the parallels between the way their relationship started and ended might actually be the most beautiful in the history of tv
STARTED AND ENDED ON THE DEVIL'S TRAP
STARTED AND ENDED WITH A HANDPRINT
STARTED AND ENDED WITH CAS SAVING DEAN WINCHESTER
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"Marcille hates all of Laios' freak traits but loves them in Falin" is honestly a really good joke but... you guys do know it's a joke right?
It's such a funny one I honestly find it impossible to get mad at even when people mistake it for an actual truth about the characters but JUST TO MAKE IT CLEAR
THIS is how marcille reacts when Falin is predictably just as enthusiastic about eating monsters as her brother was.
That is not the face of a woman who thinks this trait is lovely and endearing as long as it's exhibited by the girl she loves. That is the face of a woman who is taking 7d8 psychic damage and yet knows deep in her heart she won't like Falin any less for it.
The way young Marcille reacts to Falin eating berries Marcille can't recognize but Falin knows are safe is pretty similar to how she reacts to eating monsters years later, albeit with more fear than disgust. The difference in her relationships with Laios and Falin isn't just that she's attracted to Falin, it's because the Touden siblings, while similar, are in fact different people. Not just genderswaps of each other.
Also, I think you all already know this, but just to say it: she doesn't actually hate Laios for any of his freak tendencies either. He's one of her best friends. She's just a lot quicker to be outwardly exasperated with him while she's quieter about it with Falin.
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The Pea
I'm very hung up on the symbolism of this dish, particularly with how it pertains to Eddie and his episode of severe emotional distress.
Eddie was all alone in his post office when we found him. Although he refused to state this outright, it was clear he was feeling excluded and forgotten by his neighbors. We have often seen him pushed to the margins of the community, only sought out for his utility to the others.
Barnaby openly delights in scaring and tormenting him, Howdy overworks him without sparing a second thought to his needs, Julie only calls upon him when she someone who's easy to drag into a game, Sally refuses to address him by name and treats his attempts at social connection with disdain, Wally and Poppy only have fleeting interactions with him, and Frank hides his burgeoning fondness behind a facade of cordial indifference.
The pea is alone, too, isolated on the stark white backdrop of the plate.
"Take care not to place them too close together." Even if there are more "peas" at this party, Eddie sits alone in Home's chair, denied the basic creature comforts of intimacy as he watches the others mingle.
The pea is also a pittance to Eddie. It is presented to him right after Sally's single, small attempt to show him goodwill, which she only bothers to do because it's a holiday.
She still does not address him by his name. The gesture, the pea, and the seat are all mere crumbs – too little, too late for a neglected outsider who struggles to make sense of the lonely, awful torment of his life in this Neighborhood, one which he cannot properly articulate for fear of sounding ungrateful.
Home stares him down from his lonely seat. Its presence is monolithic and ominous, a towering figure that only makes him feel more small and alone.
Is it intruding on his mind on purpose, trying to hurt him? Personally, I don't think so, though it still remains to be seen. His words to Frank at the end are telling, though. "I want to go home."
Whether it means to or not, Home torments him with its very being. It's both the elephant and the room. Eddie is an outsider. Eddie can't remember where he's from. Eddie sleeps in a post office after thanklessly running himself ragged every day. Home is the very reason for this holiday, and Eddie is homeless. It's staring him down because it's a symbol of everything he aches for, but cannot have.
Eddie is the single pea on Home's plate. Take care not to place him too close to anyone else.
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if you would like trans women to stop being suspicious of your intentions as a tme person you should probably take the very important step of not making it about you LOL like it actually really is not about you as an individual at all. part of having friends that are marginalized in ways you aren't - something that needs to be accepted to even get to this point - is listening to them discuss violence/oppression/control enacted on them by people in a group you belong to and accepting that they aren't fucking attacking you personally. how do you think people will come to trust you if you've positioned yourself to assume they look down on you specifically?
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Viola, Tula, and Ava's epilogues: "I'm having children and becoming a leader," "I'm entering my slut era," and "I'm reforming our community's support systems." (You know.... things without long-term international implications)
Meanwhile, Thorn, Lila, and Jaysohn's epilogues: "I, a stoat, look into a camera and explain to all of humanity the existence of a large community of human-like stoats," "I become the first stoat with a DOCTORATE in NUCLEAR PHYSICS from OXFORD," and "I represent my Stoat Country in the motherfucking Olympics"
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So like...Sam's Liminal. Definitely Liminal.
She's also very pretty.
Constantine's a little tipsy, but he's very, very sure he just accidentally sat next to a Fae at the bar.
Heavily influenced by certain lines in Inferno, buttttt
Sam's a very pretty young woman. Beautiful smile (with too sharp teeth), lovely eyes (but they're a little too wide, a little too bright), fantastic skin (unnaturally pale, suspiciously cold), and a very pretty face (perfectly symmetrical)-first glance anyone who leans towards women would get instant butterflies in the stomach.
But Constantine's been around danger enough to recognize those aren't butterflies.
That's fear.
There's a deep, instinctual fear that is telling him he has to run.
Just as he's about to leave, though, her hand rests itself on his arm.
"Leaving so soon, Hellblazer? And here I thought you'd want to take a look at this...interesting contract I found."
Ah. Shit.
He sits back down, next to the Unseelie Fae who, apparently, owns part of his soul.
Sam, for her part, just wants to scare the idiot straight so he'll stop making work for Danny. (Danny's days are almost nothing but fielding complaints about Constantine and he's so fucking close to hunting the man down himself).
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