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#a wee bit
cosmicwhoreo · 1 year
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Have some Caviar doodles I did in me free time and my unnecessary comments about them while I take me nap.
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He didn't need it but, y'know... Yes, this takes place before Oyster asked him to do a little investigating in the Duskgloom sea.
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The comment the blue guy made about how every tale about the Duskgloom sea has come from Caviar lives rent free in my vacant skull...
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only the best stories for the best audience of course... No, he doesn't have favorites... Not at all.
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You all know what I'm about. Don't pretend.
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oifaaa · 1 year
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You enjoy dc comics, but also dislike it.
Is that not the average experience of a dc comics fan
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liamthemailman · 3 months
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going through it tonight
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there might be something wrong with me
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elliecupcakes · 2 months
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Emploellie’s Lore! 🌻💛⭐️
My Lethal Company oc, Ellie, mostly human and pretty good at achieving quota (unless distracted by Brackens) 😂 Her nickname is Sunflower and her objective is to hug and smooch all the Brackens, since they seem to be friendly with her often, although Titan’s one has a crush on her 🤭 Favorite planet: Vow 💛
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doriandrifting · 1 year
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Wait I know a lot of people are joking Mike was into that guy with Angela—the one who looked like Will, but what if the point of making them look similar was because it was representative of how Mike was picturing Will with Angela? Was he like, “Oh God, Will’s even her type”?
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verm1c1de · 11 months
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*dead on da floor*
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angrelysimpping · 2 years
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After finally getting the scene where Whitney ask to go to the orphanage, what do you think Bailey and Whitney's arrangemant is?
100% has to do with PC, seeing as:
"...My property," says Bailey. You hear him loud and clear. "I don't think you could afford him."
"I'm skint," agrees Whitney. "But you can't stop me."
There's a pause. "There is something you could do for me. Something I'd take as payment. For now."
"Depends what 'something' is."
It's hard to make out, but you think you hear the sound of a lighter. The rest of the conversation is obscured by Whitney's noisy friends.
So, not money, bc Whitney's broke. So, next best thing: free labor. I'd wadger something not completely legal but not something that could land Whitney in jail for ages if they got caught.
If the lighter is a hint at all, then I'd think just low level drug dealing. Which, too be fair, Whitney already gives off that kinda vibe. Hey, maybe Whitney will go into competition against the stimulant dealers? Pretty lucrative operation, and Bailey might hold a bit of a grudge against them if they've had to rescue you before. Bailey can steal some of their income and make sure they don't nab any more orphans and, in return, Whitney gets to stake a claim over you
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qprstobin · 11 months
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I've decided that honestly having Steve be a disco fan is a lot of fun but like, y'all gotta give him other artists/groups to listen to aside from Abba lol. Thelma Houston, Gloria Gaynor, Sister Sledge, the Bee Gees, Silver Convention, Kool & the Gang, KC and the Sunshine Band, the Village People, Earth, Wind & Fire. Plenty of classics for Steve to dance around his kitchen to
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frogprincesnowglobe · 3 months
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Sometimes a little ambiguity is good for the soul
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sk3letical · 1 year
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I found a really cool trick so ofc i had to use it on the #1 miserable guy
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angel-of-arson · 9 months
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Who is Rigel??
Rigel is a Sadism Demon! Who in Scene 4 was just feeding off of Edith because of all her hurt and pain she was feeling. But is he a star?
-Rigel, also called Beta Orionis, one of the brightest stars in the sky, intrinsically as well as in appearance. A blue-white supergiant in the constellation Orion, Rigel is about 870 light-years from the Sun and is about 47,000 times as luminous. A companion double star, also bluish white, is of the sixth magnitude.
Yes, yes he is. I was originally going to make Rigel a woman, but it changed. He does have a section on Edith's Pinterest board so you can look and see.
Below is a Picrew of Rigel, after he meet Edith. I really like it too!
Picrew made by- @Crowesn
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stillness-in-green · 2 years
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What do you think of shigaraki killing afo?
I made a quip about this months ago, but at this point I have no idea which post it was in, so I'll go ahead and reiterate and expand on it here.
On the one hand:
I think there’s a hanging conflict between All Might saying that trying to kill AFO seven years ago was a mistake and Hero Society’s inability to keep AFO in prison, and the easiest way out of that conflict that doesn’t leave AFO’s blood on a hero’s hands is to make the question moot by having Shigaraki kill him instead.  Absolving a story’s heroes of having to make a difficult moral choice has long been the purview of villains!
As far as the heroes go, I know most people think AFO is an unrepentant monster and killing him is not exactly a mortal sin, and they’re not wrong that he’s a ludicrous caricature who law enforcement would have every justification in the world for putting down as an active threat.  That kind of judgment, though, is easy from the metaphorical armchair, but gets a bit more complex when you start asking how it fits into a regulated system and/or the overarching narrative themes.
Should Midoriya Izuku be the one to kill All For One?  Are we okay with asking a teenager, one who thinks the highest aspiration of his chosen career is saving people, to take a man’s life?
What does it do to All Might and the institution he represents when he, the paragon of heroes, caved in a man’s skull with his bare fists?  What does it further say about All Might and his society when he calls that murder attempt a mistake, only to turn around and help plan another one not even a year later because he can’t think of another solution?
Endeavor and Hawks?  We already know they’re willing to kill; it was kind of a defining thing for them with the High End Noumu and Twice.  It’s not exactly a big challenge to who they are and who they wish to be to have them do something they've already proven capable of doing, especially when they’ve never truly reckoned with the blood already on their hands.
And so on.
We could also ask, who okayed this?  We know that Tsukauchi was involved in the planning stages, and since Tsukauchi is a police detective, that does imply state approval.  The readers never see that process, though, and it certainly doesn’t seem to have involved a trial at any point.  Is there a judge somewhere who weighed the evidence and then signed off on an outstanding circumstances waiver of some kind?  A Head Commissioner of the National Police Agency?  How much bureaucracy did this have to go through?  How much precedent is being established by it?  What protections are there against similar actions being called against lesser threats, now that this example is being set?
I know there’s a point at which asking questions like this of a fantasy adventure narrative gets pretty absurd, even willfully obtuse, but BNHA leaves itself open to arguments like mine in the way it positions its heroes as duly vested agents of a state government, especially a state government the story itself has positioned as grotesquely corrupt.
On the other hand...
All of that being the case, Shigaraki is not a duly vested agent of the state.  Nor is he a character whose hands the narrative has any motivation to keep clean.  Shigaraki is the (living) person in the story most directly, personally wronged by All For One, especially if it turns out he’s the one who gave Tenko Decay to begin with.
There’s a karma to All For One dying at the hand of one of his victims that there isn’t when he’s being killed by someone who’s more his “equal” or who lacks that personal connection.*  And while there’s a reason vigilante justice is illegal, Shigaraki’s role in the story is such that he’s posing and answering different moral questions than a hero would be.  If it’s problematic to let Shigaraki have that kill, it’s only because it lets the author dodge a harder question, not because it’s Setting A Bad Example For The Readers or Establishing A Worrying Precedent For The In-Universe Legal System.
Cards on the table?  AFO is kind of asking for it, where Shigaraki is concerned.  I used to admire that he was the only person in the story who never doubted Shigaraki’s capability—the only one, even counting all of Shigaraki’s friends!  But if AFO is going to swan in and think he can easily handle his protégé, the kid who has risen to every occasion, upended every expectation, then frankly, he deserves no better than every other asshole who’s made that same mistake.  I am praying Horikoshi gives me that level of consistency in Shigaraki’s villain arc!
Also too, it's not like Shigaraki killing AFO would instantly end the series or the problems the heroes are facing. Shigaraki killing AFO just gives Shigaraki his agency back, makes him a threat again rather than a hostage, and Shigaraki's status as ultimate victim/ultimate villain makes him a way more challenging moral dilemma than AFO ever presented. All things considered, he'd be a trade-up.
Thanks for the ask!
*Are Deku and All Might his victims?  Well, they’ve certainly been targeted by him, and All Might was injured pretty terribly in the backstory, but the OFA generational rivalry puts a much different spin on those relationships than the one AFO has with, say, Tomura or Aoyama.  Both All and Deku, in any case, try to frame their battles against AFO as being intended to stop AFO from committing further harm, rather than one of vengeance or personal recompense.  All Might in particular is not without those motivations, especially when AFO starts mocking Nana, but it’s a frame of mind he has to be baited into, not the one he normally occupies.
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seva-khusid · 9 months
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Old worldbuilding map
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I felt the need to unwind a little and remembered that I have this little (10x18k pixels) labour of slow and unmethodical love. The setting behind it has been brewing in me for almost nine years now, and will take some more time before it, if ever, becomes anything publishable.
Such timeframe has made it unwieldy at times. Back in 2014 I carelessly lifted themes from every game I was into (mainly Warcraft and HoMM3), and this approach remained as my interests changed. Instead of poorly drafted epic tales I moved to poorly drafted conlangs and histories.
Eventually themes of empire and expansion emerged at its core. Is conquest ever justified? Do the cultural scars it leaves ever heal? For the last semester I kept pestering my professor who taught Displacement in Roman Literature class, asking about creative applications of literature on space and displacement. This passion project was among my main reasons.
It is still a work in progress: for every empty spot on the map there is a dozen conceptual gaps. Most of all, I am struggling to assign a form and an audience for it. I'd ran one and a half pseudo-D&D adventures in it, have several different drafts for games - a Zeldalike and a (T)RPG - but these have to be localized stories. But the main thing I like in this idea is the view through its ages, a discussion about cultural development.
This too has solutions. The Zeldalike draft is narratively focused on its characters seeing how their respective cultures shaped them and learning to overcome it; and the D&D adventures had been placed in different times with metatextual intent. But who on earth would play this?
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skrunksthatwunk · 1 year
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think i may go finish y7... oohhh...
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inspirationgono · 9 months
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I’m giving my sexy protagonist my chronic illness and there’s nothing you can do to stop me
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riddle-me-ri · 1 year
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So I’m going through it and trying to recharge, but still post requests here and there. 
However, I noticed this little suprise...
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Umm...really? Really? 100 was a surprise enough...but 200 really?? I mean...I appreciate it and I’m super grateful asdffgh but umm...yeah..uh thank you all...wow
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