I don’t think I’ve ever seen any type of media so clearly portray how my writing changed before and after I realized I was queer like Nimona. ND Stevenson’s work is just so familiar it pains me in an absolutely incredible way.
Plenty of people point out the differences made between the comic and the movie (and loving both regardless, of course). Most of them mention how the movie has a happier ending, its portrayal of its messages has shifted slightly, and its way more obviously a queer (especially trans) metaphor. I don’t know if any other writers had this happen, but if I had to describe how my writing changed from tiny little twelve-year-old me to the current day, I’d just point in the direction of how Nimona changed from the comics to the movie. It’s alarmingly similar.
Its all just...dripping with coming to terms with ones queerness. Not just from the plot, but from its very existence as a film. Its an evolution of growing up queer. The end goal, the base message, remains the same, even if the methods getting there are different. Because what someone made when they were twelve and had no idea what they were going to turn into and what they made as an adult with so much that changed, and so much left to change, are going to have so many different methods.
How Nimona was born the way she is, how the story changes from a corrupted core with no happy ending to being about ending that corruption and coming out okay, how Ballister’s grudges and issues with Ambrosius changed, all of it is just so indicative of changes made throughout ones life where these tiny little details are tweaked into something new, but still fundamentally the same story at its heart.
Even if this is just a me thing, I didn’t realize how excited I could be at seeing so much familiarity in a film. Good lord, I need to watch this movie again.
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Hey are u ok? I'm just asking because u haven't been posting much
Yea, I'm Alright. I Was Taking Breaks For Like Idk 10 Seconds And Came To Funimation (Yes I Have Funimation-) =u=
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btw i had a feeling one of my classmates was cheating on her husband and today i had the balls to ask her and she confirmed my suspicion
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One of my favourite mundane weirdnesses about Edinburgh is that we set the big clock visible approaching the station to be 3 minutes fast to make sure people are on time for their trains. My Favourite mundane weirdness of Edinburgh is that we check this by firing a cannon.
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man supernatural might be bad but also ill be damned if thats not the most american show ever. like theres movies and tv that've tried to be this american but 99% have failed. you watch a particularly good episode of supernatural and suddenly you feel the hours of highway winds against your skin and theres more asphalt road than livable terrain for miles and you eat the best meal of your life at a pit stop and you havent gone to church since you were a kid but you still think about praying sometimes and you split a 6 pack with someone you love and a few too many people around you have guns and the land around you is so big when youre right in the center of it you feel like it could swallow you up and you know for a fact theres an unimaginable amount of mythology just beneath the surface. and then you watch the next episode where sam kills paris hilton or something
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my main advice for writing an enemies to lovers relationship is to resist the urge to make the characters' loathing and attraction mutually exclusive opposing forces. it's okay if they're getting weirdly into it and having Thoughts whilst also sincerely wanting to kill each other with hammers.
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Something something let the little children come to me for they will inherit the kingdom of god
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actually, it would be really funny if gerry shows up in a statement in tmagp considering the arg confirms that he & sam were in the same unethical magnus experiment. like he just just up in the middle of a talker & goes "gerard keay??? the gerard keay from traumatic childhood??? my fucking trauma buddy gerry???"
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jason todd, the kind of man to get locked out of editing his own wikipedia page.
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