Introductory doodles to some brothers Minecraft shenanigans
Little menace makes Espio practice self control and patience
Also art is hard and I dunno how to draw backgrounds so sshhhh
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happy (late) valentine's day
Bonus:
Other Bonus:
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after very long rest... i finish it :D
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Salle de bain de la Maison Autrique construite par l'architecte Victor Horta pour Eugène Autrique (1893), Bruxelles, mai 2023.
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STREET ART
Viaggio dal brutto al bello,
basta avere fantasia e sensibilità artistica.
..:: SdB ::..
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What's your opinion on Kuroda Hyoue being the disguised Tsutomu Akai?
I think it would make his character even more interesting, but if he isn't I don't know where and who Tsutomu could be.
And if he is did he meet his kids? I think he met Sera but I am not sure.
"Kuroda Hyoue = Akai Tsutomu" Theory (Updated)
This is my current speculation on Kuroda Hyoue's identity, I will keep it updated as we get new developments.
I think that Kuroda Hyoue is indeed Akai Tsutomu's current identity. Kuroda shares many similarities with Akai Tsutomu and especially his son (Akai Shuuichi). They both have similar fashion sense, with a contrasting white-coloured tie to a dark shirt and a brown overlay, and when it comes to Shuuichi, we got visual cues where they not only stood the same way with hands in their pocket, but also demonstrated the same leg sweep technique (File 989 & 1016), which is most likely intended to indicate that they share the same martial arts (Jeet Kune Do) that Akai Tsutomu was revealed to have mastered (File 1099 & SDB 90+).
Kuroda was also especially interested in the Kohji case, to the point of seemingly noticing a dying message-like name in the news (File 980 & 987). This fits with Akai Tsutomu's interest, that started after Haneda Kohji's father (Haneda Yasuharu), who is Tsutomu's friend, requested that he solved his son's murder (File 1037).
Here is how I currently suspect he turned from a seemingly deceased MI6 agent from Britain to a member of the NPA's Public Security in Japan in the last 17 years.
We know from File 1048-1049 that Tsutomu had a confrontation with Vermouth 17 years ago after his investigation on the Kohji case, and that clash lead to him being presumed dead by the BO. We then learned in File 1099 that Wakasa and a "monster" (Rum) was involved in what potentially was that same incident that lead to his presumed death 17 years ago.
As I speculated before, I think that Tsutomu's investigation lead him to finding out that Kohji's dying message revealed "Karasuma" to be the culprit, and that the prime suspect Asaka is innocent. I think that Rum found out about Tsutomu's investigation and baited him to a location using Vermouth, who disguised as "the innocent bodyguard Asaka" and carried Kohji's shogi piece charm as proof to convince him. Before going to the meeting location, Tsutomu warned his family about making enemies with bad people and told them to move to Japan, so that his family's whereabouts aren't discovered (File 972), in case he doesn't survive the planned meeting with "Asaka" (similar to Mary's contingency plan of having Masumi contact MI6 about fake Tsutomu in case Mary didn't make it back in File 1049).
That lead to Tsutomu finger jabbing Rum's left eye (as hinted by Gosho in the OdaxAoyama interview and File 972) and ultimately getting defeated by Rum after letting his guard down around Vermouth (Fake Asaka/Wakasa).
I suspect that Tsutomu's confrontation with them lead to him surviving (like Mary) and changing his identity and appearance (likely through plastic surgery). Afterwards, to pursue the organization further, it makes sense that he would have moved to Japan, where the culprit(s) "Karasuma" originate from, just like the other overseas agents (i.e Hondou Ethan from the CIA). Just like Mary, who got ahold of a fake pass to fly to Japan (revealed by Gosho in SDB 100+), Tsutomu had also gotten ahold of a fake pass with the alias "Kuroda Hyoue".
I think that he then decided to investigate the Karasuma Group/Black Organization, by becoming a public security officer of the Japanese police (in order to extract information easier, as referenced in File 1033).
In order to get a pass into the police academy in Japan (disregarding of his blank background), I suspect that Kuroda/Tsutomu secretly relied on his relationship with the head of the Ōoka Group (who is currently retired) that was revealed in File 1088, similar to how his friend Haneda Yasuharu did in File 1039-1042.
The Ōoka family has been shown and hinted to have great influence and connections with people in high positions, like the Tokyo governor (File 992), making them more than capable of helping Kuroda/Tsutomu join the japanese police.
In other words, the same time as his eldest son started to work towards becoming an FBI agent 17 years ago (File 972), Kuroda started to work towards getting accepted by the National Police Agency (File 913). He then built himself up and became what I think is the backstage administrator of the NPA's security planning division (who recieves all the classified reports of their NOC:s), all within 7 years.
Seven years later (since his disappearance), Kuroda/Tsutomu has made a name for himself within the NPA and has diligently kept his safe distance from his family, but before the status quo with his family could change, an incident took place around 10 years ago, that lead to his 10-year-long coma (File 914). We recently learned that Iori Muga, the current butler of the Ōoka family, was a former coworker of Kuroda within the Public Security, who went with the alias "Sakakibara" while undercover, which was likely before Kuroda's 10-year coma (File 1090).
I think that what lead to Kuroda's burn-scar-causing and right-eye-losing incident 10 years ago was that Iori Muga (who is actually Rum's true appearance) deemed Kuroda as a threatening and formidable enemy to the black organization. He therefore secretly orchestrated the incident that made Kuroda fall into a coma. Kuroda's hair colour changed due to the stress of the incident (his hair was perhaps shaved off for surgery purposes and white hair grew instead) and he didn't wake up until 10 years later (File 914).
I suspect that when Kuroda/Tsutomu woke up from his coma, he suffered actual memory loss to an extent, which is why he was perceived to have become a different person (As Yui mentioned). This concept was already foreshadowed as a possibility through Vermouth's disguise cover story when she faced Mary as Tsutomu (File 1048).
This would also explain why Kuroda immediately reacted to Wakasa Rumi in the news in File 980, while also still acting unaware of her identity as if he is trying to confirm suspicions of her being a criminal tied to the Kohji case in File 987-989, despite potentially having met her 17 years ago as Tsutomu. The amnesia could have made him forget her potential role in his demise 17 years ago, but he still found her familiar enough to the point of investigating her and making the connection between her name and Kohji's dying message.
While he may have forgotten significant things from his life as Tsutomu, his goal to take down the BO and find out who Kohji's killer is hasn't changed. Although the NPA had him move to Nagano to ease back into his work (before he moved to Tokyo MPD as the new superintendent), I think they gave Kuroda permission to still keep his Backstage administrator role active and stay in contact with their NOC ("Bourbon"/Furuya Rei) by Kuroda's request (File 1017).
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So Paws has a LOT of art and actually helps run a blog sooo
Yeah I'm making a Pierre paws art collection (+ fanart) ✨
-----------------------------------My art:
(X) Paws (Homeless shelter, click on 'Mod Pierre' tag to see all Paws art)
(X) Farmer Pierre and Thief for an ask game
(X) Don't forget me saga
(X) Halloween 🎃
(X) bad birthday post
(X) On paper colored w/ highlighters ✨
(X) Pixel art moment
(X) The Pierre Paws reblog chain 🎄
(X) Sad Paws :(
(X) (X) Happy Paws!
-----------------------------------Fanart:
🌺 Paws:
(X) Two very funky noodles made by Dios
(X) SDB Dios
(X) Paws staring into the water by Warbles (enby bird)
🦊 Thief:
(X) Pocket Sans Fresh party 🎉 (was requested)
-----------------------------------------DTIYS:
(X) Herring's DTIYS pygmy addition
(I will try and update this over time)
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hey gang guess whos sick🎉🎉
Anyhow . I have a LOT to say about the sidelines of Shadow of a Dead Bro (which I call SDB for short X3) so I will.. occasionally say things. And maybe post art . (Most likely doodles because i have Zero Confidence :'3 until then I must remember that people are actually nice and I am allowed to cringe out)
For now, my SDB talk of the day is that I have 5 unreleased chapters written out so far, and there's gonna be a total of at least 25 or so chapters, depending on how things turn out or if anything in the script shifts.
19 is going to be a Rise!Mikey centered chapter, and will likely be one of the longest chapters we get. The Rise family is.. not holding up well (• ▽ •;)
20 is going to be Return to New York, while also marking the next "arc." Arc 1 was 1-10, with Leo's time at the foot. 12-18 is the gangs time at the farmhouse. 20-? will be defeating the Kraang and taking back New York :3 and HOPEFULLY things will be easier now that theres a magic man with portal swords helping.
End of today's ramblings (lie). thank you for reading
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This is the painting we chose at the Walker Art Gallery, on 11th November. This is the painting we all agreed on, as there is a lot to talk about.
Rebecca also created a WhatsApp group chat, to discuss our project about anything. This was really useful to use, to help each other out, when we couldn't meet up together. This was used alot.
Then later on the week, we made a plan who is going to do what. I'm (Greta) going to the the formal reading and this blog, Rebecca is doing the iconographocal analysis and George is doing the introduction and conclusion, this includes a look into the artist and context.
12th November
George went into the library, to start his part of our presentation. He chose some books about the artist. The photo underneath shows the books he took out.
A week later, we decided to meet up on the weekend, to go up to the Walker Gallery, to take another look at the painting. This is to look at it with fresh pair of eyes.
Then we all talked about the the story, this painting is based on. The Story of Joseph, Genesis 37-50. We had looked up this story on, and to get our reference one.
https://www.biblegateway.com/passage/?search=Genesis%2037-50&version=NLT .
I also looked up at this story on youtube, watching a couple of different videos. This is where I had noticed some differences between. We discussed about as a group, what parts of the story is the painting based on, and what else it references. Then Rebecca made an amazing mind-map breaking down the story.
Afterwards, Rebecca took some closer shots of the painting, particularly on things that caught our eye. This is when we noticed details within the painting we didn't see before. For example, the camel, the handle of the crook has a head of a bird, and seashells on the necklace. I made a collage of these close up shots.
26th November.
A week later, we came together at the Liverpool Central Library, to share out notes, and discuss what we have done so far, what we have to moving forwards on with our group work. Also to tie up any loose ends to finish our work this group presentation.
Monday 28th November
Finally, we had the last meet up, before our presentation. Me and Rebecca told George the key aspects of work, so that George can work on his conclusion. Discussed each others work, giving feedback, and a quick run down, in what we are going to say on our presentation.
Bibliography
Brown. FM Edited by Virginia Surtess. The Diary of Madox Brown. New Haven and London. Yale University Press, 1981.
Barringer. T Men at work, Art and Labour in Victorian Britain. New Haven and London: Yale University Press, 2005.
Hurault Bernado. 'The Story of Joseph'. Christian Community Bible. Patricia Grogan,Roger Butlans, Adolph Dias. Robert and Bernardine Caminita, Paul Ginivan, Ma, Susana, C, Basmayor, Miriam Cruz, John Ledesma, SDB, Alberto Rossa, CMF. Quezom: Claret Publishing Group. 2016, 120-130.
Murray John. HALL'S, Dictionary of Subjects & Symbols in Art. Norwich: Fletcher & Son Ltd, 1974.
Wilson, Mathew. Symbols in Art. London. Thames & Hudson, Ltd, 2020
Sorry that I have not put the titles in italics, for the Havard referencing system, as I wasn't able to find out how to do this, on tumbler.
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Ilustração dedicada a conto intitulado "e Dom Bosco sempre a sonhar…", da autoria de Joaquim Antunes, sdb, para a edição 597 – Março/ Abril 2023 do Boletim Salesiano (Portugal). #painting #colour #sketch #illustration #magazine #art #digitalart #drawing #digitalartwork #ilustracao #ilustrazione #artedigital #procreate #BoletimSalesiano #procreate #adobefresco #dombosco #torino #Turim #Turin #valdocco #school #artschool #professionalschool #escolaprofissional #musicians (em Lisbon, Portugal) https://www.instagram.com/p/Cp4zyRMsYNo/?igshid=NGJjMDIxMWI=
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I was adopted and swayed by some nice KP fans so here
Still figuring my style out buuuut they look okay I guess?
Anyway.... I will now officially enter....
The Kimmunity
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the color on the computer is terrible... but dude this texture... I opened a window to a new world.
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Chambre de la Maison Autrique construite par l'architecte Victor Horta pour Eugène Autrique (1893), Bruxelles, mai 2023.
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In ogni arte,
la semplicità è essenziale.
..:: SdB ::..
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