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#also jeff was so good at playing with the audience????
solitudiante · 1 year
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Some tiny Jeffs from Singapore's Day 2.
(Yes, I was there. It was fucking awesome.)
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(part 5 of November Paramedic; part 4 is here and the AO3 version is here.)
Liquid sound courses through Eddie's body. His fingers dance over Sweetheart's strings, hitting every note perfectly. Behind him, Gareth is going at the drums like a beast while Jeff and Marv have gravitated together, now playing back-to-back. In front of him, a wall of people is pogoing, restricted by The Behemoth's 'no moshing policy'. When he launches into the solo, their headbanging turns so vicious they're but a wild sea of hair with haphazard devil horns sticking up. Solo over, he grabs the mic to roar the outro lyrics.
The audience screams; Eddie's ears ring. His veins hold more adrenaline than blood and his life has never been better.
"Thank you! You've been glorious tonight!" He sweeps his sweat-soaked hair from his face and winks at a cluster of girls in the front row. "We're Corroded Coffin and you'll see us here again soon. For now, thank you and good night!"
On his way off the stage, he catches one of the girls' hand and drops a kiss on her palm. She beams, face pink, as her friends shriek.
It's not his favorite thing about performing. He likes playing on stage because of the release, because of the building nervosity that erupts with the music. He likes it because it's fun. But the electricity between him and the crowd? The charged looks of pure want from men and women alike?
It doesn't make it worse. He's not burdened by being desired.
They congratulate each other outside as they deposit their guitars and few pieces of personal equipment in Eddie's van. Gareth is especially bouncy, telling Eddie over and over how he was great, he was on fire, he was invincible. Eddie would've questioned the post-show hype if he hadn't immediately demanded they go back inside for drinks; if Gareth thinks he can flatter himself into a free round, he's correct.
After the fresh June night, the air inside The Behemoth is stiflingly hot. It plus the hum of the patrons leave a cloying buzz in the back of his head. He might only stay for the one round before going home. Possibly two if those front-row ladies decide to pay; they're eyeing him right now. Sure, they're not Eddie's type, but that's what the other guys are there for.
Except when the women approach, Gareth shuts them off by pulling Marv in between them and steering Eddie in the opposite direction. Pushing Eddie forward, seemingly uncaring if Jeff and Marv keep up, he goes on his tip toes and hops every other step to peer above the crowd.
"Are you looking for someone?" Eddie asks.
"Noo, I just thought I saw someone at the bar…"
"Yeah, that means you're looking for someone, dipshit. Who is it?"
"It's… Uh…" Gareth says inattentively, scanning the bar area.
A large hand clamps around Eddie's shoulder, turning him around. He promptly swallows his tongue.
"Dude, you were great!" Steve says, smiling so big it could sustain a small country with power for the winter.
His hair is fluffy tonight, lying in a soft swoop. He's wearing a charcoal Henley, sleeves rolled to his elbows, tufts of chest hair peeking out from between the undone buttons. And he's got glasses on. Fucking glasses. Thin wireframes, an elegant complement to his beautiful face and delicate contrast to his hunky everything else.
Eddie's reply is strangled nonsense that drowns in Gareth's shouted, "Hey! You made it!"
"Yeah, man! Thanks for the invite!" Steve says, extending his hand for a shake.
"Anytime, dude! S'great to see you," Gareth replies, slapping and grabbing Steve's hand in a perfectly executed man-shake. Like they're a pair of fucking frat bros.
But that isn't the important part. No, the important part here is the word 'invite'. Who, when, where, and above all what the fuck??
"We loved it!" Robin says from half behind Steve. Because of course she's also here, wearing a patterned blazer that should clash with her differently patterned button down, yet doesn't. She continues gushing about the performance as Steve nods along and the rest of the band interject their gratitude whenever she pauses for breath for longer than a second. Eddie is the only one who hasn't said a peep.
He needs to fucking peep.
"Glasses!"
His exclamation has the others turn and stare so fast their necks snap. He ignores Gareth's snicker, cheeks burning. One of these days he will run into Steve without acting like a fool, but not today.
"What?" Steve says, his already huge eyes magnified by the glass. Damn, his lashes are long and dark.
"Y-You got glasses. I didn't know that."
Steve's brows jump, as if he forgot he's wearing them. He briefly goes cross-eyed as he tries to look at the spectacles resting on his nose. Then he lets out a giggle that's so cute it hurts.
"Oh, yeah. I usually wear contacts, but they expired and the new ones haven't arrived yet." He scratches beneath his eye, pushing the glasses askew. "I'd just wear the expired ones, but…"
"No!" Robin snaps. "It's bad for your eyes!"
"Yeah."
"You need to take care of yourself!"
Steve levels her with an unimpressed look, cocked eyebrow and pursed, plush lips included. "That's rich coming from someone who stopped eating halfway through an Alfred Hitchcock marathon because she didn't want to pause Saboteur to go grocery shopping."
Robin puts a scandalized hand to her chest. "I'm a linguist, not a medic. I can do whatever I want."
"That's not-"
"Anyway!" She smiles at Eddie and the guys. "You rocked. We had a blast. Steve even danced."
"That wasn't dancing. I was keeping you from faceplanting when you tripped over your own feet."
"Steve, go buy us drinks," Robin says.
"Why me?"
"They brought the entertainment; we'll bring the refreshments. And I'm broke. So chop-chop!"
She claps twice an inch from his nose tip. Steve rolls his eyes, but obliges, striding off toward the bar. Robin emits a witchlike cackle at getting her way.
Eddie elbows Gareth in the ribs hard, gritting out, "You invited them, huh?"
Gareth grins impishly even as he rubs the most certainly bruising spot. However, Robin's villainous glee melts away; she frowns.
"Is that a problem?" she asks.
Shit.
"Oh, no, no!" he says.
"Never!" Gareth shouts.
"New faces in the audience is always a cause for celebration," Marv says.
"He just didn't expect to see you, is all." Jeff steps between Eddie and Robin, wearing a disarming smile. "Gareth didn't tell any of us we had special guests waiting, but it's great to have you here. I'm Jeff."
Robin hums and appraises them with suspicion, eyes lingering on Eddie. Then she smiles; it would've been pleasant if it wasn't so sharp.
"Let's grab a table," she says.
They pick one in the quieter part of the bar. The booths don't fit more than four people, five if you're determined, but they solve it by having Gareth perch on the adjacent window ledge and by Robin sitting on Steve's lap.
It's first when Robin asks for details about the band that Eddie realizes how golden the opportunity is. The previous times he's met Steve, he's been at a disadvantage. Injured, caught by surprise, distracted by tight jeans or sweat rolling down necks. And yeah, he was surprised today, too. And he won't claim that it's easy to focus whenever Steve reaches for his glass, exposed forearm flexing with the movement.
Nevertheless, this is Eddie's turf. This is his stage. Here, he is king. And he will hold court like his life depends on it.
He talks about the band. He talks about their influences, about guitars, about the lyrics he writes. Robin participates in the conversation by making connections to punk music, but Steve only listens, eyes darting between them all like it's a five-way ping pong match and his attention is the ball. But mostly, he's in Eddie's palm, staring like only he has the answers. Fuck, like he is the answer.
It's enough to give a guy a god complex. The person who was created to be looked at is now looking at him.
It makes him bolder. Makes him touch Steve more, touch him longer. Close the distance between them when he speaks and zeros in on Steve's lips when he replies. And Steve… responds? He thinks? It's difficult to tell, because Steve's reciprocal touches are restricted by the lapful of Robin, and he seems to have a habit of looking at everyone's mouth when they talk. The boys appear optimistic, though, sending him encouraging signals from across the table and the window. He'll just have to use it as fuel and keep on trucking.
Somewhere along the way they move on to D&D. Steve remains enrapt by Eddie's every word, hanging on to the golden threads he spins. His only actual contribution comes at the end, asking if their game has space for one more. Eddie’s pulse jumps in his throat.
"Methinks we do." He leans back, exposing his neck, while giving Steve his best bedroom eyes from above the rim of his glass. "Why, you interested?"
"Not me," Steve says; Eddie barely has the willpower to smack his head against the table with disappointment. "But Lucas plays. Or he used to. His… what's the term? His group?"
"Party," Jeff says.
"Party. They're scattered all over the world now. I think he misses it."
"He hasn't said anything about it, but…" Robin trails off. Steve jostles her.
"You never talk about band, but you miss the trumpet like hell, don't you?"
"Ugh, I dooooooo!" she says, kicking her legs.
"We can bring him aboard and see how he fits," Eddie says. "If he so wishes."
Steve smiles like Eddie just promised Lucas a kidney. "Thanks."
Eddie gulps a large mouthful of beer to wet his drying mouth. "Anything for you."
They leave soon after that for food. Gareth especially needs it, starting to become tipsy on his stomach of nothing but beer. Although, outside, it becomes clear he passed 'tipsy' a while back when he climbs onto Jeff's back and yells, "Race!"
Jeff laughs as he hikes Gareth farther up. Robin glances at Steve, then spins away and mounts Marv's back instead.
"I promise I'm lighter than I look," she says.
"You look as light as your namesake," Marv says; she gently smacks his shoulder.
"Don't flatter me; I'm immune."
Gareth, holding Jeff’s hoodie like it's a horse's reins, points to the 7-Eleven sign glowing faintly in the distance. "Onward!"
Marv whinnies realistically enough for Robin to guffaw, and then they're off, their shoes clomping against the pavement and they howling with laughter. Still by the bar, Eddie and Steve share a giggle before following suit at a slower pace.
"Ah, youngsters," Eddie says dreamily.
Steve knocks their shoulders together. "You're not that much older."
"Well… Gareth's turning 21 and I'm 25, so a bit?"
"I'm also the oldest in my friend group." Steve shrugs. "It happens."
Gravel crunch beneath their soles. The air is cool and the sky is yellow with light pollution. Indianapolis is alive and full of noise, but their bubble has space for only them to walk side by side, close enough to touch but not doing so. They have an approximate ten-minute walk until they reach the convenience store. Unless the others return to them, that's ten minutes alone.
Eddie must use them wisely.
"So… how long have you been a paramedic?"
"Oh, um." Steve scratches his neck. "It's been almost four years. I'd actually been certified for less than a year when I got asked to be in that calendar. Not even a year in and I'm supposed to represent paramedics as a whole." He chuckles, mumbling, "That was fun."
"Did you make anything from it?"
"No. Every cent went to charity. Can't remember the name of it, but they provide vaccines to children in developing countries. Measles, polio, hepatitis, tetanus. That sort of stuff."
"Is this your childhood dream then?"
"Nah. I didn't want to be anything when I was a kid. When teachers asked what we wanted to be when we grew up I just said I wanted to be like my dad. He's the CEO of a huge electronics company. Mom is a socialite and philanthropist. They wanted me to inherit the company, but I…" Steve pulls a sigh from deep in his chest, throwing his head back to watch the starless sky. "I was a meathead jock. More interested in being keg king than keeping up my grades. Only reason I graduated on time was Nancy – we used to date. She's a study-beast. Makes great flashcards. Anyway, there's no way I'd ever get into a university good enough for my parents. I wasn't interested in the business degree dad wanted for me; I didn't even bother applying for college. It felt like a waste of time."
Eddie whistles, drawn out and low. "Bet they were thrilled when they found out."
Steve laughs humorlessly. "Yeah. Dad forced me to work this shitty retail job because of it." He halts, drawing himself up and pulling his mouth down. Giving Eddie the most disdainful look he's received, he says in a voice too pompous to be his own, "'If you don't follow the path to the top I laid out for you you'll end up here, at the bottom'." He rolls his eyes, himself again. "That's what he was saying. It backfired on him, because that's where I met Robin. Spent six months on that job, being a fucking aimless disappointment, and then…"
"Then?" Eddie asks, and now it's him desperately grasping at the thread. He needs to know. Anything Steve is willing to give, Eddie will accept.
Steve chews the inside of his cheek. Head hanging, hair falling into his face and glasses sliding down his nose, he resembles a model from an art student's angst-ridden project. Or maybe a movie star in an independent art house film. He just looks like art, okay? Beautiful and out of reach, which only makes you want to touch him more.
"It's kinda private," he says. "For Robin, I mean. The point is it opened my eyes to emergency services. I knew that was something I'd like to do. With some encouragement from her… I did it." He smiles at Eddie like they're sharing secrets. "Turns out studying is more fun when you're interested in the curriculum. My parents disowned me, but it's worth it. I'm as far away from being him as I can come."
He slows his steps then, face sobering before he barks a shocked laugh. The apples of his cheeks are pink.
"Fuck, that just flew out! I'm not usually like this; it's Robin who can't put a cork in it." He laughs again, softer, and levels Eddie with a gaze that borders on adoring. "You're easy to talk to."
Eddie nods. His lungs are burning, he must gasp for breath before speaking. "It's a finely honed skill…"
He swallows, licking his lips. Anything Steve is willing to give, he wants to give back. To take and give. To know and to be known.
He chokes out, "I almost turned into my dad."
"Yeah?" Steve says casually, unaware of the knife Eddie just plunged into his own chest and cut himself open with. "What's he?"
"Prison."
"What?"
Eddie nods breezily. He puts his trembling hands into his jacket pockets. "Petty stuff, but it stacks up. He taught me a few things, though, so if you ever need to hotwire your car or pick a lock… I'm your guy!"
He pulls out his hands to point at himself with both thumbs before shoving them back in. His voice is shriller, and his body's getting the jitters. Can't be still, can't shut up, and now Steve is eyeing him with… sadness? Not disgust, at least, or mistrust.
"But you're a mechanic now, right?" Steve says.
"Yeah. Learned it from my uncle – he took me in after the ol' sperm donor got caught. Greatest man I know, my uncle. I was a crap student," Eddie says, because why not. What's this after divulging about his dad? Nothing! Might as well disclose his aptitude for crime and philistinism. "Completely aimless. Still am. Redid senior year twice."
"Shit."
Grimacing with empathy, Steve sidles up until their elbows brush. A smidgen of tension leaves Eddie as he leans into Steve's warmth.
"Uh-huh. My peers started looking at colleges and all I thought was 'death before higher education!' So, I used my savings to move to Indy and got a job at a garage. It's not what I strictly want, but it pays the bills. Keeps me housed."
"What do you want?" Steve asks, like he wants to know and not just to be polite.
Eddie balloons his cheeks and puffs out the air. "I don't know. I'm passionate about music, but mostly as a hobby. Doing it professionally seems like it sucks. It's all I got, though. That and D&D."
"That's okay." Steve throws an arm around Eddie, and then they're flush. Ribs to ribs. Not an inch separating them. Close enough for Steve's skin to vibrate with Eddie's heartbeat. "You have time to figure it out. And being a mechanic in the meantime is great."
"It-It's not as meaningful as saving lives…" Eddie says, shaking his hair forth so it curtains his face.
Steve hooks the curls around his finger and tucks them back behind Eddie's ear. Holy shit. If Eddie hadn't been clinging to Steve, his jelly-legs would've collapsed and made him eat asphalt.
Steve's gorgeous grin still sends him stumbling a step.
"Sure it is. I bet you've saved someone." Steve leans in, breath ghosting across Eddie's cheekbone as he murmurs, "You'd save me. I know how to change tires and check the oil, but if it's something else? I'm screwed."
Eddie turns his head; their noses nearly bump. Steve's gaze flicks from his eyes to his mouth, indecisive. It chooses his mouth when he pokes his tongue out and drags it over his lips.
"Don't worry, big boy," he says, voice gravelly from use and their proximity. "If you're ever in trouble, just come to me and I'll take care of your engine."
Steve's breath hitches; he flinches back. For a moment Eddie's sure he went too far. But then Steve giggles like a schoolgirl. He ducks his head, face flaming red.
"Cool," he says weakly. "If you ever… heh, I was going to say 'if you ever need the kiss of life, come to me', but… don't." He's leveled himself with Eddie again and is looking at him sternly, though the effect is somewhat ruined by the humor glittering behind his glasses. "Don't ever get fatally injured. Okay?"
Eddie runs a hand down Steve's back, feels him shiver, and looks at him from beneath his lashes. "I make no promises."
A minute later they're caught up with their friends, who are very kind not to comment on how they're plastered to each other.
They buy their food – subs, nachos, chips, cookies, and juice, Steve paying for Robin's after she begs – and wander back to the parking lot by the bar. As a group, so no more clingy cuddling. Just as well, because Eddie's hot enough to erupt if touched again.
Steve didn't get the memo, though, because when they're saying goodnight and about to climb into their respective cars, he pulls Eddie into a hug. A real hug. Two-armed, chest-to-chest, sniffing-the-other-person's-hair kind of hug.
"S'been fun tonight," he says, squeezing Eddie tightly. "This is gonna sound sappy, but I'm glad we ran into each other again."
Ran into each other again.
Ran into each other.
It's a barrel of ice water over Eddie's head. His whole body constricts, shoulders hiking to his ears, jaw clenching. Because they've never actually done that, have they? They ran into each other once, but never again. Every single one of their meetings since has been orchestrated. Made to happen to satisfy Eddie’s obsessive crush. And Steve has no idea.
He doesn't know Eddie is a capital-letters-only FREAK. He doesn't know Eddie gets his rocks off to charity calendars. Fuck, he doesn't know about the calendar.
He has to know. If there's anything Eddie has learned from his millions of failed relationships, it's that there are things you have to know, and this is one of them. Because what'll happen if Steve finds out years from now from someone who isn't Eddie? A shit show, that's what!
Eddie wants for it to be a 'years from now'. He wants to feel Steve's hugs and see his eyes behind thin wire glasses. He wants to smell Steve's shampoo and hear his voice go soft as it says the names of the people he loves.
He wants to take and to give. To know and be known.
Steve has to know.
But how will Eddie tell him?
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Part 6
Steve's glasses are a result of @pemsha's lovely fanart. If you haven't seen it yet you can do so here.
Tag list: @rougenancy, @raisedbylibrarians, @yourebuckingkiddingme, @swimmingbirdrunningrock, @emma77645, @goodolefashionedloverboi, @eddielives1986, @stevesbipanic, @the-redthread, @fandemonium-takes-its-toll, @henderdads, @gay-little-bitch, @lenore1232, @zerokrox-blog, @eddiemunsonswife, @cherrycolas-things, @ediewentmissing, @princess-eddie, @atombombbibunny, @ajamlessbaby, @dogswithforks, @grimmfitzz, @cutiecusp, @cuips-not-cute, @manicallydepressedrobot, @messrs-weasley, @madaboutmunson, @mightbeasleep, @suikatto, @brassreign, @snapshotmaestro, @courtjestermunson, @csinnamon-fox, @spectrum-spectre, @spinmewriteround, @just-super-fucking-gay, @escapingthereality, @oneweirdcryptid, @deehellcat, @misticageri, @lovelyscot, @linkydinky06, @rynnytintin, @anything-thats-rock-and-roll, @theysherobinbuckley, @freddykicksasses, @winterbuckwild, @sideblogofthcentury, @subparbrainfunction
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thefreakandthehair · 7 months
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@eddiemonth prompt, oct 26th:  Corroded Coffin | I Wanna Be Somebody - W.A.S.P. | Hopeful a/n: descriptions of anxiety & grounding, rockstar!eddie, supportive!uncle wayne, established steddie. read on ao3 + masterpost | tumblr masterlist
Corroded Coffin gets its first gig outside of Gareth’s garage on a random Tuesday in October 1985. 
It’s a small place, a true hole in the wall, the exact kind of place Eddie Munson imagines James Hetfield might’ve seen back in Metallica’s earliest days. There are maybe five people in the crowd outside of the bartender and servers, but those are five more people than have ever heard them play before. 
Jeff, Freak, and Gareth are goofing around backstage, tuning instruments, pushing and shoving playfully, the excitement palpable. Eddie wants to join in but his heart and his stomach seem to have swapped places. Nauseous, shaky, and terrified, he can’t bring himself to shake it off with his friends and finds himself sitting in the corner, back to the wall. 
An apt metaphor, really. 
He feels caged, stuck, panicked– a lion trapped in too small of a space if the lion was also secretly afraid of its one and only concrete talent being judged as not good enough by strangers. 
“Alright, Ed, take a breath with me, okay?” Wayne appears out of nowhere, grunting as he sits on the grody floor next to Eddie. 
A familiar, calloused hand gently pulls Eddie’s fingers out of his hair, a position he doesn’t realize he’s in until Wayne pulls him out of it. He turns to face his Uncle and breathes with him the same way he had as an anxious little kid before the talent show, as the new kid in school, as the now fledgling adult who still needs comfort, reputation and appearance be damned. 
Eddie closes his eyes and lets Wayne squeeze his hand to cute inhalation and exhalation. One day, he’ll think to ask him where the fuck he got that from, but not today. Today, he needs to calm down enough to perform with his friends. 
In. Out. 
In. Out. 
In. Out. 
“Feelin’ better?” Wayne asks, patting Eddie’s knee with his free hand. 
Eddie nods and lets his eyes flutter open. It feels like waking up as he adjusts back to the noise and light he’d managed to tune out. “I think so, yeah. Sorry, I don’t know why I’m so scared as shit but yeah. Not okay.” 
Wayne scoffs and shakes his head. “It’s your first show, Ed. ‘S alright to be a little keyed up. You’re gonna be fine though, just go out there and have fun with it.” 
“You’ll stay for the show?” Eddie asks, a little more hopeful. Seeing Wayne in the audience during the talent show all those years ago set his nerves at ease. Seeing Wayne in the audience at The Hideout might do the same. 
“Nah, figured I’d just stop by to talk you off the ledge and head on home. Of course I’m stayin’, what kinda Uncle do you think I am?” 
Eddie and Corroded Coffin play their first gig to a crowd of about five drunks and one Uncle Wayne. It’s not perfect– Eddie trips over a microphone wire at least once and they each miss a cue here and there– but they finish to applause. The loudest of which comes from Uncle Wayne. 
Over the years, Corroded Coffin ebbs and flows. When Eddie nearly dies, the band does too for a bit but, like Eddie, reanimates after some left dormant. The members stay the same, the name stays the same, the sound stays the same. What changes is the audience. 
Apparently, the metal community is very interested in Eddie’s Lazarus-adjacent story coupled with wrongful accusations and a suburban witch hunt. Interested enough for the band to start getting noticed. The Hideout turns into The Vogue, and then the Old National Centre, and then the TCU Amphitheater. At each one, Eddie feels the same nerves he had at their first gig, and maybe even a bit more so now with his Upside Down injuries always at the back of his mind. 
What if I pull something?
What if my leg gives out?
What if– 
“Hey,” Steve whispers, leaning against the wall next to Eddie. “It’s gonna be okay, you know that, right?” 
Eddie nods and chews on the piece of hair he’s pulled in front of his face. 
He doesn’t know that, actually, but it’s not something he wants to rehash right now. Besides, Steve more than anyone can understand his running monologue more than most. He’d been there, been the one to carry him out, and since they started dating, has been the one to lull him back to sleep when the memories jar him awake. 
But Wayne’s not here yet, probably stuck in traffic after leaving the factory early for the show, and Eddie doesn’t know how to prepare for a show without his guided breathing. 
Every rockstar has a ritual, and that’s his. 
“I know I’m no Wayne but, wanna try breathing with me?” Steve offers with a sheepish smile. 
He nods again, still silent, and breathes. This time, softer hands holding his and cueing his inhalations and exhalations. It’s not the same, but it’s something. Enough to calm his racing heart to the point of words and with a shout from Jeff and a kiss from Steve, he takes the biggest stage he’s played yet. 
Halfway through their set, Eddie sees movement in the corner of his eye and when he dares a glance, he sees Uncle Wayne standing next to Steve in his dusty flannel with a beaming smile. 
The nerves disappear. 
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Ok here’s my two cents that no one asked for on the current (sort of?) debate going on in the Creepypasta fandom on here rn.
For starters, I grew up with Creepypasta. I also grew up mentally ill. I am also autistic. So I know my way around good and bad mental health rep at this point. And to be honest? A lot of the original stories DID suck balls at representation or just horror writing in general.
However, nowadays I see other people on here, often mentally ill or any other social outcast, taking these characters and reshaping them as their own to fit their own feelings and experiences, and I don’t think anyone has the authority to criticize things like that. Cringe culture is supposed to be dead anyways, nevermind the fact it’s inherently ableist at its core.
We also need to take into account kids still exist in the fandom. Pre teens who got tired of shit like scooby doo and wanted something more “mature” or “edgy” to get into without fully going off the deep end into full blown horror movies. At least that’s how it was for me. Not everyone, especially someone who’s younger, is gonna be comfortable with the grit and gore a lot of Creepypasta “purists” are pushing for these days, and that’s okay! When a fandom gets popular it’s always inevitable and unavoidable to have the popular characters get two dimensionalized.
There’s also the whole mascot horror thing that I don’t wanna get into, but I’m 90% sure that also plays a part in the old favorites like Jeff and slenderman being brought up again. They were and still are recognizable characters. Recognizable characters aren’t a bad thing. Making horror more approachable for younger audiences isn’t a bad thing. People having their own interpretations based out of their own experiences isn’t a bad thing.
Some of us grew up and wanted the more edgy and reality based content, and that’s also not a bad thing! But neither side should be dictating or policing how the other enjoys content in this fandom. If you personally don’t like the way something is written, characterized, depicted, or drawn, no one’s forcing you to look at it. No one’s claiming it as canon. No one’s asking for you to accept it as the end all be all.
At the end of the day this fandom was built on OCs and personal depictions of stuff. I can’t name a single character or story in this community that was created by some outside party like a movie or TV studio FIRST (because I know some got so popular they breached the fandom and got their own shows/movies/comics/etc). Everything here was created by someone who wanted an outlet for their creativity, or their pain, or their coping, or whatever else.
Realism and dark headcanons aren’t bad, and neither are any of the headcanons out there who just wanna make a goofy found family of social rejects as a form of escapism.
A 13 year old drawing a fictional layout of a fictional mansion where these fictional characters live isn’t going to suddenly invalidate the horror, I promise, it’s not that deep and it never was.
A 22 year old making a dark comic on the realistic origins of Jeff who is a fictional character in a fictional world isn’t going to suddenly invalidate the more softhearted side of the fandom.
Sure, there can still be a split if people are so adamant about that, but as someone who personally enjoys both the brutal horror side and the “haha Jeff is 15 and gay” sides equally, y’all need to at least learn to be civil to anyone who has a different headcanon than you. And if that seems like too much still, the block button exists for a reason.
TL:DR this fandom is based entirely off OCs and headcanons and people can do whatever the fuck they want because none of it is real and horror comes in many shapes and sizes and intensities and no one should be bashing anyone on their headcanons or views or rewrites or whatever else.
EDIT:
Actually wait I think I have more to say-
Horror, like any genre, has NO AGE LIMIT. And by that I mean, if someone younger wants to delve into scary stuff, they should be allowed to do so without criticism. I personally grew up on “child friendly” horror media like Scooby-Doo, and the older I got the more horror I wanted to experience.
There’s no right or wrong way to “understand” horror, and I frankly think it’s ignorant and stupid to say if you don’t fully “understand” something, then you shouldn’t be involved in it at all. Horror isn’t always about gore and unspeakable violence and the eldritch entity that wants everyone’s skin inside out. That’s why horror has sub genres for fucks sake. Gut wrenching brutality against innocent people isn’t everyone’s cup of tea and that’s okay!
However, bashing anyone’s tamer headcanons, or calling anything anyone interprets differently than you “stupid”, that’s not okay. God, I feel like an exhausted parent giving this lecture to fellow adults, but this really needs to be said and stressed.
I am an adult. I like when stuff in the fandom takes a dark turn. But for nostalgia’s sake, I also love the fanon so much, because that’s what I was exposed to.
And for fucks sake if it comes down to picking sides, I would rather stick with the part of this fandom that gives zero shits how you see a character as long as you’re having fun.
You can have your serial killer 30 year old Jeff and your canon-accurate-to-that-one-image eyeless Jack, but don’t shit on other people if they don’t want the same thing. Your interpretation isn’t canon, and neither is anyone else’s for that matter.
Realistic, dark, gritty Creepypasta isn’t a new concept, and neither is “adult” Creepypasta. And by the way, Creepypasta was never stated to be for adults. That’s like saying kids and only kids can eat trix cereal. It sounds that stupid on paper.
Let people interpret things the way they wanna interpret. No one is infringing on YOUR character ideas. Creepypasta has no age limit, nor a set way the horror has to be presented. Those who do continue to claim that just sound like pretentious assholes.
Very small side note, I personally think it’s inappropriate and rude to keep using Toby as a “bad example” of mental health rep when the creator has stated multiple times the character is old, not researched, and not even in the fandom anymore. Leave the poor guy alone.
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midnight-talescape · 8 months
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𝒫𝑒𝓉 (𝒮𝓁𝑒𝓃𝒹𝑒𝓇𝓂𝒶𝓃 𝓍 𝑅𝑒𝒶𝒹𝑒𝓇)
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Kinktober Day 11: Pet play + Sensory Deprivation
I had to revert back to my creepypasta phase to write this story, lol.
Bring back memories of when i was like 16ish and had nightmares for days and sleep paralysis of slenderman before waking up and continue reading them, because i have a problem.
Also like i wanted to do humiliation, i tried to do humiliation but like mr daddy long leg, just doesn’t feel like one that will humiliates their sexual partner, so yeah.
Warning: yeah no you got kidnapped, your like a pet now, tentacles, ooc etc, etc you get the point not for kid
Genre: filthy filthy smut
Word Count: 1696
。・゚・。+☆+。・゚・。+☆+。・゚・。+☆+。・゚・。+☆+。・゚・。+☆+。・゚・。+☆+。・゚・。+☆+。・゚・。
You were different,
You were always different,
Uncaring and desensitized to the world,
It wasn’t like you didn’t care, because you did,
You were just…disconnected.
From your feelings and your life, always feeling like an outsider as you watch your daily life happen,
Like your soul was an audience that's watching your body acting on a stage…
So when one day you saw a scribbled note on a tree outside your window…
Well, let's just say you didn’t hesitate to take it, despite your entire being telling you to run and get the fuck out of there.
I mean, what is the fun in life if you don’t take a little risk?
。・゚・。+☆+。・゚・。+☆+。・゚・。+☆+。・゚・。+☆+。・゚・。+☆+。・゚・。+☆+。・゚・。+☆+。・゚・。
You stare at the tall humanoid being standing in front of you, before looking up at where his face would be if he had one asking,
“Are you going to kill me?” your tone was indifferent and your eyes held no fear, only curiosity of what is to come,
That intrigues him, how does a mortal like you show such indifference to death? Are you not afraid of the things he could do to you?
Out of impulse he slithered out a tentacle and picked you up by your shirt, before walking back to the mansion.
He has enough time on his hands to keep a pet and to test just how far your indifference will go.
。・゚・。+☆+。・゚・。+☆+。・゚・。+☆+。・゚・。+☆+。・゚・。+☆+。・゚・。+☆+。・゚・。+☆+。・゚・。
It's been about 3 months since you have been here, and the curiosity Slenderman has for you has only increased.
After all, not all mortals have the audacity to chase Jeff around the mansion with a chainsaw, after being waken up by him saying,
“Go to sleep!”
The first time he saw it, like the very first day he took you back the entire mansion had the pleasure of witnessing you chasing down Jeff while screaming profanity,
“Go to sleep, my ass! You fucking slut! I'm about to make you go to sleep!”
Slenderman watched in amusement as he wrote down in a journal,
Dislike being woken up in the middle of the night.
“Is that my chainsaw???” Ask one of the proxies watching the chaos,
Good at taking stuff without people noticing
。・゚・。+☆+。・゚・。+☆+。・゚・。+☆+。・゚・。+☆+。・゚・。+☆+。・゚・。+☆+。・゚・。+☆+。・゚・。
The entire mansion knows you were Slenderman’s pet/property and you seem to take that role with stride. Fitting in almost immediately with the rest of the proxy.
Most of them had tried to kill you at some point, since Slenderman wasn't going to stop them.
Survival of the fittest after all, you might be his pet but your life was not his concern.
But he was pleasantly surprised to see you managing to fight back and survive against the horror that live within his home.
You are truly entertaining...
。・゚・。+☆+。・゚・。+☆+。・゚・。+☆+。・゚・。+☆+。・゚・。+☆+。・゚・。+☆+。・゚・。+☆+。・゚・。
And annoying.
So very annoying.
Do you not understand that he could kill you at a moment's notice?
You probably do, and just simply don't care.
He sighed as you sat on his desk and looked at what he was doing curiously,
“Hello, (Y/N).”
“Hello, Slendy. What you doing?” you ask as you look at the paper he’s writing on,
He tilted his blank face toward you, seemingly studying you before saying, "Making a list of things that need to be done,"
You nodded your head before asking again,
“Soooo is the suit you wear an actual suit, or is it your skin? If it's the latter are you naked all the time? If it's the former where have you been getting these suits?”
Dear god, you always seem to have so many questions.
“That is none of your business, pet. I can kill you in a moment's notice, do you not have the concept of self-preservation?” he sounded annoyed by your never-ending questions,
“Nope none at all,” you said cheerfully,
Your smile was bright and cheerful, but he saw nothing in your eyes. Only the cold indifference to the world around you that he has gotten used to in the last few months.
He doesn’t like that, you’re his pet and you should look at him in either adoration or fear. Not the cold indifference in you have in your eyes right now.
He will teach you to either love or fear him, after all, he hasn’t seen either of those emotions on you before.
Your eyes widen and you let out a panicked scream when he suddenly lifted you up with his tentacles.
One of his tentacles wrapped around your throat, a silent warning for you to shut up, while another wrapped around your eyes. Not tight enough for you to be uncomfortable, but enough to make your field of vision nothing but darkness.
“I think it's time to teach you a lesson, pet,”
Your body trembled as Slenderman's tentacle slipped under your clothing to wrap around your body, your body getting goosebumps from the coolness of his tentacle.
“S-slendy? What the fuck are you doing?” you asked trembling unsure of what was happening,
Slenderman didn’t bother answering you, only using his tentacles to rip through your clothing, leaving your body bared and naked under the frigid night air.
You let out a soft gasp/moan as you felt his tentacles curling around various parts of your body tightly. The lack of sight makes your body more sensitive, as you have no idea what he will do to you next, anticipation and fear coursing through your body.
Slenderman can feel your body tensing up as he begins pushing a tentacle into your fold. Your body shaking in pain from his action.
He has heard of humans feeling pleasure and pain from sexual intercourse, yet he never thought to try it out on you.
Never too late to try, I guess…
He does enjoy the soft whimper that you make as his tentacles play with your body, causing a feeling he’s unfamiliar with in his body.
You let out a scream as he shoved the tentacles forcefully into you, your body clenching tightly around his tentacles as he began to thrust them inside you.
“F-fuck! I-I'm sorry okay? You’re hurting me!” You cried out as he spread your leg apart so he can have easier access to your cunt,
As your cry gets louder and louder, Slenderman can tell you are getting close to your climax.
His assumption was correct when you gave a loud whine and your body shuddered violently around his tentacles. Your juice rushed out from around his tentacles, staining his carpet.
He felt pleased when he saw your mouth open panting from the sensation. Your body flushed a delicious pink, as his tentacles played with your body. He dragged you closer to him so he could study your reaction more closely.
"I wonder how would you feel if I played with you like this more often... Would you enjoy it?" His voice was almost void of emotion except for a hint of curiosity as he held you in his arm forcing you to stay still as his tentacles had their way with you,
“F-fuck…s-slendy take it out… i-im sorry okay? I-i will be good…” you sobbed out desperately as you tried to hold on to him,
With an almost unexpected spark of amusement and curiosity from your reaction, Slenderman pulled his tentacles out of you, leaving you writhing in discomfort and confusion. Just as you try to catch your breath, he slams his tentacle back into you harder than before, causing you to cry out in pain and shock.
As he watches your body convulse on his tentacle, he decides that he enjoys the feeling of doing this to you, to watch you struggle and cry on his tentacles. To watch you who, is usually indifferent to what people do to you, reduce to a crying begging mess.
“Have you learned your lesson, pet?” He asked as he forced multiple tentacles inside you,
You let out a loud desperate cry as you came over and over on his tentacle,
“Y-yes! I learn my lesson, ma-master please!”
The pleasure was breaking your mind and your shell, it was forcing your soul to endure this painful pleasure as Slenderman dealt out his lesson and punishment toward you.
With a dark chuckle, Slenderman watched as you writhed and cried in pain. Your back arched as your body clenched his tentacles tightly. He wondered if you had ever felt such pleasure before, or if you even enjoyed it. Regardless of your feelings, it was his duty to torment his pet in any way he pleased.
The pleasure built inside you, becoming unbearable as your insides trembled from the brutal way he was fucking his tentacles inside you. Your mind is fogged, and you can only scream for it to stop.
As you let out another sob, your body climaxing again, Slenderman finally removed all his tentacles from you, before holding you in his arm.
You sobbed into his chest, your body feeling like it's been abused and run over. You can feel his hand on your back in an almost comforting motion.
Slenderman wrapped his arms around your trembling form, feeling the faint pulse of life against his chest. His mind was filled with curiosity, desire, satisfaction, and a lingering fascination for human pleasure.
He decided that he liked having you feel like this, to have your eyes all glassy as you looked up at him.
To feel like he has tainted and dragged you into the darkness that surrounded him.
You hiccuped one last time as your body calmed down, before slipping your hand under his suit and saying,
“S-so this is an actual suit…” you looked down at the black secretion on your body that was left behind by his tentacles as you continued, “A-are these like your cum? I think there's some inside me, will I get pregnant?”
As you rambled on Slenderman can feel a vein throbbing in his forehead…
Why are you like this?
His arms tighten around you as he begins carrying you to his bedroom, taking care to make sure no one sees the two of you.
“It seems like you need another lesson, pet…”
He has all the time in the world to teach you how to obey him and to discover everything you have to offer…
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liannaedgelord · 1 year
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my friend @jeffstormer has a good-ass actual play podcast for 2-player story games and you should listen to it if you don't
so to that end, i made a list of my fav @partyofonepod episodes in no real order
Clicks & Hums & Sirens & The Sun: You know how sometimes you go to a big loud dance party and you fall in love with a boy and then later you have a big stupid breakup? This is a game about that. This episode is a funny relatable emotional rollercoaster and I'm on it and we talk about Weezer.
Something Happened & The Lights Are Out: A really sweet conversation between two long distance friends before the electricity goes out forever. Also I wrote the game. This is the last personal bias pick, I swear.
The My Little Pony RPG Alex Pearlman Found In His House When He Moved In: Exactly what it says on the tin. This is the funniest shit I've ever heard.
I Have The High Ground: I just love when a duel is super horny for no reason. Like I REALLY love that. Don't @ me, as the kids probably no longer say.
Knowing You: The small sad breakup game that made me want to write small sad breakup games. Everything on my Itch page flows from this episode. Just a beautiful melancholy story of smalltown heartbreak.
Hey Man, I Love You, But No Fucking Way: Speaking of small towns. A little slice of life drama about teens getting ready to leave the shitty little town they grew up in. This episode introduced me to one of my favorite albums and I listen to both whenever I start feeling nostalgic for places I hated actually living.
We Used To Be Friends: A real fun little teen mystery game that, if I'm being totally honest, is mainly on this list because one of Jeff's characters, Preston, is a hilarious pitch perfect impression of everybody I hung out with in high school. It fucking kills me every time, and you may feel similarly if you also were autistic in high school.
Cadences: Making art about making art is really easy to do insufferably, but when it hits, man it HITS. It's not even sad or anything, but I'm an artist with a love/hate relationship to being perceived and this is a small personal story about the conflict between wanting to do art for an audience and wanting to do it for its own sake. So uh, it kinda makes me cry despite being a pretty upbeat game.
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buckets-and-trees · 1 year
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Title: Fire Burning from a Cedar Tree
Fandom: MCU
Characters/Pairings: King!Steve x Royal!female!Reader, brief appearance from Natasha
Word Count: 3.4k
Summary: Georgian-but-quasi-American royal AU. You came into the betrothal with no illusions to the situation – yours was a marriage to ensure the continuation of many generations of alliance and peace between your respective kingdoms. Very early, however, you learn what your royal union truly means to you both.
Content Warnings: politically arranged marriage, reluctant pining, SMUT (rough fucking, p in v, oral – female receiving, fluffy fucking, nipple play)
Additional Notes: The eighth and final offering in my 2022 Holiday Extravaganza. Just a smutty one-shot here with a smattering of situation painting/plot and relationship development. Did I think we were going to end up with this much Steve for the HE? Nope! But here we are, yet again ahaha. I had closed my laptop and gotten up to go to bed, had this idea while brushing my teeth, and sat back down and typed for an hour, then have been feverishly returning to it as I had the time. So I hope you enjoy, dear reader.
Music Ficspiration: Big God by Florence + the Machine, I’ve Grown Accustomed to Her Face from My Fair Lady, Better Love by Hozier, Movement by Hozier, So Real by Jeff Buckley, Lover, You Should’ve Come Over by Jeff Buckley
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“Your Majesty,” one of your ladies in waiting enters your bedchambers and sweeps into a curtsy.
“Yes?” you prompt, turning in your chair to look at her directly instead of through mirror of the vanity.
“His Majesty the King has returned.”
You nod, “Thank you. You may retire for the evening.”
She curtsies again, bowing her head, and then leaves, closing the door softly behind her. You sigh, turning back properly in your chair so your lady in waiting, the Duchess Natalia, can resume taking down your hair.
“Your Majesty?” she prompts, noting your sigh.
“It’s good to hear the king is back.”
“He will undoubtedly request an audience with you tomorrow,” she says. She is far too observant and already knows you too well.
She is also mercifully diplomatic, discreet, and a confidant who listens and doesn’t needle you or pry, so she continues letting out the braids, letting you muse on your own and only speak further if you want to.
You don’t want to.
The product of a long-arranged betrothal to bring peace between two countries, you had accepted your fate, resigned to be a good and dutiful queen. You were not to inherit a throne in your own country, had known that from birth with two older brothers, and you had grown up ready to embrace duty and opportunity. On arriving in the kingdom of Brooklyn as the future queen, your interactions with King Steven had been limited, but pleasant. They had been sufficient for you to be secure in your hope that it would be a good union, no need to worry about him being either cruel or moronic.
You had expected to be wedded and bedded. What you had not expected was to actually fall for him after the wedding ceremony and royal festivities when the two of you had taken the custom ten-day royal honeymoon to the palace in the north of his country by the lakes. The first night, of course, you’d consummated the union. The first few days you had been tentative in each other’s company. But with few staff, few interruptions, no royal obligations, only time really to yourselves – dining together, walking in the gardens, riding in the forest, in your bedchambers… you had grown close, and you had dangerously started to lose your heart to him.
Then you had been sent back to court while he had to depart directly to attend to matters in California in Stark’s kingdom. Two weeks had stretched to three, and the longer he was absent, the more you missed him, spurring you to grow more irritated at your naivety for developing more tender feelings for him than just that of the dutiful wife and queen you were supposed to and had intended to be.
No, here you sat, hoping your husband would summon you on the morrow, as you could not simply turn up in his royal presence, even though you were queen. Indeed, you could go anywhere else in this kingdom, had the company of many – some only because they had to or were courting your favor, but enough warm and developing relationships throughout the court – but not the one person you now yearned for.
You had been prepared all your life to marry a king and not to grow sentimentally attached to him as your husband. You felt like such a fool, pining when you had been perfectly fine and content in your life a mere six weeks ago.
There are voices outside your bedchamber and you and Natasha exchange perplexed looks. Just as she turns toward the door, it bursts open, the king entering without hesitation. He takes in the scene then quickly strides forward.
Natasha quickly drops into the customary curtsy. “Your Majesty,” she says.
You should have risen from your spot and greeted him as well, but your heart has jumped into your throat, and you are momentarily frozen.
The king is across the room and standing next to you by the time Natasha rises back to her full stature. He reaches out for the brush in her hand, and you catch the nearly imperceptible lift of the corners of her lips in a smile as she gives it to him.
“Duchess, you may go, I will take over.”
“Yes, your Majesty.”
She makes to curtsy again before exiting, but he waves her off. “Go,” he commands, impatiently but somehow without any irritation, and she heeds his wishes and departs immediately.
Wordlessly, he steps right up behind you. You suppose you shouldn’t have been surprised he came to you. You belong to him, and he’s been denied by proximity for three weeks. He pulls all your hair into his left hand, then, holding it, works the brush through it with his right hand, starting at the bottom, moving up a little at a time. You marvel at how gently and methodically he works through your locks, almost reverently. Neither of you speak as he brushes your hair. You study him in the mirror. He’s concentrated fully on his task. Coming to a finish, he finally meets your gaze in the mirror, and the look in his eyes is intense. He sets the brush on the dressing table and sweeps your hair to one side, exposing your neck and he leans down to press a long, heated kiss to your delicate skin. You shiver as he follows this with shorter kisses trailing down your neck to the juncture where it meets shoulder, and it’s a sensitive point that draws a sigh from your lips.
He stands up straight and urges you to turn in your chair and face him. His fingers possessively trace along your jaw, tilting your chin up. “Did you miss your king?”
You couldn’t say you missed your husband and not your king, not yet, so instead of mincing words or spinning together something else true enough to say, you bring your hand up over his, and turn your head to press a kiss into the palm of his hand.
You try to move to kneel before him, but he says, “Oh no,” instead insisting on luring you up and pulling you into a kiss, fully flush against his body, and he leads you in no uncertain terms to the bed, shoving you down to sit at the foot of the mattress. He draws back and both of you are panting heavily. He stands between your legs, and he doesn’t take his eyes off your as he pulls his tunic up over his head and drops it to the floor. His breeches quickly follow, and his cock springs free, hard, and ready to take you. Already breathing heavily, you’re able to hide your reaction somewhat – which is a confusing mixture of both excitement and trepidation.
He urges you to scoot back, crawling up to join you,
Midway up the bed, he presses on your shoulder, “Lay back for me. “
He rucks up your nightgown around your hips, and crawls over you, using one hand to guide himself into your already slickening folds before caging you in on either side of your head and thrusting deep inside your cunt, filling you completely with the first thrust.
He adopts a frenzied pace to fuck you. It’s hard and fast. He’s no longer looking at you, his head dropped and buried into the crook of your neck. You can’t catch your breath. This isn’t what you wanted.
He holds your thigh up around his narrow waist, spearing into you again and again, his fingers digging into your flesh with a bruising force. You let out a quiet sob and he abruptly stills, raising his head to look at you, but you can’t look at him.
You’re not fast enough to brush away the tears though, and you know he sees them slowly rolling down your cheeks, tears you had fought to keep at bay.
He utters your name as if in pain and draws away completely, sitting back on his heels.
You turn away, rolling to your side, feeling so much more of you has been exposed than merely your naked body before him.
After a moment that stretches on between the two of you, his fingers tenderly caress your calf. He murmurs your name tentatively this time, a question.
You sense him shift on the bed, and suddenly you feel him behind you. You are wrapped in on yourself, but his hand brushes softly from your elbow to your shoulder. He lingers there for a moment, then you feel him shift behind you again, and he props himself up, so he can look down at you over your shoulder, and his hand moves purposefully now to your cheek to wipe away your tears. He plants a kiss on your shoulder. Then he brings his hand back to your shoulder and softly urges you to roll toward him so you’re on your back again and he can look directly at you again.
“That was too rough. You are a queen and deserve better treatment from a king.”
You turn your head away. “No, it’s not…” You bite your lip. Even the way he apologized was too detached and it made your heart ache.
“Not what?”
More hot tears spill silently over your cheeks. How can you explain? You hardly understood the tempest in your heart yourself.
But then he cups the side of your face, brushes his thumb over the apple of your cheek, and when he draws your gaze back to him, there is something in his eyes so searching and raw that your heart longs for more of that version of him. “It wasn’t that you were too rough, it was that I don’t want to be merely used and discarded.” Your admission is out in a rush before you could second guess your words or their consequences.
He frowns. “Far from it.”
He moves closer and plants a kiss on your forehead, then rests his forehead against yours. Eyes closed, for a moment you both simply breath each other in being that close, one of his hands still cupping your cheek. At length, he speaks again. “I was desperate for you.”
“Desperate for me?”
He breaks away and laughs softly, but there’s a pang of bitterness to it. “Yes, desperate.”
He sits up, facing away from you.
You sit up next to him, smoothing your nightdress down, unsure how to proceed, you don’t want to lose him in the present. “Steven?” you try to coax him for more.
He sighs. “I’m afraid you will find me to be a fool.”
You wait for him to continue, needing to hear what he means.
“I was serenely independent and content before we wed, and inexplicably in a matter of days you somehow seem to have seeped into my bones, because from the first of your absence my mind turned so often of you. I found myself wondering what your opinion would be, wanting you to try some of the delicacies alongside me, wishing to see your smiles and your frowns throughout the course of the day. When I returned to my chambers each night, they were empty instead of peaceful and solitary. I’d grown accustomed to your voice, accustomed to your face, accustomed to your place at my side.”
He pauses again for a moment, and his expression pained. “But it was more than accustomed – I truly yearned for you and was angry to feel so much unlike myself when I’ve ruled for more than a decade without you, lived a life I thought was very much complete before you, devoted to the crown and happy in my reign, and now…”
The sentiment lingers in the space between you. Surely, he must hear your thundering of your heart in your chest. Finally, you say, “If you’re a fool, I’m a fool.”
His head snaps to look at you.
You take a deep breath and expose your soul to him, too. “I was born and raised for our royal duties, to marry and become a useful and reliable queen. There was no question of your deep commitment to rule this kingdom dutifully as its king. In the days before we married, it was evident we had the same expectations of our union, no sentimental notions. It made sense, and we were well-matched. At our wedding, we became king and queen. Away from our royal expectations, alone with each other, I think we both fell into becoming husband and wife. I’ve yearned for you these past weeks as well, and I couldn’t abide how impossible I thought my situation was, so sure and confident I would make for a good queen but discovering I wanted more. It was only when you went away that I felt the lack of something – an affection as I’d never had before, both for you and from you.”
He turns fully toward you and kisses you again, and instead of the demand and hunger, as he kisses now it’s driven only by the unrestrained yearning he confessed and that you admitted in return.
He pulls you into his lap, and you straddle him. He breaks the kiss to rid you of your nightdress entirely now instead of only pushing it out of the way as before, and then his lips immediately seek yours again. Your arms wrap around his neck, and his broad, warm hands are splayed across your back, pressing you flush to him, and you are just as eager to feel every inch of his skin seared against yours
He pauses his kiss, both of you utterly breathless now. You put a hand on his chest over his heart. He looks down and smiles at the gesture before looking up and beaming at you, but his small falters a fraction at the concentrated look on your face.
“What is it?”
You speak the notion that’s newly bloomed in your chest. “We are the only two people in the world with whom we can be totally ourselves, husband and wife, not the king and the queen, just a man and a woman.”
He nods fervently. “A new vow then between us: to both guard and embrace this as a true and unfettered love.”
You kiss him, but he only returns it briefly before pausing it again. “Do you swear it?” he asks.
You bob your head eagerly, seeking his lips, but he grips your chin, holding you back. “Words.”
“I swear it with everything I am.”
“As do I,” he affirms, then captures your lips again with his, moving you both again, this time lowering you worshipfully to the mattress. His mouth begins moving slowly down your neck, and you shiver, one hand coming up to tangle in his hair, the other clutching his muscled bicep. When he reaches the base of your neck, his tongue laves at the sweet spot he discovered there in your first precious days together, making you whimper. He then mouths at the spot and plants one more kiss there before moving lower. His lips skim lightly down your chest, kissing over where your heart is thrumming. He kisses the swell of your left breast, and then moves to mirror that action on the right. He brings his right hand up to palm one of your breasts as his tongue flicks across your nipple. He works to bring both to stiff peaks, licking and sucking the right while his hand plays with the left. Your back arches in pleasure at his ministrations.
He moves his mouth back to the other breast, and before you can think to miss his hand there, it’s confidently parting your thighs, seeking your now extremely wet folds.
“Steve.”
“That’s it, my love, let me make you feel good,” he says, and you whimper again. His fingers stroke your labia slowly. Your eyes close as he stokes your pleasure. He slips a finger into your core, pumping in and out. When he adds another finger, you can’t hold back the little noises that escape you. He presses his thumb to your clit, rubbing circles, and those little noises morph into a moan. Steve moves up now to hover over you, watching your face as he works you up to your first climax that night. You would feel too exposed if he had studied you this way during your first days together, but your confessions tonight to each other leave you now feeling safe being so intimately on display. When you cry out, hips bucking, he continues to stroke, working you through the orgasm.
He removes his fingers, and you need the moment, but lament the emptiness. His eyes are still on your face, and when your breathing is close to normal, you open your eyes and look back at him. Then you glance lower to see he’s pumping his hard, thick member with the hand that was still glistening with your slick of arousal. His eyes are aflame with his need, and he moves in to kiss you again. You welcome it, parting your lips and sliding your tongue between his. He opens for you, and as your tongues tease and delve, you roll and hungrily push him back on the mattress.
Steve grabs your hips with both of his hands and moves your body to straddle him. In place just where he wants you, chest to chest, you drop down to your elbows, planted on either side of his head. As you continue to kiss, he presses his hand down to the base of your spine and brushes his cock temptingly against your entrance. You push your hips back against him, and his chest hums with approval.
“Please,” you plead.
He doesn’t make you ask twice, using his other hand to guide his length into your quim. He doesn’t rush this push into you, but it’s not slow. Once fully sheathed, he moves his arms to circle around your chest, holding you close to him as he sets a steady pace thrusting up into you. He swallows your moans of ecstasy. When it begins to overwhelm you, you have to break off the consuming kiss to gulp lungful’s of air. Seeing you desperate like this above him drives his voracity.
Still buried inside you, he rolls to bring you beneath him once more. You cling to his shoulders, and he continues to advance toward release for both of you. He shifts the angle of his hips, and he’s rewarded with a pure keen from you. He continues to hit the spongy spot up against your pubic bone. You sob, so close, and this time the tears are pure pleasure. He grasps at one of your hands, and your fingers twine together. A few more thrusts and your walls flutter around him and then he your orgasm hits. Your spasming channel is too much, and with a groan he spills inside you right after.
He collapses against you, and you welcome the weight of his body. You’re both quiet in your moment of satiation. Your free hand draws lazy patterns over his shoulder blade as your breathing returns to normal. You wonder if he’s going to drop off into sleep, but then he repositions slightly, and asks, “Are you comfortable?”
“Mhmm,” you respond. You’re comfortable physically and intimately in this moment with him.
He brings your joined hands to his lips, and he kisses the back of your hand, then tucks it close to his chest and begins conversing with you – about the mundane, the important, things from the past few weeks apart, and from your lives apart before. There’s more kissing, followed by more pleasure, pulling each other apart in turn, and no sleeping until long after midnight.
You groan when he wakes you at what seems to be daybreak. You close your eyes again swiftly, and open your mouth to protest, but he cups your jaw and his thumb brushes over your parted lips. “I know it’s early,” he murmurs, “but I want to have you once more while we’re alone and unbothered.”
And when he says it like that, with such tenderness and longing, you wouldn’t dream of denying it for either of you. You hope to grow accustomed to many more stolen mornings over your lifetime together now.
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COMPANION/PREQUEL PIECE: The Thrill of Knowing How Alone We Are
READ THE NEXT PART: A SHIFT IN THE MORNING ROUTINE
↠ Masterlist | Aspen's Ask Box | Field Guide to the Forest
If you enjoyed, reblog to help others find this story AND to normalize the fic-reblog culture. There are so many talented writers, and a reblog really fuels the muses of the soul more than you know - we all appreciate it whether we're big or little fish in this pond.
My askbox is always open.
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I’m happy to say that Starkid Innit…was honestly life changing for me.
It was not only super amazing to be able to see these people who have inspired me so much in person for the first time, but the entire show was spectacularly performed, it felt amazing to be surrounded by so many people who love the same thing as me, all of whom were lovely, and like…I finally get concerts now! I’ve never really thought they’d be for me, but…wow, I haven’t just enjoyed myself freely like that in…god, I don’t even know. It’s really inspired me to be more outgoing and maybe try out some new things (the band did such a good job that they’re inspiring me to do music again after having not done so for four years lmao.)
Also, some notable highlights:
- The insane cheering from the crowd all throughout, along with the fact that it surprisingly didn’t actually bother me because it was just that exciting.
- Being able to meet up with a friend and fellow Starkid fan who I haven’t seen in person for a while (I know you’re reading this so omg hiiiiiii)
- The cosplayers??? The bracelets??? Everyone was so dedicated and I love each and every one of you
- TGWDLM AS THE OPENING YEEEESSSS
- Everyone on stage looked amazing… The whole thing looked amazing….the stage…the lights….the outfits…ouuuggghhh
- On the note or outfits, the “where’d you get your shirt” bit was comedy gold
- The NPMD medley was just…yes…Jeff as Max works so well too…
- THE AUDIENCE PLAYED RICHIE AND SHOUTED I’M NOT A LOSER THAT’S SO COOL
- EVERYONE STARTED SWINGING THEIR PHONE FLASHLIGHTS IN THE WIND DURING JAMIE’S NUMBERS I LOVED IT SO MUCH (also loved the eulogy she gave for her dog)
- I got to see Starkid say trans rights in person this is the best timeline
- Corey doing Show Stopping Number…I screamed…
- Also THE AUDIENCE SINGING ALONG TO SHOW STOPPING NUMBER AND GOING BACK TO HOGWARTS I SCREAMED
- The medley of forgotten songs all performed in a super tragic and melodramatic manner was fucking hysterical. You have not seen true art until you see Meredith Stepien singing an emo reprise of “Hermione Can’t Draw”.
- Lauren acknowledging how Firebringer becoming a viral meme gives them a lot of money was great
- Lauren and Joey doing Granger Danger again…yes…
- Our Doors are Open works REALLY well in a meta sense and I’m disappointed in myself for never realizing it that until now.
- Feast or Famine. Just. Just Feast or Famine.
- ME AND MY DICK JUMPSCARE IN 2024?!
- The whole buildup to taking the picture was hilarious as well
- Surprise Spice Girls? Ok?
- HAPPY BIRTHDAY JEFF!!!
Anyways whole thing was great I’m going to cry now :,). Here’s a picture from my vertigo inducing viewpoint all the way up in…I think…D13? D17? Idk.
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gillyweedgrl · 5 months
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You should be watching Pit Babe! - A Brief Review
Saddens me to think how many people are missing out on a great show because they think it’s not worth more than a trash watch, if that.
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I mean, realistically, is it the most amazing cinematic work of all time? No, not unless pretty-boy power bottoms with daddy issues are your thing, which in my case they are, so let's talk about Pit Babe!
Note: I've tried to keep the spoilers to a minimum, they're mainly in the tags and links so follow them at your own risk, you've been warned.
Honestly, Pit Babe is a pretty damn good show, especially if you A) pretend the Omegaverse factor doesn’t exist and take the show for what it is and B) you don't mind not knowing what's going on half the time, just sit back, relax and enjoy the ride.
Overall, Pit Babe has got a good production value, a slightly absurd yet entertaining plot, a great choice of cast with amazing chemistry and pretty decent acting skills amongst the mix of seasoned actors and newbies.
For a totally biased fair and balanced review: There are some details that are left vague instead of being explained in depth or at all (yet), but that’s to be expected when you adapt a novel into a movie or series. It would get boring for the audience if the pace was interrupted to explain all those little details that we’re likely to find out along the way anyways (shout out to those who've watched the latest episode; finally!).
There are also some scenes that feel like they’re not as necessary and some background/plot devices that made a little more sense in the novel but I personally don’t feel like they detract too much from my viewing experience.
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Babe (played by Pavel) and Charlie (played by Pooh) as the main leads do a really good job at shouldering a large percentage of screen time. Charlie comes across as happy-go-lucky, a bit clumsy/goofy, entirely fearless and a little naive, which is mostly true, but there's clearly more to him than that. Right from the start Babe is clearly someone guarded, detirmined and skilled at what he does (racing cars and having sex) and he has a very tight cirlce of people he trusts. There's a winning combo right there, quite tsundere/sunshine from the outside but definitely more breath the surface that gets exploded as they go.
Way (played by Nut) is Babe's best friend and racing companion, they've been racing together at Team X-Hunter for years but there's clearly more than friendship on the mind for Way, though the feelings appear to be one sided.
Alan (played by Sailub) is the owner of Team X-Hunter and an all-round cool Uncle (which the whole team call's him (despite barely being in his mid 30's). He's kind but firm, he cares for his team like they’re his family and it does seem as though they’re his only family.
And the rest of the cast consists primarily of:
Team X-Hunter:
Dean (played by Lee); a junior racer with slight douche vibes
North and Sonic (played by Michael and TopTen); everyone’s babies, they’re junior racers and content creators
Jeff (played by Pon); the newest member of the team, he’s a part time mechanic and full time conspicuous
Pete (played by Ping); the money guy Alan brings on board to sponsor the team
Team Red Racing (the rival team):
Winner (played by Pop); the guy who never seems to win against Babe
Kim (played by Benz); the new racer they hired to beat Babe
Tony (played by S Vorarit); Red Racing's newest benefactor and *shock horror* Babe's former foster father (try saying that ten times fast)
Kenta (played by Garfield); Tony's right hand man
Then, there’s the 🌶🔥🤯
I, personally, enjoy a little spice/heat in my shows. It’s not necessary for every show, of course, but I do think that when it serves a purpose to the story and it’s done well then it can be quite enjoyable and this cast/production team is doing it really well.
As I said, the chemistry between the cast really is amazing (both on and off the screen, if you're interested in that kind of thing) and although the spicy scenes aren’t nearly as abundant as they are in the novel, there are some really good ones. I decided to bite the bullet and binge read the novel over the past couple of weeks, I blame @pharawee’s breakdown posts for those sleepless nights, and it was worth it for me but not necessary for watching the series.
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Lastly (as if this post isn't long winded enough as it is) there are a handful of things in this series that we don't see too often in BL's and make it worth watching even more:
It's got race cars, murder attempts, mafia influence and supernatural powers (at least half the characters have one).
There's no evil ex-lover out to get revenge or get back together with one of the mains (thank the BL gods).
It's got a Soft Top/Dominant Bottom dynamic where the title character is both super masc and a pretty princess.
And we can't forget, it is technically an Omegaverse series (or rather, it's Omegaverse-lite) which none of us saw coming!
Anywho, to conclude; yes, you should be watching Pit Babe. No, you don't have to read the novel to understand what's going on because none of us understand what the hell is going on at any given time. Charlie and Babe are fucking around and finding out, the rest of us are just long for the ride, Alan and Jeff are having a whole ass rom-com-drama in the corner, the babies are making their content and having a blast and the others aren't quite on the map yet (or are they? *wink, wink*), but I sure hope they will be soon!
If you made it this far, thank you and are you okay? Do you need to have your brain checked?
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My favourite parts of…
WORKIN BOYS GIRLS A NEW MUSICAL
As I watch it a second time…
Football-But-For-Girls
Hidgens’ six boyfriends
Jeff looking like Colonel Sanders if he was a stressed movie critic
A shameless gender swap
“Alright boys-“ “Girls.” “Right right right, ALRIGHT BOYS!”
Hailey just being Angela in the Hatchetfield Universe
Cameos of my faves: Ted, Richie, Grace and Linda
Ruth being adorable but also a perverted creep
“Do you… want to direct… my show?…”
Ruth finally getting her acting debut… and fucking it up entirely
The fact that there was a whole song about balls
The entire rehearsal montage
“I think all the actresses are dead.” “Good.”
Richie and Grace going to watch the show for their friend… but no sign of Pete? :( not even Nick’s Abstinence Camp Pete??? :((
Hidgens’ trauma dumping and then saying it’s lesser than his failed show
“Those tight little college boys with their long legs and those hourglass figures.” *Enter Ted absolutely dying of laughter.*
LINDA LINDA LINDA and her little look to Gerald made me cry
Ted seeing a show he thinks are about hookers is so Ted even after all the character development he’s had in every show
Richie definitely went for a more natural look
Curt’s Cop and Miss Mulberry at the theatre together
MARIA’S VOCALS
“Fuck me with a goal post.” I will be saying that every day now
BRYCE MY WIFE
Jon as Greg
To be honest any of Jon’s characters just send me into a spiral
Fucking transcendent
How can you play a corpse and still look good
DYLAN AS LEIGHTON?! WHAT?!
Grace reciting a verse from the bible before shooting the shit out of Henry
“I’ve decided to make some last minute… cuts.” 🤝 “I shot a Charlotte-ton!”
I love Hidge’s shitty puns
I love the idea that the whole audience thought it was an ironic statement on gender norms and then everyone is murdered
“ITS DISTRACTING!”
The wow after Grace shot him
I didn’t know whether to cry or be happy when Hidgens died… “A standing ovation” LIKE YOU CANT DO THAT TO ME?!
Linda clapping as everyone screams
The whole film was magnificent really
I think I did list the whole film 😭
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harrisonarchive · 6 months
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A look back at the HeartBeat charity concert, March 15, 1986.
“I don’t like the idea of being on the road and having to be someplace, you know. I think at times, it’s fun being in a band, and it’s got a lot of energy and it can be thrilling, but… I just did a tune with another charity show in Birmingham, it was all the Birmingham bands — the ELO, and the Moody Blues, people like that. And that was fun, just to get up and sing ‘Johnny B Goode’ is easy, but I don’t really want to to go out there singing all my tunes day in, day out.” - George Harrison, The Today Show, April 1986 “That was down to Jeff Lynne. George and Jeff were pals. There hadn’t been any whispers beforehand so it was a complete surprise for the audience. And for the musicians, too. Even we didn’t know he was going to be there. Jeff had said that was a slight possibility he might be able to get George to appear but that’s all it ever was. George didn’t arrive until late so nobody saw him. He turned up at about 9pm while the show was in full swing. He hadn’t done any soundcheck or rehearsal. It was that last minute! The stage was packed not only with the bands but also the backroom team. They all wanted to be onstage with George Harrison. It was a thrill to see him singing with Robert and the rest. I was on a massive adrenalin rush, bouncing round the place.” - Bev Bevan, Birmingham Mail, March 12, 2016 “[M]y father gets up from his seat and tells me to wait for him with this candy man who had taken us to our seats. He walked off and moments after he disappeared from view suddenly he reappeared onstage carrying a guitar. I began to panic because this was first time I had ever seen my dad play an instrument, ever, onstage in my entire life. Out of nowhere, in perfect unison, they all kicked into ‘Johnny B Goode.’ I remember thinking, ‘What is going on? My father is being abducted by an intergalactic space orchestra.’ ELO has taken my father and left me behind.  The candy man assured that he would eventually be returned to us. So we made it back home together eventually and to my joy and surprise with ELO extraterrestrial wizard captain, the man with it all, Jeff Lynne. He had come to live with us on Earth and Jeff was soon a permanent fixture at our house.” - Dhani Harrison in his Rock and Roll Hall of Fame speech for ELO, April 2017 (x)
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nephilimeq · 1 year
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Teen Wolf and Lack of Character Development - Scott McCall
Incoming Rant: Re-watching the first season of TW I have realised why I never felt that Scott was The Hero of the story even if the writers did not stop hammering the idea that he was pure and perfect and always right. He never sacrifices himself. This is a classic of fiction, the hero will always be the one who makes the greatest sacrifices for the common good and for those they love, renouncing happiness, normality and even their own life. 
But Scott never does that. Even in the first season this is very clear. The first few episodes emphasise that playing lacrosse and dating Allison are things he wants, but are dangerous to himself and those around him. The narratively logical thing would be that, after a period of selfish refusal, he would realise that the right thing to do is to give up what he loves until he has better control of himself and his new powers, sacrificing his temporary happiness for the good of others.
Instead, the narrative rewards Scott with control gained through Deux Ex Machina and not hard work, he gets to date Allison and becomes a Lacrosse star without sacrifices and therefore doesn't grow or evolve at all. This keeps up for all 6 seasons. Meanwhile, everyone else around him is constantly sacrificing their safety, sanity and even life for the common good.  And ten years later in the movie nothing has changed. Scott’s still not the one performing the sacrifice, he's still not the hero yet. He gives nothing, but the narrative rewards him with true love. Meanwhile Derek gives his own life to save those he loves he is The Hero.
So. Yes. To all of this.
I have made a countless number of posts about Scott’s development. Specifically, his lack of development. The writers had every opportunity to make him a decent character -- and Posey could have performed it and done everything at least moderately well -- but instead, they caved into Jeff Davis’ whims.
There were other writers in the room who should have held Jeff accountable and written Scott as a proper hero: a hero who sacrifices his own selfish wants for the greater good.
They do not have the right to tell us not to like characters such as Stiles or Derek more because they were the ones who wrote those characters using the hero’s journey narrative that they very easily could have written for Scott...but they didn’t. When the creator of Teen Wolf speaks up against those fans, he has no one to blame but himself and the other writers, and to say anything to the contrary just makes him look like a hypocrite.
You cannot expect your audience to believe your main character is a hero when you do not give them faults to overcome and make them a better person.
They wrote Scott as never taking consequences for his own actions -- instead, they had everyone else suffer the consequences of his actions and had them clean up his mess and deal with the repercussions. (not going into detail here because I have already done so on many other posts)
But when you show characters such as Stiles and Derek dealing with complex emotional and physical traumas and then doing things to try and improve themselves, while also dealing with their own mistakes and growing from them...but then don’t hold your main character to the same standard, how can you be surprised when no one relates to them? The accountability for Scott’s lack of accountability can be traced right back to the writers’ room.
I genuinely could have liked Scott. In fact, when he was being sweet and helping his mom, I loved him! He had the potential to be a fantastic main character...but the writer’s neglected their responsibility as writers.
To put it simply: the writers suck.
The only reason the show lasted was because they had good cinematography, and they brought on some experienced older actors into the cast, and they had two natural talents on screen: Dylan O’Brien and Tyler Hoechlin.
That’s it.
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hanitje · 7 months
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I think a lot of people misinterpreted Nigel McGuinness' role as a commentator, thinking that he was only somebody who made bad jokes and comments stuff.
No. He's a HEEL commentator. His role is to make people want to strangle him whenever he opens his mouth. His delulu commentary is about elevating heel wrestlers, so he will always say something controversial. He will never get embarrassed or ashamed of what he's saying, just like Christian Cage never gets embarrassed or morally ashamed of what he's doing.
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Nigel is a walking (sitting?) red flag, just like other heel commentators such as Jerry 'The King' Lawler or even Taz. He will bait other commentators and even the audience with his remarks. Just like Christian, people shouldn't feel entertained by him. When Christian mocked dead fathers, people were aghast and horrified. When Nigel mocked women and good wrestlers, people were ready to punch him.
But their roles are basically villains, like in movies and TV shows. It doesn't mean that they are like that IRL and I feel bad for people who still think that their persona is their real personality. They make bad jokes, even teetering around to the contentious opinions.
Based on what I read and limited knowledge, Nigel is actually a sweet nerdy magician dude who likes to spend some time with his Bebe and his girlfriend.
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The only person who can keep up with Nigel is Ian Riccaboni. And if you notice, Ian is the only one who can make him embarrassed. Nigel is an insecure heel retired wrestler/commentator who mocks people but when others say something outside his comfort zone, he becomes a blubbering mess.
Ian said that he'd scissored his wife during The Acclaimed entrance, and Nigel was aghast that Ian actually shared that information. He yelled, "My children are watching this!" (Nigel only has one child), which Ian answered, unbothered, "So are mine." When Nigel gave a standing ovation to Christian, Ian was the one who told him to shut up and sit his ass down.
I think it has something to do with their age. Nigel and Ian have good chemistry together and they won't bother to think about anyone's feelings, unlike Nigel's commentator partners such as JR, Kevin Kelley, and Tony Schiavone who are much older than him. (I also find it funny that Nigel is actually very respectful to his colleagues in real life and even one time tried to protect JR from a brawl).
Adding a female commentator, for example, won't change a thing about the way he talks - he is supposed to be a pig who likes talking dirty but immediately fret when others are dirtier than him, such as Jon Moxley and Zack Sabre Jr.
When Moxley talked about Bryan Danielson's kinky sex, Nigel coldly (and uncomfortably) told him that he didn't need to hear about his personal sex life, which Moxley just laughed off. (IRL Nigel borrowed Bryan's tantric sex book 😂)
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Nigel is playing it like a loudmouth conservative British bloke who keeps a high regard for patriarchy and husband rights and Father of The Year from the most despicable wrestlers. He shook hands with Christian Cage, Jeff Jarrett, Ricky Starks, and many more - just because they are heels.
I do find Nigel very entertaining because of his delusional grandeur attitude. He will say anything to defend his favorite heel wrestlers, especially Christian Cage, who is the King of Heels. He's in love with Christian and despises Bryan Danielson with a thousand suns. Which is kinda ironic because back when he was a wrestler, he was the sluttiest wrestler and probably in love with Bryan so much.
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resident-gay-bitch · 7 months
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kinda a niche au concept but i think a lot of people will get it but also it’s so random lol: corroded coffin friendship / steddie / buckingham / more lol
okay, my dad watches car shows all the time like the car sos shit, and i don’t really like them, but i’ve always enjoyed one: Counting Cars. the main mechanic is like a metalhead and they’re all kinda punky and alternative and just a bunch of metalhead dads pimping out old cars and shit.
henceforth, the au idea: how are you seeing how our beloved eddie might fit into this?
SO say CC got big enough to be known kinda western globally or whatever, maybe bigger idk i don’t care but anyway. maybe they were a one hit wonder in the 80/90’s or whatever.
but they stopped playing because they all kinda wanted to settle down and stop partying and wanted to buy houses and not have to tour all the time or whatever right. say gareth met a girl and got married to her and they had a kid on the way, jeff and grant wanted to settle down and live a cosy steady life together, eddie was just so fucking tired of being front man idol or whatver. and they all just wanted to get back into the mechanic shop - maybe they all apprenticed at thatcher tyers or whatever in hawkins when they were younger.
whatever the reason, they’re ex-famous band who are pretty ficking rich and love working on cars and shit. so they open a shop and start fixing up cars. they get a lot of rapport because of their name; the shops called corroded cars or something similar to the band name. eddie runs the place because it’s mostly his passion and he impulse bought the shop himself whilst drunk one night and then they were all just like okay yeah let’s do this lol.
maybe one night they’re all chilling at gareth’s place for “family” dinner and after dinner they’re just watching telly and a car show comes on and then they get the idea to start a show!!! so they do!!!
eddie’s the main guy, obviously. he’s always been the drama queen confident one so he runs it all, and it’s His shop anyway. eddie is the idiotic, loveable, idiot but he’s also just a cool down to earth alternative guy who headbangs whilst working on engines and REFUSES to cut his hair.
i think jeff would be the head painter, graphic artist,. i feel such an arty vibe from him ya know? i think that would be his area of expertise. the audience would love his general calm vibe but also adore how easily he puts everyone in their place in a second and is so secretly sassy.
i think argyle would be the airbrush guy and also works in paint / design. he’s Definitely not always high and is just funny like that… definitely. his niche opinions and random curiosities keep the audience captivated.
gareth would be the detailer i think. he’s got a sort of perfectionist vibe and he’d always have a go when eddie brings in a car or a bike he’s just been fixing the motor of or whatever and there’s grease stains all over the doors and shit. the audience would love their banter.
grant would be the bike shop manager, he’s got a strong interest in motorbikes and that’s his area of expertise. he’ll spend hours perfecting one part of the body of a bike and eddie adores his dedication every fuckinf time.
jonothan would be the tech guy. he finds ways to update old cars to help them run smoothly whilst feeling authentic in the drive. some of the tech he pulls out is next level and everyone in the shop will spend an entire episode gushing about this one feature in a car he added that makes it feel like a spy car or something.
Nancy!! she’d be the behind the scenes manager. eddie hired her about one month into the buisiness when he realised none of the CC guys could / or wanted to do the books and shit. she’s smart as hell and a total hard ass when it comes to their aloof attitude and carelessness, but she’s also good fun and a total girlboss. eddie relies on her to keep the shop afloat, he’d be lost without her. she’s a fan favorite because she’s the only one who can attempt to put eddie in his place and acctually succeed. anyone goes and tells eddie he needs to think about the budget before he goes spending, he won’t even listen, she gives him one look and tells him no and suddenly he’s sheepish and nodding and walking away like a child who was told they can’t have a cookie. she’s in charge of all the books / finance / accounts / all that stuff!
(also, people are having a hard time figuring out if she’s dating john or argyle, or weather those guys are dating eachotjer, or if they’re all dating, or if None of them are dating)
Chrissy!! she’s adorable. a total fan favorite. she’s their receptionist and is currently taking an engineering course part time in college, finally taking the initiative to do something She actually wants to do. her sweet demeanour pulls customers and watchers in, and her determined attitude is what makes them stay. she’s like pure sugar, but so insanely smart. sometimes she’ll come and watch everyone as they work and if it’s not busy they’ll teach her different things and let her try. everyone loves the episodes where chrissy gets to try and fix things or paint things or learn things!
ROBIN!!! my girl! ugh! she’s TOTALLY an iconic mean lesbian okay. she’s always got banter with the guys, and she’s so cool calm and clllected, insulting them all the time. the girls in the audience go crazy when she’s onscreen in just a wife beater tank and got them gay girl muscles out! she works close with eddie on motors and shit but she’s also the project scout. she looks for new things for them to try and brings these ideas / cars / bikes / whatever else over to eddie to get out into the show! but the audience loves her even more when they see her totally awkward dorky side come out the first episode where chrissy comes over and watches robin work. they’ve never seen robin drop a spanner so much! chrissy is the only one who can fluster robin like that. the audience is rooting for their romance.
and the steddie! so robins totally uber rich best friend likes collecting old cars. and she’s been trying to get him on the show for a while because he has Such cool cars but he’s never needed fixing or pimping. until he goes and buys another one and it just won’t run and it’s all beaten down but he just HAD to buy it because it was his dream car as a little kid or something. so he comes on the show with his car and - well, the main reason he’s been avoiding it because he actually used to crush on lead guitarist and vocalist eddie munson back in the 90’s - eddie obviously being the face of the show greets him with nancy and robin and they talk about his car and eddie gets Flustered!
robin has a totally hot best friend whos So ficking queer And knows heaps about cars and is standing so close, shoulders touching with eddie as he shows pictures of his collection on his phone and eddie pretends he’s looking at the cars and not steve’s ring adorned hands.
steve is also highly protective of his cars and so he hangs around whilst they work on his ride. he and robin are so chatty and bitchy together and the audience love it. and eddie can’t stop Staring!!
by episode three of steve being featured in it people are posting shit trying to notify steve and robin that eddie is so gay for steve!
and then steve’s car is done and done and then he leaves the show. and then a couple of episodes later robin approaches eddie and whispers - but the cameras are right there - to eddie asking if he has been perving on her best friend and it’s So funny to everyone cause eddie’s kinda terrified and she’s threading to burry him alive if he hurts her steve and- eddie goes red when he realises that robin just confirmed he had a chance with steve.
anyway. suddenly steve has Many more appearances on the show :)
and obviously robin and chrissy get together!!’
and no one ever finds out about the love triangle between nancy jon and argyle (they’re all polly)
anyway. i just think that’s cute.
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lettingtimepass · 1 year
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I WAS AT THE NERDY PRUDES SHOW WHERE THEY LOST POWER!!!
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Here is my spoiler-free recounting!
After over a decade of being a Starkid fan, I traveled 3,000 miles to see Nerdy Prudes!! (The date just happened to align with a trip I was planning.) It was so surreal being in the theater! I saw Producer!Dylan and Corey L. running around with their headsets. Then right before the show started I saw Joe Moses and Tessa walk in. Also two rows ahead of me was someone in a Spiderman hat... I was like... Is that Nick Lang? No... why would he be in the middle of the audience? Later I found out I was right 😂
For context, it was raining really hard in LA and the streets were flooding. LA is not used to rain so they're not well equipped to deal with it.
Act 1 went great and then shortly after Act 2 started, BAM, the lights went off. Everyone froze. The person in the light booth said "We've just lost power." Then, Nick Lang stood up and said, "It's going to be okay everyone, we'll figure this out." And he left to help the staff. But for a good minute or so the entire audience thought it was a bit and couldn't tell if this was part of the show or not! But after a few minutes we were like holy shit this is actually happening. It took maybe half an hour or so but we were back up and running and everyone was so hype cheering on the actors when they came back on stage.
Then, during the final song, on what sounded like the final NOTE, the lights went off again. You could hear a reaction from the actors-- I can't imagine how upset they must have been in that moment! But the entire audience erupted in cheers and instantly gave a standing ovation. After the crowd calmed down a bit Nick came back out and was like "Yeah...... That actually wasn't the ending. There are two minutes left." And we freaked out 😂 They had us wait for a few minutes, but then they decided to call it. In the words of Nick, "You're the lucky audience who gets to see this show with a happy ending!" 😳😳 So yeah - I still don't know the ending. I'm going to have to buy the digital ticket so I can see the ending and also get the full experience uninterrupted. I can't wait for the YouTube version!
SPOILERS BELOW THE CUT - Updated!
I think everyone's favorite part was the LORDS IN FREAKING BLACK!!! AHHHHH!!! JON AS HUMAN!WIGGLY was perfect! Also was he giving Onceler/TumblrSexyMan energy? 🤔 Can't wait to see how it looks on the YouTube version!
I loved Jon's anime nerd character. It was so damn good. The collective "Nooooooo" when the audience realized his death was imminent 😭😂
The parallels between Abstinace Camp and NPMD are very fun to me. "IT WAS GIRL JERI THAT DIRTY GIRL!"
DIRTY DIRTY GIRL WON'T YOU PRAY FOR MEEE?
Max's pronunciation of "skel-a-in" 😭 I need the story of how he decided on that or if it was written into the script?!
The Barbeque Monologues?! And that song? Jeff Blim pls. Lauren is a master through.
Someone pointed out that all the Hatchetfield shows have in-world productions: Working Boys, Santa Clause is Going to High School, and The Barbeque Monologues. Idk what this means, but it is a nice touch for worldbuilding.
The little musical reference to Nightmare time!!
I keep thinking about how Rob M fumbled the Starkid bag 😬 But Joey did such a great job as Pete! For some reason it feels like a full-circle moment between MAMD and "Joey Richter" with him playing the nerdy character 😊
Anglea was freaking fantastic as Grace. I just love her voice and how she makes it go so high it cracks! And Curt and Kim playing her parents was so good.
There's something so funny about Angela's characters being so different - Lex vs Grace - and the fact that they would hate each other 😂 Can Angela please play both of them interacting?!
Kim freaking Whalen!!!! I love her so much.
I LOVE seeing Corey and Mariah playing father and daughter again (but it's a very different dynamic than TGWDLM).
LOVE LOVE LOVE evil/slimly dirtbag Corey. HE'S SO FINE!!
I missed seeing Jeff and James on stage - I wonder if Jeff's chaotic energy would have been too much with the horny teenagers hahaha. But James would have fit right in! Oh well, we can't have them all in every show, unfortunately.
Gotta say I didn't expect them to say "Nerdy Prudes Must Die" so many times in the show 😂
The last song having pop-punk vibes?!
Anddd...... the last scene...... (yes I finally got to see it!) GRACE KEPT THE BOOK!!! Did she say "every perv must die"? Yeah, that's gonna be a lot of people on her list... Also very similar to the end of Abstinence Camp! This isn't going to go well.......
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In a better written show, I'd honestly be down for a villain song that sounds totally heroic. It could work really well for a fallen hero or a villain who thinks they're a hero, and the noble lyrics being ultimately at odds with the character and their actions could be well done irony. But... RWBY is not well written. In fact, it's so badly written, that I genuinely can't tell if Hero was meant to be a villain song or not. Are the lyrics about saving people meant to be ironic, considering his later actions like trying to bomb Mantel? Or is it meant to be genuinely heroic since, like you said, Ironwood hadn't actually gone through his fallen hero "arc" yet (And some of James's more over-the-top villainy in V8 very well might not have even been planned at that point)?
So, like so much of RWBY, it's a potentially neat idea that either it wasn't well done or was just wasted, and it mostly just makes me think of ideas for a more interesting story.
In certain circumstances I could really see an ironic hero song really working either via misdirect with the lyrics or outright lying in the lyrics. But I need to emphasize under certain circumstances as even if R/WBY was a better written show…I don’t see something like that working.
For R/WBY this kind of song with double meaning lyrics or misdirect or even lying wouldn’t work because the nature of the songs in R/WBY is…complicated. Take for example bmblb. This song was released for the volume 4 soundtrack and fans got really excited thinking it meant the bees romance was canon. The writers came out and threw Jeff under the bus saying he was just trying out a different style of song and that it wasn’t based on anything or canon. Then volume 9 came out and then bmblb part 2 came out implying that bmblb was in fact canon all along. 
Not only that but what the songs well are is also constantly shifting like The Truth from volume 8 is more generally describing Cinders life while other songs are said to be what characters are thinking internally. Regardless even if the R/WBY songs were consistent in what they are narratively I still don’t think this kind of song trying to trick the audience would work since the characters aren’t even singing the songs. At least not in something like R/WBY. 
A character not singing a song meant to manipulate the audience doesn’t work in most things because it’s just the authors messing with the audience which is frustrating and pulls you out of the story and leaves a sense that the writers just are not competent writers since they have to resort to lying to the audience directly to make their story work and leave the audience unsure what even is canon or not. That’s not fun I most stories. However in stories where the audience is known by the characters to exist is when this type of manipulation works wonderfully. 
Take Doki Doki Literature Club, Monika not only knows about the players existence, but she is actively trying to earn their affection and make them fall in love with her. Her either singing a song or playing a song like this to manipulate the player themselves makes sense because she the character knows she’s in a game and knows there is a player watching her. Her being the one to manipulate the player is different because rather than it being the writers taking a lazy approach to trick the audience, there is a valid story reason for it to happen.
But using a heroic song to trick other characters in a musical I’d argue is also a valid approach. Having characters use double meaning to trick the character (and yes for a time the audience if we’re exclusively following the journey of the main character) into thinking they are good and when the truth is revealed the double meanings and the lies in the early song come to light is also a good way to do it. 
Frozen almost pulls this off with Love is an Open Door wherein it’s later revealed Hans was using Anna to steal the throne. I say almost because the writers use cheap tricks to lie only to the audience to sell it rather than just not showing us his POV and us trusting him like Anna. The scene I’m talking about is this scene in particular. 
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There is no one here to see him besides the audience. The only people this smile is for us for the audience to trick the audience and make them think he is genuinely a good guy. If the scene had just cut away the second he fell in the water it wouldn’t be lying to the audience but because this moment exists the writers have gone from characters manipulating another character to the writers lying to the audience to make the betrayal more shocking later, when him just being awkward and nervous around Anna would have been fine because again it’s a character manipulating a character. Cut out this one little shot and “Love is an Open Door” works as a hidden villain song disguised as a love song. 
Sorry that was a long tangent about another almost works scenario so let’s play around with an example that could work hypothetically. Let’s pretend that Wreck it Ralph is a musical. And say King Candy sang to his subjects about how he “built the perfect kingdom” or something like that. We think initially it’s just him being over the top theatrical but then when the twist is revealed we know he really did rebuild Sugar Rush to be his perfect kingdom so he could always be the favorite racer.
Okay it’s not a perfect example I’m just mostly trying to get the point across as I am not aware of a movie that pulls this kind of trick off well so there isn’t a good example to show. Regardless Hero just doesn’t work.
To your question about what Hero is supposed to be. From my understanding of the writing it was supposed to always be a heroic song. The writers said initially that the ending of volume 7 was supposed to be vague with no real right or wrong side and that it was supposed to be unclear. They also said that James’s writing in volume 8 was changed and made more intense mid 2020. This is notable because volume 7 finished airing early 2020 so they would realistically know what fans were thinking and whose side they were leaning towards. Hero would have long since been written at this point which is why it makes sense it started off genuinely as a heroic song and once the writers didn’t like how many people where siding with James so they changed his arc in volume 8, the fans scrambled to try and somehow justify this radical shift in characterization. 
Maybe it would be less frustrating and I could roll with the double meaning theory about Hero if James’s arc in volume 8 was actually a well done fallen hero arc but it wasn’t. It was a rush job to try and make the mains look better that turned into an extremely ableist and harmful arc that butchered a well written character to prop up their poorly written mains.
But really even in a better written show their just isn’t any lines with actual double meanings that work for a fallen hero arc. Some people argue:
There’s no sacrifice that I won’t make
Is supposed to be about James’s willingness to sacrifice Mantle to stop Salem but….at the end of the gravity fight we see James willingly sacrifice his other arm to stop Watts. We see the payoff from that line immediately after the song ends with James literally searing the flesh off of his own arm.
Another section I see used sometimes is
I will fight
For you no matter how I am despised
Portrayed as cruel and heartless, I am might
I am power, I'm due process, I will smite
Our enemies destroy
Mettle I'll deploy
But generally it’s parts taking out of context to the narrative these lines are painting. I’ve seen people argue the part:
I am might
I am power, I'm due process, I will smite
Our enemies destroy
Mettle I'll deploy
Is James talking about enjoying destroying people ignoring again the context and the logical reading of some of the lines. The lines start off by talking about how he’ll fight for you, no matter how much people hate him and think he’s a monster. The line “I am power, I’m Due Process, I will smite” is likely a. Playing off of the name of James’s weapon (due process” and B. Trying to find a rhyme for “might”. But playing devil's advocate for a second here, even with the reading of James is ready to smite his enemies….saying he is ready to smite the seemingly endless army of soulless man eating monsters…well I struggle to see it as pure evil given said soulless nature of man eating monsters driven to destroy humanity. 
I also see people argue that “Our enemies destroy” is James thinking he would destroy his enemies which doesn’t make sense with how that line is, to me it reads as “our enemies destroy everything important to us” and the next line “Mettle I’ll deploy” is in response to their enemies destroying. 
Sorry this ask got insanely long I just had a lot to say hehe.
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