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#amy company
determinedowl23 · 6 months
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You say I turned out fine I think I’m still turning out You say I turned out fine I think I’m still turning out I hope you stick around We’re gonna figure it out Who can I turn to now When I’m still turning out?
the Turning Out trilogy is very aspec coded and by default means it’s perfect for Bobby
(just quick things I drew in school today)
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and one more for good measure
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libraryfag · 2 months
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Amy company has ocd btw.
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genericpuff · 3 months
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lmao rachel that would all be well and good... if that was actually hades and persephone 💀😭
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that's really the smoking gun here that rachel is 1.) always drawing H x P smut by default and can just put things in black and grey to make it look like any other character 2.) all of her characters suffer from so much same face syndrome that even she can't tell them apart and 3.) rachel doesn't even read her own comic anymore
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artilite · 4 months
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been thinking thoughts of a sonic lethal company au of sorts....
i'd like to make game/character profiles with proper suit designs and personal flare eventually but i really, really needed to draw them Right Now LOL
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charmallows · 4 months
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couldnt stop imagining this clip from me n my friends lethal company sesh as team sonic (loud)
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xazafranx · 2 months
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Empire's best makeup artist is on the way!🌹🩷
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dailyfigures · 11 months
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Futami Mami & Futami Ami ; THE iDOLM@STER ☆ Phat Company
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theoryandahalf · 3 months
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New Host Headshot Appreciation Post!
Don't mind me, I'm just filling the tags with positive vibes for these lovely people (because someone has to do it damnit)
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Tom's new headshot: Gentle boy. Gorgeous. No notes!
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Baby we're the new romantics, come on, come along with me, heartbreak is the national anthem, we sing it proudly!
I'm such a simp for this look
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Lee's new profile pic is...Wait. Didn't they shoot these in North Carolina? H-how did he get this past TSA?
Ahh...you know what? Stan the man, I'm terrified of the consequences if you don't.
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...Whore.
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BONUS HEAD EDITOR DAN! Never forget this man. He built this city on visualizing Matthew's bad puns and awkward phrasing and we shall never forget it.
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neurotypical-sonic · 9 months
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vivid mental image of sonic showing up at amys window one night while its raining like a stray cat and when amy lets him in he just immediately curls up and goes to sleep and amys PISSED because its been a while since theyve had a sleep over and he didn't even have the manners to stay awake so they could have one of those deranged sleep over talks. what if she wanted to ramble on and on with someone
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jichulichu · 5 months
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assorted fandom doodles
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onlyevrcandorgy · 5 months
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SpotifyWrapped for Evanescence, Radio Company and Orgy
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thelof9 · 1 year
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redrawing a reaction image I use a lot with Heathcliff so I can post it whenever I have too many Wuthering Heights thoughts don't mind me
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wprowers · 2 years
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guys please someone help shadow
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Tails has a protagonist role on this one
Previous | Next
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THE TIME MACHINE
presented by original theatre
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haaam-guuuurl · 7 months
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Little Women Amy x Laurie Ballet Modern AU
The March sisters grew up tripping over dance bags and discarded ballet slippers. Piano music and counts of eight were the soundtrack of their childhoods, ever since Meg first joined the ballet class at their local dance studio, every sister following her soon after. Careful Meg, spirited Jo, delicate Beth, and artful Amy all found their place along that barre, different tempers and styles united by effort and a love of dance.
Ballet brought them closer, brought them friends - most notably Theodore Laurence, Jo's partner and best friend - and even brought them their futures. All of them incredibly talented and dedicated, it was no surprise when the four sisters each found their way in the world of ballet.
Meg surprised everyone when, though gifted enough to pursue a profissional dancing career, she settled into a teaching position at the studio they'd all attended, happy to instead pursue what had captured her heart from the very beginning. None shocked more than Jo, however, who got as far as being offered a contract from a prestigious ballet company, but turned it down and turned away from dancing all together, pivoting into academics and other passions, seeking to make her own mark in the world. Beth remained in the studio, but fell in love with the music instead of the steps, finding an inclination for the piano in the corner of the room, and a talent for it unmatched among her artistic possibilities. It was only the youngest, Amy, who'd dreamed of becoming a prima ballerina since first stepping foot in a ballet class, that followed those dreams all the way to her place at a professional ballet company.
Though they'd all loved it, Amy was the one who'd wanted it, wanted it all, had ambition for it beyond the passion. She didn't only want to dance - she wanted to be great. That ambition carried her through her apprenticeship, through the corps, through being one of many and feeling like she'd never be good enough to stand out, all the way through to one of the coveted soloist positions. At last, a chance to be seen, to be exceptional! A chance she wasn't going to give up that easily, not even when she was cast opposite Theodore Laurence for the company's production of Firebird.
Laurie had been the closest friend of the March sisters, once. And though he'd cared for them all, Jo was definitely his favorite. She was his partner, his best friend, his beloved. And when she'd abandoned dance, she'd left him too. He'd envisioned them working side by side forever, spending their lives together. But that wasn't what Jo saw. It wasn't what she wanted. Though they'd always fit together so well, they couldn't understand each other in this, not really. So, Jo went on, and Laurie did too, signing with the furthest company that would have him, determined to forget all about Jo, and about their childhood.
Amy and Laurie had not seen each other for years. They'd gone on to different companies, in different cities, and only now, by chance, did they find themselves in the same place, Amy just promoted, and Laurie just hired. Though she was still new and eager to prove herself, he'd been a soloist at his previous company for some time, had grown comfortable and complacent in his position. The two had been pleased to see each other again after so long, if not also surprised, and it could've been fair to assume they would've worked perfectly well together, if not for that difference in their careers and dispositions.
Dancing Katerina, Amy was working hard every day to be great, yet also constantly feeling the sting of second best. Laurie's attitude was no help, either. As Ivan, he had a principal role and every advantage and talent one could have, but he seemed intent on wasting it, going through the motions every rehearsal and putting in only the bare minimum in his performance. He had lost his passion for dancing, carrying on mostly out of habit and duty, but he hadn't felt the same ever since Jo left. And Amy, in his arms, couldn't help but feel like a poor substitute.
The pair had been friends for years, before. Even clashing during rehearsals, they did get along well now, managed to become closer than before and have fun together. But this wasn't something they could move past. Amy finally had enough of it. She couldn't bear to see Laurie waste it all like this, throw away everything he had, while she was fighting for every opportunity. He wouldn't work with her, and he wouldn't work for himself. She came very close to quitting the production.
Amy had always been powered by her ambitions, but deterred by the knowledge of how hard it was to succeed in this business. If there was something she couldn't get past, if this was the best she'd ever get, if she'd only reach second tier, only ever good enough, and never great, then what was the point?
Surprisingly, however, Laurie heard her. Amy made him see what he'd been avoiding for years. He knew what he was doing. He knew he was wrong. He just didn't want to face his own pain, didn't want to change, to grow up, to truly leave it behind. But he also knew he had to. If he wanted to keep going, he couldn't be dragged back by the past.
And then there was her. He and Amy had become so close through the course of rehearsals. She had been the one to wake him up, and to see there's a future beyond Jo, to make him start to love dancing again. He desperately didn't want her to quit the show, to quit him. He wanted to be there, to be better for her, wanted to dance with her, wanted to be the partner she deserved.
Laurie committed. He showed up, for Amy, every rehearsal and every show after that. More than that, he worked hard on it, not just for her, but because he'd begun to feel passionate about dancing again. And in his revival, he made Amy feel it too. Though she'd never abandon her dreams, seeing Laurie like this made her remember why she loved dancing in the first place. Not just to be a prima, not just to be great, but to be an artist.
The two of them, dancing together, managed to get past complacency, past ambition, past insecurities. They managed to dance, to create something beautiful, to fall in love with it all over again. They managed to fall in love.
Amy and Laurie made each other better. They inspired each other, captured one another's hearts. They danced together, and together they shined.
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teotoffee · 11 months
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girl's eating good tonight!!!!!
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