few times we DO see her and going down a rabbit hole of fuck fontaine and its layout actually!#I spent like 3 hours looking it up and checking in game it gives me a migraine thinking abt it. ew#anyway trying to write a really smart character is surprisingly difficult when ur as dumb as rocks#also used an actual chess match for this and gave myself an even worse migraine trying 2 make sure i didnt repeat moves or smth#furina doesnt get a spotlight yet just imagine her sitting in the corner trembling like a wet kitten you found on the side of the road#arlecchino goes thru a crisis more at 11#shes a tired single dad shes isnt getting paid enough for this okay#hands u a fic over half the length of the other THREE PARTS#ehe :]#is arle actually on ur side??? is she gonna double cross u???? who knows!!!!!#shes unpredictable she might stab u for funsies#anyway im gonna go nap in a ditch now this took SO LONGGGGG OH MY G-D#also just think acolytes who arent buddy buddy w reader and even resent them is so tasty#bc how r they supposed 2 know reader was a human vibing 5 minutes before their got eebied 2 teyvat..#reader gotta roll up their sleeves and get 2 WORK sometimes murder IS okay#they gotta fix some shit around here and that means committing several crimes all at once. sometimes more#a group can be g-d (just got here) their dragon (neuvi) their cat (archon) their dog (wrio) and their wolf (arle)
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rendevok · 3 months
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I like to think of tumblr as a place that values it's creatives, but it baffles me how even here, people still somehow think it's ok to "post first, ask me to take it down later". In what way is that ok?
My time spent on instagram made me realize how much this practice sucked, and how pinterest is the worst of it. But even here, people still do it. I love art, i love seeing art, but i don't like how it is carted around and posted so carelessly. Please ask permission from artists EVERY TIME before you go and share their work on another site. And if they dont answer? Too damn bad. Respect their art and their choices.
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egophiliac · 6 months
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Is there any indication that Fellow Honest has a limp like the original Honest John?
I don't think so? but we haven't actually seen him walk or anything (the sprites just zwoop around the screen like everyone's on skateboards), so no indication he doesn't either! no reason it can't be headcanon. :D
the first part of the event was pretty much all setup, so we still don't really know anything about him or Gidel at this point! we might learn a bit more when the next part comes out tomorrow (but more likely it'll be in part 4, maybe some crumbs in part 3 if we are lucky) (I am expecting part 2 to be standard "walk around and look at stuff and talk about it forever" event filler with perhaps a dramatic cliffhanger to hook us for next week) (but who can say for another...checks watch four and a half hours, wow, that next part really snuck up huh)
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starry-bi-sky · 3 months
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Clone^2 danny headcanons and/or facts that i wanted to expand on but didn't have the motivation or inspiration to write a ficlet about. Ultimately most of these are ideas that already exist in canon clone^2 but are only now being expanded on/explored/stated specifically.
Because I'm procrasinating cfau and passively thinking about clone danny and damian again.
1 - As he's liminal, Danny generates his own ectoplasm. He generates it at a slower rate than the casual ghost but faster than the average liminal. It's what gives him an ecto-signature and results in him triggering his parents' weapons and ecto-sensors.
The ectoplasm he generates actually has a use, and he tends to burn through his supply while he's fighting because of all the physical energy he spends + the use of his scary eyes requires (albeit really minor amounts of) ectoplasm to use. It also has health benefits, as using his ectoplasm keeps his heartbeat steady and lessens the risk of his arrhythmia flaring up due to all of his physical activity and adrenaline.
It does happen occasionally that he uses up more ectoplasm than he can replace, and this has the expected negative effects on his health as all that adrenaline and stress catches up to his heart without a buffer to mitigate it. He carries a canteen full of diluted ectoplasm with him in order to give his system the boost it needs in order to stabilize itself, which he can usually tell when he needs due to excessive fatigue/chest pains/dizziness/other arrhythmia symptoms he gets that means he's low on ectoplasm.
2 - Danny's arrhythmia is a form of bradycardia (which is a slower heartbeat) -- what type? Unspecified / Unknown thanks to it being ectoplasmic in nature.
3 - In that same breath, Danny also has to burn that ectoplasm off in some form or another because if he doesn't it builds up and causes him the same issues as if he was too low. It also causes him to become more emotionally volatile, restless, irritable, overstimulated, etc, which the stress of that then makes his heart condition worsen. If too much ectoplasm builds up, it'll cause a physical electrical shock/shortage. This is rare however, and usually is the equivalent of giving someone a painful static shock. At best it makes the lights flicker or technology fritz out for a few seconds.
While it doesn't have much effect on the physical world, it does expend a good chunk of ectoplasm. Think like dumping out a heavy bucket of water that you've been carrying for a while, or getting into a hot shower after being outside in the cold for hours. It's emotionally draining but very relieving.
4 - Danny can replenish ectoplasm or generate ectoplasm faster by resting, eating, consuming other ectoplasm (fastest), fulfilling his interests / doing things that makes him happy, or by being exposed to high amounts of ectoplasm in the area. He can also rapidly generate it by being in a volatile emotional state, but that drains ectoplasm almost as quickly, and runs the risk of causing flare ups in his arrhythmia.
5 - this is actually canon to the au but I figured it wouldn't hurt to expand more on it / clarify / confirm, but Danny post-Damian has chronic pain in his hands from the nerve damage he sustained. He has daily physical therapy exercises he's supposed to do that he does in the mornings/evenings and whenever his hands hurt/feel stiff. He wears compression gloves in his day-to-day life and gets Sam and Tucker's help to brainstorm ideas about how to make compression gloves for Phantom that can include his knuckledusters. His grip and hand strength is weakened.
He has bad hand days where his hands hurt more than usual. This can happen at random, but is more common after he's overused/strained his hands either the day before or earlier in the day. His fingers stiffen up for similar reasons, and he gets tremors. It's happened before where (for example) he's braiding his hair and unbraiding it, only to need someone else to finish the braid because his fingers stiffened up and don't want to work like he wants them to.
Massages, heat, pressure, etc. helps soothe the pain, and since Danny's a fidgety person his friends and family can usually tell when he has a flare up because any hand movements he was doing prior ceased/slowed suddenly, or he starts massaging his hands / stretching out his fingers.
Damian very stubbornly insists on massaging his hands for him when this happens, he has a lot of intense guilt for being the reason for Danny's chronic pain so he wants to alleviate it in anyway he can.
6 - Danny has what I like to call "Bruce-isms", a word I came up with just now that means he has Bruce Wayne mannerisms that come from the fact that he's still Bruce's clone. A Nature vs. Nurture thing. His Bruce-isms include the Bruce Grunts Of Ambiguous Tonal Meaning ("hm", "hrm", "hn"), his workaholism, his paranoia (on a milder scale), etc. They're small, relatively non-defining things that are quirks but don't make up his personality.
He's got what Sam and Tucker like to call "Bruce Wayne Moments" which are essentially Bruce-isms but only ones that Danny and his friends are aware of considering they only know Bruce as Brucie Wayne and not Batman. "Bruce Wayne Moments" include Danny being clumsy, doing something air-headed, being oblivious, etc. It's not a common joke among the three of them since Tucker and Sam know that Danny's still pr sensitive to the whole clone thing. So they only bring it up when he's done something stupid but hilarious.
7 - while clone^2 focuses more on Danny and Damian's relationship and Danny helping Damian develop his identity beyond just "Damian Wayne's Clone", Danny still suffers from his own identity crises. He sometimes gets jealous of Ellie and Damian for being "lucky" that they always knew they were clones, rather than finding out later in life.
He's aware that this is not fair to think and that Damian and Ellie both have their own struggles as clones, but he can't help it sometimes.
He tries not to think about it too much, but when things get too quiet or when he's not busy, Danny can't help but wonder how much of himself is things he's learned on his own and come from him, and how much of it comes from being Bruce Wayne's clone. He has to stop and count how many things are unique about him specifically when he starts to emotionally spiral. It's not rational, but it's not supposed to be.
As a result Danny kinda, hm, clings to his identity as the Phantom, just a little bit? He thinks it's one of the few things that he has autonomous control over as "Danny Fenton", rather than it being a result of him being Bruce Wayne's clone. Because Bruce Wayne isn't a vigilante! Right? Right?
Consequently this becomes one of the reasons that Damian keeps mum about Bruce Wayne's identity. The original reasons were because Danny asked not to know much about the LoA beyond what Damian already told him, and Batman was technically "apart" of the LoA, and secondly because he just didn't want Danny to get involved with Batman and co and Danny knowing about Bruce Wayne's identity could potentially cause that.
But as time goes on Damian kinda notices like, just how being a clone is affecting Danny even if he hides it from Damian pretty well. He can't really comprehend what it was like for Danny to grow up thinking he was normal like everyone else only to find out he was a clone, but he does see the hurt it's causing his brother. And he does notice that Danny was holding onto being Phantom quite a bit, and figured that if he found out Bruce Wayne was also a vigilante, it would hurt him beyond belief.
8 - So Danny's creation has been kept relatively,,, mmm,,, vague? considering I've been struggling for a time how I could plausibly have his creation happen without Bruce finding out about it immediately. And my conclusion is that around the time Danny was created, Bruce met up with the Fenton parents again for some reason or another -- checking out their tech under the guise of wanting to catch up with them.
And I can imagine that, due to being close friends in college, the Fentons literally just outright told him, "Hey we wanna 'nother kid but don't want to go through the risk of pregnancy again, so we're gonna make a clone of one of us instead"
and in true Bruce fashion, he mentally went "wow i should learn Everything And Anything About This Thing Specifically. Just In Case." and outwardly went "woah cool! ahaha how does it work"
and since the Fentons consider Bruce a close friend and are also incapable of Not Talking About Science, turned and went "OH WE CAN SHOW YOU" and showed Bruce their entire cloning process up to and including how they (safely) extracted the DNA they were gonna use. of which they already had. they were gonna just extract Jack's DNA a second time as an example, but it was Bruce who said "hey you should try me instead" in order to gauge how exactly safe this was and if there were any symptoms he would need to recognize in cloning.
so with his consent they did, and then showed him how they were going to use the DNA to make a clone without actually going through the process. Without prompting from Bruce, the Fentons went "we're gonna throw your DNA away though since we don't want this lying around and because we have no use for it" and visibly showed him that they were disposing it.
Bruce came to the conclusion that the Fentons weren't planning anything nefarious, they just really wanted another kid, and (reluctantly) left afterwards. The mixup comes when Maddie, surprisingly, misplaces the cartridge with Jack's DNA in it and while they could have always gotten another sample, it was better and safer to just try and find the original before that.
Jack finds Bruce's in their disposable. In his excitement, he forgets that it was Bruce's DNA, and manages to get it out safely. Maddie wasn't looking when he found it, and in her excitement also forgot to ask where Jack found it. They used that cartridge instead.
When they found out they used the wrong DNA, Danny was already about year old and while Jack and Maddie are morally dubious, they're only morally dubious towards ghosts. Danny was their beloved human baby, they would never do anything to him.
That being said, they were still horrified when they found out, and really, they genuinely did consider reaching out to Bruce to tell him. They thought it was something he deserved to know since it was his DNA that got used instead, and they felt awfully guilty after he trusted them enough to let them draw DNA from him. The only reason they hadn't is because, at the time, Bruce had been really busy with something in his public life and they didn't want to bother him during such a stressful time.
So they were going to wait, and in Fenton-like fashion, forgot to tell him. When the subject came up again sometime later, they assumed they already told Bruce and went about their day.
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ganondoodle · 6 months
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still thinking about how even just the decision to basically act like the shiekah tech never existed is just ... so baffling to me
bc again you could have done all the sonau tech does with shiekah instead, and they were perfect to be explored more in a sequel, why wouldnt you grasp that potential, the literal building blocks for more??
if you are that tired of shiekah tech .. dont make it a fuckign sequel to the game prominently featuring it???? totk doesnt take place generations after botw in which things could have changed drastically, its just a few years afterwards??
you want to reuse the map and get rid of shiekah tech? ok fine take LINK into the past then and the focus is for you to find a way to return; do some neat twist where its revealed that link was the one who sealed gan bc he couldnt defeat him without zelda or something if you dare (they wouldnt)
want less work than that and still reuse the map and get rid of shiekah tech AND reuse characters? ok then make it some alternate universe thingy like majoras mask in which everythign is the same but also isnt, its weird and creepy how characters you thoguht you knew suddendly dont act like themselves, shiekah tech doesnt exist, malice is now miasma, etc, it would give reason to why you feel so much like something about this world is familiar yet also very wrong
as far as im aware every "sequel" we have had so far were either generations apart from the first one, some alternate universe or a different location altogether- in all of which its plausible that things are different, things seem weirdly familiar but also wrong, or that another continent just works different from hyrule
but totk does none of that, its supposedly just a few years after the first game, same world same character, but its BUILT like some strange jumbled mess of stuff from botw and new stuff out of nowhere that just .. doesnt fit, but feeling a strange sense of otherness, a déja vu of something you know but it acts off, like an imposter, thats NOT intentional and it shows, its a mess of botw stuff, from stuff that people missed from the old games and entirely new stuff; i dont doubt it CAN work but the way it turned out is like a mix of 3 different puzzles forced together and being told 'see it fits!' even tho you can clearly see the pieces dont look right in these places
again it feels like a sequel that desperately wants you to forget the first game happened, that anythign from it mattered at all
and that isnt really ... the sense of a sequel? why insist on it being one when it only creates problems? is it marketing?? just like it was marketing to call age of calamity a telling of what happened before botw but then it wasnt that at all and that is still the sole reason why i dislike it? bc i was lied to? totk is like 10000 times worse than that, its a main title and doesnt even have the excuse of yeah its basically an excuse to play all your fav characters in fun ways and the game beign well aware that being its main appeal; what is totk appeal? a toybox with botw aestethic and none of the flavor?
(on a sidenote; the sonau tech doesnt even .. matter? in botw at least calamity ganon was made of shiekah tech parts and him overtaking other tech is a big point, the sonau tech doesnt serve anything but .. idk minerus useless mech? gan doesnt even aknowledge it, he doesnt care, all it is is toys for the player, not link, but the player. the monsters mining the tech materials? what for? gan doesnt give a damn and they dont work for the yiga either??)
i said it before but it gives me the feeling that the way botw invited you to theorize, to look beneath the surface, the way it intrigued you and laid the groundwork for so many interesting things without denying anything.. was accidental? or perhaps put in the game without the directors noticing? i cant stop thinking about them saying sth like "after botw zelda wondered if the kingdom of hyrule needed to keep existing the way it had been before the calamity, but then totk happens" bc it just feels like they realized too late that botw naturally led into questioning the status quo and they scrambled to fit it back into a flat and boring road we have seen so many times before (or even worse really) with totk
zeldas character naturally leads into her questioning and reexamine their history and set of rules? we gotta teach her a lesson of why she is importante god given monarchy girl that has to keep it bc what if evil brown man shows up again for no reason
maybe im grasping at straws here but looking at it this way the sonau .. make more "sense"; the shiekah were a group that was under the rule of the royal family, and misstreated before (oh no look soemthing interesting) so they dont lend themselves well to be used for teaching zelda that lesson- the sonau however are tailored really to be just that; they are a supposedly godly race from the literal sky that founded this version of hyrule, that had tech even more advanced and better than the shiekah, she gets put in the past to meet the perfect god king of goodness personally, also his very fridgy wifey that zelda later replaces in a way, shes put there and treated like family and then gets to see just how evil that evil big man from the desert is, sonia is falcon-punched to death solely so zelda can feel obligated to take over her role, have her new, better 'family' hurt by gan; similarly so raurus sacrifice, look what a noble and good king he is, he payed the ultimate price to lock that evil man away, now zelda you cannot let their sacrifice go to waste, rebuild that divinely good kingdom like it was!!
and even though they go so much out of their way to put the cart back onto the rails of black and white-good and evil in an even flatter way than the old games, it still doesnt feel right, at least to me, it still feels like zelda shouldnt have gone along with all of that, it feels like even her character from botw was walked back entirely, except for the intro, it made her feel like a stranger to me-
because this is a sequel, i know this zelda, she wouldnt act like that after all that shes been through, this feels ... off
and it all just insulting to anyone who cared about botw more than surface level, or the zelda lore in general, i dont even care much about the timeline, but theres alot of lore and themes beyond it that felt ignored, especially so given that .. its a damn sequel, non AU, not generations apart, directly part 2-
but its not.
it even feels very "corporate", put zelda in a dress again, people liked that, put crazy abilities in the game to flashbang people with how insane it is even if its not the best for the gameplay or the story, put a new asthetic into it out of nowhere bc its 'new' and act like its been there the whole time, put gan in there bc people miss him and find him sexy even if his role is just as flat as that of an evil cloud monster-
*sigh*
you know, i saw a post that said aoc was like a bad fanfic (affectionate) and totk was like a bad fanfic (derogatory) and tbh thats like one of the best comparisons/summaries i have seen ..
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alexjcrowley · 9 days
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Rip most frenemies from F1 you would have loved the Andrea-Emily relationship from The Devil wears Prada
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larkoneironaut · 1 year
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I had a dream that I was going on a ball and Solas was there, I tried to ignore him in like a shy or flirty way? And then that delicate, intimate touch when I was walking right past him … I’m never gonna forget that dream, I had to sketch it 😭
Pls ignore that Solas' scar is mirrored, I'm an idiot
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moonlume · 3 months
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tumblr said draw something bad so I did but I'm mad I still didn't feel anything
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puppyeared · 2 months
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Its really freeing when “gender is just a construct” really sinks in and you dont see yourself identifying with any pre-existing gender that the answer is “wait I can just make my own gender lol.” So. Hello everyone. Im pupgender now
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oobbbear · 1 year
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Have a funny style study I did for school
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greenerteacups · 3 months
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Hi! I am an ardent fan of your writing, and I hope to be as sorted and planned as you some day in my own writing journey.
My question is: you have a keen eye when it comes to planning character personality, dynamics, and such. I've also been wading through your ask replies, and your insights into how you write people and how you make them play off of each other is so wonderful to read. If it's not too personal a q, how did you learn how to write like this? Did you go to school for writing, does it come from years of observing people, do you have reading list recs for "how to write real people and real interactions"?
Thanks! This is a really flattering question. I'll try to answer it honestly, because I wish someone had been brutally honest about this with me when I was a young writer.
I didn't go to school for writing. I started doing it when I was about nine years old. It sucked very badly. I kept writing throughout high school, and it still mostly sucked, but some of it was occasionally interesting. ("Interesting" here does not mean "good," by the way.) I took a break in college, and then came back. I've been writing ever since. Sometimes, I feel good about it. A lot of the time, I don't!
I hate giving this advice, because I remember how it feels to get it, and it's the most uninspiring, boring-ass, dog shit advice you can get, but it's also the only advice that is 100% unequivocally true: you have to write, and specifically, you have to write things that suck.
I do not mean that you should make things that suck on purpose. I mean that you have to sit down and try your absolute hardest to make something good. You have to put in the hours, the elbow grease, the blood, sweat, and tears, and then you have to read it over and accept that it just totally sucks. There is no way around this, and you should be wary of people who tell you there is. There is no trick, no rule, no book you can buy or article you can read, that will make your writing not suck. The best someone else can do is tell you what good writing looks like, and chances are, you knew that anyway — after all, you love to read. You wouldn't be trying to do this if you didn't. And anyone who says they can teach you to write so good it doesn't suck at first is either lying to you, or they have forgotten how they learned to write in the first place.
So the trick is to sit there in the miserable doldrums of Suck, write a ton, and learn to like it. Because this is the phase of your path as an artist when you find what it is you love about writing, and it cannot be the chance to make "good writing." This will be the thing that bears you through and compels you to keep going when your writing is shit, i.e., the very thing that makes you a writer in the first place. So find that, and you've got a good start.
Some people know this, but assume that perseverance as a writer is about trying to get to the point where you don't suck anymore. This is not true, and it is an actively dangerous lie to tell young writers. You are not aiming to feel like your writing doesn't suck. You are aiming to write. You are aiming to have written. Everything else is dust and rust. And of course, you'll find things you like about your pieces, you'll find things you're proud of, you'll learn to love the things you've made. But that little itch of self-criticism, in the back of your brain — the one that cringes when you read a clunky line, or thinks of a better character beat right after it's far too late to change — that's never going away. That's the Writer part of you. Read Kafka, read Dickens, read Tolstoy, you will find diary entries where they lament how absolutely fucking atrocious their writing was, and how angry they are that they can't do better. A good writer hates their sentences because they can always imagine better ones. And the ability to imagine a better sentence is what's going to make you pick up the pen again tomorrow. And the day after that. And the day after that.
Which is what I mean, and probably what all those other annoying, preachy advice-givers mean, when we say: a good writer is just someone who writes every day. It's that easy, and that hard.
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insertsomthinawesome · 3 months
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I'M BAAAAAAAAAAAAAAAACK!!! Okay so honestly I have been very very inconsistent over the years with just disappearing for periods of time due to various things 😂 So it probably seemed pretty normal to most people.
But it felt different on my side, so I'm excited to be back in business. I took a month long hiatus! 31 days of not drawing digital art. Its not something I talk about on here? But I've been suffering from some serious long term Art Burnout for.... a really really long time. Long enough that I should've taken a break probably years ago. It finally got so bad that I could barely draw. I was scared to do it (cause it always looked "bad" in my eyes [i'll come back to that]) and doing it was exhausting and disheartening.
I talked it over with somebody and realized that the fear and anger and frustration I felt towards my own artwork was uh. Not Normal or Healthy. And I finally committed to taking a real break for once.
I still drew a little bit by hand? Traditional art has always felt like it has lower stakes for me (i don't often share it online, and sometimes I don't even share it with friends) so I did some of that when I felt like it. But Digital art was completely off the table.
I had put such an immense pressure on myself to make my digital art perfect, to make as much of it as quickly as possible to satisfy something. It wasn't fun anymore. I'm proud of what i've made over the years! But for a long time now the stuff I've been making was made while hating every second of making it. With some rare exceptions.
I hated my art! It was a combination of Perfectionism, taking in too many external expectations, and the burnout. If you hate doing something its kinda hard to love it even when you want too lol. It wasn't "Bad" in the sense that the quality was low and it was ugly! It was "Bad" in the sense that it was unhealthy for me to keep doing it at that point in time.
I'm glad to report though, that with my hiatus officially over as of Wednesday last week: I am once again. In Love. With doing art, and being an artist :)
I put off taking a break for years cause I was scared that taking a break would mean that I would never achieve all the things I wanted to do with art. I was scared it was a stupid and lazy thing to do that would mean I'd never achieve my dreams. And Also even though I kinda hated drawing, I also loved making art. Its a weird duality that I can't even really explain??? I hated it but I also loved it. I wanted it but I also wanted to run from it. It wasn't until I was more mature and had more clarity and insight (and unfortunately also until the problems got worse) that I was finally able to let go of those fears and just do it.
And I'm really really glad I did. It was everything I needed. And I hope to strike a better balance in the future with art. Taking more breaks when I need them, or just when other things have my attention like reading or Video games (Some star rail got played during this time xD)
From the outside things probably aren't going to be that different?? At this point I don't really have any sure plans to post anything I've been drawing since my Hiatus ended. I might or I might not xD I'm still a hobbyist artist taking things at her own pace, but I hope that it shows how much happier I am :)
Whumptober 2023 is being officially put to rest by this post btw! I was in major burnout when that event started, and I'm ready to just, move on from all the past expectations I'd shoved on my shoulders. If I feel like filling any of the prompts or going back to any of the ideas I'd come up for it I will! But I'm not going to worry about doing it unless the desire sets in. Thanks to everybody who's been so kind to me throughout my time on here as an artist! Ya'lls tags and screaming and kind words, the fanfic, the asks and the responses? Its been fantastic :) You guys have made me laugh, smile, and cry tears of joy. I hope from here that things only get better and sweeter! And if I have bad days again, that's okay too.
Here's to 2024 and whatever it may bring ya'll :D 🎉🎉✨✨🧡💜
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notbecauseofvictories · 11 months
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obviously it's only been a week (barely) but one of my favorite qualities of my new coworkers is that everyone seems to restate things in meetings. I've only sat in a handful of them at this point, but invariably there's someone who pipes up and says, "So to summarize, [restate conclusion, or finding, or high level description of next steps.] Is that correct?"
and this is likely a side effect of working for an international company (not everyone's first language is English, it takes a little more time to get on the same page) but I adore it, I think so many issues at my old job might have been prevented if someone had been willing to come out and say "so what you're telling us is xyz, true or not true?"
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