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#and now it means I have to make my own content
bolognamayhem117 · 2 days
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Hot Take: Astarion does NOT hate flowers. You just missed a few subtle hints through Act 1 and early Act 3.
Astarion's negativity is directed toward just about anything remotely pleasant as you move through early act three, starting the moment you leave Wyrm's Rock. First thing after Gortash's coronation he marvels near tears at the colors of the city in daylight. If you ask if he's alright, it pisses him off.
There's other instances I can't quite remember but he's a straight crank throughout early Act 3 and it took me several hours of gameplay to have a lightbulb moment about his newly crappier attitude.
He just spent the last two hundred years seeing everything in the overwhelmingly warm dim tones of indoor lighting via sconces, rushlights, and braziers, or the dingy blue gray of moonlight outside. Daylight colors are something he had more than a lifetime to forget and now that he has a chance to remember that vibrancy in his own home town, he knows he's going to have to forget it all over again either by death or by remaining a vampire spawn forever. The worm isn't going to live rent free in his head forever, and killing Cazador to ascend in his place likely feels like an insurmountable and impossible fight against a literal titan who could stomp him flat without a corm of effort.
He doesn't hate flowers, he hates EVERYTHING right now because it's all going away very soon and if he convinces himself he hates everything then he won't miss it when it's all gone again. He was denied this for two hundred years and he's PISSED at what was stolen from him and PISSED it's all going away again.
He behaved similarly in Act 1 about anyone besides him enjoying physical intimacy. Some of this content was cut, to my best knowledge, but the overwhelming majority of his dialog addressing the PC romancing anyone but him are negative or backhanded. This is for two reasons, I think. A: his Simple Plan just dissolved right before his eyes when you chose someone else which in his mind means he has zero safety net, and EVERYONE gets to enjoy sex (key wording being ENJOY, not simply having) except him... And it pisses him off.
He also gleefully interrupts the bug bear and the ogress, I think for the same reason as the above paragraph, being: If he doesn't get to enjoy intimacy neither do they.
He reacts with anger and disgust at anything he's being unfairly denied. Which... That's fair. His feelings are valid, but his reaction to it is pretty shitty and meanspirited.
The other companions I tend to keep in my party, (that is Lae'zel, Halsin, Karlach, and Wyll) however, are actually appearing to behave pretty patiently with him in Act 3 which I find interesting.
In the instance with the flowers Karlach doesn't bother trying to convince him otherwise of his opinion, she just tells him how they make her feel instead and rather than getting snippy or doubling down he more or less agrees to disagree. I also don't recall anyone disagreeing with Astarion during Gale's last quest tasks when he mentioned that he quit praying to gods who wouldn't hear him a long time ago but to be fair, I think the gods did everybody in this crew dirty and they all know it. It seems like they're consciously giving him the space to be mad about things, is what I'm saying.
Everyone I know including myself who crawled out of a long-term hot garbage situation kinda went wild for a bit with freedom, spoke poorly, behaved strangely, had extreme emotional reactions to things, and made some particularly terrible choices. I think that's just a part of recalibrating yourself, healing and learning how to be okay again.
Point is, I wouldn't conflate too many of the turbo-negative things he says with how he actually feels about anything. We certainly know what he says and what he feels are two very different things.
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railingsofsorrow · 13 hours
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don't walk out
[spencer reid x reader]
summary: “we can fight and we can be mad but we can't leave.”  pairing: s.reid x gn!reader  w.c: 1K warnings/content: implied abandoned issues; argument; silent treatment (brief); language; angst.  A/N: guess I'm on a roll today. I just love some angst. 
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“is that supposed to make me feel better?”  
lights had barely been turned on when you spat out a response, breaking the tense silence. your apartment was tidy, nothing out of order, even the pillows where settled two on each edge of the couch like you always did before leaving for work.  
it was the expected. three days away on a case didn't exactly mean your house would turn upside down, would it? unanimated things didn't move on their own. but one thing that was turning upside down was your mood. not only did the journey home came with lots of turbulence, but Spencer had to make an unpleasant comment that made your blood boil. was it wrong that you just wanted to not look at him right now? you were even considering not sleeping beside him tonight. 
“for fucks sake.” you mumbled under your breath when he had stayed silent. he's ignoring you now. great. throwing your work bag on the couch, you didn't even take your shoes off as you moved back toward the door. you can't handle his passive aggressive act and you certainly won't handle his silence treatment.  
“where are you going?” he called out, shuffling out of the bedroom upon hearing the sound of keys dangling. no. no, you're not leaving, are you? “what—” 
“i'm gonna take a walk, spencer.” 
it didn't take a second for him to rush over and stop your exit by blocking the door. “what are the car keys for then?” desperation clouded his tone and you felt guilt building up in your chest, but it wasn't bigger than your frustration.  
“I'm gonna drive.” 
“at this time of the night? you hate driving at night.” 
“are you my father?” he almost flinched at your sharp tone. okay, he deserved that hostility. he's been nothing but rude to you the entire jet ride back home. it's not that you did anything — even if you had done something, it does not justify the way he was treating you —, the case had been hard. it involved kids. the team wasn't fast enough. he wasn't fast enough. you almost got hurt. it was a lot to absorb in a short amount of time.  
he never wanted this: you walking out while you were mad at each other. no. you had made a deal long ago. you both were laughing after your first stupid argument, something about forgetting to fold the laundry.  
“okay, but we can be like this, right?” you said, nudging him. “we can fight and we can be mad but we can't leave.” 
his eyes soften and he almost turns to mush. he understood then that he wanted to spend the rest of his life with you. and yes. you would be mad and you would upset each other but leaving was off the table. he could do that. there was nothing he'd want more. 
but now he'd cross a line. didn't he? how dare he do that? how dare he cause you do want to walk out? 
“i'm sorry.” spencer is still at the doorway when you ask him to move. he won't move. he can't. “i really am. I shouldn't have said that. it was out of line.” 
“really?” you snap. he hears the edge in your voice and the crack. it breaks him. he just wants to hold you, he never meant—means to hurt you. “then why did you? why would you even think about something like that?”  
he holds back his breath of relief once you've put the keys back in the bowl. the lump in his throat diminishing slightly. 
“i was upset. angry— at the case. the whole situation, not you.“ he clarified. “sweetheart, i'm sorry. I didn't mean it.” you're searching his face for some indication of lie that you won't find. “i'm sorry.” 
“you're an idiot.” your anger is gone, there's just frustration now. maybe at yourself, because you can't really stay mad at him as he stares at you with those eyes.  
“i am,” he admits, no ounce of hesitation in his tone. he's fairly certain he is, in fact, an idiot. “i'm sorry.” he repeats and he will repeat over and over again until you forgive him. he will beg if he has to. “don't leave, please.” 
and that is not fair. it's not. he can't make you mad and say sorry and all will be forgiven. he can't look at you with those eyes and think things will be magically fixed. 
but then your armor cracks. suddenly, his behaviour makes sense. 
we can fight and we can be mad but we can't leave. 
“i wasn't going to—” you're ashamed at this point. you were so blinded by anger that you'd do something you promised to never do. “you know I wouldn't leave, right?” then his desperation in reaching the door before you makes sense and you're taken back to the moment you promised not to walk out in a fight. that's exactly what you where about to do.  
“i'm sorry.” you say, staring at the keys in your hands. “i didn't think before acting.”  
spencer nods slowly, taking a step closer towarss your frame. “and I didn't think before speaking. I'm the one that should be sorry.” 
you caught a glimpse at his twitchy fingers and takes one of his hands into your own, letting the keys slip to the floor as you yank him to your arms. he only complies by squeezing you against him. and finally, both of you have what you've been craving since this case started: each other's comfort.  
and then, you repeat. “i wasn't going to leave, you know that, right?”  
“yeah.” he burries his face into your neck and his voice is muffled by your skin. “yeah, I know.” 
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taglist: @lilyviolets ; @whore-for-spencer-reid ; @yeonalie @ninkieminjaj ; 
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communistkenobi · 2 days
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Hi, genuine good faith question if you'd like! How is TOS racist? It was my understanding that the OG Series was like, huge for equality in media?
I’m speaking primarily about the content of TOS itself, not its historical impact - I understand it had various historic firsts in terms of having characters of colour in respectable roles, which I’m not dismissing. My experience with the discourse on here surrounding the show is that people front-load these character representations as emblematic of the show’s progressive politics. Which, if we want to go that route, TOS was contemporary to the US civil rights movement, which provides us with a handy measuring stick to see how TOS actually grapples with race, not just the presence of characters of colour themselves. I'm going to be kind of defensive in this explanation, not towards you specifically, but because I have had this conversation with people online many, many, many times, and so any defensiveness on my part is in anticipation of arguments I know will come up as a result of making the basic claim that a show made in America in the 1960s is racist. I'm also going to be copy + pasting from an older post I've made on the subject since it's been a while now since I've watched TOS so some of the details are fuzzy.
Like okay, the premise of TOS is that the Enterprise, as an ambassador of Starfleet/the Federation, is seeking out new alien life to study. The Prime Directive prohibits the Enterprise crew from interfering with the development of any alien culture or people while they do this, so the research they collect needs to be done in an unobtrusive way. I think this is the first point at which people balk at the argument that TOS is racist or has a colonial conception of the world - the Enterprise’s mission is premised on non-interference, and I think when people hear ‘colonial’ as a descriptor they (understandably, obviously) assume it is describing active conquest, genocide, and dispossession. Even setting aside all the times where Kirk does directly interfere with the “development” of a people or culture (usually because they’ve “stagnated” culturally, because a culture "without conflict" cannot evolve or “develop” beyond its current presumed capacity - he is pretty explicitly imposing his own values onto another culture in order to force them to change in a particular way), or the times when the Enterprise is actually looking to extract resources from a given planet or people, I’m not exactly making this claim, or rather, that’s not the only thing I’m describing when calling TOS racist/colonial.
The show's presentation of scientific discovery and inquiry is anthropological - the “object” of analysis is alien/foreign culture, meaning that when the Enterprise crew comes into contact with a new being or person, this person is always read first and foremost through the level of (the Enterprise’s understanding of) culture. Their behaviour, beliefs, dress, way of speaking, appearance, and so on are always reflective of their culture as a whole, and more importantly, that their racial or phenotypic characteristics define the boundaries of their culture. Put another way, culture is interpreted, navigated, and bound racially - the show presents aliens as a Species, but these species are racially homogeneous, flattening race to a natural, biological difference that is always physically apparent and presented through the lens of scientific objectivity, as "species" is a unit of biological taxonomy. Basically species is a shorthand for race. This is the standard of most sci-fi/fantasy genre work, so this is not a sin unique to Star Trek.
Because of this however, Kirk and Co are never really interacting with individuals, they are interacting with components of a (foreign, exotic, fundamentally different) culture, the same way we understand that a biologist can generalize about a species using the example of an individual 'specimen'. And when the Enterprise interacts with these cultures, they very frequently measure them using a universalized scale of development - they have a teleological (which is to say, evolutionary) view of culture, ie, that all cultures go from savage to rational, primitive to advanced, economically simple to economically complex (ie, to capitalist modes of production). And the metrics they are judging these cultures by are fundamentally Western ones, always emphasising to the audience that the final destination of all cultures (that are worthy of advancing beyond their current limited/“primitive” stages) is a culture identical to the Federation, a culture that can itself engage in this anthropological mission to catalogue all life as fitting within a universal set of practices and racial similarities they call “culture.”
This is a western, colonial understanding of culture - racially and spatially homogeneous people comprise the organs of a social totality, ie, a society, which can then be analysed as an “object,” as a “phenomenon,” by the scientists in order to extract information from them to produce and advance state (ie Federation) knowledge. The Enterprise crew are allowed to be individuals, are allowed to be subjects with a capacity for reason, contradiction, emotion, compassion, and even moments of savagery or violence, without those things being assigned to their “race” or “culture” as a whole, but the people they interact with are only components of a whole which are “discovered” by the Enterprise as opportunities to expand and refine the Federation’s body of knowledge.
Spock is actually a good example of what I'm talking about, because he is an exception to this rule - unlike the others in the crew, his behaviour is always read as a symptom of his innate Vulcan-ness, where his human and Vulcan halves war for dominance in his mind and character. Bones (the doctor, one of the main cast) constantly comments on Spock's inability to feel things, that he is callous and unsympathetic, ruled by Vulcan logic to such an extreme that his rationality is a form of irrationality, as his Vulcan blood prohibits him from tempering logic with human emotion and intuition. Now you can argue that Bones is a stand-in for the racists of the world, that Spock proves Bones wrong in that he is able to feel but merely keeps it under wraps, that Vulcans are not biologically incapable of emotion but merely live in a socially repressive culture, but this still engages in the racial logic of the show - Vulcans are a racially-bound species with a single monolithic culture, and Spock's ability to express and feel 'human emotions' is the metric by which he is granted human subjectivity and sympathy.
And on the flip side you have the Klingons - a “race” that is uniformly savage, backward, violent, and dangerous. In the episode Day of the Dove, where Klingons board the Enterprise along with an alien cloud that makes everyone suddenly aggressive and racist (this show is insane lol), the Enterprise crew begins acting violent and racist, but the Klingons don’t change. They aren’t more violent than before (because they already were fundamentally violent and racist), and they don’t become less violent when the cloud eventually leaves (because they are never able to emerge from their violence and savagery as a social condition or external imposition - they simply are that way). Klingons are racially, behaviourally, psychologically, and culturally homogeneous, universally violent and immune to reason, and their racial characteristics are both physical manifestations of this universal violence as well as the origin of it. The writers and creators of TOS are explicitly invoking the orientalist idea of the “Mongolian horde,” representing both the American fear of Soviet global takeover as well as blatantly racist fears about “Asiatics” (a word used in the show, particularly in The Omega Glory where a fear of racialised communist takeover is made explicit) dominating the world.
This is colonial thinking! Like, fundamentally, at its core, this is colonial white supremacist thinking. Now this is not because TOS invents these tropes or is the origin of them, it is not individually responsible for these racial and colonial logics - these conceptions are endemic to Western thought, and I am not expecting a television show to navigate its way outside of this current colonial paradigm of scientific knowledge. I’m also not expecting an average person watching this to pick out all the intricacies of this and link it to the colonial history of Europe or the colonial history of western philosophy/thought. But this base premise of Star Trek is why the show is fundamentally colonial - even if it was the case that the crew never intervened in any alien conflict, never extracted any material resources from other people, this would still be colonial logic and colonial thinking. The show has a fundamentally colonial imagination when it comes to exploration, discovery, and culture.
I think a good place to end is the opening sequence. The show's first line is always "Space! The final frontier." I do not think the word frontier is meant metaphorically or poetically - I think the show is being honest about its conception of space as an infinitely vast, infinitely exotic frontier from which a globally Western civilisation (which the Enterprise is an emblem of) can extract resources, be they material or epistemic
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bunnysbrainrot · 1 day
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Unspoken Rules
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𝙲𝚑𝚊𝚙𝚝𝚎𝚛 𝟹 𝚘𝚏 𝚝𝚑𝚎 '𝚃𝚘𝚘 𝚂𝚠𝚎𝚎𝚝' 𝚜𝚎𝚛𝚒𝚎𝚜, 𝚒𝚗𝚜𝚙𝚒𝚛𝚎𝚍 𝚋𝚢 𝚝𝚑𝚎 𝚕𝚢𝚛𝚒𝚌𝚜 𝚊𝚗𝚍 𝚖𝚎𝚜𝚜𝚊𝚐𝚎 𝚘𝚏 𝙷𝚘𝚣𝚒𝚎𝚛'𝚜 𝚜𝚘𝚗𝚐.
Relationship: Joel Miller x f!Reader, Jackson!AU
Content: Angst, protective Joel, kissing, sexual themes, make out session, size kink (kind of?)
Summary: The day after the town dance, Joel doesn't seem so sentimental for your time together. The emotional rollercoaster leaves you confused. Something is off about him now, and it's taking everything in you to not leave yourself to blame. Finally, Joel tries setting a boundary, but will he hold to it?
[ A/N: For this series, I invite the reader to make up their own backstory for how they end up in Jackson. I'll keep descriptions in the chapters vague, as I didn't want to assign a backstory when it's something people can have such fun with! ]
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Beep, beep, beep, beep, beep
The gentle chirping of your watch pulls you from sleep, but not without some protest. You groan softly at a headache taking form and begin to regret last night's decisions. Prying an eye open, a green 6:31 AM shines back at you, though the sun hardly shows it through your curtains. A dim lavender sky peeks through instead.
What a nice start to the day, you think to yourself, sighing loudly as you shift to sit up; the rush of movement swells your pesky headache, making you squeeze your eyes shut.
"Shit," you grumble, rubbing your eyes, "fuckin' mead, man... never again."
And especially never before patrol day.
The thought of riding your horse through rough Wyoming terrain doesn't excite you. Instead, you get the gift of an unsettled stomach, but pull yourself out of bed nonetheless.
••••
"Good morning!"
Your neighbor's cheerful greeting rings in your head, but you know she means well. She'd been at the dance last night, too, but you didn't get a chance to talk, from what you remember, at least. Giving her a small wave, you force a smile you hope is genuine enough to sell the 'I'm not hungover' act.
The food stall is desolate, to your relief, save for the man running it. You seem him every time you stop by, though neither of you have exchanged names, but he has memorized your order already. His eyes shine genuinely when he hands you your food.
"It's good to see you again," the man says, "welcome to Jackson."
You smile appreciatively and take the sandwich, giving him a brief thanks before heading off. He provides breakfast for the patrol groups, but never wants anything in return. Maybe you could repay him, somehow, you think. Mulling it over, you tear into the sandwich while you make your way to the stables. The thick, earthy smell of hay wafts past, and the sputtering of horses sounds ahead.
Rounding the corner reveals today's patrol group - it's evidently much smaller than last time.
Joel doesn't turn when your footsteps approach. You spot the beautiful mare you'd ridden last patrol, Belle, occupied with a bucket of hay. She huffs loudly when you meet her, angling her head to look at you, before resuming her breakfast. Joel silently adjusts a hefty saddle onto his horse nearby. Clinking of metal clasps fills the silence before Joel breaks it.
"How's the hangover?"
There's a terseness in his tone, as if forcing a conversation he doesn't want to have. He doesn't turn to you when he asks the question.
You pause for a beat, "Kicking my ass a little."
Joel nods once, "Been there."
This Joel isn't the same man you danced with last night, this version doesn't remember, or simply doesn't care. Nothing from last night was special enough to hold onto today. Shame starts to sink in your uneasy stomach. So he really did mean it, when he called himself a fool for dancing with you.
"Where are we meeting up with the rest of the group?"
A casual tone masks the pain blooming in your chest, and the tears that prick your eyes. You wouldn't dare let them fall in front of Joel. He shouldn't know how much last night meant to you, even if he wouldn't bat an eye at your tears. It seems like last night's biggest mistake was thinking that he, somehow, was true to his actions. When his lips were brushing against your neck, hovering over your ear, before his tone had gone seductively darker.
"Just us today. Smaller groups help cover more ground."
It feels like an invisible string is pulled between you when he speaks, growing more taught with each bated breath and expressionless comment. You come to notice that Belle is already donning her saddle and gear, a task you hadn't done yourself.
Glancing at Joel, you hesitate, "Thank you for getting Belle ready."
Finally, he turns from his horse's saddle and shifts attention to you. A steely look in his eyes reprimands you without words. It didn't seem like a favor. He'd done your work for you.
"Saddling up is the boring part. Not as tricky as it looks, though. I'll ask Maria to show you how," he offers dismissively.
It’s a nice gesture, but the Maria part begins to register. He won’t show you, or doesn't want to spend time alone with you after what transpired last night. Confusion lingers in the back of your mind - Joel invited you to dance, and now it's as if you've never held a conversation before.
You nod, "Sounds good to me."
Even though it was not, in fact, good at all. Maybe last night really was some drunken mistake, but it wouldn't make sense of Joel's demeanor now.
Why did he look like he had something else to say?
••••
"Pretty day today," Joel states.
Sunlight streaks between distant mountain peaks, painting the morning fog with a breathtaking display of orange and yellow. Out of the corner of your eye, you can see how it casts a golden halo around Joel's salt and pepper hair, highlighting its warmer browns. He turns to his saddle bag, giving you a glimpse of his face; the sunlight works wonders. He's warmer and brighter... there's more life to him.
Joel gestures to one of the peaks ahead, "See that mountain over there? The shorter one to the right - we stop at the base of it. On the way out there, we're on lookout, gettin' rid of any stragglers. At the turn-around point we'll rest, and the trip back is supply pickup, in case we find anything."
You clear your throat, carrying on, "Got it... Must be a long route, hm?"
"At an average pace, 'bout two hours or so. If you're bookin' it, you could do it in less than one."
The talking is helpful when it's useful information, but anything else reminds you of last night, of that version of Joel. When he was in such stark contrast to this gruff personality, and if you were being honest, it had intrigued you. Pulled you in deeper.
In fact, from the moment you saw him, he caught your eye. On that chilly morning, where you stood timid and anxious amidst the crowd, something clicked in place when he'd briefly turned to you.
A certain roughness in his look told you that something, many things, has roughed him around the edges over the years. You couldn't tell his age, but you could assume that he witnessed the fall of everything. Back then, the world crumbled with the rise of the infection, its haunting mortality rate, and there was no hope of it being stopped after it had begun. You wondered what Joel's life had been before he ended up in Jackson - how his 'regular life' was, back when the world made more sense.
His accent is distinctly and seductively Southern, one you could listen to for hours. Clearly he isn't from around here - any kind of travel across so much terrain isn't an easy task, and it would take months at a steady pace.
So how the hell did he wind up in Jackson?
Joel reaches for a canteen of water, unscrewing the top and tossing his head back, taking in a few deep gulps. His jaw twitches as he drinks greedily, and follows it with a low, satisfied sigh when he's finished. The sound casts you into a void of unholy thoughts. Something tightens in your core, a feeling that, you now realize, you haven't had in months. Years, maybe.
Effortlessly, Joel shines light on an emotion you hadn't addressed to even yourself: a primal need for something.
••••
With the exception of picking off the straggling infected, the patrol is continuing quite smoothly. The sun is slowly inching its way across the sky, keeping you comfortably warm in a gentle breeze that relieves your dull headache. Now, Joel leads you down a path veering toward an open stretch of pasture at the base of the mountain. Peering ahead, you see the trail reach its end at the start of the field, and beyond spans into a sea of rolling hills that takes your breath away.
"How you doin' back there?" Joel asks.
"Still good," you reassure him.
He nods his head toward a fence far off in the pasture, "We go to the edge of the perimeter, then we loop around. We'll take a breather first, though."
You follow in his stead until he reaches the old wooden fence, dismounting his horse, and carefully tying its reigns to a nearby fence post. Dismounting Belle gives your hips and thighs a wave of relief to get some blood flowing again. You head to the fence on unsteady legs, leaning against the weathered wood as another gust of wind rushes by. The cool wind across your skin makes you turn to face its source, tossing your head back to invite its presence at your neck. Your eyes flutter shut, and the world melts away for a while.
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He wishes he could burn this image in his mind. You throwing your head back as the wind blows, entangling itself through your hair, your clothes. That soft smile tugging at your lips has him completely distracted before you let out a happy sigh. A soft, breathy sound that makes his imagination wander, against his better judgement.
After all, last night was a mistake.
The moment Cara had called for your attention, inviting you to join his group, Joel knew the night would end differently than he expected. You wore a shirt that accentuated every area his eyes shouldn't have wandered to, but they did. Across the lot, he'd watched you dance for hours, spinning and twirling and laughing and really, truly, living. He could see a light in you, a fire that couldn't be put out.
But if you're a fire, Joel is gasoline.
"Listen," he starts. He already knows where this is heading, that he's ruined this moment, and that there will be nothing in his power to make it any better.
But he can't let you fall into a delusion. This idea that you want him, yet you have no idea of what's underneath. He can't have you focused on him when there's a whole community to serve. He's doing a service by telling you now, he assures himself.
Nipping it in the bud.
You turn to face him quickly, knowingly. He can tell by your fidgeting hands that you might know what's coming. And he can see it in your wide-eyed expression, still somewhat hopeful. He braced himself to see that face fall.
"What happened last night... ain't my best moment. I didn't hold myself back when I shoulda have, and I..." he straightens, "it can't happen again."
The words come out meaninglessly. Joel speaks, but can't hear himself, his words come from some far-off mental script he'd prepared when he'd gotten home last night. He can see it hit you - the realization, the way your body goes completely still. Your bottom lip trembles slightly, yet you hold a solid smile despite the hurt he sees in your eyes. Your hands have frozen in place, knuckles growing white from gripping them together so tightly.
"I-I'm sorry, too. I shouldn't have gotten so carried away," you explain.
Your apology is a blow to his gut. Have you been blaming yourself this whole time? As if you could even be at fault. Joel asked you to dance. You were about to go home, and he asked you to stay out of his own selfishness.
He needed that light, that fire. A brightness that only you've possessed, and it had him hooked from the first time you'd spoken, at last patrol. You had strayed away from your position in the party and had wound up next to him. It hadn't registered who had joined him, and before he had the chance to issue a harsh 'stay back', there you were, in complete awe.
Joel remembers it clearly: the way your eyes shone with delight, an infectious smile that for a moment, lifted his spirits. Every patrol was the same. Same people, same routes, over and over and over again with exhausting mundanity. Until you came along.
There was a light about you he could not touch.
In every way you are his opposite. On one hand, Joel is harsh, serious, and doesn't care much about his impact on others, let alone their feelings. You, on the other hand, represent everything Joel could've had for himself - kind, flexible, and you naturally cared for others.
Joel can't seem to remember when he lost that side of himself. He doesn't understand your capacity for kindness in a world this dark.
"You shouldn't be apologizing for anything," he says.
You pause and look toward the ground, wringing your hands again, "I should've just gone home."
If you had, you wouldn't be on the verge of tears right now.
A surge of regret fills his chest. Someone as kind as you doesn't deserve the pain of rejection; you should have someone who cherishes you, who can appreciate your softness without tainting it.
"Why'd you stay?"
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There was no use for excuses now.
It's harder to meet his eyes this time, but you want to see his reaction to your answer.
"Because you asked me to dance."
Confusion knits Joel's eyebrows together when he asks, "And that was so special?"
"Yes. Was it not that way for you?"
He opens his mouth to answer, yet he hesitates. The long pause doesn't much to help your confusion, you truly want to know, to hear it from him first. If it wasn't important, it'd be easier to forget it happened in the first place.
It would certainly be easier than an unrequited love. Anything is easier.
"That's not what I said."
"It's implied," you state. Joel averts his gaze to the fence, idly picking at a loose piece of wood. "It's alright if it wasn't, I just... I need to know."
Another beat passes before he gives his answer, at long last. Joel matches your pose from earlier and leans with his back against the fence.
"It was. Special, that is," he says gently. That softness in his voice was greatly missed, and it's a breath of fresh air to hear it once more. "It's just... you're still new here. I don't want you getting distracted-"
"Are you calling yourself a distraction?"
Joel's eyes dart to you, "Am I not?"
You press your lips into a thin line, making his question ultimately rhetorical. He nods once, then turns his head to you. The intensity of his stare demands it to be met, so you meet his eyes and find a playfulness there, a hint of the Joel from last night.
"Am I one?"
"Telling you would just give you ideas," he teases.
You smirk, "So I am."
"The worst kind."
Shifting your weight on your feet reminds you of the soreness in your legs, so you lift your arms, and push yourself onto the top of the fence, dangling your legs over the side. The silence between you now isn't as uncomfortable as earlier. No, this is the silence of anticipation, wondering what or who will give a resolution.
"What about me is so distracting?" You ask.
In place of words, Joel makes his way to you, positioning himself in front of your swinging legs, which now shook a little more than you'd like to admit. He closes the gap with hands on either side of you, gripping the wood beneath his rough fingers.
There's no way to place his expression when he looks at you again.
He replies, voice low and strained, "Everything."
You can't miss it when his eyes wander to your lips, hovering there a moment longer than he needed to. Taking the opportunity you look at his as well - you knew they were soft, but hadn't felt much of them. Need and hunger are all you can feel as you stare.
When his lips meet yours, there's something that tells you that maybe this situation was inevitable. One look at him, and you knew how you felt, and exactly how willing you'd be to take your time with him.
But today, Joel doesn't need time. He knows what he wants.
He groans into your mouth when you move your lips against his - the sound of a starved animal finally getting their fill. It draws a moan from you, matching him in a sweet harmony. There's a gap between you still, that simply isn't enough.
You reach forward in search of the waistband of his jeans, hook your fingers through his belt loops, and tug Joel forward. His mouth crashes into yours once again, skirting his tongue across your bottom lip, begging for entry. One at a time, you wrap your legs around Joel's waist and secure yourself tightly against him, gripping at his shoulders with a ferocity you didn't recognize.
It's not as slow as you would've liked him to go, but it's the pace you need. For how long it felt to wait, for how impatient you'd been.
And he knows how to deliver it.
His hands roam carefully around your waist, squeezing and fondling with an avarice that shows he's been waiting just as impatiently. Every caress sets you alight, erupting goosebumps along your arms and neck, which Joel is slowly shifting his attention to.
"Joel," you pant, but it's all you can muster. There's more to the sentence, but his lips stop you. They play at the soft skin below your jaw, suckling gently before his tongue slides along your supple flesh, bringing himself to your ear.
He catches your earlobe between his teeth and bites playfully. Another moan falls past your lips, another breathy utterance of his name. Joel plants a kiss below your ear. You card your fingers through his hair, tugging at the soft strands.
"Careful, pretty girl," says Joel, reaching upward to support your head as it's thrown back in pleasure. He weaves his fingers into your hair for a comfortable grip, and pulls your head back further.
The constriction chokes you, but you smile anyway at the dull pain from where he holds you. With his strength, he has you exactly where he wants you, and can keep you there. The high-pitched moan you sing next has Joel losing his composure, his actions growing sloppier as you continue.
But, to your surprise, he releases you first.
Joel pulls back with a final kiss pressed to your lips again, a deep and savoring one. The back of your head stings from the grip he held on it, though it gives you a rush of adrenaline you won't trade for anything.
The sigh he lets out is one you can recognize, because you're breathing the same one.
This complicates things.
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Hi guys! I hope you enjoyed this chapter, it took a long time to write, and I think it's because it's not smut, and it was very frustrating, so next chapter will have a LOT more (i'm already plotting)
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charliemwrites · 5 hours
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Three to Flee
Commission from the very sweet @ignoreprotocol
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Someone leaves the door open and the pets get out.
Content Warning: Established kidnapping situation, unhealthy relationships, collaring
Author's Note: This does not mean Keeper/Kept is back. As far as I'm concerned, that story is finished, but this was a special case.
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Shockingly, it’s not Feral that brings it up first.
The girls are having a little picnic at the edge of Johnny and Shy Thing’s yard, shaded by the tall trees. The men are chatting on the porch, sharing cigars and whiskey, far from earshot. Good behavior has earned them this bit of privacy, and so far, they’ve just used it to exchange keeper notes and offer bedroom advice.
“I can’t believe you don’t even have a fence,” Good Girl muses, glancing at the forest beyond. Her own yard is well fortified. It’s not just the sturdy, unclimbable fence, but also the monitors and floodlights connected to it.
Shy Thing sheepishly mentions a failed escape attempt several months earlier, a mad dash through the woods that ended with her dirty and disciplined. That prompts Good Girl to confess her own ill-fated getaway, a midnight attempt at sneaking out that resulted in a bruised ass.
Feral listens with her head cocked, nibbling at her apple slices. When their eyes turn to her, she shrugs.
“I haven’t tried to leave in a while,” she admits, “but I don’t think it would go well.”
Good Girl frowns. “How do you know if you haven’t tried?”
Feral snorts. “You’ve met Simon, haven’t you?”
All eyes turn to the boys on the porch. And there’s Simon, watching. Feral makes a rude gesture his way and they can see his shoulders shaking with a chuckle.
“Besides… it’s not so bad,” she muses. “Most of the time.”
Good Girl sits back, expression twisting. “I don’t want it to be ‘not so bad,’ I want it to be good. And I want it that way all the time.”
Shy Thing shifts. “What’s so wrong with John…?”
Good Girl huffs and begins picking at threads in the blanket. “He’s… fine. I mean, he would be if I could just leave. Don’t you miss being free?”
Feral hums.
“I… I miss going to the store when I wanted… or just… walking around town,” Shy Thing admits slowly. “I miss coffee shops and parks.”
Good Girl groans in agreement. “I miss the internet. It’s like being a fucking teenager again, having all my activity monitored.”
With a little more momentum now, Shy Things continues, “I haven’t been alone in months. Just… by myself. Doing whatever I want.”
“And not having rules,” Good Girl adds, sipping at the mojito John put in a little travel cup for her. “Fucking… sick of having a bedtime and chores and a fucking collar. Aren’t you sick of it?”
It’s directed at both of them, but Shy Thing nods, hands fidgeting.
“It gets to be a lot sometimes,” she mumbles, “I think I warmed up to Johnny out of pure exhaustion.”
Good Girl huffs again, worked into a proper fuss now. “And they’re so smug about it. Like we’re just these good, trained pets.”
Feral pipes up, “We could leave together.”
Both girls swivel to her with varying degrees of shock, hope, and disbelief.
“You said you didn’t think you could get past Simon,” Good Girl says.
Feral snorts and stretches out on her stomach in a mottled patch of sunlight creeping through the leaves.
“Yeah, I couldn’t on my own,” she explains, “but between the three of us…”
It’s uncomfortably simple when it happens. They just need to wait until the next big mission.
All three of them beg (or in Feral’s case, demand) to spend that time together while the keepers are away. It’s not unusual for the creatures to meet up when one or more of the men are gone. With all three off on a mission this time, they sniffle about being lonely and wanting company. That their houses feel too big and empty, that cooking for one is depressing.
Johnny caves instantly; John agrees on the stipulation that Good Girl is on her best behavior before he leaves. Simon, of course, is a foregone conclusion.
They go to Simon’s house. It’s the safest of the three homes and has the most space. Not to mention the girls will have some sort of access to the outside with the enclosed sunporch.
On the day of the mission, Good Girl and Shy Thing show up with fully packed bags, ready for their extended “sleepover” with Feral. The pets see their boys off, behave as normal for the cameras until Shy Thing gets the “heading out” message from Johnny. That’s the greenlight.
Feral has her own bag of things that she packs quickly and expertly. They fill a fourth bag with nonperishable provisions, just in case. Each of them has cash that they filched last minute from their keepers’ wallets – knowing they wouldn’t check them just before a classified mission.
The girls know it’ll be a day or two before anyone checks on them. Even Kyle is away with the team this time.
And then it all comes down to walking out the door.
The front door is, of course, locked. All the windows have alarms on them, and so does the garage door. But the sunporch…
“He didn’t lock the door,” Feral realizes as it swings open. And the alarm only engages when it’s locked.
All three of them take a single step out into the open air. And stop. Stare at each other a little moon-eyed.
They just left.
They stride at a quick clip around the side of the house and down the road. It’ll be an hour-long walk into town, but they have thick coats and each other for company. They chatter as they follow the pavement, just within the tree line out of caution. Pretend its giddy celebration at their escape and not a distraction from the creeping mix of dread and uncertainty beginning to simmer within each of them.
When they reach town, they blend into the crowds, weaving through the streets until they find a low-end hotel. It won’t be anything fancy, but at least it seems clean enough. Good Girl does all the talking with the receptionist (also a lady, thank god) since Feral and Shy Thing are jittery from so many people. They get a one-bed room with easy access to the fire exit.
 It’s only after they’re inside that reality sinks its claws in.
They’re free. For the first time in months, they’re outside with no one standing behind their shoulders or holding their arms. No one to appease, nothing to behave for.
And Shy Thing throws up in the toilet.
“This is scary,” she wheezes, eyes watering. “I’m scared. I want—”
Though she stops, the other two know what the end of that sentence was. Good Girl rubs her back.
“Don’t worry, they’re not going to find us,” she soothes like she doesn’t know why Shy Thing is really scared.
Neither Shy Thing nor Feral reply. The answer hangs in the air, unspoken. We want them to.
Feral, feeling restless, goes back into the main room and begins rummaging through her bag.
“What are you doing?” Good Girl asks, giving Shy Thing privacy to clean up.
“Looking for something to cut that off with.” Feral nods to Good Girl’s collar. “It’s probably chipped or something. We should have taken it off at home.”
She stops as the blood drains from her fellow creature’s face. They stare at each other across the tiny motel room, the weight of their successful plan pressing heavier and heavier with each passing second.
“I…” Good Girl rasps, “I…”
“You don’t want to.”
Her eyes well with tears. “No.”
Feral drops her bag and crumples to the ground, tugging her knees up to her chest.
“Why don’t I want to?” Good Girl whispers, curling her arms around herself. “This… this was my idea. I complain all the time. Why do I miss him already?”
Shy Thing appears in the doorway, sniffling. “I-I don’t know if I can do this. I can’t imagine life without Johnny. I… I don’t know if I want to have a life without Johnny.”
And Feral, still on the floor and trembling all over, just looks at them with huge tears running down her face.
Needless to say, when three rather miffed keepers in full combat gear throw the door open at 3am, they are not expecting armfuls of distraught creatures sobbing into their chests.
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Not sure if you’ve been asked this before, but what are your favorite/essential mods for new vegas? I’ve only ever played it unmodded so I’m curious
Good question! I definitely have answered this before, but that was so many years ago. It's only now that I've taken the opportunity to overhaul and modernize my own mod set-up that I've been figuring out the answer to this question myself. But I can definitely talk you through the most important parts of my new load order.
First, however, every single person modding this game in this day and age absolutely needs to start with the Viva New Vegas modding guide, and follow every step to the letter. The recommendations are air-tight and the instructions are written and presented as if you, the reader, have never even seen so much as a computer before. It's amazing. The "Base" of VNV contains nothing but bugfixes, lightweight unofficial patches, performance optimizations, and other under-the-hood stuff designed to remedy FNV's infamous stability issues while maintaining a completely "vanilla" feel. This makes it absolutely necessary, in my opinion, even for people who don't actually want to play with any (other) mods. Especially crucial to this guide is its mandate to use Mod Organizer 2; if you're using Nexus Mod Manager, Vortex, or Fallout Mod Manager any time since Biden got elected, you are shooting yourself in the foot plain and simple. The best endorsement that I can give of Mod Organizer 2 is that it mods you game completely virtually, meaning that if you fuck your mods up beyond repair, you can just go to your actual FNV launcher in your root folder and boot up the vanilla game like nothing ever happened.
And the "Extended" section of Viva New Vegas consists of more modding tools, quality of life tweaks, content restorations, and a curated list of strongly recommended gameplay modifications that nevertheless all come down to your personal preference (though deviating from their provided list may make you use your brain a little bit when choosing the right compatibility patches, and so on).
This isn't going to cover every single thing that I play with, but here's everything that I would think to suggest to anybody who asked. With that said, here's Fallout "Lou" Begas's Mod Recommendations, 2024 Edition:
Viva New Vegas Extended: Lou's Preferences
VNV Extended recommends several gameplay modifications that come down to personal preference. I installed just about all of them, with a few exceptions (I don't care at all for B42 Optics, for example). Here's some specific details:
Just Assorted Mods has a hell of a lot of features but I actually enable are breath-holding, the vanilla sprint, and the loot menu (though I flip-flop often on using JAM's Bullet Time in place of V.A.T.S.). If you install VNV and boot up the game and wonder "what is all this fucking shit on my HUD," it's probably some of Just Assorted Mods's components. Just disable the ones you don't want in the in-game Mod Configuration Menu, which you will also have available if you followed the instructions for VNV Base.
Vigor is a modernized fork of JSawyer, the mod that was originally created by FNV's own director after the game's release that tweaked a lot of under-the-hood game settings and statistical balance to his personal preferences. JSawyer Ultimate Edition a more faithful modernization of the original JSawyer whereas Vigor is "a more lightweight alternative" that dials back some of the more drastic features of JSUE. Your choice of these, or none of them, is purely personal preference, and my preference is for Vigor. Any form of JSawyer is strongly recommended if you play in Hardcore Mode.
Simple Vigor Config is used in conjuncton with Vigor and is an intuitive and easy way to overwrite Vigor's gamesetting changes with your own preference. I use the config to adjust carry weight to a much more punishing (25 + 5*STR) formula that incentivizes the use of backpacks, mindful inventory management, and companion inventory space; and to increase the starvation, thirst, and sleep Hardcore Mode rates to 10, 5, and 14 respectively.
Desert Natural Weathers is the weather mod to end all weather mods, in my view, and it includes configuration for customizing the darkness and visibility of nighttime. This effectively obsoletes former dinosaurs like Darker Nights Ultimate Edition. Refer to the post that I made on DNUE's Nexus page here for a copy of my settings to darken those dang nights with DNW.
In AIStewie's Tweaks's nvse_stewie_tweaks.ini file, I set bCustomSpecialPoints = 1 and iNumPointsToAllocate = 35. This slightly reduced starting stat spread forces you to make tradeoffs in your character creation, because it starts with a perfect middle 5 in every stat. Every addition above average will require a subtraction below average. The "Essentials" INI included with VNV Base is all that most players will ever need, so this is my one specific personal tweak that'll keep you from scrolling through every single option in the whole damn thing (though I also recommend enabling the tweaks that hide all of your skill check tags in dialogue for more immersive and less gamified roleplaying in conversation: set bNoSkillTags, bRemoveFailedSuccessText, bRemoveRedOutline, and iRemoveTags to all = 1. )
Lou's Personally Valuable or Sentimental Tweaks and Fixes
Better Pause Menu Screen (Simple Blur). I play with an ultrawide resolution and the vanilla pause menu filter doesn't actually extend past 1920x1080. So this is really vital, lol.
Vanilla Animations Weapon Scale Fix. This mod will fix a common issue with custom weapons and animation mods where your weapon will become invisible because its scale has gotten stuck at 0.
Companion Carry Weight Fix. All companions in the game have an invisible attribute called "companion suite" that, among other things, halves their carrying capacity based on their actual stats. If you play with a super low carry weight formula like I do, you can see how this is a problem. Here's the solution.
Miscellaneous Tweaks Collection includes a few files that I get great use out of: No DLC Recipes Early (great unless you integrate DLC crafting ingredients into your base game somehow) and Vendors Have Throwables (why the fuck are throwing weapons so hard to find in vanilla!). There are others that I use as well but I recommend these two the most generally.
Lucky 38 Suite Upgrade Terminal Tweak is a very cute little mod that removes the ugly wall-mounted terminal and makes you purchase your suite upgrades from the actual computer on the desk in the master bedroom instead.
I Fought the Law - Simple NCR Start finally gives you a good reason to check out NCRCF if you're not siding with the Powder Gangers.
Hire Cass Early was my "dream mod" for the longest time, and thanks to some help, it's finally a reality. Simply pick up the letter that this mod adds to the Mojave Express office in Primm and you can recruit Cass right away (through the usual persuasive requirements) without ever stepping off the road from Goodsprings to the Mojave Outpost. Part of my ongoing "make @ikroah real" project.
Harder Strip Access. Getting into Vegas to finally confront Benny should feel like a tremendous accomplishment. This mod makes it so. Better pony up the caps or call in one hell of a favor, kid! With any kind of tougher economy mods, especially, this mod makes it wonderfully Herculean to just buy your way onto the Strip.
Balance Tweaks
Pseudo-Realistic Carry Weight - No Weightless Item Overhaul and Realistic Bottle Cap Weight. The former is actually an optional file; the main file just implements the the carry weight formula that I was coincidentally already using. The latter just forces you to think strategically about how much money you're walking around with. Can you tell that I love inventory management? Note that if you give bottlecaps weight, you should definitely let yourself drop them when necessary by editing Stewie's Tweaks (bShowCurrencyInContainers = 1).
Carry Weight Affects Speed, Med-Tek Trauma Kit (Lou's Version), and More Conditions to Fast Travel. The first appearance of my own mods on this list! These three mods in conjunction tie your encumbrance and your overall health to your mobility far more strictly. I love the balancing act of packing enough supplies for an excursion while leaving enough room for loot that I can still fast travel with, and the choice to get greedy with more loot than I can comfortably carry and just hope to not run into danger on my slow walk back toward a merchant. My tweaks to the classic Med-Tek Trauma Kit mod apply this level of emergent gameplay and resource management to your limb health, though it makes the game much more difficult unless your character specializes in Medicine. I haven't tried it myself, but Simple Healing System is fully configurable, modern mod that I've had my eyes on and that might be better for most general playstyles, and it might even be compatible in conjunction with my Med-Tek mod for extra intensity!
Better Charisma (Charisma Affects Dialogue Skill Checks) and/or Charisma Affects Reputation. I've always been very frustrated with how much of a meaningless dump stat Charisma is, and the phenomenon of the 1 CHA 100 Speech player character in general. These two mods, which you can use just one of or both together, give Charisma much more meaningful and palpable functionality.
Terrifying Presence (Lou's Version), speaking of Charisma, changes the requirement for this perk from Level 6 and 70 Speech to Level 2 and 6 CHA, making it much more accessible to more types of intimidating characters. This same mod includes alternate options to take it as a trait instead, with the drawback(s) of either tanking your Speech and Barter and/or increasing your addiction chance. See also: Less Snarky Terrifying Presence.
New Vegas Karma Rebalance is a great under-the-hood mod that makes FNV's nearly vestigial karma system less nonsensical without removing it or its effects on the player entirely. Thanks to this and Mass Ownership Tweaks, which is already included in VNV Extended's recommendation of Essential Vanilla Enhancements Merged, Cass won't hate your guts just for stealing a few things from Caesar's Legion at Cottonwood Cove, especially not after you've already killed them all.
Damage Multiplier solves the sluggish damage sponge problem that plagues Bethesda engine combat by simply multiplying all damage dealt globally, both by and to the player, by a factor of your choosing. I use 2.5x, which is usually enough to kill any level-appropriate human being with a single shot to the head. 2x should be the minimum. Combine with Combat Enhancer NVSE and NPCs Use Ammo for overall faster but much more ferocious and intense combat engagements.
Visuals and Animations
Third Person Camera Overhaul. Though I'm still getting used to its extremely specific configuration settings, this is vital for a third-person enjoyer like myself. It obsoletes any and all "dynamic camera" or "shoulder swap" mods of the past. Once you figure out how it works and what you like, you're set for life.
Realistic Movement and Dramatic Inertia. Although a little goofy, it has never felt better for me to physically move around in the game than it has before. I like the weight and get-up-and-go that this mod has for me as a player, but it's especially significant in firefights and other combat situations where, now, your targets can't dodge bullets by shifting direction instantly or stopping and turning on perfect dimes. For a single, less heavyweight alternative, try 360 Movement and Diagonal Movement together instead. Each pair of these mods is incompatible with the other pair, however.
B42 Loot, B42 Interact, and B42 Inject. I recommend a lot of the B42 family of animation overhauls in general (except B42 Optics, lol) because I just love seeing my character actually do the things they're doing. For B42 Loot, I use the included config file to disable the "force pull" effect, and for B42 Interact, there exists compatibility patches between it and its more third-person oriented counterpart Animated Ingestibles, but I'd only look into that if you know what you're doing (though, I do).
Character Kit Remake is a mod that I was turned onto recently. For a long time I have scoffed at character appearance overhauls out of nostalgia for those classic gamebryo engine potato-faces and what I thought was, to be blunt, the tasteless ineptitude of the actual overhauling. But I do really like this one, even if the showcase of screenshots do a really bad job of selling it. It looks a lot better in motion and in game, I promise. i think that these people are just not good digital photographers.
Height Randomizer. It's funny how much you can get attached to a minor character when they are, for whatever reason, especially tall or short. This lightweight mod just adds some height variance to all NPCs in the game that don't already have a non-normal 1.00 height setting in vanilla.
The Strip Groove. Dance on command. Endorsed.
Items, Economy, Crafting, Survival, Repair, Etc.
Gloves Galore (Lou's Version), Power Armor Gloves, Combat Armor Gloves, and White Glove Society Wear Gloves. Anyone who has followed me long enough on here should know that I have strong, totally normal feelings about gloves.
Armed to the Teeth Redux and literally any backpack mod. I've used this duffel bag forever, for example. I love these ones because I personally love when you can physically, literally see the things that a character is supposed to be carrying.
Flashlight NVSE. Another piece of Agnes Sands's arsenal, this is the one "old" mod that I can't quit. Even if it is a little janky, I've yet to find a better directional flashlight mod. Only install this is you think you can handle wrestling with it a little, and make sure your "Exterior" flashlight settings are all on the lowest quality regardless of computer specs (or else it causes flickering). It's a must-have for darker nights, too.
Famine is the last "loot scarcity" mod you'll ever need. Combine it with Harder, Barter, Faster, Stronger from the VNV Extended recommendations list for a really tough time affording even basic necessities without tailoring your build for mercantile success... which is just how I like it.
Cheaper Repair Costs. The vanilla formula for determining the cost of weapon and armor repairs at merchants is, in a word, fucked, where it literally costs twice the weapon's base value to repair it from broken. This mod lets you adjust that proportion so that you won't be better off literally selling and buying another gun in every single case. I play with a rate of 67% (which means that paying a merchant to repair a completely broken weapon from 0% health to 100% health will cost 67% of the weapon's base value).
Alternative Repairing does too much cool, practical shit to the base repairing system to even get into here. To keep it short, it intuitively incentivizes actually scrounging for all kinds of formerly useless junk that you can now scrap for spare parts. Check it out.
Water Overhaul. Ever play with a Universal Water Bottling mod and find things suddenly far too easy? Water Overhaul combines all the convenience and sense-making of bottling water anywhere with the much-needed tradeoff of truly purified water being much rarer. All that convenient H2O is now just radioactive enough to keep Goodsprings Source from singlehandedly breaking the survival economy of the game (not to mention the literal economy).
Cowboy Coffee and Coffee Grounds, my own mod that adds brewable coffee to the wasteland. While mostly just created because it's cute, it's really nice to have a reliable and palpable source of sleep deprivation relief when playing in Hardcore Mode.
Gun Oil From Animal Fat, another mod of mine that provides a cheaper, craftable, and less demanding but less effective repair option to complement Weapon Repair Kits. I patched this one recently to fix some old issues, and it's great for incentivizing emergent gameplay (since you need to hunt for meat, and cook the meat for fat, and combine the fat with loot to make the gun oil).
Sound
Less Constant Music and Passive Combat Music Tweaked do exactly what they say on the tin and are perfect for people who like to get immersed in the natural sound of their environment, especially if you're a chronically stealthy player like me and you've trained yourself to constantly listen for enemy footsteps. I do recommend keeping Less Constant Music disabled when you first start a game, though, because until I can figure out how to add an exception to it myself, it will remove the background music from character creation at Doc Mitchell's house more often than not, and I really like that music.
SPEAKING of Doc Mitchell's music, Try Not To Get Killed Anymore is one of the first mods I ever made and it has never left my load order. It simply replaces the musical sting that plays when you die with an emphatic, tolling bell and the refrain from Doc Mitchell's theme, plus an optional version that includes his ghostly voice telling you to try not to get killed anymore. Two of my other personal sound replacers are the Mysterious Stranger Level-up Theme, Simple Snap Sound Effects for Quest Updates, and Mechanical Camera VATS.
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lvndrdaaze · 2 days
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Diluc NSFW Alphabet - B, E, M
No one requested this but my husband's birthday is coming up and I wanted to write for him so I did ¯\_(ツ)_/¯ I'm accepting requests for NSFW or SFW alphabet hcs for Genshin men, pls drop me an ask if you'd like to <3
(fem!reader, NSFW so no minors allowed!)
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B= Body part (favourite body part their own or their lovers)
Diluc had never been all that bothered by people's body parts before meeting you, but now, he's obsessed with your tits. And he's very bad at hiding it too, much to his own chagrin. Whether big or small, it doesn't matter to him. His eyes are drawn instinctively to the slight peek of cleavage revealed above your neckline when you lean over the bar at Angel's Share, and his entire face flushes a deep pink that has both you and Kaeya grinning. He adores the way they feel in his hands, so soft and pliant against his calloused palms, and he loves the noises you make when he plays with them. His favourite thing is taking a nipple into his mouth, swirling his hot tongue around the bud hungrily whilst he listens to the whimpers you let out.
On himself, Diluc is far too humble to pick a favourite part of his body, but if he were forced to choose, he'd say his shoulders. He loves the way you cling onto them whilst riding him, your nails leaving marks in the muscles as your hips rise and fall sloppily in his lap, or the way you bite down on them while he folds your body in half and pounds his cock into your wetness.
E= Experience (do they know what they’re doing)
Before dating you, Diluc was a virgin. He's been so busy practically his entire life, first with the Knights, then in Snezhnaya, and then with all of his responsibilities back in Mondstadt. Most nights, he doesn't have time to sleep more than a couple of hours, let alone share his bed with someone else. Plus, hardly anyone has gotten close enough to him for sleeping together to be a realistic possibility. However, this doesn't mean he's totally clueless about sex. Working as a bartender every night means he has heard enough drunken stories to provide him with some helpful tips on how to pleasure you.
M= Motivation (things that makes them tick/turn ons)
For Diluc, it's the emotion and intimacy of the scenario that gets him going more than anything else. When he can feel the adoration in your gaze even from across the room, when it's quiet and you're smiling at him and he feels more content than he has in years- those are the moments that he feels he has to have you. He fully gives himself to you in those moments, bury himself in you for as long as you'll allow, to turn the unfamiliar fluttering in his chest into raw pleasure for the both of you to share. All of this isn't to say that Diluc can't be provoked into getting hard with a carefully planned lean over the bar or an even vaguely suggestive quip thrown in his direction, but those are reactions borne out of want; where emotions are involved it translates into need, and turns Diluc from a stoic businessman into a desperate, almost animalistic lover.
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Feel free to request more NSFW/SFW alphabet headcanons! More info in my pinned post ^-^
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fluideli123 · 3 days
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Sonadow Fic Rec
Okay, before you jump down to the masterpieces listed below, I just wanted to state this:
These authors have given this phenomenal content for free, baked with time and effort. I have never once ignored this, hence why I try and comment on each and every one of these fics. However, my energy and ability to be verbose differs day to day. Some of these fics I have not given proper comments for, despite this, I will be on it the moment I can be. In the time being, (once I am able to find my comments on each of these fics) I will be sharing my adoration for them further in other posts (and most likely link back to this one).
With that being said, please, PLEASE take your time to check each of these fics out. If they're not your cup of tea? Valid! But hands down I have never dedicated myself to making a fic rec like this until now. But I MUST share and spread these works, they are much too dear to me not to, and I mean that from the bottom of my heart.
(All fics are listed by order saved in my bookmarks, not in the order read)
tangled threads and bite-marked shoulders by @rubyiiiusions
Words: 32,287 | Series | Complete
Shadow hissed in pain. The laser had just grazed him, but it still stung, and he instinctively gripped the wound it left on his arm. “You dare-” He stopped. The laser hadn’t hit him. In fact, it had struck Sonic, right on his lower left arm. So why did his forearm feel like it just got shot? He whipped around, fear climbing up his throat, and he suddenly became hyper-aware of something new. It was like a sixth sense, feeling the confusion that emitted from Sonic’s fur in waves as if it was his own. “What did you do?!” Shadow snarled. or, eggman accidentally soulbinds shadow and sonic, and no one has any idea how to undo it.
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Sleepwalking by Tirainy
Words: 22,117 | Complete
'There is a strong arm curled around his torso, the appendage keeping him close to its owner, whose warm breath is ghosting over the back of his neck. Sonic is sure he went to bed alone the previous night, but he isn't worried about the intruder. After all, this isn't the first time this has happened…'
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Secret Admirer by @trenchcoat-gecko
Words: 24,313 | Complete
Sonic understood well what it meant to be loved. He was a world-famous hero, after all; his presence never went unnoticed. For the most part, he lavished in that attention, he soaked it in and encouraged it. But not romantic attention. So, when the blue blur found himself falling in love? Well, the prospect was rather daunting, no matter how easy Amy had made it out to be. So maybe, just maybe, he should just take the easy way out...
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Rose Drops Series by @magicstormfrostfire
Words: 122,489 | Series | Complete
Love, Intuition, and a little bit of magic ensues as Amy sends Sonic and Shadow on an unforgettable adventure.
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Wolfboy by @trenchcoat-gecko
Words: 73,856 | Complete
World-famous monster hunter Shadow the Hedgehog has a job to do. It doesn't take long for the one-shot wonder to realize that this job won't be as simple as he'd expected: a small town, rumors of a lone werewolf, and a handsome, green-eyed, chronically-injured casanova who manages to worm his way into Shadow's heart... What starts off as a simple job turns out to be something much more life-changing.
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Blizzard Bedfellows by @magicstormfrostfire
Words: 21,294 | Complete
When a rare blizzard takes over the island, Sonic is on the run to make sure a certain angry loner is safe and sound. Y-you know, because...uh that's what heroes do.
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We never met but can we have a cup of coffee or something? by @whitejungle
Words: 3,630 | Complete
It's been almost two months since Sonic lost someone he didn't even know, but he can't stop thinking about it.
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Clean Slate by nottheweirdest
Words: 155,880 | Complete | Note: Squeal pending and I am cheering you on author!! Whatever you decide I am excited to support you!!
Shadow has lost himself before. He knows what it's like to straddle the line between reality and false memories, but this time, it’s Sonic whose memory has vanished. A premeditated set of circumstances and an accidental injury leave Sonic with no memory of who he is, his life, or more importantly, his painful history with Shadow. It’s up to Shadow to remind the hero who he is in the midst of a global outbreak. It’s a chance for redemption. It’s a chance to right the wrongs of the past. It’s a clean slate.
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say i reckon (i love you, for a millisecond) by @redamancering
Words: 30,205 | Complete
There’s a hand on his shoulder, barely making contact. A red gauntlet glows around the wrist. Sonic blinks, the pain having evaporated so fast he feels almost weightless. “Shadow?” Shadow’s breathing heavily. “Problem.” The retrieval of the ancient tech Shadow (and Sonic, in tow) has been sent to uncover takes a turn for the worst. In this case, the “worst” means… becoming physically and inextricably linked to each other. For the foreseeable future. OR: Metaphysical handcuffs, and general gay buffoonery.
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Judge my sins, not my feelings by yellothebeeloved
Words: 228,479 | Complete | Note: Possible one-shots pending from the author for the series, I am here to support you author!! What ever you decide I'm here for it!
Maybe he's not meant to touch. It's the newest excuse he thought of in hopes that he could prolong the game a little more; a careful ruse to enjoy the bittersweet torture of seeing the days pass them by, while he pretends he doesn't seek azure blue whenever he's restless. At first, all he wanted to do was watch: but now the desire to touch, to have, to affect is at a point where he's not sure whether reaching for Sonic would truly be fruitless. He wonders that especially when Sonic's eyes light up upon seeing him. When he corners Shadow, when he invades his space and he touches and takes and then excuses it by calling it a fight. Shadow truly wonders then: if only he was brave enough to reach out, what would his grip find? Loose stars or a battle-worn body? Standing up, he glances at Sonic again, whose eyes have now met his own. There's something heavy in the eye contact, something Shadow doesn't dare name. Neither of them say anything, and yet Sonic's eyes move away from him again, like they did. Shadow warps away, hiding from the stars once more.
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Child of Prophecy by @trenchcoat-gecko
Words: 139,321 | Completed
On the night the Mobius Castle was ransacked, the Queen received a prophecy. “One of three will not cry; send him down the river, for you can only save your kingdom if he does not grow up royal.”
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Coming Home by nottheweirdest
Words: 55,740 | Completed
Shadow's life has been full of mistakes, some worse than others, but admitting his unrequited feelings to Sonic tops the list. He's spent the better part of a decade ruminating on his regret and hiding from feelings he couldn't bear to face. He never thought he'd see Sonic again, and he told himself that was for the best. Until now. At the bequest of his former rival, and in an attempt to finally get closure, Shadow has returned to Central City. The reason? Sonic the Hedgehog is marrying Amy Rose. And Shadow is invited.
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kristsingto · 2 days
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Thinking about the Mock-Trailer for The Ex-Morning
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Pathapi is said to be the Best Reporter of the Year in the beginning. How. I want to know his career accomplishments so badly? I need to know how he got here!
I’ve been considering why Pathapi acts the way he does in the beginning. Has he always been like, since his university days? Or was it perhaps heartbreak and the passage of time that’s made him more like this? 
Aou is being made to play the exasperated best friend in Be My Favorite and the rival with coffee thrown on him in The Ex-Morning. Someone give both characters a raise. And a boyfriend!
I looooove the trope of the arrogant, whiny jerkass in a successful position who gets humbled. And that paired with him rebuilding his reputation with his ex-boyfriend of all people? I am so ready to see Pathapi’s character arc, and the things Tamtawan makes him do in this trailer makes me think he’ll get more in-tune with the spirit of good reporting and why it’s so important.
How does Tamtawan know and decide to come back? Obviously, he wants to help Pathapi and is still in love with him, but why did he leave? WHY DID HE LEAVE? Later in the trailer, when present-day Tamtawan leaves, it’s after he’s told “Tam. You have two options now.” What are the two options? The way Tamtawan leaves and the look on his face makes him look regretful, but what exactly is motivating him trying to leave here? Why did he leave in the first place? Does Pathapi know? His face looks half confused rather than just heartbroken!
What has Tamtawan been up to? I am intrigued.
The SOTUS reference in their university days flashback? I am obsessed. They were so sweet in that one frame, it makes me wonder how they fell in love. How different were they? How much of the same remains in them? How did they fall in love? Oh my god!
The transition from Pathapi being awkward with shirtless only-clothed-in-a-towel Tamtawan to taking his own shirt off and asking if Tamtawan has an ulterior motive to fluster him is hilarious to me. I love how forward Pathapi is here! And Tamtawan getting flustered is amazing. Oh my god, I love this trailer. It balances a comedic tone, angst, tension, etc all in one show. Can’t help but adore it.
“You’re still the same selfish jerk.” I need to know what happened! I said this above and I’m saying it again. I am intrigued.
Uni Tamtawan pulling Pathapi by his tie? I am obsessed.
The umbrella scene is both so very P’Lit and so very much a SOTUS reference, it delights me. I wonder how many SOTUS references we’ll have in the show proper.
I wonder if the car accident will coincide with the climax of the show.
That! Last! Scene! I suppose this is a scene when they’re hooking up but not properly together, seeing as they’re flirting, shirtless, and probably just had sex, but still won’t admit they still like each other. This sounds great to me.
I’ve mostly not talked about the meta elements here, because I feel it’s less about the contents of the actual trailer and more about the nature of the series as such a KristSingto RPF-type plot. Anyway, I love it. Everything about the meta of this series is perfect to me, and exactly what I wanted. This show is SO fun to think about when you know about the lore of KristSingto in real life. I’m half expecting Tamtawan to have hazed Pathapi at this point!
Side note that is not a side note: I LOVE THEIR ACTING! I love their characters!
Is this vers? I’m going to say it’s vers or Top Krist until proven wrong, because that last scene? Well. Let’s put the KristSingto into the KristSingto.
I love the small cast and the focus on KristSingto! I just need to say this. I am so excited for this comeback, in-part because it really is just Tamtawan and Pathapi’s story.
Tamtawan is supposed to mean “follow” and “sun” whereas Pathapi means earth/soil/ground. Coming off of KongArt, where Arthit is obviously “sun,” and KristSingto, who compare themselves to the sun and moon, this seems so definitely meaningful. Aof and Lit, I need to know what you’re cooking! 
The coals scene is sooooo perfect, both for the characters AND KristSingto themselves. Again bringing it back to the meta of it all, but, oh my god? This is perfect? Aof wrote a screenplay that was KristSingto RPF? On that note, I keep thinking about the idea of KristSingto channeling their feelings from the irl work-partner “break up” and it makes me go a little crazy. Especially with Krist talking about all his efforts to bring Singto back, and how he over-thought it when Singto left. And even more so seeing as they say they’re basically playing themselves.
The lyrics of the song used in the trailer are so fitting, I am now looping it and thinking about Pathapi and Tamtawan forever and ever.
I noticed that Tamtawan goes by “Tam” but did I miss it for Pathapi in the trailer, or do we get no indication of his nickname? I’m curious.
The “Begin Again” for the new Peraya Party speaks to both KristSingto and their new characters, and this is again making me go, oh god it’s true they’re just playing themselves.
I said my ideal KristSingto BL was a vers exes-to-lovers that parallels reality. Evidently, I was not alone.
Is it just me, or do the Pathapi + animals and Pathapi + soil degradation water scenes feel a lot like certain episodes of Friendship with KristSingto? Just me? Maybe it’s just Krist. I love him so dearly.
So much is revealed in this trailer, but that somehow makes me more intrigued about what is not being revealed to us?
Krist still goes for the top lip and Singto still goes for the bottom lip when they kiss. This kills me every time. I am so excited to see lovey-dovey Tamtawan and Pathapi!
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apollosfavkiddo · 2 days
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⛧° you promised you’d come back
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⛧° 。 ⋆ ⋆ ⋆ ⋆ ⋆ ⋆༺♱༻⋆ ⋆ ⋆ ⋆ ⋆ ⋆ 。°⛧
content: jason grace x pluto!fem!reader blurb
warnings: angst, not a happy ending, interrupted friends to lovers, death of character, really short.
a/n: i know, i know, i have to post the leo fic first. whatever?? i wrote this late night in the hospital in my phone and i cried, so you’re gonna read it and cry too. this one doesn’t even have wc or song cause i literally left it just like i wrote. shits really short. good luck 🫡
⛧° 。 ⋆ ⋆ ⋆ ⋆ ⋆ ⋆༺♱༻⋆ ⋆ ⋆ ⋆ ⋆ ⋆ 。°⛧
You didn’t have any news on how the damn quest was going.
No Iris message. No letter. Absolutely no indication that your best friend was still alive. lt was a mix of emotions together, but especially fear.
Fear that maybe he wasn’t alive anymore. Maybe he had finally succumbed to one of those damned quests that your parents put you through, because somehow, they can’t do it on their owns.
But you had to cling to the small light of hope that was alive and that he was okay. After all, he promised you he’d come back.
“Of course i’ll come back, y/n/n. I always do.”
And maybe when you do came back, you thought, i’m finally be able to tell you how much i love you.
But all that hope was completely and totally crushed down the moment that Nico came to your apartment, along with Lester, Meg and Piper.
All of them had a dark and intense gaze, but especially Nico.
You obviously knew about the growing friendship that Jason had with the younger boy. Gods, Jason even talked about him like an older brother talks about his baby sibling.
And that’s when you knew. That’s when it hit you, that’s you’d never see Jason again.
“Y/n… can i come in?” Nico asked, his voice cracked. He instantly cleared his throat and stand up straight, swallowing a lump. “I mean- we. Can we come in?”
You just nodded, the tears already welling up in your eyes.
“Hm… Im really sorry to say this, Y/n, but… Jason didn’t make it. Caligula, he-“ Apollo - Jason’s half brother, cause nothing could be better - said, but you interrupted him with a raise of your hand.
“It’s okay. You didn’t have to come all the way here to talk to me about this. You have a quest to continue, i get it. You can go now.” You said, your voice trying to sound firm and certain.
“Y/n, are you-“ Piper said, reaching out a hand to you.
“Yes.” You said, taking a step back away from her. You and Piper never had the best relationship, and you just thought that she was the last person you’d want around in a moment like this - the girl who first killed Jason. “I’m fine. Really.”
You tried to sound reassuring, but Nico quickly caught in your facade. He cleared his throat again and looked back at the trio behind him. “It’s fine.” He said, and they finally backed off.
Meg was the only one who didn’t. She achtualmy took a step forward and pulled you in to a hug. She was a few inches shorter than you, so it was hard for her, but the hug was very appreciated. You quickly reciprocated, and she finally pulled away. She had puffy eyes and a pout on her lips.
“I’m sorry about him. I know you were close.” She said in a whisper, only to both of you hear, and you smiled. She was sweet. You nodded and whispered back a small ‘thank you’. And then, they finally left.
When you closed the door, you immediately broke into sobs. Your brother was quick to cradle you into his arms, and you just sobbed.
Not that far after, you felt his body also shaking. You didn’t think you ever saw Nico cry, but this was understandable, at least. He was his best friend. He was the best friend to both of you.
“W-why, Nico? It’s- it’s not fair! He’s- he was too young, he-“ You groaned as you sobbed into Nico’s old jacked, damping it completely. Bit you couldn’t find it in yourself to care, not when that happened.
He nodded, caressing your back.
He was gone. Jason was gone. Your Jason. Your best friend. The man you were in love with. The person that you grew to admire, looking up to how kind, generous and intelligent he was.
Your favorite person. Your soulmate.
In the end, all that’s left is a broken promise, a crossed heart and a shattered soul.
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kookidough · 3 days
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analysing vance hopper because he lives in my head 24/7 !
tw for like. literally everything the black phone covers!!!!!!
also there's some special effects gore rather far down in the post idk just i feel like i should warn you just in case
okay so before anyones like "but bee!!!! he only had 6 minutes of screen time in a 102 minute long movie!!!!! he was only on screen for 5.8% of the movie!!!!!" and to that i say i Know it was a real tragedy so a lot of this will be built on personal interpretation and subtext and stuff said behind the scenes and whatnot
so firstly i wanna rot about what his childhood/upbringing might've been like..... i havent quite decided on something definitive but i think we can take one look at his character and realise that is glaringly obvious he had a bad childhood, in one interview the actor that plays him (brady hepner) says "the background i had set up for vance is that the reason he was the way he was is his home life was fairly difficult, you know maybe his dad was either not there for him or he wasn't supportive, maybe he was fairly abusive, and so that creates a hair trigger sense of rage in vance" hair trigger meaning his patience is literally as thin as a strand of hair it does Not take a lot for him to snap
there more to it after that which i'll get into soon but yea thats the gist of it it's clear he had absent/neglectful/abusive parents and that would certainly contribute to why he's so angry all the time, maybe acting so explosive was the only way to get his parents' attention, either good or bad, so he just internalised that. obviously rage and anger issues like vance's lead to violence (not in all cases but in his case it does) and i think a neglectful and abusive upbringing would obviously expose him to more violence than a normal childhood would, therefore normalising it and desensitising him to it, whether he's seeing it play out in his own home and/or on television or something like that (because i doubt his parents would be the kind to monitor what content he's viewing)
i feel like he has little control over his life and that only adds to his anger, which in his case leads to a fight when his buttons are pushed too many times. i think he probably takes great pride in being the toughest in town and whatnot and winning fights and being perceived as strong and scary is good to him and helps him regain control/power, something he doesnt have at home. the rest of the quote from the interview i mentioned earlier states "this pinball machine could have been the only thing that he has in his heart that's like, good, like 'holy cow i did this, i set the score,' so when someone comes along and messes it up for him, it takes away the only thing that he has. i think that that's when he switches to a 'now you're gonna pay for that'"
similar to what i said about fighting, the pinball machine and his high score is something he has control over and its an important part of his reputation/image like. hes literally pinball vance ! and the whole thing about that high score being the "only thing he has in his heart that's good" implies that hes. well. pretty shit at everything else, which is pretty much canon if you remember that gwen said vance was held back twice in school. makes me think that while he's not the brightest in school he's certainly street smart
moving onto ermmmmm him getting kidnapped era because im sure youre wondering "well bee if he's so street smart then why did he get kidnapped" so may i raise two theories (this is. literally all i got and its not even concrete, me and my friend gray (@staggersz) tried to figure out how this could even happen and this is the most plausible thing we've got. so shoutout to him real quick he has had to deal with me being unnormal about vance for like a year and a half thanks king couldnt have done all this without my rotting buddy)
so either he got taken by surprise (most likely option) or vance's trust was gained first via getting given quarters at the pinball machine and small talk and shit like that but this is unlikely because i feel like it'd take a loooooong time for someone like vance to trust a some random stranger adult man when he clearly has issues with trusting and respecting people older than him and people with authority (e.g. cops, his parents, or school officials) so yea being taken by surprise would probably be the most realistic option, i always see people on tiktok being like "how did the grabber kidnap vance hes so strong!!!!" dude its a 15 year old boy against like. a 45 year old man who's already claimed two lives its really not gonna be a fair fight here
before i get into the next part i wanna quickly address a theory i absolutely Hate and it is so easily disproven and that is the theory that vance is the grabber's son or is related to him in some other way and i see it Far too often on tiktok and i HATE it. from what ive seen this all stems from his dream sequence where he kicks open the fence to albert's house and, presumably, goes inside after being dropped off by the police after the grab n go fight. idk if some people just straight up didnt realise this but clearly in real life he is going to his Own House??? in the dream it's only albert's house because this is how he chooses to show gwen the house she's trying to find her brother in, the house that he himself was killed in??? i hate the theory i hate it sm
the dream sequence itself is interesting though as the ghosts seem to only be able to conjure up what theyve seen in real life (like how bruce can picture the outside of the house and show that to gwen but the house number is all flipped and not right beause he doesnt know it) so vance being able to picture the house and the number and the gate and every detail would imply that hes seen it before, but im going to explain that away as either he got out once before like with finney's failed escape attempt, or the house is most likely on the route he walks to school or the grab n go or something and he hasnt actually been there prior to being kidnapped
mini rant over now onto being kidnapped i guess, so i used the missing posters to try and estimate a timeline of how long each ghost boy would've been in the basement for (although the missing posters are notoriously unreliable for details such as looks/height/age/etc, the dates seem to all line up). so we know the order is griffin, billy, vance, bruce, robin, finney, right?? if we use the poster date then billy was taken on may 4th, 1976, a month and two days after griffin was taken (april 2nd 1976). vance was taken on september 23rd 1977, almost a full year later (stay with me im going somewhere with this), and after that bruce was taken on july 18th 1978, again almost a full year later
its established in the movie that the grabber stalks his victims before he takes them (canon because we literally see the van watching finney and gwen as they walk home from school early on in the movie) but we dont know how long he does this for since griffin/billy and robin/finney were taken such short distances apart and then the others were taken such long distances apart, also it's possible he could stalk his next victim while the previous one is still alive, etc etc lots of confusing factors, but if i've done the maths right then the absolute maximum time vance could've spent down there is 9 months and 25 days, or 298 days, so erm . let that sink in !
howeverrrr in the movie gwen states that vance went missing "last spring" and september is definitely not in spring, meaning he could've been down there for a year or even longer. an explanation or excuse i could think of for the movie and the missing poster saying different things (other than the missing posters being known for some areas being wildly inaccurate) is that maybe he was taken in spring but wasnt labelled as officially missing until september, when he was properly linked to griffin and billy's similar disappearances and the mysterious grabber? i can imagine it'd be very easy for law enforcement, especially in the 70s, to dismiss someone like vance as a runaway until they get solid evidence that he was taken. idk though thats just my personal excuse / angsty headcanon for the difference in information
not sure what exactly killed him but we do hear from vance himself that "he took his time with me" so it was probably blood loss from a variety of injuries, if we look at him in his ghost scenes we can see his hair is absolutely covered in blood which indicates head injury, he clearly has a broken nose and bruising around his eyes as a result of it, he has these deep cuts on his abdomen area (apologies for the image quality but i believe they're like. sfx pieces you would wear under clothing)
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and he also has just like. minor bruising (like the fingerprints on his arm) and other random blood splatters on his face and neck (assuming the blood down his neck comes from wherever he was bleeding on his head) so Yeah overall very unpleasant way to die obviously
okay now the part thats actually in the movie and it only took me 13 paragraphs to get here: vance as a ghost!! first thing i wanna point out is appearance wise i just want to say that when he's a ghost he's missing his choker and that fact Pains me. anyway personality-wise i feel like being violently murdered has, understandably, kicked his rage up to like. the highest level it could possibly go. he's insanely snarky and downright rude to finney on the phone, showing no empathy to the fact that finney is literally in the exact situation he was in
i feel like the whole "this is the nightmare end of your pathetic little life" and "if you knew what you had coming, you'd be fucking terrified" thing is definitely to scare finney on purpose and to get him to do something, vance might as well have just told him he's never going home cuz thats how it came across LMAOO, it is startling though because vance is clearly speaking from experience, that he was literally fucking terrified, and he is warning finney in his own weird way
the thing i think sets vance apart from the other ghosts is that while he does help finney, he does it for a different reason than they do. the other ghosts want finney to escape, to get out, to be free, to live, but personally i dont think vance cares about that. the only thing he wants is for albert shaw to be dead, for someone to seek vengeance, to do what vance couldn't. vance doesn't care if it's bruce or robin or finney or whatever boy could've come after that, he doesnt care as long as that man gets what he deserves after what he put vance through, and i see this through the scene at the end of vance's call where finney thanks him for his help and vance says, and i quote, "helping you? this isn't about you, fuck him! and apologies for being repetitive but to me it just literally proves that to vance, this isnt about finney or his escape, its just about revenge
we dont get to find out what happens to the ghosts once the credits have rolled, and i dont think we quite know enough about tbp's version of ghosts to guess what theyre up to, but i have a few theories :3 maybe theyre no longer bound to those two houses and they can now go anywhere they want in town? or maybe since their shared goal of stopping albert has been achieved, the ghosts can finally pass on to whatever is waiting for them next. i dont think vance would be content to pass on that quickly or easily as anger lingers, but i hope he'd be able to let go of it eventually, and hey we might find out in the sequel. i pray it mentions him cuz i will just die if it doesnt
sometimes, ok thats a lie, frequently i think about an au where he survived or escaped or whatever but ohhhh boy this post is already a train wreck so that au would deserve its own essay of a post :3 if u actually genuinely read this far then Wtf thanks for reading the ramblings of an absolute madman, only pure delusion could get like 20 paragraphs about a guy with 6 minutes screentime but hey thats how i roll, thanks again to my pal gray for letting me rot and thank u to my other pal ana for also enduring all this rot
hope u enjoyed my interpretation of vance hopper im going to crawl in a hole now and probably brainrot some more, thanks again for ur time :3
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sombrashe · 2 days
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i love ur blog!! it would be super cool if u did a norm x reader but the reader is like a wastelander/from the wastelands or something like that!!
content fluff, first kiss :3, both reader and norm are weird little things he's just more sexually inclined, gn!reader, chubby!reader
note(s) thank you so much for the kind words ;-; i hope you enjoy this !!
It's been three weeks since you joined the rag-tag group. Two vault dwellers, a ghoul, an ex-BOS member, and a wasterlander. Sounds like the beginning to one of The Ghoul's bad jokes. He calls them dad jokes but since over half of you didn't have a dad the idea was lost to the sand. Plopping down you go through your nearly empty pack.
"I think me and The Ghoul should go on a supply run."
Your voice rose to speak over the horrid wind pelting small clouds of sand into the side of the burnt-out husk of a house. Everyone looks you over and immediately starts speaking over each other to argue about the dangers of leaving into the storm. Raising a hand you let out a short shout to gain attention which works wonders.
"I've lived in this desert all my life I know how to keep sand away from my skin, I'll be fine. The Ghoul is pretty much unkillable. We need food. My pack is empty."
You try to sound reasonable. It's been days of your group being holed up in this shithole and honestly, you wanted out of there even for a little. As close as you have grown to each member of the group you barely have any time to yourself anymore.
"What if you get lost?"
"It's a small neighborhood, I'll be fine. I promise."
"You can't promise that and you know it."
Norm's voice chastises you despite his face hiding his true concern. You knew he just wanted what was best for you. Him being the one person you opened up to the most. His easygoing attitude and similar resting face made it nice to tell him about any worries. And you had a lot especially living on the surface. Something he was slowly becoming accustomed to.
"Why not take one of us instead?"
Lucy speaks up. Her eyes search your face, hoping you'll change your mind.
"The only one I would be willing to take is Max, but he's out of commission."
You point to his leg which sits propped on a toppled bookshelf. Trying to save Lucy from a radscorpion cost him a rolled ankle.
"The Ghoul is no-nonsense, he'll get us in and out, and if he doesn't... I'm sure youse guys can win a 4 v 1."
You give a wide smile showing them that you mean what you say. You just wanted to get this over with. You've been thinking about this for hours now. Watching as your already small assortment of supplies dwindled.
"Please, just let us go."
"Don't I get a say in this sweetheart?"
"No. You want 'ta find their dad as much as the rest of us. Not me, I'm here for all the warm company."
You roll your eyes and sling your pack over your shoulder. Norm stands just as quick nearly shoving you over in the process. You steady yourself against his bicep. Only for a second before you yank your hand back as a warm heat burns your cheeks. You walk around the room collecting anything you might need. An extra pair of pants wrap around your face. Nice and snug according to Lucy. Making eye contact with Norm you feel the need to look away. His eyes are so expressive and they're begging you to stay. You go to give him an awkward hug hoping to make the feeling in your stomach go away. He doesn't bite and gently untangles the fabric from around your jaw. Your goggles skew your peripheral but you know everyone is staring. You can't hear the mumbling as he leans forward. You can't even hear the wind whipping broken glass into the side of your hideout. You struggle to hear anything over the roaring of blood rushing to flood your head. Especially when his lips connect with yours. You lived a hard life and went through unimaginable pain, but this kiss, even for a moment, made you forget everything and everyone. His lips were so soft a stark contrast to the sharp broken skin of your own. Your hands lay limp at your side as you attempt to kiss back. This was all quite foreign to you but you wanted to make it work. Needed to make it work. Deep down.
"Come back to us. To me, please." He whispers directly against your lips.
Reaching up he ignores Lucy's inquisitive eyes as he gathers the untangled mess of denim. Slowly he affixes it back together and into a tight shield against the elements. He gives your cheek one quick squeeze through the thick layer. You thank the cover because you couldn't stand letting everyone see your grin even if Norm picked up on your eyes crinkling. Turning around you opt to look at the floor as you walk over to the strong oak door. Luckily the wood stayed mostly strong for these past 200-odd years with only a corner piece missing. Flinging the door open you call back to The Ghoul to hurry up as you disappear into the screaming darkness.
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monstersw1thv1bes · 3 days
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so guys how are we feeling? i have a few things to say. my thoughts, in no particular order:
steven said very, very little. ryan and Shane were mostly speaking. but honestly with the hate he's been receiving? i don't blame him. nobody had any proof Steven made the decision on his own and yet the internet unanimously decided thats what happened.
saying you're close to shutting down the company when you've literally just hired new people you didn't need? i mean, that doesn't necessarily mean it's a lie, but it shows very, very poor management at the least.
they need to hire less creative people rn. hire someone to run finance. hire someone to run marketing. hire people who actually know what the fuck they're doing when it comes to making sure a business thrives if you're going to hire new people at all.
you want to be a business, you need to stop thinking like a youtube channel. this is why you can't just start a company with your friends if none of you have business experience in this day and age.
unfortunately when you run a business, you have to lay off people you don't need sometimes. better yet: train people you don't need to do the job you want to hire somebody else to do (my boss does this so you can't tell me it doesn't work). loyalty to your employees breeds loyalty to your company, but you can't just let people keep doing something you don't need them to do if you want to run a succesful business.
if you can't pay your staff, why can you drop 55k on your wedding?
if you can't pay your staff, why can you afford to travel abroad and eat literal gold?
if you can't pay your staff, why are you compromising on your integrity instead of literally any of the expensive things your company is doing?
i love how they didn't once adress that they could literally save money by dropping the shows nobody wants to see. if you have so many loyal fans and some of your shows aren't doing well, you can't just blame the youtube algorithm: that is people actively making a choice not to watch something.
they didn't say anything about the high quality production of shows, either. they would have been completely in their right to say "our goal was always to produce TV-quality content and while we know you guys don't need that from us, we don't want to compromise on that goal" (even though I disagree on them always needing that quality, i would have accepted such a statement) but i feel like not mentioning it at all makes the video feel more like damage control than them actually listening to their fans.
the changes they've now made should have been how they went about this from the start if they were dead set on a streaming service.
i'm curious to see how others respond to this. to me it genuinely does feel like damage control. i'm probably not going to watch them anymore. we'll see how i feel when new content does make it to the plebs who get to watch it for free /j.
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What You've Done, You Cannot Undo (Medieval AU)
Chapter 3
Dew feels guilty, Rain screws up.
Rating: M now, to be safe Content: side character death, minor descriptions of violence, flashbacks, peril Words: 2253
Link to all chapters with associated tags: Tumblr | AO3
hi hi @revengeghoulette here's your alert! and @everybodyshusband you seemed very keen haha!
Read below, or on AO3!
Dew stomped along the path surrounding their fields. The warm sun overhead taunted him, it's rays full of promise and life while he felt only cold and empty inside. He knew he'd been too harsh on Rain, deep down, but he'd have to be threatened with banishment to the pit to admit that. Dewdrop refused to allow himself to feel guilty; that was a slippery slope of self-hatred he knew he wouldn't be able to crawl back up from. He knew he could be short-tempered, and he harboured enough resentment of his own that it was bound to overflow into his actions.
Rain seemed to have had things so much easier than him though, it wasn't fair. From the day he arrived he had bonded with the others in a way Dew had struggled to. They would chitter and purr at Rain for the slightest thing, whereas they had remained suspicious of him for ages. Dew was self-aware enough however to realize that he hadn't helped his case by hissing and growling at his packmates for the smallest thing.
That didn't mean it didn't hurt. Rain got a lot of leeway for being young, the others quick to write off his transgressions as ignorance rather than malice, but they forgot Dew was young too. Despite presenting himself as world-wise and experienced, he was closer in age to Rain than he was to any of the rest of his packmates. He'd worked hard to rewrite his time before Aether and Mountain found him, both the most difficult and most sheltered parts, but he couldn't erase their impact.
He continued his mission uphill, to the base of a large oak tree that overlooked their whole farm and surrounding area. Smoke curled from the chimneys of houses in the village in the distance, and a multicoloured patchwork of fields spread out around them. Following the path in the opposite direction, Dew could just make out the dark speck of Rain walking to Farmer Wilkins’. He was stubborn, not taking Dew's constant snipes to heart, Dew had to grudgingly respect that. He watched until Rain turned a corner and was lost from sight.
~~~~~~~
On the walk over, Rain was also enjoying the warm weather as he followed the stream. There was barely a cloud in the sky, the open blue expanse painted with faint white wisps reached as far as the eye could see. Rain could see why his help was needed: the summer had stretched on for several glorious months, and the ground beneath his feet was showing signs of cracking from lack of rainfall. A gentle breeze worked to sweep the cobwebs that still clung tightly to his dream and Dew's comments from his mind.
Arriving at the farm with sweat beginning to bead on his forehead from the heat, Rain was greeted by Farmer Wilkins, sat out on his porch. He was a jovial man, round and ruddy faced, with a vigour for life that defied his advancing age. Rain didn't know him well, but he was a regular down at the village tavern and always had a spare word or smile for Swiss when he passed by.
“Good mornin’, Rain! I didn’t expect to see you so soon, please, sit down. My daughter Marina’s preparing some elderflower cordial against this hot weather. We can wait ‘til you’re rested to begin!”
Rain awkwardly accepted the proffered seat on the porch bench, glad for the shaded spot after the heat of his walk. He heard light footsteps approaching, and looked up to see a young woman emerge from the cottage holding a tray of glasses and a jug of pale liquid.
Her dark hair fluttered around her pretty face in the breeze, and Rain gasped feeling as though he’d been shot in the chest: she was the spitting image of his childhood sweetheart. From the gentle wave in her ebony hair to the asymmetric dimples in her cheeks as she smiled at him in greeting, they could have been twins if not for her obvious humanity.
Noticing Rain’s slack-jawed stare, the farmer chuckled good-naturedly.
“Quite a looker, ain’t she Son! Don’t be getting any funny ideas, she’s engaged to the lad down the road. Childhood sweethearts, they were!”
Rain was struck by the similarities to his own previous life. In another world, his water ghoulette’s father could have spoken of him like that. Instead, Rain had the distinct impression that he had been glad to see Rain leave.
Feeling as though he was watching himself behind glass, Rain accepted a drink with shaky hands. Marina rolled her eyes at his stuttered thanks, but smiled kindly at him as she headed back inside. Luckily, the farmer seemed happy to keep the conversation moving all by himself, leaving Rain to nod in what he hoped were the appropriate places. He sipped his drink in an attempt to replace the moisture in his mouth, which was now as dry as sand. Moving his limbs to raise the glass, Rain felt like he was pulling at the strings of a marionette puppet.
Once Farmer Wilkins had exhausted his supply of one-sided small talk, the pair headed out to the fields, beginning with the one closest behind the house. Here, the corn grew luscious and tall: Mountain did a stellar job encouraging the crop earlier in the season. Rain had tagged along that day, watching as Mountain pressed his palms to the ground to imbue it with his own magical energy.
Now Rain stood in the field without the earth ghoul by his shoulder, feeling alone and detached. He sensed the eager eyes of the farmer watching him, the intense interest making Rain’s knees begin to tremble anxiously. He took a deep breath, and copied what he had done before with Mountain, what he had seen and heard Aether do a hundred times.
Raising his arms out in front of him, palms to the sky, Rain closed his eyes and called out,
“Ancient Spirits! Bless this land, that it be free from drought and pestilence.” he swept his arms around a bit, then turned his palms to the ground. “Gracious Earth, protect these bountiful crops so they may feed us another year.”
Rain winced at how fake it all felt, like he was just going through the motions, and the flowery language rang false in his ears. He cracked his eyes open and saw the farmer – along with half a dozen or so curious farmhands who had downed tools to stare – watching in barely concealed fascination. He squeezed his eyes shut again, waved his arms around a final time in what he hoped was a convincing manner, and went silent as he tried to connect with his element. Rain knew the others could control their power while talking and moving, but he still struggled without devoting his complete concentration to it.
He felt the motion of the water in the stream at the foot of the field, the weight of the droplets in the few scraps of cloud overhead. Flexing his fingers, Rain imagined drawing them in, encouraging them towards the field. He sensed the flowing rivulets of water from the creek begin to channel through the ground, moistening the dry soil around the roots of the crops. The clouds above thickened imperceptibly with the promise of future raindrops.
As Rain felt the water begin to do his bidding, he opened his eyes again to ensure that none of his changes were visible to the small audience of humans. From day one, Aether had instilled the value of plausible deniability into Rain. He insisted it was the most important part of using their elemental connections outside of ghoulish colonies, that they should never give the humans too much evidence of their power and should always leave them with a rational explanation.
As the light flooded his retinas, he saw her standing there: Marina was hovering behind her father's shoulder, watching Rain work with a curious smile and her uncannily familiar dimples. Rain choked on his breath as the sharp stab of longing for his lost future caused him to double over. The pain coursed through his veins and as it did so, Rain felt it cross over with his call to the water. Unbidden, he felt the shock and subsequent rush of emotions transfer into the water he was drawing in, reacting to the ache he had taught himself to supress.
The wisps of feathery clouds he had been coaxing to coalesce now slammed into each other as though pulled by a magnetic force. More water joined from seemingly nowhere, until the clouds hung dark grey and pregnant above the field. Unable to stop the flow of emotionally charged elemental power, Rain watched in horror as the water from the creek rose up, bursting its banks and rushing uphill in an unstoppable tidal wave of water. It reached higher than the stalks of corn, barrelling towards the assembled crowd and flattening the crops indiscriminately. He tried frantically to cut the connection and stop the flow, but with no success.
Rain's panic began to grow, only adding to the ferocity of the water, and the clouds took this as their sign to drop their contents onto those gathered below. The deluge of raindrops hit at the same time as the towering wall of water did, knocking Rain to his feet as he screamed out for the flood of both water and emotions to stop assaulting his body and mind. As the water covered his face, he felt his gills burst free and his glamour dissolve. Rain fought against the water as it dragged him further up the field and back towards the cottage.
To his horror, he saw a flash of dark hair dragged past him. The currents of his own creation slammed the girl against the stone wall of the farmhouse and pinned her there, suspended in a grotesque position, until eventually releasing her to crumple limply into the churning water below. Rain barely had time to process what he was seeing, before he heard a shattering of glass as another farmhand, a boy from the village who could barely have been fifteen, was thrown through the glass roof of a greenhouse. The rain that was still pouring down on them did nothing to dilute the obvious red of the blood spreading through the water.
The tidal wave finally retreated down the field, revealing the destruction left in its wake as it did so. The body of another farmhand emerged from the frothing stream, lifeless without the swirling of the water to animate it. Those remaining staggered to their feet, screaming out in terror. At seeing the carnage and bodies scattered across the field, they turned their anger on Rain. Feeling all the eyes on him, Rain took off running with no heed for where he was heading. Farmer Wilkins let out a howl of anguish as he cradled his daughter's mangled corpse, turning into a roar of anger directed at Rain. The farmhands left alive scrabbled for their abandoned tools scattered by the currents and gave chase, baying for Rain's blood.
As Rain hurled himself down the road, he realised too late that he was heading straight for the centre of town. The noise of the men chasing him attracted the attention of the occupants of the houses he fled past until a small mob was following him, figurative and literal pitchforks raised. Half-crazed, with fear threatening to paralyse him if he paused, Rain kept on running. Lungs burning, he kept pumping his legs as fast as they would go. His feet were now fully unglamoured and the excess webbing between his toes made his shoes feel too small. Every step was agony and yet he knew if he stopped, he was as good as dead.
Rain's mind started to swim, his actions and their consequences catching up with him making him feel dizzy and nauseous. With his tail now caught in his trousers, his balance was almost entirely gone. He felt his foot catch on a loose stone and as he went flying, he knew it was all over. Rain hit the sandy ground hard, all the breath knocked out of him. His eyes frantically swivelled left and right as he scrabbled backwards. Seeing double, Rain stared through the cloud of dust he had kicked up at the crowd bearing down on him. He registered the approaching shovel only as it slammed into the side of his head, stars flashing across his vision before everything went black.
~~~~~~~
From his seat under the tree, Dew was close to dozing off when something caught his attention. He watched in confusion as dark clouds appeared and raced across the sky, before combining together over one field. The air underneath them rippled with falling waves of the torriential rain falling from them. Dewdrop realised a few things simultaneously: firstly, those clouds weren't natural. Dew knew enough about elemental magic to recognise it when he saw it. Secondly, that amount of rain was dangerous and sure to catch the attention of the townsfolk, especially given the recent stretch of warm weather. Lastly, he realised in horror that the clouds were centred directly over the very field Rain had gone to that morning.
Dew leapt to his feet and took off running back to the farmhouse. This was it; all of their worst fears come to life. Their cover was well and truly blown and Dew had to get to the others.
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ch3rriiii-bunn · 1 day
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Muzan with a demon that constantly changes to suit their needs (like if evolution was simple and easy to do). if they needed to get away very fast, they'll sprout wings and fly home. If they need to get something in the water they'll become scaley & fishy and breath water.
Seeing as Muzan hates change and has stated so... What if their s/o was like that?
Shape shifter
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Paring: Muzan x Demon!Gender neutral reader
Synopsis: Muzan hates your shape-shifting (to a certain extent because I wanna make it cute)
Content: reader is a shape-shifting demon, mean Muzan, some wholesome moments, soft muzan (a little), reader taking on/turning into animal like forms, my stupid humor, Muzan being a cat person.
Word count: 0.6♡
A/n: AHHH THIS IS SUCH A CUTE IDEA OMG. I'm gonna write it in headcanons :3
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Muzan. Who hates your shape-shifting at random times. Muzan, you and gyokko heard there was a magic lake that healed humans without any medicated water. You heard the rumors, so it was your job to take Muzan and Gokko there. Muzan was about to order Gyokko to do a search drive in the lake but you, decided to take it upon yourself to dive in with the appearance of a half fish half woman, almost like a mermaid to start the search. "They're good!" Gyokko said and looked at Muzan, who's now shaking his head in filtration.
They watched you emerge from out of the water and swim back to Muzan. "I didn't find anything- AHHH!!" You screamed as Muzan began to throw salt on you, knowing full well how sea creatures react to salt. "Change back! Now!" Muzan said, and gyokko tried to stop Muzan, but he also got hit with salt as well.
Muzan. Who will take advantage of your useful blood demon when nessacary. Nakime fell ill, and Muzan needed to get somewhere quickly due to his busy schedule. When you heard your boyfriend master Muzan, needed to get somewhere quickly, the frist thing you decided to do was shape-shift yourself into a harpy. You flew, holding Muzan's arms with your claws and you looked down to see his grumpy/annoyed expression.
"That bird version of hantengu taught you how to do this, didn't he?" Muzan asked, and you nodded happy. "Yes, his name is Urogi," you said to Muzan, but he scoffed. "Yeah. You smell like him, too. Fucking disgusting" he said. You weren't paying attention and ended up crashing into the tree.
Muzan. Who needed you to catch a really fast slayer with yellow hair. The reason? Muzan couldn't stand the bright color, and so you got down on all fours, shape shifting to have the appearance of a cheetah. "When I said get him, I didn't mean like that!" Muzan shouted as you ran off and already stressed out with how stupid you look.
You stopped running and sat down exactly like a big cat. "So... should I turn into a car? I don't think I can do that," you said, bringing your paw to your chin to think meanwhile the yellow haired slayer had run away further. "GO FUCKING GET HIM" Muzan screamed.
Muzan. Who arrived at the main spot in the infinitely castle where upper moon meetings are held. "Oh wow! You really did it! Look at that Akaza-dono," Douma said. They hadn't noticed Muzan's arrival yet, and he raised his brow, moving a bit closer to see what Douma and Akaza were so invested in. Muzan noticed you used your blood demon art to shape shifts into a small cat.
He didn't even know you could ever do that, especially at this tiny size. "Mm. I didn't think you could do it. Good job, I love cats." Akaza was about to pet you when he realized his own hand had fallen to the ground next to you after being severed. "Huh?" Akaza and Douma said, relaxing that you were also gone. They look behind them and froze in fear.
"How dare you touch my significant other," Muzan said, his voice rough as he glares at Akaza and Douma. Before they could explain themselves, they heared loud purring sounds. "...Master. I think you've taken alike to one of your significant other appearances" Kokushibo leaned down to Muzan's height, snapping him out of it to realize his thumb was rubbing your cheek. When muzan realized what he was doing, he just dropped you.
"Idiotic is what it is.." he said angrily and walked away with you still as a cat following him. However, the upper 3 could see Muzan actually found this form cute since they got a glimpse of the blush on his cheeks.
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dogwittaablog · 3 days
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NOLPATS BURNER ACCOUNT
SO HERE IS THE TEA AND BREAKDOWN ON NOLANS ALLEGED TWITTER BURNER (I also want to apologise for the initial hostile reply to the anon that sent it in I was just taken back cause there weren't upfront receipts).
If you’re wondering how this alleged account was figured out, an anon said someone tweeted about it and decided to look into it... and then now we are here...
SO HERE WE GO!
His FIRST account that went under @ gollpatter the account got suspended (He tweets about it on his second account, but you’re still able to see everything).
So now the account he is using the new one is @ shottergallas.
(So just remember there are two accounts. I know some can get confused lol).
WARNING: I know people are going to be running up the accounts anyways but will say just a heads up you will be finding shit that you don’t like mentioning SA and misogynistic comments, some of the comments are towards the incident of WJC 2018. (If I’m right it’s brought up on @ gollpatter)
Now we may all be here like okay… how do we know or assume it's actually him??? Here is my personal observation
If you look at the following on the first account @ GOLLPATTER. You can see that there are about 4+ people on there that he follows that are obviously his friends and has Steinbach Manitoba in the bio. Some of the content and influencers he follows or interacts with on there also align with his recent or past followings/likes/engagements on Instagram from celebs, influencers, sport hosts and even onlyfangirls (I’ll even get specific if I have to) . His interests are evidently displayed throughout his account... things like MMA, golf, hockey, Joe Rogan, Theo Von and other typical guy shit, but as I said if you followed up on him or paid attention to his Instagram activity it adds up. 
(Screenshot of his followings the only thing is they don't follow back)
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An Anon that initially sent me the sub on why she thought or had her own conclusions to why she thought it was him which I’ll be copying and pasting the sub down below and adding the links to the info she provided! To make everyone’s lives easier.
here’s the account introducing himself as goll patt: (X)
here’s the account calling jets/ava pond hockey last night: (X)
here’s that account excited about nolan’s friends ‘coggie’ return to the ‘national’ 6 days ago: (X)
and the related headline where Dylan Coghlan, Nolan’s former teammate returned to the NHL from the AHL:  (X)
here’s that account being called pat by its friends in the reply of previous tweet: (X)
account being call pats/patty by friends:  (X)
same account agreeing with hate on the vegas golden knights as a franchise, praising nic hauge and his wife:  (X)
The hockey talk on the account that pop up usually I noticed has pertained to Vegas and the Flyers (some slight shady tweets mostly but nothing over the top) Maybe just some coincidence but I mean hey… we all know what teams he’s played for. Plus there are some Travis Konency mentions on there as well…
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So “his” account interacts with the same 2-4 twitter accounts and these accounts tend to tag him in post about Nolpats which I found a bit ironic…
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So the last to this which I thought was another eyebrow raiser, was another burner account that has some mutuals but isn't entirely active. Also tagged his account in a post regarding a Tik Tok. The context of the Tiktok was how most likely pro athletes do see the things you post online about them.
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So would like to end this off with reminding you that this ALLEGED and there’s no real confirmation it’s him. You’re able to form your own opinion and perspective if you decide to look through and analyse the accounts yourself. I could go on more on some other details, but decided to just touch up on the things that stood out to me. I also was limited to adding content like photos and videos.
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