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#and it just makes me disappointed
whimsivamp · 2 months
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No hate to therians, especially not canine kin, but when I open up the alterhuman/nonhuman tags, I wish there was more than just animal kin, y'know?
You guys already have a word, you guys are animals and therians, but the word "supernatural" is taken by one of the biggest tumblr fandoms and it's so hard to find my people that way.
I want to interact with more vampires, fae folk, mermaids, zombies, angels, demons, devils, haunted spirits, etc. Even robots and dolls! Where are you at??? I need you.
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chattematsu · 8 months
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[4.0 archon quest spoilers]
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fiendishartist2 · 3 months
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redraw of this post from bunnyfarm's release
kofi|instagram
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dontbelasagne · 2 months
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desperately need to do a presentation on why the Twelfth Doctors journey perfectly represents the transfem experience
their previous eleventh incarnation being suave and hypersexual (i know moffat is mostly to blame but!) is reminiscent of attempts to fit into heteronormative ideals of masculinity. whilst it is not completely insincere, there are obvious signs this does not fit you as a person, it is acted out of desperate need to being seen. as Vastra put it, eleven wore that face, and subsequently that form of masculinity, to be accepted. on becoming twelve, realising even an "idealised" masculinity does not inherently serve them, they retreated into themselves as a person for self-reflection and trying to understand why they feel so detached from who they are.
the "am i a good man" arc mirrors being closeted and having to present as something not inherently tied to your sense of self, but still wanting to be the best of your perceived gender as any failure could leave you spiralling into self-doubt about simply being like any other "man". you ignore your gender dysphoria/questioning by trying to claim a moralistic view of gendered expression. made even more clear by Twelve rejecting Clara's heroic view of them, establishing that even though they have made efforts to be a "good man", that is just a placeholder for their loss of identity.
Missy appearing as she does, who as a character serves as a parallel to The Doctor on what they could become, and her eventual arc in trying to become good is symbolic of the fear around transition regret that internalised transphobia can create when you are closeted. Missy never gives importance to their fem existence other than nonchalant jokes, rather showing a more free and expressive personality devoid of any frustration. this immediately dismisses the transphobic assumption that trans people are only focused on their gender. also, Missy representing trans femininity is inherently tied to chaos and upsetting the status quo, she is the embodiment of what society considers accepting your womanhood as someone previously labelled masculine. what many others, and The Doctor themselves, saw as a need for attention and senseless disruption is Missy not needing to serve a false version of who they are, that they can now focus on becoming whoever they want to be now without losing energy to performing a gender that society has imposed on you. Missy could never have made the decision to stand with The Doctor if she had not given importance to her own queerness.
it wasn't coincidence with meeting Bill, she was the perfect foil for The Doctor to finally let go of their anxious attachment to masculinity. i would even argue for the majority of s10, The Doctor is largely ambiguous in their gender identity and does not fit into any construction of masculinity or femininity. whilst they still present as something socially labelled as masculine, they do not internalise that gender expression. they are uncaring about and not needing the validity that comes with heteronormativity, and thus is free to finally accept the decision they have to make. as Bill says, it is so hard to let go of The Doctor, and that rings true for twelve themselves. but they begin to realise The Doctor can be anyone. yes, they are tired, it would be so easy to simply rest and not give value to who you can become. but choosing to let go of everything you once were to survive is better than oblivion. it is better to let go, to choose another lifetime where the only person that dies is your falsity, to finally get it right and choose kindness. for yourself and for those who you love. they regenerate, not just into another person, but into someone who (if only tv scripts...) can now move forward.
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skitskatdacat63 · 2 months
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DTS S6E1 "Money Talks" - Fernando Alonso & Lance Stroll
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bitwein · 4 months
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Millions knives and his brother Billions belts
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lottieurl · 6 months
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tell me in the tags what's the best book you read this year
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surven-snacks · 1 year
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This one tag: *lives in my head rent-free until I draw it*
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Me: *draws it*
He's rocking it though,
(Pats the top of his head ) This boy is so handsome he can fit so many traumatic memories looks on him
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madamemiz · 3 months
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y'know what i find interesting about sun now that hw2 is out?
i've seen various interpretations of him since the game's release with all the new dialogue and scenes we got ranging from "stressed and in bad need of a cigarette and a three year vacation" to "petty bitch" to "caring but pushed to his limit" and like
the thing is, they're all right
he probably played favorites with some of the kids--cassie's testament combined with his general mannerisms certainly make me think so. sun is a little mean to the player character. he insults you, he talks down to you, he treats you like you don't have two brain cells to rub together when you screw up. in the carousel level, he's clearly begrudging that he can't simply do the job himself. he is petty and he is stressed and he is frustrated
you'd think, then, that sun would happily let moon do what he will with the human employees he clearly detests, with the kids that obviously frustrate him. you'd think he'd make good on his threats to turn off the lights himself, to let these people get what they deserve. how many times have we dreamed of petty revenge on the shitty customers and coworkers we've had to deal with in our jobs?
he doesn't. instead, he resigns himself to a life of isolation to keep moon in check, doing whatever he can to keep anyone else from getting hurt or dying. despite all his hot air, sun cares. deeply, selflessly. when we see him during the ruin segments of hw2, he's shaking in fear, hiding in scant light he has access to in his and moon's horrible room, out of easy reach from most, trying in the only way he can to keep more tragedy from occurring. he knows how bad his situation is; he's acutely aware of it in a way most of the other animatronics don't seem to be. his actions speak far louder than his words, and god knows he has plenty to say
sun is a deeply flawed person who tries to do good in spite of it all, and to me, that's fascinating
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ruporas · 11 months
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only human
[ID: Two page comic in color of Vash and Wolfwood from Trigun Maximum. The first page has a black background and the upper half, behind the panels, is splattered with stylized red blood, scattered bullets, and lifeless hands. In the first panel, it focuses on Vash's boots, showing him stepping through the panel and into the bloody scene. The second panel shows his bloody footprints and the third panel shows his face, his down-turned eyes looking downwards. It's a neutral, vague expression with confliction. At the bottom of the page, the back of Wolfwood's head and shoulder is seen, blood dirtying the white color of his shirt and side of his face. Vash's hand reaches out to him from the right side of the page.
The second page shows the entire scene in full, half the page in light and the other in solid black. At the center, Vash leans down onto his knees as he wraps his arms around Wolfwood's shoulders into a hug. Wolfwood's back is turned away from the viewer, his left arm holds onto his bloodied punisher and his right hand sits on his lap. Light casts from the left side of the page, showing the bloodied surrounding, but the held up punisher casts a shadow on the both of them, shielding them from the light. END ID]
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squeakadeeks · 5 months
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"In this world, I'm known as...the Winter King" 🌨❄️🌬
This cosplay was so so close to never seeing the light of day, as this was the aforementioned project I rage quit to procrastinate with Nekomancer on haha. I really adored the fionna and cake special (and adventure time in general) and wanted to cosplay from it for eons...although I will admit this project was intended to be "generic blue and silver winter regal outfit for a variety of characters" and it was a toss up on whether or not the first run was going to go to the Winter King/Simon or Jack Frost...but I couldn't find my jack frost wig so here we are!
This was my first time working a lot with velvet and low key....I loved it and would love to use it more.
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stromblessed · 5 months
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Mizu's spectacles, and the levels of her disguise
In drafting some more Blue Eye Samurai meta posts, I find myself writing out the comparisons between what Mizu can and cannot hide about herself, and how that affects how she moves through the world.
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Like, I get the jokes about Mizu's glasses, if only color contacts had existed back then, etc. etc., and I think (hope) that most viewers don't take the glasses jokes seriously, as in "I don't care about the suspension of disbelief because BES is a cartoon." But I wanted to write these thoughts out anyway without burying them in a text post about something else.
I think the points I'm going to lay out here are viewed very differently by different people, so please feel free to add to this post, reply, or put your thoughts in the tags!
Not only do Mizu's glasses not actually help her that much, there's surely more to Mizu's mixed race appearance than just the color of her eyes.
In my view, this was pointed out in episode 1:
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I'm willing to bet most of us were expecting young Taigen to say "blue eyes," not "ROUND eyes."
Obviously this is still about Mizu's eyes, but not even spectacles can hide their shape.
I don't think the show is obligated to point out everything about Mizu's face that isn't quite as Japanese as the people around her expect. Though the creators have said that they specifically designed Mizu - and her clothes - to read both as "white" and as "Japanese," as well as both male and female. I think there's more about Mizu's features that read as "white" than just her eyes.
This is where my own headcanons start entering the picture, but it's my impression that people can just tell that Mizu looks different, whether or not they can put a finger on exactly how.
There's the little girl who looks at Mizu and then hides on the way into Kyoto:
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When there's more to your face you'd like to cover up than just your eyes, big hats are a big help!
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By the way, most of these examples have to come from the first half of the season, since by the second half, either Mizu is too preoccupied with fighting henchmen, or everyone Mizu is facing knows who she is already, and she therefore has no reason to hide her mixed race identity.
It's worth mentioning that the mere fact that Mizu has to hide multiple aspects of her identity - her mixed race and her sex - results in her having to choose clothes that really, really cover her up, which doesn't win her any favors either:
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(Zatoichi reference, anyone?)
If it were as easy as, for example, tying her glasses to her head and wa-lah, nobody would ever know she was half-white - then (1) Mizu would've just done that long ago, and (2) Mizu wouldn't be so on guard and on tenterhooks 100% of the time the way she's depicted in the show, even when her glasses are on.
Her spectacles sure don't help her in the brothel, which is full of observant women who are trying to seduce her, meaning they get good long looks at her:
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Mizu never takes her glasses off, but they still send a woman to her who has light eyes, thinking that must be what will interest a blue-eyed man:
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No wonder Mizu gets mad after this, lol
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So Mizu never takes her spectacles off in the brothel, it's dimly lit inside, and the women can still tell that she has blue eyes. I'm getting the sense that Mizu putting on her spectacles isn't a guarantee that people suddenly can't tell that she looks different.
And yet no one spots that she's female.
Mizu can hide her breasts, can wear her hair in the right style, can hide what's between her legs, can walk and talk and behave like a man - and she's been doing it for almost her entire life, to the point that not only is she very good at it, but the threat of being found out as female is deadly, but isn't presented in the show as omnipresent.
Let me explain.
She threatens Ringo for nearly saying the word "girl" out loud, because while she's constantly ostracized for being mixed race, being a woman traveling without a chaperone, carrying a sword, and disguised as a man will get her killed or flogged or arrested or some combination of these things.
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But in addition, it's been drilled into her since she was a child that if she is discovered as female, the combination of her being mixed race and female will identify her as someone extremely specific, someone known to some bad people, and she will be killed:
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I think of it as Mizu thinking to herself, "Being found out as mixed race means I'm treated badly. Being found out as mixed race and a woman means I'm dead."
Mizu's hair is cut as a child. But she isn't made to wear a big hat, or cover her eyes somehow, or anything like that. Because hiding her sex is a more successful endeavor than hiding her race.
Ringo finds out she's female by accident, but once Mizu accepts the fact that he won't rat her out, she relaxes pretty early on in the season. Because the threat of being found out as female is mitigated pretty much 99.9%, since Mizu has gotten so good at being a man. And also, because most of the time, people see what they want to see. Even if Mizu's face makes her stand out as "not 100% Japanese," no one in the world of BES looks at Mizu's clothes, her bearing, her sword, hears her voice, and will ever in a million years conclude that she is a woman, because expectations around gender roles in the Edo period were so rigid and so widely enforced.
One detail that proved this to me is after the Four Fangs fight:
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Ringo takes off Mizu's clothes so he can stitch her up, then leaves her clothes off even after he's done. He doesn't even throw her cloak over her as a blanket or anything. There's a little a straw (pallet?) as a divider there on the left, but anyone could just peek around it and see Mizu and her chest bindings. (I think it's mostly there as a windbreaker.)
And Taigen is right there, but he doesn't give a shit:
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Opinions probably vary hugely on this, but my impression is that because the show doesn't make any kind of deal about Taigen being in the room with Mizu here, my guess is that Mizu isn't in any danger of Taigen thinking she's female. Even when I watched the show for the first time, I assumed that Taigen had seen Mizu out of her clothes here, and that he thought nothing of it.
Eat your heart out, Li Shang (Mulan 1998). I actually do think that this scene is a direct and purposeful side-eye to that movie, lol
There's obviously some nuance to how "severe" being mixed race is compared to how "severe" being a woman is for Mizu:
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After all, Swordfather can't bear to listen to Mizu confess to being a woman.
So a Japanese man can go wherever he wants, whenever he wants in BES. A Japanese woman has limited options: marriage, religion, or a brothel. A mixed-race man is an eyesore in this story. A mixed-race woman is a death sentence.
May as well eliminate the female aspect, and do what you can about the mixed-race aspect. Because that's just realistic.
Meaning Mizu can avoid the strictures Edo society places on women. But she can't avoid the repercussions that come with being mixed race. And I truly don't think that it's just because "there's no brown contacts yet."
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turtleblogatlast · 5 months
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Fun little silly thought I had about the Lair Games and specifically Leo deliberately losing is all the reasons he could have for doing so.
My favorite headcanon for his main motivation is that Splinter wasn’t proud of him anymore.
I imagine that, in the beginning, winning the Lair Games was Leo’s opportunity to shine. He wasn’t artistic or the baby of the family like Mikey, wasn’t a tech genius who created amazing inventions like Donnie, wasn’t the eldest who was insanely strong and dependable like Raph. So he had to shine somewhere else- anywhere else- and what better way to get attention than to be a winner? A champion?
And then he won too much. And it wasn’t special anymore. He got too big headed, too cocky, he knew this was his element and he ran with it.
Splinter’s words of congratulations slowly petered out. Suddenly, there was no real reason to win.
Winning feels empty when the only one cheering you on is yourself.
So- Leo schemed. And he’s a great schemer, fooling his whole family (and Donnie did deserve a win- people were way happier when he won.)
He even gave up his prized possession! His room!
Though he knows his brothers probably think it’s a bad prize. A terrible one, even.
Leo doesn’t sleep much as is, though. So Dad’s snores were more comforting than anything. It was reassuring to hear him so clearly alive and close by.
Even if the distance between them was larger than Leo’d like.
He’d just have to find something else, something more to show his dad that Leo was someone to trust, to be proud of, to love.
He gets his chance soon after, when he needs to pull off a plan against Big Mama at his dad’s side. Leo can only hope this victory is one that has a lasting effect when his father looks at him with pride once more.
Victory, for Leo, is a pretty loaded term.
#rottmnt#rise of the teenage mutant ninja turtles#rottmnt leo#rottmnt headcanons#rise leo#everything Leos do almost always ties back to Splinter send tweet#anyway imo if I was Leo winning every lair game I would be bored as hell#and add on to my own dad joining in with my brothers on being disappointed when I do well?#yeeaaah id be my own biggest fan too#tbh Leo’s big brain plays both in Lair Games and Many Unhappy Returns are his real victories#I will say I was proud of Donnie for doing so well!#he deserves a win definitely#but looking at this from Leo’s perspective and realizing this is JUST before the ‘why don’t any of you trust me’ line hurts#wanna make this hurt more?#how about Leo purposefully wanting to lose…but he was a bit miffed that DONNIE out of anyone won#why?#because Leo makes jokes all the time but Splinter says DONNIE is the funny one#because althroughout Many Unhappy Returns Splinter says how he’d prefer if DONNIE were there instead of Leo#makes me wonder y’know? if there’s any scratchy feelings there#nothing that Leo has against Donnie so much as the assumption that Splinter would prefer him over Leo#which if I was Leo…I’d definitely think so even if Splinter absolutely loves his sons equally#just as Donnie probably assumes the opposite as well#splinter bro plz talk to your sons#but yeah victory for Leo imo is equivalent to acknowledgement#just *seeing* him#so he very easily gets wrapped up in the obsession for being the champion#*lou jitsu* always wins and Splinter wants them more like Lou Jitsu so LEO has to always win or…#or…
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stil-lindigo · 1 year
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the candle.
a comic about rediscovering passion and recovering from burnout.
creative notes:
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it's polite to maintain eye contact!!!!
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bixels · 15 days
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Hey, big fan of your art, especially your Grand Galloping 20s AU! I’m sorry if this is kind of a weird question, but I’ve been trying to figure it out and I just can’t place what GGG Applejack and fluttershy’s ethnicity is. Sorry if this is weird I just adore headcanons about a character’s ethnicities and languages bc I’m a child of immigrants and love seeing diversity in media. Anyways, keep up the great work!
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Ok, but in all seriousness.
In this AU, AJ is White Anglo-Saxon Protestant (but she has one branch in the family tree who're Hispanic. Rosita is technically a very distant cousin). Félicie's parents are white French immigrants, which is why she speaks both English and French.
I bold the first phrase because I know this is not a common head canon for these two (I really love Arab Fluttershy). I hope people don't interpret this as some sorta head canon or representation erasure.
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