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#anyways work sucks
rendevok · 7 months
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“Promise” - a nrmts + trucy comic
This comic is for @metaphorical-goblin for the Nrmts creators server art/fic trade!
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thegroundhogdidit · 8 months
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it's real fucking strange that the corporations think customers affected by the strike want the writers and actors to give in for the strike to end. like no i want the strike to end because the corporations gave in. like actually i do care about movies and tv shows being delayed but i also want the actors and writers to be paid. why is this so hard for the corporations to understand
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inkskinned · 9 months
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it just sucks because nothing is ever fucking made for you, and if it is made for you like 75% of the time it gets chopped into little pieces by every person alive because this is the one thing you have, so it has to prove itself to you.
like, a thing can't just be for women. men need to assign it to women. women have to experience "must" or "should" before their hobbies and passions - women are allowed to do silly, passive things like tuck our ankles and titter behind a fan, or something. women are allowed to, they are welcomed to. like the world is a house and we are supposed to be in the kitchen and now we are being given the divine right to enter the living room if we bring chips
because when it becomes for you, or about you, that is when the thing is vile. you should/must wear makeup so you can appear beautiful to men. once you wear makeup for yourself, or because you yourself enjoy putting it on, then you are no longer doing the right thing. there is a reason men hate certain fashion trends. there is a reason men hate things like the pumpkin spice latte - because it's not about them. you are buying it because it is good for you. they degrade your passions and interests. there is a reason women-led fields are largely seen as being "not a real" profession. when you are a good cook, that is because you can provide for him. close your eyes. you're not going to be a chef, be honest. that is a man making food for himself.
bras are made so breasts will be appealing to men. they are rarely about comfort or support. you have given up entirely on the idea of pockets. young girls have to worry about a shorter inseam on their shorts. a girl on instagram gets her septum pierced, and men in the comments are rabid about it - i just want to rip it out of her face. she'd be beautiful without it.
and fucking everything is for them. even the media that is "for you" is for them, eventually. remember "my little pony"? remember how hard it is to convince any executive to believe that little girls are worth selling to? in the media that is for you, you see little ways that you still need to make it accessible for them - the man is always powerful, smart, masculine. he is a man's man. the media usually forgives him. it usually says okay, some men are awful, but hey! gotta love 'em. because if you don't hold their hands and say "this is literally just a story about my lived reality", they shit their pants about it. they demand you put them into the media that's for you.
these are people who are so used to glutting themselves on the world. they are used to having every corner and every dollar and every place of leadership. so you say can i please have one slice of cake, just for myself, please, holy shit. and they fucking weep about it. they say you're being unfair, because some of their one-thousand-slices aren't beautiful, and your singular cake slice doesn't have their name on it. and aren't you being rude by not offering to share?
and honestly. fucking - yeah, man. you were kind of surprised, because the cake is a little basic (you bake at home, you're way past this stuff). but holy shit, it was nice just to be offered cake in the first place. you're used to having to starve. you're used to getting nothing, but going to the party anyway, because you're expected (professionally) to show up. you liked that it is a simple cake, and that it is warm, and mostly: you like that there is, for once, a cake-for-you.
in the real world, outside of metaphor, it feels like fucking being slapped. barbie didn't even say anything particularly unusual; it literally just made factually evident points. there are less women in leadership than men. we can look at that fact objectively. that is a real thing that is happening. and the movie is aware that it has to defend itself! that it has to spend like half an hour just turning to the camera and saying: i know this is hard for you to understand, but this is a real thing that women experience.
it's just - this is that one kid on the playground who thinks its allowed to hog all the toys. he builds this hoard that nobody else is allowed to even look at, or he'll get aggressive. everyone's a little scared of him, so they let it slide, because his daddy gave him the golden touch. he hates when people cry and thinks bullying is cool. he writes boys only! on a big sign and makes all his friends take "alpha male" classes.
and then girls pick up barbies, because there was nothing left for them. and in the void they've been given, with their scraps: they make long, spiraling narratives about how barbie is actually descended from snakes and has given her righteous followers magical (if concerning) powers and can speak 32 languages (2 of which are animal related) and has big plans for infrastructure (beginning with the local interstate). and the boy comes over, and he has a huge fit about how the girls aren't "including" him. he wants to know why the girls aren't making the story about ken.
"we didn't like your story." the girls blink at him. they point to his war stories and the gi joes and the millions of male-led narratives and how still in the modern day men get two-thirds of the speaking roles in movies and they point to men making mediocre shows that don't get lambasted and they point to men encouraging toxic masculinity and they point to men everywhere, men and men and men. and they say: "how is this our fault? you had ken."
"no!" he is already back to screaming and stomping his feet and tearing at his hair and intentionally reminding them that men are holding back thinly concealed violence and he says: "if it's not for me, it's actually sexism."
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guinea-pig-enthusiast · 5 months
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A comprehensive guide to my mindset when I play Minecraft:
Dig holes in the ground overnight to hide from the mobs. I cannot fight at all, and this is the only strategy I have.
If I ever get lost (which is very often), I am not able to use the environment to find my way around. My only option is to not dig a hole at night and hope I remember anything about where I respawn.
There is nothing intuitive about crafting recipes to me. I can make crafting tables and glass. Guess what I build my houses out of. Guess.
I saw someone say that enderpearls are "really good in the early game". Absolutely hilarious. My "early game" is three years in the making, and I don't even know what diamonds look like in-game.
Message my friends about the progress I'm making! I got a lot of cheers when I played for like twenty hours over the course of the week to find iron.
(I was actively looking for Iron the whole time.)
What the heck is an enchantment?
There are chests everywhere full of junk that I'm sure will be useful later. As long as I remember it's there. Which I won't.
Punching fish may not be effective but it sure is fun
I can't fight any mobs, but I have never won against a spider. If I see a spider, I either run or perish.
I like to look up inspiration online by seeing what other people build! It's always way out of my skill range, and I never will actually be able to imitate it, but it sure looks nice, doesn't it?
Google "where do I find x?" because I only know the location of dirt, and then I do not understand the coordinates system thing that's happening when I find the answers.
Marvel at the squid(?) creatures. Man, they sure know how to swim.
I never know where I am.
What even is the End? I went to the Nether once I think, but I'm pretty sure y'all are messing with me about the End.
If I see coal, I am filled with the sudden need for torches. It does not matter how many I have, I can always have more.
Marvel at the beauty of the pigs.
Half of my inventory is pickaxes. Just in case I get stuck in another cave.
So. Biomes, amIright?
I think I'm being lied to about redstone there is no way that is real
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jiiyawns · 10 months
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yeah im normal. im very normal. so normal. shadow prime amirite guys
i like this one the most so close up (ironically, this is the color palette i was the most scared to deal with bc i don't usually use greens)
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mothcpu · 1 year
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seeing your ultrakill art is fucking killing me. the way you're drawing murderous robots is adorable oh my god
what can I say, I'm a big fan of the gap moe trope
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sinsations-art · 7 months
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marisatomay · 1 year
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tom brady is so funny because he could have retired last season at a nice height while everyone in sports was out there sucking his dick calling him the GOAT but nooooooooooo he had to throw a fit and renege on his retirement to play one more season because some sports journalist on twitter broke that he was retiring before he could say it himself and now look at him. his hot supermodel wife left him, he had a losing record, lost the wildcard game, choked so badly in his final game in front of tom cruise that cruise left early, everyone knows he’s a little bitch, his team hates him, gronk already retired, and he’s stuck announcing his retirement via a front facing direct to camera video on twitter. the eagles are back in the super bowl. couldn’t have scripted it better myself. mwah.
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bitchfitch · 7 months
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I need someone to kill me. I've been making a horse in magic poser for like. eight hours and I'm in hell.
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it still needs back legs and I hate it. (I'm grumping but it's taking so long because I'm making it a Good poser that I will never have to make again and will be able to resuse infinitely. The devs will announce that they are adding horses within the month I guarantee you that.)
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noxious-fennec · 5 months
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A redraw of an old thing because exam season is the only time i get creative energy ig
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somegrumpynerd · 8 days
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It's interesting to think about how, to me at least, Dust and Killer are like mirror versions of each other.
One who joins a villain enthusiastically, jumps at the chance to leave his past behind and have a purpose again, and the other who has to be dragged in, would rather rot in the consequences of his own actions.
One who needs orders, needs the distraction and the action and the thrill, can't sit alone with his thoughts for too long lest he hear them clearly, and the other who can't bring himself to ignore the ghost over his shoulder, would rather sit in place and listen to his own self loathing parroted back at him than stand up and find a way to drown it out.
One who doesn't associate with his past anymore, that wasn't me and I wasn't him, and cannot stand the thought of going back from where he came, and the other who wants nothing more than to be his old self again but feels so strongly that he doesn't deserve to return to the life he tore down himself.
They both wear their new names like dog collars, but one is a gift given by someone else because he's theirs, he has somewhere he belongs that he's expected to return to, and the other is a choker tying him to a post, warning others of his danger while never allowing him to get out of arm's reach of his past.
And getting them both back-to-back while trying to understand mortals was probably enough to give Nightmare whiplash
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day 100
genres of magical girl
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autoraton · 2 months
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Riz pulling so much weight for everyone and securing votes vs Kristen being the closest to failing out of school thus inadvertently screwing him. plus her inadvertently bringing Kalina back, who as it stands serves as an antagonistic and deeply painful force in Riz's life. there's just something really ripe and tragic about their friendship rn (even moreso if you wanna throw in the meta that the narrative was steered towards Riz running against Kipperlilly) and it's neither of their faults. I feel like I'm watching a disaster in slow motion.
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doodlebloo · 8 months
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Is this anything
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aquickstart · 4 months
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ok sure i'll talk about farleigh start. i'll talk about his tragedy of never being enough as it were and then having to deal with fucking oliver. sure. disclaimer: it's about class (and race) and the horrible reality of the rich. the horrible reality of living as farleigh.
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another disclaimer: i'm white! and poc definitely pick up on everything i'm talking about here as it is, and better. i was and am specifically interested in farleigh vs. oliver but it's impossible to examine without considering race. definitely let me know if anything abt this sucks!
farleigh and oliver are similar. it's annoying because every intruder that is not himself is annoying, partly because felix's attention swaying from farleigh is dangerous; there is always a threat of being discarded, even if no precedent existed. the potential is terrifying.
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but you'd think he's seen this before, every summer (if venetia is telling the truth) or at least often enough to learn to recognize it fast, so he should know this will pass. part of it is i think still the deep anxiety, and i think he hated every boy that was there before, and it is sort of routine.
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but definitely a huge factor in farleigh's annoyance is the fact that he's a biracial (black for cattons, that's all they see) man in a white rich household. he's alert and exhausted all the time. of course he's angry at oliver, regardless of whether he's the first to crash at saltburn for the summer or the fifty-first.
but the important thing is this.
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farleigh is very jealous of and angry and pissed at oliver because farleigh sees all the similarities between them. outsider, in financial trouble, whatever it is, in need of cattons; and yet oliver is preferred. and farleigh seems to be the only one to really consider it. felix does not pick up on the hint when farleigh brings up the birthday party vs. his mother. felix's clumsy "different or... anything like that" is as much about race as it is about class, of course. the "we've done all that we can" bit is felix absolving himself of guilt because surely they had, surely the mysterious collective cattons that he's not really part of had tried all they could do. to him, farleigh is different from oliver, because farleigh has been helped. felix is rich and white and twofold uncomfortable with farleigh, even if he's nice about it, even if he genuinely enjoys his company; he doesn't look too close at farleigh because he feels too guilty to come too close. and farleigh can't do anything about it. he can't nice himself into it. the fucking tragedy of him is that he's never enough in the world of the ultra-rich white, even if (especially because!) he's born into it.
farleigh is very pissed at oliver because farleigh also sees all the differences between them. you know who can be nice poor white enough to fit in? fucking oliver. felix says "just be yourself, they'll love you" when oliver first moves in. farleigh was also probably told the same thing, and felix also probably believed that farleigh could just be himself, but even if the cattons were magically not racist at all (impossible), it wouldn't make a difference to farleigh. he would still self-censor, keep in check, be in dangerous waters (because racism is not just about the individual, but about the system). we see that he'd won himself leeway by years of trial and error by the way he speaks to the family, but it's still within the boundaries of acceptable, built by the cattons. he's part of them because they allow it, and farleigh is very, very aware.
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the annoying thing is oliver can be himself. like, truly, genuinely, he can just be. and farleigh can't help but envy that.
as a side note, oliver is obviously jealous of farleigh in the beginning as well, because regardless of the reality of farleigh's situation, he was born into it, and hence, at least in oliver's mind, has his position solidified. oliver's whole thing is unquenchable thirst and hunger for whatever and everything the cattons have (including themselves!). he wishes to have been a catton from birth. to oliver, at first, there's nothing farleigh can really do to lose it. and until he figures out the cattons completely, he can't help but envy that.
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but i think farleigh senses something different about oliver early on. at least on the level of the text, we have "you're almost passing [for] a real, human boy", which is so important because farleigh is the first to point out oliver's weirdness. the next to do so is venetia in the bath scene calling him a freak, but it's too late. farleigh is too early.
and i like to think he clocks oliver too early because he sees the jagged edges that he recognizes in himself. i think that one other thing that farleigh envies is oliver's freedom to let go. freedom to let go is very similar to freedom to be, but not quite the same.
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to be is about perception: farleigh knows he cannot fall out of line, but would like to, and oliver does not have to worry about it at all (i mean, he does, because oliver also performs for felix, but farleigh doesn't know that).
to let go is about the self: farleigh is too scared to even want what oliver eventually does, to even consider the possibility. oliver can let himself want. oliver can let himself act. oliver just can do things and want things. i'm not sure farleigh can.
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and so in this scene, when oliver's wants and actions have landed him nowhere with farleigh, felix, venetia, the cattons, of course farleigh gloats. he can let himself do that, because if the cattons are slowly discarding him, farleigh can allow himself this one small victory. he's relieved because despite the dangerous similarities, oliver is, thankfully, not really the same as farleigh, right?
but like. this movie is a love letter to all things gothic. oliver is a white man. he prevails. the brief performance that oliver put on did eventually end up more effective than farleigh's lifetime of constraint. my heart fucking breaks for him to be honest.
the issue that remains is the fact of farleigh's survival. i like to think that oliver came to respect him. oliver is smart, but farleigh is clever. he picks up on everything oliver does (to refer back to the karaoke scene, farleigh immediately retaliates in the cleverest way, in the moment), and he's the only one to do so consistently (venetia, again, for example, comes close, but too late; oliver doesn't like that, there's nothing to work with). hence, stay with me for a little longer, the paradox: farleigh survives because he was never enough for the cattons, but he is very worthy of oliver's attention. in his own freaky way, oliver wants him. look at that.
so. farleigh. farleigh might come back. he always comes back. and i think oliver wants to try harder next time.
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tei-to-tei · 4 months
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December 14 - Spare Time
1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | ...
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