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#Podcasts & Radio Shows
artboxdmv · 1 year
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Episode- 67 Sandow Birk
https://www.instagram.com/sandowbirk/ In this episode, Jason spoke with Sandow Birk over the phone. Sandow approaches his themes and subject matter like gang violence, war, political and social issues through his painting, drawing, printmaking, film and sculpture. They talk about his humble beginnings in art, what his work says about his ideas and what challenges he faces doing socially…
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13thdoctorposts · 2 months
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At some point 13 fans needs to actually put the numbers to paper on the era's audience numbers, because my recollection is that they're perfectly on par and at times even better than Capaldi's and several of the latest specials. I'm tired of haters whining about 'everyone hated it' when they mean misogynists targeted it and boycotted it from the very instance of a rumour that 13 would be a woman.
Peter Nolan from Blogtor Who did a post on the numbers after the airing of Power of the Doctor, in one section of the post he compares the Whittaker and Capaldi eras…
“It’s remarkable then, that the Whittaker era of Doctor Who is overall on course not only to retain the audience it was given, but actually very slightly grow it. The average Thirteenth Doctor was watched by 4.67m viewers, up 0.12m (2.6%) on the 4.55m average of the Twelfth Doctor. It’s median viewing figure of 4.21m, meanwhile, is 0.34m (7.4%) lower than Capaldi’s, representing the boost Whittaker’s average is given by the large audiences for her first series. But overall, we haven’t seen Doctor Who just do a respectable job all things considered. Rather, it actually got ratings that would be good a decade ago.”
You can check out the whole article here https://www.blogtorwho.com/doctor-who-power-of-the-doctor-viewing-figures/?amp=1
As you can see the Whittier era did quite well especially when considering it had to fight to get through the Pandemic, which people seem to like to act like isn’t a big deal with their revisionist history of how difficult that time actually was. Not only were millions dying and getting sick, people were losing their jobs and lock downs were keeping people at home and a number of parents learnt how hard it was to home school your child even with a teacher on zoom, some while also having to work full time at home. This isn’t to mention the ridiculous amount of restrictions on how they could make the show and keep everyone safe. Sadly they also just didn’t have budget, it was why they needed Disney to come in. In the Who Corner to Corner podcast Chibs talks about how he wanted to do a new years special after Flux but was told there was no budget and he couldn’t do it but he wanted there to be a new year special so he ask if he used monster from the cupboard (a couple daleks they had sitting there) a warehouse and only 2 guest stars could he do it and they still told him they didn’t think so but he told them they were doing it and then we got Eve of the Daleks, one of my fav episodes of the run.
This goes to show the show was struggling to afford to make episodes it had no real money for marketing. If series 12 and Flux got the marketing series 11 did of course we would have seen even bigger numbers but Chibs stated in his Radio Free Skaro podcast from Gally One in 2023 that the only marketing budget they had after series 11 was marketing that could be done on the BBC that’s extremely limiting. They also didn’t have a brand manager unlike all previous eras. If you can afford a brand manager you’re not going to choose to not have one and having one probably would have also help quite a bit.
It’s not 2008 anymore, even Tennent couldn’t pull his 2008 numbers and that was with the big Disney budget to make the show and market the show, and they had a year to market the show and the most well known Doctor, so considering that vs what Chibs had to work with the Whittaker era is a solid era of Doctor Who. It just came at a time when the Budget was struggling, and the TV landscape was changing along with a campaign to try and destroy it before it began simply because they chose a Woman to be the Doctor, as demonstrated by the fact the BBC had to release a press statement backing Whittakers casting and the change to a Female Doctor. And that did have a snow ball effect of people picking everything apart to an insane level they do not do with any of the episodes from the male Doctors episodes a lot of which could be seen as far more problematic.
All this to say could the numbers had been better? Yes, if they had budget to market the show the way it needs to be marketed in a landscape with a million competing shows on far more streaming services than there were regular channels back in the day. But did the show do well with the limited resources it had. Also Yes.
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snailvibes · 8 months
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do you mayhaps have any morsels of momarie to spare 🤲
i need to feed my family ;-;
well, if it’s for your FAMILY….
For anyone new, context: My agent 4 is named Maya
- Maya was team Money this splatfest solely because Marie promised her if money won she’d get her a bunch of gifts to celebrate so she joined to help her mom. (Marie would have done that no matter what team won the splatfest. She just wanted her daughter on her team with her.)
- Marie and Maya do a lot of baking together just for fun as an excuse to hang out. They’ll get store-bought brownie mix and cookie dough and stuff and set aside days to just make stuff together while they play music and just sing and dance and be goofy together during it. Marie lets Maya crack the eggs Cus it’s her favorite part and she calls her a little master baker.
- There’s been a few times Marie brought Maya with her to her radio show. Everytime she lies to her managers being like “oh what’s better for a studying podcast than helping my daughter with her school homework”, and then every time it happens the procrastinating aspect of the show gets amped up to 100 and literally nothing gets done and Marie just spends the whole time talking about Maya and different kid stuff she does that she finds adorable and Maya spends the whole time going “mommmmm” cus theyre live and she doesn’t wanna be embarrassed (even though it’s not that bad lmao).
- contrast to popular belief Maya does go to school sometimes I just literally never make any content of it at all in the slightest (Cus I hate school and I hate writing and drawing about characters going to school), but anyways Marie makes Maya lunches still even though she’s old enough where you’d expect her to make her own lunches, just because she enjoys it and likes leaving lil notes and stuff in it for her. Maya absolutely adores it especially when Marie packs her sandwiches and uses fun sandwich cutters on it like dinosaur or bear ones.
- Marie always supports Maya’s Halloween costumes she wants to do every year no matter how complicated or odd they are. She wants to be a ghost? Okay boom Marie bought a whole sheet for her just to cut eye holes out of for. She wants to be Freddy Fazbear okay well she’s getting her hot glue gun different fabric and making her the best Freddy fazbear costume to ever exist instead of the cheep ones in Mako Mart.
- during splat3, every splatfest since there’s people now going to inkopolis plaza and Splatsville to watch idols perform for it, the crowds around Callie and Marie performing are a lot more tame now so they get a lot more breaks between now, so it’s very easy for Marie to get Maya up on stage with her to give her a nice place to sit and look at all the lights and decorations while they both take a splatfest break
Tldr they are the family ever 💛💛💛💚💚💚
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crazy-kenny7 · 1 year
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Richest guy in the world should not be surprised he gets., Booed at a comedy show , if you don’t want to get booed don’t show up at public events , as an experiment I am going to get twitter blue just to see if people who let him call in will just let any blue chip accounts call into there space to ask Elon a few questions,….. can you believe a co host on the radio app AMP will not return dm messages on Instagram unbelievable, still trying to set up another show after they were a no show for a podcast, with no excuse or explanation since , they did not like the genre of the musical homework, I changed the whole thing still no contact, fucking Zoomers !
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pod-together · 2 years
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Day 1 Reveals!
Soft as Memory, Strong as Wood (Jewish Scripture & Legend) written by Hagar, performed by eafay70 Summary: She doesn’t age, and she doesn’t die. Your hands have work still, her sister D’vora says. We are His Hands, The Prophet Eliyahu says. And millenia down the line, Yael is still walking the Earth. High Note (Miraculous Ladybug) written by BookGirlFan, performed by Cathalinareads On Breaking Free [text, audio] (Harry Potter - J. K. Rowling) written by Cannibalschism, performed by UnholyCrowley Summary: It's Sixth Year and Harry has found an unlikely passion in Wizard's Chess. At first, it was simply a way to hang out with his mates during class, but it became so much more. It became a quiet drive, a little flame that bloomed brightly in the cold. And the best part? No one got hurt. No one died. It's Sixth Year and Draco is one year closer to being done with this wretched place. Hogwarts feels like a carcass rotting around him. There is decay in every wall. The Chess Tournament was little more than a checkbox to be ticked on Draco's lengthy and exhaustive list of meaningless triumphs that served no purpose in the real world. What did any of this matter anyway? A Refined Palate (The Magnus Archives (Podcast)) written by crawfishing, performed by gracicah Summary: Statement of Orin Pollygaster regarding a culinary retreat he attended and his subsequent experiences. Original statement given June 24th, 2009. Audio recording by Lexus Wright, assistant archivist at the Magnus Institute, Birmingham branch. Archivist's note: I was unable to categorize this statement according to the list of entities described by Head Archivist of the London branch, Mr. Jonathan Sims. I can't bring myself to dismiss it as fraudulent, though, or even as irrelevant. Who is this Peri Shereen? Or... what is she? guilty (The Magnus Archives (Podcast)) written by Lua, performed by mistbornhero Summary: These days, things are different. These days, things are exactly the same. One way or another, Jon watches. summer in snow (Friends at the Table (Podcast)) written by Verso, performed by lady_mab Summary: Some time after Belgard's death, Signet returns to her Divine partner's body to tell her the story of the child that Signet used to be, wondering at unexpected winter on Thyrsus. History Hardcore, Ep 69: The Argentum Tapes (Final Fantasy XV) written by nonplussed, performed by youhaveahomeinmyheart Summary: The History Hardcore radio show, episode 69: The Argentum Tapes. The Argentum Tapes are a collection of recordings that appear to have been taken over a period of five weeks in M.E. 756, almost a century ago. They are a rare first-person account of the travels and private interactions of King Noctis and his Royal Retainers, and have helped historians shed some much-needed light on this great, but famously reclusive, historical figure. In this episode, we share a few of these recordings, and discuss their historical significance in greater depth. (Transcript available) Five Steps to Forever (방탄소년단 | Bangtan Boys | BTS) written by celli, performed by knight_tracer Summary: Namjoon opened his mouth, then closed it and opened it again. He looked a little like a fish. A cute fish, but a fish. Jungkook tried not to giggle; Operation Date Namjoon wasn’t going to get anywhere if he let his inner fourteen year old take control. Lie To Me (Percy Jackson and the Olympians - Rick Riordan, Percy Jackson and the Olympians & Related Fandoms - All Media Types) written by TsarinaTorment, performed by stereden Summary: Luke loves camp. Luke betrayed them. It should be impossible for both of those things to be true, but somehow they were. Mirage Arcane (Critical Role (Web Series)) written by sabinelagrande, performed by blackglass Summary: A group of adventurers go on a quest. Probably not the ones you're thinking of. Lock-In Amp (Star Wars - All Media Types, Star Wars: The Clone Wars (2008) - All Media Types) written by adiduck, performed by AirgiPodSLV, blackglass, CassieIngaben, ffg_podfics, Flowerparrish, GoLBCollabs, kittona, mistbornhero, Opalsong, Tipsy_Kitty, and with Summary: The timestamp in the corner of the screen ticks on from 01:24:03 to :04 to :05, until the minute switches to 25—a total of fifty-seven seconds.The guards hold their position, motionless, until the Guard on the right slumps just a little further, elbow slipping off the desk. He flails and barely catches himself on the edge of the table. The Guard on the left jumps and hauls his helmet off. He turns and appears to be spitting invectives at the Guard on the right. The right-hand Guard appears to be about to reply— —and then they both freeze and turn to face the camera, body language changing like a switch has flipped. The left-hand Guard jams his helmet back on his head as the first pulls a blaster, and a third clone steps into frame—helmetless, in plain white plastoid armor, both hands up and weaponless. As he walks forward, a tattoo in the shape of a number five just barely shows on his temple.
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mosshermit · 1 year
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Have you ever heard of the app Amp? I think it’s what you’re looking for. It’s amazons new live radio platform thing. A podcast I listen to uses it for a weekly live show. You can make a show and you can program music playlists from amazons full music library
woah! this is so cool! I will definitely have to look into doing this. Thank you so much for reaching out with this info! :)
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jamieroxxartist · 1 year
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✔ Mark Your Calendars: Wed Nov 30 on 🎨#JamieRoxx’s Pop Roxx Radio 🎙️#TalkShow and 🎧#Podcast w/ Featured Guest:
Phil Firetog Trio & Co. ​(#ContemporaryRock / #JamBand) ​ ☎ Lines will be open (347) 850.8598 Call in with your Questions and Comments Live on the Air.
● Click here to Set a Reminder: http://tobtr.com/12168250
Pop Art Painter Jamie #Roxx (www.JamieRoxx.us) welcomes #PhilFiretogTrioandCo. (Contemporary Rock / Jam Band) to the Show!
● WEB: philfiretogtrio.com ● IG: @philfiretogtrio ● TK: @philfiretogtrio ● FB: @philfiretogtrio ● TW: @philfiretogtrio
Phil Firetog Trio & Co., a band that mingles texture and layers to create music that draws their audience into ‘an experience’ of sound, rhythm, and cadence, continues to evolve and emerge as unique among the crowd. The members of the Long Island trio, Phil Firetog (Vocalist/Guitarist), Johnny “Pots” Potocnik (Drummer) & Liam Gordon (Bassist) have entertained the industry’s toughest critics & built a loyal fan base since the trio’s formation in 2015.
Each are seasoned, diversely talented musicians who blend their individual and distinct styles to craft a sound that is truly rare. Singer/Songwriter Phil Firetog develops music that is rich and intricate and spans the spectrum from clean to grit and ambient to rocking by mastering acoustic guitars with pedals and distorted amps. Johnny “Pots” Potocnik & Liam Gordon fill the spaces with complex & rhythmic grooves, intriguing listeners while they connect on another level outside the lyrical storytelling.
​● Media Inquiries: Rachel Rossen Associate Director of Publicity TREND: PR | Branding | Social Media www.TrendPR.com
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daibhidjames · 23 days
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W/Tributes to Ultravox bassist Chris Cross and Ruby Lynn Reyner of Ruby & the Rednecks
(artist/song/album/label/cancon);
1. Rough Trade  ~  Highschool Confidential  ~  Avoid Freud  ~  True North  ~  cc
2. Tiger Lily  ~  Monkey Jive  ~  (single)  ~  Gull  
3. Ultravox  ~  The Quiet Man  ~  Systems Of Romance  ~  Island  
4. Rough Trade  ~  All Touch  ~  For Those Who Think Young  ~  True North  ~  cc  
5. Ultravox  ~  Cross Fade  ~  Systems Of Romance  ~  Island  
6. Rough Trade  ~  Crimes Of Passion  ~   Shaking The Foundations  ~  True North  ~  cc 
7. Ultravox  ~  Dislocation  ~  Systems Of Romance  ~  Island  
8. Ultravox  ~  I Want To be A Machine  ~  Ultravox!  ~  Island  
9. Ultravox  ~  Hiroshima Mon Amor  ~  Ha Ha Ha!  ~  Island   
10. Teenage Head  ~  Let's Go To Hawaii  ~  Some Kinda Fun  ~  Attic  ~  cc
11. Ruby & The Rednecks  ~  Rock Therapy  ~  From The Wrong Side Of Town  ~  Poo-Poo Platter
12. Teenage Head  ~  Let's Shake  ~  Frantic City  ~  Attic  ~  cc
13. Ruby & The Rednecks  ~  Sea Of Heartbreak  ~  From The Wrong Side Of Town  ~  Poo-Poo Platter
14. Teenage Head  ~  Disgusteen  ~  Frantic City  ~  Attic  ~  cc
15. Teenage Head  ~  Top Down  ~  Teenage Head  ~  OPM  ~  cc
Past shows & playlists here;
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mrbopst · 25 days
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Good News: A new edition of the Bopst Show, the only radio show that justifies human existence, is now available for free public consumption on Podomatic or wherever you get your podcasts.
Music variety show hosted, mixed and recorded by Chris Bopst featuring words and music by Tadesse Kebede, Marty Wilson & His Orchestra, Brainflowr, Ervinna and the Stylers, ?, Lester Sterling and Stranger Cole, Wet Leg, ?, Kay Starr, The Roger Sisters, Cécile McLorin Salvant, Supermax, Lunar Dunes, Michael Kamen, and ?.
This show originally aired March 29, 2024 on WRWK 93.9 LP FM in Midlothian, Virginia, USA.
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yorkshireword · 1 month
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The station has thrived with a defiantly low-stakes approach and penetrating reach into the underground dimensions of the city’s art, literature, nightlife and music scenes.
It’s an appealing alternative for artists frustrated with social media’s race-to-the-bottom incentives and the dwindling number of traditional publishers.
“The media landscape has fractured,” said Whitney Mallett, who runs the small indie magazine The Whitney Review. What Montez does, she said, “is offer a container for a lot of the splinters.”
“Tom was interested in community access TV, and I was interested in community spaces that would bring together various disciplines,” Ms. Skolnik, 34, said.
They reached out to friends to see who might be interested in hosting. Nobody involved had any radio experience, but plenty of people wanted to give it a shot.
In January 2019, Montez Press Radio became a permanent venture. Initially backed by the press, the station became a separate nonprofit entity, subsisting on grants and fund-raising. (There’s no more pirate antenna — now the station is online only.)
Though podcasts had become something of a trademark product for New York’s downtown, many of the station’s contributors immediately saw the appeal of live radio.
“There’s a lot of joy in it that feels really communal,” said Dena Yago, a writer and visual artist who co-founded the high-concept trend forecasting agency K-Hole. She hosted “New York Conversation,” what she called a “Brian Lehrer-style call-in show.” She invited experts on to discuss garbage, rats and traffic-control systems.
Ms. Skolnik and Mr. Laprade who handle Montez’s day-to-day booking, are not too precious about polish, and they embrace spontaneity. Over the years, Montez has aired Tanzanian dance music; a round table of artists and writers reading offbeat erotica; songs off a broken iPod that skips forward at random; and “astrology through the lens of Yu-Gi-Oh!”
“They make me believe people in New York are interesting and have wild interests,” said Kaitlin Phillips, the publicist and onetime host of the Montez show “Insider Baseball.” (She does not do publicity for the radio station.) “The internet era can make you forget that people know things you don’t. I’m always like, Where do they find these people?”
One night, during an ambient music show at the station, Mr. Laprade, 33, heard a racket from the sidewalk outside. It was a young guy wearing “K-Swiss sneakers, JNCOs, doing this ’NSync thing with an amp on the corner,” he remembered. “I was about to tell him to shut up. But I was like, Whoa, wait, what are you doing? This sounds really cool.”
So while Montez may be something of an anachronism, for the city’s young artists and writers, it arrived at exactly the right time. Community radio, once a vibrant ecosystem in Manhattan, had been struggling to stay afloat for years. Know Wave, a station with ties to the art world, stopped regularly broadcasting in 2018; East Village Radio closed in 2014 (though it is expected to return next month). These stations, which streamed online, carried the torch from the halcyon days of the late 1970s and early ’80s, when community radio was how New Yorkers learned about what was going on in the city’s underground cultural scenes.
“What Montez is doing reminds me of what I read about the Mudd Club or Danceteria,” said Adrian Rew, an East Village record store owner with a Montez show, “where punks and avant-garde artists and curators were all rubbing shoulders.”
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artboxdmv · 2 years
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Episode - 63 Henry Mandell
Episode – 63 Henry Mandell
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empressyana · 7 months
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Axam DanceTE interviewing today on the EmpressLyfe Radio Show & Podcast hoy!
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ataahking · 1 year
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Announcement flyers for the Reignsound Radio show that went around Twitter for promotion.
The show premiered on Amp, Amazon’s live interactive radio platform.
It was originally scheduled for 3:00 AM EDT every weekday, but has been reformatted to a pop up show with weekly segments on Spotify podcasts.
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mujerpazcana · 1 year
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El polémico programa de radio online El DJ Show llega a Amazon
Boletín de Prensa No. 572–  30 de marzo de 2023Redacción Revista Pazcana ‘DJ Show’ se transmite en vivo todos los lunes, miércoles y viernes a las 5:00 p.m. CST. Luego el contenido se distribuye como podcast en todas las plataformas. Amazon presenta Amp, una plataforma de radio digital en vivo llena de innovación tecnológica para la creación de contenido que mezcla lo que a la gente le gusta…
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arielkroon · 1 year
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"This month, ShortCuts presents another ShortCuts Live! It is a conversation with Ariel Kroon, Nick Beauchesne, and Chelsea Miya about their collaboration in producing “Academics on Air” (May 2022) for The SpokenWeb Podcast. That episode became a paper that Ariel, Nick, and Chelsea co-presented at the 2022 SpokenWeb Symposium and Institute. After that presentation, ShortCuts producer Katherine McLeod sat down with Ariel, Nick, and Chelsea around a microphone in the SpokenWeb Amp Lab at Concordia University. They talked about processes of collaboration and archival listening that shaped their work. Starting with one audio clip as the short ‘cut’ that caught their attention in the archives, they talk about about context of that clip in the Voiceprint archives, the potential for podcasting to be a radical act of unarchiving, and what makes recordings of a radio show a unique task for cataloguers working with literary sounds recordings, and much more."
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mosshermit · 1 year
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Sorry amp didn’t work out. Don’t be discouraged even the podcast I know that uses it gets like 20-30 listeners on their weekly show out of the thousands who subscribe. I think people are so used to consuming audio on their own schedules like podcasts or curated playlists. I know i do that. It would be nice if people could have more shared experiences like that but it’s hard. feel like people only watch live stuff by video steamers but you aren’t allowed to play unlicensed music on places like twitch :(
thanks! and aw that's okay haha! I can understand why it's not very popular. it's a shame because I think radio shows are really cool especially when it's just someone performing a dj set or something
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