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#and the others briefly
good-beans · 8 months
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hi i'd like to know about your transfem fuuta thoughts please. if that's ok
"if that's ok" as if I haven't been rotating transfem fuuta in my mind for a long time and dying for an excuse to post something 👀👀👀 Thank you so much Ah!! I was able to format my little ideas and headcanons into an actual write-up, I just love this concept so much! All the big murderous twists in the series and I’ll never get over it is what it is...
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So, as much as I enjoy headcanons about some big revelation moment, I think that Fuuta Terminally Online Kajiyama has been very aware of his identity for a while. He just never really got the motivation to do anything about it. He knows he's not completely satisfied with his gender, but isn't constantly suffering over it, so he thinks telling people/transitioning would be way too much of a hassle at that point in his life. He also struggles with people taking him seriously given his height, attitude, etc -- unconsciously he's also worried it will only make matters worse in that area.
He wouldn't dare say anything to his parents, and wants to avoid hassle with his friends. People paint them as judgy incels sometimes, but if they were really calling out ‘bad guys’ online, I always got the vibe they were those annoying type of progressives who will harass people for not being accepting in the perfect correct way, you know? They'd be outwardly supportive but there's still a level of high expectations and performance that comes with it, and so deep down Fuuta understands there'd be a "hassle," but can't really define why.
I mentioned in another hc post that Fuuta and his sister have a silent supportive relationship. I feel like she's the one person in his life who knows everything and is super accepting -- this is understood even though neither have said anything out loud. (When he was younger, she definitely forced him into skirts, dresses, and accessories "to check something for her beautician work.") She's noticed all the times he's picked a female avatar in games, or cosplayed in ambiguous outfits.
Then, Milgram. Thinking his life will be over soon anyway, he opens up to a few of the prisoners about himself. Their unexpected openness keeps it on his mind more often than before. Still, nothing changes. Through some rocky verdicts, he's declared innocent and released.
Back in the real world, he's pretty fucked up from the whole ordeal, and starts off extremely isolated. He's in touch with his family, but distant. He maintains contact with some of the other released prisoners, but it starts off only over the phone. He changes schools or maybe drops out completely. Having deleted all online accounts after the incident, he gets to work setting up a new online presence. He was planning on using an alias anyways, and goes with something gender neutral. "To be extra safe that no one guesses it's me," he tells himself.
Letting his hair grow out begins as an accident -- just a side effect of never going out or minding his appearance. One day he realizes how long he's let it go and grabs some scissors to cut it. He makes a comment in his chat, and someone begs him to send a picture first. He goes to take it, but is suddenly disgusted and ashamed of his self-neglect. He's forced to make himself selfie presentable first: brushing his hair and throwing on something clean real quick. When he goes to take the picture, he realizes it looks good. It feels good. He puts the scissors away.
Soon, the prisoners/some new online friends coax Fuuta to hang out more. That's when she decides to reintroduce herself into society as someone new. She ventures out with the name of a favorite video game character. (I'm going to continue saying Fuuta because I genuinely can't name a single popular character from games she'd play, but just picture the most painfully obvious one you can. The kind you hear and go "oh okay. You play X too much, huh." And please send me your thoughts so I can work them into my own personal canon 👀) 
She doesn't have any hatred towards her deadname, it's more the pain of association: she remembers it said accusingly from the mouths of ex-friends. She remembers that name being called a murderer. She's not trying to deny/run from that past, she just wants to be someone better. Well, some days it is her way of running away, but most of the time it's a healthy separation from the past.
Encouraged by the positive reception and abundance of privacy in her isolation, she finally starts to explore her appearance more. Mikoto left behind some earrings during a visit -- she pierces her ears herself and tries them on. (If she doesn't like them, the holes will just heal, right? She's not weak, she can take a little pain...) Yuno/Mahiru stayed over once, and left a bit of makeup in the bathroom. She tries that on too. With a beautician in the family, this self-styling comes very easily. Fuuta's cowardly tendencies have her torn between embarrassment and her typical 'fuck you' attitude that she can do whatever she wants.
You know when you solve a tiny problem and suddenly you're smacked with how much of a huge problem it actually was? Fuuta never believed she had any issues before, but all of the sudden she's happier. Every day is easier. She has more friends. True friends. She does better with school/work. Her personality is still fiery, but it's more passion than irritability now. Self-hatred she didn't recognize starts melting away. She smiles more. She laughs more. She has plans for her future. She's excited about her future. 
(Shameless art plug hehe, before I had the timeline nailed down I did a little drawing of that selfie Fuuta takes when she realizes she's satisfied with this appearance, and now has newfound motivation to move forward in life.)
Over time she experiments with other elements of transitioning, and maybe changes her name to something a bit more subtle lol.
Unfortunately, I don't think it would go over well with her parents, but she never much cared for their opinions, anyway. One day a bit in the future, she bumps into her old friends in the street. Once recovering from panic, she's pleasantly surprised that they don't recognize her. Fuuta thought her appearance/fashion wasn't that different, but to fair, the friends figured they'd remember a stunning redhead with a very noticeable eye injury if they'd met before...
And just a few quick prisoner reactions (because in my heart they're all making it out ;--;):
Yuno has similar relationship as Fuuta's sister, offering immense help without unnecessary words. She's Fuuta’s go-to contact for trying new things and asking questions. 
When Mahiru first finds out, she goes a bit overboard with a makeover attempt. She and Muu provide their most frilly, glimmering outfits. They paint her nails and do makeup. They style her hair. This obviously turns out to be way too much, earning them a Fuuta-typical rant. Still, she's secretly moved by their enthusiasm and kindness. 
After that, designer Mikoto tries his hand at helping. Fuuta had been really worried the two of them would lose their guys nights out and relaxed friendship, but their relationship never changes.
Shidou is very accepting and very awkward. He's trying!! He gets excited, sending her all this information and help for medically transitioning.
Fuuta invites Kazui to their first pride parade <3
Though there's no return address on the package, Fuuta receives a gift of miscellaneous earrings and piercings in the mail with a note that they'd suit her well…
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inkskinned · 7 months
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what is with men being mad any time a woman raises her voice where did that even come from. someone posted a video of a small electrical explosion, and the top comment was of course the woman screams. the second comment is women try not to scream challenge, level impossible. i had to go back and watch the video again. there is, somewhat fainty, a little gasp emitted off-camera, more of a yelp than a scream. it is mostly lost in the crack of the explosion. afterwards, you hear her voice, shaken, say, are you okay?
i am helping one of my friends train her voice pitch lower, because she wants to be taken seriously at work. she and i do each other's nails and talk about gender roles; and how - due to our appearance - neither of us have ever been able to be "hysterical" in public. we both appear young and sweet and feminine. she is cisgender, and cannot use her natural voice in her profession because people keep saying she appears to be "vapid". we both try to figure out if our purposeful voice lowering is technically sexist. is it promoting something when you are a victim to it?
a storm almost sends a pole through a car window. in the dashcam, you can hear the woman passenger say her partner's name twice, crying out in alarm. she sounds terrified. in the comments, she is lambasted for her lack of calm. how is that even fucking helping?
in high school, i taught myself to have a lower voice. i had been recorded when i was genuinely (and righteously) upset; and i hated how my voice sounded on the phone speakers when it was played back. i was defending my mom, and my voice cracked with emotion. it meant i was no longer winning the argument: i was just shrieking about it.
girls meet each other after a long summer and let out a little joyful scream. this usually stops around 12-14, because people will not tolerate this display of affection (as it has the effect of being passingly annoying). something about the fact that little girls can't ever even be annoying. we are trained to examine each part of our lives (even joy) for anything that could make us upsetting and disgusting. they act like teenage girls are breaking into houses and shrieking you awake at 3 in the morning. speaking as a public school educator: trust me, it's not that bad, you can just roll your eyes and move on. it does not compare to the ways boys end up being annoying: slurs in graffiti, purposefully mocking your body, following you after you said no. you know, just boy things.
there's another video of a man who is not allowed to yell in the house, so he snaps his fingers when he's excited about soccer. the comments are full of angry men, talking about how their brother is unfairly caged. let him express himself and this is terrible to do to someone. eventually the couple has to address it in a second video: they are married with a newborn baby. he was trying not to wake the infant up. there is no comment on the fact women are not allowed to yell indoors. or the fact that it could have been really alarming or triggering for his wife. sometimes i wonder if straight men even like women, if they even enjoy being in relationships with them.
for the longest time, i hated roller coasters because it always felt inappropriate and uncomfortable for me to scream. one of my friends called me on it, said it was unusual i'm so unwilling. i had to go to my therapist about it. i don't like to scream because i was not raised in a safe situation, and raising my voice would have brought unsafe attention towards me. even when i am supposed to scream, it feels shameful, guilty. i was not treated kindly, so i lack a basic form of self-protection. this is not a natural response. it is not good that in a situation of high adrenaline - i shut up about it.
something very bad is happening, i think. in between all the beauty standards and the stuff i've already discussed - this one feels new and cruel in a way i can't quite express. yes, it's scary and silencing. but there's something about how direct it is - that so many men agree with the sentiment that women should never yell, even in an emergency - it feels different.
is the word shriek gendered automatically? how about shrill or screech? in self defense class, one of the first things they tell you is to yell, as loud and as shrilly as you can. they say it will feel rude. most women will not do this. you need to practice overcoming the social pressure and just scream.
most women do not cry out, even when it's bad. we do not report it. we walk faster. we do not make a scene. what would be the point of doing anything else? no matter what we do, we don't get taken seriously. it is a joke to them. an instagram caption punchline. we have to present ourselves as silent, beautiful, captivating - "valuable."
a woman is outside watching her kids when someone throws a firecracker at them. she screams and runs towards her children. in the comments, grown men flock together in the thousands: god. women are so annoying.
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kidovna · 1 month
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manifested mileven at the snowball in 2016, so now I’m manifesting byler at senior prom🪻🌻
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egophiliac · 9 months
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swipes everything else off of the table to yell about diasomnia flower bookmarks
(I gave Silver one too :D)
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#art#twisted wonderland#twisted wonderland spoilers#white rabbit festival#me: oh boy i wonder what excitement will happen in this new part#characters: now it is time to buy souvenirs :)#me: oh god#jk jk even when the filler is kind of painful i do enjoy the little character moments#like everyone screaming as loud as they can into silver's watch#deuce busting out his suzy izzard impression#SMASH IT WITH A HAMMER!#and of course silver assigning flowers to the other dias and getting all sappy over lilia. god. delicious.#you don't understand this ten second long scene is everything to me#though we all know the real highlight#the knowledge that 1) deuce used to have an extremely silly edgy badass nickname#2) he almost certainly gave it to himself#3) he harassed epel's extended family to the point that they told horror stories about him and he was briefly epel's personal idol#epel: i heard he once killed three men with but a look#deuce: what no i never...i mean...ha ha sounds weird nothing a model student like me would know about#also deuce: if you fuckers don't apologize to my mom right now i'll fucking kill all of you (sees dilla) uhhh i mean#deuce: i challenge you to a children's game#black bunnies leader: (strapping on his duel disk) i accept#meanwhile silver is running full speed at a group of children screaming to them about donuts#we aren't going to talk about what ortho did with that fantasy-gregg's sausage roll#so glad that we've reached the 'what the heck is even happening' portion of the event#anyway i completely screwed up the resolution of these so here's hoping they don't look terrible!#whoops!
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laundrybiscuits · 9 months
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(ETA: now edited and up on AO3)
Look. Eddie knows he can be a little uptight about these things, but. There are rules. If you become a vampire, you don’t need to go full gothic Count Von Dickhead or whatever, but you absolutely cannot just wander around in a puffy vest and light-wash jeans. 
“Why not?” says Steve. He’s leaning back in an armchair, sipping on a bloodbag like it’s a goddamn juicebox. “What, are the vampire police going to arrest me?” 
He pauses. “Wait. There aren’t vampire police, are there?”
“No,” says Eddie. “Probably not. I don’t know. But there are standards which you are refusing to uphold, Steven.”
“Thought you were all about hating conformity, Edward,” Steve says. He’s got an obnoxiously cocky little smirk, the smug undead fucker. 
Eddie grimaces. “Don’t call me that, asswipe. Don’t you feel, like—the call of the night? The siren song of life coursing through fragile human veins? A hunger for destruction that those paltry plastic bags of blood can never truly slake?”
“The bloodbags aren’t so bad,” says Steve, around the straw. “Better than protein shakes.”
“I actually hate you,” Eddie tells him. “Vampirism is wasted on you.”
Steve noisily slurps the last of the blood out of the bottom of the bag. “Come on, you can’t really picture me in some Dracula getup, can you?”
The problem, of course, is that Eddie really, really can. When Robin had read him in on the whole situation, obviously he’d been horrified and concerned—but also, a whole wing of his brain had immediately been cordoned off to work overtime imagining Steve in elaborate Dark Prince regalia, maybe leaning elegantly out of a castle window on the moors, gazing into the foggy dusk. Velvet might’ve been involved.
“...guess not,” says Eddie. It doesn’t sound incredibly convincing to his own ears, but Steve just shrugs and gets up to throw the bloodbag away. 
“There you go, man,” he says, clapping Eddie on the shoulder as he passes. “It’s the 80s. Vampires can be whatever we wanna be.”
———
It gets way too easy to forget about Steve’s condition, until Eddie ends up having to haul him out of a bar in Indy before they get banned for life.  
“Simmer down, buddy,” Eddie says, pulling him into the shadow of the van. “Let’s get those fangs packed away before any of the nice villagers wander by with torches and pitchforks.”
“I’m good,” pants Steve. “It’s all good. Don’t worry about it. It’s fine.”
Eddie lifts an unimpressed eyebrow. “Sure, that’s why your eyes are glowing red and you’re, like, fully vamped out. Which, by the way, looks extremely dumb with the whole clean-cut vibe you decided to rock tonight.”
“Fuck you, I look great,” says Steve, pushing a hand through his hair. He’s not wrong, it’s just not relevant to how he also looks extremely dumb like this, wearing a pristine henley with fangs hanging out in the parking lot for anyone to see.
“So what the hell happened in there, man? I was finally starting to get somewhere with Todd, and…” Eddie trails off in dawning realization.
“Holy shit, am I—I’m like your territory, aren’t I? Your stupid vampire brain got all screwy and decided to loop me in with Robin and the kids as part of your freaky human coven.”
“Uh,” says Steve. He looks unhappy in a shifty kind of way. “Something like that, maybe.”
“Wait, so, are Nancy and Jonathan—are you okay with them because they’re both already in the vamp pack? Is Vickie gonna have to be inaugurated before she and Robin can bone down?” Eddie perks up. “Shit, is there a ceremony? We could totally do a ceremony.” He bets he can get the kids to liberate some velour curtains from the drama club. With a few candles, they could get some serious atmosphere going.
“No, shut up, nobody’s doing a damn ceremony,” Steve groans. “Vickie’s fine.” 
“Okay,” says Eddie. “So…you gonna tell me what all that was about, then? Do I have to start running guys past you first so your vamp instincts don’t wig out? Or…hm, maybe Argyle’d be down to mess around sometime.”
Steve lets out an actual snarl with weird animal echoes, then claps a hand over his mouth.
“Sorry,” he says, muffled. The shadows around them seem darker somehow. 
“So I’m just not allowed to get laid ever again,” says Eddie slowly. “For vampire reasons.”
“Do whatever you want, man.” Steve’s still got his hand pressed tight over his mouth. 
“And it’s…just me?” Eddie peers at the tightness around Steve’s eyes; the way he’s scowling stubbornly at his feet. “Huh. Kind of…possessive, Harrington.”
“It’s—weird,” says Steve miserably, dropping his hand at last. “I know it’s fucking weird.”
“Maybe.” Eddie shrugs, biting down on the grin he can feel tugging at his mouth. “Lucky for you, I’m into that shit.”
“What?” Steve frowns. “You’re…”
“Always wanted a vampire boyfriend,” says Eddie. “Like, are you kidding? I would’ve sold my fucking soul at 15 for something like that.”
“I’m starting to feel a little objectified here,” says Steve, but he’s smiling, and he reaches out to snag Eddie’s belt loop and tug him stumbling closer. “Just in it for the fangs, huh?”
“Well, you’re kind of a shitty vampire, actually.” Eddie drapes his arms over Steve’s shoulders. “So I guess I must just be in it for you.”
Steve hesitates, searching Eddie’s face. Stray red lights are still sparking like embers in Steve’s irises. “Okay, but—you’re in it? Right?”
“Couldn’t get rid of me if you tried, Bunnicula. I’ll send the vampire police after you, just watch me,” says Eddie, and kisses him.
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ratcandy · 2 months
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alright baby after a full SEVEN HOURS, here's a rough little thing .
When I first got Shamura in my cult and realized they had seemingly completely lost their memories, I was just immediately reminded of this scene from Bojack Horseman and. well it plagued me for AGES until I finally went insane to make this thing.
'cause i mean . angsty ass men who have so much pent up rage towards a family member who treated them poorly but cannot properly express it due to said family member lacking any memory of it. amiright
some frames i like:
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redrocketpanda · 10 months
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Something that has been driving me insane about the credits are these sections with the fish so please bear with me whilst I do a mini deep dive (hehe) into fish discourse because YO, we need to talk about these fish!
Notice how at the beginning of the credits we actually have two white fish swimming along beside one another; one with bright turquoise eyes and the other with black.
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A little while later the fish begin to circle each other and a droplet falls into the water between them. As the disturbance ripples out from the center, one of the fish dives deeper into the water and changes its colour to black; symbolizing Geto's change and descent into darkness
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Then we have this heartbreakingly beautiful moment with Gojo and Geto:
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I cannot stop thinking about how long Gojo watches the black fish for as it swims across the screen, whereas Geto's eyes are lowered the moment the white fish appears and he closes them as it swims past.
Gojo cannot bear to tear his eyes away, whilst Geto cannot bear to look
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Throughout the credits, Gojo and Geto have been making their way towards each other through the pouring rain (or mostly sitting and waiting in Geto's case). At the end, they meet each other under a bridge and as they walk away together we see the fish a final time, swimming together again in a puddle formed by the heavy rain.
Geto walks on the left in the light, as the white fish swims close to his head, almost invisible in the brightness of the light. Whilst Gojo walks on the right in the shadow with the black fish swimming further away but still close by.
The fish speed after the two men before disappearing completely under the water just before the camera pans up and we watch as Gojo pulls Geto in for a hug as they walk away, before he's playfully shoved away by Geto.
There's a lot going on the credits (+ opening) that is absolutely killing me but man, these fish?! Breathtaking.
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imfinereallyy · 1 year
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Eddie draws on the edge of Steve’s hip, where his shirt rides up from stretching across Eddie’s bed. He’s humming to himself a song Steve doesn’t recognize, but it soothes him.
“What are you drawing?” Steve speaks softly; something about the moment feels gentle. He doesn’t want to break it.
“Hmmm, it’s a secret.” Eddie peaks beneath his bangs and smiles.
Steve leans up on his elbows, “Well, that’s not fair; I think I should know what’s going on my body?”
Eddie only looks at him with mischief as he continues to doodle. “Be grateful, Harrington. You’re getting an original Munson for free.”
Steve can’t help the laugh that escapes him. It is just like Eddie to say something like that. Playful and mean, it makes something settle in Steve. For a long time, he only knows the pain from harsh comments or a sentence with a bite. It is a welcomed change, to feel a bubble of happiness after a light jab.
“Whatever you say, Munson. Just let me see.” Steve tries to push up further to sneak a peek, but Eddie uses his free hand to push him down to the bed. He just happens to catch Steve off guard, sending him into a sprawl that can only be described as a starfish.
“I’m not finished yet.” Eddie grabs his hips and pins him still while he draws. After a few more moments, he says, “Done!”
Steve looks at his work and releases a snort that breaks the careful tension between them. “Are those boobs?”
“Why yes, they are, and a good representation if I say so myself.”
“Do you even know what boobs look like? Like the live version?” Steve knows he should be mad at the sharpie-drawn breasts on his body, but he can’t find it in him to have an angry tone.
“We’ll no. I don’t. And I would much prefer to keep it that way.”
Steve chokes on his spit a little bit, “Did you just come out to me, Eds?”
Steve isn’t sure what he expects. Denial, maybe, Eddie taking back what he said. Steve knows he isn’t handling this right. He doesn’t think Robin would be too happy with his response.
Steve thinks maybe he should see a little bit of fear in Eddie’s demeanor. That shakiness that comes with telling someone a dangerous secret.
What he gets, in the end, isn’t something he could have predicted. Eddie smiles softly, a little bit of his tooth peeking out, and lays his head gently on Steve’s leg. He’s calm and collected. He’s happy, Steve realizes.
“Yea, I guess I did. Not like it was much of a secret, though. Are you upset?” Eddie draws soft circles around the drawing on Steve’s hip—the rough callous on his thumb contradicting his tender touch.
Once again, although the conversation should be anxious, it’s not. Eddie’s question is spoken like he already knows the answer. Maybe he does.
“No, Eddie. I’m not mad. Never would be for that. Just thought it was a funny way of sharing a secret. Though, gotta admit, a very you way of doing it.”
This time Eddie throws his head back when he laughs, before settling back down on Steve’s leg. His giggles never really settled. “Like I said, Stevie wasn’t much of a secret anyway. Well, between us, that is at least. I like to think some, if not all, the kids are oblivious.”
“Erica definitely knows.”
Eddie’s eyes widen in mischief, “Oh, for sure. Pretty sure she would kick the others' asses, too, if they gave me shit for it. And she kicks hard too.”
It’s Steve’s turn to laugh. He’s never had this before, this casualness to serious conversations. Before, Steve is used to screaming and punching, drunken confessions in the bathroom, and throwing up on the mall floor. It isn’t like this, now, with Eddie in his trailer bedroom. It’s good. It’s safe.
“Thank you for telling me, Eds. Something like that is hard to share no matter who you tell it to.”
The softness is back again, “Like I said wasn’t much of a secret. Besides, I don’t think there isn’t any secret of mine you don’t know, Stevie. I think even when I don’t tell you, you kinda already know, don’t you?”
Steve leans one arm forward, while he places his weight on one elbow. He gently takes Eddie’s face in one hand, rubbing circles in the same motion as Eddie’s thumb on his hip.
God, I want to kiss him so bad sometimes, Steve thinks.
“Yea, I already know.”
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archivistea · 3 months
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OH MY GOD.
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monochromeblend · 6 months
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fluorescent shrimp
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butchfeygela · 1 year
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ive said this for a few years now but football is the modern gladiator games. its a blood sport sold as the 'ticket outta here' for way too fucking many poor disenfranchised boys. if you can survive getting to the top, you can make the owners disgustingly rich get untold fame and riches.
and when their bodies break down and their CTE causes increased aggression (outside the approved violence of the game) theyre thrown aside as some sort of pariah or martyr and left with their riches quickly dwindling to the rest of their lifes medical costs.
its a blood sport, and unlike most of the other really brutal sports (im thinking rugby and like roller derby level contact sports) its one that makes the owners and advertisers richer than most of us could imagine combined
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aroaceleovaldez · 3 months
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im really not a fan of Rick's recent trend of recycling bits of his writing that got a good reaction the first time and acting as if that's a valid substitute for. actually bothering to write something original a second time around. It's clearly just there as a callback and nothing more.
It's "Nico's rage exploded" and "Percy's rage exploded" with the exact same paragraph formatting. It's CoTG having titles like "My Singing Makes Things Worse, and Everyone Is Totally Shocked" (reference to TLO, when Percy says he thinks his singing would cause an avalanche) or "Pretty Much the Best Good-Night Kiss Ever" (reference to TLO "Pretty much the best underwater kiss of all time") or any other number of near word-for-word references to the first series. It's Nico calling Percy "seaweed brain" in Un Natale Mezzosangue (when Percy says in TTC that anybody but Annabeth calling him that is a major offense). It's Nico and Will falling into Tartarus in TSATS word-for-word referencing Percy and Annabeth in House of Hades, despite it not making any sense for their characters (and otherwise being written as Percabeth 2™). It's the show making huge changes but keeping random "fan-favorite references" (mostly overusing "seaweed brain" and "wise girl" and emphasizing percabeth) only because they're popular in-jokes and considering that a faithful enough adaptation to market it heavily as such. It's lazy writing.
And it's a disservice to the series and to the audience, because it clearly shows Rick doesn't have original ideas anymore (though given all his writing is heavily derivative to begin with, it begs the question how much was original in the first place and how much he has difficulty when he doesn't have a structured mythological plot to work from) and that there is an expectation that the audience will just sit down and accept that behavior hook-line-and-sinker. Everything recently is clearly such lip-service to the audience, either in retcons that are overt speaking-to-camera acknowledgements of things he's been criticized on or wink-wink-nudge-nudges of community in-jokes that have no business in the actual text (see: over-use of ship names in canon). Especially since Rick tends to be about 5 years behind on the fandom uptake. It's just so disappointing to see.
#pjo#riordanverse#tsats crit#pjo tv crit#rr crit#< OH BOY A TRIPLE#MCGA's reference to Jason's concussions in the chapter titles is on thin ice but can stay for now#callbacks can work! in-jokes and references can work! see: Percy's dam joke in Son of Neptune#or Percy in the musical making the joke about his singing causing an avalanche as a reference to TLO#or any other number of references in the musical#but you need to know when they belong and when they ABSOLUTELY DO NOT#and when it's a fun nod and when it just feels like you're copying your own homework#a great example actually - i was recently reading an *excellent* fic by @vivitalks#and in it Jason uses the phrase ''you knock me out'' as a fun nod to Jason's ''you're a knock-out'' in TLH#that's a good little reference! that's how you do it!#a character who has already used one phrase uses a similar phrase. because theyre the type of person to say that phrase.#that's already been established. and it highlights something about their character that they return to that phrase#in that fic it highlights that Jason is a total dork especially when it comes to romance#Percy's ''dam'' joke reference in SoN works because it's only used once very briefly and it's very quickly brushed by#and it's literally Percy making a reference to his own past and acknowledging that he's doing that. it's his own in-joke! that's reasonable#it's not reasonable to expect FOUR DIFFERENT PEOPLE to have the EXACT SAME REACTION to FALLING INTO SUPERHELL#especially when they're established to all be EXTREMELY DIFFERENT CHARACTERS with DIFFERENT DYNAMICS#long post //
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mortispoxi · 2 months
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Seeing Twitter users recommending the People Make Games documentary as a good way to get insight on the issue is so….
I know, I’m always extremely disappointed whenever I come across someone who thinks it’s the end all be all explanations regarding the Studio ZA/UM situation.
Recommending that video always comes with a heavy caveat from me that the person needs to stop around the 40 minute mark since the interviewer shows a very clear bias that’s unbecoming of a journalist.
Regardless, now that more people are finding out about these layoffs, which might take out members of the studio that have been there since the beginning, it could finally help smack some sense into those Twitter users that actually thought, FOR SOME REASON, Rostov, Kurvitz, and Hindpere were lying for shits and giggles rather than seeing what's ACTUALLY going on which is that the investors have a very obvious agenda against the real wronged party. Hopefully this'll also open their eyes to how the People Make Games video fed into this twisted narrative that Kurvitz was somehow at fault/responsible for the theft of his own IP, but that might be asking too much from their concrete brains. Here's hoping though!
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daily-hanamura · 4 months
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enden-k · 9 months
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my favorite flavor of haitham 🩵🩵🩵
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[ID: a digital comic based on the owl house, featuring Hunter and Willow. The comic is a redraw of the "alphabet confession" meme comic. In the first panel, Hunter stands nervously in front of Willow, saying "I..". The next panel is a closeup of Hunter as he continues, saying "I...I" with an intense expression. In the third panel Hunter stops and looks suprised as Willow (partly off screen) continues, saying "J, K, L, M, N, O, P...". The next panel is a closeup of Willow, somewhat bashful, continuing listing the alphabet, now on "Q, R, S, T, U, V...". The penultimate panel is a closeup of Hunter as he finishes off the alphabet for her, saying "W, X, Y, and Z". He looks equally bashful. The final panel shows Hunter and Willow holding each other and seemingly spinning in mid air as flower petals circle around them. The comic is in black and white with the gutters between panels being light pink, and Hunter and Willow are both in their post-thanks to them designs. End ID]
HAPPY 1 WEEK TIL FOR THE FUTURE! Here's a silly comic idea that would not leave my head <3 they are so fucking stupid
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