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#Read And Write Own Opinions
laufire · 26 days
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jason's lazarus pit was golden jason's lazarus pit was golden jasonslazaruspitwasgolden jason's lazarus pit was golden JASON'S LAZARUS PIT WAS GOLDEN
AND PIT MADNESS IS *NOTHING*
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mister13eyond · 5 months
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dont normally post about drama but this seems relevant:
im seeing a lot of people jump to "james somerton was never good anyways" in retaliation for the hbomb expose, but there's a really fine line to tread there before you get into stepping on the toes of the people he stole from, you know?
some of his videos and analysis did seem genuinely intelligent, thoughtful, insightful, and well-written. yeah, it turns out those are the result of him stealing from other people. but that doesnt mean the original writers WEREN'T intelligent, thoughtful, insightful and good writers. he had plenty of garbage opinions interspersed throughout, but the reason many people (myself included) were suckered in by him is that the queer creators he stole from DID have really important and interesting analysis. the parts of his videos that were good were stolen, but by discounting his essays entirely we're throwing the baby out with the bathwater and insisting those he stole from didn't have anything important to say.
the parts he himself supplied were trash, but he stole the work of some genuinely brilliant and insightful writers and passed it off as his own- and that writing still exists and is still brilliant and insightful; we just know now who was actually responsible for it and who to thank for that work
lets just be careful when we smugly proclaim that we always hated everything he had to say- because a lot of the words we're discounting were never his to begin with, and the last thing those authors need is to have their work trash talked because it ended up in the mouth of someone dishonest
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vacantgodling · 10 months
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✨preferences should not be standards for writing advice✨
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veliseraptor · 9 months
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sometimes i wonder if certain...people who hate characters...spend more time thinking about them than people who like them. like, sometimes it seems very much this kate beaton comic
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and you just. you know. gotta wonder what they're getting out of it
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moomeecore · 3 months
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ppl reviewing anti lawn books on goodreads and going "this is preachy" yeah its about a political movement what do you want. are they supposed to NOT advocate for their beliefs
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panharmonium · 5 months
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Hi! I love your Naruto thoughts and meta posts with all my heart and I want to ask your thoughts on something that has been on my mind literally since I was 13: what do you think about the relationship between Sasuke and Sakura? I went from being a hardcore shipper when I was a teenager, to being against any romantic relationship in Naruto after finishing the anime when I was in my early twenties. Nowadays I'm very into platonic love and depictions of friendship and I think the anime's obsession with forcing the "romantic interest" curse upon the main female character robbed us of... so much. There are a few wonderful moments in the anime where Sasuke and Sakura acknowledge each other, but because she's always "the girl with the crush", her actions are so often interpret as irrational or selfish by the fandom.
Hi @riemmetric!  It's great to talk to you again! Sorry it's taken me so long to answer this; RL has been making demands of me lately and it took me way longer to finish writing this up than I wanted it to (then again, I knew from the minute I read your original ask that my reply was going to get long, so I suppose I should have predicted a delay XD)
It's funny, my sister once asked me to choose between Sasuke or Sakura for an “unpopular opinion” meme, and I ended up doing Sasuke solely because I think the negative fandom opinions about Sakura are so unhinged and divorced from the actual text that I wouldn’t even know where to start.  People are entitled to dislike whatever characters they want, obviously, but there are some fandom takes that are, for me, so obviously rooted in bad faith viewings/readings that there’s no urge in me to discuss them.  That said, since you asked, I’m happy to go into my own thoughts on this a bit, with the disclaimer for other potential readers that I only write about fandom things for my own personal enjoyment, not as a contribution to The Discourse. If you don’t like Sakura, great!  I have no interest in changing your mind. Please consider this a sincere invitation to scroll on by and go enjoy whatever parts of the fandom appeal to you.
In general terms: I love Sasuke and Sakura’s relationship as much as I love all of the relationships in Team 7.  If we’re talking about them specifically as a romantic couple, then I probably fall somewhere in the middle of the spectrum, because I do like them together in a post-canon (to be clear: non-Boruto) setting, after time has passed and they’ve continued to develop individually and reconnect with each other, but I also wouldn’t exactly call myself an intense “shipper,” in the sense that I have no interest in pulling things out from the text and incorrectly citing them as evidence that Sasuke has hidden romantic feelings for her during the canon period. He cares about her in the canon period, just like he cares about Naruto and Kakashi.  That’s not up for interpretation; it’s the text.  But Sasuke during the canon time period does not demonstrate specifically romantic interest in anyone.  
[A note before people who might ship Sasuke with Someone Else emerge to rail against this statement - please just scroll past and continue enjoying fandom in whatever way is most fun for you. It is cool to ship whatever fanon thing you want; I think that’s great!  But earnestly citing any loving or emotional thing Sasuke does re: various characters in this story (yes, Sakura included) as indicative of specifically romantic love isn’t supported by the text. I know there are always going to be enormous subsets of any fandom who insist that it is, and I'm certainly not going to barge into anyone else's space to complain about that (because other people having fun together is harmless and none of my business), but I'm not obligated to indulge it on my own blog, either.]
Anyway, that said - the reason why I love Sakura and Sasuke’s relationship (from here on out I’ll use “relationship” in a general, non-romantic sense) is precisely because Sakura isn’t just “the girl with the crush.” Sakura has an arc when it comes to Sasuke, and its trajectory moves in the exact opposite direction of “irrational” or “selfish.”  She specifically goes from “the girl with the crush” to “the girl who steels herself and tries to put her personal feelings for Sasuke aside for the greater good” to “the girl who knows she can’t put her feelings aside, but who also knows full well that Sasuke doesn’t reciprocate them, and who still wants to save him regardless, because he matters to her as a person and a friend.”
[I'm putting the rest of this under a cut to save everyone's dash, and also to emphasize once again that this is a personal post on my personal blog which I wrote in response to a question from a personal acquaintance, the full content of which no one is obligated to read. I am not sending this post to random strangers and forcing them to look at it. I'm not even putting it in the character tags. I'm typing it up on my own blog and putting it under a cut. If you already know that you don't like Sakura, but you still click the link/read the post and then feel an urge to comment and complain, I am going to copy-paste this disclaimer and remind you that I specifically recommended that you scroll past and go have fun with fandom in your own way. Thanks in advance for responsibly curating your own fandom experience!]
So, from the top:
1. the girl with the crush
Sakura is, obviously, completely obsessed with Sasuke at the beginning of Part 1.  She’s also deeply clueless about him and his history (bizarre though it is, the story seems to indicate that she initially doesn’t know what happened with his family, the same way young!Obito is initially clueless about Kakashi’s father).  But what I like about Sakura and Sasuke’s Part 1 relationship is how this changes over time.
The critical scene that kicks this off happens right at the beginning of the manga, when she and Sasuke are talking by that bench - she complains about Naruto and blames his behavior on him being all alone/having no family to scold him; and even says she’s jealous that he doesn’t have parents to nag him all the time.  This obviously triggers an outburst from Sasuke, who tells her she has no idea what loneliness means and that she “makes him sick”/she’s “annoying” (importantly, the exact same thing Sakura said to Naruto in anger earlier that day), which in turn prompts Sakura to reassess herself and wonder whether she’s been making Naruto feel this terrible all the time, too:
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From that point on, it’s a process of her putting little pieces together.  She still has a MAJOR crush, and she still acts like a twelve year-old, but as we approach the end of Part I, Sakura actually has a more accurate grasp on Sasuke’s current state of mind than Naruto does.  Naruto is initially excited to fight Sasuke on top of the hospital, because he feels like Sasuke’s finally acknowledging him, whereas Sakura is the one who immediately recognizes that something is wrong about this situation.  She is also the one who, after this fight, is concerned that Sasuke is really unwell and might do something drastic like run off in pursuit of the power Orochimaru promised him, but when she communicates this to Naruto, he assures her that this would NEVER happen:
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(Sakura isn't convinced, though, because she goes to monitor the exit out of the village anyway.)
I’m not criticizing Naruto for his response here.  I ADORE hearing him say that Sasuke is too strong to need Orochimaru, with such perfect confidence - I love seeing how much respect and admiration he has for Sasuke underneath all their fighting, because that’s the whole reason he’s always baiting Sasuke and yelling at him and claiming “you're not so great!” He looks up to Sasuke; he wants to be like Sasuke; he thinks Sasuke is awesome! (It’s that Obito @ Kakashi behavior, you know?) But the fact remains that he is clueless about what’s actually going on with Sasuke in Part 1, and he remains clueless(ly optimistic) for a long time.  
(Eg, when he catches up to Sasuke during the retrieval arc and Sasuke climbs out of that cursed seal coffin, Naruto waves at him and calls "Come on, let's go!" as if Sasuke has been successfully rescued and is now going to come running home.  Even in Part II, when Naruto hears that Sasuke killed Orochimaru, he beams and immediately says, “So he must be on his way back to the Leaf Village!”  And everyone else in the room is like, “....,” because they know better.  Naruto doesn’t yet fully understand [or doesn't want to accept] the extent to which Sasuke has willingly chosen this path, and it’s not until after Jiraiya’s death/the Pain attack/the Five Kage Summit that Naruto really starts to understand Sasuke more clearly, which is something he himself admits.)
Sakura, in Part 1, has access to more information about Sasuke - she’s there for his first dissociative monologue during the bells test, she’s there for the curse mark’s placement, she’s there for his first violent transformation in the Forest of Death - she is, in fact, the unwitting catalyst for it (“Sakura…who did this to you?”), and her compassion is the reason Sasuke is later able to overcome the curse mark’s influence - so she has a more accurate/complete picture of “how he’s doing,” for lack of a better phrase, whereas Naruto, who doesn’t know about the curse mark in the first place, is still in the dark.  This means that Sakura is able to accurately discern that Sasuke is struggling more than Naruto realizes, and specifically to predict that he’s going to run away.  
(This dynamic is then interestingly flipped in the back half of Part II, since at any point after the Five Kage Summit, Sakura doesn’t have access to extremely relevant [if currently questionable and unproven] details that would in any other circumstance inform her behavior).
Of course, just because she has more info in Part 1 doesn’t mean she has some kind of miraculous insight into Sasuke’s every thought and feeling.  There are parts of her attempt to convince Sasuke to stay in the village that are as clueless as any of Naruto’s assumptions, and they showcase the kind of magical thinking common to childhood - like when she says that if he stayed with her, she could give him happiness, she’d do anything for him, even help him get his revenge - this idea that she herself can do something to make him feel better, that she can love him powerfully enough to defeat his pain - obviously none of that is rooted in realism.
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Is this part of her approach irrational and immature and inadvertently self-centered?  Of course it is!  But it’s no more irrational and immature and inadvertently self-centered than Naruto’s stated plan to drag Sasuke back to the village even if he has to “break every bone in [his] body!” 
Hating on Sakura for her Part 1 attempt to convince Sasuke to stay in the village while simultaneously lauding Naruto for his feels like a bad faith misread of what is, to me, pretty clear narrative intention.  The story doesn’t at any point intend for us to see her begging him to stay as a selfish or conniving attempt to get something she wants.  She’s begging him to stay for the same underlying reason that Naruto is: she cares about him.  She thinks he’s making a mistake that will only cause him more pain in the end (she’s right) and she wants to make it so he feels less pain right now (she can’t.  But she doesn’t understand that/isn’t able to admit that, and she’s willing to try ANYTHING that might help).  
It’s critical that this farewell scene is set in front of that same bench from their first important confrontation - she references that day and how angry he got at her, and this time she tells him that she understands his reaction.  She’s learned things and she recognizes how insensitive she was being back then (“I know what happened to your clan, Sasuke”), even though she still can’t fully grasp all the complexities of the situation. She tells him that him blowing up at her back then helped her understand what loneliness actually meant (as opposed to her previous shallow understanding of it), and she challenges him about his choice right now: "So that's it, you're choosing the lonely path?" And when she tells him that she'll be very lonely if he leaves, we're immediately shown a panel of Sasuke thinking of both his friends, with the very clear implication that if he goes through with this, he will be lonely without them, too - that he's still struggling with the idea of leaving them, no matter how hard he tries to pretend:
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Sakura at this point knows that Sasuke isn’t interested in her the way she is in him, but she still wants to give him happiness, however fantastical and immature her ideas sound to us (and, I’m sure, to him).  “I’ll do anything, even help you get your revenge/we'll have fun every day, and...and you'll be happy! I'll make sure of it!” - of course, it’s completely childish.  It’s irrational.  It’s ridiculous to think that any of this would ever be effective, but no more ridiculous than Naruto’s belief that he can simply break every bone in Sasuke’s body and keep him in the Leaf by force.
Both Naruto and Sakura are children who have a deeply oversimplified understanding of Sasuke’s situation.  They both still think they can fix him themselves.  They both think they can save him themselves.  They both think they can convince (or force) him to do what they want, what they think is in his best interests.  Both of them don’t yet understand that he has to want to come back, if it’s ever going to mean anything.  Their attempts to keep him in the village are immature and unrealistic, yes.  What they aren’t, however, is selfish, because neither Sakura nor Naruto are doing any of this with the intention of advancing their own interests.  They’re only thinking about Sasuke - how to keep Sasuke safe, how to make Sasuke happy - even when neither of them are taking an approach that will actually work.
Naruto and Sakura are children.  They’re afraid of losing somebody they care about.  Their attempts to prevent that from happening are desperate and messy and ultimately ineffective, but they are also genuinely felt and rooted in a true desire to rescue Sasuke from his pain, which - and this is the single most important thing that should impact our viewing of Part 1 - is something that Sasuke RECOGNIZES.  He doesn’t spend that agonizingly long moment bowed over Naruto’s defeated body so we can pretend he doesn’t understand that Naruto was just trying to help him.  He doesn’t take the time to murmur, “Sakura…thank you,” before laying her out carefully on a bench, just so we can discount it and pretend that he doesn’t recognize and appreciate her genuine intention to make things better for him, however clumsy that attempt might have been.
2. the greater good
If Stage 1 Sakura is "the girl with the crush," then Stage 2 Sakura is a progression to “the girl who decides to put her feelings for Sasuke aside in order to protect innocent people, including (but certainly not limited to) Naruto.”  She’s driven to this decision by interactions with Shikamaru, who all too recently had to grow up fast himself (“We're not kids anymore...we can't allow a war to break out between the Hidden Leaf and the Hidden Cloud because of Sasuke") and Sai, who risks his new friendship with Sakura and Team 7 in order to speak some hard truths and deliver one of my favorite lines in the whole story: “I don’t know what promise Naruto made to you, but it’s really no different than what was done to me.  It’s like a curse mark.”
(INCREDIBLE.  How can anybody be complaining about a season where Sai gets to say something that goes THIS HARD and Sakura LISTENS and takes DRAMATIC ACTION that actually propels the story forward in a meaningful way - )
[Okay, yeah, brief personal opinion interlude - it is just bonkers wild to me that there are people who complain about Sakura in the Five Kage Summit arc. That entire season is the greatest character arc she ever has.  Literally she has never been more interesting and dynamic than in Season 10; it’s the first time she ever gets to be as deep and fascinating as the boys; what is everybody so worked up about?  Oh, “she lied to Naruto that one time” - Sasuke joined infant-kidnapping baby-murdering human experimentation machine Orochimaru when he was twelve years old in order to (dare I say it????) selfishly pursue his personal goals and yet, somehow, we are still able to root for him.  He abandoned his friends/allies to imprisonment and death (Suigetsu and Jūgo) or outright stabbed them in the chest himself (Karin) in order to (SELFISHLY) get what he wanted, and yet, somehow, we are still able to love him, understand him, and be on his side.  Naruto is canonically not upset with Sakura about her lie after receiving context for the situation and I think we can probably take our cues from him without feeling the need to bring her up on war crimes; please calm down]
[Sorry, I just really love most of Season 10 and think it’s one of the best examples of how good this story can be when every single character gets to do something that matters (as opposed to things being all Naruto, all the time) so I get a little bit worked up over people complaining about some of the best writing Sakura ever gets.  I don’t understand what certain elements of fandom want from her. People complain about her being “useless” and not doing anything that contributes to the story, but then they complain just as much when she does finally get to act decisively and have just as complex/dynamic an inner world as the boys.  She’s “weak” for being unreasonably in love with Sasuke, but when she tries to be “strong” and put her love for him aside and eliminate him in order to protect Naruto and the rest of the world, she’s evil, because she should have been more understanding of his situation (despite the fact that she doesn’t KNOW anything about his situation).  But then when she can’t go through with killing him after all because she cares about him too much despite the things he’s done, she’s not "compassionate" or "kind" or "a good friend," she’s “weak” again. Nothing Sakura does in S10 is more wrongheaded or rash than any of the batshit, buckwild things Naruto and Sasuke have done in the past (and will continue to do in the future), but when Naruto and Sasuke have big feelings or take bold action, it makes them interesting characters, whereas Sakura can’t breathe in anyone’s direction without being minutely scrutinized for moral impurities.]  
Anyway. Back to a more measured response.  
Every single piece of development Sakura has with regard to Sasuke in this season satisfies me so much.  Her initial shock and disbelief at hearing that Sasuke had joined the Akatsuki?  Good, appropriate.  The fact that she starts to acknowledge the reality of what Sasuke’s done sooner than Naruto does?  Also extremely appropriate, very in-character for both of them.  Her taking Sai’s words to heart and deciding that the promise she asked Naruto to make when they were children is causing him to suffer and she has to relieve him of that burden?  Juicy!  AND thematically significant (promises!!!!  the burden that a promise places on a person, especially when it can't be kept - we've seen that before in this story and we'll see it again).  Her anguished pivot from wanting to protect Sasuke to realizing that she has a responsibility to protect the countless innocents who will die because of the war he’s trying to start?  HELLO THIS IS INCREDIBLE CHARACTER DEVELOPMENT.  Her knocking out the classmates who agreed to help her so they don’t have to share in her burden (and so the only person Naruto will hate when it’s over is her)?  BRUH.  Her being so committed and focused on her goal of saving innocents and protecting Naruto (not just from being harmed by Sasuke/the Akatsuki, but by the possibility that Naruto will someday have to hurt Sasuke himself) that she tries to take everything on by herself and walks into a confrontation that she absolutely cannot win??  INCREDIBLE.  (Literally the first time I watched this, I said, “Finally!!!  It’s Sakura’s turn to go off the rails!”  I laughed with my sister about how Kakashi isn’t even mad, because Naruto and Sasuke have been pulling stunts like this for years and Sakura was way overdue for her own meltdown.)  And then, after Kakashi intervenes in the fight - Sakura barreling back into the battle when she realizes he’s going to take on the burden of killing Sasuke himself in order to spare her and Naruto the horror - “I can’t let Kakashi-sensei bear this burden!”  I love her for that.  
And then, of course, in the end - her not being able to do hurt Sasuke after all.  Despite committing herself to the act, despite forcing herself to put her feelings for him aside, despite resolving to stop him from starting a war and killing innocent people, she can’t harm him.  She cares about him too much.  This, too, is thematically significant - think about Itachi’s “you don’t have enough hatred” - she doesn’t have enough hatred to kill someone she cares about, even if it seems like he deserves it, even if would be the right thing to do to protect others.  She can’t do it, and Sasuke almost kills her for her compassion.  
I love the dynamic this sets up between her and Sasuke, for a few reasons:
1) Personally, I think Sasuke respects Sakura much more for trying to kill him than he would have if she’d just tried to talk him out of his behavior or beg him to come home (a la their original confrontation in Part 1).  This is the first significant interaction he’s had with Sakura in years, and the fact that she does something SO contrary to his memory of her is an important demonstration of the fact that she’s not the same girl she used to be.  Sasuke spends a lot of time after his defection declaring to his old team “I’ve changed; I’m not that person anymore,” but this is one of the moments where he’s forced to acknowledge that his teammates have changed, too.  Time didn’t just stop for them when he left.  While he was turning into someone new, so were they.  They grew up without him, and his old memories of them can’t encompass the whole picture of who they are now.  
(This is a little tangential, but in general, I love the spectrum of reactions that Naruto, Sakura, and Kakashi have in this sequence, and the way that all of them are ultimately messages Sasuke needs to hear.  Sasuke - who we know textually regrets what he did here, who apologizes to Sakura for it later - for “everything,” in fact - needs Naruto’s aggressively optimistic open-arms policy, yes, needs that potential, that unconditional possibility of return.  He also needs Sakura’s refusal to let him hurt her friends and start a war that will kill thousands of people, needs her surprisingly ruthless attempt to take him down; needs just as much her failure to do so, because it shows him that she still loves him too much to kill him even as she condemns him.  And he needs Kakashi’s grim line in the sand, needs someone who very possibly won't hesitate like Sakura (despite the horrifying personal cost), someone who will try to reach him but also won't let him escape and become the next generation’s Orochimaru, who won't let him cause untold suffering to untold numbers of people just because a teacher loved him too much to stop him when he had the chance. 
(And then even Kakashi chooses not to deliver a killing blow when he has the opportunity -)
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(I know that in fandom people are more likely to be all, “oh, Naruto Good, everybody else Bad,” but I don’t think the narrative frames Sakura or Kakashi as “worse” than Naruto in any way.  The story goes out of its way to make it clear how desperately they don’t want to hurt Sasuke and how much they care about him.  And [this is just my interpretation, so obviously I won’t claim it as fact], I personally think that Sasuke - Sasuke, who, looking back, can see how lost he was then and how tortured he would have been if he’d gone through with many of his plans - would be grateful to Sakura and Kakashi for making an attempt to stop him when he couldn’t stop himself.)
2) On the other side of this, the fact that Sakura wasn’t able to deliver the killing blow means a lot. Sasuke was incapacitated under that bridge; he was completely at her mercy - but she stopped with the kunai an inch from his back.  She couldn’t kill him, even though she knew that he was completely willing to kill her (because he'd attempted to Chidori-assassinate her from behind just a few minutes ago).  That’s huge!  Sasuke is too out of his head right now to process this or understand it, but later, it's going to matter.  She stayed her hand.  She spared his life.  She loved him too much to hurt him, even when he’d given her every reason to take him down.  She hesitated, and he almost killed her for it, but her inability to strike him ultimately gave him yet another chance to come home, another chance to get better, another chance to have a life outside of his pain.  Despite everything, some part of her still hadn’t really given up on him, and that knowledge will matter later, when he’s finally able to acknowledge it.  
The point of all this is to say that I really have no complaints about Sakura and Sasuke’s dynamic in their S10 confrontation.  This season is the point where Sakura fully grows past her “girl with a crush” stage and into her “shinobi must make very harsh decisions” adulthood, but it never means that she doesn’t care about the person she’s trying to take down.  Her ultimate inability to deliver the killing blow remains a dangling lifeline for her relationship with Sasuke, an open door that Sasuke is able to walk through at the end of the story (literally, in fact, when Sakura opens that portal for him and saves him from Kaguya’s desert prison, and figuratively, too, when Sasuke apologizes to her).
3. she only wants to save you
The last stage in their relationship is what Sakura settles into during the war arc.  She started off Part 1 being just a girl with a crush, then tried to harden her heart and put her feelings for Sasuke aside in service of the greater good, but she was unable to actually follow through and kill him, and because of that, what she’s come to accept by the war arc is actually two things: that 1) Sasuke truly is willing to let her die if it furthers his goals, and 2) she wants to save him anyway.  
She has no intention of pursuing Sasuke romantically.  She knows full well that Sasuke isn’t interested in her.  She even knows that Sasuke isn’t really on their side (there’s a great scene where Sai questions Sakura about Sasuke’s return, and she reassures him that everything is fine, and Sai sadly thinks to himself “even I can tell your smile is fake”).  She’s well-aware that Sasuke didn’t try to help her when Madara stabbed her.  She’s well-aware that he left her to die in the lava pit.  She’s also well-aware that none of this is enough to make her stop loving him.  He doesn’t have to care about her - she still cares about him.  She still wants to help him.  She still wants to save him.
This is not hidden, hard-to-parse character development.  It’s explicitly articulated on the page:
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Sakura’s not trying or wanting to make you hers!  She only wants to save you.
I’m not sure if people look at this last confrontation and unquestioningly take Sasuke at his word (as if we haven’t just read 71 volumes/watched 700 episodes showing us how how painfully distorted his thinking is), or if they stop reading/watching before the end of the scene, or if they don’t understand that Sasuke saying something doesn’t make that statement an accurate representation of reality.  The entire point of this scene is to show us how deeply mistaken Sasuke is about Sakura (and, by extension, the rest of Team 7).  He’s locked into a false pattern of thinking.  His single-minded focus on revenge and destruction has blinded him to the unconditional love his friends feel for him; he’s become so accustomed to using others and being used that he can’t understand or accept that someone would care about him without needing a reason, without needing him to love them back, without needing to receive something from him in exchange.
Sakura’s not trying or wanting to make you hers!  She only wants to save you.
Sasuke matters to Sakura as more than a love interest.  He always has.  She does love him romantically, yes, but she doesn’t only love him romantically, and her desire to help him is not and has never been contingent on him returning her feelings, romantically or otherwise.  Sasuke isn’t able to acknowledge that in this scene, but that doesn’t mean we’re supposed to just sit back and agree with his warped perspective.  Kakashi is the one who’s explicitly positioned as the voice of the narrative here.  We, as the audience, are supposed to recognize that Kakashi is the one telling us the truth.
[tangential thing 1: You don’t have to love Sakura's last plea to Sasuke here. It’s not my favorite, either - the best part, other than Kakashi’s speech at the end, is the moment after Kakashi collapses when Sakura’s expression changes from pained uncertainty to pure rage, when she grits her teeth together - when I first saw that, I almost leapt out of my seat like “Oh my god.  She’s finally going to let him have it.  It’s finally happening - ”  I wanted that so badly, and I still think it would have been a more effective writing choice for Sakura’s last words to lean more into her anger at the suffering Sasuke is causing all of them (himself included!) and less into yet another of Kishimoto’s “let me have Sakura articulate what a shame it is that she can’t do as much as Naruto despite the fact that I literally just went through a major reveal sequence in the war to show that she’s caught up to the boys; I can’t make up my mind about whether I want her to progress or not” - it’s extremely frustrating (and it's something he does at the very end of the S10 Team 7 reunion, too, which is the ONLY moment of S10 that falls flat for me).  But at the same time, even if there are ways this sequence could be more satisfying, it doesn’t change the fact that her plea to him is not remotely motivated by a desire to be with him romantically and not anything to condemn her for.]
[tangential thing 2: I do like how she remembers that moment when Sasuke says “Thank you.”  That panel precedes her saying “If there’s even a tiny corner of your heart that thinks about me…” (which I’m sure is one of the things that people like to criticize about this scene, aka “oh she’s sooooo self-centered” etc), but that particular line of dialogue is preceded by that particular flashback panel for a reason: Sakura knows that Sasuke DOES think about her.  He thinks about all of them.  Sakura remembers that “thank you,” and it reminds her that despite everything Sasuke has done and said since, despite all evidence to the contrary, she knows in her bones that his expression of gratitude back then was genuine.  He cared about her once.  He cared about all of them.  She’s trying to reach the part of him that still does, if it exists.]
[tangential thing 3: The fact that Kakashi says “she suffers from loving you,” and it triggers Sasuke to remember his own family - thinking about how much he suffered (and still suffers) from loving them - “Perhaps…those are the ties to a failed past” - the idea that it’s not worth it to have bonds if it means you suffer this much…that it’s too difficult, it’s too painful, and if Sakura and the rest of Team 7 were smarter they would just give it up (all Sasuke knows how to do now is sever potential bonds before they can hurt him; so why aren’t Sakura and the rest of his teammates doing that, why can’t they let it go, why are they making this so hard - ) << yeah, he clearly doesn't care about her/them at all.]
4. the shadow of my family
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This has all been a really long way to answer the original question, but the short response to “What do you think about the relationship between Sasuke and Sakura?” is “I really care about it,” just like I really care about the relationship between Sasuke and Naruto, just like I really care about the relationship between Sasuke and Kakashi. And I don’t think the story ever asks me to choose between them.
I’m not sure whether it’s the impact of Boruto-era “canon” that gets in the way of other people approaching things this way (I don’t consider sequel material when I evaluate the original story), or if it’s Kishimoto’s frequent disinterest in/disrespect towards female characters, which yes, does sometimes make it harder, or if it's a shipping thing (bane of my existence), or some combination of factors, but for me, taking one member of Team 7 out of the equation hobbles the rest of the story.  I can’t read/watch Naruto while hating one of the protagonists and loving the other three.  It doesn’t work like that for me.  The story wasn’t written that way, and there’s nothing in the text that would cause me to receive it that way.
That doesn't mean there's anything wrong with disliking one of the main foursome (or any character, for that matter) - obviously we're all going to have different preferences, and everyone is free to enjoy or reject whatever parts of a story they want, or to like or dislike whatever characters they want. I know that some people have more fun disregarding canon and doing their own thing, which is fine.  My own personal zone of enjoyment comes from receiving the story as closely to how I think it was intended to be read as I can, and personally, when I look at this particular story, what I see is that all the members of Team 7 clearly demonstrate their love for Sasuke in ways that he himself later recognizes and acknowledges. All of them are driven by their desire to save him and their unwillingness to hurt him. All of them make repeated choices to chase after him when he runs away, to trust him when he hasn't exactly earned it, to give him another chance when he doesn't appear to deserve it. ALL of them, not just Naruto, do these things multiple times throughout the story, and Sasuke owes his life (and thus his eventual recovery) to ALL of them, many times over. Kakashi disobeys Hokage-elect Danzō and breaks the law to negotiate for Sasuke's life with a foreign head of state. Sakura and Kakashi both have opportunities to kill Sasuke in the Land of Iron, and they choose to spare him instead. Kakashi stops Sasuke from killing his only friends at two different points in the story, which would have been a mistake Sasuke couldn't have recovered from. Sasuke would have died in Kaguya's desert dimension if Sakura hadn't saved him (Sakura, who knew that Sasuke wasn't even truly on her side yet, who knew he'd abandoned her for dead multiple times already that day). Kaguya's bone bullet would have killed Sasuke too, if Kakashi, with his intention to die in Sasuke's place, hadn't leapt in front of it (Kakashi, who also knew that Sasuke wasn't fully on their side yet, who also knew that Sasuke had abandoned him for dead earlier that day). Sasuke and Naruto would have BOTH died in the Final Valley if Sakura and a severely injured Kakashi hadn't chased after them to heal their injuries.
Remove any one member of Team 7, and Sasuke never makes it home. Without the combined efforts of all three of his teammates, he doesn't survive.  That’s the way it should be, thematically, for a story whose first and most foundational premise was the importance of teamwork, and since Sakura was just as essential to that framework as everyone else, I’m just as invested in her relationship with Sasuke as I am in his relationship with everyone else.  You can’t remove one leg from a four-legged stool without damaging the integrity of the entire structure, and for me, discounting any single member of Team 7 irreparably damages the integrity of the entire story. 
TL;DR: I love all of the Team 7 relationships, including Sakura and Sasuke's, because despite what some segments of fandom seem to believe, the text of the story never gives me any reason not to.
#naruto#meta#replies#anyway that's that! hopefully that is a helpful answer#thank you for the question! i honestly don't think i would have ever gotten around to writing about this if i hadn't been directly asked#i love talking about the stories i enjoy (obviously; we all do; that's why we're here)#but i'm usually ¯\_(ツ)_/¯ about responding to takes that blatantly misread the narrative to justify hating a particular character or ship#mostly because a) it's whatever. as long as people mind their own business and leave me to enjoy myself they can do what they want#and b) some opinions are so divorced from the actual text that they're not worth discussing#like. what's the point of responding to random internet posts saying that sakura was selfishly pursuing sasuke as a lover the entire time#when that is textually and provably not the case?#if you're that committed to experiencing things in direct contradiction to what the narrative is asking of us then just go ahead#is it mildly annoying to me? sure. but so are lots of things and it's better to just let stuff go#like - i initially planned to take this piece of meta all the way up through sakura and sasuke's last scene together#the one where he tells her 'maybe next time' and finally reclaims and redefines itachi's forehead tap (INCREDIBLE. THIS SCENE.)#but ultimately i changed my mind because everything i wrote for that last section was coming out too harsh#i generally prefer to talk about fandom stuff in a chill/friendly approachable way#but i kept thinking about the most obscenely & disrespectfully inaccurate read of that scene i'd ever seen#and i couldn't figure out how to talk about it in a non-scathing way#that scene and the one where naruto gives sasuke's headband back are the ONLY well-written things about the finale of naruto#they are SO perfectly constructed and i can't respond to people slandering either one without feeling an urge to kill#so i just deleted it. partially because again - this is fandom; it's not that serious; people can do what they want#but also because i know i get extra frustrated about people picking over the text and plucking out isolated bits and pieces#to contort into blatantly misinterpreted mutant shapes that 'confirm' whatever pre-existing judgments or ships they had#instead of experiencing the story as a cohesive whole & keeping in mind the greater context of what it's always been trying to communicate#people on this website say 'we all interpret things differently :)' as if it means no one can ever be wrong about what a text is saying#newsflash: not all interpretations of a text are valid. things can't in fact mean whatever you want them to mean.#the ***story*** persists and exists even if the author is dead to you#if you choose to ignore that then that's fine; it's just fandom; who cares. but i'm not going to pretend you're 'analyzing' anything.#(ok now i'm really done. you can see why i deleted this section XD)
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ok not to beat a hornet’s nest with a baseball bat but i keep seeing people on here who say they want to see an icemav pride & prejudice au but they’re always saying ice would be elizabeth and mav would be mr darcy and i just… don’t get that at all. narratively and thematically it makes no sense to me.
first of all, ice is the one who’s coming from a place of privilege in the movie. he went to the academy, he’s the top dog at top gun, he’s a genuinely good guy but mav thinks he’s a dickhead for, well, being a dickhead. second of all, he’s the one who keeps trying to help mav in his own backwards way, not unlike darcy trying to flirt with elizabeth, who sees each of his attempts to woo her as him instigating an argument. thirdly, he tries to help mav in his time of crisis after goose dies, similar to the scene where elizabeth finds out that wickham absconded with lydia.
on mav’s side, he shares elizabeth’s prejudice against rich, snobby men, but instead his prejudice is directed at ice and naval academy-bred pilots in general. he’s also an outsider amongst the other naval pilots because he never attended the academy and because of his father’s reputation, which matches elizabeth’s lower social status and her ostracization by the bingley sisters. i can’t really say how the wickham plotline would factor into the narrative because there is no such character in top gun, but maverick has been shown to be easily taken in by a pretty face (see charlie).
lastly, the way both characters’ opinions of each other change by the end of the movie are a perfect thematic match. ice has decided that while mav is still dangerous, he now sees this as mav’s strength instead of a fatal flaw. meanwhile mav has come to the conclusion that ice is not the asshole he thought he was, and that he can trust ice to have his back in the air from now on. similarly, darcy was able to rise above his previous reservations about marrying elizabeth due to recognizing that his estimation of her was in fact incorrect and that he needed to reevaluate his beliefs, while elizabeth came to realize that darcy was a better man than she had thought.
is there anything that i missed? i promise this was by no means a callout post, i’d love to hear what other people’s thoughts are because i’ve seen the opposite take in several posts but i simply can’t see it myself. if anyone wants to weigh in with their perspective please do!
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ck-17088 · 1 year
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OPINION: Why I think Transformers Earthspark will be remembered as one of the best Transformers shows of all time.
Long story short, Earthspark spoilers. Don't read if you don't want to be spoiled.
I'm delighted to say that Earthspark has again exceeded my expectations. Honestly, when the show was first announced, I expected it to be a TV show meant to pander to young children. It would either be silly or forgettable.
Nope.
The show has blown all expectations out of the water through its bold story-telling and animation. The characters all feel realistic- they have strengths and flaws, which are most apparent when they face difficult situations. Another strength is that this show is not afraid to tackle issues (war, moral issues- "how far are we willing to go for the sake of peace?", discrimination, etc) that have become a part of our society in the present and past several years.
In the new 8 episodes dropped, the central theme appears to be identity. Mainly about finding your identity (ex: finding an alt-mode), making up parts of your identity (ex: finding the right alt-mode that matches each character), and integrating new experiences into your identity (ex: Megatron's decision to gain an Earth-based alt-mode to earn the Autobots' trust)- those sort of topics. These are all important and wonderful topics to discuss and share in a show. However, what surprised me the most was that the writers were not afraid to show the ugly sides of identity-related topics.
The 17th and 18th episodes- "Home Part I" and "Home Part II"- subtly tackle racism and xenophobia. Robbie, Twitch, and Hashtag are visiting Robbie's friend in a skateboard park. While having fun, they stumble upon an anti-transformers graffiti- "Transformers go home". Twitch and Hashtags are shocked and upset over this. Twitch says "This just isn't okay" because they were born on Earth and have lived there for their entire existence. However, Robbie's friend insists that their existence on Earth isn't "okay" since "Invading the Earth wasn't okay either". He's essentially telling them that they exist because of the war, which was unwanted, so therefore, their existence "isn't okay".
That scene honestly emotionally destroyed me. Before I explain why let me say a few things.
I am Korean American. The experiences/feelings I will later talk about are my own and do not fully represent the Korean American and/or East Asian communities. Our community's experiences are varied; thus, one person’s is not enough to sum them all of them.
Throughout my life, especially in the past couple of years- during the COVID-19 pandemic, I have had all of these things happen to me:
- I have been called hateful slurs.
- People have made the slanted eyes gesture to me numerous times.
- A few people have greeted me with "ni hao". (This is offensive because they automatically assume I'm from China because I'm Asian. It supports the idea that AAPI communities are one monolith. Hint: They're not.)
- Many people have asked me if I eat dog meat… (I don't. Never have.)
- Too many times, I have been told to "go back home". (I don't even remember the exact number. That's an indicator of how many times it's happened)
- In college, I have had many academic and career advisors ask if I'm a foreign student. It doesn't appear be an offensive question, but if I were Caucasian, no one would have thought to ask me if I was a foreigner. But no, I am Asian, so there is a huge chance that I might not be American.
The fact that I am Asian, or Korean American, an ethnicity (Korean) not found in the Americas, is enough of an excuse to question my identity and my entire life - who I am, where I'm from, and my own habits. To many, it is an excellent excuse to ensure I feel like an outsider in my own home.
The "Transformers go home" scene destroyed me because it reminds me of the pain that comes from the fact that there will always be people who believe I do not belong in my own country- no matter how many experiences I have had and how ingrained they are in me.
These characters are experiencing that same pain, too, even when they shouldn't be. The insistence from Robbie's friend that their experiences aren't enough to explain their belonging to Earth because they are physically Cybertronian- or transformers- is especially heartbreaking.
However, Robbie stands up for his family and breaks ties with his friend. He refuses to accept the blatant discrimination his siblings are facing and leaves instead. This is significant because while the writers show the ugly side of human society, they also show how to combat it- by refusing to stand by and accept it.
This scene is likely why Earthspark will become and will be remembered as one of the best Transformers shows ever.
It's not just the animation or the stories/plots. It is the show's willingness to tackle issues that are difficult to discuss in real life.
In a world where Anti- Asian, Anti- Latino, Anti- LGBTQIA sentiments and (basically) any hate toward minority groups are on the rise, Earthspark is not afraid to go head-on with these issues. They are willing to show scenes to demonstrate the harm these ideas and beliefs can cause, as well as solutions on how to fight them.
The show embraces the beautiful sides of humanity- friendship, family, love, and hope- but is also not afraid to fight the ugly parts of it too.
Written by: CK17088
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dolldefaced · 5 months
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going into the tags and seeing both 'this is some of the best red hood writing we've had in a long while' AND 'this is once again more garbage writing for red hood' back to back about the beast world thing is so funny
if i were new here i'd be so lost.
like it isnt new i think this happens every time there's a jason comic that isn't totally out of pocket for him, but seeing one after another a few times makes me snort
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theminecraftbee · 1 year
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Ok, so I want to ask, because I want to write something with Watchers and Pearl, what would you say are the biggest sins to her character on watcher!Grian fics? I have a few ones in mind, but I'm curious on the opinion of other person
...okay so the thing is. i think... okay. so, to start: this isn't a knock on people who like sky siblings, or like writing grian and pearl as friends who lost each other because of evo, or all of that. i want to get that out of the way. hell, look at last days! i wrote some sky siblings! i get it!
okay. that paragraph is out of the way.
so. a problem i have with watcher grian fics in general is a tendency to reduce everyone to "guy to comfort grian" or "guy who is vessel for grian angst". and to some extent THIS IS FAIR. because it is a fic about grian. so, therefore, most of how we see other characters interact... will be in the context of grian.
however.
when pearl first joined hermitcraft and people were like "oh yeah she was in evo and on grian's build team". it suddenly felt like people... were only excited about her in the context of "how do we add this to the watcher grian canon". they made her grian's sibling, but only would characterize her in the context of "she is grian's buddy". and the type of pearl-related watcher grian angst i dislike... well. it almost always tends to focus on how sad grian is that he can't remember pearl. or how scared he is to tell pearl about what happened. and. pearl's existence in those fics revolves around how she makes grian feel and... nothing else.
and for a little bit, it felt like all the pearl headcanons weren't pearl headcanons. they were grian headcanons. pearl was just there to add to the world of grian. and it soured me. it soured me a lot. and the thing is, as i said: pearl and grian ARE friends and i DO get the sibling headcanons but oftentimes it felt like they were done solely to make grian a more interesting character, with no regard for pearl, who is plenty cool on her own, away from grian, you know?
anyway the fandom isn't as bad about that now - soup group helped a lot with this, and then double life also helped a lot with disabusing people of a lot of the worst of this. people having new groups and themes and things to do with pearl and pearl being less new helps. the biggest headcanon about pearl is no longer a headcanon about her relationship with a completely different person.
but like. you know. gestures vaguely. i still remember and so it's one more thing that makes me more wary of that genre.
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brittlebutch · 8 days
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finally found a place to read With the Light online and i'm thrilled; if you haven't read this manga i do Legitimately recommend it
#N posts stuff#like don't get it wrong it Is Not a series about being autistic it Is a series about raising an autistic kid#but also don't be put off by that because it's legitimately a series that I feel Loves autistic people with its whole being#it's kind of a teaching manga so it showcases a lot of different opinions/characters/conflicts/etc. but the Framing is very consistent#in that the manga is Extremely of the opinion that autistic people are People who deserve to be Valued and Accepted As They Are#the onus for change is never put on autistic individuals the framing is basically Universal in the 'the World needs to change#to be more accepting' -- it's a very Social Model depiction of autism that ALSO never veers too far into the#'autism isn't even Really a disability' fallacy; it's very much a 'A lot of autistic people will need constant support in a variety of ways#throughout their lives but that isn't the roadblock preventing them from having their own lives; ableism in society is the roadblock'#the first two chapters are the hardest to get through bc they take place before Sachiko has any real understanding of autism and#so she's isolated and stressed out and the ignorance makes it difficult for her to care for Hikaru properly (there's also a lot of#other characters Blaming her for what's going on which goes unchallenged at this point though that changes later); but after she#understands what autism is she's Firmly in Hikaru's corner for the rest of the series - you can skip right to ch 3 without a problem#if you're not interested in reading about that initial conflict#there's still a Lot of conflict ofc but by then the chapters have some of my favorite moments so i don't want to advocate skipping#them; like Hikaru's daycare teacher explaining how Hikaru's difficulty speaking is the same as other kids' troubles with#things like jump-roping/etc.; and then a mother who has An Issue with Hikaru's presence in her daughter's class realizing the#depth of the problematic opinion bc Her mother (who had a stroke) faces similar ableism from her peers#i'm cutting this post off b4 the tags get Too long but if you're curious but still hesitant man. send me an ask and i will Happily#write an insanely long essay about how much i love this series; i have all the books i'm not excited about the online availability#for Me i'm excited bc i've been wanting to rec this manga for like almost a full decade and i can finally give you a link instead of#saying 'well. you can find used copies sometimes' lol
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slushyextrachaos · 1 year
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Cal nudges Boba, pointing out General Skywalker. Saying something to him that only he hears.
This earns Kestis a smack to the back of the head.
"No. One: it's not the same, two: he's married. And three: We AGREED that conversation ended." He hisses at the cackling menace. He's never telling anything to Cal again. "I WILL hand you over to the nearest person with a bounty on your head, free of charge." He threatens.
"You've been saying that for years Fett. Haven't gotten rid of me yet." The Stewjoni never fails to point out. Make friends they said, it would be fun they said. Boba sighs.
Rex eyes the two cautiously, though at this point he's too afraid to ask.
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the-casbah-way · 9 months
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the best writing advice i can give you is to ignore all of those people who insist there are a bunch of rules you need to follow in order to be a Good Writer, or are so painfully terrified of doing anything that has been done before or could be deemed cliched that they end up shoving themselves into a tiny box they’ve invented that completely restricts them creatively and stunts any kind of genuine growth they might get to experience as a writer. i ignore the rules of grammar fucking constantly if i think it serves the tone of my narrative better, because i think a sentence that’s ‘too long’ and doesn’t have enough punctuation is a GOOD thing if you want to illustrate a frantic or stressed person’s mindset. i WILL write the most stereotypical cheesy ending to a story because sometimes it just makes the most sense to do that because of the themes and conflicts im working with and im not going to force myself NOT to do it just because it’s ‘predictable’ or someone else did it before me (guess what everything has been done already and doing something that has literally never been done before is not actually what originality is). stop scaring yourself away from exploring and finding your own unique writing style just because someone is telling you you need to obsess over and memorise a load of non existent rules that people often just throw around to make themselves sound intelligent (it’s not working. you are dumb)
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Interacting with popular media is fun because I can confidently give reasons why it fucking sucks. Hating something just because it's popular will always make you seem like a bit of a weirdo, but watching/reading it and being able to give genuine reasons why it's not good will literally always be more respectable. You sound so much more sophisticated when you say "this happened on page 45 and it ruined the book" than when you say "I looked at the cover art and it sucked and now I have a deep hatred of the whole series."
I am absolutely not above telling people "I won't watch this. It looks cringe." But I'm always always always aware of the fact I sound immature and probably a little snobbish when I say that.
Forming strong visceral hatred over a piece of media that you have literally never read a single page of/seen a single second of will always come across as a bit maladjusted.
And not watching/reading something because of how much hate it's getting online is just as much of a bandwagon as watching/reading something because of how much love it's getting online 💀
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a one act play, o.e.l
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dulcesiabits · 1 year
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Intro
Hey guys! This post is a bit different from what I usually write, but it’s something I’ve been thinking about a lot recently, and that I talk about with fellow fanfic writers. I’ve talked a little before about how self insert fanfic culture has changed over the years, and this post is just an attempt for me to (somewhat) compile and organize my thoughts.
This post (or informal essay) will be divided into two main sections: one on content creators and burnout, which goes into topics such as why writers leave and the difficulty of maintaining a writing blog, and one on what readers and authors owe each other, which delves into the relationships between authors and their audience, and everything that entails. As a disclaimer, all opinions are my own, and anyone is free to agree or disagree. I wouldn’t mind civil discussion on this topic, but I will ignore anything out of line.
Content Creators and Burnout
First up on the agenda: the term content creators. This isn’t a term specific to writers, as other creators such as artists have also fallen under this label. Content creators are people who produce content for fandom, and Merriam-Webster defines content as “the principle substance... offered by a website” (content has several definitions, but this one was what I found most relevant). Though there’s nothing inherently wrong with this definition, but it does have an impersonal connotation. There is power in words, and I think the shift to  calling writers content creators reduces their art down to what they produce. It turns writing, a labor of love, creativity and passion, into simple content, something to be consumed. This correlates to a shift in general fandom culture of treating writing (and any art by extension) as something to be passively consumed, instead of interacted with. Of course, lurkers and shy fans have always been a part of any fandom, but it seems like interaction is far rarer than it was even ten years ago (the infamous reblog to like ratio changing to favor likes instead of reblogs being a prime example).
I have seen writers express discontent at how it feels like they’re putting writing into a void. There’s no comments, no replies, no asks; it’s disheartening not to receive any feedback on something you’ve worked hard on. Even if you know people enjoyed it enough to reblog it or leave a like, it doesn’t feel like it if you can’t see actual evidence or read any feedback. Another part of the issue is that reblogs are the only way to share fic; likes on tumblr, unlike on other social media, don’t really do anything other than serve as a bookmark at best. Writers write for their enjoyment, but they also write so their stories can be shared and enjoyed.
The shift to treating writing as “content” and the lack of engagement means that  self insert fanfiction blogs have a short-shelf life. Most writers will only stay for as long as they’re interested in a media, and then stop when that interest dries up. Without that personal motivation, the lack of engagement feels even more disheartening. Additionally, most self-insert blogs are also request based, so they rely on people being interested enough to send in a request to thrive. However, this also lends to treating writing as “content,” because there will invariably be some who treat writers as machines, instead of people with their own inner worlds. Insert a request, and get a fic spit out a few business days later. This also demotivates writers, who feel like their work isn’t being enjoyed, but simply taken for granted. Writers will then burnout, and quit their blogs.
Another factor in this conversation is how self-insert fanfiction is self indulgent, and seen as “bottom of the barrel” because of this. It has a reputation for being cringy, in short, and is usually not as respected as other forms of writing. Though people who read self-insert fanfiction might not take this attitude themselves, this could affect how writers are treated regardless. I’ve often jokingly compared self-insert fanfiction to pulpy romance paperbacks: they’re both self-indulgent (and looked down on for being self-indulgent), consumed en mass, and never taken very seriously.
Of course, not all readers view writers as simple content machines, and there are always readers who leave nice comments and send asks. Silent readers are not the issue, either, because engagement isn’t something that can be forced. Readers will also lose interest in media, and fandoms will sometimes die for natural reasons. This not an attempt to pass judgement or blame, but simply an observation on general trends.
What Do Readers and Writers Owe Each Other?
So. Let’s say that you are an inspiring writer, and you start a blog. You receive a request, but it contains a subject matter you don’t feel comfortable writing with. What do you do?
This is a situation I see crop up often when people run request based blogs. Even if you have rules in place to stop this precise situation, there will always be people who either ignore or don’t read your rules. In most cases, people would just delete it and move on, or address it to ensure people do not do it again.
What allows these sorts of situations to happen, though? I believe part of it stems back to the prior section. If writers are seen as content machines, then they aren’t human; it doesn’t matter what you send them, because there isn’t a real person on the other side of the screen, with their own feelings.
I don’t believe requests that want to deal with sensitive subject matter are inherently bad; some writers are comfortable with writing that material, and everyone wants comfort from their favorite character when they’re in a tough situation. I do believe, however, that there should also be care taken to ensure you aren’t overstepping any boundaries with the writer. Perhaps the writer has experience with that particular subject that makes them unable to write about it, feel unequipped to write it, or they simply want to avoid it. Whatever the case, different writers will have different standards and expectations.
I’ve also seen another phenomenon where someone will send the same request to multiple different blogs. Some writers are fine with this, but some are not; for those who are uncomfortable, it feels like another instance of being viewed as a machine. Someone wants a particular idea written, and doesn’t care who writes it. It makes for an awkward situation when you work on a request and realize that a different writer has already posted their version of it. 
It’s easy for the relationship between a writer and reader to feel one-sided. A writer doesn’t know who reads their posts, or how many people do, or how others will react to it. A reader can’t truly get to know a writer based solely on what the writer selectively post and reveal about themself on their blog. A reader might know about a writer, but the writer does not know them.
However, I believe that readers are just as important to writers when it comes to fandom community. If you write something, what would you do if there was no one to read it? An audience is vital to the maintenance of community, and writing blogs and fics wouldn’t grow without people to support and read their works. Though there will always be uncomfortable situations or overstepped boundaries, I don’t think it’s true that readers and writers don’t owe each other anything, or that it’s a wholly one-sided relationship. Writers write, and readers read. Readers provide feedback, whether through a comment or ask or message, and writers will be encouraged by their words to write more.
(Of course, if someone is making you uncomfortable or breaking your boundaries, you have every right to take whatever action you deem necessary to prevent this. Readers and writers owe each other basic respect and courtesy, like you would give to any fellow human. You don’t owe anything to anyone who breaks this courtesy).
It was more common in the past for writers to respond to a reader’s comments (and it doesn’t help that tumblr’s system makes it difficult to respond to tags and replies), though some writers still continue to do this. There’s something to be said about how readers will read a piece of writing without responding, and writers might read feedback without engaging in return.
Are these inherently terrible behaviors? I don’t believe so, but it does contribute to the current culture where writing sometimes feels less like a community, and more like an individual pursuit.
Conclusion
Too long of a post for you to read? Skimmed through it? In short, what I’m discussing in this post is this:
(1) how writers are being reduced to the content they produce, and being treated like writing machines. This, as well as the lack of engagement, can cause people to burnout from maintaining blogs and leave,
and
 (2) readers and writers owe each other basic respect, and readers are a vital part of any fandom community, even if the writer-reader relationship can feel one-sided at times.
I don’t think any of the situations I bring up have easy answers. If there were easy answers, I wouldn’t be holding a discussion on this in the first place. But I do think it’s necessary to think about them and how we approach each other as writers, readers, and fellow human beings.
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