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#I need to write stuff with them
shslpunkartist · 2 years
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The SS Club is now in session~
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confessedlyfannish · 26 days
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Writing Prompt #12
Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.
Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.
Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that—absolute.
While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.
These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".
There is a knife to his right, if memory serves (it does). In the next five seconds—
"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.
But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.
He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.
"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.
"What a shame," he says, placing it face side up on the table.
"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.
He doesn't look away from the man.
"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."
"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.
The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.
The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"
Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."
"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."
He offers Bruce the watch. After a moment, Bruce takes it.
"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.
"You can look left, Mr. Wayne."
Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.
"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."
"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.
"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."
"Him."
"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."
"Why me?"
"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."
This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.
"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"
"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."
Bruce bristles. "I bow to no one."
"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."
"A weapon you want me to bring to my city."
"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."
"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."
"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.
"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.
"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."
"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."
"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."
Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.
Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.
"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."
The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.
"We will not meet again for some time, Mr. Wayne."
Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.
"Ask your question, Mr. Wayne."
"I have more than one."
"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."
"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"
There is a pause.
"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."
"Resolve what?"
"It is not his future I mean to protect," the man says. "It is his present."
"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.
"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."
Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."
The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.
"I am not inclined," Clockwork says slowly, "To this future."
"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."
"They will have already muzzled him."
Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.
"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."
"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—
Clack!
"sluuuuurp!"
"Master Timothy, honestly!"
"Sorry Alfred!"
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sinfulwrites · 4 months
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Their Favorite Sex Positions
Hello hello~ I was scrolling my dash and came across @missjellyhead and her post on the same topic and wanted to write my own with my faves... Give their post some love! I messaged them for permission, but I'm not sure if they're active lately....
I'm trying to get back into the groove of writing again. Please accept this small drabble!
Enjoy!
NSFW warning.
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Michael Myers: Michael is prone to having sex wherever he is. Why waste time going to the bedroom when he could fuck you now against the wall? Michael can hold you up effortlessly, so if your legs are getting tired, he will simply scoop up your legs and continue fucking you. If a table is nearby, Michael will bend you over it and fuck you from behind. If there’s anything on those tables, they will be rocked off by the strength of his hips. If you are in bed, though, he is still inclined to fuck you from behind. He feels more comfortable taking his mask off and biting on your shoulders when you can’t see his face.
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Jason Voorhees: Sex is a sacred thing to Jason. His beliefs are rather traditional, and as such, his preference is missionary. In the bed, in a dark room where he can be comfortable taking his mask off and lavishing you with kisses. Jason is not opposed to other positions, but his go-to will always be missionary. In his mind, doggy style is the dirtiest.
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Thomas Hewitt: Thomas was raised in a traditional home. He was taught that sex was purely for making a baby, and it would be done in missionary under the blankets. Meeting you and starting a sexual relationship had changed his views on the matter, but he is still inclined to fuck you in missionary. He loves the closeness, seeing the faces you made in response to what he did to you, and of course being able to kiss you. In the early mornings before his work, Thomas liked to pull you close against him and have some slow morning sex. Spooning you allows him to keep you even closer than missionary can, and allows him to have a shameless grab at your chest. There has also been more than one occasion of you two being outside the home getting in a quickie in Thomas’s lap. Riding him is a treat to him, as he has an obligation to himself to make you feel good. Knowing you want him to feel good gets him all emotional afterwards. Expect a tight hug and tons of kisses.
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Asa Emory: When Asa fucks, he fucks hard. If the bed isn’t slamming into the wall, he’s not doing it right. Doggy style gives him the freedom to pound into you without your hips and thighs restricting him. His preference for anal also makes it even more appealing. Doing it from behind also gives him the freedom to slap your ass and yank your hair back to whisper in your ear about how much of a slut you are. Watching your face as he fucks you is also ideal, however, so if he fucks you from the front he shoves your knees into your chest to give himself complete access to slam his hips into you. He will use rope to tie your legs where he wants them so he can leave his hands free to choke you as his cock knocks the wind out of you. We would be here all day if we brought up all his bonds and sex chairs…
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Jesse Cromeans: Jesse loves to see the faces you make as his cock slides in and out of you. He especially loves to make you see yourself with his mask. Spreading your legs and fucking you on your back is a safe position for him, but it is far from the only way he enjoys you. His favorite is fucking you in front of his giant mirrors. Jesse will bend you over on your hands and knees and fuck you from behind so he can pull your hair and make you watch in the mirror as his hips slam against your ass. He shamelessly enjoys being ridden and will happily prop himself up on his pillows and let you ride away. He loves to film you riding his cock, and he will definitely have you watch the tape with him later. Other days, he will have you ride in reverse to watch it in his mirrors. In the back of his car, he loves to make you ride him until the car is rocking. 
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rebrandedbard · 2 months
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How does the great Sandpiper successfully smuggle 130 children out of the Nilfgaard-occupied territory of Hamm? With the power of a forgotten story, a traditional song, and a masterful lie.
A piece for my upcoming fic, The Piper of Hamm, based on The Pied Piper of Hamelin, next in my fairy tale series.
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mensmommymilkers · 4 months
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Hey have I mentioned I’m obsessed with them
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plush-rabbit · 3 months
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Foggy Minds
Word Count: 4.7K A/N: I dont know his body!! So I tried to leave it ambiguous and yeah!! i also wrote this just for the ending bit
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It’s a fucking joke. A cruel one. Angels- or at least Exterminators- are known for their cruelty. Raining down from above, a storm cloud that leaves red behind. Even after the destruction and death, the guts and gore that leave a lasting stench, the cruelty isn’t done. The angel Adam still has to bring torment down to Hell.
A wolf in sheep’s clothing is what he is. He can pretend he’s higher than the sinners down below, but he’s just as crude, if not more so than the worst of them here. It’s a tradition at this point for both you and him. He brings hell on hell, and a week later, he flies down once more, calling the club that you work at, demanding for you to be sent to the Heaven Embassy. However, as the next Extermination Day comes close, he’s called for your services once again. You wish you could say no, but he pays quite a lot for you, and you could always use the money.. 
You hate the walk there more than anything. It’s like everyone knows you’re off to go fuck the Exorcist. You look both ways before disappearing through the doors of the Embassy. Maybe they think you’re getting a meeting with- someone. 
The Embassy is empty, and every step you take echoes out in the room. You’re terrified. You always are. It never stops feeling like a trap. Even in the elevator on the way to the suite, you can only stare at the golden doors in front of you, your reflection distorted and twisted. 
If you’re going to be honest- you aren’t sure why it’s you who has to come up. It’s Adam- he’s bragged enough about how he can have anyone, and yet, he pays for a sinner’s cunt. You make sure to not feel special, to squash any pride down. Perhaps it’s too tedious to pay for another sinner or hellborn, and it’s best to just get what he knows will be a good fuck. You sigh and look away from your reflection and the glowing numbers. Still, you show up and do your job. You've taken better and worse clients. The angel is just someone in between. 
The doors open and you pass a few doors until you reach his suite. You don’t know why the Embassy has so many rooms, and when you tried to ask Adam, he made a comment about how you could have a fuck-a-thon, doing it in each room, and you sneered at the idea. 
Your suite- or rather his suite- is unlocked like always. You waste no time, stepping into the shimmering room. It’s livable. A kitchenette on one side, a bathroom with a wonderful shower tucked in the room, and a massive bed pushed to the end of the room. The room is bright, golds and blues, a deep dark wood carved into ornate decorations, and you feel out of place. It’s nice- far too nice for you to show up and defile it with what you’re going to do. The room never ceases to amaze you. There aren’t many places in Hell where the colors are bright and soft at the same time, where things look so pristine and untouched. When you once mentioned to Adam how nice the room was, he laughed and told you that there were far better rooms in Heaven. A part of you still wishes that he would have offered to show you- something, pictures, descriptions, anything. 
“Took you long enough!” The angel says, leaning back on the bed. “I pay for your entire time, ya know? From the walk from your whore house to the embassy, the least ya could do is hurry it up. I’m a very important angel, ya know?”
“You ordered me like last-”
He clicks his tongue, shaking his head. “I don’t want excuses.” His hand waves in the air, and he sits on the bed. “Come on, let’s get to it.” You roll your eyes at him as you walk closer. “Oi! Don’t roll your eyes at me,” his voice is laced with disgust, and you remember that he looks down on you- in more ways than you would care to admit. “Come on, strip.” Your hands go to unzip your skirt. “And make it good!”
You bite your tongue. Your shirt is the first to go. The action is slow, tantalizing as your fingers skim over your bare skin, and your skirt follows suit, pooling on the floor. You step out the fabric, and your heels click on the floor. Adam watches you, his hands scratching the bed covers. You spread your legs over his right, and grab his hands, letting them touch your ribs and then moving towards your back. 
You can feel the tips of his claws scratch at the clip of your bra. You press your cunt over his robe covered thigh, and grind over it softly. “Please, Adam,” you beg. “Take it off for me?” Your hands rest over his chest, and he watches as you grind yourself over him, your hands fisting over his robe, and you wonder for a moment if maybe you did a bad thing- if this was the wrong move. But then your bra straps fall down your shoulders, and it’s discarded somewhere in the room.
You hiss when his mouth suckles on a breast, the other breast being pinched and pulled at. He sucks so softly, letting his tongue roll over the swelling bud, teething at it so you hiss and arch yourself further into him. You can feel a wet spot grow, and you can’t help but rock yourself over your thigh. The other breast is manhandled, twisted and pinched that has you gasping and fisting holy fabric in your sinner hands. 
You're pushed off and his hands claw over your hip. You get the memo, and peel off your underwear, the wetness of it noticeable, and the only mention of it is when Adam pockets your underwear. You wish you bought another pair with you. The heels are tossed aside, and strong hands push you down from your shoulders. You fall onto your knees with a hiss, and you know what you have to do.
-
“And- And- Oh fuck, that’s it, baby-” He hisses, his head tilted back. The hand fisted into your hair tightens, sharp stinging encouraging you to swallow more so he could let go. “I’m just saying that why would you settle for anything less than-” A moan interrupts his monologue and you look at him through glossy eyes. “Oh fuck. It’s like a fucking gift to suck me off.”
A string of spit and pre-ejaculate connects to your lips as you pull away. It’s thick and white, and you’re gasping for hair, a hand wrapped around the base of his cock and you push yourself to swallow his package, fitting the pair into your mouth as your hand pumps his length. He’s breathing heavily, and you know he's upset at the loss of contact with your mouth with the way that his hand tangles itself into your hair, but his mask is twisted, and you pop them out of your mouth. Your mouth feels dry despite the excess spit- you suppose it’s the salty taste that lingers. 
You take him back in your mouth, eager, and begging for him to just spill his seed already. Your cheeks hollow, and he’s heavy on your tongue. Your tongue swirls over a vein, and you can feel him twitching.
“Fuck, I’m close,” he hisses, his hands cradling your head. You hum, and brace yourself, your hands holding at his thighs, bracing yourself for him to thrust forward. His hands tighten, and he thrusts into your mouth. You gag around him, your throat constricting around him. It’s a horrid sound, loud and hollow, and acid threatens to bubble over. As he continues to pump himself into you, spit dribbles from the corner of your lips and you’re grateful that you were ordered to remove your clothes. 
“That’s right, take it. Oh fuck, fuck-” a string of curses fills the room, and he’s unrelenting, pushing deeper into your throat. A hand slips to grab at your breast, eyes squinting when you can feel the spit coat over your chest. Your other hand tightens around Adam’s thigh, your nails pinching into him.
Your fingers pinch over your nipple, rolling it over, desperate to take your mind off of the assault of your mouth. His thrusts get deeper and harsher, and he’s still in the back of your throat, holding you down. Curses mutter in the air, sharp and slurring together, and he keeps his eyes on you. The eye contact is far too much, the piercing eyes boring into your entire being, and it must be some type of power play for him. You choose to focus on the base of his cock. With your nose pressed into his pubic bone, you cough around him, and finally he pulls away, his seed laying thick on your tongue. Tears wet your face and mix with your spit and the drops of his seed. 
He grabs your chin and you open your mouth, showing the mess that he’s made. Letting go, you stay still, as he taps his cock on your face. It’s tacky with your spit and leaves you feeling much filthier than you would like to admit. You hold the seed in your mouth and he gives a nod, and you make a show of swallowing, and open your mouth to show him. “Did you want me to do a blessing before you swallow?”  He teases. “With my holy cum, I grant you the opportunity to fuck me.” He chuckles at his joke.
“Thank you, Adam,” you murmur, hoping that the soreness on your jaw will go away.
“You know, you could learn how to relax your throat. You’d think after doing this for a living, your gag reflex wouldn't be a thing.” You send him a dirty look, and his grin widens. “So fucking sensitive. What did you want me to tell you? That you were good?”
You aren’t sure what mood he’s in at the moment. Sometimes you can tell when he wants to fight with you- where he wants to punish you and call you a sinner as he ravages you, but then there are moments when he wants you to beg for him, to tell him how good he is, how you want his cock more than anything. But at the moment with your skull pounding and jaw sore, you spit out a simple, “Fuck you.” His grin widens, and he hoists you up onto the bed. The stickiness on your face ruins the soft comforter, and you feel too dirty to even touch something so nice.
“I was going to be nice and just fuck you, but shit, you had to talk back.” 
A hand grips at your rear, and a finger teases at your hole. You hiss at the contact, and you're glad you’re face down or else you’d never hear the end of it of how flustered you must look. As if reading your mind, he flips you over, your face exposed and your hands immediately cover the lower half. 
“Adam-” you squeal, instinctively trying to close your legs only to have them pried apart. 
“Don’t worry,” he says casually. “I just wanna look at how wet you got just from sucking on me.” A finger traces against your slick and you watch as he tastes the finger. “Damn, I should have let you keep your panties on if I knew you were going to get this wet.” A finger enters and you squirm, suckling the intrusion further into your softness. “You’re soaked. And all you had to do was suck me off. You know, if I could keep you, I would.” He enters another finger, pushing the two inside until he’s at the knuckles. “I’d give you a nice collar, a nice bed, and all you would have to do is be my little cocksleeve.” He pulls out, and thick strings of slick connect his fingers back to your cunt. He returns his fingers to your cunt, now with the addition of a third. It’s a wide stretch, a sharp pain being overridden with pleasure. “I bet you’d like that. You’d live a pampered life, and all you have to do is keep your pussy spread open for me.” 
With a yank, you’re pulled further into the bed. The comforters make a soft noise, but the bed itself doesn’t creak. You watch with half-lidded eyes, focused as he rests on his knees beside you, his cock growing, the scent of it enough to make you go dizzy. You brush your cheek against it, licking at the side of it when he thrusts his fingers into you.
You sit on the bed, his cock pressed against your face, and with a mind too delirious to think of anything else, you pull him into your mind, lazily bobbing his head, as his fingers scissor inside of you. 
You breathe heavily, your mind growing fuzzy with the stimulation. He’s slow and lazy, massaging the inside of your gummy walls as he looks down at you taking his cock once more. A hand brushes your hair away from your face, and you pull away, pecking at his cockhead, nuzzling the glistening head against your lips. It isn’t enough for you, and you swallow him once more, humping into his hand when he gives a smart smack to your cunt. 
“Turn around,” he orders, and you scamper to do so. You don’t get a moment to prepare yourself, until he’s bullying himself inside of you. Your hands claw at the comforter, and with watery eyes, you see the fabric tear apart underneath your claws. “You’re clamping down hard around me,” he breathes out, and you buck your hips, trying to feel him deeper into you.
Above you, he's heavy, and selfish, pumping into you relentlessly. The sound of skin slapping against skin is harmonized by your moans. He grunts above you, whispering strings of obscenities and few words of praise linger in the air.
“Oh fuck,” he grunts out, “so fucking good.” His breath is hot against you, fanning out into feathered tickles that touch at your body. He’s never been one for intimacy before reaching his peak, always preferring to be lustful, so you never expect him to actually kiss you, but in moments where he rights just at the right spot, you’d wish he do a little more to make it feel something other that whatever this all is.
His body is pressed against your back, hands squirming underneath to grab at your breasts. His hands are rough and unforgiving, pulling and pinching his nails into your soft skin, You can feel the warmth of his breath against your neck, puffing and huffing, murmurs about how you feel wrapped around him, and you bury your face into the comforter. Your mouth is slacked open, spit pooling down, as your moan helplessly around him, body taut and nerves feeling as if they’re on fire. 
“No fucking wonder you’re a sinner,” he seethes out, his thrusts harsh and deep, enough to have you see stars and think about how as selfish as he can, he feels so good. “With a pussy this good, I bet you had everyone lined up for just a taste.” You let out a low whine. “Yeah, I bet you did. No wonder you were hired at that sex joint. Did you have to fuck the owner to get in? Ha?” His tone is wicked, and you’re unsure if it’s his words or the fact that you’re so close as to what is making you tear up. His weight above you shifts, and by your hair, you’re yanked back. You yelp and tighten around him, tears slipping down. “I asked you a question.”
“I didn’t-” you yelp as he continues to bully himself inside of you- “I didn’t hear it, ’m sorry,” you mumble, your scalp stinging with pain. 
“Too fucked up on my dick to even think,” he hisses, pushing you down onto the bed. He pulls himself out, and you whimper, shaking your head and pushing yourself closer to him, your cunt weeping for more of him. “A cock hungry slut is all you are, huh?” His cock is pulled out, and he watches you whine, your cunt gaping and leaking slick that makes your thighs glisten. 
“Adam, please,” you moan, turning your head to look over your shoulder. You can feel the drool stick to the side of your lips. 
“Please what?” he spits out, his eyes flickering to yours, before returning to your ruined sex.
You let a whimper, high-pitched and desperate. You fall back to the bed, your eyes looking forward, and your hand slips underneath you, fingers peeking towards your cunt, feeling the warmth drip onto your fingertips. “I want more,” you tell him, your words muffled by the comforter. “I want you,” you tell him, hoping that he’d take pity on you for a moment.
The tip of his cock brushes itself against your opening, and you clench around it, your body aching for more. “Nah, you have to do better than that.” Your cries are shushed, brows furrowed and you’re turned over onto your back, “Come on, I’ve heard you beg before.” Two of his fingers enter you, thrusting in painfully slow. “You know what to say already.” Your chest rises and falls rapidly, your fingers twisting the bed sheets into spirals. You shake your head, humping pathetically into his hand. “I promise to make ya feel real good.” 
“Adam,” you croak. He pulls his fingers out, and tears gluten over your lashes. “Please, I wanna be fucked.” Your legs tense when you feel the tip of his cock nestle itself inside of you. “I’m just a filthy sinner who needs-” you yelp when he thrusts himself inside of you, the entire lengths filling you nicely- “needs to be fucked by your holy dick.” His hands curve over your hips, scratching softy over your skin. 
“A little more, honey, and I’ll ruin that demon pussy for you.” His hands curve over your hips, scratching softly over your skin, his voice low and sweet for you.
“Adam,” you plead, your hands curving over your breasts, “I need you,” you whisper in a haze. “I need your cock in me, I wanna cum real bad. I need you. I need you to fuck my sinner pussy.”
He gives you a lazy smile, and gives a nonchalant shrug. “Good enough.” He pushes himself inside of you. Your stomach coils into a heat, and you suck in a harsh breath when his fingers slip to rub at the bundle of nerves between your legs. “You have a fucking grip on my dick. What is it? Are you close?” You let out a broken moan. Your legs kick up, and wrap around him. “If I cum in you, you’re dealing with it.” His grin is sharp and predatory, and it only makes you drag your hands down his arms.
Your hands reach up, and you hold the sides of his neck, your hands curving behind, and you just feel tufts of hair peek from underneath the mask. A hand reaches to grab your wrist, holding it tightly, and you’re sure you’re going to have a bruise afterward. “You fuckin’ slut,” he spits out. “You think just because you got my mask off last time, I’ll let you look at me again?”
“Adam,” you whimper out, scratching at the back of his neck with your free hand, “please. I just wanna look,” you slur out. You know you’ll regret saying those things when you’ve sobered from him, but sex always did make you softer, needier. You think that must be why he decided to continue to hire you- to see you pant for him and stroke his ego. “You’re so pretty, I wanna see,” you lament. “I wanna- I just- I wanna look at you when I cum,” you stumble over your words, your fingertips tapping against the bottom of the mask. The golden eyes narrow at you, and you can only look for so long until you turn your attention elsewhere.
His mask is tossed to the side, and his irises glow. The hand that holds your wrist loosens, and you cup over his cheek, the stubble on his chin scratching at your palm. “Fuck- Oh fuck,” you hiss out, your heart beating against your chest rapidly. “I’m gonna- Oh my- Adam! Fuck,” you hiss, the knot in your stomach tightening, a pressure building more and more until you’re sure that you’ll burst. 
Even as your body shakes, he doesn’t stop. He continues moving his hips, pushing all of himself inside of you, his breath coming out in pants above you, his smile sharp and face flushed. A hand wraps around your neck, and you arch yourself into it, whining and mumbling at how your cunt is still too sensitive, how he has to slow down, but he coos at you, and he tells you how good you’re benign for him, and you hold onto his wrist with your hands. 
Adam places his face close to yours, his lips and breath fanning above yours, and you’re stuck staring at his eyes, unable to look away from the gold in front of you. You lick your lips, and you brush against his. He stares at you, and your face burns. 
He gives shallow thrusts, and is still inside of you, and you can feel him. You can feel the heat, and the stickiness leaks out of you. He keeps himself there, and hides himself into the crook of your neck. After a moment, he slips out, and you can feel the heaviness of his seed weep out of you in slow and heavy drools. 
You lay in the afterglow, chest heaving and sweat and more sticking to your skin. Your body is on pins and needles, and laying on top of the soft bedding, you could fall asleep right then and there. Nestled into a pile of feathers and gold, you could die- again- and be happy with it. 
But then the man- the first man- groans and you remember that this isn't the time to play house. You have a job. Or rather, you had one, and now you have to return. You lift yourself up into a sitting position, and you stare at the bathroom. A part of you wants to take a shower, but you fear that if you even just tasted what luxury is, you’d have to be pried out of the embassy. 
With a sigh, you lift yourself off of the body and gather your clothes. The lack of underwear is something that you frown upon, but when you look back to the angel, with the demand for its return, you can’t bring yourself to ask for it. You’ve walked around without it before when customers got handsy, this is nothing. Your skirt is tight, and long enough that only a pervert would tell. 
“So,” he trails off, lying on his back, “do you wanna cuddle or something?”
Your eyes widen, and as you flatten your skirt, you thin your lips. “Uh, no. No thanks, Adam. I’m uh- I’m good.” You straighten your top, and tap your heels against the floor, the sharp click echoes in the chambers. 
“Whatever,” he huffs, “I was just gonna psych you out anyways.” He waves his hand, and cool air rushes around you. 
You let out a sigh, looking at the mirror where you stared at yourself just a bit ago. Your hands play with your hair, making sure that when you leave, it won’t look like you just slept with someone. You hum, and tilt your head from side to side, trying to find some sort of mark that would have to be hidden. However, the cool air- his own magic or blessing- has fixed any evidence of indecency on you.
“The extermination is next month,” Adam sighs. Your eyes flick up, and you catch him staring at you- golden eyes piercing into your own, unblinking and unbothered. 
“I’m aware,” you tell him, returning to look at yourself in the mirror. You stand straight and let out a sharp sigh. “I think some of the residents are already panicking.”
“Are you?”
Your stomach knots itself, and you remember when you were first bought by Adam- the nervousness, the disgust, the bile burning your throat. It’s all too familiar at this moment. You shrug. “I don’t think it’s set in yet,” you mumble. 
“I’ll come by the night before.” You look at the white tiles- the grout filled with shimmering gold, and the tiles patterned with silver and gold lines. “I’ll leave the back door unlocked like last time.” He doesn’t say the words nicely, it’s more like an afterthought, as if telling you this is a bother, but still, he tells you this, and one thing you've learned about Adam is that he hasn't lied to you yet. You fist the hem of your skirt in your hands, and nod. It’s silent, and then he starts again, annoyance laced into his words. “What do we say?”
“Thank you, Adam,” you tell him in a beat. 
“Yeah, well, I can't have my favorite whore die.” His wings unfurl and stretch across the bed. The tips of the feathers reach just beyond the mattress, and you shrug. The words hang heavy in the air, and you feel small compared to him. In the mirror, you can see his reflection, his  mouth thinning, and his eyes narrowing. “I- uh- I still have you for ten more minutes.” You make eye contact with him in the mirror. “Get back here. I wanna suck on your tits.”
You stick your tongue out, and your hips sway as you walk towards him, your heels falling carelessly to the floor as you rest beside him. His hands are cold as they peel off your shirt and without a care, he tosses it to the foot of the grand bed. A hand cups at your breast, and you can feel his breath fan over your chest, and you wait to feel his teeth bite at you, but you never do. The wetness of his lips trace over the swell of your breast, a peck pressed against the bud, but never swallowing it. Your chest is heavy with his weight on top of you, and the hand on your breast unfurls and curves over your ribs. His wings expand, and they partially cover you, the softness of them akin to the finest blanket in what only money can buy. 
Realization as what he’s doing has your body heating, and you worry that he can tell with the way that he’s laid bare on your chest, and yet, he makes no snide comments. This is far more intimate than anything you’ve ever done before. With a harsh swallow, your arm wraps around him, your hand reaching upwards to scratch at the back of his head. Your hands knot into his hair, your nails dully scratching along his scalp. He lets out a low hum in response, nuzzling his cheek over your bare skin in approval. 
With a shaky breath, you break the silence. “You know, I was thinking, that maybe I’d uh, give that Hazbin Hotel a shot.” You feel his hands scratch over your ribs, straight, and piercing, and they cling to you as his breath hitches. “I’m not sure I believe in the whole redemption thing, but free housing is nice.” You feel him nod slowly, and you twirl a piece of his hair around your finger. He gives you a short answer, one that is mumbled into your skin and doesn't make its way to you, and his wings inch further up covering more of your body as he brushes his lips against the swell of your breast. You don’t look at the time even when you feel that he’s grown heavier on your body.
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luxaofhesperides · 4 months
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For ghostlights: baby Ellie + tired Danny + Duke the baby whisperer?
He has no idea how his parents did it. 
Babies are exhausting. Toddlers more so. Any infants in the strange stage in-between? Doubly so. 
Ellie is wonderful and sweet and cute and such a terror that Danny genuinely has no idea how his parents managed to raise not one, but two kids. For all their eccentricities and absent-mindedness, he and Jazz turned out pretty well. Ignoring the whole halfa thing because that’s more his fault than theirs even if Jazz says they shouldn’t have created the dangerous environment in the first place.
That environment is exactly why Danny refuses to let Ellie go to his house in Amity Park. His parents say they’ve disabled all the weapons and ecto-sensors since he’s had to reveal himself as Phantom, but he knows that things slip their minds and if they can’t guarantee that the house is safe, then Ellie isn’t going in there. Simple as that. 
This means that they live somewhere else now. Danny had thought about it, during the hours Ellie was asleep and he was awake, exhausted and worn down to his bones, and took Jazz’s advice to accept Vlad’s offer of buying a house for him. Except he argued Vlad down to an apartment in a city of his choosing where he wouldn’t stand out too much and he would be safe, or as safe as he can be, from anyone trying to hunt down ghosts. 
So here they are. Standing in the empty living room of their new apartment in Gotham. 
Gotham may not be very safe as a city, but it’s good for two ghosts trying to pass as normal. 
Danny sighs yet again, and looks at the space he’ll need to fill. At least Vlad is footing the bill. It’s the least he can do for creating Ellie. Frostbite was the one who was able to stabilize her, though it was almost too late and resulted in her reforming as a baby, just one and a half years old. Jazz is the one who’s choosing most of the furniture, thankfully, so it’s something that Danny doesn’t need to worry about it.
It’s a new start to their lives and it feels so empty. So overwhelming. How did his parents do it? How do any parents do it?
Ellie smacks a small palm against his cheek and babbles lightly.
“I know, Ellie,” Danny says, giving her a tired smile. “Don’t worry, we’ll have this place looking good in no time.”
He adjusts her in his arms, then heads towards the bedroom. It’s the only room that has any furniture, and all that’s there is a bed, a crib, and a bookcase. There are a few boxes on the floor, labeled ‘bedroom’ and ‘clothing’ and ‘books’. Most of it came from his bedroom in Amity Park, but he’s pretty sure he caught Jazz sneaking a few things in before they closed the boxes and loaded them up into the car. 
“Can you be good for five minutes?” he asks Ellie. 
She babbles again and smacks his shoulder.
“I’m taking that as an agreement. Just let me open these boxes and start unpacking before you start causing trouble, okay?”
Ellie makes another sound, but it seems agreeable so Danny carefully lays her down in the crib and gets to peeling off the tape on the boxes. The opens the one labeled ‘bedroom’ first, finding blankets and sheets folded and stacked in vacuum sealed bags. One of them is his old childhood blanket, the one he carried around everywhere that was faded with age, barely blue, with white bunnies decorating it. 
He was so small when he had this. It makes him oddly emotional to unpack it and pass it on to Ellie, draping it over her so her pudgy little hands can grab at it. 
This is no time to cry, though! He forces himself to focus and makes his own bed, shaking out the sheets and fluffing up the pillows. He’ll worry about washing everything later; Vlad made sure to get an apartment with an in-unit washer and dryer, which means he was actually sensible while apartment hunting for Danny. 
He doesn’t mean to flop onto the bed once it’s made, but he ends up there anyways. He’s barely gotten a full six hours of uninterrupted sleep since Frostbite deemed Ellie healthy enough to leave his care. The drive up to Gotham was long and wore him down to his bones.
He doesn’t mean to fall asleep, but he does, drifting off as he wonders, distantly, when Jazz will be back from getting them dinner.
Ellie wakes him up at dawn with a loud cry. Danny jolts awake, heart pounding in his chest as he panics because Ellie isn’t here, she’s supposed to be in his arms, where is she? And then he sees the crib, where Ellie is staring at him through the bars, and he nearly collapses with relief. 
“Morning, El,” he says, voice rough from sleep, as he picks her up. She just stares up at him, then leans forward and rests her head against his shoulder.
It’s quiet moments like these that make his heart melt. Ellie’s had a hard life already; he wants to give her a better one, this time around. 
A quick check of the time on his nearly dead phone shows that it’s barely past six in the morning, and Jazz texted him a few times. All about furniture, saying that she didn’t want to wake them and that food is in the fridge. 
It’s only the mention of food that makes him realize how ravenous he’s feeling. Danny makes a beeline for the kitchen, ignoring everything else, and pulls out the boxes of take-out Jazz left stacked in the fridge. He devours it like he’s been starving for weeks, then gives Ellie her Ecto-Jello, the only food she’s allowed to eat until Frostbite gives the okay for solid, human food. 
Once he’s got her burped and cleaned up, Danny looks out of the kitchen and realizes that Jazz was very productive while he was asleep. The living room isn’t empty anymore; a dark green couch is against the wall, a low, rectangular coffee table made of dark wood in front of it. Two armchairs are on both sides of the couch, and a television has been installed, fixed into the wall. 
Jazz is asleep on the couch. Her legs hang off an armrest and she’s drooling slightly. 
Her phone is charging on the floor, so Danny takes it and snaps a picture of her for later teasing, then sends it to himself and writes a note to her that he’s going out with Ellie to explore the neighborhood.
He’s finally feeling more settled, energized from sleep and food.
In the warm dawn light spilling in through the windows, Danny looks down at Ellie and thinks that they’ll be just fine after all. 
. . .
Four months ago, Danny had hope. He was optimistic. 
Gotham was a fresh start, a new lease of life for Ellie. It is Danny’s attempt to be a single parent, sacrificing college for Ellie, and he’s planning to go out and beat the gangs black and blue if they start anymore shootouts in the next year.
He had just gotten Ellie to sleep. She was actually peacefully taking a nap.
And then a drive by shooter raced down the street, gunshots echoing down the road, and Ellie work up crying. She still hasn’t stopped, despite how Danny rocked her, soothing her as best he could.
They had been outside when Ellie fell asleep, her head on his shoulder. He had been catching up with Sam and Tucker when the car drove by, people ducking and crying out to avoid the bullets. Danny instinctively covered Ellie and made them both intangible, saving them from any stray bullets, but they ruined her nap and he needs to make them pay for that. 
“Shh,” he soothes, “You’re okay. We’re both fine. It’s okay, El, it’s okay.” 
Her little hands clutch at his back, twisting the fabric of his shirt, and she lets out a heartbreaking wail. He pats her back, hurrying down the street to get back to his apartment building, ignoring the looks people were giving them as they passed by. 
“I know it was scary, but you’re alright. You’re always safe with me, El.”
Ellie’s cries down down a little, but they don’t stop. She whimpers, burying her face against his shoulder as he finally reaches their apartment building.
The door’s locked, which wouldn’t be a problem except Danny can’t get his keys from his pocket. He knows he has them! But his pocket refuses to relinquish them and he has to stop every few seconds to pat Ellie’s back, trying in vain to calm her down. 
“We’ll be inside in a second,” he tells her, trying to keep the frustration out of his voice, “as soon as I can get these freaking keys!”
“Hey, you alright?”
Danny startles, whirling around so fast it makes Ellie go quiet, clinging to him so she doesn’t get flung into the air. There’s a guy standing before him in a gray hoodie, looking at him with clear concern. It speaks to Danny’s level of constant exhaustion that he hadn’t clocked someone sneaking up behind him. 
The guy offers an awkward smile. “Sorry, didn’t mean to scare you or anything. Um, do you need me to open to door? I live here too.”
Danny wonders for a moment if this someone dangerous, someone hoping to hurt Ellie, but she starts to cry again and he steps to the side. “Please. I can’t get my keys.”
“I’m Duke, by the way. I don’t think I’ve seen you around here before.”
“Danny,” he replies, watching as Duke pulls out a large key ring, jangling with the amount of keychains on it, and easily opens the door. “I’ve been here a few months, but I’m usually inside. Or walking around in the mornings with this little monster.”
“That would explain it,” Duke says as he holds the door open, letting Danny in first. “I’m usually in classes at GCU, but I decided to take a mental health day after my lab, so here I am.”
Danny walks in and waits for Duke to follow, making sure the door closes properly behind them. “Thanks. How is GCU? What do you study? I was thinking of going there myself once she gets a little older and can go to school.”
“Oh, I’m majoring in English and Human Services.” He goes to say more, but Ellie wails again and Danny winces.
“I’m so sorry. That drive by woke her up and it’s really rattled her.”
“Hey, no need to apologize. I get it, Gotham is rough to kids.”
Danny tries rocking her back and forth, but it doesn’t help. He resigns himself to another hour of her crying before she exhausts herself, and makes for the stairs, going up to the fourth floor. Duke holds open the door again, then follows after them. It makes Danny wonder if Duke is planning to do something to them, then decides he can beat Duke in a fight, so it’s fine.
Duke doesn’t try to hurt them or steal Ellie away. He opens the door to their floor and stops before they do. “I’m in here,” he says, “If you ever need me to open more doors.”
“Thanks. Um, actually, I might need help opening mine?”
Duke just smiles and makes his way back to them, following them farther into the hall until Danny stops in front of his apartment. 
“If I could just get my keys,” he starts.
“Here, let me hold her for a second so you can get them,” Duke offers. Danny wants to insist that it’s fine, but Ellie cries directly into his ear and Danny, at the end of his rope, passes her over. 
Like magic, Ellie settles as soon as she’s in Duke’s arms. She sniffles and hides her face away, clutching to Duke’s hoodie, but she stops crying. They both go still, surprised, and stare down at her. 
“Seriously?” Danny says as he finally pulls out his keys, “Are you trying to say that I’m the problem?”
Ellie babbles lightly, and Duke turns his head to futilely hide his grin.
He grumbles as he unlocks the door and pushes it open. Ellie is acting as if she’s never been upset before a day in her life, making herself at home in Duke’s arms. 
“I can’t believe this. Betrayed by my own blood.”
Duke laughs as he follows Danny into his apartment, lightly patting Ellie’s back. “It’s always the smallest, cutest ones that do this.”
“Yeah? Do you work with a lot of kids or something? Used to being betrayed by the little ones?”
“I don’t work with kids per se,” Duke says, “But my foster family is a hot mess and the youngest of them likes to keep us all on our toes.”
“Family,” Danny says in a tired, fond tone.
“Family,” Duke agrees.
With his door open and Ellie calm, Danny’s ready to just lay face down on the floor for the rest of the day and not deal with anything else. He moves to take Ellie back, holding his arms out, and Duke tries to pass her over.
The key word being tries. 
Ellie tightens her grip and kicks at Danny. She refuses to be taken away from Duke, making him awkwardly try to pry her off his hoodie. Danny really hopes Duke doesn’t notice how she goes slightly intangible to make his hands fall through her arms and legs. It shouldn’t be noticeable, but it’s hard to focus on anything but a kid that clings to you, so Danny holds out for Duke’s goodwill and silence.
“As nice as it is to meet you, you need to go back to your… parent?” Danny nods when Duke looks at him in askance. “You need to go back to your parent. Okay? Come on, kid, he’s waiting for you.”
Ellie shakes her head, makes a frustrated noise, and then turns and reaches out a grabby hand towards Danny. 
She still refuses to be taken from Duke when Danny tries to pick her up again, so he settles with just letting her hold two of his fingers. 
“I’m so sorry about this,” he says to Duke, face burning. This is why he hasn’t been going out and being social since he moved in; Ellie is a handful even on the best days, and Danny doesn’t want someone to judge him as unfit to parent her and have her taken away.
Duke shakes his head, stepping closer. “It’s all good, man. I don’t mind. It’s not like I had any plans today. I’m already skipping my classes, might as well spend it with you two than sleep all day.”
“Are you sure? I’d be happy to invite you in, but I know Ellie can be a lot and not everyone wants to spend their day off with a baby.”
“I’m sure. Besides, I’d just be down the hall anyways. It’s no skin off my back, man.”
“Well,” Danny says, stepping to the side to give Duke full access to his open doorway, “Come on in, then.”
Ellie keeps them connected, one hand in Duke’s hoodie and the other holding Danny’s fingers, and though her cheeks are still red from how hard she had been crying, she’s calm now with her eyes shining with mischief. 
As the door closes behind them, Danny realizes that this is the first time someone he’s not related to has been inside his apartment. Not even Vlad has come in, always choosing to invite Danny and Ellie out for lunch instead. 
It should make him nervous, but Duke is calm and easy going and kind. 
He’s making silly faces at Ellie to make her laugh, completely at ease with her in his arms, as if he’s done this a thousand times before. 
Gotham is a second chance at life for Ellie. It’s a sacrifice for Danny, to be alone and without friends or family around. He’d been ready to give up everything for Ellie, to focus solely on raising her, but with Duke filling his apartment with laughter, he thinks that he can make a life here too.
All he needs to do is take that first step, reach his hand out, ask Duke to stick around.
He can do this.
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ceranovis · 4 months
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"Life here is very different from the wasteland. But I haven't forgotten our agreement. I will fulfil my contractional obligations."
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fox-guardian · 13 days
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[ID: A digital sketchpage of Colin Becher from The Magnus Protocol on a gray background. He is a thin white man with a receding hairline and a blonde mullet that is very long in the back, tied into a low ponytail. He also has a mustache, patchy facial hair, body hair, and blue eyes. In four out of five sketches, Colin is wearing silver stud earrings, rectangular glasses with yellow lenses, a yellow t-shirt under a light blue button down, a light brown zip-up hoodie, blue jeans with brown knee patches, blue and white striped socks, brown sneakers, and bracelets including a braided one with pink and burgundy threads. On the right, there's a shoulder-up sketch of Colin with his body facing to the side while he turns his head to the viewer, looking angry. Below that is a far less detailed doodle of him on all fours like some kind of creature. On the far left is a shoulders-up sketch of him leaning against his hand looking tired with one eyebrow raised. Below that is a drawing of him facing away from the viewer on all fours looking under something with a little dark smudge above him denoting annoyance. In the middle is a full-body drawing of him posed as though sitting with one leg bent as he holds a game controller. He is wearing his glasses and earrings, as well as a white crop top that says "slut.exe" in blue text, yellow underwear, and blue and white thigh-high socks. He looks focused but also relatively relaxed. end ID]
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normal about that IT manager
and yes whenever i draw him with striped socks i need you all to know that they're the programmer socks. alice gave them to him mostly as a joke but he actually loves them and that's one reason they're buds in my mind
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sableeira · 11 months
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whoever edited that bsd official art to make it look like chuuya is holding onto dazai’s arm will be put on trial for irrevocably changing my brain chemistry and making me so much worse
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the original and the edit in question. this artwork really makes me crave a mid to late 19th century historical au where Chuuya is a swordsman struggling with changes to his job due to the meiji restoration and with Dazai as a detective/private investigator who hires Chuuya as his bodyguard when a seemingly harmless investigation turns dangerous. they kind of hate each other (as per usual) but Chuuya needs the job and Dazai, while he proclaims to dislike chuuya, is also very smitten with chuuya’s fighting style and temper (as per usual).
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kelocitta · 7 months
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In honor of the @rw-ship-showdown I wanted to write about Artihunter as someone who jokingly slapped them together pre-downpour and still thinks they are actually very compelling. Just not in the super soft love wins kinda way (Although I get why people like that more) And the only way I know how to do that is talking too much so heres a far too long slug essay-
Obviously the slugcats don't offer a ton of characterization but theres not nothing to work with. Their stories, whether by their roles in it or the overarching themes do provide a backbone to work with. Even gameplay itself can provide a bit. (for some more than others) Hunter, to me, is ultimately a story about selflessness. The goal is to revive Moon, which is very much an act of kindness from both Hunter and NSH. But the weight of that action is much more significant for Hunter- Hunter is deeply sick. They're on the clock, and for all their skill in combat none of that will ultimately help them to survive longer than their body can hold out. Moon is a close friend of NSH but that means little Hunter- Hunter really gets next to nothing out of helping them, and ultimately pays quiet a bit spending their limited time alive fighting to deliver that neuron so that someone else can live.
To spend ones limited days on helping another, in a game that very much stresses the unwavering cruelty of the world and nature- is pretty notable. (And you could even say that Hunter being the Hardmode of Rain World adds another layer to this)
And then we have Artificer. A storyline that very much stands out to people as more… villainous (so to speak) than the other slugcats. Artificer's story covers a lot of things. Trauma, violence, revenge, etc. Revenge is a bit of a selfish desire- That need to see someone hurt as they have hurt you. A punishment that ultimately does not fix whatever harm was done- but feels good to see because you were hurt and now those responsible share that pain.
Artificer's actions are founded in that need for revenge, their pups killed for overstepping boundaries they didn't know existed. Is it not fair for them to be angry at that, to punish the scavengers for their violence with their own? Why should the scavengers ever be forgiven when they and their pups were not? And that's how you get that loop- Harm for harm over and over.
The original action has been lost in a spiral of violence for violence. And here stands Artificer- their very spirit scarred. Not just because they sought revenge, but because they never ceased trying to scratch that itch for violence as an answer. Artificer only has two paths for their story- killing the scavenger king (Someone who, really, has little to do with the original 'crime' of the scavengers, but represents an important individual to them- as did the slugpups to Artificer), locking themselves as karma one for good and spending the rest of their life chasing creatures that no longer even fight back in a warped sense of closure- or to dissolve themselves in the acids of the void sea because they're too far gone to find any real peace.
They can't meaningfully recover from that state, not alone, twisting in on themselves. Even if they halt their actions, they've been using violence as a feeble defense against their own pain- violence that no longer has any real direction or basis. Artificer gets no real closure from killing the scavenger king. All they can do is continue the cycle, or try to scrub it away. No real peace in a prison of their own making. So you have a creature, who even with a strict timer on their life- a body that will crumble to disease, spends its last bit of time on saving another. And another who was so caught up in the pain of loss that were eaten alive by their own anger, poisoned their own soul on such a deep level even self-proclaimed gods have no solution for them. What peace can they offer each other? For Hunter, its only a fleeting moment of happiness- of selfish love, before their own body fails them. A bit of indulgence in something for themself. For Artificer, its a single, comforting thread to ground them again, something tangible to protect and care about again. But thats a thread that will ultimately be snapped under the cruel indifference of the world. Hunters timer will tick down regardless of if it takes another with it. Its a tragedy- its doomed to end badly. Whatever good it offers to either of them to find each other will only provide the fleeting comfort of a band-aid that will be ripped away too early. But all that can be worth indulging in anyway, if only for the moment. It doesn't change the ending, but the ending was never going to be happy. Its can so yuri
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I know this is just a silly bad quality random screencap of a screencap that I found on facebook lol, BUT it's a succinct enough image to easily describe the concept in a quick/accessible way hopefully :
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(and of course, feel free to elaborate in tags, etc.! (especially elaborating about other senses as well.. can you "hear" in your mind just as well as you can "see"? taste? etc.) It's an interesting topic to me, as someone who's like a 4.5 at MOST lol. I'm curious what option will be the most common :0c )
#tumblr polls#hrmm... a little poll perhaps.. about a subject I find interesting.. since this image came across my facebook today#still really not feeling that well. no longer shaking violently and such but I still feel weird and weak much more than usual#They did say my markers for like infection or inflammation were elevated but that they werent sure of the cause so hopefully#it's nothing too serious. they did also say a lot of different things can cause that thing to be higher than normal but didn't go into spec#fics of what. maybe some of them are relatively benign or something. I still havent felt much back to normal since#I got really sick that one time though. I feel fine on and off but then little bouts of feeling weird and sick happen. hrmmm#ANYWAY.. looking for small ways to be productive. such as little doodles on evil ipad or editing game videos#or posting polls or cat pictures or some other like not very labor intensive things#I WISH I COULD FOCUS on writing HHRGGhh... I need to finish my game.. it would be so freeing.. a project that's been looming#over my head for like 5 years even though througouht that 5yrs I've probably spent a total of 3 months working on it lo.. ANYWAY#I still partially really cannot beleive that people CAN see stuff in their heads. There's always part of me that's thinking like. well mayb#e everyone DOES see the same exact thing but we just describe/conceptualize it so differently that we think we're talking about#different things when we're really not. But I have been assured by people I've talked to about it that they can GENUINELY really see#stuff in their heads like as vivid as an actual picture in real life or something. And the other senses are neat too. Like for exmaple I#can hear in my head much better than I can see imagery. I still CANNOT hear vividly like as if I were listening to actual music out loud..#but I think it's developed more than my sight. AND interesting how this varies the creative process. a friend I was talking to on the phone#said they write by literally just watching stuff play before them like a movie. where my process is COMPLETELY different. AND that affects#the content/what details we focus on as well as our individual styles of writing have differences that can be traced back to that.. hrmm
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yuri-is-online · 1 month
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Aceyuu brainrot has me like: I was watching Game Grumps play the Karaoke Horror game and ended up thinking of this scenario where Ace, Yuu and friends go Karaoke on the island somewhere and as the guys are belting out to Twisted Wonderlands version of Mr Brightside, Yuu is scrolling through the song listing getting more and more dejected because they don't know ANY of these songs and are gonna make a twat of themselves infront of everyone who do know these songs and they miss the songs from their world and and and-! And Ace notices Yuu's deflating mood and takes the mic for himself, chooses a song and looks like he's prepared to sing to everyone, only to obnoxiously go right into the mic and say "can I get a price check on two bannanas? A price check on two bananas please". Some people in the booth are groaning, why can't he take this seriously? Others are laughing while Yuu is creasing up with laughter. The fear and tension of performing gone as their turn comes up and they look at Ace with a twinkle in both their eyes as Yuu says "Hi, I'm Jared, 14 and I never learned how to read" suddenly Aceyuu are menaces with the mics and Yuu's having a blast just messing around and making everyone laugh with Ace. They didn't even realise he started this for them.
Or something 💦💦
No because that's exactly the way it would happen.
Ace is almost always the first person to make fun of Yuu (actually it's most Grim he makes fun of but Yuu yuusually ends up catching strays) for not understanding or knowing Twisted Wonderland things so he would never SAY "hey can't you see Yuu's feeling left out?" That'd be lame. No he just cracks a joke because he's the Ace of Hearts, that's what he does. Everyone already thinks he's kind of a dick and annoying. Your laughter is worth their groans though. There's that smile he loves, and when you join in that makes it 100% better. He loves himself a partner in crime! Especially when it's his favorite one.
There are just so many things Ace does for Yuu that he plays off as nothing he's just so (╥﹏╥) He's so good at picking up on when they're sad or uncomfortable and immediately goes to fix it! He's got green flags! They're under 1000000 layers of sarcasm but HE HAS GOT THEM GREEN FLAGS DO YOU HEAR ME!
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inkskinned · 1 year
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this is sort of pathetic, but when you were younger, you were sort of puzzled by the cartoon representations of fathers: how a kid would be outside with a mitt, waiting to play catch.
it's not that your father never played catch with you, but you also didn't like when he did. something about a hard ball coming quickly towards your face doesn't seem exciting. not that you'd ever say you don't trust him. you trust him, right?
it's not like he never tried to teach you anything. or never tried to parent. on rare days, a strange person would walk in your father's skin. bright, happy, magnificent. this version of your father was so cheerful and charismatic that you would do anything to keep him. and this is the version of your father that would laugh and gently coax you try again. this is the version of your father that would break down the small elements of a problem and point them out so you have an easier time with them.
as a kid, those days happened more often. but somewhere around 11, you started being too much of a person, and he was often cross about it. when he'd try to sit you down to learn something, you spent the whole time with your shoulders around your ears, nervous, uncertain. terrified because you didn't immediately understand how to navigate something. worried you will run out of his goodwill and then you will have the Other Father back, and you will have ruined a good day for your entire family. something about you being visibly afraid - it just made him angry. he would accuse you of not wanting to learn and storm away.
on tv, it's not like there's a lot of versions of men-who-are-mostly-fathers. they can be good dads, but usually their stories are not told in the household. so it's normal that your father is there, but he's never around. you know he was in the house, somewhere, it's just not that you guys ever... "hung out". he just seemed to get kind of bored of you, annoyed you weren't made in his perfect image. frustrated with how much energy it took to raise a kid. over time, you kind of adopt a bittersweet band around your throat - he knows nothing about me. he says at least i never abandoned my family.
and it's technically - technically - true. he was there for you. sometimes he even made an effort and made it to the big moments; the graduations and the dance recitals. he grins and tells everyone that he taught you. it almost erases the days in between, where he complains because you need a ride to school. the weeks that go by where he doesn't actually ever speak to you. the times you say i am struggling and he says figure it out on your own. i can't help you.
and that's fine! that's all fine. you can call him if you are having a problem with your car. or if you need a ride to the hospital. he loves playing hero, he just doesn't like the actual work that comes with being a father. and you've kind of made your peace with that; because you had to, because you don't want to live your life like he does; the whole world at a managed distance, a little rotating and controlled orb he can witness and take credit for but never truly love.
as an adult, you are rewatching some dumb cartoon - and again, the child standing in the rain, with a mitt, waiting for their father to come play catch. as an adult, there's this strange creeping dread - this little thing? this little thing, and their dad can't even show up for that? oh god, holyshit, it's not about the mitt, is it. oh god, holyshit, your father spent most of your life leaving you hanging.
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jade-len · 4 months
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i think it'd be funny if someone transmigrated as xin mo. the goddamn evil sword. instead of taking it seriously, they just really fucked around with bingge. and, somehow, ended up having the opposite effect of what it's supposedly rumored to do.
picture this: bingge, on the quest for revenge and power, comes across the almighty xin mo. this demonic sword killed everyone that dared to even try wielding it. and, the few who were lucky enough to have it by their side, eventually succumbed to the swords' will.
it is said that the sword is unlike any other, that it etches into your head and eats away your brain, until eventually it consumes you whole. it whispers, speaking in lust, greed, and hatred. it slowly beckons the wielder into giving in to the worst part of themselves and feeds off of pure sin. but to him, it is no matter; luo bingge will surely tame it.
and then he gets to the sword.
demonic qi practically oozes from xin mo. the aura surrounding it makes every part of luo bingge scream, "run; get away, away from that monster." his gut prods at him, begging bingge that this is probably a really bad idea. it's a little terrifying, how even luo bingge, the determined, vengeful demon, is now getting second thoughts about wielding xin mo from just being in its presence alone.
but luo bingge is too, a monster. so he ignores the screams of plea; pushing every thought of doubt in the back of his head, and tightly grips onto the handle. the world around him seems to spin and shake, tumble and crack, from the amount of force bingge needs to use in order to pull the sword of sin out of its place.
when bingge finally has it perfectly fit into the palms of his calloused hands, he hears whispering. he knows that the sword has accepted him as its new host.
the sword's language crawls up to him, as if it were feeling around his body and mind. checking every nook and cranny for it to settle into bingge's form, truly becoming one with the embodiment of sin. the words flow through his brain like a tragically broken guqin, a melody that holds him in a frighteningly familiar trance - all while simultaneously eating away at his brain in the worst ways possible, akin to a child and their favorite snack. it seems to beckon something, but even with luo bingge's impressive hearing, he cannot make out any words from the tone-deaf musical notes xin mo sings.
and then, it is clear. the land around him settles, and everything is still. xin mo itself seems to be.. content. at least, that is what luo bingge believes.
the language of this wretched sword reflects the state around these two monsters.
luo bingge expects it to demand for bloodshed, for the erotic ecstasy of multiple women, for bingge to steal the last of the finest gems of these horrible, vast lands.
instead, he hears this:
"yoooo damn that shit was crazy. did you see what i did there? man, you know, it feels so fucking good to get out of the dirt. hey, do you know if people can like, feed their swords or something? i'm kinda craving something spicy. we never know, in this wack world! wait, don't hold me like that, buddy. it'll make things real awkward."
but luo bingge is determined to get his revenge, so he puts up with the swords' constant rambling about.. whatever the hell it's thinking.
"wait, dude, did you seriously fuck a dying girl? that's wild. yeah, like i know she was dying but it doesn't sound like you wanted it. yo, listen to me, consent is very sexy."
"HAHA hey, dude, sir, man. you wanna play some 'i spy'? we don't have anything else to do. no? too bad, we're playing it. i spy a loser who doesn't wanna play i spy. hint: he's holding me right now."
"okay i know i'm supposed to be this super evil sword and beg to be used - woah that sounded real wrong - but can you at least clean me when you're done killing shit? if you don't, i'm gonna refuse to respond to you and you'll look like a dumbass trying to wield me."
"i can't hear you lalalalalalala you're not being very it girl right now lallalalaalalalla-"
somehow, this is worse than if xin mo was actually eating away at his brain.
weirdly enough though, as luo bingge starts spending more time with this weird ass, seemingly possessed sword, it starts to become more of a.. comfort to have it by his side than pure annoyance. he finds himself responding to it more, like, actually having full on conversations with it. it puts him at ease, wielding xin mo. the hatred doesn't consume him, instead, it seems to soothe the burning rage (and, admittedly, just replace it with small irritation) that holds onto his darkened heart.
xin mo is actually quite kind and caring, for a sword that's supposed represent and be the literal embodiment of sin. sure, it is a hassle to have it cooperate with him sometimes, and it does just ramble on and on about the most random things ever, not giving a single shit if bingge was in the middle of sleeping with maidens and slaying those who get in his way. for the first time, bingge feels so comfortable around something.
it's.. odd. what was supposed to be the turning point in his life, a big step in his plan for revenge, is now something akin to an... acquaintance. not like mobei-jun, or any of the women he's come across, but an actual, dare he say, friend.
sometimes, he finds himself thinking all of this delusional. is this what people were driven mad by? perhaps they simply could not handle dealing with a talking sword. he understands that xin mo was undoubtedly unbearable to be around at the beginning of their alliance, but it has never actually beckoned for blood, power, and sex. if anything, it does the opposite.
maybe he's the delusional one. maybe this is xin mo's way of getting to him.
maybe, xin mo should be considered a thing. the thought feels terribly laughable, as if he were witnessing a person horribly explain themselves. it also makes his teeth grind together in pure agitation.
"hey, you know, you didn't deserve any of the things they did. it wasn't your fault, binghe. the fact that you're half heavenly demon doesn't make you a monster, or any of that wild stuff.. uh, i'm here for you, okay? i know you don't really like talking about all of this or opening up, but i just want you to know that you can.. talk about it. it's not like i can tell anyone else, anyways.
hey- shit i didn't mean to make you cry! wait, wait it's okay to cry! you need to let it out anyways, i promise it doesn't make you weak. there, there. i don't have any hands, so me patting you on the head with my handle will have to do. there, there.. everything will be alright, you'll be okay. i'll be here every step of the way, even if you want to get rid of me."
xin mo, the demonic sword, is more of a person - a good person - than anyone he'd ever come across.
...and then bingge and the xin mo transmigrator become besties or he falls for the damn sword. knowing him, he probably doesn't even know the difference between platonic and romantic attraction anyways. maybe bingge gets a plant body for xin mo using airplane's wack writing. idk i typed all of this down in one sitting.
(plot twist: it's not that the transmigrator xin mo had the opposite effect, it was literally just a placebo effect. luo bingge thought that, and thus it actually did help him lmao)
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aroaceleovaldez · 9 months
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the fact that Nico canonically gets flustered easily is really funny to me given he also is heavily implied to listen to emo/punk/etc music. poor guy puts his playlist on shuffle and the most nsfw rock song starts playing and he just slowly takes off his headphones.
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