Tumgik
#Kent Taylor
weirdlookindog · 1 year
Text
Tumblr media
The Phantom from 10,000 Leagues (1955)
142 notes · View notes
citizenscreen · 3 months
Text
Tumblr media
Kent Taylor Paramount portrait, early 1930s
14 notes · View notes
golden-honey-bea · 1 month
Text
Little fact from a book of facts
Tumblr media
2 notes · View notes
gatutor · 3 months
Text
Tumblr media
Kent Taylor-Dorothea Kent "The last express" 1938, de Otis Garrett.
2 notes · View notes
ramblingsonic · 11 months
Text
For every issue I've taken with it, this shot makes some worth out of their love triangle nonsense.
Tumblr media
8 notes · View notes
autumncottageattic · 1 year
Photo
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Payment on Demand is a 1951 American drama film starring Bette Davis and Barry Sullivan. The screenplay chronicles a marriage from its idealistic early days to its dissolution.
10 notes · View notes
sonicpanels · 10 months
Text
Tumblr media
Knuckles: The Dark Legion #1: "Army of Darkness"
Writers: Ken Penders & "Kent Taylor" (Scott Fulop) (Potential uncredited Layouts: Ken Penders) Pencils: Manny Galan Inks: Andrew Pepoy Colors: Karl Bollers Letters: Jeff Powell
Editor: Justin Gabrie Managing Editor: Victor Gorelick
6 notes · View notes
letterboxd-loggd · 2 years
Photo
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
A Lady’s Profession (1933) Norman Z. McLeod
August 20th 2022
11 notes · View notes
moviesandmania · 2 months
Text
THE PHANTOM FROM 10,000 LEAGUES (1955) Reviews and free to watch online
‘From the depths of the sea… horrifying terrifying!’ The Phantom from 10,000 Leagues is a 1955 sci-fi horror film about a seaside community being terrorised by a hideous sea monster. Experiments in atomic radiation created the creature. The movie was directed by Dan Milner (From Hell It Came), co-produced with editor Jack Milner, from a screenplay written by Lou Rusoff (Cat Girl; The…
Tumblr media
View On WordPress
0 notes
whileiamdying · 7 months
Text
THE SCREEN: “Mae West Reveals Herself as a Circus Queen in “I’m No Angel” at the Paramount—Saturday's Millions”
I'M NO ANGEL, based on a story by Mae West and supported by Lowell Brentano; music and lyrics by Harvey Brooks, Gladys Du Bois and Ben Ellison; directed by Wesley Ruggles; a Paramount production. At the Times Square and Brooklyn Paramounts.
Tumblr media
Tira .... Mae West Jack Clayton .... Cary Grant Bill Barton .... Edward Arnold Slick .... Ralf Harolde Alicia Hatton .... Gertrude Michael Kirk .... Kent Taylor Thelma .... Dorothy Peterson Benny Pinkowitz .... Russell Hopton Beulah .... Gertrud Michael The Chump .... William Davidson Rajah .... Nigel de Bruller Bob .... Irving Pichel Omnes.... George Bruggeman Harry .... Nat Pendleton Chauffeur .... Morrie Cohen Judge .... Walter Walker
by MORDAUNT HALL.
Arrayed in a variety of costumes which set off her sinuous form, Mae West is appearing at the Paramount in her latest screen vehicle, "I'm No Angel," a title which, as might be surmised, fits the leading character. Here Miss West, who wrote the story herself from “suggestions contributed" by Lowell Brentano, is beheld as a circus beauty named Tira, who wins applause and admiration by risking her blond head in a lion's mouth twice daily.
It is a rapid-fire entertainment, with shameless but thoroughly contagious humor, and one in which Tira is always the mistress of the situation, whether it be in the cage with wild beasts, in her boudoir with admirers or in a court of law.
Tira is ever ready with & flip double entendre and' she permits no skeleton to be found behind her cupboard doors. She has an emphatic personality, which proves a magnet for even social lights with millions. She receives costly presents, Including diamond necklaces, but she is hardly a gold-digger. She refrains from posing, preferring to keep to her natural slangy speech in her journey through the story from a tent to a penthouse.
She admits that she has thrown discretion to the winds, and she sometimes finds herself in an awkward predicament, but through a wily lawyer she succeeds in proving that she is guiltless. The feeble parts of this picture are those in which a criminal known as Slick is introduced. The less one sees of him the better one feels, for the production is interesting only as long as it proceeds on its merry route.
The glimpses of Tira making her impressive entry to the circus arena and then proceeding to the big cage with the roaring lions are depicted shrewdly. Tira does not actually stick her whole head in the lion's mouth, but contents herself by putting her face between the beast's jaws, which is quite enough.
Even this is set forth with a certain degree of fun, and one feels that Tira probably has a pistol ready for an emergency and that other circus employees are ready to shoot in the event that the beast starts to close its mouth. But one is apt to wonder whether they could possibly be quick enough. Society among the spectators is thrilled, all except one snobbish girl, who is furious because her fiancé is very enthusiastic over the performer's courage-and her beauty.
Later there comes the time when Tira puts her fair head into a court of law as the plaintiff in a breach-of-promise case. She sues Jack Clayton, whom she really loves, for $1,000,000, and it is not Tira's artful counsel who wins the case, but the circus queen herself. She cross-examines the defendant's witnesses and turns their testimony in her own favor, the unusual proceeding being countenanced by a judge whose sympathy Tira wins with the utmost ease.
Miss West plays her part with the same brightness and naturalness that attended her second film role. There is no lack of spontaneity in her actions or in the utterance of her lines. She is a remarkable wit, after her fashion. Cary Grant is pleasing as Clayton and Walter Walker is excellent as the considerate old judge. Gregory Ratoff does well as Tara’s lawyer. Wesley Ruggles has directed the film with his usual intelligence.
1 note · View note
cinemacentral666 · 10 months
Text
The Crawling Hand (1963)
Tumblr media
Movie #1,059 • WATCHLIST WEDNESDAYS
Man, I just wasn't in the mood for this. I think I might need to start smoking pot again. I honestly didn't think this was Mystery Science Theater worthy. Sure, the titular hand is comical and some of the overacting by protagonist Paul (Peter Breck) is funny, but there's not a whole lot of meat on the bone. Maybe under different circumstances (marijuana) this would have been better but a big ole meh and a shrug from me for now.
SCORE: ⭐️⭐️⭐️⭐️⭐️
1 note · View note
weirdlookindog · 11 months
Text
Tumblr media
Brides of Blood (1968) - Italian poster
39 notes · View notes
Text
I feel like making waves!
(Some of these are like my Anti-Takes, so oh god please do not come raze my home to the ground and salt the earth!)
305 notes · View notes
arunneronthird · 1 year
Text
Tumblr media
took him 3 seconds in evil superman earth to have damian screaming at him, what a man
2K notes · View notes
gatutor · 2 years
Text
Tumblr media
Chester Morris-Lucille Ball-Casey Johnson-Kent Taylor " Volvieron cinco" (Five came back) 1939, de John Farrow.
17 notes · View notes
ramblingsonic · 11 months
Text
Did Vector have audio elements in Knuckles Chaotix? Cause I know he does in Sonic Heroes, so I'm curious if they got it from Knuckles Chaotix or...
Tumblr media
4 notes · View notes