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burst-of-iridescent · 2 months

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South Asian and Hindu Influences in ATLA (Part 1)

disclaimer: i was raised culturally and religiously hindu, and though i've tried to do my research for this post and pair it with my own cultural knowledge, i'm not an expert on hinduism by any means. should i mess up, please let me know.

please also be aware that many of the concepts discussed in this post overlap heavily with religions such as buddhism and jainism, which might have different interpretations and representations. as i'm not from those religions or cultures, i don't want to speak on them, but if anyone with that knowledge wishes to add on, please feel free.

it's well-known that atla draws from indigenous, east and southeast asian influences, but something i rarely see discussed in the fandom is the influences the show takes from hinduism and south asia, and there are actually far more than i think people are aware of.

so here's a (non-exhaustive list) of the main inspirations atla drew from south asian culture and hinduism, starting with...

The Avatar

the title of the show itself is taken from the ancient language of sanskrit, often considered the sacred tongue of the hindu religion. in sanskrit, the word "avatar" means to "descend" or "alight".

the concept of the avatar is a very old one, referring to the physical incarnation of a powerful deity or spirit. the idea of the avatar is most often linked to the god Vishnu, one of three supreme hindu gods collectively called the trimurti, or trinity. the avatar is said to manifest upon earth primarily in times of great need, when balance must be maintained between the forces of good and evil.

atla borrows heavily from this idea in having aang be the incarnation of a divine spirit who returns to the world during a time of immense strife, and is tasked with defeating a great evil to bring balance back to the world. and though i don't know if it was an intentional reference, it's interesting to note that Krishna, the most famous incarnation of Vishnu was also reborn amidst a fierce storm and carried through a raging sea to a new home where he would be protected from the king who sought to kill him. sounds a little familiar, doesn't it?

Agni Kai and the Philosophy of Firebending

the word "agni" derives from the sanskrit name Agni, the god of fire, though it can also generally mean "fire".

the concepts of lightning bending and the sun being the source of firebending are likely also taken from the idea of Agni, since he's said to exist simultaneously in three different forms on three different dimensions: as fire on earth, as lightning in the atmosphere, and as the sun in the sky.

Agni is a significant aspect of many rituals, including marriage rites, death rites, and the festivals of holi and diwali. the concept of Agni is one of duality: life and death, rebirth and destruction. hindu rituals accept and celebrate both aspects, revolving around the idea that destruction is not separate from creation, but rather necessary to facilitate it. the cremation of the dead, for instance, is seen as purification, not destruction: burning away the physical form so the soul is unencumbered, set free to continue the reincarnation cycle.

this influence can be seen in the firebending masters episode, which discusses the idea of fire being vital to life. the sun warriors safeguarding the original fire and demanding that zuko and aang bring fire to the dragons as a sacrifice could also reference the ritual of Agnihotra - the ritual of keeping a fire at the home hearth and making offerings to it. the purpose of this ritual differs depending on which text you refer to, but it is generally believed to purify the person and atmosphere in which it is performed, similar to how zuko and aang must make offerings to ran and shaw and survive their fire before being deemed worthy and pure.

Agnihotra is said to serve as a symbolic reminder of the vitality and importance of fire as the driving force of life, a lesson that zuko and aang also internalize from their encounter with the dragons.

Bumi

bumi's name is taken from the sanskrit word "bhumi", which means "earth". it's also the name of the hindu goddess of the earth, bumi or bhudevi.

one of the things the original animation didn't do and which i really enjoyed about the live action was that they made bumi indian and added desi inspiration to omashu. it makes perfect sense for a king whose name is as hindu-inspired as they come.

NWT Royal Palace

chief arnook's palace in the northern water tribe takes inspiration from the gopurams of hindu temples, massive pyramidal structures that served as entrance towers to the temple.

gopurams were built tall enough to be seen for miles around, beacons to signal tired or weary travellers who wished for a place to rest that a temple was nearby. it's a nice touch that the chief's palace is located in front of the spirit oasis, a similarly symbolic entryway to a sanctuary housing otherworldly deities.

Betrothal Necklaces

to preface: i doubt this was an intentional reference, and this great post talks about other cultures that could have inspired the water tribe betrothal necklaces. given the desi influence in the nwt architecture however, i figured it was worth mentioning.

the idea of betrothal necklaces being given to women by their male partners is similar to the thaali, a necklace given to hindu wives by their husbands. during hindu weddings, grooms tie the thaali around their brides' necks to symbolize their marriage. once given, wives are expected to wear their thaali till the day they die, as doing so is believed to bring good luck, health and prosperity to their husbands.

Chi-Blocking

though chi-blocking takes primary inspiration from the art of Dim Mak, it is also influenced by the south indian martial arts forms of adimurai and kalaripayattu, both of which include techniques of striking vital points in the body to disable or kill an opponent.

kalaripayattu also shares parallels with firebending, being a very physically demanding, aggressive martial art that emphasises the importance of discipline and mental fortitude. control of the mind is essential to control of the body, a philosophy similar to that espoused by iroh across the show.

Wan Shi Tong's Library

the library draws inspiration partly from the taj mahal, the famous mausoleum constructed by shah jahan during the mughal empire as a monument to his beloved wife, mumtaz mahal.

i'll end this post here since it's getting too long as it is, and the following section will be even longer. for while atla treated the concepts in this post with respect, the same unfortunately cannot be said for its depiction of guru pathik and combustion man - both of which we'll be discussing next.

#atla #avatar the last airbender #atla cultural influences #hinduism in atla

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ecoterrorist-katara · 2 months

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Zutara, romance novels, and the female gaze

Okay so I’ve been thinking about the female gaze a LOT so I checked out a subreddit about romance novels, despite never having read one. I came across this meme (which was initially a Tumblr post and then got posted to Instagram and then to Reddit and I’m now bringing back to Tumblr — Internet telephone, pls never change):

And…what is The Southern Raiders, if not a platonic grovel? Katara’s pain is central to the episode. It’s central to Zuko. Zuko asks Katara what he can do to make up for his betrayal; she demands the impossible. He reads between the lines, cockblocks her brother to get the necessary information, and then waits outside her door overnight (which he also did for Iroh, the one person we know for sure he loves). He basically makes himself a receptacle for her rage, and he holds space for her by coming with her on her revenge quest and carrying their bags and not saying a damn thing about what she should and should not do beyond like…asking her to rest. And obviously the grovel works! She forgives him and then they’re thick as thieves, bantering and fighting and saving each other’s lives, etc.

On a different note, I’ve been told that enemies to lovers is one of the biggest tropes in romance novels, similar to YA lit and fanfic. Here’s something else I found in the romance novel discourse:

And…yeah. In TSR, Katara really does show Zuko her worst self, because she doesn’t feel the need to perform for him. She doesn’t feel the need to perform moral perfection OR cold blooded vengeance. She bloodbends in front of him and he just goes with it. She doesn’t kill Yon Rha and he just goes with it. He doesn’t treat her any differently afterwards. Maybe they talk about it off screen, but I kind of like the idea that they don’t, because Katara doesn’t need to explain anything. And it’s so interesting, because some people in the ATLA fandom have a totally different read on TSR. They think Zuko was encouraging Katara to get revenge (by what, keeping his mouth shut?), and that Aang is the one who acts as her moral compass. I believe that either Bryan or Mike said in the DVD commentary that Aang is the angel on her shoulder the entire time. And this interpretation does make sense if you see it from the male gaze, where Katara as an object of affection is acting in an angry, irrational, threatening way. But if you see it from the female gaze, you recognize that actually it’s probably the most emotionally taxing experience Katara has to go through, and she doesn’t owe it to be nice or perfect to anybody. Katara’s formative trauma literally comes to a head, and she has to make a decision — no, a discovery — about who she is in relation to the tragedy that defines her life and even her identity (as a waterbender, as a parentified child who becomes the mom friend, as a genocide victim), and she’s accompanied by someone who trusts her judgement and validates her feelings.

I’m not saying TSR is explicitly romantically coded, but when it conforms so well to romance novel tropes…is it any wonder that so many people thought “yes this is her man?” And then he takes lightning in the heart for her and reaches for her when he’s literally dying, I will never be normal about that either

#Zutara #Katara #Zuko #the southern raiders #Pro zutara #anti Bryke #I guess #I swear I’m not a Bryke anti but I feel like they just don’t get #The female gaze #and the fact that Zutara is so female gaze is kind of an accident and I find that fascinating #atla fandom critical #The southern raiders turned me into a Zutara shipper #one ep away from the finale #Zutara meta #My meta

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theotterpenguin · 23 days

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the performative accusation that shipping zutara (and occasionally this criticism is levied at jinko/zukka) is colonialist apologism has been addressed in some excellent posts, explaining the inaccuracies and problematic implications of this logic far better than i ever could - like this post and this one and this one and this one and this one.

and i know this topic has been talked about to death, but if you could indulge my contribution for a moment, i just find it interesting how this sentiment results from the cognitive dissonance of atla fans being unable to reconcile with the idea of their favorite show's political beliefs not lining up with their own.

atla is a largely philosophical children's show that at its core deals with themes of love, redemption, and destiny vs. free-will. atla examines these themes through an anti-colonalist, anti-imperalist lens that deconstructs the idea of racial divisiveness and the idea that people of different ethnicities are inherently different. this is message is pretty explicitly stated by guru pathik:

Guru Pathik: "The greatest illusion of this world is the illusion of separation. Things you think are separate and different are actually one and the same." Aang: "Like the four nations?" Guru Pathik: "Yes. We are all one people. But we live as if divided."

and also by uncle iroh:

"It is important to draw wisdom from many different places. If you take it from only one place, it becomes rigid and stale. Understanding others, the other elements and the other nations will help you become whole."

this theme is developed across three full seasons, with the crux of this message culminating in zuko's friendships with the gaang - despite coming from different nationalities and different backgrounds, they have all had their own experiences being hurt by the fire nation and work together to take down the oppressive fire nation government. the question of destiny vs. free will is also explored through zuko's character - despite starting off as an antagonist, he develops into a symbolic representation of how the fire nation's oppression hurts its own citizens. he unlearns the fire nation's imperialist propaganda while simultaneously unlearning his father's abuse. rather than following misguided beliefs of what he thought his destiny was as the heir to the throne, instead he forges his own path.

thus, to claim that zuko can never form a deep and meaningful relationship with any of the gaang because of his nationality goes unequivocally against the themes of the show. and a major part of this is because these are fictional characters being used to analyze different theoretical questions within the show and in some cases, are used as symbolic representations of different philosophical ideas - their friendships and their character arcs serve a purpose within the text that cannot be easily transcribed onto real-life dynamics between people.

it's illogical to criticize fans who are choosing to understand atla at the level of the themes that are presented by the text - who are interested in exploring similar philosophical questions brought up by the show through the context of relationships.

if you don't like the themes of forgiveness and redemption that atla explores, your criticism should be aimed at the writing of the show itself rather than other fans. because you are giving far more thought to the "implications" of a close friendship or romantic relationship between someone from an imperalist nation and someone from an oppressed nation than the writers ever did. (and if you fall in this camp of people, i would hope you wouldn't be reblogging fanart of zuko and the gaang together while simultaneously claiming zuko could can never escape the sins of his ancestors and can never form a deep relationship based on trust and intimacy with katara or sokka or jin - because that would just be hypocritical).

and as a side note, people seem to apply this flawed logic to zutara far more than other ships solely because the show spends the most time exploring the complicated nature of fire nation imperalism in the interactions between zuko and katara in the latter half of b3. this is because they've been juxtapositioned against each other and paralleled with aang since the beginning of the show in ways that toph, sokka, and suki are not, who have mostly been used to examine different themes. there simply isn't enough time to explore these complicated themes with all the other characters, even if they theoretically exist in zuko’s dynamics with these characters, so the writers focus the most on zuko's relationships with katara and aang, and these relationships are given far more narrative weight, so have more content to criticize. but zuko and katara also canonically become friends by the end of the show. if you want to discount the existence of their friendship, claiming that it will always be tainted by the fire nation's oppression regardless of what is shown in the text, then you also have to discount zuko's friendships with aang, suki, toph, and sokka - because even if this isn't shown as a permanent barrier to their friendships in the show, it’s also not shown as a permanent barrier to his friendship with katara. if your logic is solely based on the idea that a person's identity in a relationship as a colonizer or a victim is fixed and unchanging regardless of character development, this would apply to zuko's friendships with everyone else as well.

#zuko #katara #zutara #i have seen people say that the zutara dynamic makes them personally uncomfortable and that's fine - to each their own!#but it's hypocritical to only dislike zuko's relationship with katara while simultaneously exalting his friendships w aang or toph or sokka #just because the show doesn’t take as much time to explore these issues with other characters doesn’t mean the same dynamic doesn’t apply #my post #my meta

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firelordsfirelady · 1 month

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I. The Arrangement

Author: @firelordsfirelady

Imagine: When Y/N—a princess of one of the Water Tribes—is told she’s leaving her tribe, she never expects that she’s to be betrothed to the Fire Lord’s son, nor was she prepared to be exiled the very day she arrived at the Fire Nation. With her life in the hands of her new fiancée, how will life change for the princess?

Pairing: Zuko x F!Reader

Trigger warnings: arranged marriage, feelings of fear, banishment, mentions of burns/abuse, frustration, violence, betrayal

Word Count: 1364

Destined to be Yin and Yang

I own no rights to Avatar the Last Airbender or any of the characters/story.

Author’s Notes

The characters as all aged up so Zuko’s banishment happens when he’s 16

Keep in mind I am bringing a unique world with inspiration from ATLA in their characters, some of the events that happen, bending, etc. Not many things may align or occur with what happened in the show. It’s intended that way, so I hope you enjoy regardless.

See Y/N's inspiration here.

The day started as any other day had previously. I awoke in my bed to the peaking of the sun’s rays through my window, and I stretched as I threw the thick blanket off of me. An urgent knock sounded on my door before I heard my mother’s voice on the other side.

“Y/N?” Another knock sounded. “Y/N? It’s your mother. Are you awake? Your father and I have something important to tell you.” My mother’s usually cheerful voice sounded somber, and an uneasy feeling settled in the pit of my stomach. I flattened my chocolate brown hair on my head and then permitted my parents to enter. Mother opened the door and smiled at me, but her smile didn’t reach her eyes. My father followed behind her, and he gave me a similar smile before my parents interlaced their hands together.

I knew then whatever they had to say was not going to be happy news, and my heart’s pace in my chest quickened.

“I hope you slept well, my darling.” My father’s words sounded foreign on his tongue. “We have some good news to share this morning.” There was no excitement in his voice, and I raised an eyebrow at him. “The Fire Lord has agreed to a peace treaty with us.”

“That’s fantastic.” My voice raised a single octave. “But that doesn’t explain why you both look somber this morning.” Mother bit her lip as Father rubbed the back of his neck. “What were his conditions?” My question quietly left my lips, and my parents both sighed as they walked to sit on either side of my bed.

“Lord Ozai agreed to the peace treaty with the only condition that you would marry his son.” Mother’s gentle hand stroked my hair as she answered my question. I felt as though a block of ice had formed in the pit of my stomach, but I swallowed away the small protest I was forming as I looked at the hopeful faces of my parents.

“In exchange, the Tribe can live peacefully and we can trade with the Fire Nation.” My father added, and I nodded in understanding.

“When do I leave?” My voice was small, and my mother wrapped her arms around me in a tight hug.

I wasn’t going to like this answer either.

“There are Fire Nation soldiers to take you back to the Fire Nation now.” Mother whispered in my ear as my father wrapped his arms around the two of us. “You are to depart after breakfast.” I hugged them both back before I pulled away.

“Then I shall get ready.”

Shortly after finishing breakfast, I stood on the dock as I hugged my parents farewell. A gut feeling told me that this would be the last time I’d see both of them, and I fought hard to hold back my tears as I boarded the Fire Nation ship. The soldiers yelled orders to each other as the boarding ramp was withdrawn from the dock. I waved goodbye to my parents and blew them air kisses before I turned away from their disappearing forms. I bit the inside of my lip to prevent the tears from spilling out of my eyes.

I retreated to my room aboard this ship, and that room is where I remained for the rest of the journey to the Fire Nation. I looked out the small window pane as the ships horn blew, announcing our presence to the port. The stone dock had several Fire Nation guards surrounded the Fire Lord that stood waiting to greet the ship. Cold eyes could be seen scanning the deck as the ship neared the dock. A lump of ice formed in my throat as the gravity of the situation startled to set upon me.

I have to do this for my tribe’s best interests. A took a deep breath as I straightened my shoulders. I will bare this burden so my people may prosper.

Determination found its way to my eyes as I checked my appearance in the mirror. The brown eyes that stared back at me hardly looked like they belonged on the sixteen year old face, but I blinked away any trace of emotion as the ship fully docked. Smoothing the cobalt blue robes I wore, I left the safety of the room and made my way to the deck.

Before me, waiting at the bottom of the boat’s ramp, was an authoritative man with beige skin. His golden eyes were watching me with disdain as I approached where he stood. I bowed deeply in respect to the Fire Lord.

“Fire Lord Ozai, I--” I began, but the Fire Lord turned on his heels and begun walking away.

“Come. You’ll miss your ship.” The guards turned and followed their leader, and I felt my heart race as I followed behind the guards. A voice in the back of my head was saying to run.

Run away from the potential death that awaits you.

I refused to let the voice in my head shake my resilience, so I followed until we walked towards the ramp of another ship. Two figures stood by the ramp--a boy about my age with a severe burn scar on his left eye, and an older man with a soft face. Dark brown hair was pulled tightly into a bun upon the younger man’s head, and he wore a look of determination as the Fire Lord approached. The older man looked at me with curiosity as I stood behind the guards. Color left my face as I had a feeling the other two did not know of the Fire Lord’s news.

“Zuko,” Lord Ozai addressed one of them, and the younger man bowed in response. “I am presenting to you your new betrothed.” The Fire Lord’s guards parted to reveal you to the Fire Lord’s son, whose face flashed briefly with anger and confusion before he gained composure of his face. One of the guards shoved me forward, but I caught myself before I could stumble. Straightening my shoulders, I approached and bowed to the Prince before I stood on the other side of the older man. The older man’s eyes softened as he looked at me; I had a feeling he knew something that I was not aware of yet.

“Zuko, from this day forward, you are hereby banished from the Fire Nation unless you return with the avatar.” Cold eyes stared at the young man as he spoke with a menacing tone. “Take your crew, your servants, your bride, and go.” The Fire Lord said nothing more as he turned on his heel and walked away from the dock. The former prince bowed before he shoved his way up the ramp to the boat. My heart squeezed in my chest for the prince as I followed the older man on to the boat.

“Don’t expect to sleep in my quarters.” The young man grumbled in anger as he turned to face me. He raised a finger to point at me. “Just because we are to be betrothed doesn’t mean I will allow you to distract me from my mission.” I swallowed the lump in my throat as I curtsied to the prince.

“I expected nothing less.” The young man huffed before he stormed away, barking orders to the crew.

“Forgive him,” The older man said as he stood next to me. “My nephew does not mean to be rude. He is just upset.” I nodded at the older man.

“I shall be in my quarters if anyone needs me.” He nodded to me. “I am Y/N.” I gave the older man a slight bow, and the older man gave me a soft smile.

“I am Iroh, but you can call me Uncle Iroh.” I smiled at Iroh as I bowed my head slightly then walked away. I quickly found which room I would occupy. As I closed the door behind me, I slowly sank to my knees as the reality of my situation finally washed over me. Blinking away the tears only caused tears to fall as a tsunami of emotions hit me.

My life will never be the same.

#avatar imagine #zuko imagine #zuko x reader #avatar the last airbender #prince zuko #atla zuko #destined to be yin and yang

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mswyrr · 2 months

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Good ships, to me, are about characters who make for interesting dynamics. Canon doesn't have to go there for the dynamics to still be rich and worthwhile. In fact, most canons cannot possibly explore all potential interesting romantic dynamics. There's simply not enough space in most stories, unless they have sprawling multiverse narratives going on. The writers have to choose one direction and not others, which is where transformative works can come in.

In particular, with atla shipping, the characters are so young that there's a lot of room to explore going forward. They all have a good 50-70 years of adulthood in front of them - there's so many possibilities in all those eras of their lives! And I like all kinds of concepts.

For example, I genuinely ship widowed Katara and widower Zuko finding the joy of love again in the twilight of their lives - quietly understanding each other's losses as well as cherishing their joy together.

I like all kinds of love stories, including ones that touch on those themes of mortality and loving again in the face of loss. And I genuinely believe their characters and dynamic can take many powerful and interesting forms.

Even if we hew very closely to the canon of the two shows, the ship still has lovely angles to explore! Through transformative works all things are possible. Zutara ship vibes are impeccable to me. I've shipped it for two decades and I'm sure I'll still ship it when I am as old as Katara and Zuko above (if I'm lucky enough to reach my 80s!).

#zutara #my meta #atla meta

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zutarasbuff · 2 months

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Found this somewhere on Tumblr, it infuriated me to a great extent and forced me to crush the “coloniser-colonial romance” accusation against the Zutara nation. For this, you need to read everything quite carefully that will be presented to you.

So people who accuse Zutara use this narrative that Zuko had a princely life as a colonizer, unlike Katara. Now look at the ground reality:

Katara’s mother Kya lied to Yon Rha that she was the last waterbender of the Southern Water Tribe to save her daughter. A similar act was done by Ursa (Zuko’s mother) who killed Firelord Azulon with her potion as part of her deal with Ozai to save the life of her son Zuko and got banished eventually. That makes us come to one certain conclusion:

Both Zuko and Katara spent greater part of their life without their mothers and this impacted their childhood badly as we find them dealing with the trauma of loss even after they hit puberty.

As if the absence of a mother was not enough, when Hakoda (Katara’s father) leaves with the fleet for the war, it’s almost the same time when we find Ozai getting immersed in attacking other nations, so much so that he’s never there for both of his children. Technically speaking, even if Ozai was there physically, he was never emotionally available for his children being a narcissistic father.

I would say that Zuko had the worst childhood experience as compared to Katara because Katara had a brother who always supported his sister in dealing with the trauma, but we don’t see that in the case of Zuko whose own sister used to bully him right from the childhood for being too weak and the mom’s pet.

Now let’s analyze the colonizer part. Unfortunately, Zuko was born to a father who was not just the worst ruler but an equally worse son, brother, husband, and father. One can say that Zuko’s only fault was to hail from a wrong family but other than that, he was never a colonizer. You may ask why. I will give you a reason.

It’s not just Katara who has to bear the ill effects of the war that was imposed on her, but in many ways Zuko was a direct victim of what we call “Emotional Imperialism”. In psychology, it’s a condition where the colonizers not just physically take control of their colonies, but they start infusing their ideals deep into the mentality of their subjects as well.

Coming back to the case of Zuko, we find that he never gets to formulate the normal father-son relationship with Ozai, rather Ozai treats both his children as his humble subjects who need to obey him unquestionably and need to be perfect as his subjects. He’s in every sense not just a narcissistic parent but a controlling one as well who emotionally traps both his children and wants to rule over them at every cost. The apparent manifestation of this emotional imperialism is evident through:

Zuko’s quest to be the best firebender

When the colonizers start ruling over a certain colony, it’s the colonials who feel the need to be validated by their masters. It’s their first survival strategy that they embrace the change as they know resistance is going to be of no use. They simply adapt themselves to the new ideals that are set forth by their ruling masters. Similarly, Ozai always wanted his children to be the absolute embodiment of Azulon’s great bloodline and both his children obliged to his desires because they feared the firelord. Therefore, his stiff standards force both his children to compete against each other from a very young age. This is the worst form of emotional imperialism where the subjects simply want some validation in return and therefore they are ready to even forget their kinship. That’s what we find as Zuko repeatedly wants to “get his honor back and win the trust of his father”. What do you think this honor is? It’s not the quest for being the next heir to the throne, rather it’s being the absolute best in the eyes of the master who controls both the siblings. We know Ozai has a manipulative nature and this relates exactly to the manipulative attitude of a colonizer who puts the colonials against each other.

Zuko’s almost absent friend circle

Have you ever seen the modus operandi of the colonizers? They alienate their subjects so that the subjects find no way of self-expression and eventually give up to the demands of their masters. That’s exactly the scenario that propagates in Zuko’s life. Other than Mai and Ty Lee we don’t even find his friends throughout the series. Isn’t it a bit strange that despite being a prince, he has no guy friend of his age? He has no friends at all. It’s because the master (Ozai) wanted so. The siblings never get much exposure to the outside world. When we draw a comparison of Zuko’s situation, then Katara seems to be at an advantage in that she found a peer group that allowed her to grow further and overcome her insecurities. Zuko, however never got a chance to blend into an actual peer group and that kept him secluded throughout and gave him his introverted persona. Don’t you find it strange that as a friend Zuko got no one but his uncle who had a lot of age differences and the opinions differed too? This created a rift further maybe because Zuko felt that somehow his feelings were not interpreted well by Uncle Iroh. Compared to his “angry guy” persona, he grows a lot more friendly when he finds the gang or should we say people of his age. This allows him to understand his persona in a constructive way and he strives to alter the course of his life afterwards.

Identity crisis

Out of all the characters on ATLA, people often say that Zuko is the one with the most complex attributes because he is not even sure of his “destiny”. Sounds familiar? Eh? Well, this is the typical case of an identity crisis existing in the subjects of a colony. Zuko goes through this phase where he is always striving hard to explore his identity, and his destiny thus fueling his internal rage as well. A kaleidoscopic journey is what he follows. Sometimes it’s rage, sometimes regret and sometimes he even questions the actions of his father. By the end, his driving force to change his alliances is nothing but this very identity crisis. This makes me remember a very interesting observation that whenever he’s near the gang, he’s a bit cranky and at the same time uneasy because he looks at the gang as the polar opposite of himself. To a caged bird who has accepted his fate, even the slightest call of resistance feels like Hades’ call and that’s why he repeatedly aims to avoid Aang’s calls for forming a friendship because he is afraid of peeking into his resisting side. That’s the typical thing you find in Haru who despite being a fine earthbender resists waging a war against the firebenders who roam freely in his village at first. So would you blame Zuko for never resisting the colonization when as a subject it was inherent to his mentality for a long time?

A harsh realisation

People who degrade Zutara with this stupid claim that Katara was the only one who “lost everything” need to get their brains checked thoroughly because when we compare her loss to the magnitude of the loss faced by Zuko at the end of the war, the comparing scale diverts wildly in Zuko’s favor. Though many of you know this; I will recall it for you again. Katara lost her mother to the war but in the end, she got lifelong friends to cherish with her brother as well father. On the contrary, even during the war, we find that Zuko loses not only his mother, his father, and his sister in the worst possible way. It means all his family members are lost to him in every sense when the war ends. Now some of you will come to me with the argument that the gang eventually finds Ursa back but how? With her memories all erased. It means that the war has not just left him with permanent emotional wounds but it has further taken the very idea of a family from his life.

We zutarians never ship Zutara together because we “just find them good together” but it’s deeper than that. It’s because Zuko was the one who understood Katara’s quest for Yon Rha in order to find answers behind her mother’s death in addition to revenge. This is because deep down he was always looking for the answers of his mother’s (who was the only real person known to him) banishment. That’s exactly what we find after Zuko becomes the firelord. The first thing he does is asking Ozai questions and being certain that he’s finally gonna tell everything. We ship them together because Katara was the only person who understood the value of Zuko jumping in front of Azula’s lightning to save her. We ship them together because we believe if it had become a potential canon, maybe both of them could have helped each other in healing with their individual traumas and creating a real family together.

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akiizayoi4869 · 6 months

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Azula In The Spirit Temple

So, I read the comic yesterday. And while I was confused about it at first, like I'm sure many people were, talking with some friends about it made me come to a conclusion. This comic was a reset button. That's why we didn't get anything new about Azula, and why what we actually did get was something that every Azula fan has known and has been saying for years now about her character. But this comic wasn't just for us. It was for the entire fandom as a whole. And as we all know, much of the fandom doesn't share our thoughts when it comes to her.

I'm not going to talk about the beginning of the comic since that part didn't interest me at all. What I want to talk about is when Azula is inside of the temple. A lot of interesting stuff happens there.

The first part being this. We see what happened when Azula firebended for the first time. We see how Ursa is afraid for Azula and not of her, because she knows what this means for Azula going forward. To Azula, however, she can't tell if Ursa was afraid for her or of her thanks to the fact that the relationship between them was never really good. Also, I need to make one thing clear before I move on: that turtle duck isn't real, it's a toy. I know that people are going to use and say that it proves that Azula is a psycho, but please use your brains for a minute. If it was actually real, do you really think the damn thing would be still? It would have been writhing around in pain and screeching to the high heavens. Not to mention that Ursa's reaction would have been very different. Heck, the entire scene would have played out differently.

Next up we have this part:

After so many years, the writers finally made what every Azula fan has been saying for years canon: that Azula was indeed abused by Ozai, Ursa's neglect hurt her deeply, and that both of these things played no small part in how she eventually turned out. We see Azula coming to terms with the fact that Ozai abused her, and that Ursa failed to protect her from him because she was so focused on Zuko that the way Ozai was with Azula seemed almost natural to Ursa. It didn't register that it was full on abuse. What really interested me about this scene was how Azula says that if Ursa has just allowed Zuko to be killed, she would have been able to stay and protect her. Is this fucked up? Yes. But it makes sense that Azula would think like that. In her pov, everyone left her for Zuko. Everyone wanted to protect him, but nobody felt like she needed protection too.

We get some scenes with Mai, Ty Lee, and Zuko as well:

These scenes show us how Azula feels about the betrayal at the Boiling Rock, as well as how she viewed her friendship with Mai and Ty Lee overall. It also shows us the harsh truths that Azula has internalized about herself: that her treatment of them wasn't ok, and that her overall attitude towards others in general is a problem. Ty Lee sort of says that to Azula, albeit in a kind way, which is reminiscent of how Ty Lee actually is. She tells Azula what she wants to hear. Mai, though? She straight up tells Azula the truth, very bluntly at that. Holds no punches at all. Mai tells Azula what she needs to hear, whether she likes it or not. Then the spirit takes the form of Zuko, who proceeds to tell her that everything that ever happened to Azula is her fault, and that nobody is responsible for her but herself. At first, this came across as victim blaming to me by the writers, which made me mad. But when I thought about it some more, I realized that that's not what this scene was. The spirit doesn't know anything about Azula. It's just showing her what she's thinking. It created a play of her innermost thoughts. So when you think about it like that, you come to one conclusion: Azula blames herself for her abuse, and how her life turned out. Which is actually common with abuse victims. They can acknowledge that they were abused, while at the same time simultaneously blaming themselves for it. Because the person who abused them loved them, right? So if they felt the need to harm them, obviously it's the victims fault for doing something wrong.

Then we get to the part where she's "offered" a chance at redemption:

Now, I know that there's going to be idiots who will look at this and go "See?! She had her chance at redemption but rejected it! Proof that she's evil!" but was it really "redemption"? Think about it. Like I said earlier, what the spirit was showing Azula was what she's been thinking for who knows how long. What it offered her was basically a false reality that it created where she could be happy. In other words, it wasn't real. Things would still be the same for her in the real world. And if you know that something is fake, are you going to take it? No. Not to mention, the damn thing tried to kill her😭. So is it really any wonder that she said "yeah no fuck you and your redemption offer" and blasted it full of lightning?

Azula escapes from the temple and eventually finds the rest of the Kemurikage in the end, but she ultimately decides to leave them alone, saying that they are unworthy of her leadership.

All in all, this comic wasn't bad and I actually like it. Now, as for why I say that it's a reset on her character? Because certain things from the previous comics that were centered around Azula aren't mentioned. One topic in particular, something that you would think would have been mentioned considering how much it hurt Azula in The Search.

Ursa choosing to forget about her and Zuko. Abandoning them to they're abuser.

When we see the spirit version of Ursa and Azula says what she does to her, nothing about that is ever mentioned. And if Azula was supposed to be unloading her grievances to Ursa, why wasn't this mentioned?

In the beginning, when they fight Ty Lee, Ty Lee says "Fire Lord Zuko is tired of your mischief, Azula!" which can honestly mean a number of things. The kidnapping incident from Smoke and Shadow doesn't get spoken about here either. Which brings me to my next point: Kiyi is nowhere to be found in this. Considering that Azula saw her as a replacement daughter for Ursa, we should have seen her at some point. Not to mention that Azula kidnapped her. And if the spirit was supposed to be showing her all of her past misdeeds and that she was wrong for them? I'm pretty sure that kidnapping a bunch of kids would have been pretty high on the list.

So going by all of that, I think it's pretty safe to say that the writers are trying to move away from Yang's writing, particularly with Azula, considering how much his portrayal of her is hated, especially in The Search. And in a time where more and more people are vocal about how things are shown in media, especially sensitive topics like mental health? It's no wonder that they would want to move away from that. And I mean really, this is what we've been asking them to do for a long time now. To retcon the Yang comics because he ruined every character, and if they want to redeem Azula, his writing of her would make it incredibly hard to do so. This comic I feel is a start to said retcons. With that being said though, I can understand why people are disappointed. The marketing for it made it seem like we were getting something else, and not this. For the Azula fans who've been waiting for 15 years basically for the writers to release some quality Azula content, I can see why this would be a let down.

#atla #azula #azula in the spirit temple #azula in the spirit temple meta

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starlight-bread-blog · 19 days

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What My Zutara Endgame Would Look Like

When people hear I want a Zutara endgame, the assumption is that everything will stay the same, except Zuko and Katara would kiss in that balcony instead of Katara and Aang. This is not the case. In actuality, the existing canon material would necessitate adjustments to accommodate such a divergence. I'd be remiss to demand something without explaining how to achieve it. Therefore, I must share a basic (or partial) rundown of my Zutara endgame.

(One might assume that it’s absurd to demand changes to justify a change, which is a very valid assumption I’ve pondered with myself, which is why I’ve written an analysis on the subject).

——————

The portrayal of a Zutara endgame would manifest as follows:

A\ang and Katara have been set up together since the very first season. What wouldn’t change would be the general structure and approach to writing their romantic developments, all of which will be elaborated on in their own posts.

1) In “The Headband”, for a moment, Kstara looks at A\ang with love. Additionally, she is shown to be jealous of him. These moments will be less explicit/toned down.

1½) At the end of “The Cave of Two Lovers”, Katara blushes. This will be removed. (However, it is not a must).

3) In “Boiling Rock Part 2”, Mai and Zuko have a conversation in Zuko’s prison cell before Zuko escapes. In this rewrite, Zuko would imply that once he will end the war, they could be together, which Mai would immediately reject.

2) In “The Crossroads of Destiny”, Aang emerges into the Avatar state before opening his final chakra. He’s still meditating, focusing on letting go of his attachment, is conflicted, and starting to float, but being shot down before letting go. (Additionally, he doesn’t say “Sorry, Katara”).

2½) In In “The Crossroads of Destiny”, Iroh says “perfection and power are overrated”. This will be removed.

4) In the ending of “Boiling Rock Part 2”, both Mai and Ty Lee are shown to have qualms about killing who was once their friends. Everything plays out roughly the same, except the (admittedly, iconic) line “I love Zuko More than I fear you” is replaced with a different declaration.

4½) In “The Southern Raiders”, Zuko says "You were right about what Katara needed". This will be removed. (But again, not a must).

5) In the ending of the play in “Ember Island Players”, Aang is reminded that he is yet to master the Avatar State.

6) In “Sozin’s Comet Part 2”, when the lion turtle drops Aang back on shore, Aang asks it about the Avatar State.The fact that Aang’s last chakra isn’t yet open is mentioned, and Aang sits down to meditate.

7) The show ends with A\ang and Katara having a moment realizing they are better off as friends and a small hint of a future relationship in canon that could take many forms. For the final moments of the show, everyone is on the balcony.

——————

It is important to address the changes required in order to make sure that they don’t interfere with other plot threads. Additionally,one must understand what I’m arguing for, or else my evaluation couldn’t be cogent. Only now that we're in accord, I can trurly delve into the captivating narrative of Zuko, Katara, and the untapped potential of a romantic entanglement between them.

#zutara #zutara fandom #anti anti zutara #zuko x katara #katara x zuko #pro zutara #zutara analysis #zutara evidence #zutara forever #zutara meta #zutarian #zutara was robbed #zutara nation #zutara should have been canon #zutara supremacy

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sokkastyles · 2 months

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Came across a few posts about how Azula is the best firebender in the series, and that subject is probably more based on opinion than fact I guess, but still feels like saying that is antithetical to the themes of the story. What do you think?

I agree that it's antithetical to the themes of the story. Azula cannot be the best firebender because she is not working with a complete understanding of firebending, which is linked to the themes of the story and bending as a metaphor for how we engage with ourselves and others.

I recently saw a post that said the dragons would judge Azula worthy because firebending is about drive. And oh, boy, does that completely misunderstand the themes of that episode.

The whole point is that the Fire Nation's post-Sozin relationship with fire, the idea of "having the power and drive to achieve what you want" and valuing that above all else is exactly what caused the world to fall out of balance. It is this drive for power that we see corrupt people like Sozin, Zhao, Ozai, and yes, Azula.

When Zuko faces the dragons, the original firebending masters, he learns that fire is so much more than just a drive for power. Fire is life itself, it's passion, it's warmth, it's something to be both kept in check and nurtured to become healthy. Like a little heartbeat that can be snuffed out if you aren't careful, or can burn out of control if not tempered.

So many people like to say Azula only lost the final agni kai because of her mental state, but the truth is that 1) Azula was never in a healthy mental state, at any point that we saw her in the show, and 2) she does not have the wisdom to see anything beyond her own drive for power, and that is going to prevent her from having a true link to her element.

The elements themselves are inspired by different martial arts. This is well-known. But martial arts is a form that emphasizes discipline over raw power, especially Xiaolin, which firebending is based on. It's all about self control and finding balance within oneself. Which is a theme that is cited over and over again in the show.

Iroh tells Zuko at the beginning of the show that he cannot move on to advanced forms until he has mastered the basics. He is trying to teach him how to develop the control he needs to be a true firebending master. Zuko acts this way towards his element because this is what he learned from Ozai, and from watching Azula, who has no self control and no patience. We see her practice her forms, sure, but we also see her get incredibly angry when it's not perfect. Azula has some moves that she's perfected to cause the most damage, but she's not comfortable when stepping outside of that zone, cannot take criticism at all, and threatens anyone who says she is not the best. She cannot possibly be the best firebender with such a limited understanding of her element.

Which is also why she loses even with the power of the comet on her side. Because all the power in the world won't help if the spirit isn't in balance. People will act like Azula's mental breakdown only existed to "nerf" her in the finale but it's like, literally the whole point, and was something that was building since the beginning of the series.

#azula #zuko #elemental symbolism #firebending #iroh #the firebending masters

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oneatlatime · 7 months

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The Blind Bandit

I had honestly forgotten that the Gaang were trying to find an earthbending teacher, so the 'previously on' segment was actually useful instead of spoilery.

Nobody's face is having a good time.

Look at this sweetheart. You go ahead and treat yourself honey. You've single-handedly escorted a pair of earth-shatteringly overpowered tweens around the world for months; the least you deserve is a shopping trip.

"You kids like earthbending?" Has the same energy as "wanna buy a sun dial?" from that animated Hercules movie.

This guy is one of those strip mall karate types.

I take back everything I ever said about Zuko's season 1 haircut. This guy has a dust bunny poop on his head.

Momo's bag now.

My absolute favourite girl power: incredible violence!

The acoustics at this earth rumble place must be great. I don't see any microphones.

"That's what I paid for." Sokka is a simple creature at heart. Likes food and violence.

Something very strange about this guy's face. I think his mouth moves but his eyes don't.

So apparently earthbending gets you mad air.

Oh! I get it. This is a WWE parody. Somebody on the writing team did their homework too. Don't ask me how I know, but this is a very accurate parody.

Sokka thinks listening to big muscles is a very good idea actually.

And here's the heel. Complete with russian accent. And oddly homoerotic anthem. And cowardice when challenged! Yep, total heel.

I LOLed at the zamboni badgermoles and hockey organ.

She's like two feet tall!

I'm. in love.

I could watch little girls beat up grown men all day.

Earthbending sonar?

Omigod it predicts. She can see moves before they happen.

Well it's a good thing Bumi said to look for someone who Waited and Listened rather than Watched.

"I don't really want to fight you. I want to talk to you." Says the guy who just volunteered, in front of a full stadium, to FIGHT her. Time and place, Aang.

Get back on the ground you flighty airbender. She sees with that ground. No fair.

This is about the face I made when Aang pulled that move. Does this boy think at all? I love him, but what part of stealing her well-earned title is supposed to convince her to talk to him?

You messed up.

I love sartorially inclined Sokka. It's a tiny an innocuous little trait, but it rounds out his character so well.

I get to watch two different girls terrorise idiots this episode. I am blessed.

So I'm guessing the two idiots at the earthbending academy are doing that excercise where kung fu people stick their hands in sand (I've seen videos of it) but it really looked like they were in the 'beat back the dough' phase of making bread.

In this universe of plot-convenient clothing blindness, how do Dumb and Dumber recognise Aang as the one who beat the Blind Bandit?

I think the voice actor for the dumb kid with actual hair did a bunch of voices in season 1. The soldier who gives Aang Bato's map comes to mind.

Have I said recently how much I love Sokka and Katara?

These wrestling guys keep switching between first and third person. Too many rocks to the head.

This could be a board for a murder mystery board game. Or a map for a DND dungeon.

It's her hair. I thought the Blind Bandit had a cap type thing with a little brim for her costume, but it's just a pile of her hair? Like a beehive?

A lesson in character writing: if you want to make someone look super dumb, have them earnestly believe in the credentials and authenticity of a guy you have previously set up as a borderline con artist. Lookin at you, Blind Bandit's dad.

"Basic forms and breathing exercises only." That line is just so funny. And they're all so stupid. She snapped like half a dozen spines last night and this guy is preaching breathing exercises.

Wow! I hate her dad!

I hate him more!

Sokka going ham on some rice rather than listen to the idiots. Good priorities.

This passive aggressive fight between the girl and Aang at the dinner table is so fun.

Looking for somewhere to store your meal after you've face planted into it? Try the top of your head!

I need to get a hold of some of those magic napkins. Wiped up a whole multicourse meal in like 5 seconds.

That is indeed the appropriate reaction to this pint sized badass. Glad Aang is learning. (Also this episode needs more Appa. The last couple have been sadly bereft.)

Called it. Earthdending sonar. Or is it more like echolocation? No! Whiskers!

How does this pint sized badass - who if I am understanding correctly, is not known to exist outside the walls of her house - have more emotional intelligence than the entirety of the Gaang put together?

So much for the guards in the garden. They'd actually be useful now.

Sokka. Priorities. Although given how many times Aang has escaped custody/kidnapping he's probably ok to take a minute to fangirl over an autograph.

These idiot parents don't know their daughter at all. That chafes.

"I'm not smiling." I LOLed at that too. Perfect delivery.

Hippo man having a snack before he gets down to business. No wonder he's missing teeth.

All this blind and tiny and helpless and fragile talk is really making me hope someone smacks the crap out of the dad. What an awful thing to say, nevermind saying it where your daughter can hear.

SMACKDOWN INCOMING

This is gonna be good.

If this girl does join the Gaang the writers are going to have to nerf her in every major conflict. She's too powerful. I bet she could take on the firelord now.

And that's why you don't announce sneak attacks.

So remember how Sokka was absolutely losing his shit over the Boulder? That's me right now.

She waits. All these idiots are losing because they're getting impatient and attacking first. Which means that, to her senses, they're telegraphing their moves. That is so cool. And so is this visual.

Here's your chance Dad. Are you going to mess it up?

"I love fighting. I love being an Earthbender. And I'm really really good at it." me:

I don't have words for how much I LOVE when little girls STAND UP for THEMSELVES and THEIR INTERESTS. This would have had me HOLLERING if I'd seen it as a kid. It was a message I needed to hear too.

Wow I want to kill her parents.

OH FUCK OFF

COME ON

You made my girl cry.

Get wrecked belt stealer. I LOLed at this too.

Sokka just beaned a blind girl on the head. Not a good look. I laughed though.

Fun fact: everyone in this picture is a piece of shit.

I haven't been this steamed since Zuko's dad burned half his face off.

Final Thoughts

IT WAS SO GOOD!!!!!!!!!!!!!!!!!!!!!!!!!!!

Seriously, this episode feels like it's movie quality. This show is usually excellent, but this feels like a cut above. I feel like I could sense the love the writers, animators, voice actors, everyone had for this episode. They had a good time making it and were enthusiastic about it. And there were lots of tiny background details in this episode too. I'm sure I missed quite a few. Oh No! I'll have to rewatch it!

New team member! That hasn't happened since Momo. Actually, no wonder the episode was so good. Introducing the first new team member in at least a season's worth of episodes is a delicate operation. I bet they were workshopping this episode since early in the first season.

And Toph! (thank you credits for how to spell that - I was really hoping it wasn't Toff). Be still my heart I love Toph. She may well take Sokka's spot as my favourite character. Strength of character, self-assurance, emotional intelligence, badassery, mastery of violence, what's not to love!!!

How did she get so emotionally intelligent and articulate if her parents have kept her caged her whole life? I don't know but I'm not complaining!

How did her parents get away with caging her for her whole life? I do know (money) and I am complaining. Very much so. And yet Toph can still find it within herself to have an honest conversation with them, including apologising for leaving said cage. I never would have had the maturity to do that in a similar situation. I would have gone the Katara explosive rage route.

A little girl who stands up for herself. Against HER PARENTS. I just. Do you know how amazing that is? Especially in a kids' show? I was ROBBED by not being able to see this show when I was Toph's age.

Does bending work like a muscle, in that you build up stamina? Because if so, then Toph is the strongest human earthbender in the world by default. If she's using it in place of seeing, then she's using it 100% of the time that she's awake, all day every day. By the time she was like 5 years old she'd probably used her bending more than the average earthbender does in their whole lifetime.

My one complaint is Toph's voice. Nothing wrong with it; this is a me thing. It fits her perfectly, but my ears do not play well with nasal voices, which hers is. I had to rewind quite a few times and resorted to subtitles by the end. Hopefully I'll get used to it like I did Zuko's.

Sokka! My soon to be demoted beloved! He shone in this episode. I love that he has fashion sense and is not afraid to show it. I'm thinking, what with how hung up he was on masculinity at the start of the show, that the water tribes have a different conception of masculinity: one that classes fashionability as a masculine or gender neutral trait. Even back in season one it didn't take much to get Sokka into the Kyoshi warrior uniform, and he's shockingly good at applying face paint symmetrically. Which I still cannot do with winged eyeliner.

Katara! Not headed for a career in diplomacy but so satisfying to watch. I would love to have a Katara in my pocket that I could unleash on people. And her and Sokka bouncing off each other this episode was great. Every one was at peak performance this episode, except Aang. Not at his brightest this episode.

Checking for typos before I post this and I realise I'd already forgotten that Toph is blind! Just like in the Northern Air Temple, this is how you do disability right: as just a part of who they are, rather than an entire personality. This show is so good.

In sum, Toph:

#atla #avatar: the last airbender #the blind bandit #avatar the last airbender

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burst-of-iridescent · 22 days

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i've written before about how fire lady katara isn't an inherently disempowering or racist trope, as have many others, but lately i've been thinking about how arguments against fire lady katara often tend to utilise a surface-level interpretation of colonial trauma.

[edit: this post will use the term "colonial trauma" because those who argue against fire lady katara usually use the same wording or are referring to that concept. but it's important to note that according to show canon, the fire nation did not colonize the southern water tribe and zuko and katara did not have a colonizer/colonized relationship.]

antis who present this argument usually posit that marrying zuko would be a form of re-traumatization for katara, while marrying aang would "protect" her. katara is supposedly more shielded from confronting the impact of colonization in the southern water tribe or on air temple island than she would be with zuko in the fire nation, which contextualizes colonial trauma purely through the lens of physical interaction with the colonial power (ie. living in the fire nation or looking after the people of the fire nation). whether intended or not, this argument inadvertently limits colonial trauma to the geographical boundaries of the colonizing country and implies that it can be reduced or averted solely by minimizing contact with said country.

even leaving aside that we have seen katara in the fire nation (and enjoying herself there), the implication here is that active engagement with a colonial power as a member of colonized peoples is an inherent form of re-traumatization... which i take issue with for multiple reasons.

firstly, katara lives in a world that has been permanently shaped and changed by imperialism, and that's going to affect her no matter where she goes. sequestering herself in the south pole her whole life and never seeing a glimpse of fire nation red again won't allow katara to escape the legacy of colonization or the trauma it has caused her, because its influence is rooted in everything from her family to her tribe to her own bending. believe me, i understand the appeal of a world where women of colour can avoid reckoning with the impact of colonization by simply never setting foot in the colonizing country again, and why people might be uncomfortable with zutara individually as a result - but i can't accept it as a valid argument against the ship, because that's just not how colonial trauma works.

secondly, the idea that this "protects" katara reeks of paternalism because katara is not a character who chooses her path simply based on how safe or comfortable it is. if that was the case, she would never have left the southern water tribe at all! she could've remained there her whole life and likely been safe, since the fire nation had no real interest in the south pole any longer. katara is fundamentally defined by how relentlessly revolutionary she is - over and over, she chooses to do what is right, what is hard, what is unexpected, even at cost to herself. she challenges injustice and discrimination and bigotry; she fights for the downtrodden and speaks for those who can't speak for themselves; she will never ever turn her back on the people who need her. does that truly sound like someone who needs to be hid away and protected from her own supposed re-traumatization?

thirdly - and i fully accept that there are those who might disagree with this - katara actively choosing to engage with her colonial trauma can be empowering just as it can be traumatizing. don't get me wrong: as a woc and a minority in my own country, i understand how tiring it is to do this. i understand the exhaustion of confronting what was done to you and your people, of facing down bigotry over and over. i understand the desire to run away from it all, and why it can be wish fulfilment for others to let katara do so. i really, really do.

but there is also wish fulfilment in letting katara fight, as a brown girl with power and resources that few brown girls in the real world hold. there is a power fantasy in seeing katara head into the belly of the beast and emerging triumphant. there is empowerment to be found in seeing katara struggle with racism and ignorance and mindless hate to enact change - and succeed. i love reading and writing about katara unpacking her trauma regarding the fire nation, about growing to love the place she once hated, about reconciling both her homes and healing from the wounds of her childhood.

and ultimately, i think that's what katara would want for herself. after throwing herself head first into the fight against the fire nation, after facing down her greatest trauma instead of letting it consume her, after helping and protecting the people of the fire nation, after refusing to let the fire nation take anything else from her - i firmly believe that the last thing katara would do is allow herself to be ruled by the fire nation instead of being the one ruling it.

personally, i find that a more hopeful and victorious narrative than one where she remains safe and sheltered away from the fire nation, but forever haunted and dictated by her trauma. would that be realistic? perhaps. but the entire point of foiling katara with characters like jet and hama is to show that she's not doomed to be mired in the pain of her past. that where their stories could only end in tragedy, hers can - and does - end in hope for something better, as she always believed it could.

#zutara #anti kataang #katara #katara meta #fire lady katara

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comradekatara · 19 days

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If you're still doing the ship opinions, could you do jet/katara?

I think they’ve grown on me bc when I was a kid I was just like “katara can do so much better 😤” (and that’s true!) but I also think what he means to katara (whether or not he truly lives up to her image of him in her mind) is really interesting. like something that I think is really crucial to understand about their relationship is the fact that the reason she feels betrayed by him isn’t because he’s “a bad revolutionary” but because he treated her like a naive child and lied to her face about his methods, manipulated her into trusting him by exploiting her tendency to dismiss sokka, tried to kill her brother (which is something she immediately understands judging by the way her eyes well with tears as she asks “where’s sokka”), and played her for a fool. “I trusted you, you’re sick and I trusted you.” yes she takes issue with his methods, but she mostly hates that she trusted someone who didn’t deserve it and didn’t truly respect her.

she hates putting her faith in someone and being taken advantage of, especially because it’s one of the points that sokka is especially condescending towards her about, and she always wants to be proven right in their arguments (which is natural, who doesn’t), so the fact that sokka is usually right when it comes to reading people is particularly infuriating. and it’s especially egregious in this circumstance, because katara’s trust in jet over sokka is what directly led to jet killing sokka (or at least, the attempt to). in her pursuit of winning the lifelong argument against her brother, she nearly got her brother killed. so jet is interesting insofar as he informs katara and sokka’s dynamic, and also as he reflects a major part of katara’s psychology as someone who genuinely wants to form connections with others over shared trauma, which is an incredibly noble and beautiful tendency of hers.

I think the way he sweeps her off her feet (literally) is kind of adorable, not because he’s a likable love interest (imo), but because her reaction is nonetheless very cute. the ugly ass hat she makes him after they kissed (offscreen, but canonically) is soo precious to me I think about that all the time (and the fact that aang is also the one who ends up wearing it…. my heart). and her reaction when they reunite later is fascinating, because even though it’s in such a different context and jet is literally brainwashed, katara acts like a scorned lover while sokka (number one jet hater in the world) approaches the situation in a more detached and logical way. it’s clear that her feelings for jet were incredibly strong, and the terror and guilt she felt over nearly letting sokka die at his hands has stayed with her and impacted in a very profound way, whereas sokka never actually felt like he jet had his life in his hands because he always knew that jet was a con artist who doesn’t really pose a threat to him.

but katara actually held a lot of respect for him, and he betrayed that trust and shattered her admiration irreparably. and then, of course, he nearly redeems himself, helps her in a major way, and dies in her arms. she cannot save him, and suddenly whatever could have been is gone not because he failed her, but because she failed him. and it’s subtle, and hardly mentioned, but I do think the trauma of that, in both instances, really informs katara’s perspective in many key ways, if not consciously, then subconsciously. it informs how she reacts to aang’s death only a few weeks later, and it informs her anger at zuko when he betrays her. jet is a key player in katara’s life and how she approaches her relationships going forward, and for that, he cannot be discounted.

#but I made him this hat……..#asks #twitterpat #katara #jet #sokka #jetxkatara #katara&sokka #analysis #I don’t like jet but I do love the idea of him #so thankfully. we also have hama <3

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the-badger-mole · 10 months

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But FWIENDSHIP!!!! 🥺🥺🥺🥺🥺🥺🥺

Okay, so you all know how I get when something gets stuck in my head, but yesterday I saw a post talking about how Katara and Zuko's potential romance messes with their friendship, and I don't understand how, but that's beside the point. This is an anti-Kataang post.

I will once again admit that I don't spend a ton of time in Kataang/anti-Zutara spaces (cause I'm respectful like that), but every so often, I see one of those takes pop up in my safe area (because respect isn't always a two way street, unfortunately). It's interesting to see how many times this take seems to crop up. Katara and Zuko falling in love would ruin their friendship, yet those same people fail to acknowledge that Bryke went ahead and ruined their friendship anyway out of jealousy. These same people also tend to hold Kataang as a prime example of Friends to Lovers, the only problem is, Aang isn't Katara's friend at any point.

Throughout the series, it's made very clear that Aang likes Katara, but for most of the series (until literally the last few seconds, in fact) it's also clear that Katara only sees him as a friend. This should have been an object lesson that sometimes crushes don't work out, but friendship can be stronger than temporarily disappointed feelings. However, that's not what we get. Aang doesn't care about Katara's friendship. He doesn't want Katara in his life unless it's in a romantic capacity. We see it in how he reacts when he feels romantically rejected (lava fissure, EIP). The narrative doesn't give Katara any space to say no to Aang without it permanently damaging their relationship, because they never had the relationship Katara thought they did. Katara thought she was Aang's friend, but for Aang, their 'friendship' was just a precursor to romance. In this, the year 2023, I know we all understand why this is a problem.

Aang can't even conceive of a world where Katara does turn him down. He dreams about her enthusiastic response to his declaration of love; he assumes that since they kissed he kissed her and staked his claim, they should be together, despite there never being any sort of conversation, and the fact that the one time he did try to talk about it, she changed the subject very quickly. Katara's feelings are an afterthought for Aang, which is terrible for any relationship, but particularly in a romantic one. There is never a moment where Aang puts Katara's emotional needs ahead of his own. He never puts a value on her platonic friendship. There's never a moment where he decides that despite his feelings for her, having Katara in his life as a friend is better than not having her at all. That moment should have happened regardless of whether they ended up together or not, because friendship is the most important component of the Friends to Lovers trope.

By comparison, the friendship Katara eventually forms with Zuko is much deeper, and based on a mutual respect, understanding and emotional support for each other. This is a fantastic foundation for a romance, although bafflingly, people who laud Katara and Zuko's deep friendship don't seem to agree. Them potentially falling in love doesn't cheapen their friendship because they actually were friends first. On top of that, their Enemies to Friends journey ending romantically would not only not cheapen their friendship, it would tie into the themes of the show beautifully (the illusion of separation; love being stronger than hate; learning to respect other people's differences etc).

Let's be real, what Kataang actually represents is The Hero Gets the Girl, and I think deep down we all know that, even the ones calling it Friends to Lovers. In the Hero Gets the Girl trope, the Girl in question doesn't really matter. She's less of a romantic partner and more a prize for the Hero saving the day. Her emotional journey to falling for the Hero mostly plays out off screen, even though she may not have even liked the Hero like that initially, and the hero doesn't ever show that he respects her as a person. For the most part it works (arguably) because the Girl isn't a character in her own right, she's just part of the Hero's story. The reason it doesn't work with Kataang is that Katara is a character. She does have her own journey, and as passionate and outspoken as she is in pretty much every other aspect of her life, it doesn't make sense for her journey to falling for Aang takes place largely off screen. Not unless you understand how little Katara's feelings matter to their relationship. Had Katara actually rejected Aang, their friendship would have ended because Aang was never interested in her friendship.

It's interesting to me to see people who claim to value friendship over romance spend more time complaining about a romance that isn't canon over the actual canon ship that really does cheapen the friendship. But then again, I guess that was never the problem in the first place.

#atla #anti aang #anti kataang #zutara #enemies-FRIENDS-lovers #that would have been worlds better than the Hero Gets the Girl ship masquerading as a friends-lovers romance #if you prefer platonic zutara that's fine #but let's not pretend that the problem is that their potential romance would spoil their friendship #not when you don't speak about how the actual canon ship completely devalued katara's friendship towards aang #be so for real #just say you don't like zutara and keep it pushing #because now the argument just looks hypocritical when you have nothing to say about kataang #the actual canon ship devaluing both friendship and consent #THE YEAR OF CONTENT!!!!

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thehazeldruid · 10 months

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A Lesson on Learning

Brought to you by “Avatar: The Last Airbender” and Uncle Iroh

In season 2′s episode ‘Bitter Work’ Iroh is teaching Zuko how to bend lightning and the lesson that he uses to do so is one that can be applied to LITERALLY anything.

The lesson goes thus:(Quotes from IMDB)

Uncle Iroh: [Draws Fire symbol in the dirt] Fire is the element of power. The people of the Fire Nation have desire and will and the energy and drive to achieve what they want.

Uncle Iroh: [Draws Earth symbol] Earth is the element of substance. The people of the Earth Kingdom are diverse and strong. They are persistent and enduring.

Uncle Iroh: [Draws Air symbol] Air is the element of freedom. The Air Nomads detached themselves from worldly concerns and found peace and freedom. Also, they apparently had pretty good senses of humor.

Uncle Iroh: [Draws Water symbol] Water is the element of change. The people of the Water Tribes are capable of adapting to many things. They have a sense of community and love that holds them together through anything.

Prince Zuko: Why are you telling me these things?

Uncle Iroh: [Draws straight lines separating the four symbols] It is important to draw wisdom from many different places. If you take it from only one place, it become rigid and stale.

Uncle Iroh: [Draws a circle around all four symbols] Understanding others, the other elements, and the other nations, will help you become whole.

Prince Zuko: All this four elements talk is sounding like Avatar stuff.

Uncle Iroh: It is the combination of the four elements in one person that makes the Avatar so powerful. But it can make you more powerful, too. image

Now, this can obviously be applied to witchcraft and magic in general, paganism or any spiritual path, our moral paths, our personal lives and any work that we do. Because Iroh is right (when is he not?).

If we simplify our focus to one thing, one source, one single pillar of thought, we limit it and it becomes rigid and stale as he said, but also weak and fallible. If we instead learn to draw inspiration, wisdom and knowledge from differing sources, seeing how they work together as a whole, we strengthen the foundation of our own beliefs, our own knowledge.

This most obviously applies to studies of the elements, as it is the entire premise of the show and the quote itself. From that we can draw so many varied conclusions though! How do the above elements work together? Is there overlap between any of them? Do they together form other things- or change each other into the other elements? How do they impact one another? How can studying one in turn help you to study the others?

I digress… It’s just one of my favorite quotes from the show. But if you’d like me to extrapolate on this some more, just let me know or message me and we can discuss it! :)

M.G.

The Basil Druid

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