Alfred Stevens (Belgian, 1823 - 1906) • Camille Lemonnier in the studio of the artist • late 19th century
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ladies in pink
Jacques de Lalaing, "Lady Sapphire" (detail) via hatibovic // Alfred Stevens, "The Japanese Mask" (detail) via herta_d
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Alfred Stevens (1823-1906)
"What is Called Vagrancy" (1854)
Oil on canvas
Realism
Located in the Musée d'Orsay, Paris France
This painting is representative of the early part of Stevens' career when he was keen on representing the squalor of the time.
Emperor Napoleon III thought the contents so shocking (a woman giving a beggar money to prevent her being locked up with her children by the police, which was the fate of vagrants without income) that he asked to have it removed.
The 1810 Penal Code considered begging a crime and vagrancy likewise. While beggars were not clearly defined, vagrants were clearly identified as “unscrupulous people [i.e.] those who have no certain place of residence or means of subsistence and who do not exercise any trade or profession.”
During the Second Rep1ublic, the electoral law of May 31, 1850 further alienated beggars and vagabonds, separating the homeless from the rest of society by prolonging the period of residence required in order to be able to vote in a particular commune or canton, from six months (law of March 15, 1849) to three years.
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Detail: Camille Lemonnier in the studio of the artist
by Alfred Stevens (Belgian, 1823 - 1906)
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Alfred Stevens, The Bath, 1867
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Alfred Stevens (Belgian, 1823 - 1906) • Memories and Regrets • c. 1874
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Alfred Stevens (Belgian, 1823–1906) • In the Studio • 1888 • Metropolitan Museum of Art, New York City
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Alfred Stevens Belgian, 1823-1906 “Portrait of Sarah Bernhardt” 1885 Oil on canvas Photo is taken by: @robertpuffjr Alfred Émile Léopold Stevens was a Belgian painter, known for his paintings of elegant modern women. In their realistic style and careful finish, his works reveal the influence of 17th-century Dutch genre painting. After gaining attention early in his career with a social realist painting depicting the plight of poor vagrants, he achieved great critical and popular success with his scenes of upper-middle class Parisian life. He tended to use the same models over and over again, and not all of them were aristocratic. (This writeup is taken from the description at the museum.) Hammer Museum, Los Angeles, California, USA #historyofart #arthistory #greatworksofart #artmuseum #art #artist #masterpiece #painting #museumvisit #artlover #artists #artblogger #alfred #stevens #alfredstevens (at Hammer Museum) https://www.instagram.com/p/Cn0y74srow3/?igshid=NGJjMDIxMWI=
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Alfred Stevens (Belgian, 1823 - 1906) • Woman from the back in front of a Mirror • Unknown date
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Alfred Stevens, An Actress (La comedienne) 1888
Alfred Stevens, Nouvelles de Absent or Mappemonde
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