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#adaptive preferences
davaikissotsuda · 11 months
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Пользоваться адаптивками - это как украшать свой домашний экран эстетичными иконками. Говорить, что используешь их «для себя» - все равно что передвинуть эти иконки на последнюю страницу, потому что приложения теперь не загружаются. От них нет никакой пользы, но ты продолжаешь тратить время и усилия ради красивой картинки. Твоё тело гораздо лучше функционирует без них, и его «стандартная» прошивка идеально тебе подходит. Так чего ты добиваешься, пытаясь его изменить?  
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idolomantises · 8 months
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Portraying Sera’s sadness was honestly the first time I had an issue with portraying her expressions. I didn’t just want sera to look sad, i also wanted her to look tired.
One look at her face and you can tell it’s been eating her up inside for centuries.
The sketch to lineart phase was a bit of a challenge, because she looked too clean in the line-art process. So instead I had her eyes sketched in, not full of life or intensity like her usual expressions. Just exhaustion.
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ofswordsandpens · 6 months
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while I do like the added dialogue between Sally and Percy in the minotaur scene, namely Sally's speech to Percy telling him to hold fast, I really wish the scene had more of the urgency that it did in the book. Like Grover's heavily injured to the point of incoherency, Sally and Percy literally have to drag him up the hill, and that's when they're overtaken by the minotaur. In the show, having them all come to a grinding standstill and Grover being fully alert like "sorry I know we're being chased by certain death but your mom's human so she can't come :/" was kind of adflksadfjasdf
oh and in the book Percy doesn't immediately pass out. Instead, Percy doesn't let himself until he's hauled Grover over the boundary line and all the way to the big house because he needs help and it's only then does Percy finally collapse. and idk just the imagery of it all -- Percy crying for help, for his mother -- it always stuck with me and I wish they hadn't taken it out.
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picklepie888 · 7 months
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Never forget that Quincey P. Morris saved the world from a vampire infestation and died in order to save the people he loves, and the thanks he got for it is to be OMITTED FROM EVERY FREAKING DRACULA ADAPTATION!!!
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katabay · 3 months
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GILUBONG SA DOMINGO
UG MAO ANG KATAPUSAN NI—
okay, so there's a moderate trainwreck of ideas happening here, especially because this is the set up for a future thought I have not talked about yet!
first, the solomon grundy part is because for some reason, in my mind, it was always about a guy who got married and then died immediately after from a "mysterious" illness, and I'm pretty sure the Cain Saga Solomon Grundy chapter only reinforced that in some deep part of my brain
this! story! is about! a young man from the provinces who gets married to the daughter of the spanish governor and dies soon after. more or less, his wife murdered him for the land that was in his name, even though it was shared in the community without hierarchy, and she (with her father) intends to turn it into a sugar plantation.
and it's also about the engkanto, the 'not like us.' (so here's the thing, I know people have translated/compared engkanto to fairies, and honestly fuck that. my mom has always translated engkanto into english as 'not like us' since forever, and it's a better fit for our region than any comparison to european fairy folklore.) in the last panel with the mother, the man with the long hair is the engkanto in this story. so, the story:
once upon a time, there was a field, there was a harvest, there was a young man. and one day in the middle of the harvest season, there was a handsome stranger. every day he would invite the young man to come with him, offer him gifts, entice him with conversation. then: the young man got married. soon after, he died. his life has been stolen so the land can be exploited, and the handsome stranger is one with the land. this is now a story about retribution
this is playing off of the tinamnan gabe story a little, but I have diverged significantly because this is going to be about folklore horror, and it's also technically a prequel story for something else.
I've seen the tinamnan gabe story retold online and I've seen people cite the book it's recorded in (Negros Oriental and Siquijor Island Legends, Beliefs and Folkways), but I don't have access to the book so no additional citations for this RIP 😔 (while I heard a lot of similar stories to this one growing up, in a forest instead of a field, I still wish I had access to the book for a lot of reasons, but especially because I like reading things. I want to read the book!!)
to conclude this, I also want the mom to get revenge for her son. ideally, when I pin this idea down further, it will be about folklore horror AND revenge.
⭐ I have a tip jar (ko-fi)!
⭐ and other places I’m at! bsky / pixiv / pillowfort /cohost / cara.app
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puppyeared · 4 months
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the shyest creature on earth dreams of art streaming
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tleeaves · 2 months
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Folks going "WHAT they made a show about the Fallout franchise?? I've been hearing people say Bethesda messed it up, but I haven't watched it myself, so I'm going to trust the word of other people -- some of which also haven't finished watching it" is driving me insane.
Being a hard core fan of something obviously brings with it a lot of passionate feelings when adaptations come into play. Of course, there's going to be people going "but in 8 episodes of the first ever season they made, they didn't explore Theme C or D, didn't introduce factions E and F and G, and because the source company is notorious for its scams, we and everyone else who's a TRUE fan should hate it".
The Amazon Original series Fallout follows the videogame franchise of the same name. It is a labour of love and you can tell by the attention to detail, the writing, the sets, and YES THE THEMES ARGUE WITH THE WALL. It's clearly fan service. I mean, the very characterisation of Lucy is a deadringer for someone playing a Fallout game for the first time. She embodies the innocent player whose expectations drastically change in a game that breaks your heart over and over again. Of course, she's also the vessel through which we explore a lot of themes, but I'll get to that.
There're some folks arguing that the show retcons the games, and I gotta say... for a website practically built on fandom culture, why are we so violently against the idea of someone basing an adaptation on a franchise that so easily lends itself to new and interesting interpretations? But to be frank, a lot of what AO's Fallout is not that new. We have: naive Vault dweller, sexy traumatised ghoul that people who aren't cowards will thirst over, and pathetic guy from a militaristic faction. We also have: total atomic annihilation, and literally in-world references to the games' lore and worldbuilding constantly (the way I was shaking my sister over seeing Grognark the Barbarian, Sugar Bombs, Cram, Stimpaks, and bags of RadAway was ridiculous). Oh, and the Red Rocket?? Best pal Dogmeat? I'm definitely outing myself as specifically a Fallout 4 player, but that's not the point you should be taking away from this.
The details, the references, and the new characters -- this show is practically SCREAMING "hey look, we did this for the fans, we hope you love it as much as we do". Who cares that the characters are new, they still hold the essence of ones we used to know! And they're still interesting, so goddamn bloody interesting. Their arcs mean so much to the story, and they're told in a genuinely intriguing way. This isn't just any videogame adaptation, this was gold. This sits near Netflix's Arcane: League of Legends level in videogame adaptation. Both series create new plots out of familiar worlds.
Of course, those who've done the work have already figured out AO's Fallout is not a retcon anyway. But even if it was, that shouldn't take away from the fact that this show is actually good. Not even just good, it's great.
Were some references a little shoe-horned in to the themes by the end of the show, such as with "War never changes"? Yes, I thought so. But I love how even with a new plot and characters, they're actually still exploring the same themes and staying true to the games. I've seen folks argue otherwise, but I truly disagree. The way capitalism poisons our world, represented primarily through The American Dream and the atomic age of the 45-50s that promoted the nuclear family dynamic -- it's there. If you think it's glorifying it by leaning so heavily into in the adaptation, I feel like you're not seeing it from the right angle. It's like saying Of Mice And Men by John Steinbeck glorifies the American Dream, when both this book and the Fallout franchise are criticisms of it. If you think about it, the post-apocalyptic world of Fallout is a graveyard to the American Dream. This criticism comes from the plots that are built into every Fallout story that I know of. The Vaults are literally constructed to be their own horror story just by their mere existence, what they stand for, what happens in each of them. The whole entire show is about the preservation of the wrong things leading to fucked up worlds and people. The missions of the Vaults are time and again proven to be fruitless, unethical, plain wrong. Lucy is our brainwashed character who believed in the veritable cult she lived in before she found out the truth.
So then consider the Brotherhood of Steel. I really don't think it exists in the story to glorify the military. We see just how much the Brotherhood has brainwashed people like Max (also, anything ominously named something like "the Brotherhood" should raise eyebrows). Personally, I don't like Max, but I am intrigued by his characterisation. I thought the end of his arc was rushed the way he "came good" basically, but [SPOILERS] having him embraced as a knight in the Brotherhood at the end against his will -- finally getting something he always wanted -- and him grimly accepting it from all that we can tell? Him having that destiny forced upon him now that he's swaying? After he defected? If his storyline is meant to be a tragedy, it wouldn't surprise me, because Fallout is rife with tragedies anyway. And a tragedy would also be a criticism of the military. That's what Max's entire arc is. It goes from the microcosm focusing on the cycle of bullying between soldiers to the macro-environment where Max is being forced to continue a cycle of violence against humanity he doesn't want to anymore because a world driven to extremes forces him to choose it to survive (not to mention what a cult and no family would do to his psyche). Let's not forget what the Brotherhood's rules are: humankind is supreme. Mutants, ghouls, synths, and robots are abominations to be hated and destroyed. If you can't draw the parallels to the real world, you need to retake history and literature classes. The Brotherhood is also about preserving the wrong things, like the Vaults (like the Enclave, really). They just came about through different method. The Enclave is capitalism and twisted greed in a world where money barely exists anymore. The Brotherhood is, well, fascism plain and simple.
Are these the only factions in the Fallout franchise? Hell no. But if you're mad about that -- that they're the main ones explored, apart from the NCR -- I think you're missing the point. These themes, these reminders, are highly relevant in the current climate. In fact, I almost think they always will be relevant unless we undergo drastic change. On the surface-level, Fallout seems like the American ideal complete with guns blazing that guys in their basements jerk off to. Under that surface, is a mind-fuck story about almost the entire opposite: it's a deconstruction of American ideals that are held so closely by some, and the way that key notion of freedom gets twisted, and you're shooting a guy in-game because it's more merciful than what the world had in store for him.
I mean, the ghoul's a fucking cowboy from the wild west character he used to play in Hollywood glam and his wife was one of the people who helped blow up America in the name of capitalism and "peace". There are so many layers of this to explore, I'd need several days to try and keep track and go through it all.
The Amazon Prime show is a testament to the Fallout franchise. The message, the themes? They were not messed up or muddled or anything of the sort, in my opinion.
As for Todd Howard, that Bethesda guy, I'm sure there's perfectly valid reasons to hate him. I mean, I've hated people for a lot less valid reasons, and that's valid. We all got our feelings. But the show is about more than just him. My advice is to keep that in mind when you're judging it.
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kibutsulove · 2 months
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I give what was promised
You’ve heard of trans zuko, and trans azula, but now get ready for the transgenderification of their shitty father
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selkiewife · 4 months
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“I wish...”
A Song of Ice and Fire: A Storm of Swords, Tyrion X by George R.R. Martin | Peter Dinklage as Tyrion Lannister in GAME OF THRONES: “The Laws of Gods and Men,” Season 4, Episode 6 | Alice in “Vinegar Tom,” by Caryl Churchill.
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d0d0-b0i · 2 years
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completely obsessed with how the werehog is meant to be this huge, scary beast, representing destruction and dark gaia energy, but is still just the size of a human child
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jewishcissiekj · 5 months
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Star Wars: Return of the Jedi (1983) #4
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atticcreationz · 11 months
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As someone who is VERY fascinated with adaptation in film (who spent quuuuuuite some time back in college obsessing over it for assignments) and who adores the graphic novel, my biggest takeaway from Nimona is that it is an EXCELLENT adaptation. Especially considering how much that production went through! Like, all of the changes and things they expanded on made sense for the transition from book to movie. My second takeaway is that I love it <3 Please go watch it I beg of you 🙏
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coldgoldlazarus · 4 days
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Metroid Movie/TV Series Style Options, from most to least likely, because I have brainrot
- Live action with a more 'realistic' sci-fi aesthetic, probably leaning into the Alien influence. Could be really good, especially as a way to honor that inspiration, but could easily fall flat. Most likely to actually happen, but my least favored. If this is the route taken, I just hope it wouldn't go the way of the Halo Paramount show.
- CGI Animated with style and rendering pretty similar to the games, particularly Prime and Dread. The most simple and sensible option and so also very likely, but also a tad boring just because the games are already doing that.
- Live-action tokusatsu show. Not trying for 'realism' so much as coolness, and just really embracing Samus as a Kamen Rider. Maybe not my preferred option, but I would still love to see it just for the uniqueness of the vibes.
- The sort of in-between compromise between 'realism' and tokusatsu approaches to live-action (plus some very obvious CGI) that characterized the Prime and Fusion commercials. Not very likely at all, and would probably not land as well as just leaning fully into one direction or the other, but it would be a fun and unique approach to see, especially if it has the same sort of blend of genuine moody atmosphere and cheesy tryhard edginess as those commercials.
- 2D Animation, Genndy Tartakovsky directing. Would be super cool and stylized, and probably absolutely nail the atmosphere and indirect narrative style best, but I think outside of that one Clone Wars series, the man prefers to work on his own original projects.
- 2D Animation; just a straight-up Metroid Anime. Not impossible, but tbh probably even less likely just because while it's niche over here, my understanding is that Metroid is ironically not really successful at all in Japan itself. Nintendo has called on western developers for basically every game since Fusion for a reason, and so while they could probably call up Studio Trigger or someone to make it happen, I don't think there's too much inclination to take that route. (Especially if Zelda, the way more anime-plausible series, is being given to Hollywood as is.) But it would be pretty cool.
- That specific fucking excellent blended style that characterized the late 90s and early 00s in animated movies. A mix of like, CGI and Rotoscoping and 2D Animation, Mike Mignola influenced character designs, the works. Atlantis: The Lost Empire, Spirit, The Iron Giant, Titan AE, Lilo & Stitch, Treasure Planet, Sinbad, Road To El Dorado, Tarzan, Emperor's New Groove, Brother Bear, ect. A throwback to the Animation Golden Age IMO, basically. (In particular, Atlantis, Treasure Planet, and Lilo & Stitch having the most direct visual comparison/inspiration.) This would be an utterly perfect style for Bionicle, but work slightly less well for Metroid, admittedly, just given the vibe favors grandiosity more than eeriness, and I also don't expect it to happen at all in the first place. But I want it SO MUCH.
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ask-the-rag-dolly · 5 months
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FINALLY THESE ARE OPENS
Whats your opinion on other ships like
Gangle x Zooble
Queenie x Kinger
Jax x Kaufmo
Caine x Kinger
Caine x Moon
Ofc this is optional but I'm just curious
umm ......... neutral ! ... " oh people ship these ? ... good for them ! ..." i don't mind that they exist ! ... i just only ever latch onto one romantic ship because i'm a weirdo who has an extremely specific dynamic she loves and it's ' opposites attract w/ bad communication and a lot of emotional problems to go through but it's ok holding hands will totally solve all of it '
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allgremlinart · 7 months
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"but I liked when the canon was that the Blue Spirit mask was from Earth Kingdom opera not the comics retcon where he gets it from his mom :(" see but what you're not considering is that.. it could be... both...
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riddle-me-grits · 1 year
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Movies I Wish Existed | The Secret History (1993)
“I suppose at one time in my life I might have had any number of stories, but now there is no other. This is the only story I will ever be able to tell.”
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